Tasha's Brother, An Anon's Adventures With The Fairer Sex.

This is an Epic story, Epic in every sense of the word. It started of as a simp e wincest story ! then "ust spira s. A story of ove, ust, exp oration, sufferin#, reve ation, redemption ! a$ove a e se A dam #ood story, that is worth a read. Everythin# that happened on Sunday %&'%'%()* was ive, +nfortunate y there was not a fu set of screen caps $ut the ma"ority of it is here. Any $its mar,ed with -./ were added from memory to he p tie it a to#ether, $y 01/s pu$ isher 2as he ca s me3, I am a so responsi$ e for ma,in# these updates from 01/s ori#ina wee, y posts. So If you/re sittin# comforta$ y, hopefu y with $eer and popcorn. Then En"oy4 Sunday %&'%'%()* 5$e )6 5Be this afternoon 5$e en"oyin# a shower 5hear $an#in# on door 5)& year o d Sister wants shower 5Te her I won't $e on# 5She says she's in a hurry 57i,e my sister so te her I' $e as 8uic, as I can 59oor opens 5:Sorry $ruv. That's too on#: 59oor c oses 5ohshit."p# 5;ear movement in room 5Shower door opens 5Sister comp ete y na,ed 5Incredi$ e. to die for $ody 5:move over: 5speech ess 5starts washin# her $ody i,e I'm not there 5,eeps throwin# smi es at me 5:1ass shampoo: :1ass soap: 5:can you wash my $ac,<: 5Washin# $ac, %( $oners on the ver#e of showin# themse ves 5Eyes ha f c osed as I'm under the water stream 5She turns around. $efore I ,now what's #oin# on. I'm washin# her tiny titties. 50pen eyes. she's rinsin# her hair, smi in# wide y as I ather her tits 5Boner says he o 5touched her $e y "ust a$ove her pussy 57oo,s down 5:I a ways ,new you had a $i# coc,: 5Finishes rinsin# hair. 5Tender y #ra$s coc, 5=isses me on mouth for on#er than I'd ca norma for si$ in#s 5Stro,es coc, 5 ets #o 5>ets out of shower, dries off. >ra$s c othes 5:See you ater: WTF "ust happened. .F?I 1arents have #one away for the wee,end 2@e,ind in# the o d fires3 ! wi not $e $ac, ti tomorrow mornin#. It/s "ust my sister 2Tasha3, my itt e $rother 2Tommy3 ! Ayse f at home. .I need to ta , to Tasha a$out what happened ear ier. .She comes $ac, from meetin# her friends, A coup e of hours ater. we I "ust met her in the ,itchen and came strai#ht out with it :;ey: :;ey: :>ood ni#ht<: :?eah, pretty #ood 2#oes off into ta ,in# a$out her friends I neither ,now nor care a$out3: :7isten. I want to as, you...: :I'm sorry a$out the shower thin#. 9unno why I did that. I've never seen one for rea $efore: :?es you have, you used to see mine a the time when we were ,ids: :We , yeah. $ut it never used to $e so It never oo,ed i,e that $efore : :And the ,iss<: 2She went $ri#ht red at this point3 :we . I'd never touched a dic,. so I thou#ht. I've never ,issed a man either, so thou#ht I'd #ive it a #o: 7oo,s up at me :am I a #ood ,isser< :Bou dn't rea y say. I haven't done that much ,issin# either, $ut the shoc, ,inda num$ed everythin#. It wasn't horri$ e, if that he ps: She starts fixin# herse f a cup of tea :So why did you come in the shower with me anyway< 9idn't you fee aw,ward a$out it<: :Cot rea y, we norma y share everythin#, and I rea y was in a hurry, so I thou#ht why not< Thou#ht it mi#ht cheer you up. I/m a ways catchin# you oo,in# at my arse: ;onest y wasn't aware I did this, $ut thin,in# $ac,. yes I do. A ot So we chat for a $it on#er. Cow she's cur ed up on the sofa with a cup of tea watchin# 9ancin# on ice. Shit went $etter than expected. no idea what's #oin# to happen after this. :Wait a minute. why did you et me touch your tits<: :Same reason. I've never had anyone except me touch them $efore: :And<: :And what<: :and how was it<: 2$ri#ht red3 :Tin# y: :Tin# y<: :very: 1itchin# a massive tent ri#ht now, and $urstin# for a piss. the wa , to the toi et may $e aw,ward .Sister announces that she is #oin# for a shower. .:do you want me to wash your $ac,: I as,. .:I was countin# on it: She says. I #et to the $athroom. she's a ready showerin# B ose door :thou#ht you weren't comin# up:. >et in, she immediate y hand me a spon#e with her shower #e on it camomi e. wash her $ac,, s ow y. Aove to shou ders. ean forward. WTF am I doin#< =iss her nec,. She responds with a itt e moan Instant painfu erection 1ainfu instant erection p ants itse f inD$etween her $uttoc,s. She #i## es. I put my arms around her waist. She puts her hand on my arms ho din# each other :I've $een as confused as fuc, a day: :?eah, me too: :What are we doin#< She turns around and puts her arms around my waist under mine Ay dic,'s pushed down. I am aware of her pu$ic hair tic, in# the end :We're "ust havin# fun. I don't want to have sex with you: serious face. $ut the hottest serious face I've ever seen :I didn't ,now what you wanted us to end up doin#: s i#ht y sad face. :I ,now you ove me. I ,now you've $een tearin# yourse f up a$out what I did ear ier. and I'm sorry: :What ma,es you thin, that<: 9ic, softenin# :I ,now you, p us I saw the thread on &chan round Amanda's. Thou#ht it sounded EE@? fami iar: no $oner :Ah: :don't I thou#ht some of the stuff you said was ove y, especia y a$out me:. Bomp ete y fuc,in# speech ess. Strainin# to remem$erer what I and you ot, said a$out her. :7oo,, you ,now I'd never do any of that shit they su##...: ips a#ainst mine. 7ips a#ainst hers ton#ues Boner rises a#ain, starts ru$$in# a#ainst her s it ;ands move to arse. Firm, smooth, awesome

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

hers move to mine. Co idea what mine fee i,e, hope they're o,. move a hand to her tit. s8ueeFe #ent y. pinch nipp e. moan, near y shoot oad She moves a hand around to my dic,. 7IEE +19ATE She's "ust come into the room, saw me writin# this and suc,ed my face. I move a hand to her s it, not as thic, hair as I'd thou#ht. Cice and soft. Find her itt e cut, and start p ayin# with it o$vious y doin# it wron#. as she #uides my hand into the proper motion she's ru$$in# my coc, I'm ru$$in# her c it she starts moanin#. proper moanin#. I try to pu my hand away. $ut she pushes it $ac,. Tu##in# on my coc, i,e she's moorin# a cruise ship. She comes, hard, fa s a#ainst me. I et her recover. She stands up a#ain, starts p ayin# with my coc, a#ain. I start heavy $reathin#. #ettin# c ose. She ,isses me. hard. I #ive out a itt e moan, f ic,in# c ose. She drops to her ,nees, tu#s my coc, hard and fast and ets me cum a over her tits. If I cou d, I/d come a thousand times a#ain oo,in# at that Co. she doesn't suc, it. She does. however, scoop a itt e off her nipp e with her fin#er and suc,s it. Want to come a#ain. :Am, it is sa ty...: #ar# es in shower stream =isses me :They' want an update: >et out #et dry #et dressed Bome downstairs 1a#e hasn't &(&d type :#ettin# my shit to#ether:. then hear itt e $ro stirrin#.... .We spend the ni#ht to#ether in the same $ed, we "ust ,iss ! cudd e. .In the fo owin# days I/ve had to snea, her, na,ed, out of my $edroom and into the $athroom $y hidin# $ehind me as I spo,e with my mother. .I pic,ed her up from schoo on Tuesday ! had a crisis of conscience when I rea ised that she oo,ed )) in her schoo uniform. I tried to concentrate on drivin# ! discuss ru es of en#a#ement for any future activities, $ut she #ot semiDna,ed and mastur$ated in the passen#er seat $eside me. Thursday %6'%')* Today actua y started pretty norma y As norma as possi$ e when the first thin# you see is your sister in the $athroom, $rushin# her teeth wearin# nothin# $ut ,nic,ers. Actua y, the thin# first I experienced was my mother rappin# on my $edroom door. GTasha are you in there a#ain< ?ou need to #et ready for schoo 1 us, youn# ady, you're #ettin# a $it o d to $e #ettin# in with your $rother every ni#ht. ;onest y, you mi#ht as we move in for a the ni#ht you end up in there...H ;er na##in# voice trai s off, Tasha stirs #ets up on one e $ow and ,isses me on the chee,. GAornin#: She #ives my $um a s8ueeFe and #ets out of $ed 7uc,i y, sti wearin# her 1Is. A few minutes ater rea ise need a piss, That's when wa , in on her She spots me in the mirror, arches her $ac, to puff out her tits $ ows me a ,iss and does the nec,DpissDofD"er, thin# as mum is sti on the same f oor and it wou d appear unseem y if #o in for a #rope'sno#'ru$ and we were interrupted. As you ,now mother oves to eave me ists of thin#s to do durin# the day to pay for room and $oard unti find a "o$. This has $een #oin# on for 8uite a whi e to the point where can now preDempt pretty much what she's #oin# to as, me to do, so if #et far enou#h ahead, can #et a snea,y day off. Today was such a day, so as soon as mother eft the house to do the inane shit she #ets up to, #ot the fuc, out of 9od#e and went to the cinema for a mornin# showin# of 9ie ;ard. Boy oh $oy was that money we spent 0ur cinema is a $astard for mo$i e phone si#na s, and dependin# on your service provider and where you sit, you can have no si#na whatsoever, or you #et it in umps The movie was a$out ha fway throu#h when my phone $uFFed 2I/m considerate enou#h to turn the fuc,in# sound off3 and I see & missed ca s and J texts, $ut they're from my mother, who never ca s me un ess she wants me to do somethin# she can't $e arsed to do, and she has never texted me in her ife. I actua y never ,new she ,new how to The cinema is pretty empty, and the is proper shit, so scro throu#h the texts. Why aren't you at home< Why aren/t you answerin# your phone< Ban you ca me< 1 ease ca me Are you #ettin# these messa#es< 1 ease don't i#nore me this is important ?our Sisters had an accident I spit out my co,e a$andon my Shitty popcorn and eap down the steps * at a time, I am not out of the auditorium $efore I/ve ca ed mum. GAum what/s happened< Where's TashaH GWhere the he have you $een< I/ve $een ca in# for an hourH GThe si#na /s ru$$ish I am in the #arden mum, you ,now this. Anyway, what/s happened<H GSomethin# happened at schoo , Tasha's $een ta,en to hospita That/s a I've $een to d 0ne of her friends and one of the staff are up there with herH I'm in the car par, Bomp ete y for#ettin# where I've par,ed the poxy Bar. G0=, I'm on my way there now When are you #ettin# there<: I find the car and #et in GBan you #o and See her< I can't rea y #et away...H The tone of her voice irritates me most GWhat do you mean you can't #et away< Where are you<H GI/m at Aurie 's. I can't "ust eave ri#ht now, it wou d $e aw,ward<H GAw,ward' ?our fuc,in# dau#hter is in hospita and you're worried a$out your fuc,in# ima#e<<H G;ow 9are y..H if you cou d s am down the receiver on a mo$i e phone wou d have. I' dea with the shit ater. I start up the car and I/m "ust a$out to set off when rea ise don't actua y ,now which hospita Tasha is at. The cinema is $y a motorway "unction and there are two A!E hospita s in a *( mi e radius. I don't ,now what's happened to her, and dependin# on W;AT has happened dictates which hospita she #oes to. I'm starin# at my phone, tryin# to swa ow my pride and ca my mother when the phone rin#s. it/s Tasha. I can't contro my thum$s as I tap accept GTasha<H A hear is so$$in# GCo... no it's Amanda. I'm at the hospita , she's $een hurt. It was my... was my...H GAmanda, Amanda... which hospita <H Git was my fau t4 didn't see her44: She's #ettin# hysterica , I hear shushin# sounds in the $ac,#round GAmanda< Where are you<H A voice comes on the phone and te s me the ocation. don't as, who the new voice $e on#s to. han# up and $rea, severa aws #e in# to the hospita . The hospita has a pay car par,, $ut my parents have very #ood awyers. so fuc,'em. run throu#h the car par, and $ar#e into reception. Ba min# myse f as, for my sister's ocation and the receptionist points me in the ri#ht direction. The hospita s i,e a maFe, $ut it's not on# $efore turn into a corridor where see Amanda standin# perfect y sti with her $ac, to me, phone sti in her hand say her name, and a thou#h I/ve never actua y met her, I/ve seen pictures She/s o$vious y seen some of me as when she turns to face me, she wai s and starts so$$in#, "ust a picture of misery. There's a man standin# $eside her. o$vious y the voice heard on the phone, tryin# to comfort her $y ame y pattin# her on the shou der, he doesn't oo, i,e a teacher. wa , towards Amanda and put my arms around her. She $uries her face in my chest and it's "ust one continuous cry of despair. thin, she's tryin# to ta , $ut can't understand a word she's sayin#. turn to the man standin# there i,e a emon. Gyou're from the schoo <H GBareta,erH 2Ianitor3 GBareta,er< Co offence, $ut you/re a they cou d spare< What/s happened anyway<H ;e shru##ed apo o#etica y. :Sorry, was "ust as,ed to $e the responsi$ e adu t unti someone from Tasha's fami y turned up. ,now as much as you. I'm sorry, $ut as you're here have to #et $ac,. The schoo as,ed cou d you et them ,now how she is as soon as you ,now:, and with that he eaves Fuc,in# fantastic. Amanda's ca min# down a $it as hu# her, and ead her over to a chair and #et her to sit down. GWhat/s #oin# on<: She's c utchin# a wad of tissues in her other hand, they/re a ready soa,in# wet $ut she sti uses them to wipe her face. In $etween the so$s, she mana#es to te me that "ust $efore midday, they had 1E. Today was hoc,ey. If you/re not aware British schoo #ir 's hoc,ey can $e fuc,in# $ruta . At one point a mem$er of their opposin# team hit the $a with some force up the pitch, renderin# it air$orne at head hei#ht. Both Amanda and Tasha went for the $a at the same time, Tasha #ot there $ut stum$ ed. Amanda $rou#ht her hoc,ey stic, $ac, to hit the $a , "ust as Tasha rose from her fa . The $a hit Tasha on the chee,$one at the same time as Amanda/s hoc,ey stic, hit her with fu force on the $ac, of her head. She went down and smac,ed the $ac, of her head a#ain on the #round. I/m "ust fuc,in# num$. sit there for what seems i,e an eternity, ho din# hands with Amanda to ,eep her ca m Cothin# is said, and no one attends to us except to see if we want drin,s or more tissues for Amanda Eventua y someone approaches us and te s me can see her. GWhat a$out Amanda/<:K GSorry, fami y on y' GShe is fami y:. We're ed a itt e down the corridor and into a room, where a my $irthdays have come at once. Tasha's sittin# up in $ed and very awa,e. Co tu$es, no wires. She oo,s up and mana#es a smi e. She's #ot a hu#e wad of $anda#e taped to her chee,, and a $anda#e around her head. I'm e ated $ut a#ain, Amanda $ursts into f oods of tears. GI'm so sorry4 didn't ,now you were there4H, she wa ,s over to the $edside whi e ta , to the man who et us in. 9espite the seemin# severity of what happened, she #ot off i#ht y. She re#ained consciousness not on# after she was admitted and has $een improvin# ever since. There's a tiny fracture on her chee,$one, which doesn/t need fixin#, and the $ac, of her head was $ad y cut, $ut they've stitched it we , a thou#h the area wi have $ruisin# for wee,s. Two inches ower cou d have snapped her spine. a ways said hoc,ey was dan#erous Tasha's ta ,in# softy to Amanda, who seems to have stopped cryin#, I "oin them and the conversation here is a niceties, $ro,en when my mother wa ,s in the door. She shoots me a oo,, I return the favour, $ut at east she seems to show #enuine concern for Tasha. $ac, away s i#ht y and Amanda comes over to stand $eside me.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

G?ou 0=<: She sniffs a nod. I sudden y rea ise she's not in what I ,now is their uniform, its a pa e $ ue tDshirt and rather short dar, $ ue shorts. She's wearin# ,nee and e $ow pads. :is that your #ym ,it<H. She oo,s down. -H0h crap, a my c othes are at Schoo 4H G9on't worryL sure they/ve #ot a your Stuff to#ether. need to ca them anyway to et them ,now how She's doin#H whip out my phone, Find the num$er and have a conversation with the receptionist. GWe , they've #ot a your stuff to#ether, $ut they/re expectin# you $ac, in c ass this afternoonH Gwhat<4H GThat/s what they said. Cice schoo you #o to4: G0h, $ri iant ;ow am I #oin# to #et $ac,< Ay parents are $oth at wor,.H GIt's 0=, I' ta,e ta,e you:. She smi es. It's a distractin# y petty smi e At east $etter than a that sorrow she had ear ier. "ust then mother ca s over, it appears she/s $een istenin#. GWe , don/t $e on#, "ust poppin# out to inform your father what/s happened. We' have a chat a$out your an#ua#e at home ater.H And she eaves, the doctor or whatever "ust after, eavin# "ust the three of us in the room. Amanda oo,s em$arrassed $ut Tasha has a ,nowin# smi e on her face. She oo,s at the #ir $eside me. G9idn't a,e you on#.H I oo, at Amanda and we must have matchin# confused expressions. Tasha points $etween us. We oo, down and that's when I rea ise Amanda and are ho din# hands. It/s not the comfortin# -& fin#ers ho din# & fin#ers/ hand ho d either. 0ur fin#ers are intertwined, I didn/t rea ise we/d one it, and I don/t thin, Amanda did either, $ut for some reason, we don/t $rea, the ho d. In fact Amanda ho ds my hand ti#hter. It/s a itt e aw,ward $ut Tasha/s sti smi in#. I $rea, the si ence. GAmanda needs to #et $ac, to schoo , and I/ve said I/ ta,e her. Aum shou d $e $ac, soonM hopefu yH. Tasha adopts a fa,e pouty expression, I/ve seen it $efore a hundred times. G0h, fine4 7eave me here a a one4H But the expression soon fades, I thin, it hurts to piss around. I as, Amanda to wait outside for a whi e so I can say #ood$ye. As the door c oses I turn to Tasha and she/s #ot a hu#e #rin on her face. GI ,new you/d i,e her4H I/m now confused as fuc,. G?eah.. she/s nice, $ut we.. I mean we..H She #ets that oo, on her face. GWhat did we a#ree yesterday< This can/t ast forever. I/m )&, Amanda/s the same a#e $ut she/s not re ated to you. We can sti en"oy ourse ves, $ut she/s a $etter on# term prospectH GBetter on# term prospect< We were on y ho din# hands4H GI ,now, $ut oo,, what we/ve #ot is #reat, I ove it when we do stuff to each other, $ut we can/t do it forever. And anyway, I don/t want you to a$andon me strai#ht away, we/ve on y "ust started havin# fun4H and she pu s me towards her and we ,iss. Cothin# too strenuous, she/s sti covered in $anda#es and I don/t want to $rea, her. I fee a f utter of her ton#ue as we part ips, "ust as mother reDenters the room. GAre you #oin# then< That #ir /s oo,in# $oredH B assy as ever. G?es, I/ see you $oth ater.H As I reach the door I oo, $ac,. Aother is fussin# with somethin# in the corner of the room, Tasha 8uic, y oo,s over at her, then to me, $efore raisin# her hospita #own to show me her ,nic,ers and $are $oo$s. She tries to stif e a au#h $ut it 8uic, y transforms into -ow ow ow owwwwww4/ as the au#hter o$vious y hurts her in"uries. I "oin Amanda outside, she #ra$s my hand, intertwines her fin#ers with mine and we eave the hospita . We don/t spea, as we wa , throu#h the corridors to the car par,. I thin, she/s sti in shoc, as she ho ds on to my hand for dear ife. I find the car 2no par,in# tic,et3 and we #et in. The drive to her schoo wi ta,e a$out fifteen minutes, and the si ence is aw,ward. 7oo,in# over at her she/s starin# out of the window. I thin, she/s cryin# a#ain. GTasha/s #oin# to $e fine, you saw herH She nods $ut she/s sti upset. I reach over to put a reassurin# hand on her e#. The aw,wardness factor increases as too ate I remem$er she/s wearin# very short shorts and I put my hand on her $are thi#h. She doesn/t seem to care. G;ey, are you #oin# to $e a Dri#ht<H She nods a#ain, and fina y spea,s GI ,eep hearin# the sound it made when I hit her, and I ,eep seein# her hit the #round.H I #ive her e# a #ent e s8ueeFe GIt was an accident, Amanda. It happens. Stuff i,e this happens a the time. When we #et out remind me to show you my e#.H She stops starin# out of the window and turns to me. GWhy<H GA$out & years a#o, p ayin# foot$a 2soccer3, someone #ave me a pretty nasty tac, e, snapped my shinD$one. ;ad to have a stee rod put in there whi e it set.H 2true3 G0wH G?ep, pretty much what I said at the timeH This raises a smi e, so I ta,e my hand off her e# and chan#e #ear. She moves one of her hands to where mine "ust was. 1ro$a$ y coincidence. Sti , she/s cheered up s i#ht y as we pu into the schoo car par,. I wa , with her to reception 2after showin# her my ,nac,ered shin3, and te the receptionist who I am, and that I/ve "ust $rou#ht Amanda $ac,. The receptionist te s her to ta,e her time #ettin# chan#ed, and she can re"oin her c asses when she/s ready. She #ives me a smi e, touches my arm and wa ,s away. I can/t he p fina y noticin# her fi#ure as she eaves. Ta er than Tasha $y at east six inches. B ond hair, $ut shorter and dirtier than my sister/s, and my eyes are drawn to the wi## e of her $ac,side as she wa ,s. I remem$er where I am and snap out of it. 7oo,in# at rear ends in an a D#ir /s schoo is pro$a$ y frowned upon. I than, the receptionist and turn to eave when she stops me. GActua y, the headmaster did say he wanted to see you when he #ot the chance.H GAe< Why<H GI don/t actua y ,now, $ut Tasha was in his office for a whi e the other day so it mi#ht $e somethin# to do with that. ;is office is "ust down the ha , I/ et him ,now you/re hereH It/s very odd $ein# in an a D#ir schoo when you/re a hormona teena#e #uy, made more aw,ward $y a the # ances I #et from the passin# pupi s. I went to a mixed secondary and I ,now the #ir s there dressed more conservative y. I #uess with there $ein# no $oys to distract them they have a more i$erated approach to their educationa environment, it a so appears that the $raDoptiona ru e doesn/t "ust app y to ADcupped #ir s. I have to concentrate fixed y on the wa strai#ht ahead to avoid starin# at the "i## in# sweater puppies of a siFes that pass my way. I find the headmaster/s office and ,noc,. Co answer so I wait outside. A#ain, avoidin# eye and chest contact with the passin#, #i## in# teena#ers. Sudden y a coup e that pass do a dou$ eDta,e, then come up to me. GAren/t you Tasha/s $rother<H G+mM yes<H G;ow is she< It oo,ed awfu . ;as Amanda come $ac, yet< She was horrified. It was an accident $ut she was hysterica , insisted on trave in# in the am$u ance with herMH I fie ded the 8uestions as $est I cou d, unti the headmaster turns up with the customary -aren/t you supposed to $e in c ass</ ;e sha,es my hand, $ec,ons me into the office, and after promisin# to pass on the #ir s/ we Dwishes, I fo ow him in. The head sat down and after as,in# how Tasha was, to d me that my sister had as,ed that I $e the -next of ,in/ in the case of an emer#ency. I wasn/t sure what he meant, $ut $asica y Tasha had re8uested that shou d anythin# i,e what happened today, happen a#ain, I wou d $e the first person contacted instead of my parents. GSad y, despite her very e o8uent re8uest, I/m afraid we can/t do as she says. It/s a e#a thin#. I hope you understand.H I do, $ut I/m not entire y sure why I/m here. GThe reason I wanted to spea, to you is $ecause your sister/s re8uest worried me. Is everythin# 0= at home<H I/ve had this 8uestion as,ed of me a few times at schoo , norma y when I was f un,in# somethin#. GIt depends on how you define -0=/.H GWhat do you mean<H GAy father provides for us a , $ut we on y see him at wee,ends, $ut he and my mother #enera y spend wee,ends away. -@e,ind in# the o d fires/, or somethin#. Ay mother dotes after our itt e $rother, $ut treats Tasha i,e a ro$ot. When she eventua y #ets home from whatever $runch she/s attendin#, she/s #ot Tasha earnin# an#ua#es, piano, vio in. She on y #ets free time at wee,ends, when the parents are away and it/s "ust me and her. 1 us our $rother, $ut he #oes to $ed 8uite ear y, so it/s "ust us.. chi in#.H GAnd you #et on we with your sister<H G0f course, we/re very c ose, a ways have $een.H ;e nods, $ut there/s a hint of somethin# in his expression I/m not )((N comforta$ e with. GShe spea,s very hi#h y of you, you ,now. I surmised as much a$out your fami y situation from what your sister to d me. If there/s anythin# I can say positive y a$out yourM situation is that despite appearances, you have a very sta$ e househo d, and Tasha is thrivin#. ?ou ,now she/s $een preDaccepted for university<H I nod. GShe/s a verita$ e spon#e for information, and despite appearances, what your mother is doin# wi ho d her in very #ood stead for the future. As on# as she does indeed #et some free time</ the sentence ended as a 8uestion. G0h, yeah. She/s free to do what she wants at wee,ends, $ut she #enera y spends them at friends/ housesH G7i,e Amanda<H G?es, 8uite oftenH G>ood, #ood. They/re 8uite a i,e, those two. 1ro$a$ y why they hit it off so 8uic, y. ;ow is she, $y the way< I understand she was the one whoMH G?es, she/sM $etter. She was fair y sha,en up $ut I thin, I, I mean she/s ca med down a ot.H Sudden y, there/s a ,noc, on the door, $ut $efore the headmaster can respond the door $ursts open and Amanda comes rushin# in, in her fu uniform, and throws herse f towards me as I stand up. She/s so$$in# a#ain, and I wrap my arms around her i,e $efore and try to comfort her as much as possi$ e. GSorry headmaster, $ut she/s in no fit state to continue here todayH I/m assumin# the woman at the door is one of her teachers GI don/t ,now why she came $ac, at a after what happened.H She stares da##ers at me so I fee pressured to defend myse f GI ca ed ear ier and was to d Amanda had to come $ac, to c assesH The woman and the headmaster exchan#e a oo,. I thin, someone/s overstepped the mar, 2receptionist, I rec,on3. ;e comes over to us and puts a hand on her shou der. GAmanda, ta,e the rest of the wee, off. ?ou need time to recover from this. 9on/t worry a$out your schoo wor,, I/m sure we can fi#ure somethin# outH She nods her head a#ainst my chest, her teacher hands me her $a#, the headmaster than,s me for our ta ,. ;e doesn/t seem i,e a $ad type, despite the stuffiness of the surroundin#s. I shift Amanda to my side and we wa , $ac, out to the car. A few pupi s come up to us and whisper to her, she nods and $rief y ho ds their hands as we pass. I he p her $ac, into the passen#er seat, and once I #et in and c ose the door, she/s off a#ain. G;ey, hey. What did I say ear ier< Tasha/s fine.H But she oo,s at me with tears streamin# down her face. GAy hoc,ey stic, has sti #ot her $ ood on itH We sit in the car for a $it as she ca ms down. I/m fumin# they didn/t at east c ean the $ ood away, $ut we can $o oc, the schoo a$out that ater. I as, her where she wants to #o, $ut it/s on y "ust afternoon and noDone/s home. G9o your parents ,now what/s happened<H She sha,es her head and pu s her phone out of her $a#. She taps a few $uttons on the screen $ut 8uic, y stif es a so$ and hands the phone to me G?ou te them, I can/tH aw,ward a#ain. I mana#e to introduce myse f to her mother, te her what/s happened, she sounds more concerned for Tasha than my mother did. She sounds a itt e annoyed that her dau#hter/s $een #iven two days off schoo , as she pro$a$ y can/t #et the time off wor, at short notice without pissin# off her $oss. I offer to oo, after Amanda unti the norma time she #ets home, "ust to ease the o$vious tension. ;er mother seems a itt e wary, $ut I te her we/ pro$a$ y #o $ac, up the hospita anyway. She says than, you and I han# up. G@i#ht, I/m oo,in# after you for the rest of the day, then I/ ta,e you home ater. Sound o,<H She smi es and nods. The drive home is a itt e more cheerfu . =nowin# she/s #ot a coup e of days off schoo has pro$a$ y ifted her spirits, so we ta , $o oc,s unti I pu into our driveway. I et Amanda into the house and point her towards the ivin# room. I pic, up the ha way phone and ca the hospita and as, to

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

spea, to Tasha, surprisin# y, they put me throu#h 2Aost private wards have phones these days. 1ro#ress for ya3. GAmanda/s with me, she cou dn/t hand e $ein# $ac, at schoo so she/s #ot a coup e of days offH G9idn/t you ta,e her home<H GCoDone home unti ater, I spo,e to her mother, I/m oo,in# after her for a few hours unti they #et home.H GThat/s rea y sweet of you. Te her if she needs anythin# she ,nows where my stuff is. Te her to he p herse fH G0=, than,s. We/ #et sorted and come $ac, over to see youH G7eave it a coup e of hours, mum/s te in# everyone how to do their "o$ and I, apparent y, need a nap.H GWhere/s Tommy 2$a$y $rother3<H GShe/s dropped him off at Aunt xxxx/s house, She/s havin# him overni#ht.H G0=, coo . We/ wait a coup e of hours then come upH G0=, my $ody wi $e waitin#H G1ardon<<H Boncussed and sti a wiseDarse GI/m "ust ,iddin#, stupid.H ;er voice drops to a whisper GBut I sti want youH GI ,now, 7ove you sisH G7ove youH We han# up. I #o throu#h to the ivin# room and Amanda/s sittin# on the sofa, starin# at her hands. GTea<H She #ives me a so##y smi e and nods. GWe/ #o up the hospita in a coup e of hours, Tasha/s havin# a s eep, so we/ve #ot some time to ,i .H I point to a $oo,case stac,ed with 9E9s and $ uDrays. G+n ess you/re a Ieremy =y e fan, there/s $u##er a on TE so you can pic, one to watch if you i,e.H G>ot any Twi i#ht<H I #ive her a oo,, she crac,s a wo$$ y smi e G=iddin#4H She #ets up to peruse the she ves and I wa , to the ,itchen to put the ,ett e on. After a$out a minute she ca s throu#h. GWhat/s -Inner Space/<H I/ve finished the tea so $rin# the mu#s throu#h. I hand her her cup and ta,e the 9E9 case off her. GBhrist, I haven/t watched this in years. This fi m/s o der than me. 6(/s, o d schoo . 1ractica effects, none of this B>I $o oc,s they cram into every movie these days. The effects shou d comp iment the fi m, not te the story for it.H G?ou sound i,e an o d man4H GIt/s my dad/s fau t. Aost of these are his, and most of them are o der fi msMH I put the fi m on and we sit on the sofa to watch it, $ut we/re sti discussin# movies for so on# 2she/s ta,in# media studies at schoo 3 that we actua y miss the first )( minutes so I have to start a#ain. G+#h4 Sorry, I shou d have said I don/t ta,e su#arH GSorry, Ay fau t. Tasha does so I thou#ht.. never mind, I/ #et you another one.H I return with her unsweetened tea to notice she/s ta,en her soc,s and shoes off, and cur ed up on one end of the sofa strai#ht in front of the TE. I hand her her cup a#ain and move to sit on one of the sin# e chairs. GI don/t $ite.H She motions towards the other end of her sofa 2It/s a *Dseater, so there/s room to spare, $ut I sit a respecta$ e distance away. I thin, she doesn/t want to $e in a steri e environment3 We sit in si ence watchin# the movie. I honest y haven/t seen it in a$out O years $ut it/s a f oodin# $ac, to me now. After a whi e I happen to oo, over to Amanda and her head/s restin# on the side of the sofa. I can/t see her eyes so I can/t te if she/s fa en as eep. ;er $reathin# seems 8uite deep, so I assume she has. I move to #et up $ut she murmurs G9on/t #oH And presses her feet a#ainst the side of my e#. I don/t ,now if she/s sti awa,e or ha f as eep or what, so I stay where I am, turn the TE down a $it and "ust sit there as her feet find a comforta$ e position pressin# a#ainst my thi#h. I/m actua y #ettin# into the movie 2It is rather #ood, I hi#h y recommend it3 when Amanda twitches. She/s ayin# down away to my ri#ht, her feet on my ri#ht thi#h. ;er eft arm moves 8uite erratica y, I/m a itt e concerned unti I rea ise she/s "ust tryin# to scratch the $ac, of her e#. I et her #et on with it and watch the movie when I/m sudden y aware of a i#htenin# in the periphera vision of my ri#ht eye. I oo, down and see that when Amanda finished scratchin# her e#, she moved her hand up and across her $e y, $ut she too, most of her s,irt with her, so since she too, her soc,s off, I/m #aFin# at a few feet of $are, unc othed s,in, and as my eyes fo ow the shape y contours of her e#, I can/t he p $ut notice she doesn/t appear to $e wearin# any underwear. I/m starin#. She/s mana#ed to $unch up her s,irt in such a way it mi#ht as we $e a $e t runnin# over the top of her hip. ;er ,nees are $rou#ht up at ri#ht an# es to her $ody and It/s $are an, e a the way up to $are $uttoc,, and I can/t he p $ut oo,. 7oo,in# up at her face, I can te she/s as eep pure y $y the sound of her $reathin#. I/ve spent enou#h time ayin# awa,e watchin# Tasha s eepin# $eside me to ,now when someone/s fa,in#. Sti , I/m curious as to whether or not she/s #ot any ,nic,ers on 2who wou dn/t $e<3 so I ean to my eft to see if I can see any si#n of materia . Eventua y I ma,e out the materia coverin# her privates, so I fi#ure she/s wearin# a thon#. Ay curiosity satisfied I reach over and try to #ra$ the hem of her s,irt to $rin# it down a#ain, $ut she/s #ot it $unched in her fist, so I eave it. The itt e devi on my shou der te s me it/s not co d in here, and she seems comforta$ e, so why not en"oy the view< I hate that itt e $astard sometimes $ecause he/s norma y ri#ht. So as the sounds of Iac, 1utter #ettin# smashed on southern comfort in Tuc, 1end eton/s house p ay in the $ac,#round, I/m sittin# on a comforta$ e sofa, #aFin# at the $are $um of my sister/s $est friend for severa minutes. I cou d reach out and touch it, $ut I won/t. I/m actua y happy "ust to oo,. I ,now she does as much sport as Tasha, so her e#s are as toned as my sisters/. Catura y, I start pitchin# a tent in my "eans, and as it starts to $ecome uncomforta$ e, I shift s i#ht y, which ma,es her move her top e# up s i#ht y, showin# me more of her thon#. It/s not a so id materia , in fact it/s pretty seeDthrou#h, and I can c ear y ma,e out her s it throu#h the fa$ric. Ay dic,/s rea y #ettin# hard so I try to #et up $ut the foot that/s sti a#ainst my thi#h pushes a#ainst me, te in# me her su$conscious sti wants my company. It/s #ettin# into era$ e in my trousers so I chec, she/s sti #enuine y as eep, undo my $utton and Fip, and et my dic, out for some air. The pressure/s off so I can re ax a itt e, $ut I can/t he p $ut oo, at her incredi$ e e#s. Before I rea ise it I/m wan,in# myse f off at the si#ht of her near yP$are $um and the si#ht of her s it $eneath her ,nic,ers. It/s a I can do to stop myse f from #ra$$in# her arse chee, $efore I can fee myse f nearin# c imax. I #ra$ some = eenex from the $ox on the sma ta$ e $eside the chair and come hard into a wad of tissues. I #ive myse f a few minutes to ca m down, wipe myse f off and put my dic, $ac, In my pants. I mana#e to extricate myse f from her feet, dash upstairs for a $ an,et and p ace it over her. I don/t try to move her s,irt, $ut I do ta,e another on# oo, at her curvaceous $ac,side $efore I cover it over. ;a f an hour ater, she wa,es up. I have moved to another chair so I say he o so she/s ,nows I/m sti there. She $ in,s and stares around the room, then notices the $ an,et over her. She oo,s under the $ an,et and untan# es her hand from her s,irt, $ ushin# as she rea ises what she/d $een showin# me $efore I covered her over. GThan, you. SorryH GIt/s o,, and don/t $e sorry, you were we out of it.H GI missed the fi mH GThat/s o,, you can watch it a#ain any time. Borrow it if you wantH GThan,sH a pause GWas I f ashin# my $um<H GCot rea y. F ashin# imp ies you #ave a 8uic, # impse.H It ta,es her a whi e $efore she puts her hand over her mouth in horror. GI/m so sorryH I have no idea why G9on/t $e. I didn/t oo,, if you/re as,in#. I tried to cover you up $ut you had ho d of your s,irt, and I tried to move $ut your feet wou dn/t et me. So I "ust watched the movie.H GBut you #ot me a $ an,etH G?es, I waited unti you were as eep enou#h for me to move, them went up and #ot you the $ an,etH G;ow on# did that ta,e<H 28uic, maths in my head, wan,in# Q erotic source materia R proximity to source S time3 GA$out )( minutes<H A#ain, the oo, of horror, $ut not 8uite as pronounced. GTen minutes< I was showin# you my $um for )( minutes<H She/s #one $eetroot red and I can see her #ettin# more uncomforta$ e, so I try to cheer her up and ca m her down. G;ey, for what it/s worth, it/s the nicest $um I/ve ever $een forced to sit next to a#ainst my wi for ten minutes.H She smi es. GA#ainst your wi < ?ou mean it was torture<H G?ou have a$so ute y no idea.H I de i$erate y drop in the dou$ e meanin#, $ut I hope she on y #ets one of them. She $ ushes a#ain, $ut it/s a #ood $ ush this time. She seems to me softenin# after her traumatic experience, and for some reason, ta ,in# a$out her $ody seems to $e ,ey. GActua y, it was 8uite a whi e $efore I rea ised you actua y had anythin# on down there.H A oo, of confusion, then rea isation. G0h, ri#ht. I a ways wear them when we have 1E. Those shorts aren/t very f atterin# if you/ve #ot $i# ,nic,ers on. ?ou #et umps.H GBut you/re an a #ir s schoo , why shou d you care a$out umps< Who/s #oin# to $e chec,in# out your $ac,side<H She pic,s up her cup of tea 2which must $e stone co d3 and ta,es a sip. She must i,e it tepid. GIt/s not a fashion thin#, it/s a comfort thin#.H Fair enou#h. Ca,ed $um conversation over, I chec, the time and we decide to head $ac, to see my sister. I ma,e sure Amanda/s #ot everythin# we need, and in a $rainwave, I as, her to #ra$ a few thin#s that Tasha mi#ht need. I dou$t mother/s $een home. So we pop $ac, up to her room and Amanda #oes throu#h her drawers pic,in# out c ean underwear, a few tDshirts, c othin# for when she #ets et out, her i1ad and a $oo, that/s ayin# on her $edside ca$inet. A thin#s that I wou dn/t have pic,ed out at a , except her ,nic,ers. I pride myse f in ,nowin# my sister/s underwear preferences, even $efore we started fidd in# with each others $its. She pac,s everythin# in a ho da , I oc, up the house and we wa , to my car. We #et $ac, to the hospita ha f an hour ater.. There/s a nurse standin# outside Tasha/s room, she te s us it/s o, to #o in, $ut she/s havin# her dressin#s chan#ed. We #o in, my mother/s there as we . GTasha< We/re $ac,.H She raises a hand and wi## es her fin#ers at us in a miniDwave. G>imme a sec, they/re near y done, I thin,.H The nurse chan#in# the $anda#e at the $ac, of her head removes the o d one, showin# me for the first time the dama#e. Amanda rea y did a #ood "o$ of s icin# her head open. There/s a &Dinch ine covered in $utterf y stitches at the $ase of her s,u , in the midd e of a shaved section of her hair. It/s 8uite dramatic $ut it oo,s i,e you wou dn/t notice it when her hair/s down. Amanda/s ho din# my hand a#ain $ut a so c utchin# my arm. I can see the oo, of horror on her face as she a so sees what she/d done. She seems to $e ho din# it to#ether as the nurse p aces the new $anda#e on her head, fastenin# it with microDpore tape. It/s when Tasha turns round that Amanda $rea,s down a#ain. Tasha/s ri#ht chec, isn/t sportin# the puffy wad of $anda#e i,e $efore, $ut it is sportin# severa more $utterf y stitches, and a swe in# that/s a$out the siFe of a #o f $a . Co exa##eration, it/s hu#e. She smi es at us $ut her oo, chan#es to one of concern once she notices Amanda/s #ot upset a#ain, Tasha ho ds out her arms and Amanda ets #o of my hand, rushin# around the $ed and cryin# into Tasha/s shou der. G0h, for pity/s sa,e. 9oesn/t that #ir ever stop whinin#<H This was my mother. GAum, she/s upset $ecause she thin,s she near y ,i ed TashaH GWe , she did. I/ve ha f a mind to sue the schoo you ,now. 7ettin# them p ay dan#erous sports i,e that.H G9an#erous sports< It/s hoc,ey. Foot$a /s "ust as $ad. @emem$er my e#<H GWe , they shou d have $een supervised $etter, and may$e that si y #ir wou dn/t haveMH I ose it. I/ve put up with this shit for O years and I #o a$so ute y menta at her. ;er indifference to Tasha/s in"uries is one thin#, $ut I/m not havin# her rippin# on Amanda when she/s c ear y sti in shoc,. I honest y cannot remem$er the specifics of what I screamed at her, $ut I do remem$er the oo, of fear on her face as I $ore down on her, forcin# her into a hi#hD$ac,ed chair in the corner of the room. It/s this oo, that ma,es me $ac, off. I actua y apo o#ise for #oin# off the rai s, $ut it/s o$vious y $een $ui din# for a whi e. I sit down on the end of the $ed, drained. > ancin# to my eft I see Tasha oo,in# "ust as scared at my rantin#s, and Amanda oo,in# i,e she/d rather $e anywhere $ut here ri#ht

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

now. We/re sittin# in si ence. I/m starin# at my Aother, and I rea ise how much Tasha ta,es after her. ;air same co our 2$ut sty ed i,e someone in their O(/s3, same $ ue eyes. She doesn/t actua y oo, that much o der either, $ut I #uess that/s the ma,eDup and spa visits. GWhy do you hate me<H It/s a chi dish 8uestion that wou d norma y sound more apt comin# from a stroppy teena#er. She sha,es her head GI don/t hate youH It/s a whisper. GBut I can/t remem$er the ast time we did anythin# to#ether, apart from when you/re te in# me what to do every day $efore you piss off and spend a day with your chums.H GI rea y don/t hate you, $ut I can/t stand to $e near you.H GWhat the he does that mean<H She starts cryin#, not as much as Amanda has $een ate y, $ut it/s sti aw,ward. Sod it, I want answers. She oo,s over at Tasha, says GI/m sorry my dar in#.H Then turns to me. GI/m *).H I must $e s ow on the upta,e, as I the on y thin# I can thin, is -what the fuc, does your a#e have to do with anythin#</, $ut the sharp inta,e of $reath from Tasha means she/s fi#ured somethin# out 8uic,er than me, as usua . Ay turn for the chess face. GBut I thou#ht you were *T, or *JH GI/m sorry, we ied to you. It was easier that wayH It fina y c ic,s. G*)< But that means you wou d have $een )* or so when you had me.H She oo,s down at the f oor, sha,in# her head. Gno, I never had you.H GWhat<H GI/m not your mother.H When I was O, my father was drivin# on the AT outside Birmin#ham when we were invo ved in a crash. Ay mother, my rea mother died when the truc, on the inside ane had a $ owDout and p ou#hed into the passen#er side of our car. Ay head was cut $y f yin# # ass. I sti have the scar. Ay father was eft to oo, after me $y himse f. ;e mana#ed o, for a whi e, $ut tryin# to "u## e his position at wor, and $ein# a sin# e parent started wei#hin# on him. Eventua y, he advertised for a iveDin nanny'Au pair. A youn# ady with a $a$y of her own app ied for the position. Ay father wasn/t comp ete y o, with havin# two chi dren to oo, after instead of one, $ut apparent y I too, to the $a$y immediate y so the decision was made. The ivin# situation $ecame more comforta$ e and my father started to dote on the itt e #ir , "ust as the woman $e#an to dote on me, and wee,end socia isin# meant the parents $ecame c ose. Tasha/s mother eventua y convinced my father to ta,e a ho iday, as his wor, oad meant that whi e he oved and provided for us, he never rea y spent any time with us except at wee,ends, so we a too, a ho iday to >ran Banaria. It/s here that my father proposed. It had $een two years since my mother/s death, and certain promises were made not to say anythin# to us unti we were o d enou#h to understand. I #uess me rippin# on my -mother/ was the $rea,in# point. I/m stunned. I am sittin# on the end of the $ed $ut I have no idea what to thin, or do. I fee a hand reach towards mine and I #rasp Tasha/s hand, ho din# onto some sem$ ance of norma ity. She/s cryin# soft y, and Amanda/s a wrec,. GThat/s the saddest thin# I/ve ever heard.H And she comes around the $ed to sit $eside me. I oo, at the woman sittin# in the chair and she/s the same picture of misery Amanda was a few hours a#o. I shou d hate her, $ut if what she/s said was true, I can/t fee that way a$out someone who, despite these new facts, has $een my mother for the ast )* years. Sti somethin# $u#s me. GAumH She #asps and oo,s up, I don/t thin, she expected me to $e ca in# her that a#ain any time soon. GI #et why you did what you did, and I/m #ratefu , I rea y am, $ut I don/t understand why you don/t want to have anythin# to do with me.H She sha,es her head sad y. GI can/t te you. Cot now. It mi#ht $e hard for you to understand, $ut..H But I don/t ,now what the -$ut/ is as at that point my father $ursts in the door. ;e/s eft wor, ear y to see Tasha. ;e nods to mum, pats me on the shou der, doesn/t #ive Amanda a second # ance and wa ,s around the $ed to see Tasha. ;e visi$ y winces when he sees her chee,, $ut recovers 8uic, y, ,issin# her on the forehead he as,s a the necessary 8uestions to find out what happened. Amanda/s #ot off the $ed and is standin# $ehind me, anticipatin# the part when he finds out a$out her invo vement. ;e oo,s at her $rief y, and she #rasps my arm a#ain, $ut my dad/s a sensi$ e $ o,e, and after the who e story has $een re ayed he simp y says. GA ways said ;oc,ey/s $ oody dan#erous.H ;e turns to Amanda. GAre ?0+ o,<H She nods, #ratefu she/s not #ettin# a ton#ue ashin#. GIust an accident. ;as her $rother to d you a$out his e#< Thou#ht so, ;e/s a ways showin# his scars off.H ;e ta,es a moment to oo, around the room, and whi e his arriva chan#ed the mood of the room, it/s dropped a#ain, somethin# he/s #ood at pic,in# up. GSomethin# e se happened<H Aum te s him that she/s to d us a$out what happened a those years a#o, and his shou ders sa#. Ay father/s a ar#e man, it/s where I #et my hei#ht from, $ut he oo,s remar,a$ y sma ri#ht now. Inexp ica$ e, he ta,es his wor, aptop out of his $a#, puts it on the overD$ed ta$ e, powers it up and after a few c ic,s, he turns it round. There/s a photo of a $eautifu dar,Dhaired woman with $rown eyes on the screen. 9ad starts ta ,in# a$out my rea mother, and he ta ,s for 8uite a whi e. 0ver the next hour we a ta , to each other, c earin# the air, sometimes shoutin#, a few tears. Amanda/s sti with us $ut I "ust ,now she rea y doesn/t want to $e. I hint on the unanswered 8uestion $ut apparent y now isn/t the ri#ht time for it. I chec, my watch and it/s #one ha f *. GI thin, I need to $e ta,in# Amanda home. ;er mother shou d $e $ac, $y now.H I stand up and Amanda #ra$s her $a#s. I #ive Tasha a ,iss on the #ood chee,. >ive my dad a man y hu#, then turn to face mother. She/s fina y et her hair out of that ridicu ous $un on the $ac, of her head and as she stands up I rea ise how stupid I/ve $een to never spot it $efore. If Tasha has a ha$it of oo,in# )), my mother cou d easi y pass for %(. She #ives me an apo o#etic smi e and seems surprised when I #o over and #ive her a hu#. I can/t remem$er the ast time I he d her and $y the ti#htness of the way she hu#s me, I #uess she/s missed it too. Eventua y we $rea, apart, I ,iss her chee, and we say #ood$ye. The drive to Amanda/s house was 8uiet. I had so much stuff #oin# on in my head I hard y noticed if Amanda actua y said anythin# to $rea, the si ence, a I remem$er was her reassurin# hand on my e# and my hand on top of hers. We #et to her house and her mother meets us outside. Amanda rushes to her and they hu# on the doorstep. GThan, you for oo,in# after her. ;ow/s she $een<H GShe/s $etter now, $ut she was sha,en up for a whi e.H Amanda darts into the house eavin# me there with her mother. GIt was an accident,H I say G$ut she/s sti $ amin# herse f. Seein# Tasha at the hospita was he pin#, unti .. we , I shou d $e #oin#.H ;er mother #ra$s her purse. G0h, p ease, et me #ive you somethin# for your trou$ e, you/ve $een so he pfu today, rea y.H But I wave her down. GCo, p ease, it was my p easure 2thin,in# $ac,, it rea y was3. I wou dn/t dream of ta,in# anythin# for it.H But she ho ds out a U%(. G1etro fund then.H I smi e, say than, you and poc,et the cash. GThan, you a#ain. So she/s #ot tomorrow off as we <H G?es, the headmaster thou#ht it wou d $e for the $est.H I spot the oo, of mi d annoyance on her face. I #uess she/s not oo,in# forward to pu in# a sic,ie tomorrow mornin#. G7oo,, if it/ he p you, I can oo, after her a#ain tomorrow. She can chi at our house and we/ pro$a$ y end up visitin# Tasha a#ain.H The oo, of re ief on her face is poor y hidden. GWou d you< I rea y don/t mean to impose, $ut it wou d $e difficu t to #et the time offMH GThin, nothin# of it. 9id you want me to pic, her up orM<H GCo, I/ drop her off at yours a$out 6Dish<H 2for those that mi#ht thin, I have u terior motives, our fami ies have ,nown each other for years, and Amanda is a ways s eepin# over, so ner3 GSounds #ood.H Amanda comes $ac, out as her mother than,s me and #oes $ac, in. G?ou and me a#ain tomorrow ,iddo.H This $rin#s a we come smi e a#ain. G@ea y<H G?ep, $ut I have some thin#s to do at home so you/ pro$a$ y end up watchin# movies a day.H G>ood, I can #et to watch that movie a#ain.H G?es, and I/ $e e sewhere so I don/t have to stare at your arse for % hours.H She $ ushes $ut smi es. GThan,s for everythin# today. ?ou/ve $een rea y nice.H GIt was nothin#, rea yH She #ives me a swift hu#, oo,s at my face, then stands on tiptoe to #ive me a 8uic,, $ut soft ,iss. Then she/s disappeared into the house, c osin# the door $ehind her. I drive $ac, up to the hospita , spend a coup e of hours there. It/s ess aw,ward than $efore, Tasha/s sti a itt e miffed a$out the situation, $ut i,e I say, she/s the smart one, so she can see the sense in what happened. The conversation is i#ht, it/s somethin# we se dom #et to do ate y. I decide to set off, $ut our parents $eat me to it. ;u#s a round and I/m eft a one with my -sister/. I oo, at her face $ut my eyes are drawn to the hu#e chee,$one. G;ow $ad is it, rea y<H G?ou cou d han# coats on it.H She s aps my hand. GThan,s a $unch. Co, rea y. ;ow is it<H I ta,e my time oo,in# at her. G?ou/re sti $eautifu .H She starts to smi e $ut it o$vious y hurts. G?ou/re $iasedH GBut honestH G;ow/s Amanda<H GBetter. I/m oo,in# after her a#ain tomorrow.H This raises an eye$row. G0h, rea y< ?ou and her a one in that $i# o d house<H G1ac, it in you. Aind you, she did show me her $um for ha f an hour ear ierH GShe what<H I exp ain. I omit the part a$out wan,in# over the si#ht thou#h. G7uc,y, she/s #ot a nice $um, I/m a ways te in# her.H GSo do you.H GThan,s, $ut that/s not the ,ind of thin# my $rother shou d $eMH It sudden y #oes very 8uiet, and she/s #ot her chess face on. Then she "ust smi es. GWhat<H GCothin#. I/ see you tomorrow. 9o me a favour thou#h.H GWhat/s that<H I #et my coat and I/m ha fway to the door. G@emem$er what you/ve #ot waitin# here.H And she ifts her hospita #own a#ain, on y this time, she/s tota y na,ed. I dash $ac,, cup her $reast soft y in my hand, ,iss her #ent y, $ut with intent, then fina y eave.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

