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from Avenged Sevenfold - Waking the Fallen

And All Things Will End


Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Slowly q = 82
* Dm

Bb6

mp

w/ fingers
let ring

2
3
5

let ring

let ring

2
3
2
0

let ring

Aaddb9

Gtr. 1 (clean)

*Chord symbols reflect implied harmony.

Double time (q = 164)


Gtr. 1 tacet

D5

Gtr. 3 (dist.)

P.M.

P.M.

6
0


P.M.

0
0

P.M.

0
0

D5

P.M.

0
0

0
0

Gtr. 2 (dist.)

0
0

D5


P.M.

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

0
0

1
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Sorgdal


Gtr. 4 (dist.)

D5

f
5

Gtr. 3

P.M.

8 5 8 5 6 5

Gtr. 2

P.M.

6
7

Riff A1

2
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

P.M.

0
0

P.M.

6
0

0
0

6
0
0


P.M.

5
0
0

0
0

D5

D5

8 5 8 5 6 5

Riff A

P.M.

Sorgdal

8 5 8 5 6 5

0
0

P.M.

Gtr. 2

0
0

8 5 8 5 6 5

Gtr. 5 (dist.)

8 5 8 5 6 5

Gtr. 4 tacet

Gtr. 3

8 5 6 5

8 5


P.M.

6
0
0

Gtr. 5 tacet

D5

Gtr. 4

3
grad. bend
1

Riff B
Gtr. 5

8 5 8 5

5
5

6
7

8 5 8 5 6 5

End Riff B

8 5 8 5 6

End Riff A1

0
0

0
0

End Riff A

8 5 8 5 6 5

P.M.

Gtr. 2

8 5 8 5 6 5

P.M.

6 5

Gtr. 3

8 8 5 6 5

6
0
0

0
0

Verse

1st time, Gtr. 4 tacet

D5

1. Lived
2. When I

through
see

F5

you,
you,

safe
I

with
can

how
read

G5

we
it

lives,
eyes,

lived
in

our
your

Gtrs. 2 & 3

0
0

P.M.

3
3


P.M.

5
5

3
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Sorgdal

Ab5

with

how

it

fate

5
5

0
0

P.M.
5

Un

cov

Swal

lowed

turned
-

der

P.M.
5
5

6
6

F5

Ab5

will

things

are

bound

to

change!)

things

are

bound

to

change!)

cant

G5 Ab5

make you change


think - ing with

D5

your
your

mind.
heart.

3
3

0
0

G5

through

blame

5
5

out,

you

for

5
5

To Coda 1

F5 G5 A5 Bb5

Some Some -

Fill 1

Gtr. 4

faced

P.M.

3
3

lies,

P.M.

D5

the

sur

lies,

F5 G5

ered

out.
Screamed: (But
stood.
Screamed: (But

P.M.

0
0

all

D5

mis - un

6
6

G5 Ab5

End Fill 1

*w/ wah-wah

10

15

*As filter
Gtrs. 2 & 3

5
5

P.M.
5

4
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Sorgdal

6
6


P.M.
6

5
5

6
6

0
0

P.M.

3
3

5
5

7
7

8
8

Chorus

times

F5

8va

18

15
10

15

10

loco

al

18

17

17

14

14

17

8
8

8
8

8
8

3
3

Bb5

Wont


(Whoa.)

1/2

18

17

14

10

8va

18

14

17

17

14

P.M.

0
0

F5

G5

Gtr. 4 tacet

F5

right.

Cant

turn

D5

out

right.

End Voc. Fig. 1

1/2

17

P.M.

out

15

18

17

15
10
10

5
5

17

3
3

turn

Voc. Fig. 1

3
3

1/2

14

P.M.

8
8

1/2

15

tered.

1/2

17

15

is

1/2

17

D5

life

G5

3
1

15

15

17
17

3
1

3
1

3
3

3
3

0
0

5
5

Interlude
Gtrs. 2 & 3: w/ Riffs A & A1

D5

D5

5
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D.S. al Coda 1
Gtr. 5: w/ Riff B

D5

Coda 1

Chorus

times

G5

D5

life

is

al

17

15
10
10

15

tered.

Break

1/2

18

Bb5

8va

loco

Gtr. 4

F5

1/2

17

15

18

17 14

17 15 17

1/2

14

14 15

18

14

17

1/2

17

18

14

14

17

10

15

17

17

Gtrs. 2 & 3

8
8

8
8

8
8

8
8

3
3

3
3

0
0

3
3

5
5

2nd time, Gtr. 4: w/ Fill 2

from

the

F5

ropes,


8va

your

G5

D5


hands

18

15
10
10

15

3
1

6
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Sorgdal

3
1

15


3
1

3
3

17 15

17

18 17

14

14 15

3
3

3
3

5
5

X
X

0
0

14

17

14

18

14

17

10

15

17

Bb5

17

P.M.

3
1

Un - eas -

1/2

17

1/2

18

18

loco

1/2

17

are tied.

1/2

17

P.M.

3
1

F5


8va

10
10

15

3
1

17

15

3
1

con - fron - ta

18

3
1

17 14

14 15

8va

17

3
3

3
3

To Coda 2

F5

5
5

17

15
10
10

15

17

14

1/2

17

18

14

14

17

Cant

D5

turn

out

10

15

3
1

17

G5

17

P.M.

F5

right.

17

15

17

3
1

3
1

3
1

Riff C

let ring
3

2
3
5

3
3

0
0

5
5

A7b9/E



let ring

Gtrs. 2 & 3

dim.

Gtrs. 2 & 3 tacet

Dm

3
3

Interlude
Tempo I

0
0

right.

turn

1/2

18

Gtr. 1

Gtr. 4 tacet

X
X

18

Bb5

Wont

1/2

14

15

3
3

out

17

tion.

End Fill 2

loco

1/2

17

15

Bkgd. Voc.: w/ Voc. Fig. 1

with

Fill 2

D5

1/2

18

G5

Dm[add9]


let ring

2
5

2
5


let ring

6
5

5
7

8
7

6
5

0
0

7
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Sorgdal

Bbadd9

G5addb9

Gtr. 1

let ring

let ring

0
3


let ring




let ring

2
3
2
0

End Riff C

Aaddb9

Bridge
Gtr. 1: w/ Riff C (2 times)

Dm

see

my world

I
Riff D

mp

let ring

5
6
7

10

10

Dm[add9]

crum



*Gtr. 6 (clean)

w/ fingers
let ring

A7b9/E

10

ble and

fall

9
12

14

11

12

10

12

12

be - fore

my



let ring

let ring

12
14

13

14

12

12
14

13
14

12

14 12

13

14

*Two gtrs. arr. for one.


