One of the most noble forms of literature is poetry. Over the centuries Perisan and
non-Persian poets have written their poems in the Persian language, Farsi, and it's
variations. Even though the Farsi language has changed over time the ancient
poems are still readable.
Moulana (Rumi) was born in Balkh (Afghanistan) and was raised in Kona (Turkey).
Nezami Ganjavi was from Ganja Azerbaijan. We do not attempt to provide the entire
history of each Persian and non-Persian poet, you can search google.com or
yahoo.com for more information on each poet.
Iranians highly value their poets who kept their culture and language alive even
during numerous invasions. Persian poetry is as ancient as Avesta (the holy book of
Zoroastrians) where first form of poetry is documented.
Persian and non-Persian poets express their creativity in different forms and styles.
The earliest poetry was of two types. One was the ballad and the other was the epic.
The ballad later developed into different forms such as lyric, hymn, satire and
panegyric. The epic poem is an enlarged ballad. Therefore, the origin of all poetry is
in the ballad although no records have remained from these primitive ballads.
Persian songs goes back to 3000 BC to the time of king Jamshid. Xenophon wrote
about songs that were sung when Cyrus the Great was still a boy. The halls of the
Achaemenian palace at Persepolis echoed with the poetic singing of the tale of the
romantic love of Zariadres and Odatis. (Persian history)
The history of poetry and song during the time of Parthian rule is unrecorded.
However, Sassanian culture cherished poetic art.
The Arab conquest influenced the Persian vocabulary causing an even smoother
poetic verse. Poetry, nursed for 200 years by the care of three dynasties (Tahirid,
Saffarid, Samanid). Therefore, it was during ninth century when the new form of
Persian poetry began which is found today.
Persian language stands apart among all Eastern languages in poetry. Persian
language is soft and expressive. There are many options for Persian poets in use of
words because there are many meanings to one word and many ways to express
one's thought. That is why Persian poetry and language are rich in expression.
One of the early forms of poetry was qasida in royal courts. Qasida are poems of
more than 100 couplets that do not rhyme. Anvari was one of the poets who used
qasida.
Ghazal from about 12th century is another form of lyric. Ghazal poems were a much
shorter form, 10 couplets that do not rhyme and mainly used to express love, both
human or mystic. Hafez and Saadi mastered this form of poetry.
Rubai and dobaty are both four lines poems which are distinguished from each other
by their rhythm. They may express mystical, romantic or philosophical themes. Omar
Khayam is one of the pioneers in writing Rubai and his books are translated into
many languages.
Masnavi with its unique rhyming couplets was utilized for epic poems. Avesta
included epic poetry. Ferdosi wrote the Shahnameh or 'Book Of Kings,' which is a
finished form of epic poetry with 50,000 couplets. The narrative form of masnavi was
used by Nizami. Masnavi was also used by the mystic poets Farid od Din Attar who
wrote The Conference of The Birds and Jalaluddin Rumi who wrote the Masnavi
Manawi.
There are different English (German, French, etc) spellings for the poets names.
Hafez means, "the one who is known to recite the Koran from memory".
Hafez was educated by some of the leading scholars in Shiraz. His poetry known as
Divan-e Hafez has always appealed to Iranians. His poerty is also well known to
everyone who is a lover of Persian poetry, from Goethe to Meher Baba.
Hafez's name stands out among mystic Persian poets because of the depth of his
thoughts, freedom of expression even during the most difficult times, and poetry full
of feeling and delicacy.
Hafez expresses his soul and true self in words. That is why his poetry captures
hearts who are ready to absorb such a mystery. It is a part of Iranian culture to open
Divan-e Hafez at random with a question or a wish, and let Hafez answer the
question.
Hafez loved his hometown Shiraz, and lived there all his life. He received many
generous offers to travel but he refused them.
