SECTION 1
Introductory books dealing with the grammar of English and Linguistics in general are very numerous. However, they vary enormously in the quality of their introductory style, ranging from the over-simple to the quite technical. They also suffer from the vagaries of change in theoretical fashion. Perhaps the most useful (and certainly the most accessible) general introduction for both teacher and student among the following is Crystals The Cambridge Encyclopedia of the English Language. Category A Aitchison, J, The Articulate Mammal, London: Hutchinson, 1983 Aitchison, J, Teach Yourself Linguistics, London: Hodder & Stoughton, 1992 Crystal, D, The Cambridge Encyclopedia of the English Language, Cambridge: Cambridge University Press, 1995 Crystal, D, The English Language, Harmondsworth: Penguin, 1988 Graddol, D J; Cheshire, J and Swann J, Describing Language, Buckingham: Open University Press, 1994 Leech, G; Deuchar, M and Hoogenraas, R, English Grammar for Today, London: Macmillan, 1982 McArthur, T (ed.), The Oxford Companion to the English Language, Oxford: Oxford University Press, 1992 McCrum, R; Cran, W and MacNeil, R, The Story of English, London: Faber & Faber, 1986 Quirk, R and Stein, G, English in Use, London: Longman, 1990 Trask, R L, Language: The Basics, London: Routledge, 1995 Traugott, E C and Pratt, M L, Linguistics for Students of Literature, New York: Harcourt Brace Jovanovich, 1980 Wardhaugh, R, Investigating Language, Oxford: Blackwell, 1983 Yule, G, The Study of Language , Cambridge: Cambridge University Press, 1985 Category B Akmajian, A; Demers, R A and Harnish, R A, Linguistics: An Introduction to Language and Communication, Cambridge, MA: MIT Press, 1979 Bolton, W F, A Living Language: the History and Structure of English , New York: Random House, 1982
Burchfield, R, The English Language, Oxford: Oxford University Press, 1985 Crystal, D, An Encyclopedic Dictionary of Language and Languages, Oxford: Blackwell, 1992 Lyons, J, Introduction to Theoretical Linguistics, London: Cambridge University Press, 1968 Lyons, J, Language, Meaning and Context, London: Fontana, 1981 Palmer, F, Grammar, London: Pelican, 1976 Pinker, Stephen, The Language Instinct, London: Penguin, 1994. This is a very readable introduction to the study of language and its relationship to the human mind and its workings. Robins, R H, General Linguistics: an Introductory Survey, London: Longman, 1989 Reference works offering alphabetical lists of linguistic terms and concepts with definitions Finch, G, Linguistic Terms and Concepts, London: Macmillan, 2000 Hurford, J R, Grammar: A Students Guide, Cambridge: Cambridge University Press, 1994 Todd, L and Hancock, I, International English Usage, London: Routledge, 1986
SECTION 2
hit
hit
In other words, under the latter interpretation, the sentence can be seen as containing two major components or constituents. Each of these components contains a head word (the word which it is essential for the component to have, and without which it is not that component). In the case of the young boy, that head word is boy the noun a type of word which can be modified or described and characterised by other components like young an adjective and the a definite article . In the same way, the constituent hit the old man has as its characterising head the word hit a verb although notice that this constituent also contains within it yet another structure the old man. These major constituents are named after their head components: thus the young boy is a noun phrase or noun constituent, while hit the old man is a verb phrase or verb constituent. Notice too how the noun phrases themselves have an internal structure such that the young boy can be characterised as:
the
young
boy
In this way, the entire sentence: the young boy hit the old man can be said to have a structure like:
sentence
the
young
boy
hit
the
old
man
Some definitions
Noun: a word which denotes individual objects or classes of objects; for example, individual names: John, Mary, Henry and Peter; individual objects: house, tree, car; or abstract concepts such as fear, grief , architecture, history, art. Nouns can co-occur in phrases with definite articles and adjectives and they can act as subjects and objects to verbs. Adjective: a word used to qualify, modify or describe nouns. For instance the characteristics of a noun like stick are modified, amplified, characterised by adjectival words such as big and new in phrases like: a big stick, a bigger stick, a new stick and such like. Most often such describer words are placed before the noun they affect, but very occasionally we find them in a noun-following position: The ghost of Christmas past. Adjectival words are also regularly to be found in noun+be constructions: John is happy, the road is wide.