Bbadd9

eyes.

know,

let ring

let ring

know.


let ring

7
8

10

12

12

12 13

13

12

12

12

14

14

14

15

14

14

12

14

12

14

14

15

14
15
14
12

let ring

10

End Riff D

Aaddb9

G5addb9

Gtr. 6: w/ Riff D (1st 4 meas.)

Dm


Dark

8
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will

turn

to

light.

A7b9/E

In

Dm[add9]

time,


Ill

be

al

Bbadd9

G5addb9

right.

let ring

let ring

let ring

10

12

12

12 13

13

12

12

12

14

14

15

14

14

14

12

14

let ring

10

know.

12

14

14

15

14
15
14
12

know,

Gtr. 6

Aaddb9

Guitar Solo
Gtr. 1: w/ *Riff C
Gtr. 6: w/ *Riff D

Dm

A7b9/E

Whispered:
I never imagined my life could turn out this way.

Gtr. 7 (dist.)

12

Dm[add9]

So cold,

so black,

Gtr. 8 (dist.)

10

13

12 13

13 15 10

10

mf
8

10

10

10

12

12

mf
6

so alone.

10

10

10

11 10 8

12

*Last chord of both riffs held for two beats.

10

10

Bbadd9

10

11

11

10

10

G5addb9

11

10

8
4

Aaddb9

10

12

10

14

9
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Interlude
Gtrs. 7 & 8 tacet

Riff E1


Gtr. 5

12

10

11

Riff E

1.

18

17

*As filter

15

15

12

14

17

2.

grad. bend
1/2

grad. bend

10

1/2

13

12

1/2

14

12

13

14

15

mf

End Riff E1

1/2

**w/ wah-wah

mf

*w/ wah-wah

Gtr. 10 (dist.)

11

12

Gtrs. 2 & 3: w/ Riff E (2 times)


Gtr. 5: w/ Riff E1 (2 times)
Gtr. 9 (dist.)

14

12

Gtrs. 2 & 3

10

13

14

14

18

11

14

20

14

8va

1/2

1/2

13

10

15

16

**As filter

Tempo II
Gtrs. 9 & 10 tacet
Gtr. 3

D5

P.M.

0
0

Gtr. 2

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10

8va

14

15

1/2

12

14

End Riff E

5
0

6
0

Bridge

Dm

Screamed:
Liv -

ing

fast;

Riff F

by

goes

Riff F1

Bb

catch your

breath and

it

you

will pass

End Riff F1

End Riff F

Gtrs. 2 & 3: w/ Riffs F & F1

Dm

by.

And

it

wont

last

to

Bb

sulk

with

the mem - o - ries

you

D.S.S. al Coda 2
Gtr. 4: w/ Fill 1

D5

hold!

P.M.

P.M.

0
0

P.M.

0
0

Gtr. 2

Bb5

Some

Gtr. 3

P.M.

8
8

8
8

11
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Coda 2

F5

Cant

G5

out

8va

turn

D5

grad. bend

17

3
3

0
0

5
5

G5

is

al

18

15
10

15

15

3
1

3
1

3
1

Rhy. Fig. 1

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)

18

17 14

17 13 17

14

14 15

14

17

1/2

17

18

14

3
3

3
3

0
0

0
0

0
0

0
0

0
0

0
0

0
0

F5


G5

D5

ropes,

your

hands

are tied.

18

15
10
10

15

12
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Sorgdal

15

Yeah.

1/2

17

1/2

17

18

17

17

14
12

15

17
15

10

15

End Rhy. Fig. 1

5
5

17

3
3

Bb5

17

the

14

17


3
3

3
1

Break

loco


Gtr. 4
8va

from

1/2

18

tered.

1/2

17

15

10

D5

17

8va

17

1/2

10

grad. bend


loco

life

P.M.

Bb5

Some -

17

1/2

17

F5

times

17

17

right.
loco

1/2

14

14

17

14

Bb5

Un - eas -

1/2

17

3
1

0
0

1/2

18

18

14

17

10

15

17

17

with

15
15

17

15

18

con - fron - ta

17 14

F5

17
14

15

out

10
10

15

3
1

3
1

3
1

3
1

G5

D5

Cant

turn

18

right.

semi-P.H. 1/2

17

3
3

17

3
3

0
0

5
5

14

18

14

turn

10

15

17

17

17

grad. bend

17

17

17

out

14

Bb5

Wont

1/2

14

17

tion.

loco

15

Gtrs. 2 & 3

F5

right.

17

8va

17

15

15

1/2

18

1/2

17
10

D5

1/2

10

Gtr. 4

18

G5

8va
loco

Bkgd. Voc.: w/ Voc. Fig. 1

F5

1/2

17

17

Outro-Guitar Solo
Tempo I
Gtr. 4 tacet

7
5 7
10
10

G5

Bb5

Riff G

Gtr. 7


Riff G1

Gtr. 8

7 8

12

12



Gtrs. 2 & 3

Rhy. Fig. 2

5
5

5
5

5
5

8
8

8
8

8
8

F5

Eb5

8 7

D5

End Riff G

End Riff G1

End Rhy. Fig. 2

3
3

1
1

1
1

0
0

3
3

3
3

1
1

P.M.

1
1

1
1

1
1

1
1

1
1

1
1

1
1

0
0

0
0

0
0

0
0

0
0

0
0

0
0

13
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Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)


Gtrs. 7 & 8: w/ Riffs G & G1 (3 times)


G5

Bb5

F5

10

Eb5

10

10

10

12

12

12

10

1 1/2

12

12

10

12

6
D5

12

G5

11

12

10

11

10

10 11 13

10 11 10 10 11 13

12

10

11

13

15

15

14

11

13

10

11

10

F5
8va

10

loco

12

Bb5

13

12

13

12

11

15

18

17

17

10
12

10

12

10

10

13

12

Eb5

15

11

13

16

20

16

18

1/2

17

17

17

15

18

13

15

14

15

14

18

18

10

18

15

17

10

12

8va

D5

11

12

14
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Sorgdal

12

10

11

12

10

11

10

12

10

11

13

17
15

17

14

15

17

15

17

15

16

18

15

16

18

15

17

G5

18

Bb5

8va

18
15

18

18

loco

F5

Eb5

1/2

17

20

18

1/2

17

20

15

15

13

13

14

10

Gtrs. 2 & 3: w/ Rhy. Fig. 2


Gtrs. 7 & 8: w/ Riffs G & G1

G5

15

15

17

Bb5

20

13

15

16

18

16

15

15

10

11

11

17

15

17

3
12

11

F5

11

13

12

17

17

11

13

Eb5

1/2

15

18

17

17

18

17

14

17

11

12

14

15

15

15

1/2

21

14

8va

20

grad. bend

17

13
12

11

17

1/2

17

18

grad. bend

11





10

11

11

11

11

12

12

10

15

11

14

8va

15

6
17

13

13

15

D5

17

10

10

12

19

19

semi-P.H.