There is a story about a time he decided to travel when he received an invitation from
India. He goes to the port of Ormuz but a storm came and Hafez did not like the
looks of ocean so he returned to his hometown Shiraz.
Drawing of Hafez:
(artist: Okhovat Pour Jafar, Miniaturist,
51 Naghshe Jahan Square, Isfahan)
Absolutely Clear
My need of God
Absolutely
Clear.
Rumi is one of the most read and well known poets in the world. When my husband
and I saw the movie "Rumi, Poet of The Heart" in San Rafael, California, I got a warm
feeling and was very happy to see how much the poetry of Rumi touches people's
hearts. At one point, when tears came to my eyes because I was moved by
truthfulness of Rumi's poetry, I realized that everyone else in the theater had been
touched. After a rough day at work or even before starting my day, listening to Rumi's
poetry gives me a warm, hopeful, and serene feeling.
Jelaluddin Rumi was born in the Eastern part of the Ancient Persian Empire near
Balkh (presently Afghanistan), on September 30, 1207. His first name literally means
Majesty of Religion, Jalal means majesty and din means religion. Because of the
threat of Mongol invasion in Persia his family fled, finally settling in Konya, Turkey. He
passed away, on December 17, 1273. His shrine is in Konya.
One of Rumi's favorite musical instruments was ney (flute). In Persian poems can be
sung or can be read. Rumi said, music can be a form of zikr, remembering that there
is no God but God, who is one -- which in Arabic is La illaha illa llah.
Rumi's poetry has been translated into many languages, his work is well known
throughout the world. Rumi was the founder of the Mevlevi Dervish Order, also
known as the whirling dervishes. The Mevlevi order is based in Konya and have a
traveling group of musicians and whirlers that perform all over the world.
Experiencing the whirling dervishes and musicians is a wonderful experience.
The Mevlevi Dervishes
Rumi has inspired generations of artists, truth-seekers, and most everyone who has
read or heard his work. In the Space magazine the article Living Space recounts how
when NASA issued a call to architects for unique approaches to building colonies on
the moon, Nader Khalili responded. Influenced by Rumi, whose work often refers to
the unity of the four elements-- earth, wind, water and fire, Khalili, a native of Tehran,
told NASA, with fire and wind you can make water from soil: with fire and soil, you
can build a lunar home. When it comes time to build housing in space, Khalili
(influenced by Rumi) will be there to help. (also listed on expatriates page)
Oh Beloved,
take me.
Liberate my soul.
Fill me with your love and
release me from the two worlds.
Oh Beloved,
take away what I want.
Take away what I do.
Take away what I need.
Take away everything
that takes me from you.
If you catch a fragrance of the unseen, like that, you won't be able to be
contained. You'll be out in empty sky. Any beauty the world has, any desire,
will easily be yours. As you live deeper in the heart, the mirror gets
clearer and cleaner. Shams of Tabriz realized God in himself. When that
happens, you have no anxieties about losing anyone or anything. You break
all the religious symbols and parables and prayers. You know what they mean,
*When the Maker willed the birth of mankind into existence to see what he would do
with good an devil, God commanded angel after angel to take a handful of clay from
the earth as a deposit that would have to be returned. Each time the earth begged
that this not be done, each time refusing God's emmissaries, for the earth know that
she would not be ruled or honored or provioded for by any less than God Himself.
And so the clay was gathered by God Himself, and mankind was born by the will of
God alone.
Translated by Philip Dunn, Manuela Dunn Mascetti and R.A. Nicholson, from the book
The Illustrated Rumi, A Treasury Of Wisdom from the Poet of the Soul
O precious soul,
this longing will make you pure.
O sacred body,
this longing will make you thin.
O great one,
The fire of love that you burn in
Will turn your world into paradise.
Hallaj
OMAR KHAYAM
Omar Khayam was born in Nishapur in province of Khorasan in Iran in the latter part
of 11th century. He was considered "The King of Wisdom"; he died in 1123 AD. He is
one of the most well known poets in the west and his poems are translated into many
languages.
