Donatella

The digital media signify above all a common encod-

ing of the image, of sound or of text. This encoding,
or “digitisation”, is developed out of concern for
naturalism through a level of definition which aims to

Bernardi be the highest possible; high definition both in

terms of the capturing of the signal and of its diffusion
(and no doubt linked to the phenomenon of simula-
crum and simulation).
The interface is the locus of perception of this encod-
Application for a ing, a kind of rallying point with which we are increas-
ingly inclined to interact: it is no longer just a matter

position as a professor of looking at it, of listening to it, but also of touching

it to make the desired information appear. The entire
contents of a book can be displayed by turns on a
in fine arts with single page, in the same way as a camera can now do
without reels of film or cassettes. This compression
specialization of information is such that we sometimes feel like we
are living in an immaterial world (Les immatériaux,
in digital media curators: Jean-François Lyotard, Thierry Chaput, Paris,
Centre national d’art et de culture Georges Pompidou,

KKH
1985). This illusion of immateriality is attracting
renewed attention in the interface, for suddenly,
“The sense appears and is played out on the surface,
at least if one knows how to mix it properly, […]
The deepest is the skin”. Gilles Deleuze, Logic of
Sense, 1969). Marshall McLuhan wrote in 1957 “No
sense operates in isolation”, in 1960: “What hap-
pened to the book after the newspaper? To the book
after the movie? To the book after radio and televi-
sion? Nobody seems to know. What has happened to
the movie since television is much better known,
and if studied not as a change in our view of the
movies but as a change in the uses and forms of the
movie, much can be learned about the movie, and
about television and movie at the same time; i.e.,
much that could not be learned by inspecting merely
one-at-a-time”.
This method of analysis and experimentation through
comparison and exchange will be central to my
teaching in the possible form of personal interviews
with students, outings, visits to exhibitions and
festivals, as well as lectures and viewings. The educa-
tional programme will be adapted to the specialisa-
tions and research of each individual. It is disturbing
to think that a sentence is always constructed
in the same manner: subject, verb, object; and that
when we write a narrative, we feel like we are actualis-
ing the Poetics of Aristotle, despite the installations
of Eija-Liisa Ahtila, to give just one example. Hyper-
text is revealing in this respect: it is above all a
question of neurology, whether it concerns the con-
temporary arborescences of our internet sites or the
mnemonic techniques of Antiquity and then of the
Renaissance deployed in the form of a palace or
theatre of memory and linked to the art of the imagi-
nary (Frances Yates, Art of Memory, 1966).
 Donatella Bernardi Born in Geneva, Donatella Bernardi lives and works
between Neuchâtel, Switzerland and Maastricht,
Date of birth: 30 November 1976
Holland. After having concurrently completed studies
Nationality: Swiss and Italian
at the Ecole supérieure des beaux-arts of Geneva and
Languages, written and spoken: French, Italian,
the Hochschule für bildende Künste of Hamburg
English, German
(diplomas awarded in 2001 and 2002), she concluded
Contact: +41 78 687 46 75
her training with a Master in History of Art and
bernardi.donatella@gmail.com
Philosophy at the University of Geneva (2006) and a
1 2
postgraduate course in cinema-video in the atelier
of the director Fosco Dubini (ESBA, Geneva, 2002-03).
In 2001, she founded the artists’ collective Zorro
& Bernardo and since 2004 has been a member of
AICA (International Association of Art Critics). She
publishes regularly as an independent critic. Member
of the Swiss Institute of Rome for two years (2006-08),
she has developed up to the present day:
1) an artistic practice, specialising in the realisation of
audiovisual pieces and installations (regular exhibitions
since 2004 and production of films since 1997,
participation in numerous international film festivals)
2) work as a programme organiser and curator (Forde
independent art space, Usine, Geneva, 2002-04;
Wunder Stanza exhibition design; Eternal Tour artistic
and scientific festival, Rome 2008, Neuchâtel 2009,
Jerusalem 2010, Las Vegas 2011) www.eternaltour.org
3) publishing projects (Décorum, supplement to Kunst-
Bulletin, Zürich, 10 issues, 2005-07, L’âne et le lion,
L’asino e il leone, Société des arts de Genève, 2008,
Short Guide, Eternal Tour 2008).
For 2008 and 2009, she has been awarded a Fine Art
Researcher grant at the Jan van Eyck Academie.
She is currently completing her first full-length film, a
documentary film about the Swiss Institute of Rome,
Les héritiers de la Comtesse (Box Productions,
Lausanne, Thierry Spicher and Elena Tatti). Commis-
sioned by the City of Geneva, she is the concep-
tualizer and curator of the exhibition Post Tenebras
Luxe which will be held at the Musée Rath in Geneva
3
from 25 August to 27 September 2009 and will
be accompanied by a publication from Editions Labor
et Fides.