D5

1/2

1/2

18

15

grad. bend

22

21

1 min.-20 sec.

21

17

1/2

17

Pitch and tempo gradually decrease while the previous four-measure chord progression repeats and fades.
To approximate the sound of the Master Tape being slowed down, continue shredding while using a
DigiTech Whammy Pedal (set to sweep two octaves below), and gradually depress the treadle while the tempo slows.

15
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Sorgdal

from Avenged Sevenfold - Waking the Fallen

Chapter Four
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Moderately q = 96
D5
E5


Gtrs.
1 & 2 (dist.)

F5

D5

Bb5

0
0

2
2

D5

End Rhy. Fig. 1

A5

Rhy. Fig. 1

3
3

0
0

7
7

8
8

Rhy. Fig. 2

P.M.
P.M.
0
0

0
0

Gtr. 3 (dist.)

* pp

8
*Vol. swell
Gtr. 4 (dist.)


** pp

5
**Vol. swell
End Rhy. Fig. 2

Gtrs. 1 & 2

0
0

Gtr. 3

P.M.
0
0 0 0 0

P.M.
0 0 0 0 0

P.M.

P.M.

0
0

0
0 0 0 0

0 0 0 0 0

P.M.

0
0

Gtrs. 1 & 2: w/ Rhy. Fig. 2

P.M.

0
0 0 0 0

0 0 0 0 0

fdbk.

Gtr. 4

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Double-time feel
D5

Riff A

Gtr. 3

Bb5

Riff A1

Gtr. 4

C5

Rhy. Fig. 3

Gtrs. 1 & 2

7
5

1.

5
3

3
1

2.

End double-time feel

3
1

3
1

5
3

2
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Sorgdal

C5

Gtrs. 3 & 4 tacet

C5

Verse

D5

1., 2. Con - ceived

and

(Give

me

End Riff A

7
5

3
1

5
3

3
End Rhy. Fig. 3

your

End Riff A1

Rhy. Fig. 4

P.M.
P.M.
P.M.
0
0

0
0

0
0

F5

born

C/E

was

one

of

Bb5

blood

is

spilled

hand,

Gtrs. 1 & 2

3
3

3
2

3
3

3
3

0
0

3
2

C/E

light.

F5

and

man

will

fol

low.
End Rhy. Fig. 4

P.M.

3
1

P.M.
P.M.

3
1

3
1

3
3

3
3

3
2

3
3

0
0

3
2

Gtrs. 1 & 2: w/ Rhy. Fig. 4

D5

Rain

and

dark,

In

Raise

fer

and

0
0

Bb5

Fall
light.)

0
0

0
0

0
0
0

0
0

ment

F5

taste

too

great

to

C/E

the cour

bear.)

age.
(The

one

of

3
1

3
1

3
3
3

3
3
3

3
2

3
2

grace,

from

C/E

pun - ish

head

0
0
0

F5

night.

man,

your

0
0

0
0

Bb5

black

born

nal

D5

oth - er

Gtrs. 1 & 2

the

Half-time feel
D5

C/E

F5

3
1

3
1

3
1

3
1

Bb5

3
1

3
1

3
3
3

3
3
3

3
3
3

3
3
3

3
3
3

3
2

F5


un

3
3
3

A/C#

ho

ly

night.

3
1

3
1

3
3
3

3
3
3

3
1

3
1

3
1

3
3
3

3
3
3

3
3
3

3
3
3

End half-time feel

3
1

3
2

3
3
3

3
3
3

2
2
4

2
2
4

2
2
4

2
2
4

3
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Sorgdal

Double-time feel

Dm

Ive come here to

kill


14
X
12

14
X
12

14
X
12

you,

14
X
12

12
X
10

9
X
7

Gtrs. 3 & 4

Bb5

Dm

leave un - til youve

9
X
7

10
X
8

12
X
10

14
X
12

12
X
10

10
X
8

10
X
8

Mur - der born of

14
X
12

15 14
X X
13 12

Gtrs. 1 & 2



P.M.

3
5

3
5

Bb5

P.M.

3
5



Gtr. 4

10
X
8

10
X
8

10
X
8



Gtr. 3

10
X
8

10
X
8

10
X
8

2
3

close my broth - ers

10
X
8

10
X
8

3
1

4
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Sorgdal

3
1

2
3

2
3

A5

12
X
10

9
X
7

9
X
7

12
X
10

9
X
7

2
3

2
3

2
3

3
1

2
3

2
3

14
X
12

14
X
12

P.M.

2
3

- geance,

3
5

3
5

9
X
7

9
X
7

P.M.

3
5

P.M.

5
6

6
X
4

14
X
12

ven

2
3

2
3

2
3

night.

9
X
7

3
1

to

P.M.

3
1

eyes



3
1

2
3

Gtrs. 1 & 2

P.M.


P.M.

2
3

wont

10
X
8

died.

5
6

5
6
4

6
X
4

P.M.
2
0

2
2
0

2
2
0

2
2
0

2
2
0

1.

Interlude

D5

Bb5

C5

7
5

7
5

7
5

5
3

5
3

5
3

D5

C5

3
1

5
7

3
1

3
1



3
1

10

10

5
3

5
3


5
3

5
3

5
3

7
5

3
1

7
5

7
5

3
1

3
1

3
1

3
1

D5

5
3

6
5

5
3

5
3

5
3

5
3

7
5

7
5

5
3

C5

Bb5

C5

5
3

5
3

D.S. al Coda
End double-time feel


2. Con

2.

C5

Bb5

7
5

3rd time, To Coda

C5

7
5

5
5

5
7

5
7

7
5

7
5

3
1

3
1

7
5

5
3

5
3

5
3

3
1

7
5

10

10


5
3

5
3

5
3

5
3

5
3

5
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Sorgdal

Coda

D5

Bb5

7
5

7
5

7
5

7
5

7
5

5
3

5
3

5
3

to - night

as

the clouds turn

5
3

3
1

3
1

3
1

3
1

10

10

5
3

5
3

Its

C5

C5

5
3

5
3

5
3

Pre-Chorus
Gtrs. 3 & 4 tacet

D5

cold
Gtr. 2

grey

and

from

my

hands

to my

broth - ers

grave.