Friday )'*')* Amanda/s dropped off the next mornin#, dad eaves for wor, and mum eaves for the hospita . She hasn/t $othered with her norma power suit and hairsty e this mornin#. I swear it/s a comp ete y different woman. 0ur conversation yesterday has certain y chan#ed a ot of thin#s. Amanda sett es down and I put Inner Space $ac, on for her. She/s #ot free rei#n of the house, and despite everythin# that/s happened, I do actua y have some shit to do around the house. Today it/s fencin# 2Erectin# fence pane s, not sword fi#htin#3, and there/s 8uite a stretch to do. I/m crac,in# on when Amanda comes out to see me. G>ot $ored of the fi m<H GCo, it/s finished.H G@ea y<H I chec, my watch, % hours have passed and I/ve hard y touched the "o$ that needs doin#. GCeed a hand<H GWe , it wou d $e nice. It/s hard wor, thou#h.H GThat/s o,, I don/t mind, mi#ht ta,e my mind off thin#s.H +nderstanda$ e. So I te her to #ra$ a pair of # oves, and she he ps me put posts and pane s up. She/s o$vious y very fit as she/s he pin# me ma,e i#ht wor, of this, and $efore on# we/re done. But very sweaty and a itt e whiffy. It/s #one midday so we/re sittin# in the ,itchen and I #et a $eer out of the frid#e. GWant one<H She considers it. GBetter not, have you #ot a co,e<H I pass her a can of diet. G9on/t suppose you $rou#ht a chan#e of c othes<H GI wou d #o home and #et chan#ed, $ut I don/t have any ,eys to #et inH GI/m sure Tasha won/t mind if you $orrow some of her c othes.H GAre you ,iddin#< She/s tiny4 I wou dn/t #et one of her tDshirts over myM headH She $ ushes I ta,e a # ance over. 7oo,in# at them, it/s pro$a$ y hi#h y un i,e y anythin# Tasha owns wi #et over them. Cot without stretchin#. To $rea, the aw,wardness of the situation, I ca the hospita and as, to spea, to Tasha. G7isten, Amanda wanted to chan#e c othes $ut she hasn/t #ot anythin# with her, she as,ed if she cou d $orrow some of yours<H There/s a au#h fo owed $y a wincin# sound on the phone. GShe/ $e uc,y4 She/ never #et any of my thin#s over those massive tits of hers.H I stif e a au#h and oo, at Amanda. I thin, she #uesses what we/re ta ,in# a$out as she #ives a wry #rin and crosses her arms over her chest. GShe can try thou#h. She ,nows where my stuff is, she/s s ept over a coup e of timesH I #esture that she can #o upstairs and sort herse f out, she eaves. G0,, than,s. We/ #et sorted and come $ac, over to see youH Gma,e it a $it ater. I, apparent y, need a nap.H G0,, coo . We/ wait a coup e of hours then come upH G0,, my $ody wi $e waitin#H G1ardon<<H Boncussed and sti a wiseDarse. GI/m "ust ,iddin#, stupid.H ;er voice drops to a whisper GBut I sti want youH GI ,now, I miss you a readyH The ine #oes 8uiet. I venture upstairs to see if Amanda/s o,. Ban/t see her in Tasha/s room, Tommy/s, or mine. 0ur parent/s $edroom door is c osed so I open the $athroom door to see Amanda standin# there with her face in a f anne . She/s ta,en her shirt off so she/s "ust in her "eans and a $ ac, $ra. G0h, shit, sorry. I was "ust chec,in# you/re o,H She owers the f anne $ut ,eeps her arms to#ether over her chest. She oo,s at me in the mirror and I/m reminded of the first time I saw Tasha yesterday mornin#, standin# in pretty much the same p ace, a $eit with much ess c othin#. GI/m fine, now, you/ve $een rea y nice today. Than, you.H She turns to face me $ut ,eeps her arms up. G+m, Tasha said you ,now where she ,eeps her stuff<H G?eah, I/ve $een here a few times. We used to swap c othes $efore I overtoo, her in the chest departmentH Ay turn to $ ush. Weird I/m i,e this with her $ut fine starin# at my sister/s $ody. G0,, we , I/ $e around, "ust ta,e your time, come find me when you/re finished.H She smi es and as I eave she owers her arms. For a second my eyes are drawn to her chest. The $ ac, $ra actua y has a pattern of f owers on the cups. She/s at east a B or 9 cup, $ut she/s very ath etic, so it must $e #enetic. I can "ust ma,e out the form of a nipp e when I rea ise she/s spotted me oo,in#, so I swift y exit and c ose the door. A short whi e ater I come $ac, upstairs to see how she/s #ettin# on. She/s in Tasha/s room, the doors open $ut I don/t #o in, "ust ta , to the door. GI/m #ettin# there, I thin,. Tasha/s #ot a ot of stuffH GTe me a$out it, I have to c ean up after her most daysH G0h, you poor thin#H G7oo,, I/m #oin# to ta,e a shower, I won/t $e on#. >o downstairs and ma,e yourse f comfy when you/re finished.H G0=, $ut can you te me somethin#<H GWhat/s that<H She opens the door, and she/s wearin# Tasha/s "eans that are very ti#ht, $ut a TDshirt that/s O siFes too sma so it/s s8ueeFin# her $oo$s to#ether 8uite dramatica y. G9oes this oo, o,<H She/s ta,en her $ra off, and the ti#htness of the materia had made it near y seeDthrou#h and I can see her s8uished nipp es 8uite c ear y. ;owever, it/s far from sexy, so we $oth $urst out au#hin# as she pushes the door to a#ain. I ta,e my shower, and I/m near y done when there/s a ,noc, at the door G?es<H GBan I come in<H GEr..H GI don/t i,e ta ,in# throu#h doors. I won/t oo,H G0,H I hear the door open GI can/t find anythin# that fits me, I/ve #ot trousers, $ut can/t find a top. I don/t suppose you/ve #ot any tDshirts that mi#ht wor,<H G?eah, pro$a$ y, #ive me a second and I/ $e ri#ht outH There/s a pause $efore she says o,, and another $efore I hear the door c ose. I finish washin# myse f. 1rivates ast, a ways end on a hi#h note. I rinse myse f off and open the shower door. Amanda is standin# $y the door. She/s top ess and "ust standin# there, oo,in# at my dic,. The si#ht of her pretty fantastic tits, and my endin# the shower on a hi#h note ma,es it stand to attention a itt e more. I have an ur#e to cover myse f, $ut for some reason I don/t. For a whi e we/re "ust standin# there, oo,in# at each other. I notice how we defined she is, and whi e her tits are ar#e, they/re we proportioned, toned, with ar#e, pa e nipp es 2Thin, Thora Birch, $ut symmetrica 3. ;er eyes haven/t eft my dic,, $ut eventua y she oo,s up, smi es, and saysL GI "ust wanted to chec, Tasha wasn/t yin#H and she s ow y eaves, ta,in# another oo, $efore she c oses the door. I ta,e my time #ettin# dressed, thin,in# a$out what she/s "ust said, and what it means. ;ow much has Tasha to d her< 9oes she ,now we/ve #ot each other off< I step out of the $athroom in "ust my trousers and peer into Tasha/s room, not there, so #o into mine and she/s sittin# on my 2messy3 $ed, sti top ess. GEr, don/t you want to put your $ra $ac, on<H She sha,es her head, and I can/t he p $ut notice the "i## e. GCo, it/s too ti#ht. I thin, I/ve #one up a siFe. Besides, Tasha said you two a ways see each other na,ed, so I didn/t thin, you/d mind.H I dump my towe into the aundry $as,et and wa , over to my wardro$e to choose tDshirts for us $oth. GShe to d you that<H G?eah, she said you #uys had a shower the other day. 9on/t worry, I thin, it/s coo you #uys are so c ose. If A? $rother oo,ed i,e you I/d want to shower with him every dMH She trai s off. As I oo, at her she/s $ ushin# a over. GSorryH GIt/s o,. What e se did she say<H A#ain she $ ushes, and it spreads to her tits, which #o $ri#ht pin, GWe , I mi#ht have as,ed how $i# you were. And it seems she wasn/t exa##eratin#. I/m sorry, I was "ust curious. I/ve never seen one $efore, not for rea anyway.H I have no fuc,in# idea what came over me at that point, mi#ht have $een a the adrena ine from the manua a$our ear ier, $ut I turned $ac, to her, undid my trousers and dropped them to the f oor. ;er eyes widened as she oo,ed at it. I fe t i,e a sti ife art c ass mode as she shuff ed a on# the ed#e of the $ed to #et a c oser oo,. I wasn/t comp ete y hard at this point, $ut her tits rea y were mesmerisin#, and it wasn/t on# $efore I was fu y erect, her eyes #ettin# ar#er as my dic, did. She was as c ose to me as Tasha was in the shower when I came on her tits. The thou#ht of it ma,es me harder and my dic, thro$s. Amanda "umps as it twitches. She/s fascinated. G9oesn/t it hurt when it #ets hard<H GIt does when it #ets T;IS hard, yesH GWhy< 9oesn/t it #et as hard as this norma y<H She oo,s up at me, and a I can see is my hard dic,, pointin# at her hu#e $reasts. It/s a I can do to not $ ow my oad nonDcontact. GIt does when I/m rea y turned onH I $ac, away and $end down to pu up my trousers. GWaitH GWhy<H She oo,s at me a#ain GBan I touch it<H In for a pennyM G?es, $ut no ru$$in#.H She smi es. GWhy< 9on/t you want to come on my tits<H I don/t ,now if there/s a dou$ e meanin# there, $ut I/m osin# ri#idity fast, so I don/t thin, I/m in dan#er of exp odin# any more. I stand up strai#ht and offer myse f to her. She #in#er y reaches out and stro,es the top of the shaft. ;er fin#ers are very soft and I et her stro,e it a itt e more. She moves her hand and #ra$s the who e thin# #ent y. I oo, down and notice her free hand is down her trousers. I thin, she/s #ettin# herse f off. At this point I/m too far a on# to care. She stro,es my coc, and herse f with a matchin# rhythm and $efore on# she/s pantin# with p easure. I can fee my pressure risin# and as it $ui ds I move her hand away and start "er,in# myse f as I stare into her #reen eyes. I point my dic, at her tits and my $a s contract as I start comin# over her $reasts, $ut after the first spurt she $ats my hand away, #ra$s my pu satin# dic, and c oses her ips around it. She pumps my coc,, suc,in# hard as I e"acu ate in her mouth, her other hand ,neads her pussy and she moans oud y throu#h her nose. I don/t rea y ,now, or care what "ust happened $ut I put my hands #ent y on the side of her head as she comes down from her or#asm, as I do as we . She stops suc,in#, $ut has the end of my dic, in her mouth. ;er other hand re axes and we "ust stay sti for a whi e. Eventua y she moves her mouth away, suc,in# the ast remnants of cum from my dic,. 7oo,in# up at me she swa ows with a wince. She shudders at the taste and a most #a#s GI/ve a ways wanted to try that. I have no fuc,in# idea why pornDstars are a ways smi in# when they suc, a #uy, that was rottenH She removes her hand from her trousers, scoops up the first shot of cum off her tits, ic,s her fin#ers 2the ones she/s "ust had down her trousers3, then fa s $ac, on my $ed, her tits wo$$ in# as they sett e. She oo,s at me. GI won/t te if you don/tH I/m spent, I turn around and ie $eside her, dic, thro$$in#, trousers around my an, es, starin# at the white cei in#. GThat was so fuc,in# wron#H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GBut fe t so fuc,in# ri#htH GI/m #oin# to "ai H GCo you/re not, that was my fau tH GIt doesn/t matterH G?ou/re my sister/s $est friend, and she/s aid up in hospita H I fee i,e shit GThat/s o,, we share everythin# anywayH I turn to her GWhat do you mean<H G?ou came on her tits too. She to d me, that/s why I wanted you to come on mineH I put my hands on my face. GThis is so fuc,ed up. First I mo est my sister, she ends up in hospita then her )& year o d friend suc,s me off. This wee, is proper y fuc,edH G?ou didn/t mo est her, moron, she a ways wanted you to #et her off. She insti#ated it, remem$er< 1 us technica y, I didn/t suc, you off. I simp y made you come in my mouthH I can/t $e ieve how much Tasha/s to d her. Amanda turns on her side and ays an arm across my chest, I can fee her ar#e tits a#ainst my side, and I/m aware of a stic,y sensation on my ri$s. G7oo,, if it ma,es you fee any $etter, ,ids my a#e are doin# this a the time. They fuc, around, $ut they don/t have sexH. GSo you/ve done this $efore<H She rests her head on my arm GCo, you/re my first. ?ou were Tasha/s too, in case you were wonderin#H G?ou mean she p anned what happened the other day<H GCo. We . She to d me she hoped it wou d happen one day, $ut she didn/t want to "ump on you. It had to $e a mutua thin#.H She ho ds me c oser G7i,e this.H I can/t see her face $ut I can hear her smi in# GSo are you aimin# to do this with anyone e se<H She faces me with a cross expression. GCo, of course not. That mi#ht have $een a oneDoff, so don/t #et your hopes upH We ay there for 8uite a whi e. It/s actua y 8uite nice, unti Amanda says she/d $etter ta,e a shower to #et the traces of my come off her chest. She #ets off the $ed, and ta,es down her trousers. Turnin# around, she pu s down her underwear, and I notice she/s comp ete y $a d down there. Shaven, possi$ y, $ut hard to te . GIoin me<H GI/ve "ust had a showerH GI heard you had three on SundayH G>ood pointH I "oin her in the shower. I wash her $ac,, she washes my chest, I wash her tits, concentratin# on her apparent y sensitive nipp es. She/s ta er than Tasha so it/s not so much of a hei#ht difference as she s8uirts a # o$ of shower #e into her hand, #ra$s my coc, and starts washin# it. Before on# I/m hard a#ain and she/s ru$$in# the tip a on# the top of her s it. GI thou#ht you said you didn/t have sex<H GThis isn/t sexH and she ,isses me deep y, her ton#ue in my mouth as I reach around and fina y #ra$ her arse chee,s. I push forward and my s ippery dic, s ides inD$etween the top of her e#s and a on# the en#th of her pussy, she ho ds her ,nees to#ether and my s i#ht hei#ht advanta#e means as I push forward, I/m ru$$in# her c it with every stro,e. It fee s fuc,in# fantastic, and I thin, she thin,s the same. Eventua y we $oth come to#ether, she di#s her nai s into my $ac, as I spurt my come down the $ac, of her thi#hs. As I/ve a ready come recent y, there/s not much and it actua y hurts a itt e. We ho d each other for a whi e under the water, then compose ourse ves, washin# the remnants of each other, off each other. We #o $ac, to room and put our c othes $ac, on. She puts her $ra on with a dirty #rin 2 oo,s fine to me3. I #ive her one of my sma er tDshirts, which fits her fine. Aa,in# sure the house is respecta$ e, and havin# one more pro on#ed ,iss, we #et $ac, in the car and head $ac, off to the hospita . That's me done. We #ot to the hospita $ut Tasha was as eep. Amanda and I #ra$$ed unch at B= and I too, her to see 7es AisVra$ es at the cinema over the road 21 enty of $ac, seat fum$ es3 then dropped her off. We swapped num$ers so text f irtin# has $een p entifu and varied. The docs say Tasha shou d $e home Aonday or Tuesday. I sti don't ,now what the situation is with my mother, $ut hopefu y I/ find out some time this wee,, as it's sti confusin# the fuc, out of me.

This is a picture I found on '$' of a #ir that has a $ody identica to Tasha's. This may aid the fo owin#. Aonday &'*')* Aonday mornin# I wo,e up to a virtua y empty house. Co Tasha, and Amanda sent me a text that she was #oin# $ac, to schoo today, 9ad eft ear y for wor,, as usua 2happy that Tasha was doin# fine3, so that "ust eft Aum, itt e Tommy and me. 9ra##in# my arse downstairs, I meet mum $y the front door. After the end of ast wee,/s reve ations, her attitude towards me has improved #reat y, and she fina y seems to appreciate the wor, I/ve $een doin# around the house, rather than seein# it as my duty. Sti , whi e she is much more cordia to me, she/s deve oped this annoyin# ha$it of never ma,in# eye contact. She/ oo, everywhere e se, $ut never direct y at my face. I put it down to somethin# e se a$out this fami y I/ $e to d eventua y, $ut I hope it/s not too on#. At east she seems happier, and since she/s started wearin# her hair down, she oo,s a he of a ot youn#er too. She te s me she has to head out for the mornin# $efore hittin# the hospita . Surprisin# y she #ives me a ,iss on the chee,, I ruff e Tommy/s hair 2too $usy dri$$ in# to notice3 and the house is fina y empty. Cot sure if mum for#ot, or she/s cuttin# me a $rea,, $ut I appear to have nothin# to do, so I #o on ine, app y for %O "o$s 2same as Friday3, and after spendin# )( minutes starin# at the 9E9 she f, I wuss up and #ive the house a 8uic, c ean. Ay $edroom/s neater than norma so I try Tasha/s, that/s sti tidy too. So I #ive the hospita a ca and mana#e to ta , to her. G;ey, what/s up<H G0h, nothin#, I/m rif in# throu#h your ,nic,er drawer wonderin# if you wanted me to $rin# anythin# up.H GAs you/re there, "ust some c ean ,nic,ers, TDshirt and "eans. 0h, and #ra$ that $oo, $y the $ed. I/m osin# $rain ce s $y the minute here I/m so effin# $ored.H 2I #uess she has company3 G?ou o, for $ras<H I hear a #i## e. GI thou#ht you ,new me $etter than that.H G1ardon<H GTe you what, if you can find any $ras you can $rin# some.H A itt e perp exed, I chec, her drawers, the wardro$es, and the aundry $as,et G?ou don/t have any $rasH another #i## e, and she drops to a whisper. GThat/s o,, I don/t have any titsH I au#h GSo what was I usin# as tar#et practice the other day<H A au#h, fo owed $y an -ow/. GShut up. ?ou comin# over<H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

G?ep, I/ $e over as soon as I/ve finished tryin# on some of your c othesH G0=, $ut don/t stretch anythin#. 7ove you.H G7ove you -sis/.H I pac, a few thin#s, oo,in# for her sexiest ,nic,ers, which is actua y a $it of a cha en#e, as most of her underwear is 8uite p ain and conservative. I choose a coup e of sporty pairs 2>rey with pin, trim. Fi#ureDhu##in#. Ay than#.3 I ta,e a 8uic, # ance in my parent/s room. I se dom #o in there, $ut I #ive it the once over. I notice the itt e ca$inet $eside mum/s side of the $ed is open, so I #o over to c ose it. I rea y wish I hadn/t when I see what/s in there. Ei$rators. 2J num$er. Earyin# siFes, inc udin# one -twoDfin#ered/3. Ana $eads. BenDwa $a s. Cipp e c amps. I stare for a whi e, and than,fu y not seein# any rea B9SA #ear 2no whips of handcuffs3. I c ose the drawer and try to sha,e the ima#e of $y mother usin# any of them. 1articu ar y the $eads. I oc, up the house and dash to the car, turnin# the music up @EA77? F+B=IC> 70+9 S0 I BAC/T ;EA@ T;E T;0+>;TS @+CCIC> A@0+C9 A? ;EA9 AB0+T A? A0T;E@ +SIC> ACA7 BEA9S. ;owever, $y the time I #et to the hospita I/ve done my norma thin# of overDthin,in# thin#s. Ay mother, or at east the woman I re#ard as my mother, is entit ed to a sex ife. She/s not that much o der than me, so her appetite is sti hea thy, and fuc, it, she/s #ot a #ood fi#ure 2same as Tasha/s3 so I #et out of the car fee in# a ot ess creeped out than I was ear ier. I thin, the reason I may have $een so shoc,ed was $ecause unti a few days a#o my mother dressed i,e 9o ores fuc,in# +m$rid#e, $ut with ess pin,. Fina y wa ,in# the corridors towards Tasha/s room, the first thin, I/m aware of is a $uFF, of many hushed conversations, then comes a sme . Cot unp easant, $ut #radua y more powerfu as I #et c oser. I turn the ast corner and I/m met with a ine of teena#e #ir s, a chattin# and #i## in#, ho din# teddies and f owers, a seated a on# a wa , and since they/re a in Tasha/s uniform, I #uess they/re a here to see my sister. I can fee myse f #ettin# redder as I wa , past them, a few oo,in# strai#ht at me then whisperin# to each other $ehind their hands. As I near the door a coup e of the #ir s I reco#nise ma,e eye contact. G0h hiH It's the two who came up to me at Tasha's schoo . As they/re the on y fami iar faces I #o over. G;i, what are you a doin# here<H GWe/ve come to see Tasha, of course. They/re on y ettin# us in % at a time thou#h, and on y for a few minutes. We/re on y a$out ha fway throu#h.H I oo, $ac, at the rest of the ine. There must $e at east an hour to #o. I contemp ate eavin# and comin# $ac, ater, $ut the #ir s weren/t finished with me yet. GIs Amanda here<H This raises a #rin and a few near$y eye$rows. GCo, she/s at schoo . The headmaster as,ed her if she wanted to come $ut apparent y she was here near y a wee,end anyway.H G0hM ri#ht. I suppose she was, yes.H I/m surprised at how disappointed I sound. GBan I as, you a 8uestion<H I am, to say the east, trepidacious. G+m, o,<H GAre you Amanda/s $oyfriend<H Ay spiderDsense te s me that there/s at east %( ears han#in# on my every word. I "ust oo, at her eyes, and notice they/re the same co our as Amanda/s. And I thin,L Thursday, ho d Amanda as she cries into my chest P twice. >aFe ovin# y at her $are $um for ha f an hour and mastur$ate next to it. ;ave a $it of a chuc, e a$out it afterwards. Amanda $ears witness to my fami y unit turnin# itse f inside out for an hour, then sett e $ac, to norma ity. Friday, spend the mornin# #ettin# sweaty and havin# a #ood au#h with Amanda as we put a fence up. >et a drin,. ;ave a au#h, see each other na,ed, she performs a sexua act on me, cu minatin# with her swa owin# my come. Share a shower where we simu ate the act of ma,in# ove without actua y doin# it. B ean up, #o $ac, to hospita . >ra$ a $ur#er, watch a movie 2more heavy pettin#3, then #o home. I rea ise how much I en"oyed $ein# with her, $ut can/t remem$er a time when I wasn/t ho din# her hand. G?es, I thin, I mi#ht $e.H The #ir s #i## e, "ump a $it, and a coup e even say -yay/ or whatever #ir s do in situations i,e this. The #ir s $eam at me as I fina y ma,e my way into Tasha/s room, ta,in# out my phone as I open the door. At first, I thin, a f orists/ has exp oded. There are f owers and teddies everywhere. Tasha sees me and smi es, #ivin# a itt e wave. I don/t interrupt as she/s #ot a coup e of friends with her, $ut notice my mother in the hi#hD$ac,ed chair, Tommy on her ap, as eep, and Tasha/s headmaster in the corner of the room. I 8uic, y $rin# up Amanda/s num$er on my phone and writeL -;i. Sorry if I/ve overstepped the mar,, $ut I "ust mi#hta sorta to d your schoo friends that you/re my #ir friend./ /I poc,et the phone and wa , over to the headmaster, sha,in# his hand. G>ood mornin#H G>ood mornin#H GI never ,new my sister was so popu arH GWe , truth $e to d, since your sister is so concentrated on her academic studies she doesn/t have a ot of time for socia isin#. She spends her unchtimes in the i$rary.H G@ea y< I ,new she i,ed studyin# $ut I never ,new she was that into it. I hope she/s not wor,in# too hard, she/ $urn herse f out.H G0h, no. I $e ieve she ,eeps her wee,ends free. ?ou to d me.H @eca in# the events of the previous wee,end, yes, I thin, she does. GAnyway, your sister is we i,ed, and after the accident most of the #ir s $e##ed the facu ty that they $e a owed to come and visit. I was # ad to ma,e the trip, actua y, nothin# for me to do today $ut fi out ris, assessment forms for the 0pen 9ay next month.H Fascinatin#. Friends are $rou#ht in two at a time, and their reactions to Tasha vary #reat y. The sma er #ir s are standDoffish, "ust handin# over the f owers and teddy $ears and as,in# si y itt e 8uestions, whi e the more $rash #ir s come strai#ht out and as, to see the war wounds, norma y respondin# with -coo 4/ when Tasha ifts her hair to show off the ar#er #ash on the $ac, of her head. I/m reminded of a movie press "un,et, where "ourna ists #et to spea, to movie stars for O minutes at a time, answerin# the same 8uestions over and over. She hand es herse f 8uite we . Ay poc,et $uFFes, and I pu out my phone to see Amanda/s responded -That/s o,, $ecause I mi#hta sorta to d everyone you/re my $oyfriend./ This is fo owed $y severa smi ey/s and ove hearts. I/ve #ot a #ir friend. Boo . Eventua y, the ast two #ir s are $rou#ht in, and whi e they sit on the $ed to ta , to Tasha I turn to the head. G?ou ,now Tasha/s not my sister<H I/m not oo,in# strai#ht at him, $ut see him si#h. G?es, I did. As her headmaster I had to ,now. For a ar#e num$er of $orin# reasons. It rea y wasn/t my p ace to te you.H GCo, it/s o,, I understand.H GWhen did you find out<H GThursday. In this room. >ot 8uite emotiona . I hate to say Amanda was here when the firewor,s went off, $ut it ended we . 1 us she spent most of the day with me on Friday and she seemed fine.H G0h. ?ou and Amanda areM<H I can hear the eve s of concern in his voice. G?ou don/t have to worry. It/s very ear y days, we don/t ,now where this wi ta,e us, $ut I won/t et it #et in the way of her schoo wor,. I promise.H ;e seems o, with this 2 i,e I actua y care3. G?ou/re )6, I $e ieve.H Another oaded 8uestion. G?es, there/s & years $etween us, $ut I sudden y found out there/s W years $etween my -parents/, so that/s somethin# e se you don/t have to worry a$out.H ;e #ets the meanin#, and it/s we timed as the ast two #ir s #et up from Tasha/s $ed, the ;eadmaster sha,es my hand a#ain, than,s my mother and apo o#ises for the intrusion, then eaves. GThat/s a ot of f owers.H GI ,now, it/s rea y startin# to hit my hay fever.H Aum starts oo,in# in her hand$a#. G?ou and me $oth sweetie.H She hands Tasha some tiny ta$ ets. AntiDhistamines. GIt/s $een ,i in# me since the first ot came in, $ut I didn/t want to say anythin#, they were a so nice to you.H She oo,s up and smi es at me, I smi e $ac,, re ieved the atmosphere is so #enia , $ut sudden y I have an ima#e of various sex toys f ashin# across my mind and I/m fee in# aw,ward a#ain. I hope I/m hidin# it. I sit on the chair ri#ht $eside the $ed as mum te s us she has to #o into town for a few thin#s. She oads Tommy into his $u##y, #ives $oth of us a ,iss on our chee,s, and $ac,s out of the door $ehind me. I turn $ac, to Tasha and I/m shoc,ed to see an incredi$ y stern oo, on her face. GWhat did I do<H I/m actua y a itt e scared of her, she oo,s exact y i,e mum used to $efore I found out she wasn/t my mum. GEveryone/s $een te in# me that you and Amanda are $oyfriend and #ir friend.H She s aps my hand, 8uite hard. GWhy wasn/t I informed<H GWe , in my defence, I didn/t actua y ,now we were an item unti I #ot here.H G;ow do you mean<H So I exp ain the conversation I had with the #ir s outside 2Bhristine and Sarah, apparent y3, and the sudden reasonin# I had to do. GThis doesn/t chan#e anythin# $etween us, you ,now. I don/t want to sound i,e I/m #oin# $ehind Amanda/s $ac,, $utM 0h crapH I ean forward and put my forehead on the $ed $eside her hip, my hands on the $ac, of my head. I $ury my mouth into the mattress and ye . GI never ,new havin# a ove ife cou d $e so fuc,in# comp icated.H Tasha starts stro,in# my hair. It/s nice. GFrom what I/ve heard, they aren/t as comp icated as yours.H I ,eep my face down. GExp ain.H she si#hs. G?ou/re current y en#a#in# in semiDsexua re ations simu taneous y with two underDa#e #ir s, one of whom, unti recent y, you thou#ht was your sister, and the other one, near y ,i ed the former 2who unti recent y, you thou#ht was your sister3 with a hoc,ey stic,, and now, you/re officia y an item with the atter, as an officia ovin# re ationship with the former wou d $e deemed mora y reprehensi$ e, what with everyone thin,in# we/re sti $ ood re atives.H I/m #uessin# she/s $een #oin# throu#h this a ot over the wee,end. G9id IM miss anythin#<H G?eah, I had a wan, whi e oo,in# at her arse whi e she fe as eep watchin# inner space.H She #asps dramatica y. Then au#hs. G?ou fuc,in# perv4 ;ave you to d her<H G?esH GWhen<H G9urin# an afternoon showin# of 7es AisVra$ esH G9idn/t she mind<H G9on/t thin, so, I had my hand down her pants when I to d herH G?ou c assy $astard.H I sit up and au#h, we $oth do. GSo what did you #uys do the other day< She never actua y to d me.H So I te her a$out Amanda he pin# me with the fence. She accuses me of ma,in# Amanda do a the wor,. It/s when I #et to the part where Amanda wanted to chan#e c othes that Tasha rea y $e#ins to ta,e an interest. GThat/s when you ca ed me. 9id she find anythin# that fits<H GCo, $ut she did try on one of your tDshirts. ?ou were ri#ht a$out her tits. She tried on this ye ow shirt without a $ra and it oo,ed i,e one hu#e $oo$ under there.H G;a4 I hope she hasn/t stretched it.H GTDshirts are stretchy, I/d $e more worried a$out the "eans she s8ueeFed into.H GShe #ot into my "eans< Iesus4 I $et she had trou$ e #ettin# them off.H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GActua y, they came off pretty easi yM.H 9amn. Snea,y cow. GI ,new it. ?ou two had sex didn/t you<H GCo, actua y no, we didn/t.H G9on/t worry, I/m not "ea ous. I to d you, you two are made for each other.H She actua y ma,es herse f comforta$ e, fo ds her arms and oo,s at me i,e I/m a$out to te a $edtime story. GWe < What happened, and don/t you dare eave anythin# out.H So I start re#a in# her with the story of Friday. Amanda comin# over, watchin# the movie, he pin# me with the fence, tryin# on her c othes, then as I #et to the part where Amanda and I are starin# at each other in the $athroom, she stops me. GWhat are her tits i,e<H G?ou/ve never seen them< I thou#ht that/s what #ir s did on s eepovers. Try on c othes, #et na,ed and ta , $o oc,s a$out $oys.H She shru#s. GAay$e, $ut her tits #rew three siFes in a$out T months. She was a ways shy a$out them, so even thou#h she/s seen mine, I haven/t seen hers. She a ways ,eeps her $ras on. So come on, what are they i,e<H GWe , they/re a$out a B or 9. I don/t rea y ,now siFes.H GShe/s ha fway.H GWhatever. They/re hu#e for a )& year o d. Bi#, pa e nipp es. Eery sensitive.H GWhat do they fee i,e<H This ine of 8uestionin# is very odd. GWe , they fee i,e yours, on yMH She oo,s down at her chest, her tiny $osom hard y ma,in# an impression in her hospita #own. GSma er.H G7oo,, sis. I/ve to d you, I ove your tits. I ove the way they fee , p us I $et I can #et a who e one in my mouth.H She #i## es, oo,s at the door and ifts up her #own. G>o on then.H I oo, over my shou der and comp y. I #ive it a #ood #o, it o$vious y tic, es as she/s s8uirmin# and au#hin# as I try to #et her who e eft tit in my mouth. I more or ess #et the who e thin# in with a ot of suc,in#, p us I/m f ic,in# her tiny nipp e with my ton#ue. Ai#ht as we whi e it/s in there. Eventua y she mana#es to push me off. A the au#hin# has o$vious y hurt her face s i#ht y. The swe in#/s eased considera$ y, and there/s #oin# to $e a he of a $ruise, $ut she/s sti smi in#. I #ive her $reast a ru$, my sa iva moisturisin# her s,in. She ays $ac, on her pi ow as I ru$. GSo what happened next<H So I te her a$out Amanda sittin# on my $ed, top ess, as,in# to oo, at and touch my coc,. As I te her this my hand s ides down her ti#ht $e y and I start runnin# my fin#er a on# the top of her underwear. Without a word she moves her e#s further apart, and I #et a fin#er under the e astic waist$and, sti movin# from side to side. I may have exa##erated and em$e ished the story a $it for her $enefit, $ut her $reathin# was #ettin# harder, so I thou#ht I/d he p her a on# a $it. I te her a$out the warmth of Amanda/s hand as she started to "er, me off, and the si#ht of her tits "i##in# as her hand moved. Ay hand is now in Tasha/s ,nic,ers, my fin#ers runnin# throu#h her soft pu$ic hair as I head south. I mana#e to reach her c itoris and start #ent y massa#in# it when I te her a$out Amanda ta,in# my coc, in her mouth as I came. GShe did what<H she sits up s i#ht y, $reath ess $ut shoc,ed GShe put my coc, in her mouth, I came. She swa owed.H I/m sti ru$$in# Tasha/s itt e c it as she ies $ac, on the $ed. GThat dirty cow. I wanted to $e the first to #ive you a $ ow "o$.H G?ou sti can $e, she didn/t technica y suc, me off. I was a ready comin# when she started suc,in#.H A pause as I ru$, her eyes are c osed, and her nipp es are definite y startin# to ma,e an impression on her #own now. I reach up with my spare hand and start ru$$in# them throu#h the c oth. GSo was that it<H GCo, we had a itt e cudd e on the $ed. Then she as,ed me to "oin her in the shower.H GSo you saw her na,ed then<H I nod as I ru$ the en#th of my fin#er a on# her c it, dippin# the tip of my fin#er into the entrance of her va#ina. She/s incredi$ y warm, and incredi$ y wet. G9id you fuc, her then< I wou d have.H I exp ain how Amanda c osed her e#s around my dic,, ho din# it a#ainst her pussy as I fuc,ed her thi#hs. Tasha/s #ettin# $ oody c ose when there/s a ,noc, at the door. We 8uic, y arran#e her $edsheets and #own as the door opens and a nurse pops her head in. GBan I #et you anythin# dear<H Ay fin#er is sti inside my sister/s a$ia. G+mM no, I/m fine, than, you.H The nurse oo,s at Tasha/s chee,. GAre you sure dear< ?ou oo, a itt e f ushed, and that dressin# is weepin#.H She comes into the room, opens the window, comes over to the $ed and starts #ettin# some medica $anda#es out of the $edside ca$inet. I/m stuc,. I can/t move my arm, hidden under the $edDsheet, un ess the nurse sees me movin#. So we/re there for at east O minutes, Tasha tryin# to act norma , with every invo untary tiny movement of my fin#er sendin# a "o t throu#h her $ody. To ma,e it worse, the tenseness of the situation has made her pussy "uices dry up. I rea y am stuc, to my sister. If I tried to s ide my fin#er out I/d pro$a$ y hurt her. So we wait, unti the nurse 2who appears to ta,e pride in her wor,3 is finished. Eventua y she #ets up and eaves, with the promise of co d drin,s for the $oth of us. GFuc,4 I was near y there4H GI ,now, $ut we/d $etter not do that a#ain. Cot here anywayH. So I mana#e to pee her ips off my fin#er. I #ive her c it a itt e tic, e, and remove my hand. G>ood "o$ I $rou#ht you some spare ,nic,ers. ?ou/re soa,in# down there.H G@ea y<H She chec,s. GWow4 I/ve never $een that wet $efore. GAust have $een a that ima#inin# of Amanda/s $ody. What was that a$out anyway< Cot on the turn<H She $ ushes GCo, I "ust appreciate the $eautifu thin#s in ife, and I happen to envy her fi#ure. I/d ,i to see her na,ed thou#h.H Gwe , the way thin#s are #oin# with us three, that/ pro$a$ y happen sooner or ater. I "ust hope I can ta,e it.H She $eams. G?ou/ $e fine. We/ ta,e care of you.H She #ets out of $ed, ta,es off her sodden ,nic,ers, throws them at me, f ashes her pussy, then darts into the enDsuite $athroom 2posh hospita 3 with her $a# to put a fresh pair on. I hear runnin# water so I #uess she/s ta,in# a shower. Ta,in# a seat in the hi#hD$ac,ed chair, my phone $uFFes in my poc,et. A text from my #ir friend. -;i/ -;i/ -?ou at the hospita </ -?eah. 7oads of schoo friends were here. 9idn/t see you/ -missed too much schoo wor, a ready/ 2swot3 -how/s T</ ->ood. She "ust made me te her a$out Friday/ -0A>4 ?ou didn/t</ -I did, I thin, she wants to eF up with you/ This $rou#ht a on# pause, eadin# me to chec, my si#na . -te her it/s mutua . I #otta #o. When wi I see you</ -Sat</ -it/s a date. 7ove you xxx/ - ove you too./ 1ro$a$ y don/t "ust yet, $ut it fee s nice to say it. Tasha comes out of the enDsuite. I can see ,nic,ers under her #own and she/s dryin# her hair. GIust $een ta ,in# to Amanda. She says she wants to fuc, your $rains outH She au#hs G9on/t $ ame her, I wou d too if I was her.H The door opens a#ain and her doctor wa ,s in. GIs your mother here<H GCo, my $rother is, he/s over )6 so you can ta , to him.H The doc turns to me. Indian 2shoc,er3, # asses, o d, stereotype. GEery we , your sister/s hea th is improvin# very we . She shou d $e a$ e to #o home tomorrow.H Tasha s umps on the $ed, severa teddies fa to the f oor. GTomorrow< I/m $ooooored. I want to #et $ac, doin# stuff. I need to #et $ac, to schoo .H The doctor oo,s at me. I shru#. GTeena#ers4H GWe my dear, I said you cou d #o home, $ut I fear schoo is another wee, away. ?ou had a rather nasty concussion, you mustn/t rush these thin#s. ;ead in"uries are unpredicta$ e. ?ou need to et your $rain hea . Co menta exercises. Afternoon TE shou d $e a he pfu hea in# aid. Cothin# too cha en#in#. G>reat. So my prescription is 1hi ip Schofie d and Ieremy effin# =y e.H G1recise y. Cothin# cha en#in# at a . Cow, re ax, try to #et some more s eep and I/ see you tomorrow to #ive you your dischar#e papers.H She/s not happy, $ut #ets $ac, into $ed. I ho d her hand and we shoot the shot for a coup e of hours unti mum #ets $ac,. Ay hand firm y a$ove the covers. Tuesday O'*')* Tasha came home Tuesday, and mum/s treatin# her with ,id # oves. Bhasin# after her, as,in# if she needs anythin#. I thin, Tasha/s re ishin# the positive attention, rather than havin# extraDcurricu ar activities shoved down her throat. I eave them to it as I have to #ive my car an oi chan#e. Ay car/s a m,% Aondeo, no parenta free$ies in our house, we pay for privi e#es. We , I do. I/m under the car waitin# for the oi to drain when I hear piano music. Tasha/s very #ood, $ut this is 0de to Ioy. I didn/t ,now she cou d p ay that. Wa ,in# over the French windows I oo, in to see mum p ayin# the piano, with Tasha sittin# $eside her. After whi e Tasha "oins in ower down the ,eys. I never ,new mum cou d p ay, and seein# them sittin# to#ether smi in# and oo,in# i,e twins is somethin# I/ remem$er for a on# time. 0h, then they eFFed out for ha f an hour. =iddin#. Anyhoo, the rest of the day and Wednesday were du and #ent e affairs. 9ad constant y ca ed durin# the day to chec, and ta , to Tasha. We weren/t exact y a dysfunctiona fami y $ut this nearDfata accident has rea y $rou#ht us c oser to#ether. Thursday J'*')* Thursday started o,, $ut for some reason mum started to act 8uite a#itated ear y afternoon. Whi e the ast few days had $een fine, she sudden y started avoidin# me a#ain, avoidin# eye contact and o$vious y eavin# a room if I was the on y one in there. It was durin# a rather $ruta #ame of monopo y $etween Tasha and myse f 2I was winnin# for once3 that mum came up to us and said she had to #o out at short notice, cou d we oo, after Tommy, and she/d ca us ater to et us ,now what time she/d $e $ac,. I was a$out to as, where she was #oin# when Tasha cut across me. G0, mum. We/ oo, after Tommy. Ta,e care.H We hear the door c ose, and the car eavin# the driveway. GWhat was that a$out<H Tasha shru#s. GCo idea. Wait hereH and with that she rushes upstairs. 1resuma$ y to chec, on our itt e $rother. I sit $ac, down at the $oard and start countin# my $an, so far. Cot $ad, even if I do say so myse f. I detect movement to my eft and see Tasha standin# $y the door, in "ust some ti#ht ,nic,ers and a ti#hter vest top with s,inny straps that ho d her fi#ure nice y. G0h, he o. ?ou appear to have misp aced some c othin#.H GCo, I ,now exact y where it is.H She shows me the 1Is in her hand. 7ar#e, $a##y, unf atterin#. GIust in case.H I/m sittin# on the f oor with my $ac, to the sofa, so stretch out my arms across the cushions. I/m anticipatin# sauciness whenL

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

G@i#ht, whose #o is it<H She sits down, crossD e##ed on the ru# opposite me. I/m immediate y aware of the s i#ht $u #e of her pussy mound in her ,nic,ers. I experience a -stirrin#/ in my oins. G1ardon<H GWhose #o< ?ou/re winnin#, we can/t have that.H So we continue to actua y p ay monopo y, $ut I thin, the s,impy attire is mere y a distraction, as I can/t he p starin# at her erect nipp es and pussy, c ear y visi$ e throu#h the thin materia . I te her my suspicions as she pic,s up another chance card, winnin# second priFe in a $eauty contest. GWe , I had to up the ante somehow. I can/t have you ta,in# advanta#e of my add ed $rain, you ,now.H So we p ay on, and I start osin#, main y $ecause I/m not payin# attention to the #ame. Ban/t have this. I excuse myse f for a toi et $rea,, and strip down to my "oc,ey shorts. She/s oo,in# as hot as fuc,, $ruised face and a , so I/m startin# to pitch a tent. Without $ra##in#, I oo, after myse f, I/ve #ot a moderate y #ood $ody 2a the fuc,in# chores he ped3, and the shorts are accentuatin# my $u #e, so I sit down, cross e##ed, with my arms $ac, across the sofa. I/ve #ot ar#e pecs, so I/m tryin# to oo, fa$u ous. I #uess it wor,s as she oo,s up as I sit down, and throws the dice down. G0h, now that/s not fuc,in# fair.H GA /s fair in ove and war sweetie.H We continue to p ay, $ut I can see her eyes dartin# to my $u #e. I start stro,in# the inside of my thi#h. 9oes nothin# for me, $ut she/s c ear y #ettin# annoyed at the distraction. A#ain, she/s osin#. G@i#ht4H she sits up and rips off her vest top. Sittin# there in "ust her ,nic,ers, her wonderfu $reasts "i## in# as she sha,es the dice. I stare, $ut I/m used to $reasts, even ones as wonderfu as hers. I/ve ur,ed in enou#h T?FTT threads to ,now it/s the touchin# that counts, so with this in mind, I thin, I have a deuce in hand. The #ame continues, and our accounts are pretty even. It/s her turn to use the -toi et $rea,/ excuse, $ut she ta,es her time, so I have a 8uic, count. There/s on y a few hundred in it, so an un uc,y ro cou d end this 8uic, y. I hear her enterin# the room $ut don/t oo, up. G?our turnH She sits down opposite me, same position, and at first # ance my suspicions are confirmed. She/s ta,en her ,nic,ers off, so she/s comp ete y na,ed, $ut oo,in# a#ain, I see somethin# new. She/s comp ete y $a d down there. I oo, up, my face must $e a picture, $ut she "ust oo,s smu# as he and ro s the dice, "i## in# her tits a#ain. I simp y cannot stop oo,in# at her pussy. She/s done a #ood "o$ as it oo,s perfect y smooth, "ust i,e Amanda/s. Even thou#h her e#s are apart, there/s on y a sma separation of her s it. I can "ust ma,e out her c it hood. It oo,s moist. She ands on -#o to "ai / and swears. She/s there unti she ro s a dou$ e, so I saunter around the $oard. She o$vious y hasn/t #ot any more c othes to discard so she unfo ds her e#s, spreadin# them far apart, eans a#ainst the chair $ehind her and starts tracin# the contours of her $ody, down her pe vis, and stro,in# the sides of her pussy. I/m fu y erect $y now, and it/s startin# to hurt, so shunnin# any excuse, I stand up and whip off my shorts. Ay coc, sprin#s up, and her eyes widen as she stares. I sit $ac, down, same position, and $ec,on her to ro the dice whi e my dic, points at her. Fina y, she ro s a dou$ e, and #ets off her s8uare. Ay turn, I ro to o d =ent @oad. Aine, so no rent to pay. I stro,e my coc, once or twice, she stares. ;er ro . She "ust avoids the >o to "ai s8uare a#ain. She stro,es her pussy, runnin# her fin#er up and down her s it, her $reathin# soundin# heavy i,e $efore. Ay @o . Iust visitin#. I ean $ac,, crad in# my $a s and s8ueeFin# the $ase of my coc,, ma,in# the veins $u #e. She ro s, she ands on Aayfair. Aine. % hote s. She $an,rupts. She Iumps off the f oor and ands on me, p antin# her mouth on mine and we ,iss passionate y, ro in# over the $oard. I i#nore the sta$s of pain from the itt e p astic hote s and meta p ayin# pieces 2I was the car, she the itt e do##ie3 di##in# into my $ac,. I stand up, iftin# her with me as she wraps her e#s around my waist. I/m amaFed she hasn/t come up for $reath as she continues to ,iss me, her ton#ue exp orin# my mouth. In the $ac, of my mind is my se fDimposed ru e, 2Co a##ressive dominance3 so I move $ac, to the sofa, and ay down on it, ho din# her as we continue to ,iss, fina y re axin# s i#ht y as the initia fire dies, $ut the ust sti han#s $etween us. I stro,e her $ody, hands a the way down her $ac,, cuppin# her itt e $um, my fin#ers reachin# around and inD$etween, fin#ers dippin# into her va#ina from $ehind, drippin# wet once a#ain. After we ca m down some more 2circumstances permittin#3 I fina y shift position. I spin her around and ay $eside her, ,issin# her #ent y, movin# down to her nec,, co ar$one, chest, nipp es, which I spend a few minutes suc,in# and ni$$ in#. Ay ri#ht hand has moved down to her pussy and I/m stro,in# her c it i,e I did at the hospita . ;er who e $ody is writhin# #ent y as I continue movin# down her $ody, ,issin# her tummy, her $e y $utton, and I move onto her pe vic area. I ,new what my u timate #oa was, $ut I wasn/t sure if she did unti I ,iss the now hair ess area and she puts her hand #ent y on the top of my head. I ta,e this as tacit approva of my intentions, so I shift off the sofa, and turn her s i#ht y. @aisin# her ,nees, I start to ,iss the inside of her thi#hs, startin# ha fway up and s ow y movin# down, ,eepin# my eyes on the priFe as I move. ;er $reathin# is $ecomin# heavier and more ra##ed in anticipation of my contact, and she shudders as I p ace my ips s8uare on her c osed $ut warm pussy ips. I ,iss and #ent y suc, the soft tissue on her pu$ic $one unti I eventua y use my ton#ue to separate her ips. She/s very wet a#ain, and whi e I wasn/t sure what to expect, it simp y tastes of musty water, with a su$t e tan# of somethin#. I don/t care what of as I/m too $usy divin# my ton#ue into my sister/s pussy, exp orin# the fo ds and crevices, dippin# my ton#ue into her va#ina as she p aces her other hand on the $ac, of my head and pushes me down. I find her c itoris and concentrate on it, suc,in# and #ent y ni$$ in# the itt e $ead. ;er thi#hs come up and I can fee her pussy swe in# a#ainst my face as she nears her c imax. Sudden y she shifts her $ody away from my face, $rin#in# my head up and we rise, her face meetin# mine, ,issin# me a#ain, not carin# I have her va#ina u$rication a over my chin. We ,iss deep y, when I/m sudden y aware of warmth at the end of my dic,. She must have experienced somethin# too as we stop, and oo, down $etween us. She is sittin# on the ed#e of the sofa cushion, e#s wide. I/m ,nee in# on the carpet $etween them. Ay penis is fu y erect, and as I/ve strai#htened up, the tip is touchin# the entrance to her va#ina. It/s there, a I have to do is move my hips. A she has to do is move hers. I can fee the heat emanatin# from her, invitin# me in. I can fee how wet she is, penetration wou d $e easy. I can see how red and swo en her ips are. She can see how en#or#ed and swo en my dic, is, preDcum drippin# from the tip. We oo, at each other, $reathin# heavi y into each other/s/ face. We ,now what we want, we ,now what we don/t want. GI rea y want you to fuc, me.H It/s not a p ea, or re8uest. It/s a sma moan of frustration and despair. She has a oo, of deep passion on her face, $ut a so confusion and sadness. I can fee the coi ed sprin# in my pe vis. Ay hands are on her hips, I can fee the tension there too. 0ur $odies want each other, and if we weren/t so fuc,in# sensi$ e, we/d $e a writin# mass of im$s and s,in, fuc,in# each other/s $rains out on the Axminster, $ut we are sensi$ e. She/s )&, not on the pi , and the amount of cum I wou d have deposited inside her pro$a$ y wou d have #iven her 8uadrup ets. GI rea y want to fuc, you.H Ay dic, is sti there, $ut we/ve $oth $ac,ed off. She reaches down and #ra$s it. Stro,in# it #ent y, i,e Amanda did. Ay hand moves down to her pussy and I/m amaFed at how wet and inf amed her pussy ips are. I s ip a fin#er inside, then another. It/s ti#ht, and I/m sure I can fee the remnants of her hymen as I push $oth fin#ers inside. I hoo, them up and start s idin# them in and out, ma,in# sure I contact her c itoris with every movement. She pu s at my coc, as I pump her va#ina 2Ta,in# my tips from the awesome video on 1ornhu$ where that #uy massa#es his #ir friend unti she comes constant y for O minutes P oo, it up3. A#ain, she comes, hard. ;er tu##in# $ecomes erratic as she oses concentration, stoppin# as she comes down. After a whi e she #ets up and $ec,ons me to ie on the sofa 2#ood, my ,nees were ,i in# me ,nee in# on the carpet for that on#3. GAy turn.H And she ays on me, ,issin# my $ody as she moves down to my coc,. She #ra$s it in her ri#ht hand and #in#er y opens her mouth, hesitatin#, then owerin# her head unti my dic, is in her mouth, her soft ips c osin# around the shaft. She ho ds sti for a whi e, $ut starts movin# her head up and down. It/s c umsy to start with, and I fee teeth a few times, $ut eventua y she #ets a #ood rhythm, her hand pumpin# the rest of my dic, she can/t #et in her mouth. She ma,es sma moanin# sounds, coup ed with her heavy $reathin#, and it/s not on# $efore I can fee the $ui d up a#ain, $ut this fee s i,e a $i# one. I have ha f a mind to warn her, $ut can/t #et the words out as I p ace my hands on her head and he p with the rhythm. I mana#e a whisperL GI/m comin#H She nods, says -mmDhm/ and carries on suc,in#. Ay hips $uc, as the first shot exp odes in her mouth. She stops and $ac,s off s i#ht y, ettin# my come fi her mouth. Iust as Amanda did, she ho ds it there for a whi e as I fina y finish comin#. She #ives a coup e more suc,s and raises her head. Sittin# $ac, on her $um, she oo,s at me, her chee,s puffed out. G?ou don/t have toMH $ut she raises a fin#er, c oses her eyes, and swa ows noisi y. She doesn/t #a#, or ma,e a funny face. GI #uess it must $e an ac8uired taste.H She re axes and smi es at me, a itt e come dri$$ in# out the side of her mouth, which I point out. She scoops it up with a fin#er and suc,s it. G?ou o,<H G?es, than, you. That was fuc,in# awesome.H GThat was fuc,in# c ose. I was this c ose to puttin# it in you.H GI rea y wanted you to. I/m impressed at your restraint actua y.H We stay there for a whi e, oo,in# at each other. I start to #et soft, and a itt e $ead of come ea,s out of my dic,. G0ops, don/t ma,e a mess4H and she pic,s up my dic, a#ain, puts it $ac, in her mouth and suc,s the dre#s of come out of my coc,, ho din# it in her mouth for a moment, I fee her ton#ue massa#e the $ase. She swa ows, smi es, ,isses me on the forehead, pic,s up her c othes and wa ,s out to the ,itchen as I s ip my shorts $ac, on and start huntin# for the scattered monopo y pieces. GWant a $eer<H She/s #oin# to ma,e someone a #ood wife. Cot on# after that 2and after we/d #ot redressed and the front room was $ac, in order3 mum returned, oo,in# happier and ess a#itated. Sti no eye contact $ut smi in#. G;ow/s Tommy<H This is to Tasha GSpar,o. >ave him a itt e drin, ear ier $ut he Fon,ed $ac, out. ;aven/t heard a peep since.H GThat/s #ood. So what did you two #et up to<H GCothin#, "ust watched 9ie ;ard and had a #ame of monopo y.H G1retty $orin# evenin# then.H GI wou dn/t say that. I 8uite i,e 9ie ;ardH Tasha crept in with me a#ain that ni#ht, $ut we didn/t #et up to anythin#. There/s a ot to $e said for "ust ho din# someone c ose whi e you s eep. Friday 6'*')* Ay a arm went off 2for#ot to turn it off3 I did ta,e a oo, under my duvet to discover that whi e she was wearin# her vest top, her ,nic,ers were under her pi ow. I too, a chance and fe t her new y shorn mound, she had indeed done a #ood "o$, and I wonder what inspired her to shave it off. I #uess she/s $een chattin# to Amanda a$out the $enefits of $ein# hair ess. As I was havin# a fee , she started to stir. I cou dn/t hear any noises from anyone e se in the house, so continued ru$$in#. She sti seemed to $e as eep, $ut was ma,in# a the ri#ht noises as once a#ain I stro,ed her c itoris. I immediate y re#retted it as she et out a moan that cou d easi y $e heard in the next room. I freeFe, and stop movin#, istenin# for the s i#htest sound of anyone e se in the house. Cothin#.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

So I "ust ay there watchin# her s eep with my hand on her pussy unti I drop off a#ain. She wa,es me up with a ,iss an hour ater and we #o down for $rea,fast. Tasha/s $ac, at schoo Aonday, so she as,s me to ta,e her there so she can pic, up anythin# she needs to catch up. I te her it/s a#ainst doctor/s orders $ut I ,now she won/t isten, so a$out midday we head out. We arrive at the schoo "ust as the ,ids are $rea,in# for unch. I see a few fami iar faces from the hospita and a few come over to spea, to Tasha. Some say hi to me first, which was nice, and it/s not on# $efore we $ump into Amanda. She smi es mee, y and is a itt e standoffish. I fee a itt e worried unti Tasha whispers in my ear. GIt/s common ,now ed#e she/s your #ir friend now, and the schoo has strict ru es a$out -fraterniFin#/ in the #rounds. So no touchin#, no ho din# hands, no ,issin#, no heavy pettin#, no $om$in# and no divin#.H So we exchan#e an aw,ward -he o/, and she comes with us 2on the other side of Tasha3 to reception. Ay sister stands in the midd e of us at the des, as we wait for her teacher to come out to us. The #ir s are natterin# away a$out #ir stuff when I fee somethin# touchin# my fin#ers. Amanda/s reached out $ehind Tasha 2and out of si#ht of the receptionist3 to ho d my hand. It/s weird $ut I fee s i#ht y nau#hty, $rea,in# the ru es in such an outra#eous way, the fact she/s had my dic, in her mouth seems tame $y comparison. There/s a sma cou#h from $ehind us as Tasha/s teacher wa ,s up the corridor to the des,. Amanda and I $rea, hands, the teacher oo,s over her # asses at me. I mouth -sorry/ and sudden y I fee 6 years o d a#ain. Tasha is #iven a ist of thin#s to research and study 2meanin# she/ $e on the 1B a wee,end3. She than,s the teacher and we eave. Amanda comes out with us to the car, and mana#es to snea, a 8uic, $ut ton#ueDfi ed ,iss $efore she/s spotted. Tasha te s her we/ see her tomorrow and we drive out. GIs that p ace run $y nuns or somethin#<H She au#hs. G?ou/d thin, so, $ut no. They/re strict $ecause they ,now how dama#in# $oyfriends can $e to a #ir /s concentration, so it/s a $ an,et $an. The on y reason you/re a owed in the door is you/re my $rother. Sort of.H GThe headmaster ,nows we/re not actua y $rother and sister, you ,now.H G?es, I thou#ht he wou d.H GWon/t that matter<H GCo, as far as he/s concerned, as we/ve #rown up since chi dhood, we/ve re#arded each other as si$ in#s. It wou dn/t even cross his mind that we re#u ar y dine on each other/s #enita iaH. So c inica . G/@e#u ar y</ We/ve on y done that the once.H G?es, $ut I sincere y hope you intend to do it a#ain. I ,now I do.H We exchan#e ,nowin# smi es, and she puts her hand on my e#. GThat/s a point, why did you shave<H GIt "ust came to me. I ,new you wou dn/t expect it. 1 us Amanda said you en"oyed her ac, of hair so I thou#ht I/d treat you.H GSo, does she shave<H GActua y, no. She "ust hasn/t #rown any yet. It happens. ;er $oo$s came in rea y 8uic, y, so she/s more concerned a$out the month y siFe chan#es than what/s happenin# downstairs.H She starts readin# the ist of references she has to research. GI missed so much whi e I was off. I/m #oin# to have to #et strai#ht on with this.H G;ey, remem$er what the doc said, so no excessive thin,in#. I ,now that/s tric,y for that superD8uic, $rain of yours.H G?eah, that/s a point. Ban I $orrow yours so I don/t strain myse f<H G0h, harDdeDhar.H I reach across and #ra$ a ho d of her $oo$, #ivin# it a s8ueeFe and then movin# my hand down inD$etween her e#s and tic, in# the inside of her thi#hs, #ettin# a snea,y #rope in every now and a#ain. I near y ose contro of the car as she $rin#s her ,nees up as she au#hs, so I pac, it in and $ehave unti we #et home. She #ets out her readin# # asses, heads strai#ht for the 1B in the oun#e and starts oo,in# stuff up. It/s $est not to distur$ her in earnin# mode, so I offer to ma,e her some unch. She nods acceptance whi e starin# at the screen, so I #et her a sandwich 2which I ,now won/t #et touched3 and put >a axy Xuest on the TE, with the vo ume down so I won/t distur$ her. Eventua y, I hear a cry of frustration from the next room. She wa ,s throu#h to me, # asses as a head$and, eanin# on the door frame, and in her most simperin# voiceL GThat computer/s crap, it ta,es a#es to switch windows 2true, it/s a -fami y 1B/. i.e. shitty specs, sti runnin# AE. I shit you not.3 Ban I use yours<H I/ve #ot a modest $att estation upstairs, * monitors, $ut a fair y decent setup. GSure, #ra$ your stuff and come up.H It ta,es a whi e to find a the necessary ca$ es to hoo, the two outside monitors $ac, up, she p on,s her arse on my chair and #ets to wor,, throwin# $rowser windows across the monitors and #ettin# her chess face on. I eave her to it. A$out an hour ater I #o $ac, up to chec, on her, openin# the door to see her exact y where I eft her, $ut on y wearin# her ,nic,ers. Sti wor,in# and writin# thin#s down, "ust virtua y na,ed. G+m.. everythin# o,<H She oo,s at me, then down at her $ody, seemin# y for#otten she/s top ess. G0h, yeah, I/m #ood, my $ac, #ot a $it sweaty.H I ta,e a moment to ta,e in the p easant view. She/s tied her hair up in a ponytai , and I can see the shaven area on the $ac, of her head I/d comp ete y for#otten a$out. I oo, around the room and spot the c othes she/d ta,en off, and spot the dar, red stain on her shirt. GWhat the fuc,<H I wa , around $ehind Tasha to see the #ash on the $ac, of her head has opened, and $ ood is smeared a down her $ac,. G?ou/re $ eedin#H GWhat<H G?our head is $ eedin#, you/re covered in $ ood.H Sti she doesn/t ta,e her eyes off the screen. I rush to the $athroom to #et the itt e first aid ,it we ,eep in there and ta,e out a ar#e me onin pad. I put my hand on her forehead and the pad on the wound. Sti she wor,s and I fi#ure out what/s happened. For a her smarts, she/s not a fantastic typist. In fact, she envies me for my typin# speed, so she does that thin# where she types a strin# of words, then oo,s up at the screen to chec, her spe in#, then $ac, down to type, then $ac, up a#ain. ;avin# done this for an hour, the constant movement has sp it the stitches and hence the $ ood. G?ou need to stop, this oo,s $ad.H G;ead wounds are $ad $ eeders anyway, the doctor said so. I/m near y done. Iust a few more minutes.H GTasha, come onMH GCo, oo,, one more para#raph and I/m done.H GFine, then dictate. ;ere.H I put her hand on the pad, te her to app y pressure, and we switch so I can finish her homewor, for her. I transfer her document to a f ash drive 2I don/t have a printer3, poc,et the drive and shoo her into the $athroom so I can wash the $ ood off. The $ ood/s stained her ,nic,ers too, so she ta,es them off and I/m treated to the si#ht of a itt e na,ed $ody shiverin# as I wash off the $ ood as she stands in the shower. She/s sti ho din# the pad as she steps out so it/s up to me to dry her off. She wraps a towe around her $ody as we #o into her $edroom so she can #et a chan#e of c othes. I ca the num$er of the hospita we were #iven and te them what/s happened, they say to "ust app y pressure unti the $ ood stops, then put another me onin over it he d down with microDpore tape, and no more homewor,. G?es dad.H She su ,s. I #et her some c othes as she sits on the $ed. She opens her towe and ies down across the mattress, #ivin# me a very su try oo,. It/s a very invitin# si#ht, $ut I oo, around the room, and a the teddy $ears from her friends are pi ed up everywhere. There/s a pervadin# sense of pin,ness, and as I oo, down at her $eautifu na,ed $ody, with her sma $reasts and sudden y hair ess mound, she oo,s )) a#ain, and I/m very uneasy a$out startin# anythin# sexua in this room. I don/t want to upset her, so I ,nee down, part her ,nees, #et $etween them and crad e her head as I $rin# her up to a sittin# position. I move her hand ho din# the antiseptic pad away and its proper y covered in $ ood. I don/t thin, a sin# e pad is #oin# to wor, GWe need to #et this oo,ed at, I don/t thin, it/s #oin# to ca m down any time soon.H She oo,s at me with an upset expression, $ut I thin, she #ets my emotions ri#ht now. I/m more concerned a$out $ ood oss than I am with cunni in#us, so I he p her #et dressed. I have to choose a different top as the one I se ected is one of her favourites and she doesn/t want it to #et covered in $ ood. I do appease her s i#ht y $y ,issin# "ust a$ove her pussy as I pu her ,nic,ers on, $ut the $ eedin#/s #ettin# worrisome, so I stop fuc,in# around and #et her to casua ty 2E@3 as fast as my )6 year o d car wi ta,e us. As I feared, the constant movement of her head has ruptured the stitches, so we wait a coup e of hours unti she can #et sewn up a#ain. There/s an aw,ward moment when the doctor I spo,e to comes in and chastises her for not fo owin# doctor/s orders, so I promise I/ ,eep her on a ti#ht eash. We #et $ac, home and I thrust her down on the sofa. Te her to -stay4/, and te her to choose a 9E9 to watch. She chooses Cottin# ;i , which is one of my #ui ty p easures, so I ma,e a $rew and we cudd e up on the sofa. Catch she cries at the end, $ut then it/s my turn to choose, so I pic, ;ow to Train your 9ra#on. ?es, it/s a ,id/s fi m, $ut it/s awesome, and I have a proper thin# for Astrid. Aum comes home from wherever a$out O, we have dinner, I fi her in on the dramatic events of the day. She than,s me for oo,in# after Tasha, and I #et the most f eetin# moments of eye contact. ;er head doesn/t exp ode so I/m assumin# she/s o, as we . 1issin# a$out on t/internet for a whi e I spot a showin# of ;anse ! >rete I wou dn/t mind seein#. Tasha as,s if she can come, $ut it/s a )O, and she/d never pass for a )ODyearDo d in her ife. G0F is onH GIs that the one with Franco<H G?ep.H We/re a#reed he/s an overrated actor, $ut Ai a =unis is in it 2B ess Bhris Star,3, so I convince her it mi#ht $e watcha$ e despite the oneDtric,Dpony, so we #et ready to head out. I pop onto '$' to inform the masses of another updates, and we head out. 0ur opinionY T')(. Aeh. We #et home, and dad/s #ot $ac, from wor,. ;u#s a round, $it of TE $efore Tasha te s us she/s rea y tired, and is #oin# to $ed. We can/t rea y do anythin# too o$vious in front of the parents, so I #et a sma pec, on the chee, and she heads up. G;ow/s she $een today<H This was dad. GShe/s $een o,. She "ust tried to #et $ac, into thin#s $efore she was ready.H 9ad #ives a itt e chuc, e. GI ,now where she #ets that from.H I have no idea what he meant $y that, $ut I #ra$ us $oth another $eer as we watch TE. I drain my $ott e, say #oodni#ht, and head upstairs. Tommy/s as eep, so I chec, in on Tasha. She rea y must have $een tired as she/s sti fu y c othed. I move her into a comforta$ e position, and remove her # asses and "o##in# trousers. I eave her TDshirt and ,nic,ers on "ust in case our parents decide to chec, on her too. I snea, in a 8uic, nipp e stro,e, run my fin#ers over her pussy and #ive her a pec, on the ips as I cover her over, stro,in# her hair as I tuc, her in. Bac, in my room I chec, my phone and I have a text from AmandaL -Bnt w6 % c u %moro. Ay turn % #iv u $"/. It ta,es me a second or two to decipher the text spea,, $ut once I fi#ure it out, I send her a text $ac,. /TW</. There/s a co ossa pause. Then my phone rin#s. I 8uic, y answer so it doesn/t distur$ anyone. G?es.H She whispers. GTasha to d you<H GShe may have mentioned it. It soundedM intense.H GIt was c ose, I was that c ose to actua y havin# sex with her.H GShe said. I/m impressed, I wou dn/t have he d $ac,.H GWe , we had to $e smart, she/s not on the pi .H GI am.H G0h.H GIt/s a medica thin#. 9octor/s orders.H I thin, I ,now what she means, the pi isn/t "ust a contraceptive. G0=. I understand. We , it/s somethin# to thin, a$out.H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