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Studies
2006
Master in Art History, minors
in Philosophy and Spanish.
Université de Genève, Geneva, CH.
Directing actors workshop
with Pico Berkowitch. Function:
Cinema, Geneva, CH.
2004
Postgraduate courses in film/
video with Fosco Dubini. Ecole
supérieure des beaux-arts,
Geneva, CH.
2002
Master in Visual Communication,
Hochschule für bildende Künste,
Hamburg, DE.
2001
Master in Fine Arts, Ecole
supérieure des beaux-arts,
Geneva, CH.
Residencies Prizes/awards
2008—2009 2008
Jan van Eyck Academie, Swiss art award. Basel, CH.
Maastricht, NL.
Curatorial award. Post Tenebras
Luxe, Musée Rath, Fonds
2006—2008
d’art contemporain de la Ville
Istituto Svizzero di Roma (ISR),
de Genève (FMAC), Musée d’art
Rome, IT.
et d’histoire de Genève (MAH),
Geneva, CH.
2007
Swiss art award. Basel, CH.
Bourse Berthoud. Geneva, CH.
2006
Contemporary art mediation award.
Geneva, CH.
2005
Prix culturel Manor. Geneva, CH.
Swiss art award. Basel, CH.
Bourse Berthoud. Geneva, CH.
Films/videos
(selection)
2009
Les héritiers de la Comtesse.
Documentary film, Box Produc-
tions, 90 min., HDV.
2007
Peccato mistico/making off.
Essay. 1.19 min., DV.
Peccato mistico/short. Essay.
10 min., Super 16 mm.
2006
Tuer le temps. Part of the
experimental project ap.ch.
1 min., DV. Zürich, CH: Heller
Enterprises.
2005
Fortuna Berlin. Fiction. 22.30
min., DV. (Mamco, Musée d’art
et moderne et contemporain,
Geneva, juin-sept. 2005; Festival
international du Film, Mostra,
São Paulo, Brasil; European
Filmfestival Dokument ART, Neu-
brandenburg, Germany; Forum
d’art contemporain, Sierre;
41es Journées de Soleure;
Achtung Berlin Film Festival,
18e Festival de films de réalisa-
trices, Paris; Geneva Select
Market, International film &
television Market; Shift Festival,
Basel)
Le jardin secret de Daniel
Zappelli. Part of the experimental
project ap.ch. 3 min., DV. Zürich,
CH: Heller Enterprises.
Suivez-moi mademoiselle! Part
of the experimental project
ap.ch. 1 min., DV. Zürich, CH:
Heller Enterprises.
2004
Installation. Fiction. 15 min.,
Super 16 mm.
2002
Splitternackt. Fiction. 20 min.,
DV. Geneva, CH: Ecole
supérieure des beaux-arts.
Professional
activities
(teaching, jury/committee
membership, etc.)
2008
Workshop Artist and Profession-
alism, HEAD, Geneva University
of Art and Design, Geneva, CH.
Member of the jury for the Bourse
pour artiste de plus de 35 ans
(arts plastiques), Geneva, CH.
Founder member of Eternal Tour
committee, Geneva, CH/Rome,
IT/Neuchâtel, CH.
Member of Box Productions,
Lausanne, CH.
2007
Workshops and member of the
final exams jury. HEAD, Geneva
University of Art and Design,
Geneva, CH; Ecole cantonale
d’art du Valais (ECAV), Sierre, CH.
Member of the jury for the Bourse
pour artiste de plus de 35 ans
(arts plastiques), Geneva, CH.
2005—2006
Instructor on the course Art
and culture. Ecole de Multimédia
et d’Art de Fribourg (EMAF),
Fribourg, CH.
Since 2005, member of Forde
committee, Geneva, CH.
2004
Director’s assistant. Centre
d’édition contemporaine,
Geneva, CH.
Slide library assistant. Department
of Art History, Université de
Genève, Geneva, CH.
Founder member of Zorro &
Bernardo committee, Geneva, CH.
Since 2004, member of www.
agent-provocateur.ch, Zürich, CH.
Since 2004, member of AICA,
International Association of Art
Critics (Swiss section), Paris, FR.
2002—2004
Co-director of Forde,
independent contemporary art
space. Usine, Geneva, CH.
2001—2003
Research assistant HES on the
Critical Curatorial Cybermedia
programme. Ecole supérieure
des beaux-arts, Geneva, CH.