You
End Riff B1

P.M.

10 11 10 0

Riff B1

Gtr. 1

P.M.

0 10 11 10

P.M.

0 10 11 10

9 10 9

10 11 10 0

P.M.

0 10 11 10 0

10 11 10

9 10 9

Riff B

End Riff B

P.M.
P.M.
P.M.
P.M.
7

7 0

6 7 6

7 0

7 0

Gtrs. 1 & 2: w/ Riffs B & B1


took

his

side,

6
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Sorgdal

you

took

his

gift.

Feel

the

pow - er

of

fall - en

man,

6 7 6

End double-time feel

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

D5

E5

D5

A5

Bb5

F5

D5

crest - fall - en

D5

Far

Gtrs. 1 & 2

Rhy. Fig. 5

0
0

0
0

0
0

D5

0
0

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times)

One.


D5

A5

way in

this

G5 A5


land

7
7

7
7

A5

7
7

5
5

sent

G5

know,


D5

8
8

Bb5

his

A5

Bb5

A5

e= e

Bb5

8
8

8
8

8
8

5
3

A5

Bb5

Out

One,

of the

5
3

4
2

5
3

4
2

A/E

hard - ship that

Dm/F

site

Dm/F

no.

G5

of the

A/E

End Rhy. Fig. 5

Dm/F

Dm/F

hands,

no,

A5

out

8
8

from

A5

D5

go,

7
7

G5

pun - ish - ment

A5

7
7

F5

man.

Bb5

must

Chorus

E5

way


of

the

4
2

no

one should

A/E

site

of

the

A/E

in

land

you must

this

e= e

Interlude
Double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Gtrs. 3 & 4: w/ Riffs A & A1

D5

C5

Bb5

C5

go.

D5

C5

Bb5

End double-time feel


C5

7
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Sorgdal

Bridge

D5

D5

F5

Where has

he gone?

What

have

14 17 21 17 14
12 15

0 0 0

Bb5

voice

15

17

earth.

14 17

14

17

20

20 17

19

17

19

17

17

high

15

14 15 14

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3
3

3
3

C/E

bove

this


P.M.
1

3
1

From

the

soil

his

blood

cries

17

17

21

17

14

14

14

F5

15

15

12

13

13 15

P.M.

14

17 13 17 13

14 15

13

15


P.M.

1/2

17 13

15

3
1

12

3 3 3

1/2

15

P.M.

Gtr. 5

Sorgdal

0
0

Gtrs. 1 & 2: w/ Rhy. Fig. 6

D5

15

F5

from

15 17

17

P.M.


P.M.

0
0

com - mands

1/2

18


P.M.

0
0

17

14 15

Rhy. Fig. 6

Gtrs. 1 & 2

15

you done?

(Ah.)
Gtr. 5 (dist.)

13 12

3
3

to

12


P.M.
2

out

13

12

14

End Rhy. Fig. 6

3
2

me.

14

14

17

17

20
19

20

17

17

19

17

17

Bb5

Mur -

der,

li

F5

ar,

ven - geance,

15

17
15

de

ceit!

1/2

1/2

18

e= e

C/E

17

17

13

13

15

17

14

15

14

14

17

13

15

14

15

12

13

13

15

13

12

13

15 12

17 13
17

17

15

Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)

D5

Gtr. 5

17

17

15

Bb5

17

Dm/F

A/E

1 hold bend

15

15

17

Riff C



Gtrs. 3 & 4

G5 A5

A5

10
X
8

10 10 10 10 10
X X X X X
8 8 8 8 8

10 10 10 10
X X X X
8 8 8 8

9
X
7

9 9 9 9 9
X X X X X
7 7 7 7 7

7
X
5

9
X
7

10
X
8

10 10 10 10 10
X X X X X
8 8 8 8 8

10 10 10 10
X X X X
8 8 8 8

14
X
12

14 14 14 14 12
X X X X X
12 12 12 12 10

14
X
12

15
X
13

Gtr. 5 tacet

D5



Gtrs. 3 & 4

14
X
12

14 14 14 14 14
X X X X X
12 12 12 12 12

12
X
10

10
X
8

A5

G5 A5

Bb5

Dm/F

9
X
7

7
X
5

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

7
X
5

9
X
7

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

A/E

End Riff C

10
X
8

10 10 10 10 12
X X X X X
8 8 8 8 10

12 12 12 10
X X X
10 10 10 8

Gtrs. 3 & 4: w/ Riff C

D5

D5

A5

A5

G5

A5

Bb5

G5

A5

Bb5

Dm/F

Dm/F

A/E

A/E

9
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Sorgdal

Outro-Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (till fade)


D5

A5

Far

way in

this


14 14 14 14 14
X X X X X
12 12 12 12 12


D5

One.

13
X
10

14 14 14 14
X X X X
12 12 12 12

A5

A5

Bb5

must

go,

land

Gtrs. 3 & 4

14
X
12

G5

13 13 13 13 13
X X X X X
10 10 10 10 10

G5

pun - ish - ment sent from

15 15 15 15
X X X X
13 13 13 13

Bb5

15 15
X X
13 13

his

hands,

14
X
12

7 7 7 7 7
X X X X X
5 5 5 5 5

7 7 7 7
X X X X
5 5 5 5

6
X
4

6 6 6 6 6
X X X X X
4 4 4 4 4

6 6 6 6
X X X X
4 4 4 4

3
X
1

3 3 3 3 3
X X X X X
1 1 1 1 1

12
X
10

Dm/F

D5

A5

G5 A5

3 3 3 3
X X X X
1 1 1 1

5
X
3

know,

no,

7 7 7 7 7
X X X X X
5 5 5 5 5

9
X
7

9 9 9 9 9
X X X X X
7 7 7 7 7

7
X
5

9
X
7

12
X
10

10
X
8

A/E

no one should

5 5 5
X X X
3 3 3

6
X
4

6
X
4

6 6 6
X X X
4 4 4

A/E

site of the

9
X
7

10
X
8

10 10 10 10 10
X X X X X
8 8 8 8 8

10 10 10 10
X X X X
8 8 8 8

A5

G5

A5

Bb5

Dm/F

14 14 14 14 14
X X X X X
12 12 12 12 12

10
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a - way

Sorgdal

10
X
8

12
X
10

Out of the

One,

14
X
12

14
X
12

12
X
10

12 12 12 12 12
X X X X X
10 10 10 10 10

12 12 12
X X X
10 10 10

Fade out
Segue to Remenissions

D5

7 7 7 7
X X X X
5 5 5 5

5
X
3

no.