Definite article: the word the used to refer to and specify particular objects as against a general set of objects: thus the cat as against all cats. The word used to refer to objects which are not closely specified or even known to the speaker is the indefinite article a, as in I would like a new car. Contrast this with a specifying word, or demonstrative, like this in I would like this new car where both speaker and hearer know precisely which car is being referred to. At the same time, demonstrative words like this and that can be used to signal the physical closeness to the speaker in space (or time) of the modified noun: this book the one near me, versus that book the one farther away from me over there. Preposition: a word, as its name suggests, positioned before (preposed to) a Noun Phrase, often indicating semantic functions like agency (John was kissed by Mary), instrumentality (John cut the loaf with a knife) or spatial/temporal location: John met Mary in the park at four oclock). The combination of a preposition with a Noun Phrase is called a prepositional phrase. Verb: a word which describes an activity, a process or a state; thus words like kick, buy, exist, believe. The verb is the central element in the sentence and is usually used as the part of the sentence where the time/ tense of the action is marked: I like/I liked Paris. Adverb : adverbs can have several functions in the sentence: they can modify all of the sentence, as in Yesterday John saw Bill; they can modify the verb itself: John happily gave Helen the present or they can modify other adverbs or adjectives: John ran very slowly This book is extremely rare. Case and Function: A word on subjects and objects. While it is traditional to see a Noun Phrase like the boy in the sentence the boy kissed the girl as that sentences subject, and the Noun Phrase the girl as the object, it is important to distinguish what are essentially structural definitions from those which are functionally or semantically based. For instance, although the boy can be viewed as the agent or instigator of the activity of kissing and the girl the object or recipient of the same, such a functional description does not apply to structurally defined subjects and objects in a sentence like the table moved. While the table occurs in a structural position which would perhaps suggest it is the sentences subject, it is clear that the sentence means something like somebody moved the table and that the table, despite its position before the verb, is in fact the object of the item affected by the activity of the verb move. Again, in a sentence like
Bill opened the box with a key, Bill is the agent (and structural subject), box the affected and structural object, while the with in the prepositional phrase with a key denotes the instrumental case . However, this sentence can also be expressed as A key opened the box where the instrumental function has a subject structural position. Again, The box was opened with a key by Bill, shows the agent (previously the structural subject) denoted by a prepositional phrase by Bill, while the instrumental on this occasion still shown by a prepositional phrase in this instance uses a with rather than a by prepositional form. The complexity of the issue of what constitutes the relationship between structural (pre-verb) subject and the semantic function of the noun in the sentence is clear from sentences such as the policeman slept or Henry left home, where agency is clearly not involved in the noun phrases the policeman and Henry and where home is clearly not an affected object in the same way as the table in a sentence like John kicked the table.
Direct Object
John said
something
Direct Object
John said
Noun Phrase
Verb
NP/Pronoun
John
said
something
NP
VP
Verb
NP
John said
S S Comp NP Verb VP NP
that
Art
Bill
lifted
the
table
Notice how the object pronoun something has been substituted by a whole sentence (this is sometimes called sentence embedding). This embedding can occur too at subject position. Compare sentences such as: John liked Henry; Something pleased Mary; The fact that John liked Henry pleased Mary. Once more we can represent the structure of such sentences diagrammatically as:
NP
VP
Pronoun
Verb
Something
pleased
Mary
VP
pleased
Mary
Here we see a number of things happening. In the slot for the pronoun subject something, there is replacement by a noun phrase the fact. This in its turn is filled out by a complete sentence (once more introduced by a complementiser) that John liked Henry. Complex sentences of this type involve the embedding of a higher order unit (here S) under a lower order syntactic unit like a noun phrase. Such constructions are clearly not unrelated to those involving what are traditionally called relative clauses. A sentence such as The man who lent Bill a car shot Henry is manifestly composed of two structures: The man shot Henry and The man lent Bill a car where, importantly, the man in each structure refers to the same individual. The structure of the complex sentence might be represented as:
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VP
NP
Henry
In cases like this, of course, the noun phrase the man, identical to that in the structure immediately above it, is converted into a relative pronoun here who (but in some regional variants what and even which). Such an example also serves to point to the defining characteristic of the pronoun itself. A pronoun is a word which is usually used for the second of two identical nouns in an utterance: thus, in a sentence like John1 said that John2 liked Mary, where the second John refers to a different individual (John Smith as against John Jones), then it remains as a noun. However, if the two Johns refer to the same individual, then the second of the two is pronominalised to, in this case he, although the form of the pronoun is sensitive to the sex, animacy and human-ness of the noun to be replaced, producing personal pronouns like: he, she and it. Where the identical Noun Phrases occur in the same sentence with different semantic functions, say agent and affected, then the second identical NP is not only pronominalised, but sees the addition of the word self to the pronoun itself: thus John1 saw John1 in the mirror becomes John saw himself in the mirror. Clearly, the use of a pronoun for a full noun strongly relates to the knowledge the speakers and hearers have of the structure of the discourse. When they know what or who is being talked about then pronominal usage is high (as in much
11
face-to-face spontaneous conversation). On the other hand, when the discourse (or text) is unfamiliar, or deals with complex topics normally outside the speaker/readers usual range (as in much scientific and technical and legal discourse), then pronominal forms are low in frequency, and the use of full nouns is normally to the fore.