It is common for Iranian poets to take their name from their occupation. For example,
Attar, "the druggist," Assar, "the oil presser," and Khayam means "tent maker". He
was Omar the son of Abraham the tent maker. He worked in that trade at one time
but he was favored by the king (Sultan), Malik Shah. Omar Khayam rejected the
court life in favor of scientific studies and literary pursuits.
Khayam was famous for his rubai (quatrain) poems, also known as a mathematician,
historian, and astronomer. He was an astroronomer royal who was appointed by
Malik Shah to reform the muslim calendar which is compared to Pope Gregory XII's
revision of Julian Calendar. Although there are debates about the life and poems of
Omar Khayam, it is certain that he was a great mystic and was considered a sage in
his time.
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There was the Door to which I found no key;
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SANAI, the poet
There is not much known about Hakim Sanai (Abû'l-Majd Majdûd b. Adam Sanâ'î).
He lived in Ghazna during 11th and 12th century and probably died around 1150.
Rumi acknowledged Sanai as one of his inspirations. Sanai's best known work is The
Walled Garden of Truth. In addition, he wrote The Hadiqa plus his lyrics have
survived.
SANAI poems
Man Asleep
When he was only a child, he learned the basic Persian and Arabic from his father.
He went to a school at Herat (presently Afghanistan) and then to school in
Samarghand (Samarqand). In Samarghand, he studied with Ghazi-zadeh Ruhm, one
of the great researchers of the time.
Jami returned to Herat and studied mathematics and philosophy with Ala-od-Din Ali
Ghoshchi. Hakim Jami later joined Khaja Saaduddin Kashghari, the chief of
Naghshbandis and became his disciple. It is said that when Khaja Saaduddin
gathered with other dervishes at the Jame Mosque of Herat every time Jami passed
the mosque Saaduddin said of Jami, "I am fascinated by him, this man is truly worthy.
I don't know with what trick and how to attract him to become a student."
In 1472 AD (A.H. 877), Jami started his pilgrimage to Mecca as every Moslem who
can afford to is expected once in his life to do. Jami was a Sunni Moslem but it is
documented that he respected Saint Ali and spoke fairly of the 'House of Saint Ali'
several times. Jami wrote a poem in honor of saint Ali in Najaf and a poem in honor
of Imam Hossein (the martyred son of Saint Ali) in Kerbala. One of the praiseworthy
characteristics of Jami is that he had conviction in what he said and wrote. Jami said,
"There are many seekers but mostly seekers of personal improvement. There are
very few real seekers after real truth."
Contemporary monarchs of his time made offers of large amounts of gold and other
gifts for him to participate in their courts. These offers constantly annoyed Jami. He
was also annoyed by people who wanted to make him a hero rather than do
something about themselves. Jami said "Ordinary human love is capable of raising
man to the experience of real love".
Jami was well known for his playful sense of humor. Jami paid special attention to
Saadi and Hafez in poetry and followed Nezami (Nizami) in his masnavi. When Jami
was seventy, he wrote his masterpiece Yusuf and Zulaikha. Different people attribute
Jami to writing from 44 to 99 books of grammar, poetry, and theology. Some of his
well known works include his prose works, "Nafahatul Uns" (Breaths of the Breeze of
Friendship), "Beharistan" (Abode of Spring), and a collection of biographies of Sufi
Saints. Baharistan is in the style of Saadi's Rose-Garden and he wrote it for his son
Ziao-od-Din Yusuf. His major poetic work includes "Haft Awrang" (Seven Thrones of
Grace), which consisted of over twenty-five thousand couplets. Some of the well
known writings of "Haft Awrang" are tale of "Salaman and Absal.", a version of the
story of "Leila and Majnun", "Khiradnameh Iskandar" (Alexander's Wisdom), and
poetic masterpiece of "Yusuf and Zulaikha".