7
X
5

Dm/F

of the

Bb5

site

Begin fade

A/E

of the

hard - ship that



7
X
5

out

13 13 15
X X X
10 10 12

A5

Dm/F

14 14 14
X X X
12 12 12



17
X
15

17 17
X X
15 15

17 17
X X
15 15

17 17 17 17
X X X X
15 15 15 15

19
X
17

19 19
X X
17 17

19 19
X X
17 17

19 19 19 19
X X X X
17 17 17 17

A/E

in this

land you must...

18
X
15

18 18 18 18 17
X X X X X
15 15 15 15 14

17
X
14

17 17 17
X X X
14 14 14

from Avenged Sevenfold - Waking the Fallen

Clairvoyant Disease
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Gtrs. 1, 2 & 511: Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Slowly q = 71

Gtr. 1 (dist.)

mf

Gtr. 2 (dist.)

mf

10

10

Verse
Gtrs. 1 & 2 tacet

* Dm[add9]

1. Dust

Riff B
**Gtr. 4 (clean)

be - gins

to fall

to the

Bbmaj13#11

ground.

mp
w/ chorus
let ring throughout

17

19

17

19

17

19

17

19

17

19

17

17

18

19

17

18

**Standard tuning

Riff A
***Gtr. 3 (clean)

mp

w/ fingers
let ring throughout

5
9

6
5

5
7

5
6

*Chord symbols reflect implied harmony.


***Standard tuning

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

1
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Sorgdal

Dm[add9]

Bbmaj13#11

The air
is cold
Whispered: And you sit there and do nothing.

21

19

17

19

17

19

19

17

19

are haunt

17

17

19

17

18

Bbmaj13#11

Thoughts

thin.
Youre content with doing nothing.

21

Dm[add9]

and

18

ing

me

as

I look a

round.

In my life, I wanted more.

17

19

21

19

17

2
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Sorgdal

19

19

17

19

19

17

18

5
6

17

18

5
9

21

5
7

5
6

End Riff A

Dm[add9]



17

21

19

21

end

Em/D

19

17

Gtrs. 3 & 4 tacet

bleed

End Riff B

17

D5

5
5
7

F/D

for - ev - er.

So Ill never end.

Chorus

D5

when I

er

19

18

19

17

will nev

19

This

Bbmaj13#11

Bb5/D

Bb[#4]/D

E/D

A5/D

Dont ac - knowl - edge

right,

just

dwell

on

wrong.

*Gtrs. 5 & 6 (dist.)

**w/ wah-wah

15

15

15

*Composite arrangement
**As filter
Rhy. Fig. 1
Gtrs. 1 & 2

End Rhy. Fig. 1

P.M.
0

P.M.

0
0

5
7

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

D5

15

Em/D

D5

P.M.
0

P.M.

0
0

F/D

P.M.

7
8

Bb5/D

8
8

P.M.
0

7
8

Bb[#4]/D

P.M.
0

7
6

P.M.
0

E/D

7
7

A5/D

This

spot

in

hells

where I

be

long.

Gtrs. 5 & 6


15

15

15

15

15 15 15 15 13 13 15

15

3
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Sorgdal

Gtr. 7 tacet

Gtrs. 5 & 6 tacet

D5

Em/D

D5

Screamed: Ive
(Ah,

come so

13

13

Gtr. 5

15
15

13
13

13

D5

Em/D

Gtr. 7

D5

start

13

15

14
14

14
14

11
11

or

where

Bb5/D

13
13

13
13

12
12

it came

14
14

14
14

Gtr. 5

Gtr. 6
divisi

13

15

16
13
13

13
15

E/D

15
15

12
12

15
15

A5/D

from!

1/2

16

Bb[#4]/D

ah.)

13

ed

1/2
16

F/D

Dont know why it


(Ah,

11

Gtr. 7 tacet

Gtrs. 5 & 6 tacet

12
12

A5/D

15
15

15
*As filter

E/D

Gtr. 6
divisi

16

15

13

long!

1/2

16

16
11

Bb[#4]/D

been so
ah.

1/2

*w/ wah-wah

15

Bb5/D

its

mf

far,

Gtr. 7 (dist.)

F/D

14
14

14
14

11
11

13
13

13
13

12
12

14
14

14
14

Verse
Gtr. 4: w/ Riff B
Gtrs. 5 & 6 tacet

Dm[add9]

2. Out - side
Riff C
Gtr. 8 (slight dist.)

mp

P.M.
0

Bb6

shell

is

strong,
Whispered: Theres nowhere to run and hide.

con - fi

dent

End Riff C

Gtr. 8: w/ Riff C (3 times)

Dm[add9]


but

4
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Sorgdal

slow - ly

eats

Bb6

a - way.
Stuck alone inside your head,

Dm[add9]


Like

man plagued with


dis - ease,

Bb6

try to

Dm[add9]

Bb6

fight.

Through my pores, it

seems

to

when I bleed
When Im bleeding, ah...

seep

so better off dead.

Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)

D5

Em/D

D5

F/D

Bb5/D

Bb[#4]/D


for - ev - er.

E/D

A5/D


Dont

ac - knowl - edge

right,

just

dwell

on

wrong.

*Gtrs. 5 & 6

15

15

15

15

15

15

15

*Composite arrangement

D5

Em/D

D5

F/D

Bb5/D

Bb[#4]/D

E/D

A5/D


This

spot

in

hells

15

15

D5

where

15


come so

far,

Riff D
Gtr. 5

11

Gtr. 6

13

13

15

16

11

13

long!

13

15

13

15

16
13

15

16
13

15

15

14

14

14

14

End Riff D

11

13

13

12

14

14

12

15

A5/D

12

15

15

E/D

1/2

16
13

13

16

Bb[#4]/D

been so
ah.

15

Bb5/D

1/2

15

F/D

13

16

15

1/2

16

long.

its

15

1/2
16

15

D5

Screamed: Ive
(Ah,

be

15

Em/D

11

13

13

12

14

14

5
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Sorgdal

Gtr. 5: w/ Riff D

D5

Em/D

Dont know why it


(Ah,

Riff E

Gtr. 6

D5

start

ed

or

11

13


where

it came

15

13

E/D

A5/D

from!

16

Bb[#4]/D

1/2

16

13

Bb5/D

ah.)