12
temporal horizon). The concept of different kinds of speech act is an important one and is associated with an interpretation of the modal verbs, of which category we argue below that will and shall are members. The activity associated with verbs in sentences is not merely tied to temporal relativity. While a sentence like John eats chocolate places the action in the now sphere, an utterance like John is always eating chocolate has a temporal reference covering both the before-now, the now and, arguably, the after-now. In other words the use of the -ing suffix on the verb suggests continuity, repetitiveness and that the activity is ongoing, even recurrent. In other words, what we are dealing with in utterances like this is the state of the verbal action as well as its place on a time continuum. In the ways in which it can reflect the state of a verbal activity, the English language (in comparison with many other languages) is relatively deficient, in that it principally confines such expression to identifying those actions which are continuous or those which are complete or finished. The technical grammatical term used for this characteristic of utterances is (verbal) aspect . For instance, sentences such as Bill is doing his homework and I have been painting my room all week suggest that the verbal activity is not only going on, but has been going on for some time in the past and is likely to continue. On the other hand, in a sentence like John has done his homework, we assume that the activity is completed. Again, in one like John had done his homework not only is the activity deemed to be complete, but complete with reference to a time in the past, thus John had done his homework by five oclock last night. On the other hand the completed activity in John has done his homework can be taken to refer to a time reference in the present: John has done his homework now/recently and not John has done his homework by last Thursday. It is worth noting too that the completeness/incompleteness of the verbal activity can be expressed by a number of different mechanisms: for example, the contrast implied between Mary has drunk her gin as against Mary has drunk up her gin is one involving the non-finishing versus the finishing of the activity hence drinking-up time. We have already suggested that while utterances have an inherent meaning comprising the words they contain, they also reflect the kind of activity the speaker who uses them is engaged in. For instance, we argued that when a speaker utters a sentence like John will win the Lottery one day, he/she is performing an activity of prediction or foretelling. Indeed, there are some utterances which are themselves inseparable from the activity the speaker is performing at the time: thus one cannot usually say either I bet you five pounds or I name this ship
13
Queen Mary without actually performing the activity of the verb at the same time: i.e. betting or ship naming. In much the same way, there is a special sub-set of verbs in English one of whose functions it is to denote the speakers attitude to the utterance. Such verbs are traditionally called modal verbs, and comprise items like may, might, can, should, would, may and must and some others. It is worth noting at the outset that these verbs have certain syntactic properties as well; notably, they do not show temporal distinctions, there is no mayed or mays, and might is not a past tense form of may: John may go to the pictures versus John might go to the pictures expresses a contrast which is not related to the point of time in which the action occurs. Again, for most regional versions of English, two modal verbs may not occur in the same sentence: there is no I might could construction although there are exceptions to this generalisation in regional versions of English in Scotland and the north-east of England as well as in some southern United States varieties. Although their interpretation is complex, there are certain attitudes, perceptions and conditions speakers place on the content of utterances which modal verbs serve to reflect. For example, in a sentence like John must work harder the speaker is expressing some kind of imperative or command emanating either from the speaker directly or from some extraneous set of events or conditions. On the other hand, in an utterance like John might work harder the speaker is expressing some conditionality, possibility or even doubt that the action will take place at all. Yet again, John may work harder can, in addition to expressing possibility, suggest that there is some set of circumstances allowing John to work harder than he did before (I/something permits John to work harder) a meaning often signalled by can, although in a sentence like John can work harder there is an interpretation which suggests that the speaker somehow allows this activity to take place, or removes obstacles to its taking place. But increasingly in the modern language, might, can, could and may are being used without such clear distinctions and, for many speakers, in sentences like Might/may/ can/could I have some pocket money, please? the modals are frequently used interchangeably.
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such implication, unless of course the speaker emphasises, through intonation or additional stress, the do plus negative attachment: John DOESNT like beer. In many instances, however, the do word is semantically empty or meaningless (hence its dummy appellation) and merely occurs as an automatically triggered syntactic form in certain kinds of constructions, notably in negatives, questions and imperatives . We suggested above that the characteristic structure of the English Verb Phrase looked like:
Verb Phrase
Verb
Noun Phrase
However, our discussion of the modal verbs suggested that this was an oversimplification and, to accommodate these auxiliary verbs, a structure something like the following, for the Verb Phrase in a sentence like John does/may like Mary, would be more appropriate:
Verb
Main Verb
Noun Phrase
does/may
like
Mary
The interest of this interpretation lies in its ability to allow us to propose a single stratagem for the formation in English of negative and question (interrogative) sentences. When English speakers wish to negate a proposition, they add a negative particle not to the first non-main verb in the sentence i.e. to the auxiliary or the modal. Thus we get negative sentences such as John doesnt like Mary and John couldnt
15
like Mary and so on. This implies, of course, that the speaker of Modern English somehow knows that the structure of a sentence like John likes Mary is really John Auxiliary Verb likes Mary, the auxiliary being deleted when the sentence is positive, but brought into play and used as a vehicle on which to hang the negative particle when that proposition is denied. In the English of the Old English period, negative sentences were not formed in this way at all, the negative particle not being placed immediately before the Main Verb: John not liked Mary. The introduction of the dummy do auxiliary is an important syntactic innovation which arose in the late medieval period. It is important to bear in mind once more that it is the (non-modal) auxiliary which signals the tense in the modern language, not the main verb, thus: John doesnt want money; John didnt want money. The do verb is often described as a dummy, because it can be used to stand for all and any verbs in the language it behaves in a way pronouns do in a Noun Phrase. We have seen how, when a speaker has two identical nouns in a sentence, the second can be substituted by a pronoun. Again, a pronoun rather than a full noun can be used in spoken discourse when the speakers know (but do not overtly express) the identity of the individuals they are referring to. In the same way, do can be seen as a kind of ProVerb, used to signal that a verb should occur in its slot, a verb which has already occurred in the discourse or which the speaker can be assumed to know is being used. Thus, we can have constructions like: Priscilla likes Mars Bars and so does Helen, where the does is used as a dummy for likes. Again, in a sentence like What do you do for a living? the second do seeks a response in the shape of a full verb: I work, I am retired, etc. This dummy, auxiliary do has an important part to play in the formation of interrogative or question sentences. In English of the earliest period, questions could be formed simply by positioning the main verb (the first verb in the sentence) at the beginning of the sentence, thus: John likes Henry is questioned as: Likes John Henry? However, when the language changed so that speakers came to interpret the verb phrase in all sentences as made up of an auxiliary/modal followed by a main verb, then it was that auxiliary/modal (now the first verb in the sentence) which became positioned at the front in questions: John (do/ may) like Henry comes to be expressed as Does/may John like Henry? There is some controversy in Modern English over the issue of multiple negation. That is where negative particles are added not just to the auxiliary do but to other components in the sentence as well, notably to indefinite pronouns such as anyone, someone, anytime, anywhere
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and so on. Thus, for many speakers, a sentence like the following is regarded as well formed: Jane didnt see nobody nowhere at no time. This type of multiple negation (with no implication that its use implies that the sentence has become a positive) was, if anything, the norm in English until the sixteenth century and is still perfectly acceptable for millions of speakers today in various regional and social manifestations of the language.