G9on/t thin, a$out it too on#. I want you.H GI want you too.H Another pause. GWhat time are three we meetin# up<H We arran#e a time, and we $oth han# up, promisin# to dream of each other. 7itt e $it sappy, sorry. Saturday W'*')* I wa,e up $y myse f, $ut I ,now today shou d $e interestin# so I shift my arse $efore I/m proper y awa,e. Tasha/s in the $athroom $rushin# her teeth, sti wearin# what I put her to $ed in. She/s sti #ot her hair in a pony tai and she/s ho din# up a mirror $ehind her head to oo, at the dama#e. She can/t 8uite #et the an# e so I ta,e the mirror off her and ho d it so she can see it proper y. G0h crap. That oo,s $ad.H G?ep, you/ pro$a$ y have a scar now.H She oo,s a itt e sheepish. GTo d you not to push yourse f. I ,now you i,e your schoo D wor,, ya weirdo, $ut ru es is ru es.H I put the mirror down and hu# her from $ehind, no #ropin#, $ut her nipp es show themse ves and I stare at them as she finishes $rushin# her teeth. GWhat/s the p an<H GI/m up for whatever, $ut nothin# too #ir y.H After she retreats to her $edroom, I hear her #ettin# a few texts messa#es and she pops her head $ac, into the $athroom, I/m near y na,ed as I/m #ettin# into the shower. GAmanda saysM oh4H ;er eyes #ive me the once over. G9on/t stop on my account.H So I s ow y remove the rest of my c othin#, standin# up s ow y and theatrica y. There/s a moment of si ence. G?es< Amanda said what<H GShe said we can #o shoppin#<H I tut and #et into the shower. Turnin# on the water I raise my voice. GThat/s a itt e $it #ir y.H GIt/s 7a,eside, it/s not "ust #ir y shops, you ,now. 1 us there/s an Ann Summers we were thin,in# of poppin# into.H Sudden y I/m awash with a sorts of inappropriate visions, and itt e fe a stands to attention. G?eah, a ri#ht then.H She opens the shower door, $ec,ons me down to her hei#ht for a ,iss, ho ds the $ase of my dic,, deft y a so cuppin# my $a s for a second or five, then #oes $ac, to her room to #et chan#ed. 7a,eside/s a fair drive, a$out an hour away, so after we pic,ed up Amanda, I stopped off for petro 2U).&% p' itre. Iesus fuc,in# Bhrist3 and #ra$$ed some snac,s for the trip. Both the #ir s are in the $ac, as I don/t want to pic, one over the other. 9rivin# is impeded somewhat as I ,eep #ettin# distracted $y one or the other f ashin# their $oo$s at the rear view mirror. Eventua y we #et there, par, outside the cinema and ma,e our way in. Amanda/s ho din# my hand, $ut Tasha is "ust stayin# c ose, for the oo, of the thin#. Every now and a#ain we ma,e contact, so she doesn/t fee eft out. 0nce we start shoppin# I teeter dan#erous y c ose to the friendDFone, ho din# their stuff whi e they pic, out various c othes and #ir y stuff. I can/t te one shade of $ ue from another $ut apparent y it/s the difference $etween $ endin# and c ashin#. After a whi e I notice Tasha #ettin# some odd oo,s from peop e wa ,in# in the opposite direction, and so am I. It/s when we/re sittin# in the food court on the top f oor I fi#ure it outL There/s a train of thou#ht that if you ever see a woman with a $ ac, eye or any ar#e $ruise, then it -has to $e/ the $oyfriend'hus$and'partner that/s done it. Cot a ways the case, $ut it happens. ;er facia $ruise is sti 8uite o$vious, the swe in#/s #one $ut there/s sti a ar#e purp e mar, $ehind the cut on her chee,. Eventua y the su$t e stares start to #et to her, and she ma,es noises a$out wantin# to #o home. Sod that, I/m havin# a nice time, so I te her to wait here and I eave the #ir s a one whi e I pop to a shop I ,now down one eve . )( minutes ater I return, and hand her a sma $und e. GIt/s a tDshirt, 1op it on.H She nips off to the adies, #ivin# Amanda and I a few minutes a one for a itt e ,iss /n/ cudd e, and returns a few minutes ater. She/s wearin# the shirt I #ot her. It/s $espo,e, white, and a itt e ti#hter than I/d thou#ht, $ut on the front $ears the messa#eL -I #ot smashed in the face with a hoc,ey $a and a I #ot was a ot of dirty oo,s./ Amanda au#hs and Tasha oo,s happy a#ain, pic,s up her drin, and ta,es a sip. GSo where to next<H I fancy poppin# to ;AE 2it/s sti open, than,fu y3 and the #ad#et shop, $ut it/s Amanda who chips in first. GI ,now exact y where we/re #oin# next. We/re #ettin# T;0SE sorted.H She #estures towards Tasha/s chest and I rea ise ti#ht and white mi#ht not have $een such a wise choice. Aay$e it/s the air conditionin# or the ice in her drin,, $ut sudden y she/s pointin# in two directions at one, and as her nipp es, whi e sma , are 8uite dar,, they/re very o$vious under the materia , and a of a sudden the near$y ads aren/t starin# at her face any more. She $ ushes as Amanda continues. G?ou/re a $i# #ir now, it/s time we #ot you your first $ra.H It actua y $ecomes a itt e event as we wa , the ais es oo,in# for a suita$ e shop. Sad y, Ann Summers aren/t happy with a coup e of schoo #ir s $uyin# sexua yDspecific underwear 2damn them3, so they/re turfed out. 7uc,i y the 7a SenFa on the $ottom f oor is more than happy to accommodate them. I wait outside as Tasha #ets measured up. She comes out with a itt e $a#, a smoother 2$ut a itt e padded3 chest, o$vious $ra straps and a $road #rin. She #ives a itt e spin to show off her new yD purchased $ou derDho der. 1icture very re ated. G*(B4 I cou d have sworn I was sma er4 I $ou#ht a few thin#s I/ show you ater.H She #ives me a win, as Amanda comes out with a ess sunny disposition. GI/ve #one up a#ain. This is ridicu ous4 It/s costin# a fortune in $ras.H GWhy< What siFe are you now<H G*%99.H Corma y men wou d $e happy with this, $ut for someone as youn# as her, it/s o$vious y a curse. We can see she/s a itt e down, so Tasha offers to $uy her severa $ras to tide her over. 2Amanda/s fami y isn/t as we off as us, $ut we insist3. They #o $ac, in and spend a #ood ha f an hour pic,in# out many matchin# sets. I piss off up the other end and pop into the EntertainerL 0n y p ace that se s SW 7e#o, so I #et myse f the motherfuc,in# Ai ennium Fa con. BooDya $itches4 A swift text and we meet up a#ain. It/s midDafternoon so the p ace is #ettin# $usier, and I/m not #ood in ar#e crowds. Tasha ,nows this so su##ests we #o home after one more shop. Ban/t remem$er which one we ended up in, $ut it oo,ed a itt e swan,y, and the #ir s wander off to the #ir s/ section whi e I #o upstairs to the #ents/. I/m not rea y a c othes #uy $ut I see a few thin#s I i,e, so drape them over my arm and head downstairs. They/re in the 8ueue for the chan#in# rooms, and it oo,s i,e they may $e a whi e, oo,in# at the many outfits they have. I $uy my thin#s, and te the #ir s I/ dump the many, many $a#s we a ready have in the car, "ust to i#hten the oad. In, the time it ta,es to wa , to the car and $ac,, they/ve hard y moved, $ut this appears norma to them. Eventua y they #et near the front of the 8ueue and $ec,on me over. The fema e shop assistant stops us #oin# any further. GSorry, if you adies are #oin# in he has to stay t. We/ve #ot a charity $a this wee,end and he simp y has to come in with me.H Tasha/s effort was #ood, $ut Amanda wins. GAnyway, he/s #ay, so it/s not i,e he/ $e pervin# over us.H The shop assistant oo,s at me, I #ive my campest smi e, she mum$ es -what a waste/ and $ec,ons us thou#h to one of five doors. Thin#s must have chan#ed since I ast used a chan#in# room. I/m used to three wa s and a curtain, $ut we have a ar#e room, with a fu siFe mirror and a $ench for our stuff. A ar#e curtained cu$ic e at the $ac,, and there/s even a few chairs and a ta$ e with tea and coffee ma,in# faci ities. Co wonder they had to wait so on#. GB imey. This is a $it swish. I never hadMH But I don/t #et to finish my sentence as Amanda throws her arms around my nec, and ,isses me passionate y. I ho d her $ody c ose to mine and run my fin#ers throu#h her hair. GSave some for meH says Tasha. I oo, over and she/s strippin# down to her underwear, ta,in# her prospective purchases into the cu$ic e. I wonder why she c oses the curtain, $ut it must $e a #ir thin#. Amanda stops ,issin# me and re axes. I move my hands round to her $reasts and #ive a #ent e s8ueeFe. G9ou$ eD9/s eh<H GIt/s a pain in the arse. It was rea y ,ind of Tasha to $uy some for me. I/ have to show you someM oh crap, you/ve put them in the car a ready.H GI can #o #et themMH GCah, $etter not, you/re supposed to $e #ay and it mi#ht oo, dod#y if you come in with a $a# fu of underwear.H >ood point. So I sit in one of the chairs, f ic, the ,ett e on and start ma,in# us a $rew. The #ir s ta,e their time tryin# on various dresses and outfits, and I fu fi my duties as their sty ist $y #ivin# the sea of approva to some, and $ein# $ruta y honest when I thin, somethin# oo,s dreadfu . Tasha/s not rea y a fashiony type, so a ot of her choices are 8uite demure, $ut Amanda he ps her out and it/s more hits than misses. I/m sittin# in my chair drin,in# my tea when I rea ise the #ir s have $een in the cu$ic e for 8uite some time. GEverythin# a Dri#ht in there<H GAmDhm.H 0dd. Sounds muff ed. I wa , over and pu $ac, the curtain. The #ir s are ,issin#. Cot passionate y, $ut #ent y. Fond in# each other/s $are $reasts. =nic,ers are sti on thou#h. I #uess when Tasha said -save some for me/, she wasn/t ta ,in# to Amanda. They $rea, apart and $ ush, sti ho din# each other/s tits. Tasha turns to me GSorry. I a ways wanted to ,now what they fe t i,e, so I as,ed, and we #ot carried away.H I fo d my arms and adopt a pissedDoff expression. Tasha moves towards me and ,isses me. Amanda moves $ehind her and ho ds her $reasts a#ain. I/m on y wearin# a tDshirt so I whip that off so I can #et some s,in contact. I reach around Tasha and caress Amanda/s tits, runnin# my fin#ertips over her nipp es. I $rea, from Tasha and crane my nec, to ,iss Amanda, my sister $etween us starts ,issin# my chest. Tasha drops and I fee and hear my "eans Fip $ein# undone. Ay waist$and is tu##ed down, and I fee re ease as my dic, sprin#s up. I shift Amanda to one side to #ive Tasha more room as she starts to stro,e me. Tasha #ra$s Amanda/s arm and pu s her down to her ,nees $eside her. I #uess they/ve decided it/s my #ir friend/s turn, so she opens her mouth and c oses her ips around my coc,. She can #et more in her mouth than Tasha cou d, and it fee s fantastic as she uses a com$ination of head movement and #ent e suc,in#. I/m a$so ute y so id, and ho din# it in as any noise wou d sure y attract the attention of the peop e outside. Tasha stands up and ,isses me a#ain, my hand finds her *(Bs, $ut she moves my hand down and into her ,nic,ers. She #rinds her c it a#ainst my hand and she comes 8uite 8uic, y. I/m #ettin# there, $ut Amanda/s doin# such a #ood "o$ I want it to ast. Tasha pu s my head down and whispers in my earL GFuc, her.H I oo, into the eyes of my sister, and I see the ust there. G9idn/t you want me first<H GI $ ew you first, now your #ir friend #ets first di$s. We/ sti have to wait.H Tasha crouches down and pu s Amanda off my dic, and to a standin# position, then crouches a#ain as she pu s her ,nic,ers off. Amanda oo,s a itt e confused, $ut it seems Tasha/s ta,en char#e and #uides her over to the $ench, pu in# me $y the coc,. She ,isses Amanda, stro,in# her c it as she ma,es her sit on the $ench, her pussy is the idea hei#ht now so as Tasha #uides me towards her, I don/t have to crouch or stand on tiptoe. She p aces her hands on my shou ders. Ay dic, is at the entrance of her va#ina, $ein# he d in p ace $y Tasha. I oo, at Amanda. G9o you want this<H She oo,s a itt e scared, $ut she $ites her ip and nods. 7eanin# $ac, a#ainst the wa and c osin# her eyes. I oo, at Tasha, and she ,isses me as she pu s me into Amanda, once the head is in I #ent y push myse f, s ow y as she/s 8uite ti#ht. I meet resistance, so #ive #ent e and repeated pushes, enterin# her a itt e more each time. I/ve mentioned

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

$efore I was a vir#in up unti this point, $ut that/s out the window now. We ho d each other ti#ht as she #et used to her va#ina $ein# stretched. The tension in her shou ders a$ates s i#ht y, so I start thrustin# my hips #ent y, s idin# my en#th in and out of her. As her natura u$ricant starts to f ow, she starts to moan, 8uiet y at first, $ut when it appears she mi#ht #et noisy, Tasha moves in and c amps her ips over her mouth. They ,iss $ut it/s more a noise suppression exercise than an act of passion. Tasha starts cuppin# Amanda/s $reast and I reach down $ehind my sister and reach $etween her $utt chee,s. Because of the hei#ht difference I can/t reach her pussy, so have to ma,e do with toyin# with her itt e anus. She doesn/t o$"ect, even when I pop the end of my fin#er in past the sphincter. We a ca m down, $reathin# heavi y. Amanda oo,s at me with what I can on y descri$e as a oo, of contented ove. Tasha oo,s tired and oo,s at me with a oo, of surprise. GWe , I wasn/t expectin# T;AT4H I apo o#ise and very, very s ow y extract my fin#er from her arse. Co u$rication so there/s a itt e $it of friction. Amanda pipes up. G9on/t mean ,i the mood, $ut does anyone have any tissues< I can fee it ea,in# out and I ,now it/s #oin# to fuc, up the carpet.H GAove over.H Tasha #ent y pushes me to one side, and as my dic, exits Amanda/s pussy with a itt e -pop, Tasha duc,s down inD$etween her e#s and c amps her mouth on her friend/s vu va. Amanda oo,s "ust as shoc,ed as me, and I rea ise my -,id sister/ is suc,in# my come out of my #ir friend/s pussy. This shit is un$e ieva$ e, I ,now, and I thin, Amanda has another itt e or#asm as Tasha suc,s the ast dre#s out, #ivin# Amanda/s c it a itt e f ic, with her ton#ue, pausin# on y to tun to me and suc, the ast of the come off and out of my dic,. She fina y stands up and #ives Amanda a itt e ,iss, and it/s #enera y decided the fun needs to end as we/ve ta,en up the chan#in# room for far too much time. It ta,es O minutes to c ear the room up and #et our shit to#ether. Tasha had the foresi#ht to $uy a sma $ott e of mouthwash from Boots and she passes the $ott e round, $efore we a eave with hint of minty freshness, and impatient oo,s from the waitin# 8ueue. We do fina y eave not on# after, and the #ir s fa as eep in the $ac, on the way home. There was mention of poppin# into the near$y I,ea, $ut you don/t "ust -pop/ into I,ea, you need to $oo, a fuc,in# day off wor, for those p aces. Arrivin# home, mum/s there a ready, and once I wa,e Tasha, she and Amanda run in to discuss her new yDfound $raDre ated maturity. As I #et c ose with a the $a#s I hear mum say GIt/s a$out time.H She oo,s at me, and the $a#s. G7e#o< Serious y<H GI thou#ht I deserved a itt e reward after puttin# up with these two a day4H This raises a smi e, and she actua y ho ds my #aFe for on#er than usua . Whatever her pro$ em was, she seems to $e #ettin# over it. We a have dinner to#ether, Amanda, Tasha and me p ayin# threeDwayDfootsie under the ta$ e. The #ir s disappear upstairs and reappear periodica y to show their new outfits to mum. 0n one occasion, Amanda/s #ot her phone to her ear. She hands it to me with a sheepish oo,. 0h crap. GIt/s mum, she wants to ta , to you.H There/s a smi e, so I/m assumin# she hasn/t to d her mother a$out the chan#in# room acro$atics. G+m.. he o<H G;e o, it/s Amanda/s mother here. Ay dau#hter te s me she wants to s eep over there toni#ht.H Cot sure why she/s te in# me. GAy dau#hter a so te s me that you and her are a $it of an item.H Ah, I #et it now. GWe , yes, sort of. It/s ear y days, $ut yes, you cou d say we are.H GI appreciate you oo,in# after Amanda the other day at such short notice, $ut I didn/t ,now it had ed to anythin# e se.H GCeither did I, rea y, $ut I had cause to thin, a$out it a few days ater and as it turns out, that Friday turned into a date of sorts. We had a nice time, and I en"oy Amanda/s company.H GThat/s very sweet, $ut can I have your assurance that there/ $e noMH I cut her off. GI can assure you, there/ $e nothin# i,e that #oin# on. I/ve $een to d of the ru es with re#ards to her schoo wor,, p us I/m very aware of her a#e, so no, you have a$so ute y nothin# to worry a$out. I/ $e the perfect #ent eman. I promise.H Fin#ers crossed on $oth hands. GWe , that/s very reassurin#. Bou d I spea, to your mother<H I pass the phone over, and s i#ht y eavesdrop as my mother says thin#s i,e -;e o</ -yes, she did/ -*%99/, -*(B/, -we , she ta,es after me/ -I never $othered unti I had chi dren/ -I thin, Tasha treated her to some/. -Co, it/s no pro$ em, rea y/ -;onest y, I wou dn/t dream of it/ -We en"oy havin# her over, my son te me she/s #ood with a hammer/. Amanda comes and stands $eside me. GWhat did mum want<H GShe wanted my assurance I wou dn/t try to have my wic,ed way with you.H GToo fuc,in# ate for that.H Aum hands Amanda $ac, her phone, and she oo,s strai#ht at me. GI/m happy you/ve #ot a #ir friend, and I/m happy you/re $oth happy. But I don/t thin, I need to te you what ,ind of $ehaviour I expect from you $oth when you/re under my roof to#ether.H Amanda stands c ose to me and ho ds my hand. It/s that aw,ward moment when you/re to d off $y someone e se/s parents. GCo, you don/t mum. Whi e Amanda/s here, I/ treat her the same as if she was Tasha.H Am I yin#< This seems to meet with her approva , and the #ir s disappear $ac, upstairs to continue the fashion show. Sunday )('*')* When we went to $ed ast ni#ht, we were #ood $oys and #ir s. This mornin#, I was wo,en $y a #ent e tap on the door and my dad comin# in with a cup of tea. ;e hasn/t done that for a whi e. GAornin# son.H GAornin# dad.H G7oo,in# at $it crowded in there.H ;e #ives me a win, and eaves. I/m sudden y aware of an arm across my chest. 7oo,in# $ehind me, I see Tasha/s crept in a#ain, and is spoonin# me from $ehind. I ay there for a whi e unti I rea ise the mattress seems more wei#hted down than usua . I shift in $ed and oo, $ehind Tasha. Amanda/s in here too, spoonin# $ehind my sister, her arm around Tasha/s $ody, under her vest and ho din# her $oo$. They/re $oth fast as eep, and I wonder if they #ot up to anythin# in Tasha/s room ast ni#ht. I start pitchin# another tent, so decide to eave them a one. 9ad/s sittin# at the $rea,fast $ar and $ec,ons me over. GS eep we <H G?eah, I thin, so.H GThree in a $ed<H I near y cho,e on my tea. G?eah, Tasha must have crept in in the ni#ht. She/s done it a ot more since the accident.H GAnd your #ir friend<<H GAmanda sti fee s responsi$ e, so I thin, she/s #ettin# materna .H This seems to satisfy his curiosity. GI hear Amanda/s mum #ave you the third de#ree a$out her dau#hter, so I pro$a$ y don/t need to.H I sha,e my head. G9on/t worry dad. I/m ,eepin# myse f under contro .H Ae, yes, the #ir s, not so much. G> ad to hear it.H Aum/s out in the $ac, #arden with Tommy. It/s a nice mornin#, so a the toys are out. G7oo,, you/ve pro$a$ y noticed your mother actin# stran#e y around you ate y.H GI had noticed, yes. She/s #ettin# $etter thou#h, especia y sinceMH he nods sa#e y. G?eah, she wou d. 7oo,, I/m #oin# to te you somethin# a$out your mother, and I want you to ta,e it serious y. 9on/t "ump to conc usions, and thin, a$out what I say $efore respondin#. 0,<H I/m apprehensive, $ut I nod. ;e ta,es a deep $reath. G?our mother/s a nymphomaniac.H Wow. I don/t au#h, or raise my eye$rows, I "ust do as dad as,s. GActua y, to $e specific, she/s a c inica , tar#eted nymphomaniac. Which means she/s dia#nosed, in therapy, and her condition on y app ies when she comes into contact with certain peop e.H 9ue to my time oo,in# up random crap on the net, I ,now that c inica nymphomania isn/t the "oyfu fuc,fest you/d thin,. And dad pretty much confirms it. There/s a difference $etween havin# a hi#h sex drive and wantin# to have sex a the time. Ima#ine wantin# sex so $ad y you can/t function norma y. Ima#ine wantin# sex W;I7E you/re havin# sex, $ecause the sex you/re havin# isn/t enou#h. G0=, I #et it, $ut what a$out the tar#eted part<H GShe/s sexua y attracted to certain peop e. Bertain persona ity and physica traits can set her off. This is why she/s a ways $een standoffish with you.H This time I rea y do spit out my tea. GWith me< ?ou mean she/s attractedM to me<H ;e sha,es his head. GCo, not yet. And she never used even thin, a$out it unti you hit pu$erty and started oo,in# i,e me. I won/t ie, she was terrified of sudden y oo,in# at you and wantin# you more than me. It ,ept her up at ni#ht.H GSo that/s why she/s $een avoidin# eye contact. And disappearin# for hours.H G1retty much. She has priority access to her therapist, and if she fee s an episode comin# on, she #oes to #et ta ,ed down.H GShe/s $een a ot $etter ate y.H G?es, and we have your youn# ady friend to than, for that. Cow you have a #ir friend, it/s put up a $arrier $etween you. Aenta conditions i,e nymphomania are hard to cure $ut since your mum came to us whi e you were sti youn#, she saw you as a sma chi d. 1u$erty chan#ed that, with you $ecomin# a man that tic,ed a the ri#ht $oxes. Cow you have a youn# #ir friend, she/s started re#ardin# you as her chi d a#ain, instead of a desira$ e o$"ect.H GI never ,new you ,new so much a$out thin#s i,e these.H ;e shru#s and moves to #et another coffee. GI had to, if I was #oin# to ma,e it ast with Batherine 2mum/s rea name P $ut not rea for the purposes of this update3 I had to understand her condition, and earn how to com$at anythin# that mi#ht happen a on# the way.H We sit in si ence for a whi e. GSo can I do anythin#< If she has a turn<H GActua y yes, she needs to $e reminded you/re her son. I ,now you/re not actua y, $ut the $arrier has to $e reinforced.H GThat/s it<H GThat and ca in# her therapist if it #ets $ad. I/ #ive you her num$er. Cice woman, very understandin#, and she ,nows the potentia pro$ em you mi#ht pose.H I #et what he means. ;e #ets up and moves to "oin mum in the #arden. GAnythin# e se< I mean what e se can I do to he p<H ;e thin,s for a second. G9on/t te your sister, or Amanda. And for #od/s sa,e, never ca your mother $y her name.H GBarriers<H G9estroyed. ?ou/d $e uc,y to escape the room with your arms attached. She put me in hospita once, don/t et her siFe foo you.H And he "oins mum and Tommy in the $ac, #arden. So as of now, I have two underDa#e fuc,DaroundD$uddies and an adoptive mother with a co ection of sex toys who cou d very easi y rape the shit out of me if I say the wron# thin#. ?ay. The #ir s come down, sti in their 1Is, and I notice Tasha/s #ot one of her new $ras on. G;ow are you #ettin# on with them<H GIt/ ta,e some #ettin# used to. I/m havin# trou$ e undoin# them actua y.H G0h, I can he p you with that, I/m an expert.H GSince when<H As she/s c ose I reach around her $ac, and do the twoDfin#er tric,. She s8uea s as I undo her $ra and c utches her hand to her $reasts.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

G?ou >it4H I te her to turn round and do it $ac, up for her. Amanda comes over and #ives me a 8uic, ,iss. I s8ueeFe her $um out of si#ht. G9idn/t ,now you cou d do that.H GAisspent youth in a mixed schoo .H They #ra$ $rea,fast and sit with me at the $ar, we exchan#e f irty # ances as they eat their cornf a,es. We don/t rea y have any p ans for today, and I/m a shopped and sha##ed out after yesterday. They #o $ac, upstairs to #et chan#ed, Tasha $ein# the one to #ive me a ,iss as they eave the ,itchen. I/m readin# the Sunday paper a few minutes ater and I hear au#hter from out in the $ac, #arden, and see Aum and Tasha out there with Tommy, I/m wonderin# where Amanda is when I hear the c in, of cups. She/s over $y the ,ett e 2I didn/t hear her come in3 so I creep over, s ide my hands around her waist "ust under her $oo$s and pu her c ose, par,in# my f accid dic, $etween her $um chee,s. GAornin# sexy.H I start ,issin# her nec,. I hear more au#hter. I oo, out of the patio doors to the $ac, #arden. I see Tasha. 9ad. Tommy. And Amanda. I freeFe. So does the woman in my arms. I can hear her ho din# her $reath. I #ent y $ac, my pe vis off, $ut carry on ho din# her. GAum. Aum. AumMH I ,eep repeatin# it over and she starts $reathin# a#ain. GI/m sorry mum, I thou#ht you wereMH I move my hands so I/m not ho din# her so ti#ht y. GIt was an accident, you #ir s a oo, the same from the $ac,4H I/m tryin# to ma,e it i#htDhearted, $ut I sti can/t see her face. I ca her mum a few more times and her $reathin# returns to norma . Ay hands are sti on her waist, and she pats the $ac, of my hand. G0,, I/m o,. That wasn/t as $ad as it cou d have $een.H G?eah, sorry.H I remove my hands and she turns to face me. She oo,s direct y at me, and ho ds my #aFe. GI ta,e it your dad/s to d youMH G?es, a$out %( minutes a#o, so I fee i,e a proper moron now.H She au#hs soft y and ho ds up her cup, $ owin# across the top $efore ta,in# a sip. She/s sti ta,in# s ow, deep $reaths. GI a ways ,new you were a fast mover. It/s not too $ad now, my therapists/ #ot a new method and it/s wor,in# wonders, $ut on y as on# as I don/t #et over y excited, such as when I fee somethin# ar#e pressin# a#ainst my $ac,side.H Aw,ward. GShit, yes. Sorry a#ain.H GActua y, there/s somethin# e se that/s stoppin# me from "umpin# on you ri#ht now.H She/s $ein# remar,a$ y ca m, and it doesn/t match with what she/s sayin#. It/s scary. GWhat/s that<H GIt/s "ust that you thou#ht I was your )&Dyear o d #ir friend, and the first thin# you did was ru$ your penis a#ainst me, thin,in# I was her.H She has a point. I #o scar et. G;onest y mum, I was "ust comin# in for a hu#, I wasn/t tryin# anythin# e se. Anyway, I ;AEE "ust wo,en up you ,now. ?ou have C0 idea what it/s i,e for us poor men first thin# in the mornin#.H She smi es a#ain, $ut she oo,s at me throu#h semiDc osed eyes. ;opefu y she won/t see throu#h my crafti y constructed we$ of ies. G0,ay, fair enou#h, $ut "ust ,eep it in your pants. She/s )& and I don/t any scanda s. I/ve #ot enou#h #oin# on in my head as it is.H G0,, promise.H She #ives me a hu# 2I ensure there/s no more ru$$in#3 and she #oes $ac, outside, eavin# me a one with a terrified penis and a rapid y dece eratin# heart$eat. A coup e of hours ater, Tasha comes a on# -for the ride/ as I ta,e Amanda home, $ut on the way we stop off in a ayD$y so we can a say #ood$ye proper y. Tasha ,eeps oo,out 2and faps in the $ac,3 as I rec ine my seat and Amanda #ives me an awesome $ ow "o$. Tasha has trou$ e doin# her $ra $ac, up so Amanda shows her an easier way to do it. Tasha comp ains that she wou d have $een $etter off not $otherin#, I counter $y te in# her we cou d have used her nipp es as coat hoo,s. She passes round the mouthwash a#ain, extended ,issin# happens and we fina y #et my #ir friend home. ;er mum is waitin# outside the house to ma,e sure there/s no han,yDpan,y as we say farewe . 0n the way $ac, home I turn to Tasha. G?our schoo has a strict ru e a$out $oyfriends, ri#ht, and how they can $e a distraction to your schoo wor,<H G?es<H GWhat a$out #ir friends<H She "ust smi es. GThey/re o d fashioned. They don/t seem to thin, that/s an issue.H I envy her. So post an ima#e of Amanda's $ody type. ;er tit/s are actua y $i##er, and nipp es ar#er and pa er, $ut it's pretty damn c ose A so, I have to say that at east on O occasions, I've ca ed $oth my sister and my #ir friend, $ut the a terDe#os I've #iven them in these updates, $ut they/re #ettin# used to it. Aonday ))'*')* Aonday was du as. 9ad at wor,, Tasha at schoo , ditto Amanda. Aum hun# around the house for a $it and I actua y proved my worth as a man and chan#ed Tommy/s nappy 2diaper3. ;ow you women put up with that is $eyond me. Sure y they must have invented a machine that can c ear that up $y now< Aum popped out 2therapist, possi$ y, she didn/t say3, $ut as,ed me to pic, up Tasha. After the ast time I did this I was a itt e excited, $ut as soon as I stepped outside and saw the snow had started to fa , sauciness was the ast thin# on my mind. Ay car/s %( years o d, and doesn/t have a the #ad#ets and #iFmo/s modern cars have to cope with weather i,e this, $ut as it/s not ayin# yet, I head off s ow y $ut sure y to #et my sister. By the time I/m outside the schoo , it/s #ettin# $ oody windy, and whi e the snow isn/t comin# down In hu#e f a,es, it/s dusty as he , and a the #ir s are $ent into the wind as they scan the road for their waitin# chariots. I spot Tasha and Amanda hudd ed to#ether under a tree so #ra$ an um$re a out of the $ac, of the car and run over to them. Tasha smi es, $ut Amanda oo,s a itt e concerned. GAy Aum/s not here4 She said she/d pic, me up.H She te s me what car her mother drives 2Front whee drive Bitroen 1icasso3, and I scan the ine of cars. Co si#n at a . G;ave you tried ca in# her<H G?es, it/s #oin# to answer phone.H We hudd e to#ether, the tree providin# some she ter from the snow and wind. The ine of cars thin out, and sti no si#n of her mum. She/s #ettin# worried, I can te $y the way she/s cuttin# off the circu ation in my arm. G@i#ht, in the car. We/ #o $ac, the way your mother comes to #et you and see if she/s #ot stuc, somewhere.H We set off, uc,i y the wind is $ehind the car so I don/t have a pro$ em oo,in# ahead. We #et out into the stic,s and the snow is driftin# off the fie ds over the road. Amanda/s in the passen#er seat, eyes fixed on the road. I/m hopin# we find somethin# soon $ecause this is no weather to $e out in, on your own, in a poxy FW9 peop e carrier. Sudden y Amanda ye sL GThere she is4H and points. Sure enou#h, the car/s wed#ed in a drift on the other side of the road. ;er mum/s had the sense to #et in her car, $ut she oo,s in a state. I stic, the haFards on and pu up $ehind her. Bro y out a#ain, I #et out and wa , around to tap on her window. GI/ve #ot Amanda.H G0h than, >od4 Is she a ri#ht<H GA itt e worried a$out you. Are ?0+ o,<H GA$out the same. B oody car #ot stuc,, I/ve $een tryin# to ca Amanda $ut no si#na .H GI/ve #ot a tow rope, I/ pu you out $ac,wards, you shou d $e a$ e to turn around in that tD"unction $ac, there.H I ,now the fema e species/ ina$i ity to en#a#e reverse proper y, so once I #et the towDrope hoo,ed up I pu her most of the way, and then #et her to turn it round. Amanda #ets out of my car and into her mothers, and we exchan#e a 8uic, forma ,iss $efore her mum than,s me for my he p, and I fo ow them most of the way home to ma,e sure she #ets onto more enc osed roads o,. Cot enthra in# I ,now, $ut after that, Tasha and I near y never made it home. She put her hand on my e#, te in# me how wonderfu I am for he pin# Amanda/s mum, $ut the roads are #ettin# dan#erous, and whi e I appreciate the company, I rea y don/t want to end up upside down in a ditch. I $urn the fuc, out of the c utch #ettin# up our steep drive, and fina y #et indoors after a $ oody scary afternoon. Aum/s home, we te her a$out our excitement and she ca s dad, te in# him a$out the shitty weather. ;e/s way ahead of her, so he/s headin# out of the office and shou d $e home in a coup e of hours. Sad y, the trains in our country are crap when it comes to snow, so his train ends up #ettin# de ayed and the drive from the station car par, too, an hour on#er than norma , and he didn/t #et home unti on# after Tasha went to $ed.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

Tuesday )%'*')* So Tuesday was a snow day. In the ni#ht we had another few inches, $ut the wind $ ew it around so that our driveway was a coup e of feet deep. I/m dispatched to c ear the drive, dad decides to wor, from home, and Tasha/s schoo is c osed. I c ear the driveway, $ut the #ritters have eft it too ate and the roads are impassa$ e, a thou#h I do have 8uite the au#h watchin# peop e in cars simi ar to Amanda/s mum/s tryin# to #et up the road. 7uc,i y I have a snow shove handy and di# a coup e out $efore #oin# $ac, indoors. Ay feet are soa,ed and I/m freeFin#, so even thou#h my c othes were c ean on, I decide to ta,e a shower. I can see Tasha/s ears pric, up when I te mum what I/m up to, and she ma,es some excuse a$out wantin# to catch up on some more homewor, and darts upstairs $efore me. I ta,e my shower, and surprisin# y, I/m undistur$ed. I dry myse f off and #et more or ess fu y dressed in the $athroom. We/ve #ot centra heatin#, $ut it/s sti co d in the ha ways. I wa , into my $edroom, and o and $eho d, Tasha/s sittin# on my $ed. She/s sti c othed, $ut she/s ta,en one of her new $ras off and the $utton and Fip are wide open on her "eans. She/s eanin# $ac, on her arms, nipp es a/po,in# and ,nic,ers a/disp ayin#. She sees me fu y c othed and the disappointment is o$vious, $ut 8uic, y hidden. She/s swin#in# her feet 2Ta $ed, short sister3 and oo,in# extreme y p ayfu . GWhat are you up to<H GI/m $ored stuc, at home, $ruv. Entertain me.H I c ose the door and ,nee down in front of her. She parts her e#s and I position myse f $etween her ,nees. She shuff es forward, drapes her arms around my nec, and we share a on# and soft ,iss. Then I remem$er where we are, and more important y, who e se is here. G@emem$er the ru es we made<H She si#hs. G?es, I do. And don/t worry, I/m not #oin# to rava#e you. A thou#h this doesn/t suc,.H We ,iss a#ain, runnin# our hands over each other/s $ac,. Ay hand comes around the front and I find a very so id nipp e to p ay with. She #i## es. G1ac, that in4 @u es is @u es. I on y want to $orrow your 1B a#ain. Be ieve it or not, I actua y want to do some homewor,.H GBou d have foo ed me.H She stands up, does up the $utton on her trousers, $ut whips off her top. GActua y, I "ust wanted to ma,e fu use of the faci ities.H I discover somethin# e se I find incredi$ y sexy. Top ess chic,s in $ ue "eans, must remem$er that. She moves to #et her $ra $ut I stop her. GWait4H I oo, intent y at her tits, as if I/ve spotted somethin#. GWhat<H She oo,s a itt e worried, $ut after a few seconds, rea ises I/m "ust startin# at her $reasts. She f ips me the E/s and retrieves her $ra 2a nice #rey one with pin, ace inin#3 from where she was sittin#, puts it $ac, on 2eventua y, she/s sti earnin#3 and rep aces her tDshirt. GBou d you type for me a#ain< Ay scar/s sti hurtin#.H She #ives me the puppy do# eyes and I re ent. The homewor, is mind num$in# y du . It/s socio o#y, or psycho o#y, some ,ind of Po o#y anyway. Too advanced for me, and for most )& year o ds too. So durin# one of the many pauses whi e she studies & $oo,s at once I turn on the we$Dcam and point it at her. I have * monitors so put her in a sma window on the eft, and "ust sit there watchin# her. ;air in a pony tai , pin, shirt hu##in# her fi#ure 2and new padded $oo$s3 and her thin rectan#u ar # asses on the ed#e of her nose. I rea y can/t see why I never found her attractive in -that/ way $efore. Some ,ind of cosmic catac ysm must occur as Tasha sudden y as,s -Are you watchin# me on that thin#</ and at the exact same time, I #et a text from Amanda. -Bored at home. What r u #uys up %</ -;e pin# T with ;omewor,./ -;e pin#< ;ow</ Such faith in my inte i#ence eve . -typin#/ -what a wonderfu $rother./ -we , I try my $est./ -@ea y miss you/. Sod it, Tasha/s sti readin# 8uiet y, so I #ive Amanda a 8uic, ca and we whisper sweet nothin#s to each other. Actua y, fi thy everythin#/s. A sma cou#h from Tasha te s me f irtin# time is over, I te Amanda I/ see her soon and we si#n off. Eventua y, the ordea is over, she hands me her $oo,s, I put them on the computer des, and I #et onto the $ed $eside her. We have a c othed, a$ove the covers cudd e, I/m stro,in# her hair and we ta , ru$$ish unti we random y fa as eep. Co idea how on# we were as eep, $ut I remem$er hearin# my dad, I thin, whisperin# -1sstM tea,/ and openin# my eyes "ust as the $edroom door c osed. I oo, $eside my $ed and see two steamin# cups of tea there. I chec, Tasha, ayin# with her head on my chest, sti fast as eep. But I a so notice her hand is firm y on my "eans over my dic,. Cot "ust -there/, $ut definite y -#rippin#/ at the $u #e. I "ust hope dad re#ards it as an unfortunate hand p acement, that happened 8uite $y chance. I shift s i#ht y, en"oyin# the contact, and nod off a#ain. Wednesday )&'*')* +p unti a whi e a#o, my mother never had much to do with me, if anythin# at a . It was startin# to #et me down unti dad sat down with me this past wee,end and exp ained thin#s to me. Essentia y, she was fine with me unti I hit pu$erty, and started to resem$ e dad in pretty much every aspect, this was then she started to fear she wou d find me as irresisti$ e as she does her hus$and, so she ,ept me at arm/s en#th, hopin# the distancin# wou d prevent any -occurrences/. She has a therapist, who/s he pin# her immense y 2I have her num$er in case of -emer#encies/3. An unfortunate incident Sunday mornin# where I thou#ht Aum was Amanda may have impaired thin#s somewhat, $ut I thou#ht we #ot throu#h it o,ay. That was unti this mornin#. Aost of the snow had c eared $y this mornin#. Sti $ oody hu#e drifts here and there, $ut dad #ot off to wor, and Tasha to schoo . I/m sti "o$ huntin# so made a few phone ca s and app ied for a few more "o$s on ine. I do have an interview tomorrow, $ut it/s $est not to hed#e your $ets. The snow was sti thic, in the $ac, #arden, so I decided to c ear off the patio and the poo cover. 2yes, we have a poo , $ut don/t ho d out for any $i,ini action unti at east Aay. It/s fuc,in# freeFin# out there.3 I was a$out ha fway throu#h when the sun came out, so I too, off my coat ! sweater. It was hard enou#h wor, so I was warm enou#h. Aum came out with a hot drin, for me, and I thou#ht she was #oin# to as, me somethin# e se, $ut shoo, her head and went $ac, indoors. Cot usua $ehaviour for her. A itt e ater on I oo,ed at the ,itchen window a$out %( yards away. Aum was there, starin# at me. I smi ed, $ut her face didn/t re#ister. In fact, she had an expression on her face I reco#nise, Tasha has that same face when we/re #ettin# intimate. I notice mum/s shou der is movin# up and down, and her face is #ettin# more intense. The sensi$ e side of me wants to thin, she/s "ust vi#orous y c eanin# the ,itchen counter, $ut then her head $ows, and I see her shudder. I have a horri$ e fee in# my mum "ust #ot herse f off whi e starin# at me. The first thin# I thin, of is what dad to d me on Sunday. If I fee it/s #ettin# a $it intense, ca her therapist, and -for the ove of #od, don/t ca her $y her first name/. +nfortunate y, I don/t have my phone on me. I try to act noncha ant and continue wor,in# outside unti I see she/s eft the ,itchen. I fee i,e a $ur# ar as I snea, into the house, and try to head upstairs. Aum ca s to me from the front room. GBan you come in here for a second<H Ay heart is racin# as I cautious y enter the room. She/s sti fu y c othed, than, #od, $ut she/s oun#in# on the sofa me and Tasha -used/ the other day, and twir in# her hair seductive y. I/m frea,in# the fuc, out. I mean, she/s not $ad oo,in#, and she/s not -actua y/ my mother, $ut sti , she/s my -mum/. She $ec,ons me to sit $eside her. I try to ma,e and excuse a$out needin# somethin# from my room $ut she/s havin# none of it. I try to ,eep it i#ht. GWhere/s Tommy<H G0h, he/s as eep, he/ $e out for a coup e of hours. 1 enty of time for us to have a itt e chat.H 0h shit. I re uctant y sit $eside her, ,eepin# a discreet distance, $ut she c oses the #ap swift y, I/m uncomforta$ y aware of her hip touchin# mine. G?our dad te s me you and Tasha were in your room for a whi e yesterday.H G0h, yeah. I was he pin# her with her homewor,, she can/t type at the moment $ecause of her head.H GAnd afterwards<H She mana#es to increase our contact area without seemin# to move. I/m not in a happy p ace. GCothin#, rea y, we "ust fe as eep. It was ,ind of a aFy day, rea y.H G?our dad said Tasha had her hand on your privates.H G@ea y< I didn/t ,now. I was as eep myse f, must have happened $y accident.H I wasn/t much #ood at drama at schoo . GApparent y she was ho din# it 8uite secure y.H Cot entire y sure how my po,er face is ho din# up, $ut I sti try to au#h it off. GShe must have had weird dream or somethin#, I don/t ,now.H GAre you s eepin# with Tasha<H That was unexpected. I #o on the defensive. GWhat< Co4 0f course not4 She/s my sister4H GWe , she/s not, you ,now. There/s nothin# rea y stoppin# you.H GShe/s on y )&.H G0,ay, are youM messin# around with Tasha<H I inadvertent y pause. GCo, no I/m not. We "ust i,e each other/s company. We/ve a ways $een c ose, you ,now that.H GI ,now c ose. And I ,now -c ose/. It was the same with your dad and me. B ose $ecame -c ose/ after a few years to#ether for us. It wou d on y $e natura if you two started havin# fee in#s for each other.H GAum4 serious y. I have a #ir friend.H G0h yes, Amanda. Cice #ir . 7oo,s a ot i,e Tasha, when you thin, a$out it.H Cot entire y sure where she/s #oin# with this. G?eah, I suppose.H GBi##er tits thou#h.H I actua y au#h, $ut stop myse f. GWe , yes, $ut that/s not why I i,e her.H GAre you sha##in# her<H I stand up, radiatin# indi#nance. GCo, I/m not. We i,e each..H GMother/s company. ?ou said that a$out Tasha.H GAum, what/s this a$out<H G9o you thin, Tasha ta,es after me<H GA $it, you/re very simi ar.H This is when I notice she/s wearin# one of Tasha/s TDshirts. 0h shit. GSoM under different circumstances, you/d find me attractive<H ;ere we #o. G1ossi$ y, $ut it/s not different circumstances. ?ou/re my mother.H GI/m not, I to d you.H GI ,now, $ut you raised me i,e a mother. Whi e I admit, you/re very #ood oo,in#, I can/t see you in that way.H This may not have $een the ri#ht thin# to say. She stands up and wa ,s towards me. GWhy not< ?ou thin, Amanda oo,s pretty, ?ou thin, she and Tasha are a i,e, and you thin, me and my dau#hter oo, the same, so you must at east thin, I/m attractive<H I desperate y need to #et to my phone, as I put the therapist on speed dia , and my mum, as sma as she is, is proper y scarin# the shit out of me. Especia y that ast itt e speech. G7oo,, stay here, I/ $e ri#ht $ac,, I promise, I "ust need to #et somethin#.H I $ac, out of the room and ta,e the stairs * at a time, #ettin# into my room and c osin# the door. ;earin# her ca after me. GI/ $e ri#ht down4H Snatchin# up my phone I ca the therapist, te in# the receptionist it/s an emer#ency. GWhat/s she doin# now<H GI don/t ,now, I eft her downstairs, $ut I thin, she/ $e up soon. I/ve never seen her i,e this.H GI have, durin# our sessions. The pro$ em you have is she/s not your mother, so whi e she raised you, her condition materia ised when you hit pu$erty, so the materna $ond $ecame very fra#i e.H G?es, my dad sort of to d me a this. 9o you thin, I shou d ca him<H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GCo, that won/t do any #ood. If he/s at wor, he/s % hours away, and spea,in# to your mother over the phone won/t wor,.H GWhy not<H G9isassociation. If she/s havin# a deep episode, which it sounds i,e she is, she won/t associate your father/s voice with your father, if you fo ow.H Cot rea y. GSort of. So what shou d I do<H There/s a pause. I can hear a faint tappin# noise. G;e o<H G?es, sorry. 7oo,, is your mother $ein# the a##ressor<H G?ou cou d say that.H GThen you need to turn the ta$ es, ta,e command. It/s somethin# I/ve $een wor,in# on with your parents and we/ve had #ood pro#ress.H I faint y remem$er mum mentionin# somethin# a$out a different method he pin# her pro$ em. GWait, when you say -ta,e command/M you don/t meanMH G?ou need to try to a##ressive y seduce your mother.H GWhat< ;ow< She/s my mother4H GCo, she isn/t. And that/s what she/s $asin# her current actions on. ?ou need to switch the parameters of the situation and $rin# her out of it.H I can definite y hear mum comin# up the stairs. She/s crap at snea,in# a$out and the second to top stair crea,s i,e a $astard un ess you step c ose to the wa . She doesn/t. It crea,s. GBrin# her out of it< Switch parameters< ;0W<H Aum ,noc,s on the door. GWho are you ta ,in# to<H GIust a "o$ possi$i ity mum. Won/t $e on#.H I don/t hear any footsteps. She/s sti there. I drop my voice. G;ow do I do it<H G?our mother wants to have sex with you. ?ou need to #et as c ose as possi$ e to the act then remind her She. Is. ?our. Aother.H G?ou want me to fuc, my motherM< Sorry.H GCo. Iust #et as c ose as you/re comforta$ e with, then $rea, the sexua connection. Iust use whatever you can. I/ contact your father, et him ,now what/s happenin#.H G?ou/re #oin# to te him what I/mMH GIt/s an eventua ity we/ve p anned for. We/d hoped you wou dn/t have to #o throu#h with anythin# i,e this $ut it appears you have to now. >ood uc,.H The phone #oes dead. ->ood uc,/< What the fuc, am I supposed to do< 7oo,in# around my room there/s not much that sprin#s to mind, unti I oo, up at my TE. It/s sti hoo,ed up to the receivin# part of the $a$y monitor, which has a wire ess camera $ui t in. It/s a crap p an, $ut I ,now she/s sti at my door, and from what dad/s said, when she/s in this state, she cou dn/t pro$a$ y ta,e it off the hin#es if the mood too, her. I stand up, ta,e a deep $reath, hide my TE remote under my pi ow, remove my shirt and face my door. I open it. GBatherine.H I have ha f a second to rea ise she/s comp ete y na,ed, her c othes at her feet, $efore she aunches herse f at me. ;er face comes into contact with mine with such force it hurts my mouth, and I can taste $ ood. Aine or hers, I don/t ,now, $ut she doesn/t seem to care as her ton#ue forces its way into my mouth. I/m fee in# sic,, not "ust $ecause of the $ ood, $ut I sti see her as my mother, even thou#h her arms are around my nec,, her e#s wrapped around my waist, and as I removed my shirt, I/m painfu y aware of her pu$ic hair $rushin# a#ainst my stomach. I try to re#ain my senses, and as much as I don/t want to, I reciprocate her advances, "oinin# in with the ,iss, ho din# the $ac, of her head and stro,in# her $ac,. I "ust try to ima#ine it/s Tasha or Amanda in my arms. It he ps. I turn around and put her down on my $ed, continuin# the ,iss. She/s ca min# down, her ferocity a$atin# a itt e, and the ,iss $ecomes softer. I won/t ie, it wasn/t unp easant, $ut I/ve #ot a "o$ to do. I open my eyes for the first time and oo, down at her $ody. She/s as s im as the #ir s. Same $ust siFe as Tasha, $ut a itt e sa##ier due to $irthin# two chi dren. What shoc,s me the most is two pierced nipp es. It o$vious y re#isters on my face and she s8ueeFes them to#ether, pushin# the $ars up and stretchin# the teats. G7i,e them<H I wea, y nod, and try to #et on with it. It IS me $ eedin#, I can fee the cut on the inside of my ip. I ,iss her a#ain, and move down to her nec,. =issin# $etween her $reasts, I try to force the ima#e of Amanda into my mind, to he p me as I move down her $ody. I/m concentratin# around her $e y$utton and reach down to undo my trousers, pu in# them down and I eave them around my ,nees. I move $ac, up and I find myse f in the same situation I was with Tasha over the monopo y #ame. 9espite my nervousness, I must $e a $etter method actor than I thou#ht. I/m fu y erect, and mum notices, reachin# down and p acin# her warm hand on my dic,, pointin# it towards her. GWow, oo,s i,e you 90 ta,e after your father4H I spot it. There/s a twitch, "ust a itt e one in the eyes. I reach under the pi ow and pu out the remote, turnin# on the TE. I increased the vo ume so the room is f ooded with the sound of Tommy s eepin#, her eyes dart to the screen, then $ac, to me. Another f ic,er. ;er hands are sti directin# me towards her. ;ere we #o. GAum.H I push my hips down. It/s at this point my penis enters my mother/s va#ina. I/ve on y ever had sex with one person, and that was Amanda, a few days a#o, so my on y experience of penetration is a vir#in ti#ht, s ow yDyie din# pussy that ta,es a itt e effort and coercion to fu y enter. In retrospect, I shou d have rea ised that my mother/s va#ina has s8ueeFed out two fu DsiFed $a$ies 2one of whom was Tasha3, and #au#in# $y the sounds we aw,ward y hear comin# from our parents/ room on various evenin#s, a hea thy sex ife. Ay actua intention was to mere y press a#ainst her pussy ips and app y pressure. 0f course, in her hi#h y excited state, my penis s ipped strai#ht in. I try to ra y, and act i,e it was intentiona . ;er face $eneath me is perfect y sti , we/re not movin#, and a I/m aware of is the warm moistness around the end of my dic, and the $ ood that/s sti s ow y fi in# my mouth. S ow y, her expression chan#es, from sexua mischief, to one of rea isation and horror. I sti don/t move, $ut her hands re ease my dic, and she puts them over her face, her eyes creasin# as she starts to cry. ;ard. ;er rac,in# so$s ma,e her $ody move and it/s a I can do to i#nore the stimu ation #oin# on in my dic,. She continues cryin# and I s ow y pu out of her. ;er ,nees are up and apart so I push them to#ether, ro her onto her side, spoon up $ehind her 2avoidin# penis contact3, pu the covers over the $oth of us and I ho d her c ose to me. I ,eep whisperin# -It/s o,, mum/ and other comfortin# thin#s to her, whi e stro,in# her hair. Eventua y she stops cryin#, I ean up on an e $ow and notice she/s actua y fa en as eep. I #et out of $ed, #et my c othes $ac, on, pic, up my phone and eave the $edroom, turnin# off the TE as I eave. I hit redia and the therapist pic,s up strai#ht away. G;ow did it #o<H GI don/t fu y ,now. It #ot very intense, $ut I thin, I mana#ed to #et her to snap out of it.H G@ea y< ;ow did you do it<H So I te her. She/s si ent for a whi e after I finish. GAnd how do you fee now<H GMBonf ictedH G9on/t $e. I cou dn/t have su##ested a $etter method. I rea ise that the actua act of sex pro$a$ y wasn/t somethin# you wanted to inc ude..H GCo shitH GMyes. But sti , you $om$arded her with the sense of motherhood when she was at the pea, of an episode. The very fact she came out of it, and apparent y fe t sorrow and shame, is a ;+>E step in the ri#ht direction.H GSo wi this happen a#ain<H I hear Tommy stirrin# in his cot, so I chec, on him, he/s sett in# down a#ain. GI can/t say. ?our mother/s condition isn/t common at a , so she/s sti in a state of f ux. But, that said, what you/ve done can on y improve thin#s. ;ow is she now<H GSti as eep.H G0,, I ca ed your father, he/s headin# home. And I thin, I/ come over too. The important thin# is that your mother doesn/t fee a$andoned. When she wa,es up, she/s #oin# to remem$er how she fe t $efore she fe as eep, you need to $e there to he p her cope with her fee in#s. It mi#ht $e a itt e emotiona .H GI/m a ready there, honest y.H G?ou/ve done rea y we , honest y. For someone with no professiona trainin# it/s remar,a$ e you hand ed the situation so we .H GI/m not sure I did.H G9on/t worry. By my rec,onin#, I shou d #et there a$out the same time as your father. I/ see you soon, and don/t eave your mother a one unti we #et there.H And she han#s up. I approach my $edroom door and her c othes are sti on the f oor outside the room. I co ect them up, fo d them neat y and p ace them $eside my $ed. Apart from her ,nic,ers, which are unp easant y wet. I ho d them with fin#ertips and put them in the aundry $as,et, then I have the further unp easantness of #oin# throu#h my parent/s drawers to find my mother some c ean underwear. I find the correct drawer and se ect the first pair that comes to hand. Snea,in# a # ance I see she has the same taste in ,nic,ers. Bonservative, p ain, $ut sti sexy when on the ri#ht type of $ody. I ta,e them into my room and p ace them on her c othes. For some reason I/m happy the $ra and ,nic,ers sort of match. In the $athroom I fina y #et to oo, inside my mouth. As I feared, the force at which she $arre ed into my face has cut the inside of my top ip 8uite $ad y. I soa, a cotton woo $a in warm water and stuff it $etween my teeth and ip. ;opefu y it/ app y enou#h pressure to at east s ow the $ eedin# unti I can #et it oo,ed at. I whip out my phone and text Tasha. -9on/t come home strai#ht away. >o to Amanda/s. I/ come #et you ater/. It must $e unchtime as she responds 8uic, y. -Why< What/s happened</ -9on/t worry. It/s nothin# horrific. I/ te you when I see you./ But I/m not sure if I actua y wi . -0,. 7ove you./ -7ove you./ Tommy wa,es up a whi e ater, and I/m in the unusua position of $ein# his parenta unit unti dad #ets her, or unti mum comes round. I mana#e to #et some unch into him 21asta shapes. 9isney3 and he adopts this constant expression of -who are you and why are you puttin# food in my mouth</. Sti he eats. I sti have time to chan#e his nappy and put some todd in# c othes on him $efore I hear a stirrin# from my room. I ,noc, #ent y and enter. She/s awa,e, and ha f dressed. +nderwear/s on, $ut no trousers and she/s pu in# Tasha/s shirt $ac, over her head. GSorry, I/ waitH GCo, it/s o,. 9oesn/t matter now anyway.H She sounds i,e she has a co d. G?es it does, mum.H Emphasis on the -mum/. G;ow/s Tommy<H G;e/s fine. Fed and watered. The stair #ate/s c osed and he/s p ayin# in his room.H I f ic, on the TE and she can see him. We stand and watch him for a whi e unti I hear her #ive a sma so$. She sti hasn/t #ot her trousers on $ut I #o over, sit her down on the ed#e of my $ed and I put an arm around her. She starts cryin# in earnest. GI/m so em$arrassedH G9on/t $e. ?ou cou dn/t he p yourse f. ?our therapist he ped to ta , me throu#h #ettin# you out of it.H GBut I thou#ht I was #ettin# over it. I fee so fuc,in# use ess.H It/s sti weird hearin# her swear. G;ey, pac, it in. It was "ust a moment of wea,ness. For a you ,now, it mi#ht have $een my fau t. I mi#ht have tri##ered it.H She oo,s up at me.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