15

1/2
16

F/D

16

13

13

15

15

12

14

End Riff E

14

13

11

13

12

14

14

Interlude
Double time (q = 142)
Gtr. 6 tacet

D5

Bb5


Gtr. 7

6 5 6 5

D5

10

Bb5

6 5 6 5

10

Screamed: And you

Gtrs. 1 & 2

P.M.

0
0

0
0

0
0

sit there

and do

3
2

6
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3
2

P.M.

3
2

3
1

F5


P.M.

0
0

Sorgdal

0
0


C/E

3
2

3
3

P.M.

3
3

3
3

3
3

P.M.

0
0

G5

noth - ing!

3
3

0
0

0
0

0
0

8
9

5
6

5
5

5
5

5
5

0
0

2
4

5
7

P.M.

D5

3
1

0
0

D5 A/C# Em

P.M.

0
0

6 5 6 5


0
0

0
0

0
0

0
0

Bb5

D5

Bb5

C/E

Youre con

10

P.M.
3
1

6 5 6 5

10

0
0

0
0

0
0

0
0

3
1

0
0

1 1 1 1 1 1 1 1 1 1

with do - ing

P.M.
P.M.

1 1 1 1 1 1 1 1 1 1 1 1

tent

P.M.

1 1

3
2

3
2

3
2

3
2

Gtr. 7 tacet


F5

G5

D5 A/C# Em

Dm

8
9

6
7

noth - ing!


P.M.

3
3

3
3

3
3

3
3

3
3

5
6

5
5

5
5

5
5

0
0

2
4

6
7


P.M.

5
7

3
5

3
5

3
5

3
5

3
5

3
5

3
5

7
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo
Gtr. 11
(dist.)

Bb5


C5

10

11

11

11

**w/ wah-wah

11

10

11

10

12

10

9 10 9

10

10

12

10

**As filter
Riff F
*Gtrs. 9 & 10 (dist.)

15
X
13

15
X
13

15
X
13

15
X
13

14
X
12

12
X
10

12
X
10

12
X
10

12
X
10

3
1

3
1

3
1

5
3

5
3

5
3

5
3

10
X
8

15
13

15
X
13

15
X
13

15
X
13

15
X
13

14
X
12

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

*Composite arrangement
Rhy. Fig. 2
Gtrs. 1 & 2

3
1

F5

3
1

3
1

3
3

10

14
X
12

12
X
10

12
X
10

14
X
12

3
1

14
X
12

3
1

12
X
10

10

9
X
7

9
X
7

5
3

5
3

5
3

5
3

10

12

10

D5

9
X
7

5
3

5
3

12

12

10

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

12

5
3

10
X
8

10
X
8

10
X
8

10
X
8

12

12

10

10

End Rhy. Fig. 2

3
3

3
2

3
2

0
0

0
0

0
0

0
0

8
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Sorgdal

12

14
X
12

3
1

C/E

12

14
X
12

3
1

grad. bend
1

3
1

3
3

3
3

3
3

3
3

3
2

3
2

3
2

3
2

0
0

0
0

0
0

0
0

0
0

0
0

0
0

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Bb5

Gtr. 11

10

12

10

C5

steady gliss.

Gtrs. 9 & 10


7
X
5

10
X
8

10

10

10

10

12

10

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

9
X
7

9
X
7

9
X
7

9
X
7

7
X
5

7
X
5

7
X
5

7
X
5

10

11

F5

13

10

12

9
X
7

9
X
7

9
X
7

C/E

13
10

9
X
7

D5

12

10

12

10

13

10

9
X
7

9
X
7

13

13

13

13

10
X
8

9
X
7

9
X
7

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

9
7

9
X
7

9
X
7

9
X
7

10
X
8

10
X
8

10
X
8

9
X
7

10
X
8

10
X
8

13

End Riff F

10
X
8

Bridge
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtrs. 9 & 10: w/ Riff F

Bb5

C5

Theres
Gtr. 11

Gtr. 11 tacet

no

- where

to

run

and

hide

when youre

11

F5

liv

C/E

ing

to

D5

die.

9
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Stuck

a - lone

Bb5

in - side

your

C5

head,

Gtrs. 1 & 2

3
1

D5

3
1

3
1

3
1

5
3

5
3

5
3

5
3

3
1

3
1

3
1

3
1

7
5

3
1

7
5

7
5

7
5

7
5

10
X
8

15
13

5
3

5
3

5
3

5
3

5
3

The

3
2

3
2

3
3

3
3

3
3

3
3

3
2

3
2

3
2

phone would ring

Gtrs. 9 & 10

5
3

dead.

5
3

F5

off

G5

3
1

C/E

bet - ter

3
1

in

the

C5

3
3

3
3

3
3

3
3

emp - ty

3
3

3
3

3
3

house.

15
X
13

15
X
13

12
X
10

12
X
10

12
X
10

12
X
10

5
3

5
3

5
3

5
3

15
X
13

15
X
13

15
X
13

15
X
13

15
X
13

15
X
13

15
X
13

15
X
13

14
12

14
X
12

12
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

Gtrs. 1 & 2

5
5

10
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5
5

5
5

5
5

5
5

5
5

5
5

5
5

5
5

5
3

5
3

5
3

5
3

5
3

5
3

5
3

D5

No

C/E

ones

14
X
12

14
X
12

14
X
12

14
X
12

12
10

12
X
10

12
X
10

P.M.

7
5

7
5

7
5

7
5

7
5

a - round.

F5

9
X
7

9
X
7

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

3
2

3
3

3
3

0
0

3
2

3
2

3
2

3
2

3
2

3
2

P.M.

3
2

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

*Gradually lift P.M.

Chorus
Tempo I
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
Gtrs. 9 & 10 tacet

D5

Em/D

D5

Dont

ac - knowl - edge

right,

just

dwell

on

15

18

15

Bb5/D

Bb[#4]/D

E/D

A5/D

wrong.

**Gtrs. 5 & 6

F/D

18

10

11

1/2

**Composite arrangement

D5

This

Em/D


spot

in

D5


hells

15

F/D

where I

be

17

17

Bb[#4]/D

E/D

A5/D

long.

1/2
15

Bb5/D

10

11

1/2

11
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 5: w/ Riff D (2 times)


Gtr. 6: w/ Riff E (2 times)

D5

Em/D

Screamed: Ive
(Ah,

come

so

far,

D5

D5

Dont know

why

it

its

Em/D

F/D

been
ah.

so

D5

start - ed

or

where

Screamed:
But,

in


9
X
7
Gtrs. 1 & 2

Dm

D5

my

life,

10
X
8

7
X
5

9
X
7

Gtrs. 9 & 10

A5/D

long!

