Hear the Music: Focus your attention on the music as it sounds. This means excluding all distractions. Musicians must be able to focus their complete attention on the music at hand. Remember the Music. Remember what you have heard, or nothing you do beyond this point will matter. One of the best tests of your memory of a melody is to sing it. You must also be able to auralise it. Understand the Music. determine the pulse. determine the metre- is it duple or triple? write the metre using the vertical lines of protonotation. determine the rhythms of the notes in relation to the pulse and the metre. Find 1/do determine the scale degree of the starting note, and work out the subsequent scale degrees. Write the scale degrees above the rhythm lines in your protonotation.
Review Chapters 8 and 9. Do the following melodic dictations from each chapter: 8.5-8.7, 9.5-9.8
Chapter 8: Revise strategy on how to find do. Practice playing the tonic chord first, then without. Think in solfege and even sing the example first. Listen for the so-do relationship Chapter 9: Combine rhythm and pitch. Firstly do the first example 3-4 times and then do the next few examples and try and achieve the answer in 2 listenings . Write
annotations as to how you found your answers.
Do examples 20.5-20.9 Try and do examples in 6 playings or less. Finish examples in Chapter 18 and 19 if you haven't already done so.