G;ow do you meanM< 0h my #od you/re $ eedin#4H I have a handfu of tissue I/m usin# to mop up any errant traces of $ ood. The cotton woo wor,ed, up to a point. GIt/s o,, I/ #et it chec,ed ater. 9on/t worry. Anyway, what I meant was what I did on Sunday, when I thou#ht you was my #ir friend.H G?ou mean when you pressed yourM.H G?es. I/m sti sorry a$out that. And I a ways wi $e. Especia y when I see what it can ead to. It/ never happen a#ain. I promise.H We sit in si ence. I pic, her trousers off the f oor and hand them to her. She stands up and I #et an eyefu of her $ac,side as she pu s them on. ?es, it/s 8uite shape y. GTea<H She nods. It/s a British thin#. We head downstairs after #ettin# Tommy and sit at the $rea,fast $ar. I sip my tea s ow y as it stin#s my ip. She/s #ot her hair $ac, in a ponytai , and is sittin# very 8uiet y. I/m reminded of her adoptin# the same demeanour when her favourite aunt died a few months a#o. ;orrendous sadness to $e#in with, then a sense of acceptin# what/s happened. Eventua y, she $rea,s the si ence. G7isten, I want you to $e honest with me. ;ave you and AmandaM<H I don/t thin, I shou d $e comp ete y honest, not now. GWe , we/veM exp ored, i,e I to d you ear ier. We/re teena#ers. We do this stuff. ?ou shou d ,now4H She smi es, it/s a #ood thin#. GAnd Tasha<H I/m a itt e worried this conversation is revertin# $ac, to the one durin# her episode, $ut it/s not. I can see it in her face. She must have had thou#hts i,e these $efore, $ut it wasn/t unti she was in a confused state she voiced them. GI to d you ear ier. She/s my sister. I ove her. I/d neverMH GShe/s chan#ed.H G;ow so<H GShe/s $een actin# different y for a coup e of wee,s. ?our father and I have noticed. ?ou have too.H 9amn, I didn/t thin, we/d done anythin# too o$vious. GI thin, we/re "ust #rowin# up, mum. ;onest y. Tasha/s even started wearin# $ras4H She au#hs #ent y. GI ,now4 ;ow did you mana#e to #et her to $uy any<H So I te her a$out the dirty oo,s her $ruise was #ettin#, and the tDshirt I $ou#ht for her, and the o$viousness of her fi#ure they disp ayed. Before on#, we/re "ust sittin# there, havin# a conversation for what seems i,e a#es, when 9ad comes in with a oo, of ur#ency on his face. But when he sees us "ust sittin# there, the o$vious tension in his shou ders disappears. G0h, I #ot home as soon as I cou d. The therapist saidMH The front door$e #oes, dad tuts and #oes to answer the door. There/s a short muff ed conversation and dad returns fo owed $y a short, #reyDhaired woman dressed pretty much the same as mum used to $efore the fami y c osets were cast asunder. She fixes her eyes on mum and smi es. Then oo,s at me. G9octor Iaco$s, we spo,e on the phone. It seems you/ve done very we .H She turns to mum. G;ow are you fee in#<H GBetter now. Ay son mana#ed to #et me out of it.H GSo it wou d seem. Any residua ur#es<H Aum fixes her eyes direct y on mine. She ho ds my #aFe for on#er than what I/d ca comforta$ e, and s8uints her eyes. GActua yM. Co. Cone.H She visi$ y $ri#htens up and $eams at dad, who o$vious y understands more of what/s happenin# than I am. Iaco$s pu s dad to one side and whispers to him. I turn to mum. GWhat did that mean<H GI don/t find you attractive.H GAnd that/sM #ood<H GEery.H GCot at a <H Ban/t he p $ut fee a itt e put out. GWe , you/re a #ood oo,in# youn# man, $ut you #et that from your father, and that was the pro$ em.H G?es, I ,now, dad to d me. SoM are you cured<H She puts down her cup and si#hs. G1ro$a$ y not. But it/s not up to me to say if I am or not, $ut it/s dou$tfu .H She reaches across the counter and puts her hands on mine. GBut I/m not shovin# my ton#ue down your throat, so it/s pro#ress4H I #ive an aw,ward au#h. Catura y some $arrier $etween us has $een $ro,en, one of the ones dad to d me a$out. She seems a itt e too comforta$ e with the events of ear ier, $ut she/s ma,in# eye contact, not treatin# me i,e a stran#er, $ut at the same time, she/s not tryin# to rape me. I ca these #ood thin#s. Iaco$s wa ,s over to us, and sits on an empty stoo . She exp ains that after the -episode/, my parents need to spend some time in a different environment. There/s a Benter 1arcs sty e resort she recommends they stay at. It/s actua y the -hote / they/ve $een stayin# at for wee,ends on end. Cot so much marria#e #uidance, as marria#e reinforcement and support. I as, a$out Tommy ! Tasha. Tommy wi $e #oin# with them. 0dd y enou#h, havin# a youn# chi d with them he ps with the $ondin# after an event i,e this. I wonder for a second if Tommy was $rou#ht into the wor d as a marria#e aid, rather than "ust a want for another chi d, $ut I dismiss that thou#ht as soon as it entered my head. Tasha can stay at home in my care. Corma y I/d $e p annin# a ,inds of -$oard #ames/, $ut ri#ht now, the on y fema e I care a$out is mum, and her #ettin# $etter. Ay parents #o upstairs to pac, 2has to $e strai#ht away3 eavin# me with Iaco$s. G?ou did astoundin# y we . It/s often said a itt e sacrifice is needed to ma,e the ar#er $rea,throu#hs. It was incredi$ y $rave of you to #o as far as you did.H I ho d $ac, a scoff. GSacrifice< I put myMH whisperin# GMpenis inside my mother.H GCo, you didn/t. ?our mother is no on#er with us. The woman upstairs is a youn# woman, not actua y o d enou#h to $e your mother, who desperate y needed your he p, even thou#h she didn/t ,now she did, and you came throu#h $ri iant y4 ;onest y, I wou dn/t $e surprised if this didn/t end up in The 7ancet4H A#ain, I au#h. G?eah, the on y way to cure tar#eted nymphomania is to a##ressive y act on 0edipa impu ses4H This raised an eye$row. G0edipa <H I stop her in her trac,s. GI was "o,in#. I ,now a$out Freud too, so you can pac, that in. 9id you want a tea whi e you wait<H GAny coffee<H We/ve #ot this 9o ce >usto thin# that uses pods, so I #et her a macchiato. GWhat were you sayin# to dad<H She sudden y oo,s concerned. For me, more than anythin#. GI to d you on the phone, we/d $een preparin# ourse ves for any eventua ity. The possi$i ity that somethin# mi#ht happen $etween the two of you was actua y one of our main concerns, $ut it cou d a so $e of #reat $enefit, if contro ed.H G?ou ,new somethin# i,e this wou d happen<H GWe #uessed. We discussed it over many wee,ends. ?our mother has $een ucid for severa years now, and we a a#reed that shou d anythin# i,e this happen, it wou d pro$a$ y $e the prover$ia straw, one way or another.H GThat/s a he of a #am$ e.H GBut one that had to $e made.H GSo.. wait. 9oes dad ,now< That Aum and meMH She "ust nods. GThat/s why we/re #oin# away. ?our father/s not an#ry, he/s $een expectin# somethin# i,e this. ;e/s pro$a$ y ess than happy anythin# happened at a , $ut #iven your contro , I wou dn/t $e surprised if you end up $ein# c oser as a resu t.H I/m $are y #iven time to thin, a$out this when our parents come $ac, down. 9ad ho din# two suitcases, Aum ho din# Tommy. Iaco$s drains her cup and wa ,s over to them. I wa , "ust $ehind her $ut a #ent e hand on my arm, out of si#ht of my parents, te s me to ho d $ac,. She turns to me and smi es. GWe/ see how it #oes, $ut I shou d $e a$ e to #et them $ac, to you $y Sunday.H She/s p ayin# the happy medium, $ut I can #uess what ,ind of conversation, if any, happened upstairs. Aum/s smi in#, $ut doesn/t seem as happy. And dad #ives me a very strained smi e. I mentioned $efore that we weren/t exact y dysfunctiona , $ut I/m hopin# I haven/t "ust comp ete y fuc,ed it up for everyone. I mooch around the house, tryin# to concentrate on somethin#. Ausic, a movie, $ut my mind ,eeps on wanderin#. I ,eep picturin# my mother na,ed $eneath me. But it/s not her nudity that I fixate on, her s im $ody or sma $reasts, $ut the oo, on her face when she came around. I/m sudden y reminded of Tasha, and chec, the time. Fuc,4 It/s O o/c oc,. I on y assume she/s at Amanda/s. I #et out my phone and ca her. G;eyH GAre you o,< What happened<H GI/ te you when I come yet you. ;ave you eaten<H G?eah, Amanda/s mum #ame me somethin#. When are you comin#<H G;eadin# out the door now.H Ta,es me a whi e to #et there, I ta,e it s ow as I/m not proper y concentratin# on the road. =noc,in# on the door, $oth the #ir s open it and I can see the concern on their faces. Tasha/s #ets worse when she sees my expression. GWhat/s happened<H I "ust sha,e my head and start to wa , away. Amanda #ra$s my hand and we pu each other into a hu#. I/m not a crier $ut I/m fuc,in# c ose. I ,iss her on the chec, and Tasha "oins me as I wa , to my car. I have to te Tasha somethin# as she oo,s proper y terrified, so as I pu out onto the road, I start to te her what/s happened. It/s not on# into the story when I/m reminded of the cut on my ip. It was pro$a$ y doin# o, unti I decided to chec, it. As I touch the wound I #et a searin# pain as the cut opens and my mouth fi s with $ ood a#ain. Tasha shrie,s as she sees it dri$$ e out of the corner of my mouth and I pu over. I mop up the $ ood on my chin and swa ow what/s in my mouth. G9oes it oo, $ad<H I ro my ip down to show her. I can see $y the oo, on her face it is. GFuc,4 It/s rea y $ad, I thin, you need stitches.H G?ou said you/ve eaten<H She nods, and I chan#e direction and head the hospita she/s on y "ust recent y chec,ed out of. I ,now there are vendin# machines in the waitin# area and I have chan#e on me so if she #ets pec,ish we/re sorted. I try to continue te in# her what happened $ut $ ood ,eeps ea,in# so she te s me to te her ater. She p aces a comfortin# hand on my e# and we sit in si ence for the rest of the "ourney. The casua ty department is norma y fu , and it can easi y ta,e % hours to $e seen $y even the tria#e nurse, $ut I/m seen and in a $ooth in ess than ha f an hour. Tasha ho ds my hand as the nurse in"ects my ip with #enera anaesthetic. She eaves us for a whi e as it ta,es effect. GIs it fee in# num$<H I sha,e my head, proddin# my ip to chec,. Cope, not yet. GWas it somethin# to do with mum<H 1ause, nod. GWas she hurt<H Emphatic sha,e of head G9id she do this to you<H 1ause, nod. G9id she hit you<H Sha,e. GThen howM<H sha,e. 7on# pause. G9id she have an episode<H I rea y wasn/t expectin# that. I nod, $ut don/t oo, into her eyes. She puts a hand on my shou der. GShe/s to d me a$out them. 9id she #et throu#h it<H Cod. G9id ?0+ #et her throu#h it<H Cod. GSo they/re away<H Cod. The nurse returns with a tray of instruments. She chec,s my ip, chec,in# with a sharp imp ement, and once she/s satisfied I can/t fee anythin#, she starts sewin# me $ac, to#ether. It/s a 8uic, "o$, and after si#nin# a few thin#s and $ein# handed a eaf et a$out suture care, we/re free to #o. I ho d Tasha/s hand and I/m than,fu it/s reciprocated, $ut we sti wa , in si ence unti we #et to the car. I/ve $een to d I can ta ,, $ut not to stretch my mouth too much. This resu ts in much mum$ in#. GStart a#ain. What happened.H G?ou mi#ht not want to hear it.H GI/ $u# you unti you do.H So I ta,e a deep $reath. Te in# her everythin#, from Sunday, when I accidenta y p anted my semiD erect penis $etween the $utt chee,s of my mother. Tasha suppresses a #i## e, $ut I #ive her a semiDstern oo, and she stops. Fast forward to ear ier and my suspicions that mum mi#ht have $een mastur$atin# to me in the ,itchen. Then there/s the aw,ward conversation in the front room, and my desperation to #et to my phone as I didn/t ,now the therapist/s num$er $y heart. I mana#e to #et upstairs and ca Iaco$s, who #ives me advice on what to do. GShe to d you to do W;AT<4<H GI ,now. It too, me a whi e to fi#ure out what to do. I didn/t rea y want to do it, $ut I cou dn/t see any other way of he pin#

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

mum.H I te her my p an, to use Tommy s eepin# next door, to remind her she/s our mother and to ma,e her rea ise she/s tryin# to have sex with her son. Then I te her what I actua y did. Inc udin# the part a$out the s i#ht penetration. I/m not oo,in# at her face, $ut I can/t ima#ine what emotions she/s #oin# throu#h now. When she spea,s a#ain, she/s very 8uiet. It sounds i,e she mi#ht $e cryin#. GWhat did you do next<H GWe "ust aid there for a $it. She started cryin#. I #ot off her and he d her, i,e I did with you yesterday. @emindin# her she/s my mother, then she fe as eep. I covered her over, made sure she cou d #et her c othes, and ca ed the therapist a#ain. I #ot Tommy sorted as he wo,e up not on# after. Then mum wo,e up and I made sure she was o,.H GAnd was she<H GShe was em$arrassed, and scared, and ashamed. She hated herse f.H I hear Tasha say -#ood/. But i#nore it. I te her she cheered up a ot once we started ta ,in# a$out $ras, and re atin# the shoppin# story. Endin# in mum and dad eavin# for a on# wee,end with the therapist in tow. GApparent y, I did everythin# ri#ht.H Stony si ence. GI hated it, you ,now. 9on/t thin, for a second I wanted to do what I did. ?ou/re smarter than that, Tash. ?ou ,now I ove you. I ove you more than a $rother shou d ove his sister, $ut I ove mum too, and I ,new I had to do somethin# to he p her. 9ad to d me mum hospita ised him once. She/s "ust done that to me. Sort of. This wasn/t a$out sex.H There/s si ence. For a on# time. Then a sniff. GIs she o,< @ea y<H I/m re ieved her voice has softened. GI rea y hope so. That was a horrific experience I don/t want to repeat any time soon, $ut we were ta ,in# for a#es in the ,itchen afterwards. She seemed a ot more re axed. 1 us she said she didn/t find me attractive any more.H G?ou mean she did $efore< 0h, ri#ht, the -tar#eted/ thin#.H G?eah. 0h, and I thin, they mi#ht $e onto us.H GWhat4<H GApparent y, we/ve -chan#ed/, and that/s a dead #iveDaway that we/reM how did you put it< -9inin# on each other/s #enita ia/<H This raised a $i# au#h, I started to au#h as we , $ut stopped 8uic, y as I fe t the stitches in my ip stretch. We #et home, it/s after dar,. I fix some supper and we have a 8uic, ta , a$out the wee,end/s o#istics. I do have that "o$ interview tomorrow, $ut it/s c ose to the schoo run, so I/ drop her off at schoo ear y and pic, her up as norma . We watch a itt e TE $efore I te her if she/s #oin# in ear y she shou d #et to $ed ear y. It/s $een a shitty day so I decide to turn in as we . There/s a$so ute y no thou#ht of sauciness in the air 2a thin#s considered3, so I "ump in the shower. I/m not surprised to hear the $athroom door open, and short y after, Tasha "oins me. I oo, at her sweet $ody, simi ar $ut so very different from that of her mother/sL ;air ess pussy, firmer $reasts, sma er nipp es. We "ust stand there, ho din# each other/s waists unti we pu each other to#ether and hu# under the shower. GI cou d invite your #ir friend over for the wee,end<H GThat sounds nice, $ut I don/t ,now ifMH She oo,s up at me, the effect s i#ht y spoi ed $y the water sprayin# into her eyes. She $ in,s it away and moves position. GIt doesn/t have to $e a$out sex. We can "ust han# out. I/ as, tomorrow.H I say than,s, ,iss her on her so##y forehead and resume hu#s. I don/t ,now what the s eepin# arran#ements are supposed to $e, $ut I stand in the doorway, starin# at my $ed, oo,in# exact y the way it did when my mother wanted to screw me ear ier. I cou d chan#e the sheets, $ut it/s ate, I/m tired, and I rea y can/t $e arsed. A hand #ra$s mine, and Tasha eads me into her room. There/s a $it of forma ity as she empties her $ed of the umpteen teddies she received the other wee,, and dries her hair with a very noisy hairDdryer, $ut $efore on#, she #ets in $eside me, a warm and na,ed. She sets her a arm, we ,iss #ent y for 8uite a whi e, then she sett es $eside me and we fa as eep in her $i#, pin,, comfy, $ut a$ove a , #ir y $ed. Friday )O'*')* Tasha/s a arm is crap. It $are y wa,es us up and I "er, awa,e at 6.)O. We have ha f an hour to #et her to schoo and me to my interview. 7uc,i y I have very short hair, so I don/t have to spend ha f a $ oody hour sortin# it out. +n i,e Tasha. So she/s in the ,itchen, munchin# on toast whi e runnin# a very ar#e $rush throu#h her hair, I/m tryin# to put my tie on strai#ht and drin, a cup of tea at the same time. Sod it. Tasha #ets to schoo on time, $ut it means I may $e ate for the interview. 7uc,i y, I #et there and they/re runnin# ate themse ves, so I have time to compose myse f $efore #oin# in. I/m cautious y optimistic. I/ et you ,now. Instead of #oin# home, I mooch around town a day. There/s a BER so I oo, up some cheap 1B #ames and $ uDrays. Aana#e to #et Bioshoc, and the 0 ympic #ames $ox set for a tenner a in. 29anny Boy e can do no wron#. 1 us we went to the openin# ceremony and I ,now we/re on screen more than once3. >ra$ unch, #et a few thin#s from a tesco express 2$eer, prin# es, more coffee pods3, then decide to head home to #et chan#ed $efore pic,in# up Tasha from schoo . The house is a ways intimidatin# when empty, so I 8uic, y chan#e my $edsheets $efore headin# out a#ain. I/m outside the schoo , muc,in# around with my @u$i,/s cu$e when there/s a tap at the window. It/s Amanda/s mum. G0h ;i4H I #et out of the car. G;e o. Amanda to d me she wanted to stay at yours this wee,end. She said you/d had some $ad news or somethin#MH G+mM yeah, sort of. It/s comp icated. Aum and dad are, I don/t want to say havin# trou$ e, $ecause they/re not, not rea y, It/s difficu t to exp ain.H G?ou don/t have to. Batherine and I are friends so she norma y confides a few thin#s in me. 7oo,, I ,now you and Amanda are ,ind of an item, and if it was anyone e se, I/d say no, $ut I fee I can trust you to oo, after my dau#hter without ta,in# advanta#e. In any case, her father and I haven/t had a free wee,end in years. We ove our dau#hter, $utMH GCo, I understand. ?ou have my word as a #ent eman I sha $e on my $est $ehaviour a wee,end. In fact, Amanda/s a pretty #ood wor,er, I mi#ht #et her to rep ace our #utterin#4H She au#hs, waits with me unti the #ir s come out, te s her dau#hter what/s happenin#, and waves #ood$ye. Amanda turns to me. GSo it/s "ust us three< A wee,end<H G?es, $ut your homewor, has to $e finished, and I promised your mother I/d $e a #ent eman.H GThat/s very no$ e of you.H She #ets into the $ac, of the car with Tasha. GBut I haven/t promised anythin#.H There/s a fair amount of whisperin# in the $ac, seat, which seems to $e main y comin# from Tasha, other than that, it/s a fair y 8uiet "ourney home. I pu into the driveway and they/re $oth sti 8uiet as we wa , to the house, a thou#h Amanda does come up and ho d my hand for the very short wa ,. The #ir s disappear upstairs to #et out of their uniforms. I/m oo,in# in the frid#e and arder for inspiration for what to #et for dinner, $ut nothin#s eapin# out at me, and after the ast few days I/ve had, I can/t $e fuc,ed to coo,. So I stand at the foot of the stairs and ca up. G?ou #uys want ta,eaway<H G0=. What we havin#<H GWhat do you fancy<H Amanda appears at the top of the stairs in "ust her underwear, puttin# her hands throu#h the s eeves of a sweater $efore throwin# it over her head, stretchin# the materia to #et it over her tits. It comes down to $e ow her ,nic,ers, $ut she/s sti oo,in# cute. G1iFFa<H GSounds o,, What a$out Tasha<H ;er muff ed voice comes from her room. G?eah, 1iFFa for me. ;awaiian p ease.H Amanda te me she wants a meat feast, so I #ra$ the phone as she disappears from view. I order co,e and a few starters too. The #uy on the phone te s me they don/t de iver that far, $ut I #ive him some $u shit a$out we norma y use papa "ohns, and they come out here a the time. I fina y te him I/ #ive a U%( tip and he near y $ites my hand off, throwin# in some hot win#s. @esu t. The #ir s come down, Amanda/s put some fi#ureDhu##in# e##in#s and Tasha seems to have made the same wardro$e choices. The piFFas arrive and we sit down in the front room watchin# the @ed Cose day stuff, $ut we eventua y turn it over when the #ir s #et too upset watchin# a the appea videos. They sti haven/t seen S,yfa , and they/re ,een so I put it on. 0ver the course of the movie they su$t y ta,e turns to sit next to me for hu#s. There/s no f irtin# or sexua ity, "ust hu#s, and I fi#ure out what they/re up to. Tasha/s o$vious y to d Amanda, or at east #iven the #ist to her a$out what happened with mum, and they/re $ein# affectionate without $ein# over$earin#. It/s nice, and we come. It actua y turns into a proper s eepover after a whi e. At one point Tasha even #ives Amanda a French p ait. 7oo,s 8uite nice. Watchin# the Bond fi m, it #ets to the $it where 9anie Brai# is swimmin# in that rooftop poo . G>ir s, te me. What/s the attraction with him< ;e/s a #ood actor, #ranted, $ut $y #od he/s u# y.H This draws a synchronised shar, inta,e of $reath. GCo he/s not, he/s #or#eous4H This was Tasha. G;ow< Exp ain to me how that cra##yDfaced $ o,e with transparent eyes is deemed attractiveH G;e/s #ot an awesome $ody.H 2Amanda3 GWhat/s wron# with mine<H I f ex a itt e. They $oth oo, at me. GCothin# wron# with yours, $ut he/s more ru##ed.H G@u##ed< Shou d I sandpaper my face then<H They au#h, Tasha comes over and p ants a ,iss on me. G9on/t $e so se fDconscious, there/s different ,inds of handsome. ;e/s "ust a different type.H G0h, that ma,es me fee so much $etter.H We carry on watchin# the movie to the end. They $oth #et sad at the death scene, so we finish the rest of the movie and I as, if they want to watch anythin# e se. They te me they/re $oth pretty tired, which is when I rea ise it/s ha f )), and they/ve $een at schoo a day, so I send them up, turnin# everythin# off as I fo ow them upstairs. It/s ni#h on impossi$ e to have * peop e $rushin# their teeth over one sin, at the same time, so et them #et themse ves sorted out, and move into the $athroom as they/re on their way out. >iven the circumstances, I don/t ,now what the s eepin# arran#ements are #oin# to $e toni#ht. I ,noc, #ent y on Tasha/s door, they/re $oth in varyin# states of undress as I pop my head in to wish them #oodni#ht. They ta,e it in turns to #ive me a ,iss and I wa , across to my room. In $ed, I read for a itt e whi e, I/m "ust sett in# down and reachin# over to turn off the amp when I hear footsteps and Amanda enters my room. She/s wearin# a simp e ni#htie and doesn/t say a word, #ets in $eside me, #ives me a in#erin# ,iss and ies in front of me, her $ac, spoonin# a#ainst my chest. She #ra$s my hand, moves it up a#ainst her $ody 2Co ,nic,ers3 and p aces my hand on her $reast, c ampin# my arm under hers. Tasha comes in short y afterwards, #ets in $ehind me and puts her arm in pretty much the same position mine is around Amanda. There/s no sexua ity here. They/re "ust ho din# me. And I/m #ratefu .

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

Saturday )T'*')* I have no idea what/s happened in the ni#ht, $ut when I went to s eep, I had a #ir either side of me. Cow I have no one at my $ac,, my hand around Tasha, ho din# her $reast, mornin# erection pressin# a#ainst her $are $um. 7oo,in# over, I can see Amanda the other side of Tasha, with my sister seemin# y havin# her hand where mine was ast ni#ht. I snu## e $ac, down, en"oyin# the c oseness and contact. I/m aware of what my dic, is doin#, pressin# a#ainst Tasha/s pussy, $ut I/m # ad she/s sti a vir#in. I/d hate for any more accidenta penetrations to happen, so I "ust sit there. I 8ue any saucy thou#hts and the pressure dies down, $ut the contact is comforta$ e. Sudden y, I/m aware of how very co d my head is. The warmth under the duvet is nice, $ut that/s what comes with threeDinDaD $ed. I raise my head and rea ise I can see my $reath in the room. I oo, over at my c oc, radio and the readout is $ an,. Bo oc,s, we/ve had a power cut in the ni#ht. >ettin# out of $ed, Tasha stirs. GAmm.. whuFFup<H G1ower cut, I/m "ust #oin# to chec, the house. Stay here with Amanda. =eep her warm.H I see her f ump $ac, down on the pi ow, her face $uried in Amanda/s hair, and she/s as eep $efore I eave the room with my ro$e around me. I chec, a round the house, everythin#/s 8uiet and eerie, and I a$sentDminded y try to put the ,ett e on $efore remem$erin# there/s no fuc,in# power. 7uc,i y, we have this porta$ e #as stove from when we had a campin# phase. I fire it up, fi the campin# ,ett e with water and read the de ivered paper whi e waitin# for it to $oi . I notice the c oc, a$ove the window. It/s on y 6am. 0n a Saturday mornin#. Fuc, it. I turn the itt e #as stove off and #o $ac, upstairs. Enterin# my room I see Amanda has turned over, so the #ir s are facin# each other. Their faces are mere inches apart and I wonder if they/re actua y awa,e. There/s no room $ehind my #ir friend so I wa , around the $ed and #et $ac, in where I had a ready $een $ehind Tasha. She stirs as I spoon up $ehind her, my hand stro,in# her hip as I move my hand over and onto her $e y. We ay there for a whi e when for some reason I move my hand a#ain, movin# down and stro,in# the inside of her thi#h. As my hand comes $ac, up I #ent y touch over the surface of her pussy mound. She inha es deep y and stretches her arms a$ove her head. GmmmM That/s nice..H She ha f turns towards me, her top e# strai#htenin# out so as my hand moves $ac, down, my fin#ers fo ow the contours of her pu$is and my fin#ertips find the top of her s it. She ma,es more a#reea$ e sounds and shifts her $ody a itt e more. She/s f at on her $ac, now so I move my hand so my midd e fin#er is ayin# a on# the en#th of her a$ia. I move it s ow y and su$t y, #ent y partin# the ips unti I fee contact with $oth her c itoris and the entrance of her va#ina. She opens her eyes s ow y and oo,s at me. GAornin#.H GAornin#.H GFee in# $etter<H I "ust nod, my head on the pi ow $eside her, ri#ht way up $ut sideways. We extend ips and ,iss. She oo,s at the cei in# and de i$erate y $reathes out. GCo heatin#<H GCo. We shou d stay in $ed unti the power comes $ac, on. 1ure y for surviva reasons.H She smi es. 1 aces her hand on mine and moves my fin#ers s ow y up and down her s it. ;er $reathin# #ets heavier so I duc, under the cover, raise her ni#htie over her $reasts and ta,e her ri#ht nipp e in my mouth, suc,in# #ent y. G?ou two don/t waste any $ oody time4H I "ump, Tasha says -ow/ as I nip her nip with my teeth. I come up for air and Amanda/s up on an e $ow, #ivin# me a stern oo,. I ean over and ,iss her, which she returns, $ut sti #ives me the oo,, a $eit with the faintest trace of a smi e. GSorry sweetie. Thou#ht you were as eep.H G/Sweetie/< @ea y<H She ays $ac, down heavi y on the pi ow, oo,in# at Tasha. I continue movin# my hand, Tasha/s $reathin# #ets deeper, and I fee Amanda/s hand on top of mine. The #ir s ,iss. Cothin# too strenuous for this time of the mornin#, p us they haven/t $rushed their teeth yet. I remove my hand and et Amanda #uide Tasha to a #ent e, ear yDmornin# or#asm. Ay hand "oins my #ir friend/s and we inter in, fin#ers over Tasha/s open va#ina, and we a fa as eep a#ain. I have no idea how much time has passed, $ut I/m awo,en $y a stran#e fee in# down $e ow. I oo, to my eft and I see Tasha, eanin# up on an e $ow i,e Amanda did ear ier, with a ,nowin# smi e. I can/t see Amanda $ut sudden y rea ise there/s pressure on my thi#hs and a suc,in# motion on my penis. 7iftin# up the duvet I see Amanda with my dic, in her mouth. She #ives a itt e wave and continues suc,in# and pumpin# as I put the duvet $ac, down. Tasha puts her face over mine and ,isses me deep y. I run my fin#ers throu#h Amanda/s hair, $ut as she/s sti sportin# the French p ait Tasha #ave her, it/s a itt e tric,y. Tasha/s $reathin# is #ettin# deep a#ain, I ift the covers a second time to see her wor,in# her pussy. We/re in the wron# position for me to ta,e over for her, so I whisper a su##estion to her. She seems re uctant at first, $ut then moves up the $ed, p aces her ,nee $eside my head, ifts her e#, and stradd es my face. I p ace my hands on her $um and #uide her down as her c it is owered down to my waitin# mouth. It/s mustier then $efore, pro$a$ y $ecause we haven/t $athed, $ut for me it/s a the sexier. I suc, and ic, her a#ain, her hips movin# with my movements. The warmth and pressure disappears from my dic,. I fee Amanda movin# on the $ed, out of si#ht as Tasha/s in the way, $ut then I fee a hand, and a#ain, warmth, and a fami iar ti#htness as Amanda s ow y ta,es me into her pussy. 7oo,in# up, I see hands ho din# Tasha/s $reasts that aren/t my sisters, I/m not sure the $ed can ta,e the movement as Tasha #yrates on my mouth, and Amanda $ounces up and down on my pe vis. Tasha comes first, I fee her "uices ea, onto my chin as she eans forward a#ainst the wa $ehind my $ed, her pussy 8uiverin# a#ainst my face. She s ow y ifts a e# and moves to one side to a ow me to see the # orious si#ht of Amanda ridin# me, her hands on my chest, her ,nees in the air and her feet $y my hips as she ifts herse f off me, then $ac, down a#ain. The si#ht tips me over the ed#e and I $uc, my hips a#ainst her pussy as I come hard inside her. She comes herse f immediate y after, and I can fee her va#ina pu satin#, s8ueeFin# the ast of the come out of me. Amanda fa s a#ainst me and I ho d her ti#ht y. Tasha/s sti $reathin# heavi y $ut #ra$s the duvet and $rin#s it up over the three of us. Cow we/ve a come, we/re $itter y aware of how co d the room is, so I shift Amanda onto one side, whi e sti inside her, and we ay there unti we a re#ain fu contro of our senses. Sad y, we don/t have time to fu y recover as someone presses the front door $e . We a adopt the same -huh</ expression and eap out of $ed. Amanda says -ew/ and dashes to the $athroom with her hand on her crotch. I thin, she/s ea,in# a#ain. Tasha runs into her room and I pu on some trousers and a shirt. As I descend the stairs the power comes $ac, on and there are various $eeps and e ectrica noises as our various #ad#ets power up a#ain. I reach the front door and can see two diminutive fi#ures at the doorstep. It/s Sarah and Bhristine, the #ir s from schoo who came to visit Tasha in hospita . G;i4H they/re excessive y chipper for this ear y in the mornin#. I chec, my watch. It/s not ear y. G;e o you two.H GIs Tasha home<H G?eah, we/ve hadM a $it of a ie in. 1ower went off so no a arms.H I oo, $ehind them, there/s a car in the driveway with a $ored oo,in# man $ehind the whee . 7oo,s a$out the same a#e as me. I hear footsteps $ehind me and the #ir s appear, fu y c othed. Amanda/s sti a itt e f ushed $ut it/s fadin# fast, she comes up to me and hu#s my side. GAmanda4 ?ou/re here too<H She ho ds me c oser, smi in# mischievous y at them. G?eah, s eepover.H The arriva s oo, to her, then to me, then to her, their mouths wide open. I cut in. G?es, a >I@7? s eepover, as in s eepin# in Tasha/s room, than, you.H Tasha steps up $eside me. Gso, what/s up<H GCothin#, "ust wondered if you fancied a itt e retai therapy< Ay sister/s "ust #ot a "o$ in that new @iver Is and in town and she said she can #et us ;+>E discounts. Bhristine $rother said he/ ta,e us there.H This o$vious y appea s to Tasha, who turns to me with an expression a,in to a chi d as,in# if they can #et a new puppy. GFine, mi#ht $e nice to have a $it of peace and 8uiet.H GAmanda, did you want to come too<H She oo,s into my eyes and I can see the teena#e conf ict #oin# on there. G?ou don/t mind< I cou d stay here with youM.H I ean down to her ear and whisper -mi#ht $e too o$vious, they don/t seem the discreet type/. We swap ears. ->ood point/. The #ir s disappear upstairs to #ra$ a few thin#s so I wander over to, I assume, Bhristine/s $rother. ;e #ets out as I approach. GTaxi duty<H G?eah, either that or face the wrath of my mother. I said I/d drop them off, $ut I have other p ans for ater. 9on/t $e surprised if you #et a phone ca this afternoon.H GCothin# new there then.H An increase in #i## in# hera ds the return of & teena#e #ir s with shoppin# in mind. Tasha #ives me a f eetin# pec,, $ut Amanda #oes for a 8uic, $um #ra$ and heavy sno#, which insti#ates much whisperin# $ehind hands from the new #ir s. They pi e in to the car and disappear from view. I spend a few minutes chec,in# a c oc,s and timers are correct after the power cut, and I/m wonderin# what to do with myse f when the phone rin#s. It/s the company I had the interview with yesterday. They want me to come in asap for a second interview. I as, is today soon enou#h, and I/m near y out the door when the phone rin#s a#ain. It/s dad. G;ow/s Tasha<H G0=, Amanda s ept over a#ain to ,eep her company.H G=ept Tasha company< 0r you<H GWe en"oyed each other/s company, it was 8uiet ni#ht actua y. @ed nose day.H GA#ain<H GI ,now. Anyway, how are you< And mum<H ;e si#hs. GWe/re #ood. She/s sti em$arrassed a$out what happened.H G?eah, me too.H G9on/t $e. From what Iaco$s has to d me you/ve done a #reat dea of #ood. I ,now what your mother can #et i,e. ?ou must have $een scared.H GTerrified. I mean, I ,now I/m stron#er than her, I didn/t want to end up hurtin# her if thin#s went $ad.H ;e "ust au#hs. G+n i,e y. @emem$er I to d you she put me in hospita < She $ro,e my wrist.H G@ea y< ;ow<H GBrute stren#th. She/s tiny, $ut it/s amaFin# what the $ody can do when the mind isn/t ri#ht.H 1ause. GI ta,e it you ,now what I did, to #et her out of it.H GI do, and that too, #uts, Son. Be ieve it or not, I/m very proud of you.H G?ou/re not pissed off at me<H GWhen I first heard, a itt e. But a ot of this therapy is oo,in# at the $i##er effects of our actions. 9on/t worry son. We sti ove you.H ;e hasn/t said that in a whi e. GI ove you dad,H ditto GI/d ove to ta , more, $ut I have a "o$ interview.H G@ea y< Cow< Where<H I te him. GWe , #ood uc,, we shou d $e home tomorrow ni#ht, a thin#s $ein# e8ua .H We say #ood$ye and I run out to the car. The second interview #oes incredi$ y we , and they more or ess #uarantee me the "o$, startin# Wednesday, which wor,s $ri iant y for me in case our parents aren/t $ac, when they say. I $are y have my foot in my front door when the phone rin#s yet a#ain. It/s Tasha. G;e o wonderfu $rother.H +hDoh.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GWhat<H GIs that anyway to spea, to your $a$y sister<H GBa$y sister who/s suc,ed my hu#e coc, on more than one occasion<H She #asps, #i## es, then whispers. GI cou d have had you on spea,erphone4H G>ood "o$ you didn/t, wonder ton#ue. What/s with a the p atitudes<H GWeDe . Seein# as our parents are away, and as Amanda/s a ready s eepin# overMH GSarah and Bhristine want to s eep over too.H GIs that o,< I said you wou d $e coo a$out it.H B oody he . & #i## y teena#ers in one house. ;avin# two is enou#h 2a thou#h they do come with frin#e $enefits3. G1 eeeeeeeeeease.H I ,now Tasha doesn/t have many s eepoverD eve friends at schoo , what with her $ein# so concentrated on her schoo Dwor,. G0,ay.H Shrie,in# on phone. GB+T, when you #uys #et home, we sha have some ru es to fo ow. 0=<H G?es -daddy/. 0h, spea,in# of -#ettin# home/MMH I roc, up at the desi#nated meetin# p ace, and the #ir s are easy to spot. They must have O or T ar#e storeD a$e ed $a#s each, and wave whatever they can when they see me pu up. 7uc,i y, I had the foresi#ht to c ear the $oot 2trun,3 $efore I eft the house. I do the chauffeur duty and oad the $a#s into the $ac, and the #ir s pi e in. Tasha #ets in the front and the others wrest e with the seat$e ts in the $ac,. I/m reminded of a pet shop that se s ca#ed $irds as the #ir s incessant y chatter a the way home. Tasha chips in every now and a#ain, $ut as I/ve mentioned $efore, she/s re ative y new to this -$ein# a #ir y #ir / stuff, $ut she/s not $ein# exc uded, and I hear invitations to parties and other socia #atherin#s $ein# thrown a$out. She can/t stop #rinnin#. I ,now she oves her studies $ut #ood #od does that #ir need a socia ife. Arrivin# home, the #ir s exit the car and traipse two $y two to the front door. G0I4H They turn $ac, to oo, at me. GScrew feminism, I/m an e8ua itarian4H and I ho d up a coup e of $a#s. They #et the hint and come $ac, to co ect their new $e on#in#s. Tasha #ives me a -don/t show me up in front of my new friends/ oo,. GAre you #oin# to $e i,e this a day<H I simp y #ive my $est and most charmin# smi e. G0h yes. ?es indeed.H The stern oo, is rep aced $y a cunnin# smi e. G>ood4H =iss on chee,, #oes off to "oin friends. The $a#s are dumped $y the front door. With on y a few ta,en into the front room so the #ir s can compare purchases. There/s much oohDin# and aahDin#. The noise eve s threaten to reach a certain pea, and I inter"ect. G7adies, if I may have your attention<H & sets of eyes oo, at me. GI/d i,e to set out a few ru es and re#u ations, if I may, $efore this evenin#/s festivities are to commence.H Sarah and Bhristine oo, confused, my #ir s "ust oo, amused. I theatrica y pace up and down the room. GWhi e I rea ise I am outnum$ered & to ) in the #ender sta,es, I must remind you I am the responsi$ e adu t, so what I say, #oes. GThere is to $e no excessive #i## in#, shrie,in#, or other weird noises you #ir s ma,e when you/re to#ether. GBedtime wi $e )(pm.H Faint whinin# noises Gthat is to say, that/s the time you are to retire to Tasha/s $edroom, what you do after then is up to you, $ut I must refer $ac, to ru e one. I have inf ated some campin# mattresses on the f oor and provided $ an,ets. Ar#ue amon#st yourse ves who s eeps where and who with. G9inner wi $e served as soon as I fi#ure out what we/re havin#, $ut I shou d announce I do a $itchin# macaroni cheese with fran,furters if anyone/s interested<H Sarah raises a hand, I point at her. G?es< B onde #ir with the frec, es.H B ush. G7actose into erant.H G>esundheit. See me in the ,itchen and we/ discuss food. Fina y, you are a $unch of )& year o d #ir s and I am an )6 year o d man. ;ave fun, $ut for the ove of #od, #o easy on me, p ease<H I thin, I did rather we at short notice, the #ir s seemed to en"oy it and I thin, I #ot $i#D$rother'$oyfriend points into the $ar#ain. Sarah "oins me in the ,itchen to oo, throu#h our food stoc, and pic,s out somethin# she can eat. GIf I/d ,nown we cou d have stopped off somewhere.H GCo, it/s o,, mum tried to raise me ve#an and it screwed with my system or somethin#.H She/s 8uite pretty, and easyD#oin# when you #et past the itD#ir crap. 1 us those frec, es are un$eara$ y cute. I #uess the co ar doesn/t match the cuffs. The evenin# #oes o,, they do indeed cut me some s ac,, and we spend a ot of the ni#ht watchin# romDcoms, $ut Bhristine -s more interested in the TE setup, which I devised myse f. GI/m doin# media studies, I want to #et into TE or radio so this stuff fascinates me.H We have a sma home cinema, nothin# more than a pro"ector and screen, a few cinema sty e seats and a poo ta$ e. 0ne of those pro"ects dad a ways wanted $ut never #ets the chance to use. 0nce Bhristine sees the ta$ e that/s it, and we end up p ayin# $est of J, which I win P "ust. I decide Sarah and Bhristine are worthy companions for Tasha. They exude overDconfidence, i,e most #ir s their a#e, $rash and $o shie, $ut #et past that, they/re a #ood coup e of ,ids. )(pm comes around and the #ir s are du y despatched to Tasha/s room. I ma,e sure my room is secure 2as is mother/s room and T;AT drawer3 and #o $ac, down to #et myse f a $eer, throw on the shitty 1B and have a $rowse whi e Iedi is on in the $ac,#round 29E9, not B uD@ay. 7ucas doesn/t ,now when to fuc,in# stop3. GBan I have one<H I turn to see Amanda there. In a ooseDtop and shorts 1I set. ;er $oo$s fi out the top to the point is shows off her $e y$utton, which I notice is pierced. I/d never noticed that $efore. GIs that new<H I point at the shiny $ar and she ifts her shirt. G?es, we had them done todayM oh.H GWe<H She $ ushes after sex, $ut this is a who e new shade of red. GTAS;A4H I stand at the $ottom of the stairs, she rushes to the top and oo,s down at me, concerned. GWhat< What/s the matter<H GBe y$utton. Cow4H She smi es and ifts her top. ?ep, pierced. G9on/t you i,e it<H Sarah "oins her and does the same. GWe a had them done. Ba it a $ondin# experience.H I stare at the $oth of them. Bhristine/s head appears over the $anister, she doesn/t show me hers, $ut I can #uess from her expression she/s sportin# too. I throw my hands up. GFine4 ?es, they oo, very nice, $ut I don/t ,now what mum and dad are #oin# to say. >o on, $ac, to $ed.H Amanda/s moved to the ,itchen, and has a $ott e of a#er in her hand. The cap/s sti on. G?ou shou dn/t rea y, at your a#e. Ai#ht ma,e you do somethin# si y.H GA ready done that.H I ta,e the $ott e, pop the cap and #ive it $ac,. She ta,es a swi# or two, or three, then I retrieve it. Cot sayin# a word we have a #ent e ,iss, me eanin# a#ainst her. ;er arm reaches around my $ac, and ho ds me unti I fee a stirrin#. I $rea, contact and strai#hten up. GCot toni#ht. Cot with those two here.H GCo, I ,now. I on y wanted to say #oodni#ht. They understand. 1 us, I wanted to #ive you these.H She reaches into her poc,et and pu s out a sma s8uare pac,a#e. GI mana#ed to #et some from Boots.H It/s a pac, of three condoms. I/m a itt e confused. GBut I thou#ht you were on the pi .H GI am, $ut Tasha isn/t.H I oo, at the $ox, I/m f attered she/s chosen a ar#er siFe. G7oo,, Tasha and IMH GTasha wants to have sex with you, $ut she thin,s you never wi $ecause you #rew up to#ether. And that/s awesome, $ut as much as she says it doesn/t matter, I thin, it does, $ut she oves you too much to te you.H GWe made these ru esMH GI ,now, $ut you made them when you thou#ht you were re ated. If you and me can have sex, so can you and her. There/s nothin# stoppin# you rea y, apart from the o$vious mora and e#a o$stac es, of course.H GThan,s for remindin# me.H She puts her arms around my nec,, I put mine around her waist. G9on/t worry, ya perv, if anyone as,s, we started it.H And she ,isses me. GWi you two stop sno##in#4 It/s $edtime4H comes the cry from upstairs. I 7et Amanda #o, pattin# her $um as she eaves. She turns, f ashes her am$ e $osom at me and darts $ac, upstairs. As mentioned $efore, I/ve on y had sex twice 2mum doesn/t count3, $oth times with Amanda, and she/s on the pi , so I unwrap the sma pac,et and pu out the eaf et they a ways enc ose inside. It/s fascinatin# stuff, for sure, $ut at east I ,now which way to ho d it $efore ro in#, 17+S, I now ,now to s8ueeFe the teat $efore ro in#, to prevent $urstin#. Cow I ,now why Batho ics hate contraception, they pro$a$ y can/t understand the instructions. I #ra$ another $eer and I/m watchin# a rerun of Top >ear on 9ave when I #et a text. -Turn on your TE/ -It IS on./ -?0+@ TE./ I #uess Tasha means the one in my room, so I s ow y wa , upstairs, I don/t need to $e 8uiet as they/re ma,in# enou#h noise anyway. I enter my room, turn on the TE, turn down the vo ume and ay on the $ed. So far, so nothin#, I f ic, throu#h the channe s and nothin# eaps out at me. Then I hit the itt e $utton the on remote that switches feeds. Tasha has $een very snea,y. The monitor we norma y use to chec, on Tommy, and the very one I used ear ier this wee, to he p mum, is now in Tasha/s room, It/s in a surreptitious p ace, o$vious y, as on my screen is & youn# adies in varyin# states of undress. I can see T $reasts and copious amounts of $are s,in fro ic,in# $efore me. 0nce I #et over the initia shoc,, I ay $ac, and en"oy the evenin#/s pro#rammin#. Bamera p acement was idea , as she/s put it at chest eve near the fu en#th mirror in the corner of the room. They appear to $e tryin# on and showin# off their new purchases, not $otherin# with underwear, I #et a #ood view every time they ta,e somethin# off. The two new #ir s are pretty we stac,ed. ;a fway $etween Tasha and Amanda. I/d say BD cup each, $oth with shiny, puffy nipp es. The on y person not top ess is Amanda, I thin, she/s #one shy a#ain, $ut after some coercion from the other *, she eventua y re eases them $ac, into the wi d. The fashion show ends, and they end up sittin# on their $eds ta ,in# a$out $oys and $oyfriends. Tasha te s them she/s sti sin# e, $ut soon Amanda is the centre of attention, and thus y, so am I. 7uc,i y she/s 8uic, on her feet, so when the o$vious -have you done it yet</ 8uestion pops up, she hand es it deft y. GCo4 0f course not4H GWe , have you seen it<H GWe , once, $y accident. I wa ,ed in on him when he/d "ust had a shower.H GAnd<H GAnd what<H GWhat/s it i,e<H But Tasha cuts in. GIt/s pretty $i#.H Three shoc,ed faces stare at her. GWhat< We sometimes s eep in his $ed, and it/s pretty hard not to notice somethin# that $i# "a$$in# you in the thi#h.H GButM he/s your $rother4H GActua yM.H And she comes c ean, te in# the story of how our fami ies came to#ether. She puts a sad spin on it, and the #ir s are cryin# soft y $y the end. Bhristine is the first to spea,. GSo, he/s not your $rother, and your parents don/t mind you s eepin# in the same $ed<H GCo, they/re pretty coo a$out it. We/re not re ated $ut we #rew up to#ether, so we see each other as $rother and sister anyway.H The conversation continues over various su$"ects. It/s odd spyin# on & top ess chic,s ta ,in# $o oc,s and doin# each other/s hair. Tasha ,eeps # ancin# over to the camera and smi in#. Eventua y truth or dare is su##ested, so potentia for sauciness