Books/catalogues
2008
Eternal Tour Short Guide, pub-
lished by Eternal Tour, designed
by Rollergirl (Harry Bloch
and Jacques Borel), written by
Donatella Bernardi and Noémie
Etienne, edited by Asuman
Kardes, photography by Adrien
Buchet, Italian/French/English,
87 pages, 14 color postcards,
Geneva, Zürich, Rome, CH/IT.
L’âne et le lion/L’asino e il leone,
published by Société des arts
de Genève, Classe des Beaux-
Arts, designed by Niels
Wehrspann, texts by Donatella
Bernardi, Giordano Bruno,
Piergiorgio Odifreddi, Demis
Quadri, illustrated by Dr. Shlomo,
Nicolas Wagnières, edited by
Zorro & Bernardo, Italian/French,
52 pages, Geneva, CH.
2005
Fortuna Berlin, poster, French/
English, published by Musée
d’art moderne et contemporain
(Mamco), design by Niels
Wehrspann, texts by Donatella
Bernardi and Christophe Cherix,
photography by Oliver Eckert
and Bettina Herzner, English/
French, Geneva, CH.
2004
Forde A4, production 2002-04,
published by Forde, designed by
schönwehrs, edited by Donatella
Bernardi, Cicero Egli, and Daniel
Ruggiero, English/French,
distributed by JRP|Ringier,
124 pages, Zürich, CH.
Book/catalogue contributions
(e.g. chapter in a book)
2009
“Beat Lippert, Véhicule”. In: 7/10, Ja, aber nicht ohne
exhibition catalogue, published Currywurst, with: Sandra d’Urso,
by Société des arts de Genève, Genêt Mayor, Markus Müller,
Classe des Beaux-Arts, Geneva, Ibn al Rabin, September 2006.
CH, p. 13.
8/10, Allélui’Allah, with Rudy
Decelière, Stéphane Fischer, Jan
2008
Lacki, Schönwehrs, December
“Olfaction susurrante à fleur
2006.
de peau/Susurrating olfaction,
at skin depth”. In: Alexandre 9/10, Pénélope la Fallope,
Joly, états de réalité non with Marie Sacconi, Vanessa
ordinaire, states of non-ordinary Safavi, Stefan Schoettke, Nicolas
reality, edited by Monografik, Wagnières, April 2007.
distributed by Le comptoir des
10/10, Décorum 10/10, with
indépendants, Blou, FR,
Donatella Bernardi, Bettina
pp. 17-21/22-27. Herzner, Alessandra Lukinovich,
“Entretien avec Kirsten Dufour: Christoph Riedweg, Martin
Let Us Speak Now, une archive Steinrück, June 2007.
vidéo féministe”. In: Inscriptions/
Transgressions, Kunstgeschichte
und Gender Studies, Histoire
de l’art et études genre, Art His-
tory and Gender Studies,
published by Peter Lang, edited
by Kornelia Imesch, Jennifer
John, Daniela Mondini, Sigrid
Schade, Nicole Schweizer, Bern,
Berlin, Bruxelles, Frankfurt am
Main, New York, Oxford, Wien,
pp. 189-205.
2007
“Rudy Decelière, Ces quelques
fleurs”. In: exhibition catalogue,
published by Société des arts de
Genève, Classe des Beaux-Arts,
Geneva, CH, pp. 2-14.
2 Chapter introductions and 3
notes. In: La Renaissance italienne.
Peintres et poètes dans les col-
lections genevoises, published by
Skira, edited by Michel Jeanneret
and Mauro Natale, Milan, IT,
pp. 116-117, 200-207, 238-245.
2005—2007
DECORUM. 10 issues, edited by
Zorro & Bernardo, supplement to
Kunst-Bulletin, Zürich, CH.
1/10, La Messe, with Laurence
Bonvin, Daniel Baumann, Hans
Ulrich Obrist, June 2005.
2/10, Médor, with Annette
Kosak, Francisco Torres,
Pierre-Philippe Freymond,
September 2005.
3/10, Je est un autre sous le
signe du scorpion, with Cary
Kwork, Gisèle Vienne, Dr Shlomo,
November 2005.
4/10, Travail au noir en bleu
de travail, with Ian Anüll, Blue
Noses, Pascal Colrat, Patrick
de Werra, Véronique Merckx,
January 2006.
5/10, Un cerf nommé cheval, with
Thierry Dubois, Maurice Evard,
Hee, Andrea Thal, Pierre Steulet,
April 2006.
6/10, Mondo Casino, with
Fabrice Gygi, INOUT, Adeline
Rosenstein, June 2006
 9