Bibliography
Category A Much of the above is to be found described in varying amounts of detail in general textbooks on linguistic theory. There are many such available on the market and they vary in quality, modernity and accessibility. Excellent general introductions are to be found in the following: Aitchison, J, Teach Yourself Linguistics, London: Hodder & Stoughton, 1992 Crystal, D, Linguistics, London: Penguin, 1985 Finch, G, Linguistic Terms and Concepts , London: Macmillan, 2000 Fromkin, V and Rodman, R, An Introduction to Language, New York: Harcourt Brace Jovanovich, 1980 Jarvie, G, Grammar Guide: Grammar Made Easy, London: Bloomsbury, 1993 Traugott, E and Pratt, M L, Linguistics for Students of Literature, New York: Harcourt Brace Jovanovich, 1980 Verspoor, M and Sauter, K, English Sentence Analysis, Amsterdam: Benjamins, 2000 (contains useful CD) Yule, G, Explaining English Grammar, Oxford: Oxford University Press, 1998 Category B All of the following are useful for more detailed discussions of sentence structure, time/tense, modality and negation. Langacker, R W, Language and its Structure: Some Fundamental Linguistic Concepts , New York: Harcourt Brace Jovanovich, 1973 Pinker, S, The Language Instinct, London: Penguin, 1995 Quirk, R, English in Use , London: Longman, 1990 Quirk, R; Greenbaum, S; Leech, G and Svartvik, J, A Comprehensive Grammar of the English Language, London: Longman, 1985
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Smith, N and Wilson, D, Modern Linguistics. The Results of Chomskys Revolution, London: Penguin, 1979 Trask, R L, Language: The Basics, London: Routledge, 1995 Works which deal in a relatively introductory fashion with questions of syntax Burton-Roberts, N, Analysing Sentences, London: Longman, 1997 Huddleston, R, Introduction to the Grammar of English, Cambridge: Cambridge University Press, 1984 Leech, G, Meaning and the English Verb, London: Longman, 1971 Palmer, F, The English Verb, London: Longman, 1974 Quirk, R and Greenbaum, S, A Students Grammar of the English Language, London: Longman, 1990 Radford, A, Transformational Syntax: a First Course, Cambridge: Cambridge University Press, 1988 Wekker, H and Haegeman, L, A Modern Course in English Syntax, London: Croom Helm, 1985
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SECTION 3
19
For instance, if we hold the fingers against the adams apple during the production of the first sounds in words like pit, sit, kit we will feel no vibration, while a well defined vibratory activity can be experienced when the first sounds in words like bit, zip and get are uttered. 3.1.1 Consonantal (blocked tube) sounds
Consider, firstly, those cases where the tube (the mouth) is completely blocked at some point, and the air from the lungs has to force its way past the blockage, causing an explosion. Sounds produced in this way are called, unsurprisingly, stops or plosives. They are best described in terms of the place in the tube where the blockage takes place. The complete blockage at the very front of the tube is caused by closing the lips (bilabial ), at the front by the tongue touching the region of the upper teeth (dental). On the other hand a blockage can be made at the back of the tube, where the tongue touches the hard palate (palatal ), as well as at the very back, where the rear of the tongue is hitting the wall of the larynx ( glottal). Blockage of the tube need not be complete, however, and a very small space can be left between the lips and the tongue and various parts of the roof of the mouth to allow the air literally to squeeze through. These incomplete blockage sounds are characterised by much turbulence in the airstream itself, producing a typical hissing sound. In the front position with the lower lip against the upper teeth [f]/[v] in the initial sound in words like fine and vine and with the tongue against the dental region as in the initial sound in words like thick and thy. In the back position, with the tongue against the palate, we have the final sounds in German words like ich and ach and in some varieties of Scottish English such as nicht and loch. Even at the very front position, air may be allowed to escape between the lips, a sound still heard in some Scottish English dialects the initial sound in some Aberdeenshire pronunciations of a word like what. Sounds like these are generally known as fricatives, and can be either voiceless (the initial sounds in see, for, thick) or voiced (the initial sounds in zoo, very and thy). Yet other sounds can be produced as the result of a combination of complete blockage followed by partial blockage (and hence hissing). These can be heard in the first and last sounds in words like church (voiceless) and judge (voiced). Such sounds are called affricatives.