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

increases, $ut it starts soft. Ta ,in# a$out $oys, a#ain, and how far they/ve #one. Baro ine hasn/t seen one, $ut Sarah/s he d one. 1hysica dares start. The hi#h i#hts $ein# Tasha and Amanda ,issin# and #ettin# carried away, p us Baro ine runnin# into my room fu y na,ed 2I saw her comin# so turned off the TE3, $a$$ in# somethin# incoherent and dashin# out a#ain. Cot on# after this they fina y put their ni#ht dresses on and turn out the i#ht. 7uc,i y the camera has ni#ht vision, $ut it seems the #ir s are actua y turnin# in, so I #o $ac, downstairs, turn everythin# off and #o to $ed myse f. A$out %am, I hear footsteps. I/m not norma y a i#ht s eeper, $ut havin# & #ir s in the house has pro$a$ y hei#htened my senses. I hear my door open, $ut as the snea,in# person hasn/t come strai#ht to the $ed, I can on y #uess it/s one of our #uests. They/re very 8uiet, so it/s a itt e shoc, when I fee the side of my duvet ift and a hand snea,in# its way towards me. It/s a very #ent e touch as fin#ers find my dic, over my $oxers and a hand #ives me a #ent e s8ueeFe. GIt IS $i#4H 0h Bhrist, there/s two of them. Another hand "oins the first, and I fee the second ta,e over from the first. Catura y nature ta,es over, and I et them experience a fu erection. @oom enou#h for two hands. Eventua y I shift in my $ed, they remove their hands 8uic, y, and they 8uiet y eave the room. Sunday )J'*')* I/m the first up, than,fu y no power cuts in the ni#ht, and the #ir s come down not on# after. I #ive Sarah and Bhristine a cheery -#ood mornin#/, $ut they don/t seem to $e a$ e to ma,e eye contact with me, for some reason. They have $rea,fast, a phone ca is made and their chariot arrives to ta,e them away, hu#s and chee,s pec,ed, and they/re off. The remainin# #ir s immediate y dash around the house c osin# a the curtains and $ inds, then strip down to their ,nic,ers. GWhat are you doin#<H GWe wanted to do this yesterday, $ut those two showed up so we cou dn/t.H GThat/s o,, I #ot an eyefu ast ni#ht on my TE. Eery c ever.H I assume Tasha/s to d Amanda as she/s not shoc,ed. 0dd y enou#h, the #ir s "ust seem to $e en"oyin# the i$erty that comes with stro in# around top ess, and they simp y #et on with their homewor,, which is fran, y $iFarre. 0nce they/re done 2doesn/t ta,e on#3 Amanda comes over and "oins me on the sofa. She sits on my ap facin# me, #ra$s my hands and p aces them on her $oo$s. We "ust sit there, her hands movin# mine. G9o you thin, they/re too $i#<H I move my hands and stare at the ar#e, pa e nipp es. GCo, we , as on# as they don/t start fuc,in# up your $ac, they/re fine.H I sit up and ta,e a nipp e into my mouth, suc,in# #ent y, She #ives a soft moan and stro,es the $ac, of my head. Tasha comes over to "oin us, and atches onto the other nipp e. We sit there for a whi e $efore Tasha and I sit $ac,, face each other and ,iss. GSo, what/s the p an for the rest of the day< Am I ta,in# you home<H Ay hands $ac, on her $reasts. GActua y, mum/s comin# to pic, me up inM crap4H She stares at the c oc,, sees the time and eaps off me. GShe/ $e here in )( minutes4H So we a rush around #ettin# her c othes to#ether, she throws them on, then they rush upstairs to #et her thin#s and they come $ac, down "ust as I hear whee s on the driveway. Tasha ,isses her #ood$ye, out of si#ht as it/s not the ,ids of ,iss you want a mother to see. I say my nonDver$a farewe , with associated $odyDpart #ra$$in# and it/s "ust me and Tasha eft in the house. She "oins her hands $ehind my nec,, I put my hands under her $um and ift her up, supportin# her wei#ht as I ta,e her upstairs, ,issin# a the way into my $edroom. 7ayin# on my $ed we oo, at each other, not sayin# a word as we carry on ,issin#, pausin# on y to remove each other/s c othin#. Before on# we/re $oth na,ed, under the covers. We indu #e in a itt e forep ay, I #o down on her, she #oes down on me. I ,iss her a over her $ody, concentratin# on her nipp es $efore movin# up to her nec,. I reach over for the itt e pac,et Amanda #ave me ast ni#ht and I show a foi wrapper to her. She smi es and nods, $ut ta,es the wrapper off me. F ippin# me onto my $ac, she opens the pac,, and with a itt e #uidance, she ro s it down the en#th of my dic,. I/ve heard puttin# one on can $e a rea passionD,i er, $ut it appears we/ve found a way to ma,e the experience more erotic, apart from the sme . I turn her onto her $ac, and she ifts her ,nees. I p ace the tip at the entrance of her pussy and oo, into her eyes, which she c oses as I #ent y enter her. She/s ti#hter than Amanda was, so I #ive #ent e pushes, her e#s risin# hi#her with each push unti her an, es cross $ehind my $ac,. S ow y $ut sure y I enter her comp ete y, and I ay there inside her, ettin# her #et used to me. A ,iss te s me she/s ready, so we start movin# to#ether. There are no fancy positions, there are no porn noises, we/re "ust yin# there, in the missionary position, ma,in# ove, and it/s awesome. The condom spoi s the sensation somewhat, $ut I fee her va#ina oosenin# and u$ricatin#, and $efore on# she comes as my passion turns to s i#ht a##ression, and I thump my pe vis a#ainst hers, as she ho ds me c ose y with every thrust. I pu her up whi e sti inside her and she sits on me, ta,in# contro and movin# up and down on my dic,. She parts from me s i#ht y, and I #et the wonderfu si#ht of her tiny frame, her sma $reasts with her tiny nipp es, her hair ess mound stretched apart $y my thro$$in# penis, and her we defined $e y, her musc es actua y visi$ e as she tenses her entire $ody as she rides me, her face a mixture of pain and p easure as I fina y succum$, thrustin# up into her and we ho d each other as c ose as we can as she moans oud y, as do I, as we $oth or#asm to#ether, a sweatin#, 8uiverin# mass. Breathin# heavi y, we ho d each other for what seems i,e an a#e, $efore she te s me she oves me. I te her the same, and I rea y mean it this time. 0ur parents aren/t home unti toni#ht 2un ess we hear different y3 and we ma,e ove twice more durin# the day. So, dear reader, that was a few hours a#o, and I find myse f in the same position I was when I first startin# te in# you a$out my sexy itt e sister. I/m at the crappy 1B downstairs, Tasha/s on the sofa drin,in# tea and watchin# Sa t 2Io ie f ic,3. We have no idea what/s #oin# to happen with us. There/s no reason we can/t e#a y #et to#ether 2once she/s e#a , that is3, $ut I a so ove Amanda. I start my new "o$ Wednesday, and that means not so much time at home. Tasha and Amanda start university in a coup e of years, and there/s a chance they mi#ht meet someone e se whi e they/re there. I can/t $e #reedy, at one point I have to et one, or $oth of them #o, $ut for now we/re "ust en"oyin# what we have. As on# as we/re carefu , and discreet. I have to ma,e sure I destroy any evidence of condomDuse, as it/s pu$ ic ,now ed#e my #ir friend is on y )&, and they wou d $e difficu t 8uestions to answer. I start a new "o$ on Wednesday, which invo ves trave in# 2Bar sa es rep3 so opportunities for fun wi $e imited. We I/m out. I thin, our parents are $ac,. Tasha's in $ed, Aum and dad 2and Tommy3 are home. The wee,end went we . for a of us Wednesday P Friday %(D%%'*')* The first few days of wor, were interestin#, one of the first thin#s I had to do was drive a XJ 2Audi &x&3 to Bristo , the drive a XO $ac,. Cice cars, $ut what I seemed i,e a point ess exercise was actua y a test of my drivin# efficiency s,i s. Seems I passed. Cext few days were spent shadowin# the other sa es reps and pic,in# up pointers. It/s crushin# y du , $ut apparent y the thri of a sa e is reward enou#h. ;o d me $ac,. Saturday %*'*')* That said, standin# around a day doin# very itt e is very tirin#, so I was a itt e surprised I comp ete y s ept throu#h my annoyin# a arm, and was on y awo,en $y the sensation of a itt e woman massa#in# my #enita ia. GAornin# SisH GAornin# $ruvH GWhat are you doin#<H G1 ayin#H GI thou#ht we were $ac,in# off<H G?eah, so did I. It/s near y )) and you weren/t up so I thou#ht I/d #ive you an a arm ca .H GThat/s very sweet of you.H 7itt e ,iss on the forehead, she turns her face up to mine and proper ,issin# ensues. Ay hands start roamin# and I find her itt e $reast under her vest. The ,issin# and ru$$in# 2from $oth parties3 #ets more intense and I shift my $ody down the $ed s i#ht y, my hand eavin# her $oo$ and movin# down her side. I #ive her $um a s8ueeFe, $ut as I move my hand around the front and start to s ip my fin#ers into the waist$and of her ,nic,ers, she #ent y #ra$s my wrist. GBetter notH GWhy not<H But she simp y raises her eye$rows. GAhH G?eah, wee, off. Sorry.H So I resume with the ,issin# and nipp e p ay, and she with the penisDmassa#in# 2she/s #ettin# very #ood3, and thin#s are #ettin# 8uite frenetic when the $ oody phone rin#s downstairs. She opens her eyes, we part ips and she si#hs. GI/d $etter #et that.H GAum and dad<H GWith Iaco$s 2mum's therapist3, "ust for today.H So she darts out of $ed, I "ust have time to see her pu down the $ac, of her ,nic,ers to show me a cute itt e chee, $efore I hear her char#in# down the stairs. I hear a mum$ ed conversation as I dra# my $ody ,ic,in# and screamin# out of $ed. Sad y, somethin# e se has wo,en up so I/m $urdened with a ra#in# erection #ettin# in the way as I #o throu#h my drawers to pic, out some c othes. Tasha ca s me from downstairs. GIt/s Amanda. She wants to ,now what you/re up to today.H I move to the top of the stairs, sti na,ed, $oner proud. She spots it and au#hs. GMapart from that.H G9idn/t have any p ans, was #oin# to finish some paperwor, and oo, at some apartments, $ut it/s not ur#ent. I was #oin# to ca her anyway, why didn/t she ca my phone<H Tasha ta ,s into the phone, then oo,s $ac, up at myM at me. G1hone/s dead, for#ot to char#e it overni#ht.H GWe , if she/s free, I can pic, her up in an hour and we/ ma,e it up from there<H Tasha re ays the messa#e and rep aces the receiver with a smi e. GShe/ $e ready for you.H She starts $ac, up the stairs towards me. GBut it doesn/t ta,e you an hour to #et ready.H G?eah, I ,now.H 7uc,i y, she #ets my true intentions and removes her vest top as she c im$s the stairs, #ra$s my dic, as she passes me and pu s me $ac, into my room, ays me on the $ed and sett e $etween my e#s as she resumes stro,in# me, $efore #ettin# up on her e $ows and owerin# her mouth onto my penis. ;er method is much improved, and whi e the $o$$in# movement is awesome, at times she stops movin# her head, and "ust suc,s and massa#es the tip with her ton#ue, in fact it/s so effective it/s on y a few minutes $efore I #ra$ the sides of her head and move them with her movement, unti I e"acu ate with force into her mouth. She cou#hs s i#ht y, $ut #ives a coup e more suc,s $efore swa owin# noisi y. Fina y #ettin# off me she sits up on her feet, itt e nipp es proud of her $oo$s, and "ust oo,s at me whi e stro,in# my thi#hs. G?ou/re #ettin# $ oody #ood at that.H She smi es proud y, i,e she/s "ust #ot praised $y her music tutor. GThan,s. I/m #ettin# used to the taste now, it/s not $ad once you #et used to it.H 2This from someone sti at schoo 3. She shifts up and sits on my $e y, so I can easi y reach her tits. I massa#e them #ent y, I suppose she wants what she can #et in spite of her $io o#ica unfortunateness. GSo, what are you #oin# to do with Amanda today<H I "ust shru#. GCo idea, are you comin# too<H She puts her hands on mine. GI wou d, $ut I/ve #ot a shit oad of homewor, to do. Anyway, I/ve had you to myse f a wee,, it/s on y fair Amanda #ets some 8ua ity time with you. We can a do somethin# tomorrow.H GBow in#<H ;eadDsha,e. GBinema<H Cope. GSwimmin#<H ponderin#.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GBan do, $ut I/ve sti #ot the dressin# on my head, so I won/t $e a$ e to do much.H I te her we/ sort it out ater, sit up and #ive her a hu#. =issin# her chest as I stro,e her $ac,. We have another 8uic, ,iss 2no ton#ues, I ,now where her mouth/s "ust $een3 and I fina y #et dressed $efore #oin# downstairs to #ra$ somethin# to eat and a coffee. I actua y fee i,e I/m sayin# #ood$ye to a wife as Tasha ,isses me on the doorstep $efore I head out to pic, up my #ir friend. Amanda runs out to the car $efore I/ve even app ied the hand$ra,e. ;er mum waves at me as I fina y stop, I wave $ac,. We/ve $een on #ood terms since I he ped her a coup e of wee,s a#o, which a ways he ps when there/s a possi$i ity I mi#ht "ust $e #ettin# inappropriate with her dau#hter. Amanda "umps in the car and we/re off. GCo Tasha<H GCo, she/s #ot homewor, and rec,ons we need some private time.H G0h, o,. That was sweet of her.H She pu s her phone out of her poc,et, o$vious y char#ed and taps the screen with such rapidity she cou d easi y $e sendin# a distress si#na in Aorse code. We sit in si ence with her hand on my e# $efore she 8uic, y turns to me with a shoc,ed expression. GCo wonder she wasn/t $othered a$out comin# out today, sounds i,e she/s #ot her dose this mornin#.H GI cou dn/t he p it, she overpowered me.H She s aps my e# $ut smi es. G0h we , we/ "ust have to waste a ot of time so you can $ui d up for another #o.H She o$vious y sees somethin# in my expression and her smi e fa ters. We had a#reed to ta,e it easy in the sexy department, pure y $ecause of the shit storm that wou d ensue if we were ever found out. But I can see why she wou d $e upset if I reiterated our a#reement, especia y considerin# my sister had my coc, in her mouth this mornin#. I reach across and stro,e her e#, she/s #ot a short denim s,irt on so I move my hand up her thi#h and under the hem, my itt e fin#er $rushin# her ,nic,ers as I oo, at her and smi e. This cheers her up considera$ y. I do intend to ay off the sexiness, $ut at the moment, it seems to $e two a#ainst one. 0ur day to#ether was actua y pretty coo , han#in# around town window shoppin#, then $ac, across town to have unch in a Fran,ie and Benny/s, which happens to $e ri#ht near the cinema, so we s ip in and watch We come to the 1unch. It/s a )O, $ut #iven her expansive $ust siFe, she easi y #ets in. Bac, seat, of course. @ear corner, p enty of shadows. There/s a itt e fum$ in# fun, $ut the movie/s pretty $ oody #ood, so despite a norma expectations, we actua y sit down and watch the movie. I have my hand in her ,nic,ers for most of it, and I put my "ac,et over my ap so she can have a p ay. Aovie over, we/re considerin# our next move. Amanda/s fami y has re atives over, so she isn/t s eepin# at ours, and there/s no room for Tasha to s eep at hers. We come to the rather me ancho y rea isation that today has "ust $een a pretty awesome date $ut without sexua conse8uence. I don/t thin, havin# a 8uic,ie in some dar, corner is appropriate for her, and I wou dn/t contemp ate su$"ectin# her to it anyway. I ta,e her home, and we sit in the car for ha f an hour ,issin# and ta ,in#. I su##est swimmin# tomorrow 2with Tasha3 and she $ri#htens up. GAwesome4 I/ve #ot a new swimmin# cossie I/ve $een dyin# to show off4H So we depart on a hi#h note. I #et home and our parents are $ac,, they/ve had a productive day, which is made evident $y mum #ivin# me a so id hu# and maintainin# p enty of eye contact for the rest of the evenin#. I ta,e dad to one side and as, him how it -actua y/ went. ;e assures me that whi e there/s no point in hopin# she/s comp ete y cured, her pro#ress since the -incident/ has $een remar,a$ e. I/m a$out to apo o#ise a#ain for s ippin# my dic, in his wife 2in not so many words3 $ut he cuts me off, #ives me a man y sideDhu# and than,s me a#ain. I/m sti not sure I deserve it, $ut I/ ta,e it anyway. Tasha actua y had 8uite a $it of homewor,, so I pop up into my room to find her on my 1B, roc,in# * screens at once a#ain. Ay timin# must $e impecca$ e, as she #ives a the si#ns of havin# "ust finished as I enter. GA done<H GIust. ;ow was your day<H GCot $ad, had a #ood time actua y.H So I re ate the events of the day, inc udin# the cinema antics. GAndM.<H GAnd nothin#, sad y. We didn/t rea y have the opportunity to share some rea y private time.H She oo,s crestfa en. G9on/t worry, she wants to come swimmin# with us tomorrow. She says she/s #ot a new swimmin# costume to show off.H This cheers her up no end. GI ,now4 I he ped her choose it. I can/t wait to see her in it. I #ot a new one myse f, you/re #oin# to ove it4H G;ow a$out you show it off now<H I/m surprised she actua y $ ushes. GCo, it/ have to wait, I want Amanda to see it too.H So it/s a set for tomorrow, she pac,s up her stuff, and I can see in her eyes she/s actua y ,nac,ered. She pops into the $athroom to rearran#e her feminine products and comes $ac, out in a simp e ni#htie. She comes over to #ive me a pro on#ed ,iss #oodni#ht. It/s on y a$out Wpm so I #o $ac, downstairs for an hour or two, and chec, on her $efore retirin# myse f. She/s fa en as eep whi e readin# a $ oody $oo,, so I mar, the pa#e, c ose the $oo,, remove her # asses, ,iss her on the forehead, and for #ood measure, ift her ni#htie and #ent y suc, her nipp es $efore tuc,in# her in for the ni#ht. Sunday %&'*')* Thursday %6'*')* 0ur oca swimmin# poo 'sports ha had a ma"or refit a coup e of years a#o, and now a the chan#in# cu$ic es are a in the same area. Co se#re#ation of sexes, the centre is 8uite fami y oriented so the mana#ement decided it eant to a $etter environment. What it ABT+A77? ed to was tonnes of soa,in# wet, freeFin# co d "ai D$ait wa ,in# around in s,impy $i,inis within reach of hormona teena#e $oys stru## in# to hide their $oners, and midd eDa#ed fathers doin# the same. 0ne other thin# that has happened recent y due to the advent of camera phones is itt e peepin# toms reachin# under doors and over wa s to ta,e pictures of youn# adies in various states of undress. To this end, there are cameras in strate#ic positions on the cei in#. Cot oo,in# in the cu$ic es $ut every corridor in the maFe of Formica wa s is covered. Thursday $ou#ht with it an unexpected treat. Aost schoo s in the += c ose on Friday 2>ood Friday3 and then they/re shut for two wee,s for ha f term. Amanda and her fami y were #oin# on a campin# ho iday for the first wee,, so when she turned up at the door on Thursday evenin#, I was expectin# an emotiona farewe 2you ,now what #ir s can $e i,e3 $ut what I wasn/t expectin# was her fami y $ein# with her. For some reason, now that Amanda and I are officia y an item, my mum thou#ht it wou d $e a sp endid idea to invite the who e fami y over for dinner $efore they eft the next day. So whi e Amanda hun# with me and Tasha for most of the evenin#, her itt e $rother was a so in tow, and $ein# in the presence We arrive and head towards the chan#in# area. The #ir s ta,e a fami y cu$ic e and I #et chan#ed on my own. Steppin# out the #ir s are standin# next to each other oo,in# incredi$ e in their outfits. Tasha/s wearin# a cute as he 2$ut incredi$ y hot3 paste $ ue and white striped $i,ini, and whi e Amanda has chosen a monochrome one piece, it/s sti f atterin# and ho ds her fi#ure very we . Both #ir s are #ettin# p enty of admirin# oo,s, and they seem to $e re ishin# the attention. 7oc,ers are paid for and ,eys strapped to an, es we dive in, Tasha ta,in# it easy due to her crania dressin#. We/re a pretty #ood swimmers, so we a parta,e in a few aps of the ar#er poo , $efore movin# to the sma er, $usier, $ut warmer fami y poo . The desi#ners crammed in as many features as possi$ e, so there are s ides, fountains, IacuFFi's and this wave channe with itt e cu$$ies to han# out in. We a cram into one and sit on the $ench, ho din# hands and e#s. Bonversation is sma and point ess as we a indu #e in some su$Da8uatic #ropin#. The surface of the water is a ways ripp in# so you can/t see what/s #oin# on under water, which is handy as $efore on# I have two hands on my dic,, my ri#ht hand massa#in# Amanda/s pussy and the other on Tasha/s $um. 0n y Amanda can have pu$ ic ,isses $ut I snea, in a coup e with Tasha when the coast is c ear. Amanda even attempts an underwater $ ow "o$ $ut near y drowns after #ettin# carried away. Cot exact y the idea circumstances for ife#uard intervention. So funDfi ed fidd in# aside, we decide to #et out. I ta,e my time so the coo water can shrin, my erection. I fo ow the #ir s out and ose myse f starin# at their cute $ac,sides as they "i## e s i#ht y, the #ir s ha fD"o##in# on the co d ti ed f oor. They disappear into their cu$ic e, exitin# one at a time to ta,e shampoo to the showers to wash out the ch orine. I haven/t emptied my oc,er yet so I "ust stand under the shower for a few minutes. It/s pretty warm so I "ust stand there, re axin#. Their cu$ic e door opens and Tasha exits, wa ,in# over and standin# under the shower next to me. G?ou/ve #ot O minutesH she whispers. GSorry<H GAmanda/s na,ed, and she wants you in there with her.H GBut there are cameras everywhere.H GThey/re dummies. 0ur 1E teacher to d us. The refit cost so much the cameras were eft out.H I oo, over at their cu$ic e and can "ust ma,e out Amanda peerin# out at me. I #ive Tasha/s $um a pinch and wa , over, pausin# "ust outside the door to ma,e sure I/m not noticed, then s ip inside. She is, indeed, wonderfu y na,ed, and drippin# wet. 0ur faces meet in a frenFy of ton#ues, I pic, her up under her arms and she wraps her im$s around me, I ho d her $um and move a hand around and under, po,in# a fin#er inside her va#ina, s idin# sideways a on# her s it, concentratin# on her c itoris, her $reathin# $ecomes heavier as I fee her tensin# up, my penis strainin# a#ainst my trun,s. She re eases her arms and e#s and #ets off me, pu s my dic, out of my trun,s, #ets on her ,nees and ta,es me in her mouth. I rest my $ac, a#ainst the wa , expectin# her to finish me off, $ut she stops, #ets up, turns around and ,nee s on the sma $ench. She #estures me to come up $ehind her and as she/s s i#ht y raised, she/s the idea hei#ht for her to reach throu#h her e#s, and #uide me into her pussy from $ehind. It/s a comp ete y different sensation, and I can fee the front of her va#ina wa stimu atin# the $ase of my coc, as I pu her up and ho d her as I thrust into her, the stimu ation wor,in# wonders as I massa#e her c it and nipp es, and it/s not on# $efore we $oth come to#ether, ho din# $ac, our ye s of ecstasy, instead ma,in# weird huffin# noises throu#h our noses. We spend a moment standin# sti , $efore Amanda reaches into her $a# and #ra$s a sma wad of tissues. G0=, now.H I pu out and her hand snaps into p ace. She #ets off the $ench, turns around and ,isses me. Tasha must have $een waitin# outside as there/s a tap on the door fo owed $y a whisper. GCow4H I put my softenin# dic, $ac, in my trun,s and s ip out, pausin# on y to ,iss Tasha 8uic, y, I #ra$ her $oo$ and she ho ds my sensitive dic, $efore I rush to my oc,er to retrieve my thin#s. I #uess I/m not comp ete y re axed as I #et a few appraisin# oo,s from some aforementioned specimens of soa,in# wet "ai D$ait $efore divin# into an empty cu$ic e and co apsin# on the $ench. Those #ir s rea y are #oin# to $e the death of me. Cot on# after we/re a presenta$ e and decent, and I #uess the dummy camera thin# is true as the mem$ers of staff don/t #ive us a second oo, as we han# around in the cafV for a #ood ha f an hour #ra$$in# a $ite to eat $efore headin# home. Amanda comes home with us and we "ust chi out to#ether unti it/s hometime. A#ain, Tasha ta#s a on# with us and we stop off in our ayD$y to say a more persona #ood$ye. This time it/s my turn to $e oo,out as Tasha and Amanda indu #e in some serious heavy pettin#. Amanda #ets the ion/s share due to the time of the month, and after some repositionin# of the seats, she comes a#ain than,s to some nifty di#ita manipu ation from Tasha. I/ve $een stro,in# myse f in the driver/s seat and when Amanda/s sittin# up a#ain, she eans over and finishes me off, near y in"urin# herse f on the steerin# whee in the process. Wasn't that much more to say. I'm wor,in# a wee,, so no chance of executive re ief. ;owever, it's Easter this Friday, and their schoo c oses for two wee,s, sad y, I thin, Amanda is #oin# on a campin# ho iday with her fami y. Amanda is my officia #ir friend, $ut she's unofficia y Tasha's #ir friend too. They $oth appreciate the fema e form, and they disp ay that appreciation in a physica way.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

of parenta units had a touch of the aw,wards, $ut they spent a ni#ht ta ,in# $o oc,s with mum and dad. We/d disappeared up to my room, and I threw a 9isney f ic, on the TE whi e we a oun#ed around, fu y aware that nothin#s happenin# toni#ht, so we ta , schoo , ho idays, the #ir s ta , a$out c othes, a the whi e itt e 9avid is transfixed at Bo t. Cot my favourite fi m 2Se in# a cartoon on the voice ta ent shows insecurity on the part of the producers3, $ut it ,eeps the s8uirt occupied whi e we three cudd e on the $ed. Eventua y we hear a ca from downstairs. We/re expectin# it/s time to #o so it/s a surprise to see Amanda/s parents sti casua y sittin# in the front room. ;er dad oo,s a itt e sheepish so her mum spea,s first. As soon as she opens her mouth I ,now what/s comin#. GWe/ve $een a itt e si y on the wine, so your dad can/t drive home. ?our mum and dad have said we can s eep over $efore we head off tomorrow, $ut we need to decide who/s s eepin# where.H Aum and dad aren/t comp ete y shitfaced, $ut they/re ha f cut at $est. 9ad rec,ons Amanda/s parents can s eep in Tasha/s room 2c eaner, tidier, dou$ e $ed3, Tommy/s cot can #o in with our parents, and 9avid can s eep on the sofa $ed in Tommy/s room. That "ust eaves us three. I can fee Tasha vi$ratin# with excitement $eside me, $ut her face hides it we . GWe , as on# as I s eep in the midd e, we/ a crash in my $rothers $ed.H This raises ei#ht eye$rows. G9on/t worry, I/ $e a human $o ster. And I/m a i#ht s eeper, so I can ma,e sure these two oveD$irds ,eep their hands to themse ves.H 0$vious y Amanda/s parents aren/t too sure, $ut surprisin# y dad chips in and vouches for my inte#rity 2for a second I fear he mi#ht $ a$ we/ve a s ept in the same $ed at east once3, p us he promises to thrash me to within an inch of my ife shou d any han,yD pan,y happen. Sti indecision, $ut Tasha says -one second/ and hurt es upstairs. She comes crashin# down a few seconds ater ho din# a sma si ver #ad#et with a camera insta ed. It/s the chi d monitor we use to ,eep ta$s on Tommy. G;ere, we/ #ive you the receiver and you can chec, on us any time. 1oint ess rea y $ecause I/m dead tired.H They/re sti wary, $ut I/ve $ui t up a trustworthy persona with her mum, and it/s a#reed. Beds are made, monitors are set up, assurances reiterated and the $oys are the first to $e put to $ed. An hour ater the #ir s say #oodni#ht, and I see them disappear up the stairs, me actin# a #ent eman y and a owin# them to #et chan#ed in sec usion. I stay up, ta ,in# a$out my new "o$ and prospective apartments, and actua y havin# a pretty #ood time. Eventua y, we a decide to turn in. I et them #o up as they/re in worse condition than $efore, and I stay down c earin# away # asses and snac, p ates, turnin# off i#hts $efore comin# upstairs myse f. Amanda/s dad is standin# at the top of the stairs, with a concerned oo, on his face. GAy wife/s to d me you/re a very trustworthy youn# man. I ,now we/ve never rea y met, $ut I wanted you to ,now Amanda/s sti our $a$y #ir , and we don/t wantMH It/s the drin, ta ,in#, $ut I cut him off anyway. G?ou/ve nothin# to worry a$out, ?ou have my word I have no intentions toni#ht apart from s eepin#.H ;e thin,s for a moment, nods s ow y, pats me on the shou der and sta##ers off to Tasha/s room. Amanda/s mum comes out of the $athroom and I notice for the first time where my #ir friend #ets her amp e $osom from. She seems to have removed her $ra and I can ma,e out the definition of her ar#e nipp es under her tDshirt. I don/t stare. G;ow are the #ir s<H I shru# and open my door a crac,. Ay duvet is pu ed a the way up and you can "ust see the tops of their heads, and the sound of deep $reathin#. G>ood, that means I can #et a #ood ni#ht/s s eep.H She smi es, ho ds my upper arm for a second than wa ,s unsteadi y to her room. ?ou never #et used to seein# your parents drun,, and it/s weirder seein# parents of friends tipsy as we . For the oo, of the thin#, I chan#e into my 1Is in the $athroom, turn off the i#ht and enter my room. As I put my c othes in the aundry $as,et I notice the monitor in the corner of the room. It/s a sacrifice I suppose, $ut as I s ip 8uiet y under the duvet I have to stif e a ye of surprise when a hand 8uic, y and de i$erate y s ips into my $oxers and the fin#ers wrap around my dic,. It ta,es a whi e for my eyes to ad"ust, $ut in the dim moon i#ht throu#h the curtains I can ma,e out Tasha/s eyes starin# at me. She doesn/t "er, me off, $ut instead massa#es and ,neads the shaft, conscious that any movement or sound wou d $e pic,ed up $y the camera sittin# on my $oo,she f. I ift my head s i#ht y and can see Amanda/s eyes $ehind her. 7ayin# on my $ac, I reach my arm down across the mattress and find Tasha/s pussy, on y to find it a ready occupied $y Amanda/s hand, two fin#ers inside my sister. Cow I rea ise the heavy $reathin# ear ier wasn/t a si#n of deep s eep #oin# on. So as I/m there I concentrate on her c itoris, as her hand continues to s8ueeFe me, a the whi e tryin# to ,eep as sti as possi$ e. I can fee Amanda/s hand movin# furious y a few centimetres from my fin#ers, and Tasha/s or#asm comes hard, s8ueeFin# my fin#ers and crushin# Amanda/s hand with an audi$ e -ow/ as she c amps her thi#hs to#ether, her $ody so id as she tries to contain her convu sions, ho din# onto my dic, for dear ife. >iven the aw,wardness of our situation, that appears to $e it for the evenin#. The #ir s sett e down into the mattress, a thou#h Tasha doesn/t et #o of me, and they $oth say -I ove you/, I return the sentiment, with Tasha sti ho din# my dic, as mine and Amanda/s fin#ers intertwine over my sister/s pussy, stro,in# it to#ether unti we a fa as eep. Friday %W'*')* Friday mornin#, It/s a few minutes after my a arm #oes off that I rea ise I/ve sti #ot wor, today. Tasha/s hand is sti ho din# my dic,, so I s ide my f accid mem$er out of her #rip and #et out of $ed. I hear movement and voices in the house so put on my $athro$e and head downstairs. The adu ts are a there, oo,in# $ earyDeyed and very hun# over. Sheepish #rins and stron# coffee a round. GEveryone s eep o,<H The men #ive ha fDhearted nods $ut the adies au#h. GWe , I hope you/ve a earnt the error of your ways.H I start ma,in# myse f a tea. G;ow are the #ir s<H This was Amanda/s mum. GThey/re fine, sti as eep I thin,. I/m off to wor, in a minute so I eft them to it.H GWere you a o, in the same $ed< There was a ot of movin# around after you #ot in.H Shit. G?eah, that was pro$a$ y me, I fid#et for a#es $efore droppin# off.H GFair enou#h. We/re headin# off ourse ves so Amanda needs to #et up anyway.H I finish ma,in# my tea. G0,, I/ #o rouse the troops $efore I #ra$ a shower.H I dash upstairs and Tasha "ust opens her eyes as I enter my room. I reach for the monitor and turn it off. 1uttin# my cup on the $edside ta$ e I reach over and #ive her a #ood mornin# ,iss. GAornin#. Amanda needs to #et up.H She stretches, turns to Amanda and ,isses her on the ips unti she responds. GAmmm.. what time is it<H GTime for you to #et up, you/re #oin# soon.H G0h $u##er. 0,.H G7isten, they saw the duvet movin# ast ni#ht, so if they as,MH Tasha interrupts. GMyou/re a terri$ e fid#et. I ,now.H I ,iss her a#ain, ean over and ,iss Amanda, and #ra$ my wor, c othes $efore "umpin# in the shower. I had to eave $efore they did, so I #ot hu#s and than,s from a parties, and Amanda/s parents #ave us five minutes to proper y say #ood$ye. GI/m #oin# to miss you.H GIt/s on y a wee,.H GI ,now, $ut sti MH GWe/ phone and text a wee,. ?ou "ust #o and have a fun ho iday.H G0h, yeah, s eepin# in a co d tent when I cou d $e a snu# y with you two.H GThen that/ "ust have to $e somethin# to oo, forward to when you #et $ac,.H We ,iss, ho d each other for an eternity, then I fina y depart as I/m a ready ate. I #et to wor, on time 2$are y3 and I/ve "ust sat at my des, when my phone $ eeps. It/s a messa#e from Amanda. Actua y, it/s a picture messa#e. Aa,in# sure noDone can see I open the fi e and there fi in# the screen is a sin# e, ar#e, pa e nipp e. I won/t de ete it "ust yet, $ut I/ $e sure to put it in a safe p ace ater. It/s >ood Friday, so I/m actua y on y here for a few hours, $ut $efore I chec, off my mana#er comes over and as,s me if I have any p ans this Saturday. I don/t wor, wee,ends 2yet3 and if I #et ca ed in the hour y rate s,yDroc,ets. As I/m #ir friendD ess for a wee, 2not countin# Tasha3, actua y don/t have anythin# on. I/m curious why he/s as,in#, $ut he "ust as,s me to ma,e sure my phone is on. Catura y, my ferti e mind is #oin# into overdrive a$out why he wants me to $e avai a$ e at short notice 2#ood AC9 $ad reasons3, and I hard y notice where I/m #oin# as I drive home on autopi ot. I/m home for ha f an hour $efore Tasha sid es up to me. GWhat/s up<H G9unno, my $oss as,ed me to $e avai a$ e this wee,end, $ut he didn/t say why.H GWe , that/s #ood, isn/t it<H I "ust shru#, I rea y don/t ,now and it ran, es my paranoia unti ear y evenin# when my $oss ca s me. GA customer needs their car de ivered this wee,end, $ut >eoff 2the #uy who norma y does the de ivery drivin#3 is off. It/s #ettin# dropped off at the dea ership tomorrow mornin#, and it has to $e in Birmin#ham $y the afternoon.H 2This is norma practice for certain customers, apparent y. -shoppin# around/ doesn/t come c ose.3 GBirmin#ham< I thin, can ta,e it, $ut how do I #et $ac,<H GThe re#istration documents have a courier pac,. ?ou/ have a fue card and a pair of train tic,ets to ma,e your way $ac,, they/re va id for a wee, from issue in case anythin# #oes tits up. Are you up for it<H G?eah, I thin, so. ?ou said there/s a pair of train tic,ets<H G?es, why<H GIust wondered if you had anythin# a#ainst me ta,in# someone with me.H GIt wou d $e my sister, and she/s c eaner than me.H GFair enou#h, #ra$ an extra seat cover and f oor sheet $efore you #o, and ma,e sure it/s spot ess $efore it/s de ivered.H So assurances and promises made, I suppose it wou d $e prudent to as Tasha if she fancies $ein# stuc, in a car for &DO hours with me. Turns out she/s 8uite ea#er, $ut I ma,e sure she ,nows it/s not a "o y, the car isn/t a toy, and no feet on the dash$oard. It/s not unti ater that ni#ht I rea ise I don/t actua y ,now what car it is. We te mum ! dad what we/re up to, and as Tasha/s a ready finished two wee,s/ worth of homewor,, there/s no rea reason for her to han# around the house. She preD pac,s a sma $a# "ust in case, I throw a few thin#s to#ether and we turn in for the ni#ht in separate $eds. Sometimes it/s nice to $e a$ e to stretch out once in a $ oody whi e. Saturday *('*')* We/re at the dea ership $efore the car/s arrived, so I/m showin# Tasha my wonderfu y excitin# des, when a car transporter pu s up outside. A few cars are ro ed off the $ac, and my $oss comes over with the courier pac,a#e and ,ey fo$. GBe carefu , don/t race it, and any dama#e comes out of your wa#es. Bonsiderin# what the car is, you/d pro$a$ y $e wor,in# for free for a decade to pay off a crac,ed windscreen.H I open the pac,a#e and shit a fuc,in# $ric,. The car I/m de iverin# is a E)% @6, fu pac,a#e, inc udin# car$on fi$re pane s. If I/d ,nown it was this I wou dn/t have said yes. The seats are a ready $oth covered, so we #et in, Tasha/s #rinnin# i,e a Bheshire cat $ut I/m terrified. I have driven one $efore, $ut not one with O mi es on the c oc,. I punch the Birmin#ham address into the satnav and push the $utton $rin#in# the en#ine to ife. Sounds i,e an an#ry ion, so I feather the acce erator and pu very #in#er y out of the forecourt. It/s a itt e em$arrassin# to $e drivin# a car i,e this so s ow y, $ut #o den ru e of new cars is nothin# a$ove O(A1; for the first O( mi es, $ut with an en#ine this ti#ht, it/s J( mi es. This wi put us somewhere on the A%O so I use the coup e of mi es of ur$an drivin# the #et used to the contro s and switches. We/re not a owed to piss a$out with the en#ine settin#s, so it/s $asic

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

a the way. I thin, Tasha senses my unease so she eaves me a one to drive the thin# unti we hit the motorway and I $rin# it up to O(. An hour or so ater and we pass the ma#ic J( mi es, so I open it up a itt e more, and $efore on# I tap the cruise contro and et the car ta,e us to our destination. Sad y, Aotorways the first wee,end $efore the Easter $rea, are hideous $itch #oddesses and it/s not on# $efore we/re stationary. Tasha passes the time $y f ashin# me her $ra ess tits and on more than one occasion I pop my dic, out of my trousers so she can ho d it 2at her re8uest3. The seats in a @6 are set 8uite ow so noDone can see what we/re up to. A few hours ater and we/re comp ete y stationary on the AT. We/re c ose to our destination, $ut as I #et out of the car I can see the motorway sna,in# for mi es ahead of us, comp ete y rammed with unmovin# cars. I ca my $oss. GWe/ve stopped.H G;ow c ose are you<H GIf it was c ear, accordin# to the sat nav we/re ha f an hour away, $ut I can/t see any movement for at east O mi es ahead.H There/s si ence on the phone $ut I can hear ,eys on a ,ey$oard $ein# tapped. I #uess he/s chec,in# traffic we$sites. G0h crap, that oo,s $ad. 0,, I/ ca the customer and et them ,now what/s happenin#. Stand $y the phone.H ;e han#s up and we wait. I put a hand on Tasha/s e# and she returns the #esture, "ust istenin# to the radio for another O minutes when the phone rin#s. G0,, #ood news and $ad. >ood news is the customer understands the situation, $ad news is now he can/t ta,e ownership of the car unti tomorrow mornin#.H That/s he pfu . G0h, ri#ht. So, what do we do with the car<H I don/t fancy turnin# around and comin# $ac,. There/s si ence a#ain and the sound of a pen tappin# on his des,. GAre you o, to chec, into a hote for the ni#ht< >et a the receipts and $rin# them $ac, and we/ sort out any expenses. Aa,e sure the car par,/s secure, and you/ have to #et the car washed tomorrow $efore de ivery.H 9on/t suppose I have much choice. G0,ay, we/ #et somethin# sorted. Any pro$ ems I/ et you ,now.H ;e han#s up and I swear oud y, ma,in# Tasha "ump GWhat/s wron#<H So I te her the pro$ em, $ut as soon as I mention chec,in# into a hote the $i# #rin is $ac,. GA hote < ?ou and me< A one<<H There/s a twin, e in her eye I/ve seen $efore. I sudden y see the $ri#ht side to this $astard of a situation. G?es, $ut we/ve #ot to find a hote first, I have no idea where to start oo,in#, I/ve never $een to Birmin#ham $efore.H Tasha starts tappin# her phone, ho din# it up to her ear. G;i dad it/s me. Co, we/re o,, $ut we can/t de iver the car toni#ht. Traffic. @ea y $ad. 7isten, how we do you ,now Birmin#ham< That/s what I thou#ht. ?eah, a hote , one that/s secure for the car.H She turns to me. GWhat car is it<H GAudi @6, $ oody expensive.H She turns $ac, to the phone. G?ou #et that< 0,. 0h, ri#ht. 0h than,s dad4H and she han#s up, taps the sat nav screen, and scro s throu#h a ist of hote s that comes up. Fina y she finds what she/s oo,in# for and hits -#o/. G;ead for that one. 9ad/s company uses it a the time so they #et specia rates. ;e/s rin#in# ahead to $oo, our -twin/ room.H She says -twin/ with a certain eve of disdain, $ut a thin#s considered, he/d pro$a$ y fee the same as me a$out it, that si$ in#s s eepin# in a dou$ e $ed isn/t socia y the norm. Before on# Tasha/s phone $ eeps, it/s a text from dad te in# us the room/s $oo,ed with the reservation num$er. I ca my $oss $ac, and te him what/s happenin#, he/s #ratefu dad/s mana#ed to #et them specia rates and as,s for his num$er so he can than, him persona y. Cot on# after, the traffic starts to s ow y move, and our turnDoff isn/t that far ahead. Within )( minutes we/re pu in# into the hote car par,, which has a #ated entry system, fi in# me with confidence. We par, the car within si#ht of a car par, i#ht and camera mast, and head into reception. It/s a itt e $it swan,y, and I/m #ratefu I didn/t #o for the "eans and po o shirt oo,. The youn# woman $ehind the des, smi es as we approach. I #ive her our names and reservation num$er. G0h yes, your father ca ed a whi e a#o to $oo,, $ut I/m afraid there/s a pro$ em with the room. ?our father $oo,ed a twin, $ut havin# chec,ed the room it/s in a $it of a state, so a we have eft are dou$ es.H Tasha turns on an 0scarDwinnin# performance. G0h, #reat4 That means I have to share with -you/<H Bratty down to a tee. G9on/t worry, we/ top and tai or somethin#, I don/t want to $e near you when you start snorin# either.H She di#s me in the ri$s and fo ds her arms, adoptin# huffy expression. I co ect our ,ey card and we head off. The second we/re out of si#ht of the receptionist she atches onto my arm. G?ou were in serious dan#er of overDactin# there.H GI ,now, $ut I didn/t want to ma,e it too o$vious.H GI haven/t #ot anythin#, you ,now. 9idn/t ,now we/d $e shac,in# up in a hote toni#ht.H But she ho ds me c oser and smi es ,nowin# y. G9on/t worry a$out that, I/ve #ot it a sorted.H I/m not sure what she means $ut we reach the room and #o inside. ;er youth starts to show as she dashes around the room, chec,in# out a the comp imentary stuff that comes with the price. The $ath'shower is 8uite spacious, there/s a we Dstoc,ed $ut fuc,in# expensive miniD$ar, and a safe, which I prompt y put the car ,ey fo$ and my wa et in. As I stand up and turn around, Tasha/s ayin# on the $ed. G;o y crap this is comfy.H And she pats the $ed $eside her, I o$ i#e, yin# $y her side and #oin# in for a on# and deep ,iss, accompanied $y ots of overDtheDc othes #ropin#. GSo what/s the p an for toni#ht then< After dinner of course, I/m starvin#4H GWe , after dinner, I was thin,in# of fuc,in# your $rains out.H GI to d you, I haven/t #ot anythin#.H But she smi es. GI/m on the pi .H GWhat< Since when<H GSince ast wee,. I to d mum I had rea y $ad cramps durin# my ast period. Simp e rea y, I "ust as,ed Amanda what hers fe t i,e and the doctor prescri$ed some for me strai#ht away. Apparent y it/s common for someone my siFe.H GBut you/re not actua y havin# cramps<H She au#hs. GSometimes, it/s a #ir thin#, consider yourse f uc,y you don/t have this shit to put up with every month.H But I scoff at this remar,. GBo oc,s, us poor $ o,es have to put up with your -$ad hair days/4H she au#hs and pushes me off the $ed. The specia rate doesn/t inc ude dinner and oo,in# at the hote menu it/s a $it nouve e cuisine and $ oody expensive, so we decide to eat at a franchise restaurant a few hundred yards away. CoDone ,nows us here so we wa , around ho din# hands unti we/re $ac, at the hote , my trousers a ready strainin# at the thou#ht of the impendin# evenin#. I chec, the car/s sti in one piece, and notice a security #uy doin# the rounds. Tasha #ra$s the ,ey card and rushes off to the room whi e I #o to the $ar and #ra$ a few $ott es of $eer for the ni#ht. Tasha ets me in, I notice her hair/s wet and she/s on y wearin# a towe . G#et your ,it off, it/s $athDtime.H I oo, in and the $ath is fu of hot foamy water. She ta,es off the towe , showin# me her incredi$ e fi#ure $efore owerin# herse f $ac, into the water. The $ath is hu#e, and $ow D i,e, I deD,it and #et in, remem$erin# too ate she i,es her $ath water a most sca din#, and it/s a whi e $efore I/m comp ete y in, ta,in# extra time to a ow my nuts to #et used to the temperature. Eventua y, we/re top and tai in the $ath, hips touchin#, ho din# hands under the water. The rampant sha##in# seems to $e on hiatus as we simp y soa, and re ax in the $ath, ettin# the stress of sittin# in traffic for hours ease out of us. Before on# a hand c oses around my soft dic,, so I reach over and my midd e fin#ertip fo ows her inner thi#hs unti I find her s it, and we ay there, #aFin# into each others eyes and #ent y p ayin# with each other. The water/s so re axin# that despite her di#ita manipu ation, I on y #et semiDerect, $ut Tasha doesn/t seem to mind. GAre we #ettin# out<H I venture. GIn a minute, I/m en"oyin# this.H GThou#ht you were #oin# to rava#e me.H G>ood thin#s come to those who wait.H It/s actua y another )O minutes of hotDwater topDups $efore we fina y #et out of the $ath. 0ur fin#ers have pruned up, so I ta,e #reat de i#ht in ru$$in# her nipp es when I/m supposed to $e dryin# her off. She smac,s my arse and te s me to #et on the $ed. I #rud#in# y o$ i#e and she adopts the same position she did ast time, $etween my thi#hs, arms on my e#s, and without pausin# for $reath, ta,es my dic, into her mouth. It mi#ht $e the freedom that comes with not $ein# in the fami y home, $ut she seems much more ener#etic and vi#orous than $efore. GSpin around.H I te her. She stops and oo,s at me with a puFF ed expression, my so id erection sti in her mouth. Throu#h a series of hand #estures, she #ets my intention, and she rotates on my peni e axis unti her pussy is "ust a$ove my face, her ips havin# never eft my mem$er. I put my hand on her ower $ac, and push her down onto my mouth, her a$ia a ready # istenin# and 8uiverin# as my ton#ue enters her fo ds and I run the tip up and down her s it, pausin# to suc, on her itt e $ud, ma,in# her pause and s8ueeFe the $ase of my coc,. Ay fin#ers are roamin# and $efore on#, and without rea isin# it, my fin#ertip is ru$$in# her itt e pin, anus. I "ust ru$ around the top $efore app yin# a itt e pressure, $ut without pushin# enou#h to actua y enter. Ay eyes are c osed as I suc, on her mound, and I/m not fu y aware of what my fin#er is doin# when she stops suc,in#. GThat fee s rea y weird.H G0h, sorry.H I move my hand away. GI didn/t say stop4H and she resumes the rhythmic suc,in#, my fin#er ru$$in# her ho e a#ain, $ut this time with purpose. I dip a fin#ertip into her pussy for moisture and push a#ainst the sphincter unti it #ives, ettin# me in with a itt e "ump from Tasha. I wor, her pussy some more with my mouth and push harder, s ow y $ut sure y enterin# her rectum, Tasha movin# her hips to a ow me to enter her more easi y. I/m fina y in up to the ,nuc, e, and I move my fin#er in sma movements, aware of how ti#ht and warm it is in there. She starts to $reathe deeper, and I can fee her pussy vi$ratin# as an or#asm ooms, $ut she stops, sits up, ho ds my hand as she s ow y #uides my fin#er out of her $um, then turns around a#ain. Cot sayin# a word, she stradd es me, ho din# my dic, "ust at her entrance, oo,s into my eyes and owers herse f onto me. I/ve on y had sex with Tasha usin# a condom, and whi e I/ve #one $are$ac, with Amanda a coup e of times, it hasn/t $een i,e this. Sex with Amanda is more -fuc,in#/ than -ma,in# ove/, somethin# I intend to ma,e up to her as soon as I #et the chance, $ut the sensation of my itt e sister/s va#ina enve opin# my penis is an incredi$ e sensation. She/s ti#hter than my #ir friend, and I/m aware of every fo d and ripp e in her pussy as it passes over the head of my dic,, the pressure #ettin# harder and more intense as she fina y comes to rest on my pe vis. We match rhythm as she $ounces up and down on me, $rin#in# her feet up and iftin# herse f near y off my entire en#th, $efore comin# $ac, down a#ain. The or#asm that threatened to arrive $efore now rears its head a#ain as she oses a sense of rhythm and co apses on me in a 8uiverin# heap. I et her come down a itt e $efore movin# my hips up and fuc,in# her as she ays on me. She ma,es appreciative noises unti my pace 8uic,ens and my $a s exp ode inside her. I wa,e up what seems i,e a#es ater. Tasha/s fa en as eep too and we/re $oth in the same position, and a thou#h I/m soft, my penis is sti snu# y he d in p ace $y her a most vir#ina pussy. The sensation of warmth wa,es up the itt e #uy and I fee the $ ood eavin# my head as I 8uic, y reDso idify inside her. 0$vious y Tasha fee s this as her head snaps up and oo,s at me with a shoc,ed expression. G0h my #od4 That fe t incredi$ e4H She starts movin# her hips up and down my shaft, $ut it/s my turn. I ho d her in an arm as I ift her off the $ed, turn her over and ay her down under me. We haven/t c eaned up since ast time so my previous deposit acts as a u$ricant, and I use my fu en#th to pound her oosenin# pussy, she #asps with every thrust as I #et near to her uterus, and we come to#ether, my ips over hers as I can te she/s #oin# to #et noisy.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

I fa off her and ay with my arm across her chest. GI thin, we shou d shower $efore $ed.H G?eah, $ut one at a time, I can/t hand e much more of this toni#ht.H So after c eanin# up, I fina y drin, the $eer I #ot ear ier 2Tasha had one too3, I mana#e to #et the hote /s WiDFi on my phone and mana#e to #et onto &chan, so spend a whi e on '$', $efore we fa as eep watchin# some pay movie on the TE. Sunday *)'*')* I have a ha$it of wa,in# up an hour $efore any a arm that/s $een set, so I/m not surprised to wa,e up sudden y at Jam, on my side with Tasha crad ed in front of me. Aornin# # ory is in fu effect, and the tip of my penis is pushin# a#ainst her anus a#ain. I #ive a few experimenta pushes, $ut don/t want to wa,e her. Too ate. GWhat are you doin#<H GCothin#, "ustM stretchin#.H GWe , if you must stretch, do it -very/ s ow y.H I/m dum$founded, $ut ta,e her advice. @eachin# down her pussy is moist a#ain, so I use that u$rication and dip my fin#er inside her rectum. I shift position so I/m aimin# $etter and push #ent y a#ainst her. I thin, nothin#s happenin# unti somethin# #ives, and her sphincter opens, a owin# me in. With #ent e, rhythmic pushes I inch a itt e further in with each thrust, I don/t aim for $a s deep, as I can hear her #ivin# itt e winces, and I don/t want to hurt her whi e she/s o$vious y sacrificin# somethin# for me. I reach down $etween her e#s and find her c itoris, massa#in# it #ent y as I continue to fuc, her ana y, as considerate y as possi$ e, the pressure on my dic, is immense, and the pu satin# that comes with her s ow or#asm tips me over the ed#e and I deposit my pa try oad inside her. I wait unti I/m soft a#ain and pu out very soft y, there/s no u$rication so her ana wa s #rip my penis as I extract, fina y comin# out comp ete y I ho d her c ose, whisperin# into her ear. GThan, you.H G?ou/re we come. I have to say, that/s not my favourite method.H GAi#ht $e i,e $ ow "o$s, you "ust have to #et used to it.H She turns her head to face me, it/s not an overt y friend y expression. G?es, next time I/ shove somethin# up your arse, then when it hurts I/ remind you of that4H We au#h, she says -ow/ and we sett e $ac, down for what s eep we can #et $efore the a arm actua y #oes off. We #et up, shower separate y, #et $rea,fast, chec, out and ta,e the 2perfect y intact3 car to a hand wash station $efore fina y ta,in# it to its fina destination. I hand over the ,ey fo$, #et si#natures and handsha,es, ma,e phone ca s, and Tasha and I wa , hand in hand to the train station 2Tasha wa ,in# a itt e funny, $ut it wears off3. We #ot up in #ood time, so we #et to 7ondon a$out midday. The train tic,ets are open, so I as, Tasha if she fancies doin# the touristy thin# for a few hours. We ta,e the tu$e to >reen par, $y the @itF hote , wa , over throu#h Banada #ate and have some pictures in front of Buc,in#ham 1a ace. We wa , down the ma and han# in Trafa #ar s8uare for a $it,. Before wa ,in# over to 7eicester S8uare and #ra$$in# a Su$way for unch. I wou d su##est #oin# up re#ent Street $ut ,nowin# what Tasha/s i,e for shoppin#, I fai to mention it, in any case, it/s Easter Sunday and most ar#eDf oored shops have to $e c osed for the day. We saunter over to Bharin# Bross and fina y $oard the train for home. A in a it/s $een a fun wee,end, and not "ust $ecause of a the sex. 9rove a hi#hDperformance sports car, had a nice 8uiet day wa ,in# round 7ondon with someone I ove, and spent Saturday ni#ht'Sunday mornin# with my penis inside three different orifices of my cute itt e sister. Aonday )'*')* This mornin# I was hopin# for a nice 8uiet Aonday ayDin. It/s Easter Aonday so we #et a day off, and after the stress of the wee,end I was hopin# for at east a coup e of hours yin# in $ed doin# nothin#. We , I #ot the yin# in $ed $it. I wo,e up a$out W.*(am to the sound of the front door c osin#. Tasha and I s ept in our own $eds ast ni#ht so after the door c osed, I was strainin# my ears to try to pic, up any sound. Bou dn/t hear a thin#, so I assumed everyone had eft for some reason. I ,now Aum ! 9ad were ta ,in# a$out #oin# to this horseDracin# thin# a few mi es away, $ut I wasn/t sure if Tasha was #oin# too. They/ve pro$a$ y eft a note so I "ust ay there #ettin# comfy, c osin# my eyes and tryin# to drift off a#ain. I/m aware of the sound of movement outside my $edroom door, $ut noDone enters. G;e o<H Sti nothin#. I sit up in $ed and the door opens. Tasha/s standin# there, comp ete y na,ed with her 1Is $y her feet. GThey/ve #one to the races, we/re a a one4H ;er sin# son# voice and $road smi e te s me I/m not #ettin# much more s eep this mornin#. She wa ,s to the side of the $ed, I raise an arm and cup one of her $um chee,s in my hand, #aFin# over her awesome $ody a#ain. G1 ease $e #ent e4H She "ust smi es and whips $ac, my duvet. I s ept in my 1Is ast ni#ht $ut it/s rather evident that we/re not the on y ones awa,e GCo fuc,in# chance4H she whips off my shorts and I ta,e off my shirt. 7eanin# on the $ed she ifts a e# over me and ays on my chest, "ust i,e Saturday, the top of my dic, rests a#ainst her pussy and we ,iss, nothin# too pro$in# as I haven/t $rushed my teeth yet. GI thou#ht you/d want a $rea, after the wee,end.H She trai s her fin#ers over my hair ine. I trace my fin#ertips #ent y up her spine. GWe , my arseho e does, that/s for sure4H I #et the hint. G0,ay, I was on y tryin# new thin#s.H G?es, $ut I/m sti on y )&, so I shou dn/t $e doin# that stuff anyway.H She resumes ,issin# me, and I can fee myse f so idifyin#, pushin# a#ainst her s it. She/s o$vious y not in the mood for forep ay, as she reaches around $ehind her, pushes my penis up and s ides herse f onto me, ta,in# me s ow y, a itt e at a time unti she starts movin# her $ody up and down my chest, s idin# a on# my fu en#th, stretchin# her nec, to maintain ip contact as we continue ,issin#. And my $ oody phone starts rin#in#. I have to put it on char#e every $ oody ni#ht so it/s $eside the $ed. Tasha stops movin#, reaches over and #ra$s it. GIt/s Amanda.H She hits -answer/, hands me the phone and starts to move s ow y a#ain G;i4H G;ey sexy4 Aissin# me<H Tasha starts ,issin# my nec,. G0h, yeah, oads. So is Tasha.H G;ow is she<H G?ou can as, her, she/s here.H So I hand the phone $ac, over, and Tasha ,eeps s idin# up and down my po e as she ta ,s. G;i sweetie. ?eah, we/re o,. Actua y, ri#ht now, he/s inside me.H Bi# #rin. GWhen you #et $ac, as, me to te you a$out this wee,end.H She hands the phone $ac,, and Amanda/s dropped to a whisper. G?ou/re fuc,in#< Cow<H GShe started it.H GWhat happened this wee,end<H Boncentratin# on the conversation is tric,y as Tasha sits up and starts ridin# me hard. As noD one e se is in the house she starts #ettin# voca . G0h Iesus4 1ut it on spea,er phone.H So I tap the itt e microphone sym$o and rest the phone on the pi ow $eside me, Tasha and I start a##ressive y fuc,in#, #ettin# very noisy and we can hear Amanda/s $reathin# #ettin# heavier on the phone, we #uess she/s fappin# to the sound of us fuc,in# and it "ust ma,es us hornier. Tasha starts ye in# and $ouncin# on me with such force I start to fee the twin#e approachin#, Amanda starts #ettin# voca as we and than,s to the wonders of modern communicative techno o#y, we a near y come to#ether, Amanda "ust after. G?ou #uys have a the fun.H She sounds out of $reath. GWe/re a yours when you #et $ac,.H She te s us she on y ca ed to see how we were and to #et a itt e soppy, so we have a threeDway conversation as Tasha ays on me as we come down. I ho d her c ose, pic, her up and turn over, ayin# her on the $ed. She doesn/t ea, as much as Amanda after sex, $ut I dash to the $athroom to #et her some tissues anyway, I don/t fancy s eepin# in a wet spot toni#ht. Amanda says $ye and Tasha and I share a shower to c ean up, ta,in# care to $e #ent e with each others nether re#ions, we 9I9 #et a tad a##ressive, after a . That was pretty much it rea y. The rest of today was spent havin# cudd es on the sofa watchin# movies. At around *pm an ad hoc tic, in# match ensued, which somehow resu ted in me rippin# off her trousers and #oin# down on her a#ain, which she reversed deft y, and #ave me a very #ent e $ ow "o$, which she timed expert y as not on# after I came 2what there was of it3, our parents returned after their day out, and we on y "ust mana#ed to c ear up the strewn pi ows and c othin# $efore they entered the house. It's a tense situation when your sister's on y "ust swa owed a oad $efore your mother wa ,s in4 Tuesday %'&')* Tuesday mornin# was the epitome of the phrase -hit the #round runnin#./ The second I/d sat at my des, at wor, the phone ran#. It was the a#ent ca in# a$out an apartment I was interested in, not far from my wor,p ace. Best time to view wou d $e at unchtime, so an appointment is made. I chec, it/s fine with my $oss to pop out for an hour around midday, and not on y is he fine with that, $ut he #ives me an enve ope with a ar#e amount of cash inside. GTip from a very #ratefu new car recipient. Ster in# wor, this wee,end, he as,ed me to #ive you this.H There/s a coup e of hundred pounds in here, $ut I decide to count it ater. The apartment is awesome. Town centre, a most penthouse 2not that there/s such a thin# in the +=3 and we within my price ran#e. The $athroom and ,itchen are fine, $ut the oun#e and two $edrooms are in need of a ma,eover. I si#n the paperwor,, sha,e hands, 2$ui din# ru es esta$ ished3 and arran#ements are made to #et the ,eys to me on Friday. I fee chee,y for as,in# so soon after startin# a new "o$, $ut it appears my $oss is a ready in my de$t, so #ives me a paid &D day wee,end to #et the f at sorted. I text Tasha and Amanda to et them ,now, $ut ca dad, who promises to pay the deposit for me 2ear y $irthday present, p us it puts space $etween me and mum3. Wednesday ! Thursday *D&'&')* Incredi$ y du , $ut severa phone ca s made to #et as much ready for the f at so I can move is as soon as possi$ e. 1ower/s fine, Internet'phone shou d $e set up, I "ust need furniture. 7uc,i y Tasha has a p an. Friday mornin#, #o to I,ea 2near a,eside, the settin# for the chan#in# room adventure3, $uy what I need. The money I was #iven added up to UO((. 9ad #ave me a $it more to he p out, $ut I promise to return what I don/t use. ;e te s me if I do he/ ,ic, me out anyway. ;is sense of humour/s improved #reat y ate y. Tasha a so su##ests $rin#in# Sarah a on#, 2 actose into erant with frec, es3 she/s hopin# to ta,e up interior desi#n when she #ets into co e#e, which is handy, $ecause I ,now fuc, a a$out any of that stuff, so it/s arran#ed. First thin#, I #et my ,eys, we pic, up a hire van, co ect Frec, es, drive to I,ea, spend crap oads. Avoid chan#in# rooms, come home and un oad. Sounds i,e a p an. Friday O'&')* The p an doesn/t start smooth y. The ,eys aren/t de ivered unti Wam, so we don/t #et the van unti ha f past, and it/s not the van we wanted. 0n the p us side, it/s a 7uton with a tai D ift, and they don/t char#e us any more for the ar#er capacity. Sarah is on time, and we oad into the * seats and set off. In my car it wou d ta,e an hour, $ut the van/s a itt e s u##ish and the radio/s ru$$ish, so the "ourney ta,es an hour and a ha f and the conversation wanes after a whi e. Fina y, we come up to the ar#e and #arish $ ue ! ye ow $ui din#. I par, at the rear of the car par, as it/s a ways too $usy, p us I can move it down to the oadin# $ay ater. The tric, with I,ea is to never ta,e the shortDcuts, that way insanity ies, so we traipse around the windin# wa ,way, unti we #et to the madeDup room sets. There/s a coup e of nice $ ac, and white settin#s I i,e, and Sarah ta,es over, #oin# $ac, and forth