F/D

Bb5/D

it

came

Bb[#4]/D

E/D

A5/D

from!

want

Dm

D5

ed

more!

10
X
8

7
X
5

9
X
7

Dsus2

need

Dm

D5

ed

more!

10
X
8

7
X
5

P.M.

P.M.

P.M.

P.M.

P.M.

7
0 0 0 0 0

0
0 0 0 0 0

7
0 0 0 0 0

0
0 0 0 0 0

7
0 0 0 0 0

0
0 0 0 0 0

taste

13

10

15

16

13

12
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

0
0

13



P.M.
0
0

0
0

12

more!

let ring


P.M.

Gtrs. 9 & 10 tacet

0
0

P.M.

Dsus2

grad. release

Sorgdal

E/D

Bb[#4]/D

ah.)

Outro
Dsus2

Ah,

Bb5/D

Gtr. 3: w/ Riff A

Dm[add9]

Gtrs. 1 & 2 tacet

Bbmaj13#11

Dm[add9]

Gtrs. 1 & 2

Bbmaj13#11

0
0

Gtr. 8: w/ Riff C

Dm[add9]

Bbmaj13#11

(Oo.

Dm[add9]

Bbmaj13#11

Oo.)

Gtr. 3

5
9

Gtr. 8

P.M.

5
5
7

13
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Avenged Sevenfold - Waking the Fallen

Desecrate Through Reverence


Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker

Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Moderately q = 95
Half-time feel
* D5


Gtr. 3 (dist.)

0
f

E5

F5

Bb5

A5 G#5

Riff A1

A5

F5

G5

E5

Bb5

A5
End Riff A1

Riff A
Gtrs. 1 & 2 (dist.)

End Riff A

*Chord symbols reflect implied harmony.

Gtrs. 1, 2 & 3: w/ Riffs A & A1 (2 times)

D5


Gtr. 4 (dist.)

E5

F5

Bb5

6
7

3
3

5
3

5
3

6
3

6
3

6
8

6
8

5
6

3
5

3
5

F5

G5

E5

Bb5

A5

6
7

3
3

5
0

5
0

Gtrs. 1 & 2

(Gtr. 3, cont. on upper staff)

6
7

5
3

5
3

6
3

6
3

Gtrs. 1, 2 & 3

5
6

Gtr. 3

6
7

5
6

6
7

6
7

8
9

8
9

Double-time feel


Gtr. 4

5
6

Gtr. 4 tacet

D5

0
0
0

A5

mf

End half-time feel

A5 G#5

P.M.
0
0

0
0

D5

0
0

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

P.M.

0
0

0
0

0
0

0
0

0
0

0
0

1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2 tacet

Gtr. 3 tacet

Dm

Em

Em

Gm

(Oh,

0
2

3
5

0
2

2
3

2
3

Em

Em

0
2

0
2

0
2

3
5

3
5

2
3

2
3

Dm

oh.)

1&2
Gtrs.



P.M.
5 6

7
7
8
3

0
7 0
5 7 5
7 8
5


Gtr. 3

Ulh!

P.M.
P.M.
P.M.
0

0 0 0

0 0 0

1.

2.

3
5

3
5

0
2

0
2

2
3

2
3

0
2

0
2

0
2

P.M.
P.M.
P.M.
0

0 0 0

2
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0 0 0

0 0 6

D5

P.S.

X X X X X X

Gtr. 4

P.S.

P.M.

Gtr. 3

Gtrs. 1 & 2

P.M.

X X X

0
0

0
0

End double-time feel

Gtr. 4 tacet

D5

P.S.

X X X X XX X

D5

X XX X X XX X

0
0

0
0



P.M.
0
0

0
0



P.M.

0
0

0
0

0
0

0
0

Verse
Gtr. 3 tacet

E5

1. Hard
2. Pre

news,
sence

2 2 2

Gtrs. 1 & 2

tak
be

wont

F5

E5

en hard
ig - nored,

er,

F5

dont
no,

look
not

to
me.
to - day.

Rhy. Fig. 1

D5

2
2

2
2

2
2

3
3

2
2

2
2

2
2

2
2

2
2

2
2

2
2

2
2

3
3

Dis

ap - point Dont
End Rhy. Fig. 1

P.M.

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

3
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fig. 1

E5

walk

ed,

D5

(Dont

look

my

we
in

dont
my

for

help,

F5

E5

a - gree,
di - rec

tion;

F5

I
turn

dont
the

need
oth

your
er

praise.
way.

Ask - ing ques way

from the

be

- gin - ning you

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st meas., 2 times)

E5

Nev
-

er
tions,

F5

asked
you
pre - de - ter -

Gtr. 6 (dist.)

to
mined

like
an

me,
swers,

E5

came

to

me.)

I
you

F5

dont
wont

need
find

your
them

18

Gtr. 5 (dist.)

16

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (last 2 meas.)


Gtrs. 5 & 6 tacet

D5

praise.
here.

down

on

Gtrs. 1 & 2


2
2

2
2

4
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2
2

play
want

your
your

spit
wont

in
let

F5

my
you


2
2

2
2

2
2

3
3

games.)
o - pin
-

me,

you,

(Wont
(We dont

E5

ion.)

And

E5

face.
think.

Look
dont

F5

2
2

2
2


2
2

2
2

want

D5

Youre
noth - ing
Com - pro - mise


2
2

to
is

me,
near,

2
2

0
0

2
2

2
2

3
3

P.M.
0

Chorus
Double-time feel
Dm/F

Dark

0
0

A/E

ened

0
0

P.M.

0
0

0
0

P.M.
0

Dm/F

eyes

0
0

youll

see,

not
to me.
its not
near.

0
0

0
0

0
0

0
0

Bb5

is

no

hope,

no

Gm/Bb

there

P.M.

0
0

D5

D5

cause

0
0

P.M.
0

P.M.
0

0
0

0
0

Csus4

sav -

ior

Rhy. Fig. 2

D5

in

me.

End Rhy. Fig. 2

5
3

(Dont

5
3

5
3

5
3

4
2

look this

4
2

4
2

P.M.
0

0 0 0 0 0

0
0

way,

Riff B

5
3

0
0

0
0

dont

0
0

0
0

0
0

breathe this

P.M.
0 0 0 0 0 0 0

8
0 10
0 8

0
0

way,


0
0

0
0

8 8 8
10 10 8
8 8 8

dont

8
8
8

0
0

7
10

7
10

stare this

7 7 7 7
10 10 10 10

0 0 0 0 0 0 0

0
0

way

P.M.
0
0

7 7
10 10

an

8
10

0
0

5
3

5
3

y - more.)
End Riff B

P.M.
0 0 0 0 0 0 0

0
0

0
0

5
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Dm/F

A/E

Learned

Dm/F

years

gone

from

D5

by,

Gm/Bb

no

one

Bb5

will

care

what

hap

Csus4

pens

1.