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3.1.2
In English (but not in all languages) this important set of sounds usually involves the airstream being vibrated through vocal chord activity (they are voiced sounds). The differences produced to these vowel sounds in words like kit, Kate, get, cat, too, toe, toggle and path are achieved by manipulating the shape of the tube (the mouth) through which the air from the lungs passes. Basically two main shapes are involved: one where the tongue is shaped so that there is a relatively small opening at the front of the mouth and a larger one at the back i.e. the air first passes from the lungs through a large cavity, then through a smaller one. This shape is characteristic of front vowels, like those in words like see, Jane, get and sat. The other is a mirror image shape, with the air from the lungs first passing through a relatively small space, followed by a relatively larger one: vowels formed in this way are called back vowels. Examples of these are the vowels in words like too, toe, God and Southern British Standard English bath. Individual front and back vowels are produced by altering the vertical height of the raised part of the tongue: FRONT high mid low Front Vowels Back Vowels BACK FRONT BACK high mid low
Thus high front vowels are [i] in see and [ I] in sit; mid vowels are [e] in Jane and (a little lower still) [E] in get, while the low front vowel is the [a] in cat. Back vowels follow approximately the same pattern with high in [u] two, mid in Joe (with a slightly lower mid in [O] got) with the low back [A] vowel the Southern British Standard vowel in path and bath words. Notice too how all the back vowels seem to involve the lips in a rounded position, while for the front vowels the lips are spread apart.
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There is also an important set of vowels produced when the tongue is in a position where the tube is concave in the centre, with the tongue in a middle position in the mouth and at slightly different heights. These are known as central vowels, of which there are usually only two common in English, the lower of which is the sound heard in many unstressed vowels, as in the second vowel in a word like father or mother [] and often referred to as the indeterminate vowel. The other, and showing a slightly higher tongue position, is the sound [] heard in the first vowel in words like butter and mother. Another characteristic of vowel sounds is that they can show varying degrees of length or duration. For instance, a speaker of Southern British Standard English will pronounce words like pull and pool with the same vowel, but of different lengths the first short, the second long [puul] with length increase scripted by a doubling of the vowel symbol although, in some notations, vowel length is shown by the addition of a colon symbol after the vowel, thus [pu:l]. For Scottish English speakers, both pool and pull show short vowels, and are thus non-contrastive for length. All the vowels we have so far considered have been simple vowels or made up of only one component. There are instances where we find two vowels at the same point in a syllable, two vowels which are involved in a transition from one tongue position to another . Complex vowels like this where we have a movement from one position to another are called diphthongs. Common diphthongs in English are to be found in words like house, my and boil, showing respectively double vowel characteristics such as: [Au], [AI] and [OI]. So far, all the sounds, both vowel and consonantal, which we have been considering have been produced through the tube of the mouth they are oral sounds. However, there are several others where a different tube or cavity is involved in the production of the sound the nose cavity, responsible for nasal sounds. These can be illustrated by the final sounds in words like fun, mum and sing. It is important to realise that all these nasal sounds, although they are produced through the nose, are, in fact, controlled by changing the shape of the mouth (since the tissue inside the nose cannot be manipulated). Thus, a sound like [n] shows an oral position similar to that for [d], [m] for [b], and [N] for [g], making nasals similar to stops in showing a very front, front and back positional characteristic. It is worth observing too that, for English at any rate, nasal sounds are usually voiced and that many nasalised dialects (notably some forms of United States English and Liverpudlian English) show vowel sounds which are simultaneously oral and nasal.
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3.1.3
Vowel-like consonants
There is a very common and important set of consonantal sounds in English (and many other languages) which appear to share the characteristics of both vowels and consonants that is, while they occur in a tube where the airflow is unblocked, they nevertheless simultaneously show the tongue involved in a contact with another part of the mouth which would normally result in a blockage taking place. Consider the first sound in a word like life: here the [l] sound has the tongue blocking the mouth at the upper front teeth, yet there is no explosion, the air being allowed to flow around the blockage. Like vowels, sounds like this sometimes known as sonorants or continuants can be sung try singing [p]! Other sonorant sounds are [r] and all the nasal sounds, [n] , [m] and [N]. This set of sounds is particularly important in that while they are consonantal in many of their characteristics their similarity to vowel sounds is so great that speakers often perceive them as if they were actually full vowels. Notice, for instance, the Glaswegian habit of substituting a vowel for a word final [l] channo tunno for Channel Tunnel.
Consider words like pin, tin, sin and kin. The only sound distinguishing these words from one another is the initial consonant. These consonants are contrastive; interchange them and the meaning of the
23
words alters. These consonants can therefore be seen as small distinctive units serving to act as a means of keeping meanings of words apart. Languages have sets of these distinguishing sounds called phonemes and they can be considered to be the building blocks of a languages sound system. Thus, a word like Bill has three phonemes [b], [I] and [l] an item like pretty [pr I t I ] having four [p], [r], [ I], and [ t]. However, compare words like mill and Mull. For most speakers of Modern English the two [l] sounds will be quite distinct. In the first the tongue blockage will occur around the area of the upper teeth, while in the latter, it will occur much farther back on the palate. We can represent the difference between these two kinds of [l] sound sometimes called light and dark [l]s symbolically as [l] and [:] respectively. But are these two [l] sounds contrastive and distinctive? If we interchange them in the two words in question does their meaning change? Clearly not indeed a listener might not even perceive the difference, although it is there. It is obvious that the choice of light versus dark [l] is quite predictable if the [l] is preceded by a front vowel, then it is light, if a back vowel it is dark. The quality of the vowel determines the selection of the continuant [l] sound. So the two [l]s are not meaning-distinctive phonemes, but predictable outcomes for the same phoneme in a particular sound context. The technical term they are given is allophones. Consider again the [p] phoneme in words like peak and speak. If you place a piece of paper against your lips you will see that, after pronouncing the [p] sound in peak a puff of air is produced which quite distinctly disturbs the paper. After the [p] in speak no such puff of air aspiration occurs. Speakers can then deduce that there are two versions (two allophones) of the [p] phoneme one aspirated [p ], the other when it follows an [s] fricative not so ( unaspirated). But in some languages, such differences are genuinely contrastive and words can have a new meaning when an unaspirated [p] is substituted for an aspirated one, or when a dark [l] is substituted for a light one, all the other sounds in the words remaining the same.