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GIORDANO BRUNO · DR. SHLOMO
PIERGIORGIO ODIFREDDI · DEMIS QUADRI
NICOLAS WAGNIÈRES · NIELS WEHRSPANN
ZORRO & BERNARDO

L’A S I N O
&
IL LEONE
20
S O C I É T É D E S A R T S D E G E N È VE
Classe des Beaux-Arts
Palais de l’Athénée, Sala Crosnier
, rue de l’Athénée ·  Ginevra
Esposizione dal  gennaio al  febbraio 
Vernissage il  gennaio alle ore 
Esposizione aperta dal lunedì al venerdì dalle  alle ,
12 13 il sabato dalle  alle  & dalle  alle 
 +     ·  +     ·  info@athenee.ch
www.athenee.ch

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Articles
(e.g. journal or newspaper
article, selection)
2009
Beat Lippert, “L’épine du
«Spinario» et le «Véhicule»”.
In: Kunst-Bulletin, January-
February, pp. 40-43.
2008
“Shahryar Nashat, La qualité
humide et molle du béton”. In:
Kunst-Bulletin, June, pp. 54-57.
2007
“La boîte à outils des Fulguro”.
In: Kunst-Bulletin, October,
pp. 49-52.
“Grand tour, Môtiers, Bellinzona,
Paris…”. In: Kunst-Bulletin,
September, pp. 44-46.
“Alexandre Joly, La réanimation
de la matière morte”. In: Kunst-
Bulletin, July, p. 51.
2006
“San qui rit, san qui pleurt”.
In: Kunst-Bulletin, December,
pp. 48-50.
“Numéro 10”. In: Kunst-Bulletin,
October, pp. 56-58.
“Photo-trafic”. In: Kunst-Bulletin,
June, pp. 50-52.
“L’Atelier: du coq à l’âne”. In:
Kunst-Bulletin, March, pp. 46-48.
2005
“Death by inertia”. In: Kunst-
Bulletin, November, pp. 42-44.
“Misses Henriod déshabillées par
Galliano”. In: Kunst-Bulletin, July/
August, pp. 46-48.
“La meilleure conscience pos-
sible”. In: Kunst-Bulletin, June,
pp. 50-52.
“De la zone au bonsaï”. In: Kunst-
Bulletin, March, pp. 38-40.
2004
“Entretien avec Katya García
Antón, Shirana Shahbazi et Ingrid
Wildi”. In: Passages/Passagen
(Pro Helvetia) Swixx Switzerland’
cultural worlds, 37, pp. 22-27.
“Ingrid Wildi. De palabra en
palabra”. In: Kunst-Bulletin,
pp. 48-49.
“La Suisse berlinoise: quelques
protagonistes”. In: Kunst-Bulletin,
November, pp. 40-41.
“Manifesta: With all due intent”.
In: Kunst-Bulletin, August,
pp. 38-39.
“Forde: manifeste”. In: Kunst-
Bulletin, February, pp. 34-35.
2003
“Le programme postgrade, critical
curatorial cybermedia”. In: Kunst-
Bulletin, January/February,
pp. 36-37.
Articles on web
POST TENEBRAS LUXE,
Les urbanités, 2 March 2009,
http://urbanites.rsr.ch/
blog/2009/03/02/musee-rath/
GRAND TOUR CAPITOLINO,
exibart.com, 2 July 2008,
http://www.exibart.com/notizia.
asp?idnotizia=24118.
Reviews
of my work
(selection)
2008
Brian Galileo, “Das Fähnchen
nach dem Wind drehen”.
In: Shifting Identities, [Swiss]
Art today, exhibition catalogue,
Kunsthaus Zürich, edited
by JRP|Ringier, Zürich, CH,
pp. 233-235.
Sabine Rusterholz, “Zorro &
Bernardo & Sibylle Stœckli”.
In: Speicher ist fast voll, exhibi-
tion catalogue, Kunstmuseum
Solothurn, edited by Edition Fink,
Zürich, CH, pp. 7-8, 22-25.
2007
Philippe Cuenat, “La grâce en
différé”. In: 12e Biennale de