..
"No one ever suffered on the path of faith, who did not find the remedy for his pain.
Let the remedy for Jami's pain be that pain itself: let his medicine be his own ever-
sorrowing heart."
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"It has long been known in this ancient abode that without bitterness, life can never
become sweet. For nine long months the child must drink blood in its mother's womb;
and how many tortures must the ruby endure, imprisoned in rock, before the sun
finally illuminates its gorgeous hue!"
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"The lover who sincerely commits himself to the path of love will himself ultimately
attain to the title of beloved."
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"Happy is he who is able to escape from self, and feel the gentle breeze of frienship.
His heart is so full of the beloved, that there is no longer room for anyone else. It is
the beloved flowing through his every vein and nerve like his very life: there is not an
atom of his body that is not filled with the friend. The true lover can no longer
perceive either the scent or the color of his own self: he has no interest, either
friendly or hostile, in anyone other than the beloved. His heart is attached neither to
thorne nor crown; all greed and lust have packed their bags and left his street. If he
speaks, it is to the friend; if he seeks, it is from the friend. He no longer takes himself
into account, and lives only for love. He leaves the raw and turns to the ripe,
abondoning completely the abode of the self."
Ferdosi was born in about 940, near Toos. He lived in Toos and was the son of a
landowner. He is famous for writing the Iranian national epic, Shahnameh or Book of
Kings, taking him over 25 years to complete 50,000 couplets, or double verses.
Ferdosi developed rubai (quatrain) epochal style of historical poems.
In the Shahnameh, stories of thirty five monarchs can be equated with real life
persons. The rulers of the earlier part of Shahnameh are mostly known from the
Avesta and have little to do with the actual Achaemenian kings. The last part of the
Shahnameh presents a comparatively factual record of the Sassanian kings.
Farid od Din Attar was born in Nishapur and lived about 1119-1220 (Another source
mentions he lived about 1136-1230). He lived close to 100 years and was killed by
the Mongol invaders. His tomb is in Nishapur.
Different stories are told about the death of Attar. One common story is as follow: He
was captured by a Mongol. One day someone came along and offered a thousand
pieces of silver for him. Attar told the Mongol not to sell him for that price since the
price was not right. The Mongol accepted Attar's words and did not sell him. Later
someone else comes along and offers a sack of straw for him. Attar counsels the
Mongol to sell him because that is how much he is worth. The Mongol soldier
becomes very angry and cuts off Attar's head so he dies to teach a lesson.
Attar is one of the most ancient poets of Persia. His work has been the inspiration of
Rumi and many other mystic poets of Persian Empire. Rumi considered Attar the
spirit and Sanai the eyesight , both of whom his poetic masters. Attar met Rumi at the
end of his life when Rumi was only a boy and gave his book Asrarnameh as a
present to him.
Attar took his name from his occupation. He was a druggist, perfumist and a doctor in
addition to being a poet. Attar saw as many as 500 patients a day in his shop where
he prescribed herbal extractions/medicine which he made himself.
In his shop, he also wrote while seeing patients. Attar wrote 114 pieces, the same
number of suras in the holy book of Koran. About thirty of his works survived. To
name a few of his works are love stories, biographies of saints, Asrarnameh ("The
Book of Secrets"), a collection of quatrains, Illahinameh ("The Book of God") and the
last not the least, his most well known masterpiece of Mantiq at-Tayr ("The Bird of the
Sky") known as "The Conference of the Birds" (BUY)
In The Book of God, he describes six human capacities and abilities: ego,
imagination, intellect, thirst for knowledge, thirst for detachment, and thirst for unity. In
The book of Secrets, he uses a collection of small stories to elevate the spiritual state
of the reader.
In "The Conference of the Birds," Attar explains seven valleys (veils) which the "Bird
of the Sky" goes through and passes to meet Simurgh (God). This is a process that
each of us goes through. What we make of ourselves and what we become, good or
bad, happy or unhappy, satisfied or dissatisfied, we do ourselves.