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

$etween the two pic,in# out thin#s that wou d comp ement each other. She writes out names and warehouse ocations on her pad, then it/s off to -accessories/. A in a we/re there for * hours, so decide to #ra$ unch $efore actua y hittin# the chec,outs, and avoidin# the meat$a s. Whi e we/re sittin# at the ta$ e, I notice Sarah ,eeps oo,in# at me, then Tasha, then $ac, at me. Tasha notices it too. GWhat<H GWhat/s #oin# on $etween you two<H GWhat do you mean<H She ta,es a sip from the straw in her co,e. GWe , I ,now you two are ex $rotherDandDsister, $ut you two are somethin# e se.H GAs inM<H GWe , for the first thin#, you #uys were ho din# hands for over ha f an hour. Si$ in#s don/t tend to do that, no matter how c ose they are.H Shit, I hadn/t noticed, and $y the oo, on Tasha/s face, neither had she. GWe/ve "ust #ot a ot c oser ate y. A ot/s happened in the ast few wee,s. Started with me near y dyin#, then findin# out we/re not actua y re ated, and our mother/sM unwe . We/ve "ust spent a ot of time comfortin# each other.H @aised eye$rows from our interro#ator. G0h, not i,e that you perv4 We "ust i,e each other/s company a ot, i,e you said, $rothers and sisters aren/t norma y this c ose, $ut we/re not re ated anyway, so if anythin#, we/re c oser.H She thin,s a$out this for a whi e. GThou#ht it mi#ht $e somethin# i,e that. And Amanda doesn/t mind<H GCope, She cares for Tasha as much as I do. 1ro$a$ y somethin# to do with near y ,i in# her with a hoc,ey stic, and #ettin# a protective.H There must $e somethin# in our tone as she drops the in8uisition. GFair enou#h, I was "ust curious.H But there/s somethin# in her expression I/m not comp ete y comforta$ e with. I need to assert myse f here. GActua y, I was curious a$out you and Bhristine.H G;ow do you mean<H G0n the ni#ht you a s ept over, I "ust wondered which one of you two #ra$$ed ho d of my dic, first.H Tasha spits out her drin,, and Sarah #oes scar et red and drops to a whisper. G0h my #od4 ?ou were awa,e<H G?es, that ,ind of thin# tends to wa,e a man up.H Tasha is #o## eDeyed. GWhen was this<H GBhristine dared me. We cou dn/t he p it. Especia y after you to d us how $i# it was.H I/m #rinnin# i,e a smu# $astard, and Tasha/s initia surprise wanes into humour. GAnd was it everythin# you thou#ht it wou d $e<H I didn/t thin, it was possi$ e for someone to #et any redder, $ut she mana#ed. G?es. It wasM impressive. Sorry.H I can/t ,eep it up and $urst into au#hter, hopefu y that/s the end of the pro$in# 8uestions, so we finish unch ta ,in# a$out everythin# except ho din# hands and ho din# penises, and venture down to the warehouse to start purchasin# the ar#er stuff. A ot of heavy iftin# and a much i#hter wa et ater, a my purchases are in the van, and we head off. Sad y, we pic, the wron# time to eave as the traffic over the XE $rid#e is static. Sarah/s sittin# $y the passen#er door and Tasha/s in the midd e, as eep. G;o y crap4 That was 8uic,4H GShe does that sometimes since the accident. We were concerned $ut as on# as she/s $reathin# she/s o,.H Si ence. GSorry if I em$arrassed you $ac, there.H I/m concentratin# on the stationary traffic ahead $ut I can see her sha,e her head. GCo, I/m sorry, I was #ettin# rude, as,in# a$out you and her. ?our private ife is none of my $usiness, I was "ust $ein# nosy.H G7i,e when you snuc, into my room<H GIt wasn/t my fau t, honest y. Bhristine dared me to, and it was ate, so we fi#ured you/d $e as eep anywayMH GI/m "ust # ad I didn/t disappoint4H She au#hs. GI/d never touched one $efore, I "ust wanted to ,now what it was i,e.H GI thou#ht you said you had.H G;ow did you ,now I/d said that<H 0h crap, I/ wa#er Tasha hasn/t to d them a$out the secret monitor. Better not mention I/ve seen her top ess either. GAmanda fi ed me in the day after. ?ou #ir s do i,e to #ossip.H GWe , yeah, I ,inda ied a$out that. $ut anyway, it was dar,, so we didn/t actua y see it.H I oo, at her, and there/s a oo, in her eyes. It/s su$t e, $ut the way she eft the ast sentence han#in# was a itt e o$vious. G1ro$a$ y for the $est, they do say if vir#ina maidens catch si#ht of ma e mem$ers $efore wed oc, it sends them mad.H She snorts. GThat/s utter $o oc,s4 Who said that<H GI did, "ust then.H She sounds disappointed I didn/t ta,e the hint, $ut I/ve a ready #ot two teena#ers ustin# after my trousers. Addin# the possi$i ity of a third is too much to hand e. Which is a shame, as now I/ve spent more time with her, she/s incredi$ y attractive, and those frec, es "ust add to it. GBy the way, what was a that with Bhristine at the s eepover<H GWhat do you mean<H GI mean the $it where she ran into my room, fu y na,ed, $a$$ in# somethin# weird then ran out a#ain.H G0h, it was truth or dare. She had to strip and run into your room and say somethin# i,e - oo, at my "u$$ ies./ It was 8uite ame rea y. She/s sti em$arrassed a$out it.H G9on/t ,now why, she/s #ot a #ood fi#ure.H Gyes, $ut she/s )&, and it was truth or dare, so we wasn/t ,een.H GSo that/s why she wou dn/t oo, me in the eye the next mornin#<H GCo, that was pro$a$ y $ecause she he d onto your penis ater that ni#ht.H GSo did you, and you seem o,.H I can fee her #oin# red without oo,in#. The traffic starts movin#, and the noise made when I pay the to at the $ottom of the s ope $rin#s Tasha $ac, to us, and we chat a$out $u##er a for the hour or so it ta,es to drive home. 0ut of the corner of my eye, I see Sarah throwin# # ances at me, $ut I on y return the oo, once or twice. I don/t want her to #et the impression I/m interested, $ecause I/m not. Co sirDree $o$. It/s ate when we #et $ac,, But we/ve #ot time to pop into B!X 2;ome 9epot3 to pic, up a particu ar shade of red paint, $rushes, sheets, overa s, and various other items that si#nify a $usy wee,end ahead. We drop Sarah off at her home, with the promise she/ drop $y the f at over the wee,end to advise on the oo, of the p ace. She chee,D,isses Tasha, then comes around to my open window, dives in and #ives me a chee,y ,iss $efore rushin# indoors. GThat was unexpected.H GWe , I can/t he p it, I/m a chic, ma#net. It/s a curse4H G0h shut up. 9on/t te Amanda. She/s o, sharin# you with me, $ut Sarah< 1ro$a$ y not so much.H G9on/t worry, I fe t the same. Two #ir s "umpin# up and down on my dic, is enou#h for one man.H G?ou/re youn#, you can ta,e it4H We decide to ta,e the van home, and un oad it at the f at in the mornin#. We #ra$ some dinner and Tasha #oes to ta,e a shower. I fi the parents in on what I $ou#ht for the apartment, and dad offers to he p me un oad the van in the mornin#, $efore he and mum disappear for the day. I #o upstairs and Tasha/s a ready in my $ed, fast as eep. I #ra$ a 8uic, shower, then craw in $ehind her. She/s wearin# a ni#htie with no ,nic,ers, so snu## e up $ehind her and par, my dic, $etween her e#s a#ainst her pussy. She shifts s i#ht y, $ut she/s dead to the wor d, so there/s nothin# to do except s eep. Saturday T'&')* True to his word, dad fo ows us to the f at, ta,in# mum ! Tommy a on# so they can have a nose. Tommy has a wonderfu time harin# around the empty f at $efore #ettin# on a $ox to #aFe out of the window 2near y top f oor so there/s a he of a view3. Aum/s $ou#ht a few thin#s to fi out my $are food stoc,s, and they a so #ive me a ,ett e ! Boffee pod machine, with on y the s i#htest hint a round of teas wou d $e ove y. Tasha #ets a text from Sarah te in# us she/ $e around in a coup e of hours, so 9ad and I un oad the van puttin# appropriate $oxes in the re evant rooms. Then they have to $e off, eavin# me and Tasha in the f at. Cot unexpected y, the second the door c oses she "umps up at me, I catch her and we ,iss, her $ac, a#ainst the wa and her hands stro,in# my hair. The she stops. GWait a minuteMH she #ets off me, then #oes $ac, to the window where Tommy was oo,in# from, there aren/t any $ui din#s near$y at our hei#ht so you have to #et c oser to the window $efore you can see another sou . Tasha spots our parents eavin# and starts wavin#, $ut at the same time, she undoes the $utton on her "eans, and pu s them down, a on# with her ,nic,ers, revea in# her $are $um and pussy to me. GBest ma,e it 8uic,, we/ve #ot wor, to do4H I/m instant y so id, so re ease the =ra,en as I #et c oser, and wastin# no time I insert myse f inside her, s ow y enterin# her wi in# va#ina unti I/m a so in a position where I can ean over and wave at our parents as they drive away from the front of the $ui din#. It/s technica y a $ oody ris,y thin# to do, especia y as Tasha hasn/t #ot a po,er face when it comes to sex, and I can "ust ma,e out her pained expression in the ref ection of the window as I start fuc,in# her ti#ht itt e ho e. @emem$erin# the same position I did with Amanda in the swimmin# poo chan#in# cu$ic e, I put an arm on her chest and pu her up, as the same time movin# further $ac, into the room, $ein# so c ose to the window was ma,in# me nervous, so I fuc,D wa , her to a sma $ox $y a wa 2she/s near y a foot shorter than me so the manoeuvre caused a fair amount of $endin#3 and continue to thrust up inside her, ,issin# the $ac, of her nec, and massa#in# her tits over her TDshirt and f imsy $ra. We start to #et c ose at the same time, the new position is wor,in# wonders for her as I ru$ a#ainst the front wa of her cana , and she c oses her mouth to stop her ye in# as she comes. I/m sti a itt e way off, $ut as I #et c ose, she hears my $reathin# 8uic,en, #ets off me, spins me around up a#ainst the wa and drops to her ,nees, ta,in# me $ac, into her mouth, pumpin# my shaft furious y and suc,in# my $e Dend for a she/s worth, $efore my hips s ac,en and I e"acu ate, Tasha swa owin# every spurt as it comes. I stand there, my ,nees $are y a$ e to ta,e my wei#ht as she ,nee s in front of me, ho din# my dic, in p ace with her ton#ue, #ivin# #ent e suc,s every now and a#ain to ma,e sure she #ets every ast drop. At ast she re ease me, stands up and pu s up her trousers, does herse f up then sorts me out, #ent y p acin# my dic, $ac, in my $oxers $efore doin# up my Zip. G9on/t want you ruinin# the carpet on your first day. 9on/t suppose you $ou#ht any mouthwash<H I sha,e my head. GThis wasn/t on my ist of thin#s to do today.H G0h we , you were on mine4H She ,isses me on the chee,, then #oes to the toi et to c ean up a itt e. When we visited B!X yesterday, I #ot a ODpac, of BSI sty e covera s, disposa$ e a DinDone fu $ody suits "ust i,e the S0B0s use. Some $ri#ht spar, fi#ured out decorators may find them handy to protect their c othes. Tasha exits the $athroom and I hand her one. A # eam appears in her eye and she dashes off to the toi et a#ain. Weird. Sti her reason is o$vious when she returns a few minutes ater, I can see she/s comp ete y na,ed under it, and I can see her $are minima istic c eava#e disappearin# $ehind the white c oth as she fastens the Fip. GCo point ris,in# it4H G?eah, $ut sure y that/s over,i <H GAre you actua y comp ainin#<H I sha,e my head and crac, on with the front room. ;owever, we/ve $are y #ot a the f oor sheetin# down when the intercom $uFFes. Tasha answers it and opens the door downstairs. GWho is it<H G?ou/ see.H A minute or two ater, there/s a tap on the door to the f at. I open the door and Amanda/s standin# there with her mother. Ay #ir friend throws herse f at me and #ives me a $ear hu#, fo owed $y a respectfu DparentsDpresent ,iss, then #ives Tasha a hu#. GSorry, she insisted we came here first, we haven/t even $een home yet4H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GThat/s o,, did you want a cup of tea<H GCo, I/d $etter not, ;us$and and chi d awaits, $ut we cou d a ways pop over ater<H GSure. Amanda, are you stayin# or comin# $ac,<H But her atchin# onto my arm is o$vious enou#h. GWe , if it/s o, with your mum, $ut we/ve on y "ust started decoratin#.H She nods si ent y, her mum ,isses her #ood$ye and The front door c oses. I start headin# $ac, to the front room when there/s a sma thud $ehind me. Amanda and Tasha are ,issin# with as much vi#our as I was with my sister ear ier, hands in each other/s hair, I never ,new they missed each other that much. Whi e it/s a wonderfu si#ht, I eave them to it and put the ,ett e on anyway. G0h Bhrist4 0h Iesus4 0; F+B=44H Wonderin# what the he is #oin# on, I #o $ac, out to the ha way. They/re sti in the same p ace "ust $ehind the door, $ut Tasha/s near y na,ed, her overa s are down $y her feet and Amanda/s crouched down, her face $uried deep y in Tasha/s pussy, and I can see her "aw movin# as she wor,s my sister/s #enita s furious y. Tasha/s hands are on the sides of her friend/s head, and her face is that mixture of pain and p easure a#ain, eyes ha f c osed, she oo,s i,e she/s $een ta,en unawares $ut is he p ess to do anythin# a$out it. I see her $ody convu sin# as she has a massive or#asm, and Amanda s ows, $ut doesn/t stop, ma,in# Tasha come a#ain, and a#ain. Eventua y, she $rea,s away, ,isses Tasha/s mound, then stands up, ,issin# her on the ips a#ain. Ay sister oo,s exhausted, eanin# a#ainst the wa , her arms imp $y her side. Amanda $ends down, pic,s up the overa s ayin# around Tasha/s an, es and puts them $ac, on her, ,issin# her forehead as she does up the Fip. G?ou have no idea how much I/ve missed that4H I cou#h su$t y. GAnd what a$out me<H She comes over and ,isses me, I can taste Tasha on her. GBy the taste of her, I thin, you need some rechar#in# $efore I "ump on you.H GTaste<H She ,isses me a#ain. GI can taste your dic, in her pussy and your come in her mouth. I thou#ht you were supposed to $e decoratin#<H GWe were, $ut we ,eep #ettin# distracted.H Then Tasha ta ,s for the first time in a whi e. GBan I #et some he p< I don/t thin, my ,nees are wor,in# proper y.H Funni y enou#h, we do actua y #et down to some decoratin#, and Amanda uses the same c othes preservation techni8ue as Tasha, $ut after a whi e she puts her $ra $ac, on, as the inside of the overa s start ru$$in# a#ainst her nipp es 2Io##er/s nipp e, oo, it up3. Cot on# after, Sarah arrives, hu#s a round, dons some overa s 2over c othes3 and the interior desi#n starts in earnest, Sarah usin# the ,itchen tops as a wor, station. The wa s are finished, $ut o$vious y we can/t put any furniture up unti the paint fu y dries. Amanda, $ein# the stron#est he ps me shift around some of the ar#er $oxes so I can at east put up the $ed, a coup e of wardro$es and the twin $eds in the spare room 2for the oo, of the thin#, they push to#ether easi y enou#h.3 Timin# is perfect as the mattresses for the $eds arrive "ust as we finish. And it/s a I can do to stop myse f throwin# Amanda on the new $ed and christenin# it strai#ht away. I don/t thin, Sarah wou d understand how advanced our re ationship is, $ut I rec,on she/s #ot a shrewd idea anyway, $est not to raise her suspicions any further. We/ve made incredi$ e pro#ress today, havin# he pers he ps, and it/s not unti we/re sittin# down for a $rea, that Sarah notices what the #ir s are actua y wearin#. G?ou didn/t have to ta,e a your c othes off, you ,nowH GTrue, $ut it/s very i$eratin#, you can $e nude without $ein# na,ed.H Tasha pu s down the Fip to her $e y$utton, and f ashes her tits, I pretend to $e em$arrassed. G?ou shou d #ive it a try.H She $ ushes scar et a#ain, $ut #ets off the f oor and disappears into the $athroom, returnin# a few minutes ater. What the #ir s didn/t te her was that if you/re c ean shaven, it/s fine, $ut Sarah isn/t and when she returns, her dar, nipp es and pu$ic hair are very o$vious. I notice it, $ut don/t say anythin#, and the #ir s pro$a$ y don/t care anyway. Sarah # ances at me and #oes a de icate shade of pin,. GBetter<H G?es, you/re ri#ht, this is very freein#.H And she "i## es her shou ders, ma,in# her $oo$s move under the materia . The conversation carries on as norma , and I find myse f in the company of * teena#e #ir s, a technica y na,ed except for some very f imsy white materia which doesn/t rea y hide anythin#. Corma y, I/d $e fee in# aw,ward a$out the who e thin#, $ut I/m #ettin# so used to #ir s from their schoo actin# this way it doesn/t phase me at a . That said, I do ,eep catchin# myse f starin# at her dar, patches, and Amanda ,eeps nud#in# me $ac, to rea ity. We/ve done pretty much a we can do for today, so Sarah reDc othes, and it/s hu#s a round $efore she eaves 2she doesn/t ive that far away3 so it/s "ust me and the #ir s. Amanda #oes into my room, c oses the curtains, ta,es off her overa s and $ra, then ays on the $ed. I fo ow her in, $ut Tasha stays outside, c osin# the door $ehind me. ;opefu y I/m rechar#ed enou#h, so I s ip into the $ed $eside her and ho d her. GAissed you.H GAs much as you missed Tasha<H GShe was c osest at the time.H We ma,e ove. It/s awesome. Before now we/d "ust fuc,ed, $ut this was s ower, #ent er, more ovin# and considerate. Tasha comes $ac, in after a respecta$ e time with two cups of tea and sits on the $ed as we ho d each other. GFee $etter for that<H Amanda nods. G>ood, $ecause your mother/s comin# $ac, soon and I don/t thin, you shou d $e na,ed with a pussy fu of spun, when she arrives.H Amanda does her $est not to spray her tea across my new duvet as I $urst out au#hin#. Tasha hands her some tissue and we ta,e the hint, #ettin# respecta$ e in #ood time $efore Amanda/s mum reappears, hus$and and chi d in tow. Tours are #iven tea is drun,, and Amanda #ives us a sad farewe . 1hone ca s are made and Tasha decides to s eep here toni#ht, 1iFFa is ordered, $eers are purchased and dvds are watched. It/s mutua y $ut 8uiet y a#reed that there/s $een far too much sex a ready today, so we fina y retire at a respecta$ e %am, havin# had a few $eers, $ut I sti mana#e to #o down on her for a re axin# )( minutes of ic,in# and suc,in# $efore fina y fa in# as eep in each other/s arms. Sunday J'&')* It ta,es a whi e $efore I remem$er where the he I am, $ut havin# Tasha in my arms, and as it happens, ho din# onto my penis whi e she s eeps, ma,es the p ace fee i,e home. We wa,e up s ow y, and have a #ent e mornin# screw. I/ $e # ad to have a wee, at wor, so my $a s can recover, they fee i,e raisins after the wor,out they/ve had this wee,end. I sti have the van for today so we ta,e it to my parents/ house, #ra$ $rea,fast and sore y needed toi etries, and oad up the rest of my stuff, inc udin# my 1B setup. Tasha/s annoyed she/ on y have the crappy home 1B to do her homewor, with, $ut she/s a ways we come over at mine anyway. Bac, at the f at we #et the rest of the stuff in, and as the paint/s dry, I can fina y put the front room furniture to#ether, Amanda turns up, the sofa #ets de ivered at %, and I/m near y set. Ay internet #ot turned on on Saturday, $ut I didn/t have the 1B. I had a steady stream of visitors a day, inc udin# Sarah and Bhristine, who/d "ust returned from ho iday. Bhristine seemed to fee eft out as Sarah was more at ease around me than $efore, $ut Amanda/s sixth sense ,ic,ed in and she he ped her fee more invo ved. I mana#e to #et a moment with her myse f in the ,itchen. GIf it he ps, a three #ir s were na,ed yesterday.H G@ea y<H GWe , technica y. We a had overa s on, $ut that was it.H GI miss a the funH G9on/t worry a$out it, I/ve a ready seen you na,ed.H GWhat< When< 0h, the other wee,. Sorry, they dared me.H G9on/t apo o#ise, there are worse thin#s to run into your room at ni#ht. 1 us you were in and out so 8uic, I hard y saw anythin# anyway.H She pauses, ta,es a $reath and mum$ es somethin#, $ ushin# wi d y. GSorry<H GI said -I can show you a#ain if you i,e/.H It/s "ust a$ove a whisper. Aw,ward. G7oo,, BhristineMH GSorry, I shou dn/t have said thatMH and with that, she rushes from the ,itchen, passin# Tasha as she comes in. GEverythin# o,<H I #ive a shru#. G9on/t ,now, I thin, she mi#ht $e crushin# on me.H GWhat ma,es you thin, that<H GI "ust to d her I didn/t actua y see anythin# when she ran na,ed into my room the other ni#ht, and I thin, she "ust offered to #ive me a private viewin#.H G@ea y< But Bhristine/s rea y shy. I/d never have thou#ht she/d do somethin# i,e that. She must have it $ad.H GWhat can I say< Bhic, ma#net.H She $ats my arm and eaves me to my thou#hts. I/ve no idea what actua y #oes on at their schoo , $ut $ein# sin# eDsex they o$vious y don/t #et much contact with $oys, so spendin# this much time in the company of AC? man 2not "ust me3 is o$vious y causin# some ,ind of watershed. I "ust wish that happened at my schoo when I was their a#e. I #o $ac, into the front room and a four #ir s are there, seemin# y deep in conversation. Tasha spots me and stands up. GWe/ve come to the conc usion that there/s a ot of pentDup sexua tension $ouncin# around the room, and if we/re a #oin# to $e re#u ar house #uests, it needs to $e nipped in the $ud.H I/m "ust standin# there dum$founded. GSexua tension< @ea y<H G0h p ease, we/re from an a #ir /s schoo , so it must $e fair y o$vious what/s #oin# on. So I/ve proposed we c ose a the curtains and #et na,ed. Cothin# sexua , "ust nudity, "ust to $rea, the ice.H Amanda oo,s a itt e miffed, and the other two are crimson red. I $ec,on Amanda over, she "oins me in the corner of the room. GAre you o, with this<H She #ives a ha fDhearted nod. GI suppose so, if it stops those two $attin# their eye ids at you, a the $etter.H I wasn/t aware of any $attin#, $ut I #ive her a hu#, which she returns forcefu y. She #oes to c ose the curtains and the other three #ir s stand up. CoDone is forthcomin#, so I start to disro$e. It/s not a sexua thin# 2so I/m to d3 so it/s ess than a minute $efore I/m "ust in my $oxers. A four are starin# strai#ht at my pac,a#e, Amanda and Tasha are smi in#, $ut the other two "ust oo, fascinated, so I #ra$ the waist$and and whip my $oxers down, shiftin# my feet to #et them fu y off, then stand up. >iven the situation, I/m not erect, $ut I/m near y ha fway. Ay sister and #ir friend have the expression they/re seein# an o d friend, $ut Sarah ! Bhristine #ive itt e #asps. It/s s i#ht y a$ove avera#e, $ut I #uess it/s pretty much the first one they/ve actua y seen for rea , and they don/t stop starin#. GWe < ?our turn. I don/t want to $e the on y na,ed person here.H Amanda ! Tasha start to remove their c othin# with comfort, with the other two $ein# more hesitant. Eventua y a four are down to $ras and ,nic,ers. Ay two whip theirs off with a$andon, their na,edness activatin# my erecti e tissue. S ow y $ut sure y Sarah ! Bhristine simu taneous y remove their $ras, and their $reasts are very simi ar. Aore than a handfu , with dar,, puffy nipp es. They/re sti re uctant to remove their ,nic,ers, $ut Amanda #ives them a *%) countdown and they/re off. Ceither #ir shaves, $ut they/re very tidy. 0$vious y Sarah $ eaches her head hair, as she/s very dar, natura y. Bhristine is fairer, and there/s a itt e strip a$ove her visi$ e s it, she/s ha fDcoverin# herse f as she/s o$vious y sti $ody conscious. The who e si#ht is incredi$ e, and I have to contro myse f $efore I start ,noc,in# stuff over. G@i#ht, now we/re a na,ed, I $e ieve there/s sti wor, to do.H It/s more $iFarre than yesterday, as the #ir s #o a$out menia tas,s whi e fu y na,ed. Amanda he ps me put up a few $oo,cases, $ut I/m very conscious that her tits wi #et in the way, and I/m a so conscious that our #uests are sti snatchin# # ances at my dic,. Amanda spots it too. GI ,now how to hand e this. >uys, come here a second.H Sarah and Bhristine wa , over. Amanda #ra$s Bhristine/s hand and moves it towards my coc,. She resists s i#ht y, $ut then re ents and #ent y ho ds onto me. ;er s,in is very soft and s ow

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

movements ma,e me #ain ri#idity. Sarah/s hand is p aced next to her friends/ and Amanda #uides each of my hands onto their $reasts. Catura y, nature ta,es over and the #ir s start massa#in# my now so id shaft. I oo, over and see Tasha on the other side of the room. 0$vious y she can/t "oin in, as we/re supposed to $e stepDsi$ in#s, $ut she has her hand $etween her e#s as she starts fri##in# herse f. It/s an aw,ward position, $ut my hands find a $um chee, of each #ir and I start stro,in# them. The #ir s are fixated on my dic, as it en ar#es in their hands, and I turn to Amanda and whisper in her ear. G;ow far are we ta,in# this<H She ,isses me. GAs far as you want to.H G?ou don/t mind<H GI to d you wee,s a#o, it/s noDcommitment f irty sex stuff. Iust en"oy it.H She #oes around the $ac, of the #ir s and whispers simu taneous y in their ears. They $oth #et onto their ,nees whi e sti p ayin# with my dic,. Tasha is $ec,oned over and she and Amanda ,nee $ehind their friends, and reach around to ho d a $oo$ and p ace a hand on pussies. The increase in $reathin# te s me there/s a ot of mutua mastur$ation #oin# on as the #ir s seem to have reached $ehind them to share the pussyDp ay. It/s too much for me and I start to come, ta,in# my dic, from their hands and ta,in# aim, shootin# thic, wads over their faces, some even $rid#in# the #ap and andin# on Amanda/s tits. Ay come is everywhere, drippin# off their faces onto their chests, and the #ir s s ow y $e#in to #et each other off. Amanda eans forward and #ives me a #ent e suc,, then ur#es Sarah to do the same. She/s very re uctant and on y #ives me a f eetin# touch on her ips. Bhristine is the surprise, as she ta,es me into her mouth 8uite a way, and #ives a very satisfyin# suc,, ma,in# me re#ain a itt e so idity. ;owever she o$vious y isn/t ,een on the taste as she rushes off to the $athroom and I can hear her spittin# into the sin,. Sarah is #uided into the $athroom as we , ta,in# care not to drip onto the carpets. A shower is run and turns are ta,en in c eanin# off. Ca,ed hu#s fo ow, with Bhristine #ivin# my dic, another stro,e. GThan, you.H G?ou/re we come. Cow remem$er, this was "ust -a thin#/, I/m with Amanda.H She smi es and nods. GI ,now, and I respect that. We $oth do. Iust remem$er, if it a #oes tits up, I/m waitin#.H G?ou/re not #oin# to start sta ,in# me are you<H She au#hs. G?ou/re cute, $ut not that cute.H She ets #o, to $e rep aced $y Sarah, her pu$ic hair tic, in# my f accid dic,. Same conversation. It/s "ust me and my #ir s eft in the $athroom, and Tasha pu s my face down to hers and ,isses me hard. GI hated $ein# eft out of that, I/ ma,e it up to you ater.H She $ends down, ta,es me into her mouth and #ives me a 8uic, $ut ener#etic suc,, then dashes out of the room. Amanda oc,s the door $ehind her and resumes where Tasha eft off. S ow y I #et erect a#ain, $ut it/s sti a itt e sore after comin# so soon ear ier. Amanda must rea ise this as she/s incredi$ y #ent e, $efore turnin# around and puttin# her hands on the sin,, $endin# over and offerin# herse f to me. She/s incredi$ y wet, so penetration is mercifu y easy, and it/s on y a coup e of minutes $efore I come inside her, #ettin# her off di#ita y in the process. We fina y eave the $athroom to raised eye$rows, the other #ir s are sti na,ed, $ut we a decide the moment/s passed, so c othes are ocated, separated and rep aced. Amanda/s experiment seems to have wor,ed as the tension that was there $efore has comp ete y vanished, and the atmosphere in the f at is a hundred times $etter than $efore. We ta , #enia y a$out what/s happened, hows and whys, $ut it/s we esta$ ished that it/ pro$a$ y $e the on y time I/m intimate with Sarah ! Bhristine, and whi e we don/t say anythin# out oud, sex with either of them is comp ete y off the ta$ e. Cot on# after It/s time to say #ood$ye to the #uests, hu#s and ,isses, and promises of discretion are made 2from a sides3. Cot on# after Amanda/s mum returns for a cuppa and a chinDwa#, and my #ir friend eaves with a teary hu#. Then it/s "ust me and Tasha a#ain. G9id that actua y happen today<H G0h yes.H G9id this #et worse or $etter<H GIt/s a$out the same. I trust those two, $ut it #oes a ways. I dou$t they/ say anythin#, $ut it/ $e two a#ainst two if they do. But don/t worry a$out it.H GWhat if they want to do anythin# e se with me<H GI don/t thin, they do. Cothin# persona , I "ust thin, they wanted the experience. But I/ ,eep an eye on Bhristine, she rea y i,es you.H G?eah, I #ot that impression.H She must sti see the trepidation in my face as she comes over and sits $eside me, hu##in# my waist. GI to d you, don/t worry a$out it. Amanda and I were thin,in# of pimpin# you out anyway.H I rea y hope she/s "o,in#. Tasha went home at J 2after another awesome #ent e session under the $edsheets3. I put my system $ac, to#ether and hoo,ed up the internet, so I/ve $een $rowsin# and typin# since, inD$etween f irty phone ca s from Tasha and Amanda, and a coup e of friend y texts from the other two. I/ $e # ad to #et $ac, to wor,, I don/t thin, my testic es can ta,e any more this wee,end. Aonday 6'&')* Aonday mornin# I found myse f at a oose end. I had $een #iven a &Dday wee,end to move in, $ut that/s a done and dusted. A so, for #od on y ,nows what reason, I wo,e up at 6am and cou dn/t #et $ac, to s eep. There was $it of "un, mai on the mat, one of which was for a >ym, which is itera y %(( yards from my front door, I #ra$ $rea,fast and a coffee, power up the 1B and oo, at the >ym/s we$site. It/s a $areD$ones affair, minima staff, and once you/re a mem$er you/re #iven an access code for the door. 2Apparent y they/re %& hours, with on y BBTE to watch over you as you have a fata heart attac,, I ma,e a note never to #o there at *am3. I si#n up, pay the first month and text Amanda. -Aornin# $eautifu . +p to anythin#</ -Aren/t you at wor,</ -Bac, tomorrow./ 0ne of these "o$s was the shower $ oc, $ein# reDti ed in a few areas, and the venti ation system c eaned. In the first wee,, the careta,er s ipped off a step adder and $ro,e his an, e, and the headmaster too, over his duties. Aeanwhi e, the careta,er 2from home3 ca ed the firm due to c ean the venti ation to cance . +nfortunate y, they ca ed the schoo to confirm, and the ;ead overru ed him. This fired off some warnin# si#ns, which were confirmed when one of the vent covers was removed to find a tiny camera secured to one of the side wa s. GAs far as we can te , it/s $een canni$a ised from a wire ess $a$y monitor, powered from the fan system. Whenever the fans were turned on, so was the camera.H This is soundin# fami iar. GAnd he had the receiver hoo,ed to a TE somewhere<H They nod. GI had the same setup at home to chec, on my $rother.H GWe chec,ed his office, which is on y separated $y a few wa s from the $ oc,, and it was set up there. 0$vious y he didn/t intend to $rea, his e#, so ca ed the company to cance .H Sarah and Bhristine are ho din# each other/s hands, visi$ y upset. -0h coo , I/ come over/ -I/ve "ust "oined a #ym, was #oin# to pop there for a coup e of hours./ -The one near you</ -?ep/ -I/m a mem$er. I/ meet you there. Rxx/ I text Tasha, $ut she/s comin# into town with Frec, es and Bhristine, With the promise of poppin# $y the f at ater. So I #ra$ a shower, #et some wor,out #ear to#ether and head out. I/m not ,iddin# when I say it/s c ose. 0ut the door, turn ri#ht, up the hi for %(( yards and $in#o. I printed off the access code and step into the airD oc, i,e door, which rotates, and I oo, for a mem$er of staff. ;e shows me a oc,er, as,s me a few 8uestions a$out my physica hea th, and I/m #iven free rei#n of the p ace. It/s fair y steri e, more e8uipment than f oor space, so I find a treadmi oo,in# at the door and start a s ow "o#. Ten minutes ater Amanda steps into the air oc,. I have to stop runnin# as she oo,s incredi$ e. I mean, I/ve seen her na,ed, which is fantastic enou#h, $ut she/s wearin# ti#ht $ ac, ycra, with pin, detai in#, showin# a itt e c eava#e and her toned midriff. ;er hair/s up in a ponytai which she doesn/t wear that often. She smi es at me 2heart a/f utterin#3 says he o to the #uy I spo,e to ear ier, puts her stuff in her oc,er and comes over. G;ey sexy, nice shorts4H G?ou don/t oo, so $ad yourse f sweet chee,s. Cice ycra.H She #ives me a twir , $ut ays off the overDseduction. It/s apparent she/s $een a here a few times and the staff must ,now her a#e, so a$stinence is the watchword. She #ets on the treadmi next to mine and $efore on# we/re "o##in# instep with each other. We have a itt e race as we s ow y up the speed, $ut it/s $een a whi e since I did anythin# i,e this so I soon re ent and resume at a norma pace. G>ettin# o d<H G=nic,ers. I thou#ht I/d #ive you a $rea,, those tits cou d do you a mischief if you sha,e them around too much.H She au#hs. GCo chance, I/ve #ot a castDiron $ra on.H Sure enou#h, she oo,s more neat y pac,ed up top. GAind you, I thin, they/ve #rown a#ain, I/m $ustin# out of those $ras Tasha #ot for me a ready.H G?ou/ have to show me ater.H GCatura y.H We continue to wor, out to#ether, there/s on y a few peop e in, so we have the run of the p ace. I ift a few wei#hts with Amanda spottin#, then we swap, my #roin dan#erous y c ose to her head. She near y drops the $ar when she/s not concentratin# and we decide that/ do. They don/t have any showers $ut she p anned ahead and $rou#ht a chan#e of c othes, presuma$ y to chan#e into them at the f at. We #et our stuff and head out, wa ,in# the short distance to the f at handDinDhand. The door/s hard y c osed $efore we/re a over each other, a#ain, $ut it/s not on# $efore we rea ise we $oth stin,, which is an effective passion ,i er. She #ra$s her $a# and darts into the $athroom, $ut doesn/t c ose the door. I fo ow her in and watch her undress. The shower/s not rea y $i# enou#h for two, so I #o to the ,itchen to fix a drin, when there/s a ,noc, at the door, which is odd as visitors norma y have to $uFF throu#h the intercom. I pu the $athroom door c osed and open the door. There are two po ice officers standin# there. ?ou ,now those situations where a mi ion possi$ e reasons for an event run throu#h your mind in a fraction of a second< ?eah, I "ust had that. 0ne of them as,s if I/m me. G?es< Is anythin# wron#<H GBan we step inside<H GActua y, not yet. What/s wron#<H GActua y, we want to ta , with your sister and #ir friend, if we can. We were to d $y your parents they mi#ht $e here. Some thin#/s come to i#ht at their schoo we need to discuss. It/s not rea y somethin# we/d i,e to discuss in a ha way.H I et them in and usher them into the front room. I stand outside the $athroom door and ma,e my voice oud and c ear. GAmanda, some po icemen are here. Somethin# a$out your schoo <H There/s the sound of panic,y movements, then a sma voice. GI/ $e ri#ht out.H I #ra$ my phone from my $a# and sure enou#h there/s a few missed ca s from mum. I hit reca and te her what/s happenin#, then ca Tasha. She te s me she/s not far, and sure enou#h a three turn up, with terrified oo,s on their faces, especia y since the ast time they were a here they were a na,ed performin# sexua acts on each other, and me. I introduce them to the officers, Amanda exits the $athroom fu y c othed with her shirt $uttoned a the way up to her nec,, and everyone/s seated. Cames and contact detai s are ta,en, and phone ca s to Sarah ! Bhristine/s parents are made, and I/m the nominated responsi$ e adu t. CoDone/s in any trou$ e, and the fact & #ir s from the same schoo are in the same p ace, it saves a ot of e#wor, for the officers. Boffees are offered, diet co,es for the #ir s and the officers start exp ainin# why they/re there. It wou d seem that the schoo /s careta,er has $een spyin# on the #ir s in the shower after 1E essons. += schoo s are c osed for Easter, this is the second wee,, and it/s a time when a ot of schoo s #et some wor, done.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

But Tasha and Amanda oo, #enuine y horrified. >ive their new c oseness, I/ wa#er they may have snatched a few moments to#ether when they thou#h noDone was oo,in#. I as, the 8uestion they can/t as,. GWas he recordin# anythin#<H GCo, as far as we can te , he "ust watched, $ut as the $ oc, was used every day, he didn/t need to.H Sarah rushes to the $athroom where we can hear retchin#. Tasha #oes after her, $ut I can see she/s re ieved, as is Amanda, who comes down to sit $y Bhristine. Sarah returns, ed $y my sister. GSo what did you want to as, us< ;as he $een arrested<H G?es, for various thin#s, $ut what we want to ,now is, did he ever ma,e any physica advances towards any of you<H Four sha,in# heads. GWhat we mean is, did he ever ma,e any excuse to p ace you in a private settin# with him<H A#ain, a ne#ative. Bhristine spea,s up. GWe a thou#ht he was a itt e creepy, $ut he was pretty 8uiet, ;e ,ept his distance, rea y.H That/s when it hits me, he/s the #uy who accompanied Amanda to the hospita when Tasha had her accident. I as, her direct y if he acted stran#e in any way when he drive her to the hospita . She sha,es her head. GCo, he never said a word, ,ept his hands on the whee . In fact, I tried to spea, to him $ut he never spo,e.H The officers oo, at each other and si#h. GWe , it/s not definite, $ut it oo,s i,e he "ust i,ed to watch. We/ve interviewed a few #ir s from your schoo over the ast few days and they/re a $ac,in# up what you say.H They stand up to eave, they than, the #ir s for their time, apo o#ise if they/ve upset them, and I see them to the door. GSo what/s i,e y to happen to him, eventua y<H G@ea istica y, he/s a ready fired. The #ir s at that schoo start at a#e )), $ut he didn/t record anythin# so chi d porno#raphy/s not on the cards. Aore than i,e y he/ have to si#n the sex offender/s re#ister and he/ never wor, with chi dren a#ain.H We sha,e hands and they eave. Tasha meets me in the ha way and em$races me ti#ht y. GA ways ,new he was fuc,in# weird.H GSo are you, he was on y doin# what you did durin# the s eepover.H She #ives a #ent e chuc, e. G?eah, $ut I wasn/t the one who set up the camera in the showers.H G?ou #uys o,<H GI thin, Amanda is, don/t ,now a$out the other two.H So we #o $ac, into the front room and Amanda seems to have #ot them smi in#. 9rin,s are rep enished, and the #ir s ca their parents to te them what/s transpired. I/m put on the phone to confirm was in the room when the ,ids were 8uestioned, and I promise to provide a taxi service when they want to #o home. They had intended to mooch around town a day, $ut the po ice visit has ,noc,ed the wind out of their so they as, if they can han# around the f at, a#ain. GWe , o,. 0n one condition. Try to ,eep your c othes on<H This #ets a au#h, and they sett e down wherever they can, Sarah choosin# a 9E9 2Cottin# ;i a#ain3 and they seem to $e set. I fina y #ra$ my shower, and amaFin# y, I/m not distur$ed $y a mystery #uest. For the he of it, I wa , out of the $athroom with no shirt on, and since the wor,out, I/m s i#ht y more toned than $efore 2it didn/t ast3 and #et a few desired wo fDwhist es as I pass the front room door wa ,in# to the ,itchen. Tasha comes out to "oin me, $ut she/s not smi in#. GI thin, we need to stop.H G;ow do you mean<H GWhen those po icemen showed up at your door, what was the very first thin# that entered your head. Be honest.H I thin, a$out it. I ,now what she/s ta ,in# a$out. It wasn/t me thin,in# somethin# had happened to my parents, or to Tasha. GI thou#ht they/d found a$out us. A of us.H She nods. GI wou d have too. It/s "ust too ris,y. Cow you/ve #ot your own p ace, havin# streams of #ir s comin# in and out is #oin# to #et noticed. It/s pro$a$ y on y a matter of time.H I ,now exact y what she means, and damn her, I cou d never fau t her o#ic. Amanda comes in and sees the oo, on our faces. She and Tasha have #ained a very c ose understandin# of each others emotions, and she si#hs. GToo c ose<H We $oth nod. She comes over and we hu#. GI/m sti your #ir friend thou#h, ri#ht<H GBhrist, yes, I/m not ettin# you #o that easi y. Especia y when you oo, that #ood in. We "ust have to wait % years.H GFuc, that, I/m )T in )O months. Then we can do whatever we fuc,in# want4H So that/s it, dear reader. I/m fina y endin# it. The visit today put the fear of Bhrist in me, and #iven the new situation, we "ust can/t ris, it. What/s done is done, and $y the ord ;arry, do we not re#ret it, nor wi we ever. Tasha is sti havin# s eepovers, $ut we/ve reso ved to ,eep our hands to ourse ves. Amanda can come over whenever she wants, $ut a#ain, decorum is the ,ey. >ood$ye, farewe , than,s you so much for readin# ! Tasha sends na,ed hu#s. .That is where the story ended, or so we thou#ht. .Two months ater, The story continues. 9espite the so$erin# events of the end of Apri , the #ir s sti invaria$ y popped $y. Aain y my unofficia s8ueeFes, Tasha ! Amanda, $ut sometimes Sarah 2Frec, es3 and Bhristine wou d $e in tow. Catura y, I didn/t want this to $e a re#u ar thin#, Four )& year o d #ir s comin# $y the f at of a sin# e )6 year o d tenant wou d invaria$ y raise eye$rows with the nei#h$ours, $ut due to a few random conversations with other tenants and the and ord, the technica y accurate notion was put forward that Tasha was indeed my sister, and the * other #ir s mere y her friends, who i,ed to fre8uent my esta$ ishment as it #ave them momentary freedom from the pressures of home and academic ife. It a so he ped I ,new a coup e of the other residents from schoo days, and the #ir s wou d a ways he p some of my o der nei#h$ours in with their shoppin#. It wasn/t on# $efore the #ir s were re#arded as a $unch of nice, friend y and he pfu ,ids who were on y too happy to he p out. Catura y, once $ehind the comfort of my front door, and once sure we wou dn/t $e distur$ed, the apartment 8uic, y $ecame an adDhoc naturist site. After the -tensionD$rea,in#/ episode insti#ated $y Amanda durin# the f at/s decoration, Frec, es ! Bhris thin, nothin# of whippin# off their tops and wa ,in# around in "ust their ,nic,ers. It too, some #ettin# used to $ut $iFarre y enou#h, they say it he ps them concentrate when they/re doin# their homewor,. They a ways have their discarded c othin# near$y "ust in case we have unexpected visitors, $ut uc,i y we haven/t had any -oops Eicar/ farcica runnin# around the f at and hidin# in wardro$eD type situations P yet. 0rdinari y, and if I didn/t have the start of the year I/d had, 6 $reasts of varyin# siFes movin# with #ay a$andon around the f at wou d seem aw,ward, $ut as they/re attached to #ir s of exceptiona inte i#ence with fine yDtuned mora compasses it/s amaFin# how 8uic, y you #et used to it. I/ve $een to d I/m under no o$ i#ation to participate in the festivities, $ut I/ norma y ta,e my shirt off "ust to fit in. I actua y have a reason to do this this wee, as I/ve had a rather ar#e piece of artwor, tattooed to my upper arm and the exposure aids the hea in#. Amanda oves it and is fascinated, and the other #ir s were o, once it stopped $ eedin#. So that/s the situation up to date. The #ir s are sti fre8uentin# the f at, I/m sti #ainfu y emp oyed at the Audi dea ership, $ut I haven/t $een as,ed to drive U)((, superDcars to Birmin#ham since that first time. Aum/s comp ete y fine, with no re apses or episodes since that one timeM Saturday 6'T')* As for events, there/s one to spea, of. 7ast wee,end I/d "ust #ot $ac, from a $out of Window Shoppin# up town 2which actua y ended up with me $uyin# Bioshoc, Infinite and some extra 99@* ram stic,s3 when I #et a phone ca from Frec, es. She/d $een up town herse f 2ships in the ni#ht, it/s a $i# town3 $ut she/d for#otten her ,eys. ;avin# ca ed her parents, they were actua y $ro,en down $y the side of the road some *( mi es away, and they wou dn/t $e recovered for at east % hours $y the @AB. She/s $een up town with Bhristine and they/d #one their separate ways $efore she rea ised her predicament. 0f course I to d her to come over and I/d drop her off once her parents were home 2I/ve spo,en to them a coup e of times. Eery modern types3 so a few minutes ater she turns up, and as she/s on her own her demeanour is comp ete y different. I/ve had time on my own with her $efore, and she/s as smart and confident as Amanda, $ut as she/s comp ete y on her own with me, a shyness ,ic,s in. It/s 8uite sweet actua y, $ut I te her to ma,e herse f at home and she p on,s herse f on the sofa and throws on a 9E9. 0ffers of refreshments are made and administered, and I sit down $eside her watchin# ;itch;i,er/s and scoffin# down sandwiches. I do notice that she/s remainin# fu y c othed, somethin# that stands out as norma y she/s the first to whip off her top when a the #ir s are here. I don/t mention it, $ut she o$vious y senses somethin#. GIt wou d have fe t aw,ward on my own, i,e I was tryin# to seduce you or somethin#.H I stif e a chuc, e as it/s so damn cute. Aind you, I/ve a ways $een nuts a$out her frec, es and her eyes are incredi$ e, and $efore I ,now what I/m doin#, my arm/s restin# on the $ac, of the sofa and I/m a$sentDminded y p ayin# with the hair on the ed#e of her frin#e. She $ ushes and I catch myse f. GAh, sorry. Force of ha$itH She tuc,s the errant strands of hair $ehind an ear and we carry on watchin# the $it where Tri ians/ "ust a$out to $e fed to the @avenous Bu#DB attered $east of Traa# when she $ urts outL GIf you weren/t with Amanda, wou d you fancy me<H I/ve $een here $efore, it/s sha,y #round, oaded 8uestions and the possi$i ity of a Fata DAttractionDtype $unny $oi er as the outcome if I #et it wron#. I decide to $e painfu y $ unt, and comp ete y honest. GI am with Amanda, yes, $ut I 90 fancy you anyway. ;ave done for a#es, actua y.H The oo, of shoc, on her face is c assic, $ut it 8uic, y disappears $ehind a hu#e #rin. G@ea y<H GWe , yeah, you/re very attractive. ?ou/re smart, very sexy and I ove the frec, esH this causes her to #o $eetroot red. GAy frec, es< I hate them.H She averts her #aFe $ut I move her face $ac, to mine. GThey/re #or#eous. And you/ve #ot incredi$ e eyes too. A man cou d ose himse f in them. ?ou/ ma,e someone very happMH I can/t finish my p atitude as she/s p anted her ips on mine and her ton#ue forces its way into my mouth. I shou d protest. I/m with Amanda, and Tasha 2,inda3 and I ove them $oth, $ut this itt e $und e of sexua ener#y is pressin# a the ri#ht $uttons and I unconscious y reciprocate her advances, pro$in# her mouth with my own ton#ue, and I fa $ac, on the sofa, Sarah on top of me as we continue to ,iss. Ay hand trave s down her $ac, and I find her $ac,side, her chee,s a$out the same siFe as Tasha/s, and I reach under her s,irt to find she seems to $e wearin# a thon#, so I #et a ar#e handfu of na,ed f esh, which I ,nead, my fin#ertips ed#in# c ose to her pussy. It/s now I rea ise what the fuc, I/m doin# and $ac, off. GStopH GWhat< Why<H I move to #et up and she s ow y #ets off me, a oo, of disappointment tin#ed with sadness on her face. GI/m sorry Sarah, I shou dn/t have done that.H GI did itH GI ,now, and I shou dn/t have et you. I/m with Amanda and TM and as much as the $east inside me wants to do everythin# you want me toM I can/t #o $ehind my #ir friend/s $ac,, I/m sorry.H She #ets off the sofa and 8uic, y strips na,ed, surprisin# y 8uic, y as it happens, as she wasn/t actua y wearin# a thon#, or a $ra for that matter. She stands $efore me, and it/s a I can do to not throw her $ac, on the sofa and fuc, her si y ri#ht there

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

and then. G;ow a$out now<H I oo, her up and down, her incredi$ e fi#ure, her pert $reasts with the dar, and s i#ht y shiny nipp es, her now trimmed pu$ic thatch sti exposin# her o$vious y moist ips. I cou d have, rea y I cou d. ButM GCo, I/m sorry.H I stand up G?ou/re incredi$ e, Sarah, and you wi ma,e someone a wonderfu #ir friend, $ut I/m with Amanda, and I ove her.H She oo,s up at me and the hint of sadness evaporates into a hu#e #rin. She throws her arms around me and hu#s me with surprisin# force for someone her siFe. Catch, I/m a touch perp exed, $ut she pic,s up her hand$a# and ta,es out her phone, taps the screen, waits a few moments, says -a #ood/ and hands me the phone. 7oo,in# at the screen I see Amanda/s name. Even more perp exed I ho d it to my ear as Sarah starts puttin# her c othes $ac, on G;i<H GI ove youH GErM I ove you too. What/s #oin# on<H GI/m so sorry, $ut I had to ,now.H G=now what<H Since the po ice incident none of us have had sex. At east not penetrative sex with Amanda or Tasha. We mi#ht have s ipped and had the odd $out of mutua mastur$ation on the odd occasion, $ut overa we/ve done 8uite we . Tasha/s fine $ut as Amanda/s s i#ht y o der it wou d seem her sense of commitment is a touch stron#er. 0ur re ationship cou d easi y $e descri$ed as -$on,ers/, as anyone who/s ,ept up with the updates wi ,now. Since we $ac,ed off on the sha##in# other facets of $ein# to#ether have come to the fore. As it turns out Amanda and I are very we suited, a itt e more than me and my sister, $ut that/s pro$a$ y the who e $rother'sister mechanic that every set of si$ in#s have. ;owever, outside the f at, Amanda and I are BF ! >F and it/s stuc,, $ut as mentioned $efore, I invaria$ y have %D& near y na,ed nu$i e nymphets wanderin# around my domici e near y every wee,end, some stayin# the ni#ht, so natura y, Amanda fe t threatened. I $ oody wou d too. So, as you/ve no dou$t #uessed, she as,ed Sarah to participate in this itt e charade to #au#e my eve s of fide ity. It seems I passed. GIt was a test<H GAn experiment.H GAnd if I/d fai ed<H GThen we wou d have had to have a conversation'.H GCo, I mean if I/dM #one too far with Sarah. If I/d ta,en her past where she wanted to #o with this.H G0h, don/t worry, she wants you "ust as much as I do. I/m sure she/d have $een more than the method actor for the part.H G?eah, I #ot that fee in#. So what now<H GI/m comin# over. Te Sarah -copperp ate/H GWhat<H She han#s up. I thin, I ,now what the he /s "ust happened, and if I was in any other re ationship, I/d $e pissed. But I #et it. I toss Sarah/s phone $ac, on the sofa. She/s on# departed to the $athroom so I wa , to the ,itchen to #et myse f a cup of somethin# stron#. She "oins me short y. GBopperp ate<H G@ea y<H GWhat/s copperp ate<H GIt means if we want to, we can.H GBan what<H But I #et it from her coy expression. GAmanda said that if I did this, and if you wanted to, we cou dM have a itt e mess around.H GAs inM you want to..H GCo, I don/t, $ecause that wou d $e a step too far.H She steps towards me and puts her arms around my waist, her piercin# eyes oo,in# up at me. GI "ust want you to ma,e me come.H There/s a moment of si ence as I ta,e this in. I ,new Amanda was open minded $ecause of our history, $ut I wasn/t expectin# this much. I ,now I shou dn/t, $ut the $east ta,es over and I fi#ure, what the he . G9id you have anythin# in mind<H She drops her #aFe and I can fee the heat emanatin# from her face as she $ ushes crimson. I can #uess what she wants $ut she can/t $rin# herse f to as,. I ift her face to mine and we ,iss. It/s more natura than $efore, as I rec,on she was #oin# more for forced passion than rea ust. This time it/s more #ent e and pretty sensua . I tu# at the hem of her thin sweater and she $rea,s the contact as I ift it over hear head, tossin# it aside as I ,iss her a#ain, my hands movin# to her incredi$ y soft $reasts, her erect nipp es evident on the pa ms of my hands as I ru$ my hands over them, her $reath 8uic,enin# a#ainst my ips. She tuc,s her hands under my tDshirt and stro,es my $ac,, movin# her hands up to my chest. I #et the hint and remove my shirt, she pushes me $ac, and I fa $ac, onto the sofa and she stradd es my ap. I ,now she/s not wearin# ,nic,ers $ut her s,irt hides anythin# interestin# and she eans down to ,iss me a#ain. She rea y is a #ood ,isser and if I wasn/t erect a ready, I certain y was now, to the point it/s pressin# painfu y a#ainst my "eans. I reach down and undo my $utton and Fip, re easin# the pressure as I pu my coc, out of my $oxers. Sarah $rea,s away and oo,s down at it. I ,now she doesn/t want to fuc,, and it te s on her face. GIt/s o,, I "ust needed to #ive it some airH She re axes s i#ht y and resumes ,issin#. Ay hand finds her $uttoc, a#ain, and as we ,iss my fin#ertips definite y reach her pussy, and I start stro,in# her s it, dippin# into her entrance and ru$$in# her tiny c itoris as I move my fin#ers, her ,issin# #ettin# heavier and her $reathin# more intense. I #ain a moment of ucidity and mana#e to ca m us $oth down. I mana#e to remove my "eans and she her s,irt, so we/re $oth na,ed on the sofa, her fine pu$ic hair tic, in# the $ase of my shaft as she comes in for another ,iss, this seems to $e her thin# as she seems to rea y en"oy exp orin# my mouth with her sma ton#ue. Both my hands c amp onto her $uttoc,s and I pic, her up and spin around so she/s ayin# on the sofa cushions. I $rea, from her ips and #ent y ,iss her nec,, movin# down to her nipp es, suc,in# on one, then the other. I have to contro myse f as Sarah ma,es these tiny s8uea,s every now and a#ain and I/ $e honest, it/s a $it of a passion ,i er and it/s a I can do to stop myse f au#hin#. ;owever, once I move further down her a$domen, her sounds $ecome much more adu t and viscera , and as I pass her nave and ma,e contact with her #enita s she/s 8uiet y #runtin# every time my ton#ue f ic,s her c it, her hands #rippin# the side of my head, her fin#ers in my hair as I $ury my mouth into her pu$is, the air escapin# noisi y from my nose as I wor, her pussy with considera$ e, $ut apparent y we come force. A this whi e I/m painfu y erect, $ut I/ve had to et that ta,e care of itse f as my hands are $usy wor,in# Sarah/s thi#hs. I can fee Sarah $ui din# to somethin# as her anima istic #runts #et heavier, and her "uices start to rea y f ow. I start to concentrate pure y on her itt e c itoris when her hands eave my head, she pushes me forward as I sit up and over onto my $ac, on the carpet $ehind me, she moves with me off the sofa and onto the f oor and $efore I can #et my $earin#s, she/s ,issin# me a#ain and there/s the unmista,a$ e sensation of moist warmth enve opin# my painfu y erect penis. It was my understandin# that Sarah was a vir#in, and everythin# I ,now a$out her and have heard from my itt e harem is that she/s untouched, $ut somethin# Ceandertha and instinctive must have ,ic,ed in as she pounds my a$domen, her ti#ht $ut yie din# va#ina s idin# up and down my coc, as she p aces her hands on my chest, her face a torture of emotions as the new sensation ta,es over her $ody, and it/s not on# $efore her movements cease, and her $ody convu ses #ent y with an intense or#asm. As incredi$ e as this was, the rea ist in me ta,es over. I withdraw #ent y, $ut ho din# her c ose a the whi e. I wait for her $reathin# to su$side. I didn/t come myse f, $ut I ,now withdrawa is the worst ,ind of contraception, $ut I fee that/s the east of her concerns. I can fee her $reathin# heavi y into my nec,, and it/s a whi e $efore she raises her head to oo, at me. GSorryH GFor what<H G7yin# to you ear ier. A$out not wantin# to fuc, you.H G?eah, I #ot that.H She must see the oo, on my face. GI/m on the pi . 9on/t worry.H I try not to ma,e it o$vious, $ut I $reathe a massive si#h of re ief. GSo, do you fee $etter now<H GImmense y. But don/t te Amanda.H Cow I fee rac,ed with #ui t P to a certain extent. GI won/t, $ut you/d $e amaFed what she/s o, with.H We ie there, her on top of me, sharin# each other/s warmth as Ar ;appy downstairs starts to re ax. Sarah/s head sudden y snaps up. G9id you come<H GCo, $ut don/t worry, as on# as you/re happy.H She smi es and #ives me a pec,. GCot yet I/m not.H She sits up and moves s i#ht y forward, massa#in# my dic, with her s it unti I/m erect a#ain, ho din# me a#ainst her c it as she pushes her pe vis $ac, and forth. Eventua y she shifts her hips and I/m $ac, inside her, $ouncin# on my hips as I thrust upwards. 0$vious y the num$ness of passion has su$sided and it/s not as comforta$ e as $efore, so I #esture her to #et off and ay $ac, on the sofa. I sit on her pe vis 2#ent y, a those wor,outs has made me a itt e stoc,ier3 and start ru$$in# myse f as she pinches her nipp es. It doesn/t ta,e on# $efore I/m near y there, and Sarah moves $eneath me, eans upon an e $ow and opens her mouth at the end of my coc,. It/s more than enou#h and a most immediate y I start to shoot my come into her mouth, missin# a coup e of times $ut she doesn/t seem to mind. Fina y we $oth su$side. The ast strands of my come have fa en onto her $reasts, and it/s o$vious she hasn/t swa owed. I #et off her and she ma,es her way to the $athroom and I hear the sound of her 8uiet y spittin# my come into the toi et. I pic, up our c othes and fo ow her in there. We #et c eaned up and dressed 2She actua y had a $ra and ,nic,ers in her hand$a#3 and it/s when we/re ha fway throu#h a re axin# cup of tea when the door $uFFer #oes. Amanda comes up and Sarah opens the door to the f at. She ta,es one oo, at us and as,sL G?ou fuc,ed anyway, didn/t you<H If I didn/t ,now her so we I/d $e worried, $ut there/s a # int in her eye I/m very used to. G9efine -fuc,ed/H G9id you come inside her<H GCoH She shru#s her shou ders. G0h, o,. Is the ,ett e $oi ed<H Sarah was shittin# $ric,s throu#h this itt e exchan#e, $ut once she rea ised Amanda wasn/t in a ,ee Dhau in# mood, she re axed considera$ y and the rest of the day passed 8uite uneventfu y. Technica y, $ecause we didn/t do the nasty $efore Amanda ,new a$out it, it wasn/t cheatin#. >o fi#ure. Tasha turned up not on# after $ut no si#n of Bhristine a wee,end. 0$vious y Tasha had to $e to d, $ut I cou d easi y sit $ac, and p ay the innocent as the ta e of su$terfu#e and deception unfo ded. The part a$out Frec, es/ parents $rea,in# down was true, and it was few hours $efore we #ot the ca to say they were home. As promised, I dropped her off and #ot a 2>ir friend'Sister approved3 #ood$ye ,iss, and that "ust eft me and my two havin# a 2parent approved3 s eepover that ni#ht, with $oth #ir s wantin# to ,now exact y what happened. We a shared the same $ed that ni#ht, which is now a rare treat, $ut Amanda o$vious y wanted me to ,now she was sti my num$er one #ir with a #ent e $ut awesome $ ow "o$ as an a arm ca in the mornin#. Truth $e to d, Tasha is $ac,in# off s i#ht y now. We sti have the odd fun fum$ e every now and a#ain, $ut she/s spotted how c ose Amanda and I are #ettin#. 1 us it/s exams soon, so academics must ta,e priority, and this is a #ir who near y $ ed to death due to homewor,. I saw Sarah a#ain yesterday 2in company3 and apart from a $rief ,nowin# smi e, everythin# seems