l’Image en Mouvement, Centre
pour l’image contemporaine,
Geneva, edited by JRP|Ringier,
Zürich, CH, pp. 37-39, 81-83,
148-150.
2005
Grégoire Extermann, “Médaille
pisanellienne”. In: Retourner sa
veste, flyer, edited by Zorro &
Bernardo, Geneva, CH, pp. 1-5.
Lectures/
presentations
2009
Talking Objects. (16 January).
Maastricht, NL: Jan van Eyck
Academie.
2008
Talking Objects. (7 January).
Maastricht, NL: Jan van Eyck
Academie.
2007
Glocal, laboratorio rifrazioni.
(12 November). Luzern, CH:
Hochschule für Gestaltung und
Kunst.
WAF. World artist fund.
(24 August). In: Mutamenti.
Bellinzona, CH.
Apparaître faire apparaître
(La révolte intime). (8 February).
Sierre, CH: Ecole cantonale d’art
du Valais (ECAV).
2006
Montagnes. (16 September).
In: Communauté, milieu ou ré-
seau: qu’est-ce qu’une scène
artistique? Geneva, CH: Bâtiment
d’art contemporain.
Revolt, she said! (28 January).
Rennes, FR: La Criée Centre d’Art
Contemporain.
2005
Justine et les vases communicants.
(24 November). Geneva, CH:
Duplex, espace d’arts contem-
porains.
Fortuna Berlin. (10 November).
In: Forum d’art contemporain.
Sierre, CH.
Kirsten Dufour: Let us speak now.
(14 October). In: Inscriptions/
transgressions: Colloque
Histoire de l’art et études genre.
Lausanne, CH: Musée cantonale
des Beaux-Arts.
Présentation Forde 6.
(3 February). Grenoble, FR:
Magasin. Centre National d’Art
Contemporain de Grenoble.
2004
Une installation documentée.
(3 December). Bern, CH:
Hochschule der Künste Bern.
2003
Adorno: Filmtransparente.
(31 January). In: Graduate
students colloquium. Geneva,
CH: Université de Genève.
Exhibitions
Solo exhibitions
2009
Talking Object Einstein (working
title). Bern, CH: LOGE
2008
L’âne et le lion. With Demis
Quadri, Geneva, CH: Salle
Crosnier, Palais de l’Athénée.
Fortuna Berlin, Peccato mistico/
short. Paris, FR: Centre Culturel
Suisse.
Talking Objects I. Geneva, CH:
Forde.
Prototipi Manzoni. Milan
Furniture Fair, Milan, IT: Teatro
Manzoni.
2007
Wunder stanza. Geneva, CH:
Bâtiment d’art contemporain.
Igloo Party. Lugano, CH: Galerie
AP4-ART.
2005
Fortuna. Geneva, CH: Musée
d’art moderne et contemporain
(Mamco).
Group exhibitions Collections
(selection)
Collection Philippe Nordmann,
2009 2006 Manor, Geneva
Utopics, 11e Exposition Suisse Exposition du concours de la
Fonds d’art contemporain
de Sculpture. Bienne, CH: Maison Bourse Berthoud-Lissignol-
de la Ville de Genève, FMAC
Farel. Chevalier-Galland 2006. Geneva,
CH: Centre d’Art Contemporain. Fonds cantonal d’art contempo-
MUSEUM. Lausanne, CH: Galerie
rain, FCAC, Geneva
Lucy Mackintosh. Retourner sa veste III. Paris, FR:
Eternal Tour 2009. Centre Culturel Suisse.
Neuchâtel–Val-de-Travers– Retourner sa veste/Scarlatti
La-Chaux-de-Fonds, CH: forever. Rome, IT: Istituto
various locations. Svizzero di Roma (ISR).
Post Tenebras Luxe. Geneva, CH: Retourner sa veste. Neuchâtel,
Musée Rath. CH: Théâtre Tumulte.
I am by birth a Genevese. Swiss art awards. Basel, CH.