ATTAR Poetry
translated by Coleman Barks, "The Hand of Poetry: Five Mystic Poets of Persia" (buy book)
Sheikh Muslihu'd-Din known as Saadi lived about 1207- 1291. He was born in Shiraz.
Unlike Hafez, he travelled for about 30 years of his life. He died in his hometown; his
tomb is in Shiraz.
His father name was Abdullah who was descended from Ali (first Shiite Saint), the
son- in- law of Prophet Muhammad. From his book Bustan (Kitchen Garden), one
can learn that he lost his father when he was a child; and from Gulistan (Rose
Garden) his mother lived to a later period of his life.
His life is divided into three parts. The first twenty five to thirty years of his life, he
spent in different countries in educating himself and learning. He received his
education at the Nizamiah College at Baghdad where he had a scholarship. From
Gulistan, we can learn that Arabic was spoken with great purity at that time in
Baghdad. Then, for thirty years he travelled widely from India in East to Syria in West
making himself practically acquainted with things. He made his first pilgrimage to
Mecca with his instructor in theology Abdul-Kabir Gilani. He repeated this pilgrimage
not less than fourteen times. Finally, Sheikh Saadi returned to Shiraz and devoted the
latter part of his life to writing books and to his students. Sadi was a disciple of
Sheikh Shahabud-Din Sahrawardi.
His most famous masterpieces are: The Gulistan (Rose Garden) and The Bustan
(Kitchen Garden). His tone in these two collections is more wry (kenayeh amiz),
metaphorical and meant to be a means of teaching. His other work includes 1-6
Risalah or Treatise, Arabian Qasaids, Persian Qasaids, Marasi or Dirges, Mixed
Poems, Persian and Arabic, Plain Ghazals, Rhetorical Ghazals, Fragments, Poems
with recurring lines, Poems addressed to Shamsu'd-Din, Writings in earlier life and
Writings in later life, Tetrastichs, and Distichs. Saadi is one of the wittiest writers of
modern or ancient times. The beauty of Saadi's style is that it is simple yet elegant.
Mir Saiyid Ali Mushtak called Saadi the "Nightingale of a Thousand Songs" meaning
that Saadi displayed perfection of genius in every part of poetry.
There is this story that one day Saadi saw a man who was looking to buy his book.
Saadi asked the man what the man likes about this writer? The man who didn't
recognized Saadi said, "He's a funny man." Saadi was pleased with the man remark
and gave his book for free to the man.
Saadi's work is translated by Ross who was an English military surgeon and a
scholar in poetry. Saadi's work is translated into many western languages as well. His
words are still commonly used in conversations by Iranians.
A dervish's wife was pregnant. The dervish prayed,"if God will give me a son, I'll
distribute all I have to the poor, all but the robe I'm wearing." God accepted his
prayers and the wife gave birth to a son so dervish gave everything he had to fulfill
his vow. Several years later, I asked a friend about the dervish. "He's in Jail." "Why, "I
asked. "His son got drunk, killed a man in a fight and fled. As you know when that
happens the father is put in chains." The dervish brought this upon himself with his
praying! It would of been better if this child had been a snake, rather than this
ungrateful son who does not take resposibility for his actions.
Story III
COUPLET
VERSE
SENTIMENT
When a fair one comes attended by companions, she comes only to torment us;
because, in that case, there must arise the jealousy and discord of rivals.
COUPLET
Alyas Yusif Oglu is known as Nizami (Nezami) Ganjavi of Ganja (born and lived in
Ganja, Azerbaijan). He lived 1141-1203 AD His father was Yousef-ibn-Zaki and his
mother name was Raiseh.