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

$ac, to norma . >ot a $it worrisome this wee,. Even thou#h Amanda #ave Sarah and I permission to have a nasty, it seems she mi#ht not have $een as o, with it as she tried to ma,e us $e ieve. I #ot a coup e of texts durin# the wee, from Sarah te in# me that Amanda was $ein# a tad standoffish with her at schoo . They were never as c ose as Amanda and Tasha, $ut on a few occasions Sarah #ot the impression Amanda was de i$erate y avoidin# her. I to d her I/d ta , to Amanda this wee,end a$out it. Saturday %)'T')* After the episode ast wee,end, Sarah seems to have accepted it as a oneDoff, which is fine with me. I i,e her company 2especia y with those #odDdamned frec, es3 $ut my ife/s comp icated enou#h. I pic,ed Amanda up from her house Saturday mornin#, and to say the drive $ac, to my p ace was aw,ward was an understatement. 7ots of window stares and a distinct nonDcommitta to any attempts at conversation. We/d a#reed to hit the #ym to#ether for a coup e of hours, so she 8uic, y #ot chan#ed in the spare $edroom 2another $ad si#n, norma y she has no 8ua ms a$out strippin# off in front of me3 and we headed out in si ence to the #ym. We started out on ad"acent treadmi s, $ut she swift y moved onto somethin# e se a few minutes in, and we $are y spent more than a few minutes at a time in the same area, and after ha f an hour she fina y pipes up and te s me she/s had enou#h. GEnou#h of what<H I as,, fearin# the worst. GWor,in# out. Ay mind/s not in it. 7et/s #o $ac, to yours.H So we 8uiet y #et our stuff and start the short wa , $ac, to mine. I decide to #et it over with. GIt/s Sarah, isn/t it<H G9on/t you mean -Frec, es/<H Ah. GIs that what this is a$out< ?ou did say we cou d haveMH GCo, it/s not thatM We , sort of.H She stopped wa ,in# and oo,ed strai#ht at me. GI/ve $een as horny as fuc, for the ast month after we stopped havin# sex and you #o and sha# Sarah at the drop of a hat4H G?ou did say we cou dMH GI didn/t $ oody mean it4H This must $e a #ir o#ic thin#. GI as,ed her to try to seduce you $ecause I thou#ht you were #oin# off me.H I ta,e a physica step $ac, and oo, her up and down. She/s wearin# the ti#ht $ ac, 7ycra outfit with the pin, inin#, hu#e $oo$s restrained under the pneumatic sports $ra, with a coup e of inches of midriff showin# her pierced $e y$utton. GAre you nuts< ;ow the he cou d I ever #o off you< If it ma,es you fee any $etter, I/ve wanted to fuc, your $rains out every day you come over.H GSo why don/t you<H GBecause of our arran#ement. After what happened with your o d careta,er. 1 us the news has $een a $it re evant ate y.H There/s $een a ots of news ate y a$out a teacher who pissed off to France with a )ODyear o d pupi . They/d $een havin# sex for a few months and he recent y #ot sent to "ai for five and a ha f years. GThat/s different, it/s nothin# i,e you and me. That was an a$use of trust thin#, p us she sounds i,e a comp ete s apper anyway4H She sounds i,e she/s ha f a second away from $e##in# me for sex. GBome on, I/ pop the ,ett e on and we/ ta , a$out it.H I ta,e her hand and we s ow y wa , $ac, to the f at. I open the door and et her in, I wait unti she drops her $a# when I #ra$ her $y the waist and spin her around, p antin# my ips on hers and #ra$$in# her curvy $ac,side as my ton#ue enters her shoc,ed mouth. The surprise su$sides and she softens s i#ht y, her arms fo din# around my nec,. I start to move my hands a around her $ody, stro,in# her thi#hs, waist, $efore movin# round the front to caress her $reasts. They fee roc, so id as they/re pressed a#ainst her chest $y her $ra, so she $rea,s contact and whips them off. I 8uic, y reDesta$ ish tacti e contact, dippin# my head to ta,e her nipp es into my mouth. She #ives a itt e moan as she runs her fin#ers throu#h my hair. I swift y drop to my ,nees, hoo, my fin#ers into her waist$and and tu# her ,nic,ers and 7ycra e##in#s down to her an, es, comin# face to face with her pussy. I $are y have time to re#ister she/s #ot a sma #rowth of pu$ic hair 2at ast43 $efore I move my head forward and start suc,in# on her swo en c it. ;er $ody convu ses as she mana#es to extricate one of her an, es from her e##in#s and she ifts a e# over my shou der, #ivin# me easier access to her. ;er fin#ers are #rippin# the side of my head to the point of a most $ein# painfu , which odd y enou#h is a so the sensation in my pants, with my roc, so id erection in dan#er of rippin# the seams on my shorts. I start movin# up her $ody, ,issin# her $are s,in as I s ide my $oxers down, fina y reachin# her ips as I #ra$ a $uttoc, in each hand, ift her up and penetrate her semiDrou#h y as we start to ,iss a#ain. We start to fuc, standin# up, her e#s wrapped around my $ac,, her arms over my shou ders a#ain as she he ps me to support her wei#ht as I thrust into her, $an#in# her $ac,side a#ainst the wa . I/m acute y aware that the noises we/re ma,in# mi#ht not $e easi y exp ained to the nei#h$ours, so I start to move into the spare room where she #ot chan#ed ear ier. The curtains are sti c osed so it/s a $etter $et than my room. I move to ay her on her $ac, $ut she whispersL GTurn aroundH. I do so, and I ay on the $ed, $rin#in# her down on top of me. She untan# es her e#s from under me and starts s idin# up and down the fu en#th of my coc,. I en"oy the incredi$ e si#ht of her toned $ody on top of me. We/ve shared a $ed severa times since the a$stinence started, $ut it/s #enera y $een 8uite civi ised, with ni#hties and dimmed i#hts $ein# the order of the day. She notices me starin# at her pu$ic re#ion, which now sports a itt e #rowth of hair. GIt started #rowin# a few wee,s a#oH she pants as she continues to $ounce up and down on me. GA$out $ oody time.H ;er hands start #rippin# my chest as her $reath 8uic,ens, and I pump her harder as I can fee myse f #ettin# c ose. We $oth start to #et s i#ht y anima istic as we $rin# each other c oser and she starts to come "ust $efore me, her va#ina contraction $rea,in# the came /s $ac, as I e"acu ate inside her sha,in# $ody, ho din# each other as c ose as possi$ e as we $reathe hot air a#ainst each other/s nec,s. We $are y have time to come down when my door intercom $uFFes. I ro her off me and, carefu of any spi a#es, reach around the door frame to answer the intercom phone. G;e o<H GIt/s Tasha. Isn/t your $ oody phone switched on<H GAh, no, sorry.H GWe < 7et me in then<H GIs it "ust you<H G?es, why<H $ut I push the $utton to open the door, s i#ht y open the front door to my f at and #o $ac, into the spare room to ie with Amanda, who drapes an arm over my chest and reaches forward to ,iss me. GThat was awesome. Than, you.H G?ou/re we come.H GBetter than Sarah<H She has a chee,y oo, in her face I haven/t seen in a whi e. GWe M a most. I/ have to have a coup e more #oes to refresh my memory4H She s aps my chest as we hear the front door open. GWe/re in here4H I ca out. The front door c oses and the $edroom door opens, the first thin# Tasha sees is our na,ed $odies intertwined. We/ve position ourse ves so it/s not too #ratuitous, $ut the oo, on her face is price ess. G0h, for fuc,/s sa,e, I thou#ht you/d #iven up on that.H I try to affect a shru#, tric,y when you/re yin# on a comfy $ed with )&( $s of sweaty woman on top of you. GShe overpowered meH Tasha si#hs and sha,es her head. GI/ put the ,ett e on. 9on/t #et up.H And she f ounces off to the ,itchen. It/s a few minutes $efore we do eventua y dra# ourse ves out of $ed. Amanda #ra$s her #ym $a# and "umps into the shower. I #ra$ my ro$e from my room and meet Tasha in the ,itchen. She #ives me a oo, of disapprova . GWhat a$out a that stuff we discussed< It/s too dan#erous.H GI ,now, $ut everythin# in moderation.H GAoderation< Sarah ast wee, and Amanda today< ;ow is that moderation<H I wa , over and #ive her a hu# from $ehind, my hands movin# up to her chest. ;appi y, she doesn/t protest as I cup her $raDc ad $reasts. The materia isn/t that thic, and I can fee her nipp es harden under the fa$ric. G0nce a wee, IS moderation, p us it/s $ehind c osed door, not in a a,eside chan#in# room4H She #i## es as I ean down to ,iss her nec,. Ay dic, starts to harden a#ain and she o$vious y can fee it pressin# a#ainst her $um. G9on/t put that thin# near me. At east not unti you/ve washed it4H She turns her head to ,iss me and I #o to "oin Amanda in the shower. We spend on#er than norma to #et c ean as a the ,issin# and stro,in# of $ody parts ta,es up a ot of time. We shou d have hiatuses more often as it fee s i,e we/re "ust startin# out in our re ationship a#ain. ;er pussy a so fee s different now there/s -hair down there/. )( minutes ater we fina y #et out of the shower and dry each other off, Amanda ta,in# a itt e too on# dryin# my penis off and it/s hard a#ain in seconds. She oo,s down at it, smi es, and drops to her ,nees, "ust as I did ear ier, and ta,es me into her mouth for a few minutes. She rea ises it/s not $een on# since I ast came, so she/s very #ent e, stro,in# my $a s with a free hand and $rin#in# me a#ain to a c imax. She waits unti I finish, suc,s the ast remnants out of me, swa ows and stands up a#ain. =isses me on the chee,, ta,es a hearty swi# of mouthwash and we fina y #et dressed and eave he $athroom, fina y "oinin# a very $ored oo,in# Tasha in the oun#e. G0h, Fina y4 ?our tea/s pro$a$ y co d $y now.H Amanda pic,s up our cups. G?eah, sorry. I/ #o ma,e another coup e.H She wa ,s into the ,itchen and Tasha #ives me one of her oo,s. GWhat a$out everythin# we discussed<H G?eah, I ,now, $utM I cou dn/t say no. She seemed a itt e upset after ast wee,endH GWhen you did Sarah<H I/m not surprised she ,nows. GWe , of course. Anyway, we/ve $oth $een as horny as he and it popped.H G1opped<4H G1opped, in the ha way after the #ym. +p a#ainst the wa .H She smi es G0h yes, I ,now what that/s i,e. 7oo,, "ust $e carefu , you ,now what happened to that teacher $ o,e.H G?eah, we ta ,ed a$out that too.H Seems it/s $een a topic of much discussion at their schoo . G9on/t worry, we/re not #ettin# on a ferry to France any time soon.H She ta,es a sip of her u,ewarm tea and f ic,s on the TE. G?ou don/t mind, do you<H GAind what<H GThat Amanda and I areM G0h, not rea y. But I won/t ie I/ve wanted to "ump in the sac, with you a few times, $ut Amanda and me norma yM satisfy ourse ves whenever the ur#e arisesMH my interest pic,s up, as does somethin# e se. GSatisfyM as inMH The # int in her eye is unmista,a$ e. G0h yes, we $oth wanted you, we cou dn/t have you, so we norma y "ust #et each other off. 9id you notice she/s started #rowin#MH G?es, I did, $ut don/t chan#e the su$"ect. ;ow often do you #uysMH G1retty much every wee,end, $io o#y permittin#. We wait unti you/re as eep norma y. It wou dn/t $e fair to expose you to that much sexiness when you cou dn/t do anythin# a$out it.H G9o anythin# a$out what<H Amanda comes $ac, into the room with two steamin# cups. GI was "ust en i#htenin# my dear $rother a$out our stress re ievin# activities.H G0h, yeah. We , the odd $ ow "o$ and cunni in#us sessions were tidin# us over, $ut sometimes you "ust need to have someone who rea y ,nows how your $ody wor,s to #ive you a #ood seein# to.H G;ey4 I ,now how your $odies wor,. I thou#ht I did very we , actua y.H G0h, you/re #ood, don/t worry, $ut sometimes the feminine touch is needed.H GI wou dn/t mind watchin# that some day.H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GWe , I/m s eepin# over toni#htMH news to me. G?ou are<H GI am now, yes.H Catura y, I/m ha f pitchin# a tent for the rest of the day in anticipation, $ut the #ir s decide to #o into town, I han# a on# for the he of it 2nothin# e se p anned3 and we spend a few hours en"oyin# each other/s company, #ra$$in# snea,y stro,es and #ropes when we/re a$ e. It rea y is i,e we/re "ust startin# out a#ain, and it/s pretty awesome. There/s an aw,ward moment when we $ump into their ;eadmaster "ust as my hand c amps on Amanda/s $um, $ut I/m sure I mana#e to sty e it out. It/s the summer So stice, so it/s the on#est day of the year, which means it isn/t dar, unti very ate. I/ve #ot a sma $a cony so we spend an hour out there havin# a coup e of $eers 2co,es for the adies3 and I serve up some home made pasta. We spend a coup e of hours ta ,in# $o oc,s and watchin# the wor d #o $y $efore movin# $ac, indoors and c osin# a the curtains. The #ir s insist on watchin# the fina of The Eoice 2+= version3 and then a movie is chosen from my vast co ection. Cottin# ;i a#ain. ?ippee. Cature ca s and I excuse myse f to pop to the toi et. I come $ac, out and the ivin# room is deserted, a thou#h the movie is sti p ayin#. I shut it off and head to the spare room, no si#ht of them in there so wa ,in# into my room I/m met with the si#ht of Tasha and Amanda ,issin# passionate y on my $ed, fum$ in# at each other/s c othin# as they try to undress each other. Amanda opens an eye and ho ds up a hand to stop me as I approach them. She points at the chair in the corner of the room and I can te $y the oo, on her face I/m to $e a spectator for this one. I ma,e myse f comfy and watch the #ir s wor, on each other. It/s not on# $efore they/re $oth down to their ,nic,ers, ,issin# and stro,in# each other, ta,in# turns to $e on top, ,issin# and suc,in# each others $odies, concentratin# main y on the nipp es, $efore Tasha fina y moves down on Amanda/s prone $ody. She doesn/t remove her ,nic,ers, $ut pu s the #usset aside and forces her ton#ue $etween the fo ds of Amanda/s pussy. Ay #ir friend arches her $ac, with p easure and #rips the duvet either side of her. Ay eyes fix on Tasha/s itt e $um stic,in# up in the air. She/s sti wearin# ,nic,ers too, $ut I can see them #ettin# visi$ y wetter the more she wor,s. I can/t stand it for much on#er so I start strippin# off whi e sti sittin# in the chair, fina y ettin# the ra#in# $eat out of its ca#e and I start stro,in# myse f. Amanda oo,s over at me and smi es. I/ve never seen her more content, $ut she raises a hand, points at Tasha/s wi## in# $ac,side and $ec,ons me over. I don/t need as,in# twice so #et on the $ed $ehind Tasha, #ra$ her ,nic,ers and pu them down. If I wasn/t erect $efore, I am now, as the si#ht of my sister/s # istenin# pussy is the stuff of e#ends. I/m tempted to "ust fuc, here there and then, $ut I ean down and start wor,in# her pussy with the same vi#our as she/s doin# to Amanda. In this position the c it is under her va#ina, so I ic, the entire en#th of her vu va, her $ody twitchin# whenever I hit a sensitive area. ;er itt e pin, $utt ho e is ri#ht at the tip of my nose, and whi e I/m tempted, I decide to #ive that a miss for now. Fina y I move up, position myse f at the entrance of her pussy, and with a reassurin# nod from Amanda, push myse f inside. I hear Tasha #asp, and Amanda pu s her up to ,iss her, va#ina "uices and a . Ay thrusts move their $odies a#ainst each other, and whi e I/m fuc,in# Tasha, I can sense the fee in# of their $odies ru$$in# is doin# thin#s for Amanda too. I haven/t fuc,ed my sister is a whi e, and her pussy is ti#hter than I remem$er, it/s sti fami iar y warm and we comin#. I/m a on# way off, $ut Tasha comes vio ent y, her $ody co apsin# a#ainst my #ir friend. I pu out and sit $ac,. I oo, down and notice somehow Amanda/s removed her ,nic,ers, so iftin# up $oth #ir s, I position myse f at Amanda/s va#ina and push myse f inside. She a so #asps, and wraps $oth arms around the dormant Tasha. I/m in heaven as I drop my #aFe and watch myse f enterin# and exitin# Amanda, with Tasha/s itt e nether re#ions $ouncin# a#ainst my a$domen. Ay thrusts #et more powerfu as I prepare to come for the third time, when Amanda whispers to me. G9on/t come inside.H I withdraw and start stro,in# myse f as Amanda moves a hand and starts fri##in# herse f, I thin, Tasha/s passed out as she #ives no response when I start fin#erin# her itt e $utt ho e, I can/t ho d $ac, any more and I spurt a over my sisters pussy, Amanda starts $reathin# sha ow as it drips from my sister onto her a$ia and I near y come a#ain as she starts wor,in# my "uice into herse f, fina y ca min# down as she eventua y c imaxes, a oo, of immense p easure on her face. Tasha comes round not on# after. G9id we finish<H Amanda ,isses her forehead. G0h yes.H GA sins for#iven<H I venture. G0h fuc,, yes4H I ro off them $oth, Tasha fa s $etween us and we a fa as eep, na,ed and sweaty, in each other/s arms a#ain. It/s a few hours ater when I wa,e up and remem$er to turn the i#ht off. Fuc, the $edsheets, I/ wash them tomorrow. Sunday %%'T')* We start stirrin# this mornin# a$out Wam. After the un$rid ed passion of ast ni#ht the rea ity ,ic,s in and the first sound I hear isL GEw. It/s everywhere4H This was Tasha, who hasn/t moved at a in the ni#ht, and is now attached, front and $ac,, to Amanda and I with the driedDup remnants of my emanations. We mana#e to pee ourse ves apart and Tasha eaves for the shower. GTota y worth the waitH says Amanda, oo,in# at me, her hair a mess a#ainst the pi ow. I shuff e over, very conscious of the mess on the sheets $eneath us. We haven/t $rushed yet $ut that doesn/t stop us sharin# a passionate mornin# ,iss, with #ropin# hands thrown in. I find her s it, she finds my coc, and in *( seconds I/m $ac, on top of her, "ust her and me this time, and the sex is a the $etter for it "ust $ein# the two of us. It/s too ear y to $e $ruta , so I rhythmica y move my $ody $ac, and forth, ettin# the momentum of our $odies massa#e my penis and her c it as we #ent y ,iss continuous y. We must have $een doin# it a whi e as we/re conscious of the $athroom door openin# and Tasha comin# $ac, in. She doesn/t say anythin#, on y -tuts/, and #ets $ac, into $ed $eside us under the covers, watchin# us as we ma,e ove. She moves her GWow4 When did you #et that done< 9oes dad ,now<H She turns around and continues tendin# to the pans she was usin# ear ier. I crouch down to pic, up the $ro,en pieces of croc,ery. G0f course your father ,nows4 I had to twist his arm a $it, $ut since my mind has #ot a ot c earer these past few wee,s, I/ve stopped thin,in# a$out how I shou d $e actin# and fi#ured out a coup e of thin#s I wanted to do for myse f. ;ad it done on Aonday. I tried wearin# rea y i#ht c othes $ut it was ru$$in# too much.H I co ect a the pieces and stand up, comin# peri ous y c ose to mum/s $are $reasts as I rise. I notice a new y pierced $e y $utton and two pin, dots either side of her nipp es, remem$erin# they/re pierced. She notices I notice. GFe t i,e a $it of a chan#e, those stee thin#s were #ettin# annoyin# so I #ot some ny ons ones. Auch more discreet.H ;er tone of voice is very casua for the situation, so I/m not as worried as I was ast time. This rea y isn/t the woman who made my ife a misery anyDmore, $ut I have to remind myse f, this is Tasha/s mother, my father/s wife, and even thou#h my $astard of a penis is thin,in# of other possi$i ities, I reso ve to "ust en"oy mum/s new sense face towards ours and we have a very aw,ward *Dway ,iss unti I $ac, off and et them swap sa iva for a whi e. By the sounds comin# from Tasha, she/s wor,in# her pussy a#ain, and that does it for me. I have the #ent est, yet most awesome or#asm ever, and Amanda "oins me, evident $y her fin#ernai s di##in# into my $ac, and the sound of her $reathin# as she ,isses Tasha $eside us. I #ive it a few minutes and $e#in to ift myse f off the $ed, $ut Amanda c amps me $ac, down, my f accid dic, sti inside her. GCot yet.H Tasha #ives me a ,iss, ,isses Amanda a#ain and #ets out of $ed, #ets dressed and starts potterin# around in the ,itchen, pro$a$ y #ettin# $rea,fast to#ether. A#ainst a odds, I fee myse f #ettin# hard a#ain. >od on y ,nows what my testic es are #oin# throu#h as nature ta,es over and I start thrustin# a#ain. She ,isses me a#ain, her hands on my $uttoc,s as she pu s me into her. It/s pro$a$ y $ecause this is the Oth time in %& hours, $ut I hard y ast any time at a , and I come pretty wea, y. Amanda doesn/t seem to mind, and it/s with a massive sense of re ief that she actua y a ows me to extract my poor, overwor,ed dic, out of her. I have a itt e difficu ty wa ,in# out to the $athroom, and I hear a itt e snic,er come from the $ed as she o$vious y finds my pained wa ,in# sty e humorous. Tasha has indeed prepared a fruit sa ad $rea,fast for us, and we sit in si ence, passin# odd smi es at each other. Before on# the #ir s have to #o 2Amanda/s mum is comin# to co ect them3, so we have on# hu#s and deep ,isses. Amanda te s me she/s away next wee,end, so it/ "ust $e me and my sister. A one, a wee,end. 0oh, dV"[ vu. Wednesday %T'(T')* A few $on,ers thin#s happened this wee,. The first $ein# Cada , Federer, Sharapova, Tson#a et a a #ettin# ,noc,ed out in the first round. Cever saw that comin#. The second happened Wednesday. Since movin# out, I/m ashamed to say I/ve hard y $een $ac, to my parents/ house. I/ve ca ed them re#u ar y, so we/ve ,ept in touch, and we S,ype a ot, it/s "ust physica y #oin# over there has ,inda fa en $y the wayside, so I thou#ht I/d pop over durin# my unch $rea, to catch up in person, with mum and Tommy at east. I sti have a ,ey so I et myse f in and ca ed out. GAum4H There was a sudden c atter from the ,itchen. GAnon< 0h crapM umM errM. ;o d on4H I #et c ose to the door $ut don/t enter. GIs everythin# o,<H GEr.. yeah. 0h Shit4 +mM don/t come in, I/m "ustM crap4H >iven my mum/s history, I/m a itt e concerned 2$ut not much, she hasn/t had any incidents in over a month3 $ut it/s when I hear a p ate smashin# I enter the ,itchen anyway. The first thin# I notice is a the $ inds and curtains are c osed, and the i#hts are on, the next thin# is my mother, standin# top ess $y the coo,er, with Tommy s8uea in# with de i#ht from his hi#hDchair at the ta$ e, throwin# pasta shapes everywhere. G0hM $u##erM sorry4H I avert my eyes as she c amps a dishc oth to her $oo$s, $ ushin# scar et. GI heard the p ate smash and thou#ht you mi#ht $eMH I oo, $ac, at her, she has a oo, of amused disapprova on her face, and drops her hands. G;avin# an episode< 9on/t worry honey, I/m WON cured, apparent y. 0h, stop $ ushin#, you/ve seen them $efore4H 9on/t remind me. G?eah, I ,now, $ut that wasn/t a p easant experience for me, remem$er<H I can/t he p $ut oo,. The ast time I saw her $reasts was a coup e of months a#o when my mum had a form of psychotic $rea, and tried to rape me. I sti have the scar inside my mouth. 0 d news, and everythin#/s $etter. The first thin# I notice is they oo, much more pert than I remem$er. In fact her who e fi#ure oo,s trimmer. ;er hair in a side ponytai fa in# over her chest adds considera$ y to the i usion of newDfound youthfu ness. She/s wearin# a pair of oose "o##in# sweatpants, so a prim and proper downstairs, with "ust the hint of pin, ,nic,er e astic showin# a$ove the waist$and. G;ave you $een wor,in# out<H She smi es, pro$a$ y chuffed that I noticed, and actua y #ives a tiny #i## e. G?ep4 Since I have a this free time now the therapy/s finished, I "oined that #ym you #o to. Thin, I/m #oin# 8uite we .H 9espite myse f, I #ive her the once over, $efore remem$erin# I/m oo,in# at the new yDnu$i e frame of my stepDmum and snap out of it. GWhy are you top ess anyway< It/s itt e dan#erous in the ,itchen, you mi#ht $urn yourM you mi#ht #et $urnt.H She $ ushes a#ain, demonstratin# once a#ain that na,ed peop e $ ush a over, and s ow y turns around. She has a ar#e tattoo, sti shiny and new on her shou der $ ade stretchin# to the $ac, of her arm. It/s a very tastefu row of f owers. ;avin# recent y $een in,ed myse f, I appreciate the artistry, even thou#h it/s weird seein# it on your mum.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

of vita ity 2as we as the not comp ete y unp easant view3. The next ha f an hour passes $iFarre y with me sittin# at the $rea,fast $ar, with my top ess stepDmum, comparin# tattoos, drin,in# tea and ru$$in# E&O cream into each other. GWhat are you doin# in the evenin#< ?ou can/t $e wa ,in# around the house top ess, sure y<H She mere y sips her tea, oo,in# sheepish. I au#h at the interna vision of 9ad ! Tasha tryin# not to stare as mum potters a$out the house. GWhat does Tasha thin,<H G0h, she was shoc,ed and mortified at first, $ut she came around.H GSo you haven/t eft the house since Aonday<H GCo, $ut it/s on y for a coup e more days, unti it hea s.H ;er in,/s made up of very fine ines, so it shou d indeed on y $e a$out three days. We #o throu#h to the front room, I/m carryin# Tommy who/s showin# me the most fantastic thin# in the wor d P his toy car P and #i$$erin# in todd erDese a$out how wonderfu it is. We ta , for a whi e on#er, $ut eventua y I $ urt outL GSorry, mum, $ut don/t you have a $i,ini top you can put on< I ,now you/re a i$erated now $ut this is very aw,ward.H She tuts. G1rude4H and she "o#s upstairs. I 8uic, y try to wrest e my erection into su$mission whi e she/s #one. Iesus Bhrist she/s attractive now. Eventua y she returns with a $ ac, strin#y num$er over her head, $ut it/s not done up, so it/s fa in# imp y $etween her $reasts. GI can/t do the $ac, up or it/ ru$.H Sudden y I/m reminded of two #ir s in a chan#in# room, tryin# on severa different outfits, and I #et an idea. I stand up and $ec,on her over, twir in# my fin#er to #et her to turn around, which she does. I te her to put the top on proper y, and I #ra$ the on# piece of strin# at each side, pu them down and cross them over. Then I pass them around the front. I try to tie a $ow around the ,not at the front of her sweatpants $ut I can/t see what I/m doin# so I oo, over her shou der to finish the "o$. Xuite $y accident, I/ve ended up #ivin# my mum a rather tender itt e hu#, and it/s now I notice she/s #one awfu y 8uiet with her eyes c osed. 7oo,in# down a#ain I a so see her nipp es are very erect. She puts her hands on mine and I/m sudden y aware of how soft her s,in is and how fast I/m #ainin# ri#idity downstairs. I don/t rea y want a repeat of the penisDpar,in# incident that started the ast drama. I $ac, my pe vis away $ut ,eep my hands where they are. GAum<H She ti ts her head and rests it a#ainst mine. GAm<H GAum4H I put on a s i#ht y stern voice, it seems to wor, and she snaps out of it. GAm< 0h, sorry, I was mi es away.H She oo,s at the "o$ I/ve done, the straps are missin# her tattoo comp ete y. G0h, that/ wor,. Than, you. I won/t $e a$ e to #o shoppin# thou#h, $ut it/ do for around the house. Who tau#ht you that anyway<H GI/ve had a ot of #ir s around ate y.H G0h yes, I/ve heard. 1roper harem around at yours, I hear. Iust ,eep your hands to yourse f thou#h4H She #ives me a rather ,nowin# win, and pic,s up our cups and ta,es them throu#h to the ,itchen. Technica y, I shou d eave, $ut I can/t seem to ma,e myse f. 1 us, now she/s covered, the aw,wardness shou d su$side. It/s a whi e $efore I rea ise she/s not $ac, from the ,itchen, so ma,in# sure Tommy/s happy p ayin# with his toys I venture out to find her. As I #et to the ,itchen she/s "ust puttin# the phone down, sees me approachin# and smi es $road y. GEverythin# o,<H GIt wou d seem so.H She #estures to the phone. GThat was 9r Iaco$s, I "ust to d her what happened, and apparent y I passed with f yin# co ours4 Seems she ,new you was comin# overMH I et the ast statement pass me $y. G1assed<H She wa ,s over and puts her hands around my waist, I return the comp iment, avoidin# the tattoo. GA few months a#o, a this nudity and physica contact with you wou d have sent me over the ed#e. When you tied my $i,ini I wasn/t even thin,in# a$out you in that way.H G@ea y<H Ban/t he p $ut fee a itt e disappointed. GWhat were you thin,in# a$out<H G9inner.H GSo you were toyin# with my affections this who e time<H I fei#n heart$rea, and she #ives a 8uiet au#h. G?es ove, I #ot a tattoo and wa , around the house star,ers, "ust on the off chance you/ pop $y so I can see if you sti ma,e me horny.H GAnd I don/t<H She shru#s. G?ou/re a #ood oo,in# #uy, $ut I prefer the o der #ent eman, i,e your dad.H GWe , #ood. So are you comp ete y cured<H GCo, $ut as near as. Which is #ood, as the itt e chap down there was $ecomin# 8uite the distraction.H I adopt an affronted expression. G7itt e<H She $ ushes and oo,s strai#ht at me. ;er new oo, is such a difference than $efore, she and her dau#hter cou d a most pass for sisters. I have a ast crafty notion and ean down to #ive her a ,iss, which she returns, and there/s a moment where we maintain contact for on#er than we pro$a$ y shou d. We ho d each other c oser as the ,iss continues, and instinct ta,es over as our ips part s i#ht y and the ,iss deepens, with the faintest sensation of ton#ue contact, my hands instinctive y movin# down her $ac, and comin# to a rest at the top of her $uttoc,s. We $rea, away, oo, at eachother and smi e. She oo,s down at her $reasts, and the nipp es are erect a#ain, as am I, o$vious y pressin# a#ainst her a$domen. GSti in contro <H I as,, tentative y. I/m ta,in# a hu#e ris,, I ,now, this cou d a #o very tits up. She shru#s. GI thin, so. Try me a#ain.H So I #o in a#ain. It/s easy for me this time as I/m confident she/s "ust p ayin# a on#, rather than #oin# doo a y. A so, she/s sexy as he , which he ps. 0ur ips meet a#ain and this time the ton#ue contact is definite, I #rip her $um chee,s in $oth hands and s8ueeFe #ent y. She returns the favour and we continue for a itt e on#er $efore $rea,in# away a#ain. I oo, into her eyes, they oo, norma , not as wide and craFed as a coup e of months a#o. GAnythin#<H She stares $ac,, strai#ht into my eyes, and emphatica y dec aresL GI do not want to have sex with you. ?es. I don/t. Cot at a .H A#ain, disappointment, as I/ve #ot a ra#in# $oner in my trousers, $ut it/s for the #reater #ood. G>ood, $ecause that wou d $e a ,inds of weird.H She ta,es a deep $reath and ets it out oud y. GWhat made you do that<H GIaco$s ca ed me yesterday. I/m afraid I was doin# the settin# up. 2Author/s noteY sorry #uys3 She was so confident you/d pass this that she as,ed me to come over. She said you/d i,e y $e in a state of undress, $ut she never mentioned the tattoo.H Aum turns and pops the ,ett e on, "ust as Tommy comes runnin# in ma,in# vroomDvroom noises. GShe/s worth every penny, that woman. Aind you, you were pretty #ood. Are ?0+ o,<H G0nce captain happy sett es down, I/ $e fine.H She au#hs. G>ood method actin#, $y the way.H GThan,s, I have a ot of experience. ?ou were pretty #ood yourse f.H She turns to me with a puFF ed oo, on her face, I #esture to her $reasts, and the permanent y erect nipp es. G0h, those. We , you/re a #ood ,isser, and ,issin#s my thin#. ?our dad does this thin# where heMH GST014H I raise my hands theatrica y. G9on/t want to ,now. By the way, are we te in# dad a$out this<H She hands me another cup of tea and rests her $um a#ainst the counter. GI pro$a$ y wi , otherwise it mi#ht fee i,e snea,in# around $ehind his $ac,. I mi#ht miss out the $um #ra$ thou#h.H G?eah, sorry. Aethod actin# ,ic,in# in a#ain. 0h shit4.. sorry. What/s the time<H I oo, at the c oc, a$ove the microwave, I/ve $een here for &O minutes. GBu##er, I/d $etter #o, I/m ate $ac, for wor,.H I set my cup on the side, come in for a #ood$ye pec, on the chee,, $ut she moves her head for yet another proper ,iss, this time accompanied with a hand ma,in# contact with my softenin# coc,. She #ives a coup e of ru$s and $rea,s away. GIust wanted one fina chec,.H GAnd<H GAnd you/ $e ate for wor,, my ad.H I $are y made it $ac, in time, my mind a over the p ace as I drove $ac, to wor,. I shou d exp ain, I/ve used a itt e artistic icense up at the start there pure y for dramatic effect, $ut the events unfo ded pretty much as I/ve written them, the on y difference $ein# I never ,new she/d $e comp ete y top ess, and that I was supposed to $e over yDf irtatious with her, p enty of physica contact, a the thin#s that used to set her off, to try to see if she/d wi in# y "ump my $ones a#ain. ;appi y, everythin# turned out exact y as Iaco$s predicted, apart from the part where I was honest y one nanoD second from rippin# off her sweatpants and screwin# my stepmother on the ,itchen ta$ e. I received a phone ca ha fway throu#h the afternoon from Iaco$s, so see how it went from my point of view. G>ood, it was #ood. She seemed to #et throu#h it o,.H GAnd how are you< Be honest now.H G+nderstandin# 0edipus.H A au#h on the other end of the phone. GThat/s understanda$ e, your stepmother and you are very compati$ e peop e, there/s #oin# to $e an attraction anyway, it/s "ust up to you to remem$er what you are to each other. I/m very proud of you.H She han#s up and I #et on with my day, spendin# the rest of the afternoon tryin# to stay at my des,, as every five minutes I see my stepmother/s incredi$ e $ody in my mind/s eye and the $astard in my trousers reminds me what a wonderfu unch $rea, he had. Thursday %J'(T')* Thursday had a the ha mar,s of $ein# a thorou#h y du day, unti I #et a text from Amanda ha fway throu#h the mornin#, chec,in# what my eDmai address was. -I thou#ht you had it/ -I do, at home/ -?ou/re not at home</ -Cope/ -Cot at schoo </ -Cope, #ot a on# wee,end pass./ -Where are you then</ -Worthy Farm/ It ta,es me a fu *( seconds. -?0+/@E AT >7AST0<<<<</ -?ep. ;ere with mum in a tent. Birthday surprise./ Instead of textin# $ac, I step outside and ca her. GI was #oin# to #ive you a $irthday surprise, on your $irthday4H GI thou#ht you wou d, $ut mum sprun# this on me ast minute. ?ou/ have to save it for me.H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

G?ou understand I/m "ea ous on a eve on y comprehensi$ e $y the #ods themse ves<H GIf I ,new I wou d have tried to et you come with us, $ut mum on y #ot two tic,ets.H I try to thin, of a reason I shou d have ta,en her instead of her mum, $ut they a come out soundin# incredi$ y se fish. GWe , o,, you #uys have a nice time, ta,e ots of pics and te me a a$out it when you #et $ac,.H GThat/s why I wanted your emai address, I/ve #ot a few I want to send you anyway.H I spe it out for her, it/s 8uite comp icated. G9idn/t your dad want to #o<H Amanda scoffs down the ine GCo chance. 9ad/s a $it stuffy for this ,ind of thin#. ;e/d hate it. Too many hippy types.H GAnd you/re fittin# ri#ht in, I ta,e it<H GWait unti you see the pictures. I/d $etter #o, mum says we can han# out in Shan#riD a for a few hours if we #et a shift on. There/s a coup e of indie $ands p ayin# some acoustic sets $efore it a ,ic,s off tomorrow. I/ send you more pics and ca you ater, ,<H G0,. ;ave fun.H GWi do. 7ove you.H G7ove you $ac,.H I tap the screen of my smartphone and #et $ac, to wor,. A few minutes ater my phone $ eeps. 0ne eDmai , O pictures. I/m on the company WiDFi so I down oad them. The first coup e are typica > asto fareL muddy fie ds, sodden campD site, sa##y tent. The fourth picture is a $it sunnier, and Amanda and her mum are in a crowd of peop e o$vious y en"oyin# the atmosphere. I/ve never $een, $ut I/ve heard it/s an incredi$ y i$eratin# experience, even if Aichae ! Emi y are se in# out somewhat ate y 2persona opinion3. I open the ast pic and I/m # ad I/m not drin,in# anythin#. There/s a row of a$out )( peop e of $oth sexes, in the $ aFin# sunshine, ye in# somethin# at the top of their un#s, a $areDchested and o$vious y havin# the time of their ife, and there in the midd e, as semiDna,ed as the rest of them, $ut standin# out somewhat, is Amanda and her mum. I don/t care who I have to ,i , I/m defo #oin# next year. I send Amanda a textL -Than,s for the pictures. I can see you ta,e after your mum a ot4/ -It/s a in the #enes. Ta , ater4 Rxx./ We spo,e on the phone ater, I a so spo,e to her mum, who seemed s i#ht y em$arrassed I/d seen her, and her dau#hter top ess, $ut I to d her not to worry, that/s what > asto/s a$out. She to d me she/d $een a re#u ar $efore she had ,ids, so re ivin# her youth had $rou#ht her re$e ious side to the surface. I as,ed if anyone minded Amanda poppin# hers out, what with her "ust turnin# )O, $ut apparent y it/s the done thin# in certain areas of the site. She passed me $ac, to Amanda, and we spo,e sweet nothin#s to each other $efore she to d me she/s turnin# in ear y. The days tend to $e on# there, for some reason. Friday %6'(T')* Friday, a#ain, was du , unti mid afternoon, when mum ca ed and as,ed if I cou d pic, up Tasha after wor,, as she and dad were off to the wee,end retreat a#ain. GEverythin# o,<H I as,ed, remem$erin# the $iFarre events of Wednesday. G0h, yes, $etter than ever, than,s to your su$terfu#e. It/s a de$rief wee,end, so it/ $e main y du discussions a$out fee in#s.H GWe , o,. Is Tasha stayin# at mine a#ain then<H G?es p ease, we/ $e $ac, Sunday, hopefu y.H So I finish wor, and #o to pic, up Tasha. I pu into the driveway and everyone/s standin# $y the front door. I see Aum ! 9ad #ive Tasha a hu#, scoop up Tommy and head to their car. I #et a cheery wave and they/re off $efore I stop movin#. Tasha/s sti in her schoo uniform for some reason, and as I approach her I can/t 8uite #au#e the oo, on her face. She doesn/t oo, thri ed to see me. I/m reminded of when we went up to Birmin#ham and she put on the $ratty ,id sister act to def ect suspicion when we were -forced/ to share a dou$ e $ed. I approach #in#er y. GEverythin# o,<H She s8uints at me. She stops short of poutin# and fo din# her arms, $ut I can te it/s on her mind. GI/m not sure. 9id you want me to invite anyone e se over this wee,end so you can sno# them as we <H GI ta,e it mum/s to d you what happened on Wednesday<H GTo d< She wou dn/t shut up a$out it. @ea y proud of how she rea y didn/t want to fuc, you even thou#h you had your ton#ue down her throat and your hands in her ,nic,ers.H GI didn/t have my hands in her ,nic,ers. I "ust #ra$$ed her $ac,side over her sweatpants. It was Iaco$s/ idea, she was sure mum was comp ete y cured $ut we needed to chec,. I didn/t en"oy it.H Cow she does fo d her arms. GThat/s not what mum said. She said you #ot very excited.H GWe , if it he ps, I was thin,in# of you the who e time. It/s not difficu t, you ,now. ?ou two cou d pass for sisters these days.H GTe me a$out it. She ,eeps $orrowin# my c othes. ;er tits are $i##er than mine and she/s stretched a my tDshirts4H I try not to au#h, $ut Tasha crac,s a chee,y smi e and it sets me off. G?ou windin# me up<H Cow she rea y #rins. G0f course, moron4 Bome in, I need to #et my $a#. She opens the door and runs upstairs. I chec, the etter rac, and there/s a few etters for me. Aain y "un, mai from aFy companies who can/t $e arsed to find out my new address. I hear Tasha c umpin# around upstairs, and she seems to $e ta,in# her time. G?ou comin#<H GIust a second4H I expected her to have #ot chan#ed, $ut she appears at the top of the stairs sti in her uniform, carryin# a rather fu D oo,in# sports $a#. She reaches the $ottom and hands it to me. It/s indescri$a$ y heavy. GWhat the he /s in here< ?ou/re on y stayin# the wee,end.H GI/m fema e, you ,now what we/re i,e.H Sad y, I do indeed. She resets the a arms and oc,s the front door $ehind her. The drive to mine is fu of #ir Dimportant #ossip, $ut I mana#e to render her speech ess when I hand her my phone and te her to oo, at Amanda/s pictures. G0; A? >094 I can/t $e ieve she/s done that4 And her mum too4 I/d $e so em$arrassed4H Gwe , mum/s $een top ess a wee,, so she te s me.H Gyeah, $ut that was indoors. That/s different.H G> aston$ury/s different. I/ have to ta,e you one year. We can a #o ne,,id.H G?eah, ri#ht.H GFine, if I can #et tic,ets, we/re #oin# next year.H GIF you #et tic,ets.H GI/ do my $est to try. But I/ $e fuc,ed if I/m stayin# in a tent, I/ #et a camper van.H GThat/s not exact y #ettin# into the > asto spirit, now, is it<H GCeither is havin# fuc,in# IayDZ or Beyonce head inin#, now, is it<H G>ood point.H She/s sti oo,in# at the pictures on my phone. GI/m so fuc,in# "ea ous.H GIoin the c u$. She sent me a few more pics ast ni#ht, $ut they/re on my 1B.H GAore tits<H G0h yes.H We #et $ac, to my p ace not on# after and Tasha immediate y turns my 1B on 2without as,in#3 and opens up the eDmai . She spends a #ood O minutes f ic,in# throu#h the shots Amanda sent me, they/re main y shots of the festiva , some $ urry shots of some indie $and or another, $ut the ast few are of Amanda, in the tent, $y herse f, and they/re for more private viewin#. GI/m missin# her a ready.H Tasha te s me and whips out her phone. It/s o$vious after a whi e she/s ta ,in# to Amanda and the conversation seems to #et a itt e saucy. I/m on y ha fD istenin# as I/m fixin# dinner, and after a whi e Tasha enters the ,itchen and #ives me a hu# from $ehind. GAmanda 0=<H G0h yes, she sends her ove.H GI ,now, it/s in my inD$ox. ;ow/s the nudist co ony<H G0h, apparent y her mum/s decided to spend the rest of the wee,end fu y c othed.H GShame.H She $rea,s the hu# s i#ht y. GI $e# your pardon<H GI/m ma e, I appreciate the fema e form, and those two have nice form.H She reinstates the hu#. GTrue. ?ou/re "ust #ettin# smothered in tits ate y, aren/t you<H G?eah, I suppose so. It/s torture, rea y.H G?eah, I/ $et.H We have dinner and move throu#h to the front room. GAre you #oin# to #et chan#ed<H GCope, not unti ater. I didn/t $rin# many c othes.H GWhat< What/s in that $ oody $a#< It wei#hed a ton.H G>ir stuff. Besides, there/s a reason I haven/t ta,en it off yet.H G9o te .H GWe , whi e mum was te in# us in detai a$out your attempts to notDrea y #et into her ,nic,ers, the su$"ect of conversation turned to you, and howM conf icted you mi#ht $e. Aum oo,in# so youn#, especia y now she/s wor,in# out, it mi#ht have affected you a $it more than you rea ise.H 0h yay, I/m a test su$"ect. G;ow do you mean<H GI mean, the ine $etween mum and me mi#ht have #ot $ urred.H I thin, a$out it and can/t he p $ut a#ree. G?eahM and<H She #ets off the sofa and stradd es my ap, puttin# her hands on my shou ders. GAndM I to d them I/d he p you #et over it this wee,end.H GAnd how are you intendin# to do that<H She eans c oser. GBy havin# deep, meanin#fu discussions a$out your fee in#sMH and she ,isses me, eadin# with her ton#ue. I re ent for a whi e, $ut the fu schoo uniform is a itt e offDputtin#. G9o you have to...H G?esH and she comes in a#ain, pushin# me $ac, a#ainst the $ac, of the sofa, she eans in a#ain for another ,iss, and I start to #et into it, even thou#h I ,now I rea y shou dn/t. Ay hands reach around her $ac, and I untuc, her $ ouse from her s,irt, runnin# my hands up her $ac, as the ,iss #ets deeper. I can on y assume the conversation with Amanda may have ed to this, $ut I/m not too concerned, a I/m aware of is her sme , her taste and the fee of her s,in under her shirt. Ay hands reach her $ra and I c umsi y fum$ e for the catch to undo the strap, $ut I can/t fee one. She $rea,s the ,iss and #i## es. She moves her $ody down my e#s and dives strai#ht for my $e t, undoin# the $utton on my trousers, pu in# down the e astic of my pants and #ra$$in# a ho d of my rapid yDhardenin# coc,. G>od, I/ve missed this.H She mana#es $efore virtua y throwin# it into her mouth. 1erhaps it/s the time passed since she ast suc,ed my dic,, $ut I swear she a most swa ows it. I ,now for definite she/s ta,en more into her mouth than $efore, and she suc,s at it a##ressive y, pumpin# the shaft she can/t fit into her mouth. I #uess she has missed it, and up unti now, I hadn/t rea ised how much I missed her mouth on my coc, too. Eventua y she $rin#s herse f $ac, up to stradd in# my ap, and even thou#h she/s sti in fu uniform, it appears she/s

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

surreptitious y removed her ,nic,ers, and I $reathe in hard as her moist pussy swa ows my dic, easi y. I can/t actua y see any penetration as her s,irt is comp ete y coverin# my ap. I move to ift the hem up to #et a oo, $ut she s aps my hand. GCotM unti M IM Say.H she says inD$etween humps. ;er $ ouse is sti tuc,ed in at the front and I start to pu it out of the waist$and of her s,irt $ut she moves my hands and p aces them on her hips. Seems she/s in contro . She starts to undo her tie, and ets it han# around her co ar. S ow y she undoes the $uttons on her $ ouse, unti she pu s the sides apart and I fina y see why I cou dn/t undo her $ra. It/s a sports $ra that fastens at the front, which she summari y undoes, exposin# her sti pert $reasts to me. I am permitted to touch them, and I ru$ her nipp es as she "umps up and down on me. I start to thrust upwards as I can fee the anxiety $ui d in my $a s, $ut she stops movin# and puts her hands on my chest, c osin# her eyes. GCot yet.H She sits sti on me, my dic, twitchin# deep inside her and she contro s her $reathin#. I find myse f "oinin# in as the sheer warmth and pressure is $rin#in# me c ose anyway. She starts movin# a#ain, not up and down, $ut sma #yrations of her pe vis. I don/t ,now where I earned it, and I don/t care. She fina y starts to proper y disro$e, shru##in# her $ aFer and shirt off her shou ders unti she/s on y wearin# her s,irt and ,neeDhi#h soc,s. The s,irt is removed in short order and I fina y see her fu y na,ed. I/m surprised to see she/s stopped shavin#, and there/s a decent itt e patch down there 2Thin, Emma Watson on her )6th Birthday for #enera appearance3. I fuc,ed her from $ehind ast wee, so I never actua y saw it. The fu nudity and the $eads of sweat on her $ody are more than enou#h for me and $efore on# I fee my $a s ti#hten as her pussy s8ueeFes my dic, as we come to#ether, her wei#ht fa in# onto me as I fee my come dri$$ in# out of her. She ifts her head off my chest, turns her face to mine and we share a hot, sweaty and a$ove a , ,nac,ered ,iss. I #ive a few pathetic humps which #ives her fa se hope for another #o, $ut fina y s ump into the sofa. She sits up, and #ra$s my hands, p acin# them on her tits. GSo, how are we fee in#<H she as,s, $reath ess y. GTired.H G7ess conf icted<H G1ossi$ y. As, me ater.H Actua y, as I sit there with my ,id sister in my arms, my softenin# dic, sti deep inside her thro$$in# va#ina, come # oopin# around my testic es, and the vision of my stepDmom/s incredi$ e $ody f ashin# throu#h my mind/s eye, I/m findin# it hard to fi#ure out what I/m supposed to $e so conf icted a$out. 0f course, we s ept 2as in S7E1T3 in the same $ed that ni#ht, startin# off in each other/s na,ed arms, $ut it was a pretty mu##y ni#ht, so we ended up a few feet from each other, $ut sti wo,e up ho din# hands 2aaahM3. Tasha was up 8uite ear y, faffin# around in the f at whi e I "ust ay there, fina y openin# my eyes when she came $ac, into the room wearin# on y a ti#ht tDshirt and a smi e, $earin# $rea,fast in $ed. Ay eyes immediate y dart to her new #rowth. GI cou dn/t $e arsed anyDmore, if you don/t shave re#u ar y it/s itchy as he .H I/m not comp ainin#, and disp ay my appreciation my fo din# $ac, the duvet cover to show my interest. GAnd you can put that away, I/m #oin# into town to meet up with Bhristine ! Sarah for a few hours.H G0h yes< And am I invited<H. She ays the tray down on her side of the $ed and starts #ettin# dressed, #ivin# me a nice view of her itt e $um as she "i## es into her ,nic,ers. She removes her tDshirt on y to pop a $ra on and the tDshirt is swift y rep aced. G?ou can come if you want, $ut you/ $e firm y in the friendDFone. This is pure y a chic,/s day out.H GFine, I/ "ust stay here and wan, myse f off to down oaded porn.H She pu s on some stoc,in#s fo owed $y some hi#h 9aisy 9u,es. I don/t remem$er her havin# that particu ar wardro$e $efore. GSuit yourse f, $ut save some for me toni#ht. I have every intention of sha##in# you unconscious ater.H She pic,s up a sma er $a# and hoists it over her shou der, pic,in# up the sma set of ,eys to the f at I #ave her, and eans onto the $ed to #ive me a ,iss. Ay hand #oes immediate y to her $oo$ and I #ive a #ent e s8ueeFe. G1romises, promises.H As she eaves I wonder to myse f why I ever #ave up our s eepover shenani#ans. Apart from the o$vious e#a side, as on# as we/re $ehind my door, who/s #oin# to ,now< I dra# myse f out of $ed, eventua y and f ic, on the Tennis. Fai in# to see anythin# of interest I pop my 1B on and oad up the > aston$ury foota#e from ast ni#ht. Amanda to d me she was near the front of the 1yramid Sta#e for the Aon,eys set and I/m sure I can ma,e her and her mum out once or twice, $ut the video/s not exact y ;9, so I can/t $e sure. A coup e of hours pass. It/s wonderfu y sunny, so I fu y open the patio doors to the $a cony and et a $reeFe $ ow throu#h the f at. Ay phone $ eeps and there/s a text from Tasha. ->uess What</ -The #ir s want to come over/ -1 ease/ -0,, $ut te them to ,eep their hands to themse ves/ -I promise nothin#/. 0f course, I #et a itt e excited, especia y as the ast time Frec, es was in the f at I was comin# in her mouth. I haven/t seen Bhristine in a few wee,s, and the f irty oo,s she a ways #ives me are a ways a treat. I/ve $een to d she/s a ways crushed on me, and a thou#h I/ve never admitted it out oud, I rea y wou d, if on y my testic es cou d ta,e the stress of & va#inas in % wee,s. ;a f an hour ater they turn up. Tasha ets herse f in, oaded down with $a#s, and f ashes me a smi e and $ ows a ,iss. Frec, es is next and #rins $road y, I #o in for a chee, ,iss $ut she turns her head and I #et a proper ,iss instead, which she ho ds for a few seconds. Bhristine is ast and I ean past her to shut the door as her hands are fu , she doesn/t move into the f at $ut rather stands there as the door c oses. G;iH G;i Bhristine, you o,<H She nods 8uiet y and oo,s down the ha . The other two have moved into the front room, she oo,s $ac, at me and there/s the merest hint of an intention in her eyes, her head twitches forward $ut she ho ds herse f $ac,. I #uess what she/s after, so "ust so she doesn/t fee eft out, I ean down and #ive her a soft ,iss, "ust $etween friends. This seems to do the tric, as she merri y s,ips down the ha to "oin her friends. I wa , past the front room on my way to the ,itchen and see Tasha/s c osed the curtains and is a ready in a state of undress, as is Sarah. GBarefu , adies, the patio doors/ open so the curtains mi#ht $ ow open.H This is fo owed $y the sound of the patio doors c osin#. Fair enou#h. I fix a tray of co d drin,s and $rin# them throu#h. Tasha ! Sarah are in new $i,inis, $ut Bhristine has on y mana#ed to #et her $ottoms on, and is standin# there top ess. She moves to cover her $reasts instinctive y, pauses, then "ust carries on puttin# the top on i,e I/m not there. GBi,ini fashion show<H Tasha pops her underwear into one of the now empty shoppin# $a#s. I honest y can/t see my furniture for feminine c othin# anyDmore. GCope. ?our $a cony is ha f the reason we came over.H G@ea y< Why<H GIt/s southDfacin#.H She fina y reaches into the ar#er $a# she $rou#ht and $rin#s out some ar#e, f uffy towe s. Whippin# $ac, the curtain to the $a cony they a move outside and spread the towe s out on the thin wooden dec, that covers the concrete $ase. It/s on# enou#h to accommodate two #ir s at fu en#th, so the f oor is now a tan# e of s,in and s,impy outfits as they arran#e themse ves to #et fu exposure. G1op some music on, there/s a dear.H 1atronisin# itt e minx. I wou d "oin them, $ut they/ve honest y ta,en up the fu f oor, so I ta,e a seat "ust inside in the shade and en"oy the view. GAre you honest y #oin# to "ust sit there pervin# over us or are you #oin# to ma,e yourse f usefu <H Tasha aw,ward y reaches into the $a# a$ove her head and pu s out a $ott e of S1F *(. She tosses it to me. GAe first.H I s8ueeFe a ar#e do op onto her na,ed $e y, it must $e co der than she thou#ht as she #asps. G?ou #it4 ?ou did that on purpose4H G0f course, your ma"esty.H I start ru$$in# the cream in, I may have overdone it, so scoop some up and pop it onto her e#s, it dri$$ es down her thi#hs and I #et a random f ash$ac,. I #uess she does too, as she whispers -perv/ at me. I continue ru$$in# the cream into her s,in, concentratin# on her midriff and $oo$s, movin# my fin#ers under the cups and ma,in# sure she/s we protected. She doesn/t protest. Aovin# down to her e#s I app y a itt e more and wor, the fu en#th, she parts her e#s s i#ht y and I -accidenta y/ $rush a#ainst her pussy as I #et hi#her. A#ain, no noises of comp aint. G9o you want me to do your $ac,<H GCot yet, I/ et you ,now.H I wa## e the $ott e at Sarah, who smi es and nods. I #ive her the same covera#e, $ut I/m not as #ropey or su##estive. There/s a few moments where I ma,e contact with her $oo$s, I apo o#ise $ut she "ust #ra$s my hand and puts it $ac,. Io y #ood, so a#ain I pop under the ed#e of the fa$ric, not 8uite to nipp e depth, then move to the e#s. As I #et near her $i,ini $riefs there/s a moment of hesitation $efore she parts her e#s, wider than Tasha did, and I move my creamDcovered fin#ers up. ;er $riefs are $asica y $ ac, hi#hDhip 7ycra ,nic,ers, and it shows the contours of her mound 8uite we , I can even ma,e out her itt e s it, which of course, ma,es the stirrin#s deepen. I s ide my hand down her inner thi#h, to the point my fin#ertips ma,e contact with her $um chee,. I chance my arm and run a de icate fin#er a on# her visi$ e s it, she #ives a itt e shudder, and we share a ,nowin# smi e. Bhristine/s turn, and I can te she may have $een waitin# for this. She has a oo, of nervous excitement in her eyes. G?ou ready<H She $ites her ip and nods. ;er $i,ini is a very strin#y affair, so I start at her shou ders, move across to her chest, then down $etween her $reasts. I don/t as, if it/s o,, as I/m oo,in# at her face and she/s oo,in# ri#ht $ac, at mine. I/m sure if she was uncomforta$ e with what I was doin# she/d et me ,now. I ma,e contact with her $oo$s and s ips my fin#ertips under the ed#e, $ut I don/t in#er. It/s not on# $efore I/m at her e#s, wor,in# the cream in. I #et hi#her up $ut I/m not sure how far to #o, even as she moves her ,nees tentative y apart. I don/t #o as far as I did with the other two, pure y $ecause I haven/t $een -as far/ with Bhristine anyway. I stop short of her pussy, which a#ain is visi$ e under the materia , $ut I notice whenever my hand moves up, she twitches her $ody down. ;er $reath is a itt e 8uic,er than $efore and he hips are movin# s i#ht y in time with my hand. I #et the hint and move hi#her sti , #ivin# the fa$ric the s i#htest touch with the side of my fin#er, which seems to send a shoc, throu#h her, she #ives me a oo, of the deepest on#in#, so I ma,e my contact more o$vious, runnin# that fin#er a on# the e astic ed#e of the crotch $etween her e#s. The other #ir s are sun$athin# happi y, so I hoo, a fin#er under the e astic and start stro,in# her pussy in earnest. ;er hand #ra$s the wrist I/m usin# to support my wei#ht and she arches her $ac, s i#ht y, o$vious y en"oyin# the motion, aided $y the sunDcream sti on my fin#ers. She reaches down with her other hand and pu s the $i,ini $riefs aside, "ust as Tasha did to Amanda/s ,nic,ers in $ed ast wee,, showin# me her hairDcovered and swo en pussy ips, I dip my fin#ers inside and 8uic, y find her c it, ru$$in# it #ent y. I ean down, pu a $ra cup aside and #ent y start suc,in# on a nipp e, this seems to do the tric, as Bhristine/s a#s c amp to#ether, and her $ody sha,es as she comes in a vio ent $ut si ent or#asm. I move up her $ody to #ive her a ,iss, $ut Tasha/s voice $rea,s the si enceL GIf you two have finished fuc,in# or whatever down there, you can do my $ac, now.H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

