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Learning how to play jazz guitar means learning how to properly outline chord changes using scales, licks, patterns and other melodic ideas in your lines and phrases. While learning how to play jazz guitar scales over ii-V-I chords is an important tool for any jazz guitarist to explore, often times learning the arpeggio for each chord can be just as helpful in building interesting and appropriate jazz-guitar lines over any chord progression. Though playing the arpeggio for each chord is a great way to outline each change in a progression, it can quickly become a bit boring if we simply stick to the exact notes in the arpeggio. So, in todays lesson well be explore ways that you can add Enclosures to your jazz guitar arpeggios in order to properly outline chord progressions, while keeping things interesting at the same time. In this lesson we will focus on one type of enclosure, adding a half-step above and a half-step below each note that we are targeting in our lines. So, if you want to target the root of each chord in a ii-V-I progression in C major, you would play Eb-C#-D for Dm7, Ab-F#-G for G7 and Db-B-C for Cmaj7. If you would like to explore this concept further, various enclosures and how to apply them to your jazz guitar lines, check out my in-depth article Building Bebop Vocabulary - Enclosures for Jazz Guitar.
Once you have this idea/concept under your ngers and in your ears, feel free to move on to the next enclosure in this lesson. If you have this enclosure down, it will make learning and applying all of the other enclosures much easier when you tackle them in the jazz guitar woodshed.
Have a question or comment about this lesson? Visit the Arpeggio Enclosure thread at the MWG Forum.