Nizami was married three times. His first wife was Afagh who he deeply loved. His
only son Mohammad was from Afagh. When Nizami was writing "Khosro and Shirin",
Afagh died. After the death of Afagh, he married again. His second wife died when he
was writing "Layla and Majnun". He got married for the third time. His third wife died
when he was writing the book of "Eghbalnameh." Nizami surprisingly said, "It seems
that with every book I write, I give a sacrifice."
His son Mohammad was seven years old when Nizami wrote "Khosro and Shirin",
fourteen years old when he wrote "Layla and Majnun", and eighteen or nineteen
when he wrote "Haft Peykar" (Seven Beauties). Nizami said that his son encouraged
him to write "Layla and Majnun." It is said that his son was very intelligent and familiar
with poetry. Nizami sent his son to give his messages to King Malek Ezeddin as well
as to deliver a copy of "Eghbalnameh" which Nizami wrote in the name of the king.
Nizami lived for 63 years. All his life, he never left Ganja and died there. It is said that
he was good-natured and he believed that with pleasantness and cheerfulness one
can combat the hardships of life (see the poem he wrote in this regard). He was
always studying science and art. He knew the science of astronomy and he used its
terminology in his poetry skillfully.
He wrote about thirty thousands couplets in five Masnavi (poetry in rhymed couplets)
poetry books of "Mahzan-ol-Asrar", "Khosro and Shirin", "Layla and Majnun", "Haft
Peykar" (Seven Beauties), "Eskandar Nameh" and he wrote one book which is not
Masnavi. He gave each of his masnavi books as a gift to the kings of the time.
** Among his works that have found their way to the West are "Haft Peykar " (Seven
Beauties) and "Layla and Manjun."
The "Seven Beauties" refer to seven paintings of seven daughters of kings from India
to China to Kharazm. When Bahram, the Sassanian King sees the paintings he falls
in love and marries all seven princesses.
"Layla and Manjun" is considered a love story that reveals the path of the soul. It
contains 4,000 couplets and was supposedly written in only four months.
Unfortunately the 'stories' are too long to put on this web site but you can buy the
books or check your local library for them:
**Layla and Manjun from The First Love Stories by Diane Wolkstein
Nizami Poetry
What one can say about Baba Taher (Baba Tahir) with certainty is that not much is
known about him. The date of his birth is unknown. Some sources approximate the
date of his birth and death about A.H. 410. One source indicates that he died in 1019
AD. If this is accurate, then Baba Taher is a contemporary of Firdosi and Avicenna
and an immediate precursor of Omar Khayam. It is said that he lived for seventy five
years.
It is stated that he was one of the Ahl-i- Haqq sect (Dervish or follower of truth) and
that his sister Bibi Fatimah is equally respected by this community. Baba Taher Uryan
Hamadani was one of the most eminent mystics of his time. He was from Hamadan;
a learned man, knowing all things (meaning of hama dan in Persian). His popular
name Uryan means "The Naked"; he was a dervish or inspired beggar.
Baba Taher is known for his dubayti, four line poems that is not the common rubai
metre although Persians refer to the quatrains of Baba Taher as rubaiyat. Baba Taher
poems are recited to the present day all over Iran accompanied with Sih-tar (three
stringed viol or lute). The quatrains (dubeyti or two -beyt metre poems) of Baba Taher
are written in local accents such as Mazandarani. They say Pehleviat to these kinds
of poems and they are very ancient . Baba Taher songs originally read in Fahlavi,
Luri, Kurdish and Hamadani dialects, taking their present form in the course of time.
The quatrains of Baba Taher have a more amorous and mystical connotation rather
than philosophical.
It is said that he was a woodcutter. It is also said that Baba Taher had extraordinary
heat in his body so much that no one could sit near him. He spent his time in the
jungles and mountains. His tomb is in Hamadan.
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Grieving for thee my heart is ever sad,
A brick my pillow, and my couch the earth;
My only sin is loving thee too well:
Surely not all thy lovers suffer so?
translated by E. Heron-Allen, "A Fool Of God"
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