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Bibliography
Category A Perhaps the best general introduction to the sounds and sound structures of English is to be found in Part Four, Chapter 17 of The Cambridge Encyclopaedia of the English Language (ed. D Crystal), Cambridge: Cambridge University Press, 1995, pp. 23447. Abercrombie, D, Elements of General Phonetics, Edinburgh: Edinburgh University Press, 1967. An excellent basic account of the English sound system and the mechanisms for describing it. Katamba, A, An Introduction to Phonology, London: Longman, 1989. Although this book has a very wide remit and covers some areas of phonology of too advanced a nature for Advanced Higher, it nevertheless contains in its first two chapters (pp. 134) an excellent and very readable introduction to the basics of both phonetics and phonology. Knowles, G, Patterns of Spoken English, London: Longman, 1987. The first three chapters of this book offer a very clear and accessible account of the sound system of Modern English. The style is most readable and clear and examples are helpful and plentiful. There are sets of exercises and the Appendices offer excellent lists of sounds against symbols (pp. 22133). Ladefoged, P, A Course in Phonetics, New York: Harcourt Brace, 1982. This is the classical, detailed description of English sounds and the techniques used to describe them. Somewhat technical in places, but it contains a useful glossary of terms and helpful sets of exercises. Chapters 14 are especially helpful. Other introductory guides to both phonetics and phonology are to be found in: Wells, J C and Colson, G, Practical Phonetics, London: Pitman, 1971 Roach, P J, English Phonetics and Phonology: A Practical Course, London: Cambridge University Press, 1983
25
Category B The following are reliable but sometimes technical works on the sounds of language and the kinds of structures they can enter into. So they may be best used in tandem with the more elementary books in the previous section. Giegerich, H J, English Phonology: An Introduction , Cambridge: Cambridge University Press, 1992 (especially Chapters 15, pp. 1129). Pullum, G K and Ladusaw, W A, Phonetic Symbol Guide, Chicago and London: University of Chicago Press, 1986. An extremely useful reference work which describes in clear detail the types of symbols used in the International Phonetic Alphabet for the description of speech sounds. Category C The following are more technical and exhaustive, state-of-the-art reference works on the subjects of phonetics and phonology: Lass, R, Phonology: An Introduction to Basic Concepts , Cambridge: Cambridge University Press, 1984 Laver, J M H, Principles of Phonetics , Cambridge: Cambridge University Press, 1994
26
27
Vowel sounds (a) (1) Simple vowels Vowels formed in the front of the mouth (unrounded)
High tongue position [i] as in see [I] as in sit Mid tongue position [e] as in Scottish English say [E] as in get Low tongue position [a] as in cat (2) Vowels formed in the back of the mouth (rounded)
High tongue position [u] as in you [] as in the United States pronunciation of the vowel in words like look and book; this sound is half-way between the sound in a word like luck and that in pull Mid tongue position [o] as in Scottish English go [O] as in got Low tongue position [A] as in Standard English bath [] as in the United States pronunciation of the first vowel in a word like Bobby; this sound is a little lower in the mouth than [O] (3) Vowels formed in the central part of the mouth
[] as in the second syllable of a word like father: in Standard English [fAAD] or in Standard Scottish English [faDr] (this is sometimes called the schwa sound or the indeterminate sound and is not unlike the vowel in s it) [] usually long and preceding an [r] sound which has been lost in Standard English, as in fur [f] and term [tm]
28
(b)
Where first element is lower than the second (rising diphthongs) [EI] as in Standard English s ay [aI] as in my [ou] as in Standard English g o [OI] as in boy [au] as in house Where first element is higher than the second (falling diphthongs) [i] as in some Working Class Scottish English here; f eel [E] as in some Working Class Scottish English there Diphthongs arising from the substitution of sonorants by vowels (vocalisation ) : [io]; [Eo] where the [o] substitutes for the [l] sound in words like feel or fell in many types of Working Class Central Belt Scottish English ([l]-vocalisation ).
29
30
SECTION 4
[f]
like
[l]
[au]/[a]
[n]/[N]
[s]
like like
[k]
That is, if we work away from the vowel centre, there is a kind of decrescendo in vowel-ness or, conversely, there is a crescendo of vowel-
31
ness from the edge of the word to its centre. In this way, words like flounce [flauns] and plank [plaNk] can be formed (as shown in the diagram on the previous page). Not all the segments need, nor indeed can, be present obstruents and fricatives tend to be mutually exclusive, so there are no words beginning or ending in [pf-] or [df-]. There is usually an order of sounds in which a kind of crescendo to a vowel peak followed by a decrescendo away from it has to be achieved for words to be well formed. There are, of course (and as always in language) some exceptions to such a general condition on word well formed-ness, notably in the case of word-initial clusters of consonants involving [s]: [strit] street and [spju] spew clearly offend the otherwise universal condition that obstruents and the more vowelly fricative consonants are mutually exclusive at word beginnings and endings.