As the $ottom of the $a cony isn/t visi$ e from the road, a three #ir s ended up sun$athin# top ess anyway, with Tasha #oin# the fu ho# and untyin# the $ows on the $i,ini $riefs and pushin# the front down $etween her e#s, ayin# there comp ete y na,ed in the $ aFin# sun. I do indeed reDapp y sunscreen on a three, this time startin# with Bhristine, $ut she/s happy for me to "ust do what I p ease, so there/s a itt e more pussy p ay, $ut I do what I/m there to do and move on. Same with Sarah, who seems to $e ha f as eep anyway. Tasha/s next, so I start on her e#s, and #et them done. I don/t fancy #ettin# cream on my shorts, so ta,e off my shirt and strip to my $oxers, my erection strainin# the fa$ric as I stradd e her e#s, and start wor,in# the cream into her $uttoc,s. Appreciative noises issue forth as I separate her chee,s with my thum$s, #ivin# me a snea,y # impse of her itt e pin, arseho e. I #ive it a few chee,y prods and to my surprise, she raises her $um towards me. I press a thum$ a#ainst the sphincter and push #ent y, it/s sti covered in cream to it s ips in easi y, and I/m 8uic, y up to the ,nuc, e. I don/t do anythin# with it, $ut ho d it inside her anus as I use the other hand to #ive her a creamDaided $ac, massa#e. 0ur activities are shie ded from view $y my form so I start to move my thum$ s i#ht y, her head is sideways so I can see her eyes are open, and she/s smi in#. I can/t ta,e the pressure any more and whip out my coc,, the end $eadin# with preDcum, shinin# in the sunshine. @emovin# my thum$ s ow y, I rep ace it with the end of my dic,. I don/t attempt penetration, $ut #ive her anus a few friend y prods with the end, my penis he d in p ace with her chee,s. 7eanin# forward I continue the $ac, massa#e, and as I raise my hips to reach the top of her shou ders, the an# e of my dic, shifts and the end pops inside her. Aa,in# her eyes widen as she $reathes in sharp y. GSorry4H I whisper. She c oses her eyes and ays very sti . Eventua y she whispers $ac,. G0w. Co.H so I s ow y retract out of her rectum. GThat/s fineH she whispers and I use the pressure of her c enched chee,s to #et me off, my come sp ashin# up her $ac, and down her pussy. 7oo,in# $ehind, the other two seem none the wiser so I #ra$ some tissue and c ean my sister up. She $rou#ht $a$y wipes so I ma,e sure there/s nothin# eft, reDapp y sun cream, #ive her a tender ,iss and eave them to their sun$athin#. ;a f an hour ater I/m p ayin# with my phone in the ,itchen when Bhristine wa ,s in, ho din# her $i,ini top to her chest, as she approaches she exposes herse f and tuc,s the top into her $riefs. GBan I #et another drin,< It/s too hot out there now.H I #ra$ a diet co,e and toss it to her, her $oo$s "i## in# as she catches it. She opens it and ta,es a sip, starin# at me the who e time. GThan,s for ear ier. I needed that.H G> ad I cou d he p.H She sets the co,e down and comes in for a top ess hu#. She/s #reasy and warm. G?ou ,now that/s pretty much a I can #ive you, yes<H She has her head on my chest and I can fee her noddin#. GI ,now. It/s "ust you/ve had Sarah and I "ust wanted a itt e taste. 1 us I haven/t for#otten what you said ast time.H We ho d each other for a itt e whi e on#er. GI "ust fee i,e I/m the on y vir#in here.H G;ow do you ,now Tasha/s not a vir#in<H G0h p ease. We a ,now she/s not your sister, p us I was istenin# ear ier. Cever ,new she was a $um #ir .H I au#h. GShe/s not, it was an accident.H She ifts her head and there/s an imp orin# oo, in her eyes. GBan I as, you for one more thin#, and It/ $e the ast, I promise.H GWhat<H GBan you put it in me<H Ay poor, poor testic es are on the ver#e of #oin# on stri,e. I/m a$out to spea, when she stops me, GI don/t want sex, not fu sex. I "ust want to ,now what it/s i,e to have one inside me. A I have is my fin#ers and a hair$rush, $ut I don/t thin, it/s the same.H She/s such a cute ,id, and those puppyDdo# eyes are adora$ e. G0,, $ut "ust once, and no rea sex, o,<H She nods sweet y. I 8uic, y chec, the other two #ir s are sti on the $a cony, they are, so I ,nee down and swift y pu her $riefs off her. She #asps. G;ere<H I ift her up as I stand upri#ht, poppin# her $um on the counter. From experience I ,now it/s the idea hei#ht, so I #et my near y erect dic, out and position it a#ainst her. 7oo, into her eyes, wait for the nod and ,iss her as I s ow y enter her ti#ht ho e. And ti#ht it is. She/s a proper vir#in, so it/s a whi e $efore I/m fu y in, her ,nees ift and her an, es cross $ehind my $ac, as she ho ds my shou ders ti#ht y. I stand there, stoc, sti as she ad"usts. She fina y raises her head and smi es at me. GThan, you.H I s ow y start to withdraw and she oo,s down as I exit her, promise fu fi ed, $ut $efore I/m fu y out she stops me. GWait. I "ust want to fee it a itt e on#er.H So I push $ac, s i#ht y, for fear of fa in# out and she catches her $reath as I #ive a few #ent e thrusts. Fina y she nods, and I extract myse f fu y, #ood "o$ too, as she was so ti#ht I was a nanosecond away from eavin# a hefty deposit. I $end down and pic, up her ,nic,ers, puttin# them over her an, es and she s ips fu y into them as she s ides her $um off the counterDtop. Another hu#, another ,iss and she pic,s up her can of co,e as she #oes $ac, outside. A coup e of hours ater and it/s time to #o for our #uests. Bhristine/s o der $rother pu s up outside and $eeps his horn. ;u#s a round, $ut pro on#ed ,isses for uc,y me, which raises Tasha/s eye$rows to such a de#ree they/re in dan#er of eavin# her face. GAren/t you the adies/ man<H I mere y shru# and wa , throu#h to the front room. GSome of us face #ot it, some haven/t. It/s a curse.H We spend the rest of the afternoon watchin# ive feeds from > asto, we catch si#ht of Amanda and her mum a few times and $efore on# we/ve had dinner and are re axin# on the sofa. Tasha ayin# aFi y $eside me with a e# and an arm draped over me. GSorry a$out the $um thin# ear ier.H She au#hs GIust too, me $y surprise, that/s a . Actua y IMH the phone rin#s, and Tasha #ets up to answer it, $y her position 2one fin#er in her ear and a raised voice3 I/m #uessin# it/s Amanda, they chat for a whi e, then she passes the phone to me, $efore disappearin# out of the room. G;avin# fun< ;appy Birthday, $y the wayH GThan, you. It/s incredi$ e here, there/s so much to do, you need a month at east.H GI/ve to d Tasha we/re #oin# next year, so we can ma,e a proper wee,end of it.H G?ou/re on4 I/d $etter #o, the Stones are comin# on soon and mum wi ,i me if we miss it. 7ove youH G7ove you t..H $ut the ine #oes dead. Sounds i,e a $ ast over there. I rep ace the phone and rea ise Tasha/s not in the room sti . Cot in the ,itchen or my $edroom either. The spare room door is c osed so I ,noc,. GEverythin# o,<H G?es. >et into $ed and I/ $e in in a minute.H Sounds promisin#. I do as I/m to d. She didn/t say strip off so I "ust ay on the $ed in my 2c ean3 $oxers, fidd in# with my phone. There/s a tap at the door and she comes in, fu y na,ed. There/s a so the faint sme of somethin# very sweet in the air. She oo,s nervous. G?ou o,<H She "ust nods and wa ,s s ow y towards me, #ets on the $ed and whips off my shorts. She doesn/t say a word as and sett es $etween my e#s and starts to suc, me. It/s awesome, and #ent e, $ut she/s $ein# unnatura y 8uiet and reserved. I #et comp ete y so id so she stops suc,in# me and sits up. GB ose your eyesH I do so, for #ood measure I #ra$ a spare pi ow and p ace it over my head. I can fee her shiftin# her wei#ht on the $ed, then the fee in# of her feet either side of my hips. 1ressure on the end of my dic,. Aore pressure than I/m used to, which fina y re ents with the return of that sweet sme . The pressure enve ops my en#th, s ow y $ut sure y, unti I fee her $um come to rest on my thi#hs. When she ta ,s a#ain, she sounds out of $reath. G0,, you can oo, now.H As I suspected, I am inserted fu y, $a s deep, inside her anus, her va#ina s i#ht y open and fu y visi$ e to me. She doesn/t say a word as she eans $ac, and starts to s ide up and down. Beside me on the $ed is a ye ow $ott e of u$ricant, and a ar#ish di do, which I #uess she had inside her as she came in. 1ic,in# up the $ott e I ta,e a 8uic, oo,. 1ina Bo ada f avoured. That exp ains the sme . GI wanted to ma,e it easierH she pants as she 8uic,ens her pace, iftin# a hand to p ay with her c it and insert a fin#er inside herse f. The pressure and friction is incredi$ e and the si#ht of her rectum #rippin# the sides of my coc,, coup ed with the frenetic pace at which she/s fri##in# her c it means it/s on y a few more moments $efore I start to fee my $a s twitch. When she pic,s up the di do and starts tryin# to fuc, her pussy with it I near y pass out. She can/t #et it in as my dic,/s ta,in# up a the space down there, so she uses it to massa#e her c itoris unti she sha,es with a vio ent or#asm, her va#ina contractions transferrin# to her anus, and she massa#es my coc, unti it erupts inside her, and she fa s $ac, onto my e#s, my dic, c amped firm y inside her $um. I #et imp 8uic, y, pro$a$ y from the pressure, and I pic, up the dropped di do $eside us and prod the end a#ainst her invitin# pussy. It s ips in easi y and I fee it s idin# a#ainst my dic, on the other side of that sma wa of s,in that separates her two channe s. G0h, stop, I/ fuc,in# die4H she pants, so I pu myse f out of her, her rectum c osin# 8uic, y, ho din# my come inside, $ut I eave the di do in her pussy for the moment, #ettin# up and movin# down the $ed so I can ,iss her soft y. She oo,s comp ete y fuc,ed, in every sense of the word. I extract the di do, pic, her up and move her into the proper position for s eep, ay her down and cover her over. Ta,in# a oo, at myse f my dic, is red raw from the pressure, $ut Iesus Bhrist was it worth it. She/s as eep in no time, $ut it/s sti ear y evenin#, so I s ip out of the room and have a few $eers, watchin# the Stones foota#e on BBB% $efore fina y turnin# in myse f. Sunday *('T')* The next mornin# I have to stif e a au#h as Tasha wa ,s into the ,itchen 2I #ot up $efore her this mornin#3. Amanda au#hed at my pained wa ,in# sty e ast wee,, now it/s my turn. G0h shut up. ?our fau t4H G;ow is it my fau t< I never to d you to do that. Where/d you #et the di do from anyway<H GIt was one of mums, I $orrowed it, which means you have to #et me home so I can rep ace it $efore she #ets $ac,.H G0h #reat, so the di do up your $um ast ni#ht has $een up mum/sM whatever<H G1ossi$ y. ;ow/s that emotiona conf ict comin# on<H GThrou#h the fuc,in# roof now.H 2actua y, 8uite the contrary, the thou#ht actua y #ets me a itt e aroused, $ut I/d $est ,eep that particu ar thin# to myse f.3 ;er $um sett es down, and I do indeed drop her off $efore mum and dad #et $ac,. The wee,end went we , with mum now officia y dischar#ed from Iaco$s/ care, a thou#h mum te s me I mi#ht $e #ettin# a phone ca from her at some sta#e. Ban/t possi$ y thin, what we/d ta , a$out Tuesday %'J'%()* As mum threatened'promised'imp ied, 9r Iaco$s did indeed ca on Tuesday. I wasn/t comp ete y sure what the conversation was #oin# to $e a$out, as I/d $een informed mum wasn/t under her care any more. In any case, the awesome wee,end I/d "ust had has menta y # ossed over any emotiona turmoi I mi#ht have experienced $y sno##in# my step mum. Iaco$s must have $een to d when I ta,e my unch $rea, as she ca ed me the second I #ot into my car. GTe me truthfu y. ;ow did you fee after spendin# the afternoon in her company<H G;appy.H

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GWhy<H GBecause mum was happy. It was odd, I/ #rant you, $ut the ast coup e of months haven/t exact y $een du .H Gvery true. Cow, te me honest y. Are you sexua y attracted to your mother<H GCo.H GAre you sure<H G?es.H G;ow can you $e so sure<H GBecause my mother/s $een dead for )% years.H That shut her up. GI/m sorry, I shou d have worded that $etter. 7et me start a#ain. Are you sexua y attracted to your stepMH G?es.H GThan, you for that. Thin, a$out this 8uestion carefu y. 9o you have any intention to act on that attraction yourse f<H I do indeed thin, a$out it. GCo.H G0,, now, wou d you act on that attraction if your stepmother came onto you<H GIsn/t that the same 8uestion<H GCot rea y. It/s the difference $etween who p ays the part of the anta#onist.H GIf she came onto meM I/d try to #et out of the situation, i,e $efore.H GBut you didn/t ast wee,.H GBecause you to d me to stay with it.H G9id you en"oy the experience<H GA part of me did, natura y, $ut I was a ways thin,in# of why I was there.H GAnd why were you there<H GTo he p mum find out if she was cured or not.H GEery #ood.H It/s i,e $ein# $ac, at schoo a#ain. GI shou d et you ,now, this wi pro$a$ y happen a#ain. She ,nows she/s $etter, $ut she wants to ma,e sure, so she/s testin# herse f, and you/re the on y person she has to he p her do that.H >reat. >uinea pi# a#ain. GSo she/s #oin# to come onto me a#ain< ;ow far do I #o this time<H GI wou dn/t ca it -comin# on/ to you, "ust excessive f irtin#. She/s #oin# to want to #et you sexua y excited, into a state of sexua arousa , and then see if she can resist you.H GAnd if she can/t<H GShe wi , she a ready has. That said, she/ pro$a$ y try to raise the sta,es next time, so you/d $etter $e prepared.H G;an# on, how do you ,now I/m up to this<H GWe , from what I/ve $een to d, you/re more than ho din# your own in the seduction sta,es. ;ow many #ir friends do you have<H GI on y have one. I "ust main y seem to have friends, who are #ir s.H GWho share your $ed.H GFor s eep, yes.H There/s a co ossa pause. I #et the fee in# I/m ta ,in# to someone who/s heard this a $efore. G0,ay. Iust so we/re c ear. There/s a chance, this isn/t definite, $ut there/s a chance she/ pic, an opportunity at some point in the future where she/ put herse f in a situation with you where the natura course of events wou d ead to consensua sex.H >od, so c inica . GThe points to remem$er areL she has to ead. ?ou have to #o a on# $ut never $e the dominant one. If at any point it oo,s i,e she/s #one too far and she/s #oin# to want fu sex, it/s up to you to try to ta , her down. ?ou/ve done if $efore, so I have confidence you/ mana#e it a#ain.H GI wish I didH G?ou/ $e fine. I/d sta,e my reputation on it.H GCo offence, $ut that doesn/t fi me with confidence.H Si ence. G0,ay then, how a$out this< I/m so sure your mother wi come out of this c ean y I/ #ive you five thousand pounds if she doesn/t.H GBhrist, rea y<H GA$so ute y. Iust remem$er, she/s your stepmother, $ut she/s a so your $rother ! sister/s natura mother, as we as your father/s wife.H G?es, I ,now, that/s what I to d myse f ast wee,.H GSee< ?ou/ $e fine. I/m off the c oc, on this one, and if you have any more 8uestions, you have my num$er. She rin#s off and I rea ise my unch $rea, has evaporated. I pop around the corner for a unch of champions from a Ac9ona d/s driveDthru then #o $ac, to wor,. Friday O'J'%()* As is usua , if this conversation wasn/t preva ent to the rest of the wee,, I wou dn/t have $othered te in# you a$out it, so aside from mum ca in# me at home and at wor, a few times to see what I was doin# this wee,end 2anythin# except #oin# around hers or stayin# at home, it seemed3, the rest of the wee, passed swift y. Ay $oss even et me #o home ear y on Friday $ecause I seemed distracted 2can/t thin, why3. 0ne emotion was forefront in my mind Friday ni#ht P one iness. A my #ir s were a off doin# other thin#s, so I had the f at a to myse f 2I received some apo o#etic texts and trouserDwarmin# pics so it wasn/t a comp ete oss3. I don/t rea y have a socia ife, $ut I popped into town for a coup e of hours to try some oca pu$s. Turned out to $e an o, ni#ht, it was 8uite warm so a fresco drin,in# was the vo#ue for the evenin#, and I $umped into some o d schoo mates and had a #ood o d catch up. >ra$$ed a few $eers from the oca miniDmar,et and dossed on the sofa watchin# $ uDrays unti I dra##ed my arse to $ed. Saturday T'J'%()* ;aven/t had a han#over in months, $ut the socia drin,in# ast ni#ht and the few $eers at home meant I/d actua y had more than I thou#ht, and now I was payin# the price. After some $rea,fast and severa coffees, I #ra$$ed my #ym stuff and headed down the road. I/d on y $een there O minutes and was on a stairmaster when I fe t a hand on my $ac,side. >uessin# it was Amanda, and without turnin# round, I saidL GI missed you ast ni#htH $ut it wasn/t Amanda who answered. G?ou cou d have come over for a few hoursMH said mum. GWe/re not that far away, you ,now.H Ah, $u##er. Immediate y a thousand scenarios roc,eted throu#h my $rain, $ut a ended up with the same conc usion. This was #oin# to $e a test day, and there/s not a ot I cou d do to #et out of it without either upsettin# mum or #ivin# the #ame away. A part of me #ot a tad excited 2Cot T;AT part, ya pervs3, so I carried on wai in# on my thi#hs and waited for mum to inevita$ y #et on the machine $eside me. But she didn/t. She wa ,ed over, $eamed at me 2 oo,in# EE@? attractive in her #rey 7ycra outfit and tiedD$ac, hair3 and #ot on the treadmi direct y in front of me. The first thin# I noticed was the tattoo po,in# out from the straps of her $ra top, the second was her $ac,side as she started to "o#. There was a mirror direct y in front of us $oth on the wa so she saw me oo,in#, #eneratin# another #rin. G?ou here on your own<H I ca ed over. G?our dad dropped me and the #ir s off ear ier. They/ve #one into town for a few thin#s.H I can/t stand oo,in# direct y at her $um, so I #et off my machine, and so/s not to ma,e it o$vious, #et on the machine next to her. We "o# in si ence for a $it, $efore ma,in# sma ta , a$out wor,. Sudden y, one of the trainers comes over and te s us there/s a spin c ass in O minutes, and we/re we come to "oin. GWant to<H GIt mi#ht #et rid of this han#over.H G0n the raFF ast ni#ht<H GBumped into a few o d friends from schoo and #ot chattin#.H G0h #ood. It/ do you #ood to stop spendin# so much time around #ir s. Ai#ht turn you funny.H She su##ests with a smi e. I ta,e a oo, at her fi#ure. GCo chance.H We do indeed do the spin c ass, and may I as,, who the fuc, thou#ht that was a #ood thin# to invent< Iesus tittyDfuc,in# Bhrist I near y died. Ay thi#hs were on fire, $ut mum was in her e ement. GThat/ do for me, I thin,. Any more and my ,nees won/t wor, unti Wednesday.H We wa , over to the oc,ers and mum #ra$s a towe out of her $a# and starts moppin# up the sweat, ta,in# time on her chest. G0h $u##er4 They don/t have any showers here, do they<H ?eah, i,e you didn/t ,nowM GCo, we usua y "ust #o strai#ht home and use mine.H ;er eye$rows raise su##estive y. I #ive an overDtheDtop si#h. G0,, you can use mine. ?ou/ $e o,, there/s a oc, on the door.H She #ives a $etrayin# scoff, $ut covers it up, throwin# her $a# over her shou der as we head out. It/s on y a few hundred yards to my house, $ut it fee s i,e a mi e. I et us in and I remind her where everythin# is. I as, if she wants to ta,e the shower first $ut her phone rin#s in her $a#. She sha,es her head and #estures for me to #o first as she wa ,s throu#h to the ,itchen. I ,now exact y what/s #oin# to happen, so I -for#et/ to oc, the door, #et na,ed and turn on the shower, c osin# the cu$ic e. What surprises me is how much time passes $efore I hear the $athroom door openin#, a $a# $ein# deposited on the f oor, and then a moments si ence $efore the cu$ic e door opens. I/m expectin# this so I si ent y move to one side as she #ets in with me, I c ose the door as she puts her shower #e and shampoo on the itt e she f under the shower contro pane . There/s room for two 2handy, #iven the siFe of my #ir friend/s $reasts3 so we 8uiet y wash ourse ves, on y sporadica y ma,in# eye contact and smi in# at each other. I catch her oo,in# at me, my chest and penis, and I can/t he p $ut return the oo,s. ;er firm $reasts with pierced nipp es, erect as usua . She stands up after washin# her e#s and I spy her pu$ic thatch downstairs, and Ar ;appy starts to wa,e up. It was a fore#one conc usion, so I "ust et it happen, $ut contro it enou#h so It/s not an o$stac e as we continue our itt e innocent charade. GBan you do my $ac,<H She offers me a i#ht spon#e with some shower #e on. GAind the tattoo p ease.H Smi in#, she turns around, showin# me her $are $um, peachy and # istenin# in the shower stream, and I #et a itt e more turned on. As re8uested, I c ean her $ac,, ta,in# extra care over her new yDhea ed tattoo. I ditch the spon#e and use my hands to #ive her a nec, massa#e, it/s $rea,in# Iaco$s/ ru es s i#ht y, $ut fuc, it. I/ve $een to d I #ive #ood nec, ru$, so she doesn/t protest, ro in# her head as I wor, my thum$s into her shou der musc es and ma,in# a the ri#ht noises. G1ass me the shampoo.H I ift my hands off her shou ders, and pass her the $ott e, for#ettin# myse f and #ivin# her shou der a itt e pec, as I do. She s8uirts a $ o$ onto her hand and starts wor,in# it into her hair as I #ra$ my shower #e and start seein# to myse f, fina y. She turns around with her eyes c osed and I/m reminded of that moment in the shower with Tasha a those months a#o, when she accidenta yDonDpurpose spun on the spot so my hands ended up on her $oo$s. Co chance of that happenin# here, $ut the memory #ets me a itt e more excited, and it raises enou#h so that it/s rea y 8uite c ose to her. She moves s i#ht y so her head/s under the stream to wash out the shampoo. Fina y she opens her eyes and oo,s direct y at me. She moves forward and my semiDerect dic, ma,es contact with her $e y. She doesn/t react to the pressure as she comes c oser, pushin# it down

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

and without a word, #ra$s my wrists and p aces them around her $ac,, then she raises her arms and wraps them around my nec, and comes in for a ,iss. I et her ead, it/s soft and tender, and I find myse f wonderin# if the on# period of nothin# was her musterin# up the coura#e to ma,e a move. Iaco$s is confident she/s tru y #ettin# over me, and I/d have to a#ree. 7ast wee, she was a ot more forward. This time she/s rea y had to stee herse f to start the seduction, and the ,iss is a $i# c ue. There/s no force, or a##ression, it/s "ust an 2admitted y nice3 ,iss. But it/s not a test, so I part my ips s i#ht y and move to her top ip, then the $ottom, and she reciprocates. Ay hands move down and find her $um and I stro,e the chee,s #ent y. Ay dic, automatica y #ets stiffer, and I can fee her pu$ic hair pressin# a#ainst the top of it, the motion of our $odies ma,es her s it ru$ s i#ht y a on# the en#th, $ut I can fee a itt e more de i$erate movement come in, and she $ears down to #rind on me. Then she stops. She doesn/t $ac, off sudden y, her hands raised in horror. She "ust stops movin# her hips and $rea,s the ,iss. ;er expression is hard to read, it/s i,e she/s ana ysin# herse f. Fina y she exha es deep y, whispers -o,/ to herse f and unwraps her arms from my nec,, stro,in# them down my chest as she $ac,s away s i#ht y. Because she/s s i#ht y shorter, she sti s ides herse f a on# me as she $ac,s away, and I ,now she fee s it as her $reath fa ters as she moves. She seems to have reached a sort of mi estone, as she returns to "ust simp e washin#. Corma y I/d have on# finished $y now, $ut I have a fee in# I can/t a$andon her unti she/s done what she/s here to do. The next session starts a most immediate y as she #ra$s my shower #e , s8uirts some into her hand and starts ru$$in# it into my chest. She ta,es her time $ut s ow y she moves her hands down my $ody, unti turnin# her hands aw,ward y and p acin# them on the front of my upper thi#hs, c ose to, $ut not touchin# it. 7oo,in# up a#ain I smi e at her, si ent y #ivin# her permission as she $rin#s her hands to#ether, #ent y wrappin# her fin#ers around my en#th. She doesn/t move them for a moment, "ust ho ds it, #ivin# #ent e s8ueeFes unti I/m fu y, and painfu y erect. The shower #e sti on her hands acts as a u$ricant and she s ow y s ides one of her hands up and down, the other crad in# my $a s as she stares at it, thro$$in# inD$etween her fin#ers. I fear the worst as she #ets onto her ,nees, $ut a#ain, she "ust s ow y moves her hands, starin# at it, her face 2and c osed mouth3 direct y in the ine of fire. Then, as if another moment has passed, she stands up a#ain, ettin# me #o, and moves s i#ht y to one side so I don/t prove too much of an o$stac e. This is a$so ute torture as I/m ha f a heart$eat away from comin#, $ut the practised heavy $reathin# $rin#s me down. I rea y can/t ta,e much more of this. I/m actua y $ecomin# afraid I mi#ht not $e a$ e to contro myse f if she carries on. A distant memory surfaces of how I can rea y he p mum test herse f, I "ust need to find the idea moment. I/m sti so id, and it doesn/t he p my stoicism when she turns her $ac, to me and $ends over. I #et a #ood view of her itt e $rownDeye, and her sp it a$ia $e ow. As she washes her e#s her $um wo$$ es $ac, towards me, and in the position I/m in, a it wou d ta,e wou d $e a momentary ac, of attention and I/d $e inside her, and she ,nows this, as I can see her oo,in# $ac, as she/s $ent dou$ e. Fair enou#h, I position it so it/s in a direct ine and as she -accidenta y/ moves $ac, she comes into contact with the end on my shaft. There/s the s i#htest amount of penetration, not 8uite to the end of my he met, $ut enou#h so I can fee the we comin# warmth. A#ain, she doesn/t react, $ut $ounces a#ain a coup e of times, reachin# the same depth as $efore. 0n the third $ounce she stops with me "ust inside her entrance. The heat radiatin# into me from her pussy is too much, and I can fee the twin#e in the tip as I ,now I/m a$out to come, whether or not she fe t anythin#, I don/t ,now, $ut she stands up strai#ht, not sayin# a word and continues to ather herse f with her $ac, to me. I don/t ,now how on# this is #oin# to #o on for, $ut my water $i is #oin# to $e fuc,in# hu#e. I ta,e the initiative and move forward, par,in# myse f firm y $etween her chee,s and wrappin# my arms around her waist. I oo, over her shou der and ta,e her shower #e , $ut instead of s8ueeFin# some on my hand, I pour a itt e over her tits. 9roppin# the $ott e I ta,e her $reasts firm y in each hand and s8ueeFe #ent y, f ic,in# my fin#ertips over her erect nipp es as I move down her $ody, wor,in# the #e into her $e y with $oth hands. I don/t #o for the nipp es a#ain, $ut I do move my hands up so my fin#ers come into contact with the underside of her $oo$s. She eans $ac, into me, creatin# more pressure on my dic,, and p aces her hands on mine, #uidin# them over her smooth and soapy $ody. ;er eft hand moves mine $ac, onto her ri#ht $reast, and concentrates on the nipp e. ;er ri#ht hand moves down, $ut it/s s ow, hesitant, and # ancin# eft I see her eyes are open. She/s en"oyin# the contact, I can te $y her $reathin#, $ut she/s wary of how far this mi#ht #o. Ay fin#ers find her pu$ic hair and continue down, unti the tip of my midd e fin#er find the indentation that mar,s the top of her s it and her hand stops movin#. Ay eft hand sti #ent y massa#es her nipp e, pinchin# and twea,in# the stud throu#h the teat. I fee her ta,e a deep $reath and her hand starts s ow y movin# mine a#ain, further into the channe , the s,in $ecomin# smoother and more supp e. I fee her c it hood s ide to the eft as I #et c oser to her $ud, and I ,now if I ma,e contact it mi#ht $e the $rid#e too far Iaco$s spo,e of. I move my head down and whisper a sin# e word into her ear. The effect is s ow, $ut $oth her hands freeFe. I stand as sti as she does and wait for somethin# to happen. First y, she exha es oud y, her who e $ody re axin#, to such a de#ree it ma,es me wonder how tense she was durin# the test. Then she #rips my hands and moves them. Ay ri#ht hand to "ust $e ow her $e y$utton, my eft to the $ase of her ri$s and we ho d each other for a whi e, the water $ein# the on y sound. I/m very conscious that I/m sti pressin# a#ainst her $um, $ut we $oth ,now that/s "ust nature. It/s another fu minute $efore she shifts her wei#ht and #ets off me, my dic, sprin#in# up as her $uttoc,s fina y re ease the downward pressure. She turns to face me and the $ody an#ua#e is a star, contrast. She su$conscious y moves to cover herse f with her arms, then rea ises it/s a futi e #esture, considerin# what we/ve $een doin# for the ast )O minutes. I put my hands on her shou ders. G?ou o,<H She nods si ent y. I may $e mista,en, $ut I thin, she/s $ ushin#, and she oo,s i,e she/s on the ver#e of tears. GBome on, you wanted to ,now, didn/t you<H She #ives a sma au#h. GIaco$s<H GShe may have ca ed me.H GAnd you sti did this, ,nowin# what happened $efore<H I pu her into a hu#, mindfu of the o$struction downstairs. She ho ds on to me for dear ife. GShe was very confident you were fine.H G;ow confident<H I decide not to mention the cash incentive. GShe said somethin# a$out sta,in# her reputation on it.H She stands away from me and oo,s down at her handiwor,. GI/m sorry I put you throu#h this. It must have $een hM difficu t.H She says without oo,in# up. GIt was easy, rea y. We , some parts easier than others.H I ean over and turn the water off, so we/re standin# there, facin# each other drippin# water and she/s honest y never oo,ed more $eautifu . She/s sti oo,in# down and o$vious y notices it/s not #oin# anywhere. I open the shower cu$ic e and we $oth step out into the re ative y coo air of the $athroom. We ma,e #ood use of the extra room and put some space $etween us as we dry off, I catch her sti stea in# # ances at me, so decide to ta,e a more direct and confrontationa approach. GEverythin# o,<H She oo,s away and smi es. GCothin# it/s "ustM it doesn/t seem to $e #oin# down.H I oo, down and it is indeed sti standin# firm y to attention. G+m, yeah. We , it/s "ust $een su$"ected to fifteen minutes of excruciatin# torture without re ease, so it/s pro$a$ y "ust frustrated.H She $ ushes as she s ips her feet into her tiny $ ac, ,nic,ers and pu s them up her s ender e#s, "i## in# her hips 2and her $oo$s3 as she pu s them up over her $um. GAnd doin# stuff i,e that isn/t he pin#4H She au#hs and "i## es her $oo$s a#ain. GActua y, it/s f atterin# I can sti have that effect on youn# men4H G?ou/re not that o d, and you/ve #ot the fi#ure of a teena#er.H Another $ ush and her chest #oes $ otchy. She pu s on some "eans and she starts di##in# in her $a# for her $ra, she comes over, "ust $reasts and denim, my new -than#/. GThis is #oin# to sound dod#y, $ut can you do my $ra up< I can/t reach $ehind myse f proper y $ecause of this tattoo. Corma y your dad or Tasha does it for me.H She turns round and s ips her hands throu#h the straps. It/s a nice $ ac, thin# with f owers on the cups, and va#ue y fami iar. I do the honours and she turns around. G0h $ oody he 4 Is that thin# sti up<H I/ve pu ed my $oxers on $ut I may as we have erected a mar8uee for a the pac,a#e retention it/s doin#. G?eah, sorry. ?ou were more effective than I thou#ht.H It/s true, the fuc,er isn/t $ud#in# at a . GI don/t mean to $e pueri e, $ut I may have to dea with this once you eave the room.H But a wry smi e appears on her face. G0ne more test.H GWhat< I thou#ht you were over this.H GI am, I thin, I am. I/m pretty sure I am, $ut one more test wi ma,e sure, p us it/ he p you #et that thin# down.H I/m not sure what her actua intention is, $ut she eans a#ainst the sin, and stares at me. GIn your own time.H Ay turn to $e em$arrassed, $ut every itt e he ps. I ta,e off my $oxers and stare at her, $ ue "eans, $ ac, $ra and a very sexy $ody he pin# the cause. I start stro,in# myse f, standin# in the midd e of the room, fee in# a itt e foo ish. I thin, she spots I/m fee in# a itt e aw,ward so she moves off the sin,, #estures me over to ta,e her p ace and #oes to ean a#ainst the opposite wa . I #et comfy and start to mastur$ate a#ain. She spots me starin# at her tits so $rin#s her hands throu#h the straps and pushes her $ra down to her waist. She doesn/t do anythin#, $ut she doesn/t have to, her nipp es are erect a#ain, hopefu y from the s i#ht y chi y room and she simp y stares at my dic, as I start to wor, the shaft. After a whi e it/s o$vious nothin#s happenin#. GSta#e fri#ht<H GAust $e. I have to do somethin#, I can/t #o out i,e this4H She au#hs and approaches me, turns me towards the open shower cu$ic e and puts her hands around me from $ehind. ;er $reasts pressin# a#ainst my $ac,. GCow, I/m not #oin# to watch, so this isn/t anythin# sexua , o,< A#reed<H I nod, and she puts her hands $ac, on me. 0ne ho din# the shaft and the other massa#in# my testic es. ;er hands are very soft after a that shower #e and she wastes no time in startin# to ru$ me. I can fee her face sideways a#ainst my $ac, so I ,now she/s not oo,in#, $ut the fee of her hard nipp es a#ainst my s,in is an incredi$ e turnDon, p us she instinctive y does this thin# with her fin#ers where she ru$s the who e shaft $ut then ro s her fin#ertips over the very end $efore comin# $ac, down a#ain. GTe me when, o,<H I "ust nod emphatica y and reach $ehind me. The on y thin# I can #ra$ is the side of her midriff, $ut it/s human and warm and soft and I startin# comin# 8uite stron# y, arcin# impressive y and sp ashin# a#ainst the $ac, wa of the shower. I for#et to te her so I #et some on her hands as she s ides her hand up a#ain, $ut she doesn/t say anythin#, instead usin# it to he p finish me off. Ay $ody sa#s as the ast dre#s eave the end of my dic, and she #ives me a ast few stro,es $efore ettin# #o. I hear the taps in the sin, #ettin# turned on as she washes my spun, off her hands. She dries herse f off and continues #ettin# dressed as if what/s "ust happened is comp ete y norma . G;as that he ped<H I turn around and I/m a ready imp. She smi es and nods as she pu s a oose tDshirt over her head. G0,, #et dressed, I/ pop the ,ett e on.H She pic,s up her $a# and eaves the $athroom, eavin# me na,ed and exhausted, wonderin# if I/m ever #oin# to $e a$ e to oo, dad in the eye a#ain. I fina y "oin mum in the front room, fu y c othed with her damp hair down, sippin# a tea and watchin# the tennis. I sit on the

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

sofa $eside her and we share a wea, smi e. It/s the Women/s Fina so it must $e past midday. I #ra$ my tea and spea, first. GSo, have the events of today c eared thin#s up for you< ;ave you proven to yourse f that you are a chan#ed woman<H She mutes the TE $ut sti stares at the screen. G1retty much. I/m so sorry a$out everythin#. I shou d have as,ed instead of "ust "umpin# on you i,e that.H GBut wou d it have $een as effective< If you/d ,nown I was -p ayin# a on#/ wou d it have satisfied your curiosity<H She shifts on the sofa and eans on my chest, it/s nice. G1ro$a$ y not. I/m # ad you were up to the tas,. 1ardon the pun.H GWe , some of us have #ot itMH G?es, so I hearMH She #ets off me and sits up. She pic,s up the remote and turns off the TE, turnin# to me with a s i#ht y serious oo, on her face. GThere actua y was a rea reason for am$ushin# you today. The other thin# "ustM happened. But anyway. ?ou and Amanda are s eepin# to#ether, yes<H The 8uestion comes from nowhere and I/m speech ess. I hesitate to answer so she continues. GI/m #oin# to te you two thin#s a$out me, and then I want you to answer my 8uestions truthfu y, o,<H I nod wea, y. GFirst y, I/m not a hypocrite. I/m not from the -do as I say not do as I do/ crowd. Second y, I started havin# sex when I was )*.H A#ain, I/m speech ess. GAnd it wasn/t casua sex either, it was a re ationship that asted & years. So now, ,nowin# those two thin#s, are you and Amanda havin# sex<H G?es.H GAnd Tasha<H GWeM It "ustMH G?es or no.H G?es.H I/m a$out to add -sorry/ when she interrupts. GAnd the other two<H GThat/s more comp icated.H G;ow<H GI/ve #ot to fourth $ase, $ut haven/t comp eted a home run.H A oo, of $emusement sweeps across her face. I #uess she/s not seen as many teenDcentric American movies as I have. So I exp ain, eavin# out the finer detai s, of how I/ve penetrated Sarah ! Bhristine, $ut haven/t -finished the "o$/. G@i#ht. So how on# has thin# $een #oin# on<H GA$out T months.H She oo,s a itt e cross. GIt "ust happened, it a did. 0ne thin# a ways ed to another and we tend to end up in $ed. If it he ps, I never start anythin#. It was a ways my ru e.H She pic,s up her tea a#ain. G7i,e I said, I/m not a hypocrite, so I/m not #oin# to #o off on one at you ot, $ut I don/t need to te you the shit you/ $e in if anyone finds out.H GTe me a$out it. I/m up to my e $ows in "ai D$ait4H She crac,s a smi e. GIustM not in my house. And for fuc,/s sa,e don/t #et arrested.H She f ic,s the TE $ac, on. GWhat happened to your $oyfriend, the one you was seein# when you were )*<H G;e #ot me pre#nant and fuc,ed off.H GTasha/s father<H She nods, and oo,s upset. GSome other time<H She nods a#ain. GIust try to restrain yourse f. Cot many )WDyear o ds have & #ir s on the #o.H Eh< G)W< I/m )6. I/m not )W unti M..H She stares at me and au#hs out oud. G?ou/ve for#otten<H I pic, my phone up off the ta$ e. ?ep, Iu y Tth, my fuc,in# $irthday4 G0h shit4 I did for#et4 In my defence, it/s $een a fuc,ed up wee,4H She au#hs a#ain, and it/s a #ood sound. Bhec,in# the phone more c ose y I see I/ve #ot a few texts from some friends, inc udin# the o d schoo mates I saw ast ni#ht. G0h, that/s a c assic4 Wait ti I te your father4H ;er phone rin#s in her $a# and she #ets it out to chec, the screen. GSpea,in# of which, you/d $etter ta,e me home. I/ve $een a$andoned, it wou d seem. A so, you/re not spendin# your $irthday on your own i,e a Bi yDnoDmates.H I didn/t have anythin# p anned, so I #ra$ a few thin#s and ma,e my way up the ha way where mum/s waitin#. She drops her $a# and hu#s me ti#ht y, then reaches up and ,isses me on the chee,, and we don/t say another word as we head down to my car. We discuss matters on the way to my parents/ house. The events in my apartments, our fee in#s a$out the same, p us a who e new set of ru es a$out appropriate $ehaviour with my #ir s, in pu$ ic and in private. Aum turns out the $e 8uite a fountain of advice, havin# $een in Tasha/s situation herse f. She #oin# to confront her a$out it ater, and nothin# I say wi stop her doin# so. I a#ree it/s pro$a$ y for the $est, #et it a out in the open, $ut mum te s me she/s #ot somethin# to dea with as soon as we #et to hers. We pu up and there/s 8uite a few cars in the driveway. I #ive mum a suspicious oo, $ut her face is a statue. Enterin# the house it/s comp ete y devoid of ife. GCoDone e se here<H GIt/s sunny, they mi#ht $e out the $ac,. So I dutifu y proceed throu#h the ,itchen and out the French windows. GS+@1@ISE444H as my eyes ad"ust to the sun, I ma,e out severa peop e sprin#in# up from $ehind ta$ es and chairs that have $een set up outside. Aunts and unc es, a coup e of o d friends from past "o$s, Amanda/s parents, a few peop e I/m not sure I reco#nise $ut my four #ir s are standin# to#ether, oo,in# amaFin# in pretty summer dresses and radiant smi es. I oo, direct y at Amanda, who I haven/t seen in over a wee, and she/s more $eautifu than ever. Tanned from her wee,end at > asto, a sin# e p aited $raid in her hair and severa wrist$ands sti on her arm. She wa ,s over and #ives me a stron# $ut very discreet hu# 2#iven the company3 whisperin# how much she missed me. I #ive her a reserved ,iss and I ho d her hand as I wa , around sayin# he o to the assem$ ed masses. The few peop e I didn/t reco#nise were Bhristine ! Sarah/s respective parents, who were supposed to "ust $e droppin# their dau#hters off $ut decided to stic, around for a free drin, or two. I oo, around and Aum is standin# to one side with Tasha, whose head is $owed deep y, #ivin# me one or two oo,s that are hard to read. Aum isn/t $ein# harsh with her, $ut I/m #uessin# I ,now what the conversation is a$out. Eventua y they hu#, $efore separatin# and #oin# $ac, to their friends. Aum whispers somethin# in dad/s ear and she disappears indoors, him fo owin# very swift y after. I don/t want to thin, what they/re up to, so we wa , over to Tasha. GEverythin# o,<H She nods and sniffs, it oo,s i,e she/s $een cryin#, or on the ver#e of cryin# anyway. GWhat/s up<H But she sha,es her head, $ri#htens up and forces a smi e. GI/ te you ater. It/s nothin# horri$ e, rea y. Anyway, it/s your $irthday party, fun time4H There/s a nice $uffet aid out on ta$ es in front of the poo , severa $ott es of wine and a few crates of $eer in a coo er. I oad up a p ate, #ra$ a $eer and ta,e a seat $y a ta$ e. I/m sudden y surrounded $y we Dwishers a handin# me cards and sma #ifts. I turn to Tasha, who/s sat opposite me. G?ou p anned a this, I ta,e it<H G1art y, Aum he ped, and Sarah did the decoratin#.H I/m reminded that Sarah wants to do interior desi#n after her education/s over. I notice the su$t e touches around the patio. Fo ded c oths on the ed#e of the ta$ es, $a oons and ri$$ons tied to the top of the #aFe$os and a on# the door frames. It/s very we done, and she $ ushes when I than, her for her wor,. A whi e passes, and my parents reDemer#e from wherever. They/ve $oth comp ete y chan#ed their c othes. Tasha notices it too and stif es a #i## e. Aum/s ta,en a cue from the #ir s and is wearin# a nice party froc, and has her hair up, oo,in# every inch the parent, not the mature teena#er oo, she/s $een sportin# ate y. 9ad/s #one for the $asic open shirt and Bhino/s com$o. Tommy/s runnin# around $ein# the centre of attention after stuffin# his face with choco ate and su#ar. An hour or so ater, the other #ir s/ parents eave 2they/re stayin# here3, and a coup e of distant re atives come over to say #ood$ye 2 on# drive ahead3. So it/s "ust us youn#/uns and mine and Amanda/s parents eft. This suits us fine as we a #et on pretty we . Sudden y the door$e rin#s, and aw,wardness rears its head as my $oss fo ows my dad $ac, out onto the patio with a $ott e of wine in hand. I a$andon my #a## e of #ir s and wa , over, hand outstretched. There/s a sudden s8uea from $ehind us and Bhristine $arre s past me, thumpin# into my $oss and #ivin# him a massive $ear hu#. Ay father and I oo, on in amused $emusement, unti Bhristine s8uea,s somethin# i,e -+nc e Ai,e/ whi e her head is $uried in her arms around his nec,. Catura y, he/s em$arrassed, $ut it/s more than softened the mood. Exp anations of connections are offered, a on# with many -it/s a sma wor d/D type comments. ;e stays for one drin,, $ut he/s a so #ot an u terior motive for poppin# $y, as mum did ear ier at mine. 9urin# mine and Tasha/s trip to Birmin#ham, dad/s contacts he ped out my $oss immense y as he mana#ed to #et us a hote at very short notice. +n$e,nownst to me, they/d since struc, up a hea thy $usiness re ationship and aside from power unches and #o fin# days, dad was in the mar,et for a few company cars, which my Boss "ust happened to have driven here in, "ust on the off chance my 9ad mi#ht fancy a test drive. As it happens, dad hasn/t had that much to drin,, and once he/s made sure his a$sence won/t $e rude, he a#rees to ta,in# the shiny car for a spin. I/m invited, $ut I thin, that wou d $e rude 2p us I/m en"oyin# Amanda/s company and p ayin# footsie with Tasha under the ta$ e. Amanda/s dad is as,ed if he wants to #o with, he oo,s nervous and s i#ht y out of p ace, $ut his wife assures him he/s o, to #o. ;e starts out, $ut stops and wa ,s strai#ht towards me. GBan I have a word<H I nod and put down my $eer. We start to wa , around the poo . ;e starts ta ,in# nervous y. It seems to $e his natura state of $ein#. G9o you remem$er what we ta ,ed a$out a few months a#o, when we stayed here that ni#ht<H G?es, I thin, so. ?ou to d me Amanda was sti your -$a$y #ir /.H ;e au#hs, it/s hi#herDpitched than I wou d have #uessed. ;e oo,s over at her, as do I. Ta , e e#ant, $eautifu . If there/s a word to descri$e her, -$a$y/ isn/t it. GI/ve ac8uired the impression ate y that my itt e #ir "ust isn/t so itt e any more. I don/t mean physica y, more a$out her maturity. It/s hard to see them #row up so 8uic,.H ;e #ot i,e this the ast time he/d had a few, $ut I et him continue. GShe ta ,s a$out you a the time. She paints you in a very positive i#ht, you ,now. But you seem to $e 8uite the adies/ man over there. I "ust want to $e sure she/s not #oin# to $e hurt.H ;e/s ram$ in# s i#ht y, $ut I #et the #ist. G7ast time we spo,e, I to d you you have nothin# to worry a$out from me. Cothin#s chan#ed.H GI/m not a naive man. I ,now this isn/t the decade I #rew up in and ,ids these days #row up 8uic,er, and I ,now for$iddin# her from doin# somethin# is "ust a recipe for disaster, $ut "ust, p ease. Treat her with the respect she deserves.H I step $ac, and extend a hand. ;e ta,es it and we sha,e. I/m not entire y sure what we/ve a#reed on $ut he accepts it anyway, then eaves with the others for their spin in the countryside. It ta,es a whi e $efore I rea ise I/m now in the company of O fema es I/ve had sexua encounters with, and one woman I/ve seen top ess. ?ay me. I re"oin the #ir s as Sarah puts a B9 in the stereo on a sma ta$ e $y the food and she and Bhristine start dancin#. I wa , over to the two mothers as I haven/t rea y spo,en to them since I arrived. Aum #ives me a warm smi e, as if this mornin# never happened. I turn to Amanda/s mum. G;ow was > aston$ury<H She, too, is sti sportin# the many wrist$ands she ac8uired over the wee,end. G0h, it was amaFin#. There/s "ust so much to do and see there, and it/s so i$eratin#4H GI ,now, Amanda showed me the pictures.H She ta,es a second, then #asps and covers her mouth with her hands and turns a deep shade of pin,. G0h no4 She didn/t show you, did she< 0h my #od4 It was a spur of the moment thin#, we "ust #ot cau#ht up in the atmosphere.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

I didn/t spend a wee,end i,e that, I assure you.H G9on/t worry a$out it, I p an to #o next year, if we can..H I fee a hand on my $ac, as a four #ir s pass $ehind me as disappear into the house. Aum is curious as to what we/re ta ,in# a$out, so I show her the pictures that I for#ot to de ete from my phone. She nods approvin# y. G7oo,s very i$eratin# indeed4H We chat for a itt e whi e unti I hear the #ir reDemer#in# from the house at speed. >i## in# as usua , they run past us, a havin# chan#ed into $i,inis and swimwear, and dump their towe s on near$y chairs as they "ump into the poo , screamin# and sp ashin#. Tommy runs up to the ed#e of the poo "umpin# up and down at the poo side, unsure whether or not to "ump in as we . Aum #ets up and rushes over to him to pic, him up, ,ic,in# as screamin# as he/s dra##ed away from the ed#e. She tries to exp ain he/s not wearin# his swim pants, $ut natura y, he doesn/t care. She wrest es his c othes off him and ets him have a na,ed padd e in the sha ow end. 0f course, the coo ness of the water isn/t to his i,in# so he immediate y wants to #et out a#ain. G7itt e $u##er. ?ou o, whi e I #o and sort him out<H G0f course.H Tasha shouts from the deep end. G0I4 ?ou comin# in or what<H GI/d ove to, $ut I don/t have any trun,s.H G?es you do.H Says mum as she wa ,s into the ,itchen with Tommy ! Amanda/s mum. GI $rou#ht some of your stuff over, "ust in case. It/s in your o d room.H So I pass them as I rush upstairs and into the p ace I ca ed home. Aum has indeed $rou#ht some trun,s and a few chan#e of c othes. That exp ains why she too, so on# $efore #ettin# into the shower this mornin#, she was rif in# throu#h my c othes drawers. 7uc,i y I don/t have anythin# incriminatin# in the f at. If I/d ,nown that ear ier I wou d have chan#ed out of my sh ompy c othes for the party. I a so notice the camp $eds are setup. 7oo,s i,e I may $e stayin# the ni#ht. >ood, $ecause I fancy #ettin# drun, ater. Anyway, I #et chan#ed into a pair of swimDshorts, #ra$ a towe from the airin# cup$oard and head $ac, outside. As I step into the sun I #et a few wo fDwhist es from the #ir s $efore I drop my towe on the #rass and dive in. I/m a pretty #ood swimmer, and I can see pretty we underwater, so I swim 8uic, y towards them with my hands forward. I can see four $ums attemptin# to #et away $ut $ein# impeded $y the water. I #ra$ whatever chee, I can reach and hear the muff ed s8uea s from the #ra$ees as I #o from one to another. Fina y I reach the unmista,a$ e fi#ure of Amanda/s midriff and instead of #ra$$in# chee,, I ho d her hips and $rea, the surface of the water, p antin# a very wet ,iss on her $efore she $rea,s away to wipe the excess water from her face. GEw4 Than,s a $unch4H $ut she comes $ac, 8uic, y, a arms and e#s as she wraps every im$ around me, usin# the water for $uoyancy, and we share a tender moment, which is swift y ruined $y my ove y sister and her friends as they start sp ashin# us. G1ac, that in, you two. It/s party #ame time.H 0ffers Tasha. Amanda $rea,s the hu# $ut spins on the spot and $ac,s into me so I can hu# her from $ehind. GWhat party #ame<H She $ec,ons Amanda over and the four #ir s move to the other end of the poo for a 8uic, discussion. It/s on y five feet down at the deep and so it/s possi$ e for me to stand of the $ottom, $ut I put my arms on the side and et myse f f oat. I see Sarah #et out and #o over to the $uffet ta$ e, wearin# that sporty $i,ini she sun$athed in at my p ace ast wee,end. She pic,s up a c ean c oth nap,in and #ets $ac, in. Tasha ta,es it off her and swims over, her diminutive siFe means she has to tread water, I #ra$ her sides and she sits on my ap underwater, she/s so i#ht I support her wei#ht easi y. G;ere, put this on.H She fo ds up the nap,in and puts it over my eyes as a $ indfo d. GWe/re #oin# to p ay -#uess who/.H GAny ru es<H $ein# most y su$mer#ed and ha fD$ ind is very disconcertin#, so I put my feet on the $ottom of the poo to steady myse f. G?ep. We/ve num$ered ourse ves one to four. ?ou have to #uess who is who, $ut don/t say who you thin, is who unti I as,, o,<H GI thin, I #et it. But what/s #oin# toM.<H I can/t finish as I/m sudden y ,issed $y someone. It/s immediate y ton#ues from the word #o. I try to move my hands $ut they/re s apped away. The ,iss is $ro,en and another set of ips ta,es their p ace. This time it/s softer, and more hesitant. The third confident, $ut #ent e, and the ast is Amanda, I "ust ,now. G0,, I #uessMH But Tasha/s voice stops me. GWait, you have to answer after the second round.H This time my hands are #ra$$ed and p aced on the unmista,a$ e form of a $i,iniDc ad $reast. It/s mediumDsiFed and soft. The second is virtua y the same. Third $oo$ is tiny and very fami iar, $ut the fourth is ar#e, and I crac, a smi e $ecause of the o$viousness of who it is. I $rin# my other hand up for a dou$ eD#rope and I hear a #i## e. G0,, #uess.H GThird was Tasha, ast was Amanda. I can/t te the difference $etween the first two, sorry.H Auch whisperin#. G0,, num$er one is on your eft, num$er two on your ri#ht. @aise $oth hands p ease.H Eery authoritative. I raise my hands to $oo$ hei#ht and a $ared $reast is p aced in each. I #ive each a #ent e s8ueeFe, s i#ht y pinchin# each nipp e simu taneous y. They may as we $e twins. GI don/t ,now, they/re identica .H The #ir on my eft #ra$s my hand, pushes it under the water and into her $i,ini $ottoms, pushin# my fin#ers under her crotch unti I fee two s i#ht y swo en, hairDcovered pussy ips. GBhristine is num$er one, Sarah num$er two.H There/s a s8uea and a few c aps as I remove my hands and ta,e off the $ indfo d. Sarah ! Bhristine are sti $y me, Sarah smi in# $ut Bhristine $ ushin#. I #et a #roup hu# from them $oth and they move away. GSo, what do I win<H Tasha f oats towards me and sits on my ap a#ain, her arms on my shou ders as I ho d her waist, Amanda stays $eside me, istenin#. G+s three have $een ta ,in# a ot ate y, a$out our weird setup. We/ve decided to #ive you the one thin# you haven/t #ot, $ut pro$a$ y the one thin# you rea y need. It/s a "oint $irthday present, for the $oth of you. Sorry it/s ate.H GWhat is it<H GAono#amy.H It ta,es a whi e $efore we #et what she/s to d us. She #ives a wea, and s i#ht y sad smi e to Amanda. I/m confused as he , and $y the oo, of Amanda, so is she. GWe rea ised tryin# to hand e four #ir s mi#ht $e a $it of a stretch for you.H Co ar#uments there GSo we decided to #ive you up. It/s not fair ma,in# you spread yourse f so thin, p us you/re comp ete y $on,ers for Amanda here, so it seemed the most sensi$ e thin# to do.H Amanda comes in c oser to us and hu#s us $oth under the water. GAnyway, we/re a sti ,ids, we shou dn/t $e doin# this stuff as much as we are.H G?ou haven/t $een a ,id since you were )%4H She smi es $ut carries on. GIt/ $e $etter this way. Safer, ess stressfu . The #ame was a ast f irt.H GIf you/re sure<H GThose two too, some convincin#, especia y Bhristine, $ut we/re a a#reed.H She turns to Amanda. G;e/s a yours.H She #ives me a pec, and swims over to the other two. For the first time in a#es, I notice the scar on the $ac, of her head from the hoc,ey stic,. It/s weird how that accident was the thin# that $rou#ht me and Amanda c oser to#ether in the first p ace. She moves around to f oat in front of me. GSure you can hand e on y one #ir at a time<H I shru#. GIt/ $e a cha en#e, $ut I/ mana#e.H And she ,isses me. Aum ! Amanda/s mother come $ac, out with Tommy in his swim pants and he hurt es towards Tasha, "umpin# off the ed#e strai#ht at her. She catches him $ut they sti cause a massive sp ash, it $rea,s the tension and we a start passin# the wri## in# monster $etween us, my itt e $rother sudden y the centre of attention, "ust the way he i,es it. G?our father ca ed, apparent y the men have decided to have a round of #o f, $ut they/ $e pic,in# up a ta,eaway on the way home. Any preference<H We decide on an Indian, and orders are ta,en. Sarah/s not sure so I assure her Ti,,a Aossa a/s the way to #o for a new$ie. We decide that we/ve had enou#h poo Dtime for one day, so we dra# ourse ves out, dry ourse ves off 2me tryin# desperate y not to notice the effect the coo air is havin# on their wet s,in, especia y around the nipp e areas.3 We move upstairs to shower and chan#e 2separate y3 and it/s not on# $efore the men return 2without my $oss3 with the food. Amanda/s dad has cheered up considera$ y, havin# apparent y found his hidden ta ent at the #o f course, ,noc,in# in a )% over par on his first ever round, impressin# dad so much he/s offered to sponsor his mem$ership for a year. ;e even ac,now ed#es me cheerfu y as he he ps $rin# the food in. Ta$ es are c eared and reD aid and we have a nice a fresco mea outside as the mood $ecomes much more re axed. After dinner Amanda/s mum and dad have to #o, they than, us for a nice party, wish me a happy $irthday, her dad reminds me to oo, after his dau#hter, $ut it/s more a friend y statement now, than a direct order. I cha en#e Sarah to a few frames of snoo,er, which we ca a draw after some very dod#y interference from a #rumpy todd er, and somehow, Amanda and I end up in the hammoc, at the $ac, of the #arden, firm y wrapped up in each other/s arms, her shou der tuc,ed into my armpit and her head on my chest, $efore fa in# as eep due to the heavy mea and wa,in# up a short time ater to find some ,ind sou has put a $each $ an,et over us. Everyone e se is sti sittin# around the ta$ e, #ossipin# away, and Amanda seems to have awo,en, and is ta,in# advanta#e of the $ an,et cover $y unFippin# my trousers and #ivin# my mem$er a very #ent e massa#e. GSo this is a mine now<H GIt wou d seem so.H GWe , I p an to ma,e as much #ood use of it as possi$ e.H She ti ts her head up and we ,iss a#ain. there/s somethin# different in how she ,isses me now, pro$a$ y $ecause she ,nows she doesn/t have to compete any more. I/m not comp ainin#, the softness of her ips and the fee of her hand on me is somethin# I/m #oin# to want to repeat as often as possi$ e. Iust then, I fee the twin#e. G?ou/d $etter stop, I don/t want to ruin your nice dress.H But she doesn/t, instead 8uic,enin# her pace and duc,in# her head under the $ an,et. She doesn/t en#u f me comp ete y, "ust puts her ips over the end to catch my come as it spurts into her mouth, with me tryin# desperate y not to ma,e any noise within earshot of my parents. She #ives me a few suc,s to c ear my tu$es and resurfaces. Iust in time too, as mum comes over $earin# drin,s. I hear Amanda swa ow noisi y and try not to au#h. GBome on you two, #ra$ these and #et your $ums in #ear. It/s #ettin# chi y so we/re #oin# inside.H It/s not on# after we a decide to retire. As it happens, Tasha/s #ot my o d $ed, which is $ oody hu#e, so she/s sharin# with Sarah ! Bhristine. It appears that conversations have $een had and Amanda and I have $een a ocated my o d room, on the comfy camp $ed. It adds a sense of acceptance and maturity to our re ationship, so sudden y we don/t fee at a snea,y or em$arrassed a$out $iddin# everyone #oodni#ht and c osin# the door $ehind us as we #et into $ed. GThis is weirdH GEery.H We ay there, "ust ho din# each other. There/s nothin# stoppin# us rippin# each other/s ni#htc othes off and $an#in# i,e ra$$its, $ut we can/t $rin# ourse ves to start. Eventua y we drop off, unti we/re awo,en at a$out )am $y a s8uea from outside, fo owed $y a deep au#h. The i#hts have $een turned on outside so Amanda #ets up and #oes over to the window to pee, throu#h the curtains. She ta,es a oo, and puts a hand over her mouth as she at first #asps, then au#hs.

Tasha's Brother, An Anon's Adventures With The Fairer Sex.

GWhat is it<H GIt/s your parents4H GWhat are they doin#<H GS,innyDdippin#4H I #et up and pee, out, sure enou#h, there are my em$arrassin# mum and dad, star,ers in the poo , actin# i,e teena#ers. I ta,e a oo, at mum, who/s never oo,ed happier as she throws herse f at dad, $efore duc,in# down and #ettin# $ac, into $ed. But Amanda ,eeps watchin#. GAh, that/s sweet, rea y. I hope we/re i,e that when we/re that a#e.H G?ou thin, we/ sti $e to#ether then<H She comes away from the window and #ets $ac, in $eside me. GB oody hope so. It was hard enou#h #ettin# you a to myse f, I/m not ettin# #o that easi y.H And we fa as eep in each other/s arms a#ain, tryin# desperate y not to thin, a$out what the parenta units are #ettin# up to outside. Cote to se fY ma,e sure the poo /s thorou#h y c eaned $efore #oin# for another swim. Sunday J'J'%()* This mornin# came too 8uic, y, the other #ir s have to #o 8uite ear y, so hu#s and ,isses are dea t out. I #et a my c othes to#ether and as, Tasha if she wants to come over to mine. She dec ines, c aimin# she/s #ot a mountain of homewor, to do. GSince when have you eft homewor, unti the Sunday<H GI had a party to or#anise, remem$er<H But she and Amanda share a oo,, and I #et it. I say $ye to dad, $ut as I #ive Tasha a s8ueeFy hu#, she whispers in my earL GAt east you #ot to fuc, me in the arse.H I near y cho,e as she au#hs oud y and runs $ac, into the house. I start wa ,in# towards my car $ut Aum ca s me $ac, as Amanda #ets into the passen#er seat. GTasha te s me your situation has chan#ed since yesterday.H G?eah, it seems I/m a oneDwomanDman now. Aa,es a chan#e.H She/s #ot Tommy on her hip and she $ounces him as she ta ,s. GI/m # ad, noDone needs that pressure, especia y at your a#es. But I mean what I said, $e carefu . And than, you for yesterday. It rea y he ped.H I can/t he p myse f. GWe ,now, we heard you at one in the mornin#.H She oo,s shoc,ed, a mirror of Amanda/s mum yesterday. G0h, I/m sorry, did we wa,e you up<H GCot rea y. Amanda #ot a soppy a$out it actua y.H GAmanda< Soppy<H I smi e and ,iss her chee,. GI ,now. Brave new wor d.H I #et in the car and drive home. That was this mornin#. Amanda/s $een here a day and despite what you mi#ht assume, we haven/t spent a day in $ed. In fact I/ve $een typin# i,e a dervish and we spent a #ood few hours watchin# the Aurray vs 9"o,ovic Wim$ edon fina , which $rou#ht forth the fo owin# wa#erL. GI rec,on 9"o,ovic, easy.H P Amanda GI don/t thin, so, Aurray/s p ayed himse f out of his soc,s this year.H P Ae G?eah, $ut he can/t ,eep up with the $i# hitters.H G9id you not watch his semiDfina on Friday< ;e came $ac, from a set down a#ainst someone with )&( mph serves. ;e/s a $etter p ayer.H G0,, how a$out a $et.H G>o on then.H GIf Aurray osesM. ?ou have to fuc, me for an hour.H G0M. ,. and if he wins<H GI fuc, you for two.H I have never watched a tennis match so intent y $efore this day. Two hours with Amanda on top. Bheers Andy. The End. 1ro$a$ y, possi$ y, hopefu y. So, here we #o a#ain. I ,now I/ve si#ned off $efore, $ut this time I thin, I rea y mean it, for a few reasons. First y, Amanda/s proofDread this $efore postin#, and I/ve had to edit out three parts that pretty much revea ed our ocation to within O mi es, and I used Tasha/s rea name more than once. I thin, I #ot too comfy writin# these updates, and I ,now if I carry on that I may ma,e an error that #ives the who e #ame away. I ,now I have my fans, and I/m #ratefu for them, $ut you "ust ,now there/s someone out there that wi dox us to hi#h heaven "ust for the u F. But main y, I/m si#nin# off $ecause it/s not rea y wincest any more. Aum/s fine and my sister/s made herse f offD imits. 1 us this is a new thin# I/ve #ot with Amanda, and I don/t rea y want to turn what cou d $e the $est thin# that/s ever happened to me into somethin# sordid. I ,now that/s what it was $efore, $ut this fee s different. So a#ain, than, you for your support, your interest and your ,ind words. Actua y, another reason to si#n off is I/ actua y have time to write that $oo,, instead of spendin# O so id hours typin# and tryin# to thin, of seven different words for penis, so I don/t repeat myse f too often. I sha return, $ut in sma er portions.