And my family is one of the
Mémoire et oubli. Grand-Lancy,
most distinguished of that
CH: Villa Bernasconi.
republic. London, GB: Vegas
Gallery; Geneva, CH: Forde.
2005
Exposition des lauréats des
2008
Bourses Berthoud-Lissignol-
Seek Refuge. Venise, IT: Camping
Chevalier-Galland 2005. Geneva,
Venezia Village.
CH: Centre d’Art en île.
Abstraction Extension, une scène
Fortuna Berlin. Locarno, CH:
romande et ses connexions.
La Rada.
Alex, FR: Fondation pour
l’art contemporain Claudine et Trivial pursuit. Geneva, CH:
Jean-Marc Salomon. Galerie AP4-ART.
Swiss art awards. Basel, CH.
Speicher fast voll. Solothurn, CH:
Kunstmuseum.
2004
Eternal Tour 2008. Rome, IT:
Exposition des Bourses des
various locations.
Fonds Berthoud, Lissignol-
Shifting Identities – [Swiss] Art Chevalier et Galland. Geneva,
today. Zürich, CH: Kunsthaus. CH: Centre d’Art Contemporain.
Swiss art awards. Basel, CH. Le rayon noir.
With Mai-Thu Perret and Fabrice
Under Construction – Rifrazioni
Stroun. Lausanne, CH: Circuit.
2008, with Beat Lippert & Ibis
Onlus. Rome, IT: Istituto Svizzero
di Roma.
Opening Week. Maastricht, NL:
Jan van Eyck Academie.
2007
12th Biennale de l’image
en mouvement. Geneva, CH:
Saint-Gervais.
Rifrazioni, festival di arti
performative. Nettuno, IT: Forte
Sangallo.
Art en plein air. Môtiers 2007.
Môtiers, CH.
Swiss art awards. Basel, CH.
Eau sauvage 2. London, GB:
Fieldgate Gallery.
Accélération. CH: Neuchâtel-
Serrières.
Exposition du concours des
Bourses Berthoud-Lissignol-
Chevalier-Galland 2007. Geneva,
CH: Centre d’Art Contemporain.
Tryingtoland. Roma, IT: MACRO
Museo d’Arte Contemporanea
Cinem’art. Roma, IT: Auditorium
Parco della Musica
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31
41
1. Installation, 2004
2. Splitternackt, 2002
3. Post Tenebras Luxe, 2009
4. Wunder Stanza, 2007
5. Talking Objects, 2008
6. Under Construction – Rifrazioni 2008, 2008
7. Médaille pisanellienne, 2005
8. Post Tenebras Luxe, 2009
9. Wunder Stanza II, 2008
10. Décorum 10/10, 2007
11. Under Construction – Rifrazioni 2008, 2008
12. Post Tenebras Luxe, 2009
13. Post Tenebras Luxe, 2009
14. Revolt She Said !, 2004
15. Installation, 2004
16. Décorum 10/10, 2007
17. Décorum 10/10, 2007
18. Under Construction – Rifrazioni 2008, 2008
19. L’âne et le lion / L’asino e il leone, 2008
20. Post Tenebras Luxe, 2009
21. Post Tenebras Luxe, 2009
22. Post Tenebras Luxe, 2009
23. Fortuna Berlin, 2005
24. Peccato mistico/short, 2007
25. Post Tenebras Luxe, 2009
26. Installation, 2004
27. Talking Object HA, 2008
28. Fortuna Berlin, 2005
29. Fortuna Berlin, 2005
30. Peccato mistico/short, 2007
31. Edrof, 2002
32. Installation, 2004
33. Splitternackt, 2002
34. Les héritiers de la Comtesse, 2008
35. Peccato mistico/short, 2007
36. Installation, 2004
37. Eternal Tour, 2009
38. Fortuna Berlin, 2005
39. Wunder Stanza II, 2008
40. Les héritiers de la Comtesse, 2008
41. Talking Object HA, 2008

© 2009 Donatella Bernardi