32
or as:
in
describe
able
Although they cannot stand on their own as individual words, both in- and -able have recognisable meanings not and capable of being meanings which can be equally well used with other core morphemes such as indecipherable, incomprehensible and so on. Words like thoughtlessness and restlessness show a similar complex meaning structure with the affixes less and ness, the former adding the concept of negativity, while the latter the ness performs a grammatical function by changing what is an adjective thoughtless into a noun. Notice, though, that while an English speaker will analyse words like thoughtlessness and uselessness as comprising three components, with thought and use as the core or root component, a word like recklessness has come to be analysed as having two component parts only reckless and ness since there is no longer any root, stand-alone morpheme like reck in modern English. Meaningful components attached to the left-hand side of the root morpheme (often called prefixes) the in in indescribable are usually meaning bearing. Thus prefixes like un in unappealing, anti in anticlimax, super in superhuman, re in reapply and co in cohabit can be said to modify the meaning of the base component in the compound morpheme in a variety of different ways. Morphemes added to the end of base components suffixes likewise modify or add to the meaning of the base morpheme, hence a contrast like lion/ lioness or star/starlet. However, suffixes in particular can perform a purely grammatical role in that they can change one part of speech into another nouns and adjectives into verbs (orchestrate; deafen; advertise); concrete nouns into abstract nouns (mile/mileage; friend/ friendship); adjectives into adverbs (quick/quickly; sudden/ suddenly); nouns from verbs (speak/speaker; ride/rider), adjectives from nouns (socialist/social; capitalist/capital) and adjectives from verbs (like/likeable; drink/drinkable), among others. However, but only very occasionally, prefixes can have a grammatical function as well the change of noun to verb in friend/befriend, rage/enrage and compass/encompass. The general name given to this type of morphology which performs a grammatical role is derivational morphology.
33
It is interesting to record too how the addition of both prefixes and suffixes may, on occasion, have consequences for the pronunciation of the affix and even of the root morpheme itself. Notice how the in prefix assimilates to its root initial consonant in illogical and irredeemable, while the addition of ity suffixes can have consequences for the shape of the vowel in the root: thus cave but cavity, astound but astonishment, and profound but profundity. So too there is the effect on the vowel of the addition of the nounmaking suffix (th) in words like strong versus strength (but not, notice, in warm/warmth). It is obvious that English uses suffixes in other types of context as well. Notably, English uses an -s suffix to denote the concept of more than one (plural), thus contrasts such as boy/boys, dog/dogs, cat/cats, match/matches showing a (predictable) pronunciation contrast in [s], [z] and [z]. This same signal is used on modern English verbs to denote the grammatical category of person: for instance, the person spoken about in the discourse (who is not necessarily present at the time): he/she/it thinks as against those instances where the speaker is involved (I think and is present). In the case of where the person spoken to (and present) is involved: you think, no suffix is used in the modern language, although there were such suffixes in both contexts at earlier stages of English thou lookest, she knoweth for example as late as the seventeenth century. Notably too, English employs a suffix on most verbs to denote that its action takes place before now (the past tense): thus I looked versus I look. However, it is important to recognise that contrasts such as one/ more-than-one and now/before-now can also be expressed through other mechanisms (often the result of residues from processes which were in some way predictably motivated at earlier times in the languages history), thus: goose/geese; foot/feet; man/men; see/saw; take/took as well as, in the instance of time marking, through the use of quite separate morphemes go/went, am/was. The general name given to the type of morphology which signals person, number and time relationships is inflectional morphology.
34
35
Bibliography
Category A Many of the books on this subject are rather technical and more suitable for the advanced student. However, Crystal, D, The Cambridge Encyclopedia of the English Language, Cambridge: Cambridge University Press, 1995, pp. 198205, and the discussion under WORD FORMATION in McArthur, T (ed.), The Oxford Companion to the English Language , Oxford: Oxford University Press, 1992, pp. 11224, provide helpful statements of first principles and a selection of good examples. Category B Adams, V, An Introduction to Modern English Word Formation , London: Longman, 1973 Bauer, L, English Word Formation , Cambridge: Cambridge University Press, 1983 Matthews, P H, Morphology: An Introduction to the Theory of Word Formation, Cambridge: Cambridge University Press, 1974
36
SECTION 5
37
At the same time, it is difficult to ascribe to some lexemes a single and all-embracing meaning. While it would be possible to give fairly precise dictionary-style definitions to all the lexemes in a sentence like: Henry patted the dog beside the road, the lexeme beside would perhaps be the least easy to pin down to a specific and repeatable meaning. Notice again how the meaning of a sentence is not merely the sum of its component lexemes but is heavily dependent upon our knowledge of the syntax of the utterance itself. The meaning of a sentence like John asked how clever Mary was depends upon the speaker/hearer knowing that the string of words is structurally ambiguous . The sentence can either mean: John asked someone to tell him the degree to which Mary was clever or John inquired after the health of clever Mary. There is the difficult question too of equivalent in meaning lexemes synonyms. Sentence such as John is a bachelor and John is an unmarried man can be said to be synonymous. However, a sentence like John received a letter from Bill and Bill sent John a letter are not necessarily so, since in the former the letter, although authored by Bill, may not necessarily have been physically sent by him. Likewise, one could argue that complete identity of meaning does not exist between sentences such as The book is in the cupboard and The cupboard contains the book. The dictionary is, par excellence, the source of appropriate meanings which can be ascribed to individual lexemes. However, our comments above have cast some doubt on its usefulness as a vehicle for enabling us to ascertain the meanings of combinations of individual lexemes in sentences. There are other limitations to the usefulness of a dictionary. Language users are aware that almost all the words in their vocabulary do not exist as separate, unique entities; they can have relationships with other lexemes. Thus, in the case of a word like dog, there are lexemes such as wag, bark, collar, bone, even faithfulness, which can be associated with it, or which collocate with it in a semantic field. The dictionary itself tells us very little about such a phenomenon and we have to turn to the thesaurus to gain information of this type. A thesaurus can be defined as a list of words (usually arranged alphabetically as in a dictionary) which are semantically related to each other in various ways for example as being synonyms (identical in meaning) or as antonyms (opposite in meaning). Sometimes, in preference to an alphabetic ordering, the items in a thesaurus can be arranged according to Themes or Notions. For instance, under the theme/topic of STEALING we find listed in Rogets Thesaurus, lexemes such as: lifting; robbing; theft; shop-lifting; larceny; robbery with violence; body-snatching; abstraction; copyright infringement; fiddle; plundering;
38
looting; sacking; fraud; deception; androlepsy. Clearly, we are not dealing here with a list of synonymous words or expressions, but a set of lexemes which all relate to a shared field of meaning, a network of related signs. Another important function of the thesaurus is the identification of hyponyms an ordered or hierarchical set of relationships existing between related lexemes. Thus flute, piano, banjo, drum and cello are all hyponyms of the concept MUSICAL INSTRUMENT, and building, column, dome, arch, portico hyponyms of ARCHITECTURE, while stone, gem, granite, diamond and oil might all be seen as hyponyms of GEOLOGY. It should be obvious that notions such as semantic field or collocation of lexemes infer that the language user is able to bring to bear certain presuppositions and implications relating to the connectivity of different areas of meaning. For example, the speaker knows that a sentence like John X is dead implies also that John X is no longer alive. Similarly, the speaker knows that I have never been to Glasgow contradicts I live in Glasgow now. In the same way an utterance like The Queen visited Australia presupposes that there is a Queen in the first instance. On the other hand, East is East and West is West are tautologies. These types of shared knowledge or presuppositions existing between speakers belong to the domain of linguistic Pragmatics. Pragmatics is a difficult area to define and covers a wide range of linguistic and extra-linguistic activity. In essence, Pragmatics deals with the ways in which hearers try to uncover what speakers are trying to communicate to them and what the intentions of the speaker are in so doing. This can often be reflected in extra-linguistic behaviour such a co-operation in the taking of turns at speaking in spontaneous conversation, or through the use of markers of politeness to signal our attitudes and feelings towards other speakers: Would you mind closing the window, please? as against Shut the window, will you?
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Bibliography
The Lexicon Category A Hurford, J R and Heasley, B, Semantics: A Coursebook , Cambridge: Cambridge University Press, 1983 Quirk, R, Words at Work, London: Longman, 1986 Category B Aitchison, J, Words in the Mind: An Introduction to the Mental Lexicon, Oxford: Blackwell, 1994 Bolinger, D L, Meaning and Form , London: Longman, 1977 Hofman, R T, Realms of Meaning, London: Longman, 1993 Hudson, R, Word Meaning , London: Routledge, 1995 Jackson, H, Words and their Meanings , London: Longman, 1988 Jeffries, L, Meaning in English, London: Macmillan, 1998 Leech, G, Semantics. London: Pelican, 1981 Palmer, F R, Semantics, Cambridge: Cambridge University Press, 1981 Sweetser, E, From Etymology to Pragmatics , Cambridge: Cambridge University Press, 1990 Pragmatics Green, G, Pragmatics and Natural Language Understanding , New York: Erlbaum, 1988 Leech, G N, Principles of Pragmatics, London: Longman, 1983 Levinson, S, Pragmatics, Cambridge: Cambridge University Press, 1983 McCawley, J D, Everything that Linguists have Always Wanted to Know about Logic but were Ashamed to Ask, Oxford: Blackwell, 1981. A very useful introduction to the study of Semantics, Pragmatics and Presupposition.
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SECTION 6
(2)
41
(a)
(b) (c)
when reading pairs of words and lists of words (i.e. when speakers know they are being tested for their linguistic habits and even for which ones); in relatively informal (often group) interview situations when speakers may only be indirectly aware of being observed; when speakers are completely unaware that they are being observed (surreptitiously recorded spontaneous conversation).
The classic pattern (sometimes known as the Labovian paradigm ) shows that stigmatised, or vulgar forms not surprisingly increase with a lowering both of the social class of the informant and the decrease of formality in the linguistic situation or context. For example, the following chart shows what has been found to be the prevalence of glottal stop substitution for [t] among Glaswegian speakers in words like water [wa/r], hit it [hI/ I/] mapped against social class categories. The stigmatised glottal is high among Working Class speakers (especially when speaking in informal contexts), low among Upper Class speakers (typically when they are conscious that their speech is being observed); see Figure 6.1 below. Figure 6.1: Glottal stop by social class in Glasgow
100 80
percent