(Dont

Gtrs. 1 & 2

look this

0
0

way,

P.M.
0

dont

breathe this

0
0

way,

P.M.

0
0

dont

0
0

stare this

0
0

0
0

(Dont

6 8

10



Gtrs. 1 & 2

5
3

5
3

6
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

way,

dont

breathe this

way,

dont

stare this

way

an

y - more.)

A/E

Dm/F D5

10

Gtr. 6

look this

Guitar Solo
Dm/F

Gtr. 5

y - more.)

2.
Gtrs. 1 & 2: w/ Riff B

0
0
0

an

P.M.
0

End double-time feel

way

me.

to

D5

5 6

Csus4 D5

1 3

10

10

10

Bb5

11

Gm/Bb

8 10

11

10

5 5 5 5
3 3 3 3

4
2

4 4
2 2

5
3

0
0

0 0
0 0

8 8 8 8
0 0 0 10 10 10 8
0 0 0 8 8 8 8

8
8 0
8 0

7 7 7
10 10 10

7 7 7
10 10 10

7 7 7
10 10 10

8
10

0
0

10

10



0
0

0
0

0
0

0
0

0
0

C5

10

11

10

0
0

2nd time, End double-time feel

Bb5

0
0

0
0

0
0

0
0

0
0

0
0

3
1

3
1



3
1

3
1

3
1

5
3

5
3

5
3

5
3

5
3

Bridge
Half-time feel
Gtrs. 1 & 2: w/ Riffs C & C1 (3 times)

Gtrs. 5 & 6 tacet

Im
Gtr. 1

a - lone

in

here.

8
0

feel - ings,

killed my

P.M.

10

be

hind,

Dont

P.M.

ask,

10

youll

Ill

be

ex

nev - er

know.

Youre

End half-time feel

left

End Riff C1

fears.

P.M.

P.M.

Riff C1

No more

P.M.

End Riff C

7
0

Riff C

P.M.

Gtr. 2

Dm

posed.

7
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro
D5

C5

Eb5

Far


F5

way,

you


A5

keep

on

A/C#

try

in.

Gtrs. 1 & 2

7
5

5
3

1
1

Double-time feel
D5

Hold

C/E

C5

in

me

down

and

break

3
3

3
3

3
3

in

3
3

D5

3
3

2
0

2
0

2
0

2
0

2
4

2
4

2
4

2
4

way,

10
X
8

10
X
8

9
X
7

9
X
7

9
X
7

9
X
7

7
X
5

7
X
5

5
3

5
3

5
3

0
0

0
0

0
0

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

7
5
0

7
5
0

7
5
0

3
2

3
2

3
3

Rhy. Fig. 3
Gtrs. 1 & 2


try


10
X
8

7
5
0

7
5
0

in

to

7
5
0

3
2


C5

dis

3
2

3
2

3
2

F5

tance

life.

my

10
X
8

9
X
7

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

7
5

7
5

7
5

5
3

5
3

Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7
5

7
5

7
5

5
3

5
3

5
3

9
X
7

0
0

9
X
7

9
X
7

5
3

9
X
7

5
3

9
X
7

7
X
5

7
X
5

7
X
5

0
0

A/C#

Sorgdal

3
3

Riff D


Gtr. 4

P.M.

7
X
5

0
0

7
X
5

0
0

Not
End Riff D

5
X
3

5
X
3

6
X
4

5
X
3

5
X
3

5
X
3

5
X
3

5
X
3

6
X
4

6
X
4

6
X
4

6
X
4

6
X
4

6
X
4

End Rhy. Fig. 3

3
3

3
3

3
3

2
4

2
4

2
4

3
3

3
3

3
3

2
4

2
4

2
4

Gtrs. 1 & 2: w Rhy. Fig. 3


Gtr. 4: w/ Riff D

one

in

D5

C5

one

your

true,

D5

with

F5

change

crowd,

could

C/E

C5

that

D5

the

one

the

an

A/C#

swer,

mind.


C5

dont

need

you.

7
X
5

Gtr. 4

Its

not

Dont

waste

your

9
X
7

9
X
7

Gtrs. 1 & 2

5
3

0
0

Bb5

time,

and dont

waste

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

3
1

3
1

3
1

3
1

3
1

3
1

3
1

3
1

F5

A/C#

Im

not

your

mine.

5
X
3

5
X
3

5
X
3

5
X
3

6
X
4

6
X
4

6
X
4

6
X
4

3
3

3
3

3
3

3
3

2
4

2
4

2
4

2
4

2
4

2
4

9
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Sorgdal

D5

friend,


C5

wont soothe

your

soul.

And

in

the

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

0
0

0
0

0
0

0
0

0
0

0
0

5
3

5
3

5
3

5
3

5
3

0
0

0
0

0
0

0
0

Bb5

end,

youre

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

3
1

3
1

3
1

3
1

3
1

10
X
8

10
X
8

3
1

3
1

10
X
8

3
1

10
X
8

3
1

10
X
8

10
X
8

3
1

P.M.

10
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5
3

5
3

3
1

9
X
7

9
X
7

5
3

5
3

0
0

0
0

A/C#

all

dead

to

0
0

9
X
7

5
3

5
3

D5

me.

5
X
3

5
X
3

5
X
3

3
3

3
3

3
3

P.M.
0

9
X
7

A5

5
X
3

5
X
3

3
3

3
3

2
0

2
0

2
0

3
3

2
0

2
0

0
0

2
0

2
0

2
4

2
0

2
4

2
4

2
4

2
4

2
4

Gtrs. 1 & 2

9
X
7

F5

9
X
7

Gtr. 4 tacet

Sorgdal

P.M.
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

from Avenged Sevenfold - Waking the Fallen

Eternal Rest

Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G-B-E

D5

Dm

Intro-Guitar Solo
Very fast q = 192
Double-time feel
* C5

D5

8va

Gtr. 1 (elec.)

Eb5

Eb5

Harm.
w/ bar

7
5

7
5

+1

F5

w/ dist.

F5

Eb5


loco
string noise

-1

-6

Rhy. Fig. 1

Gtrs. 2 & 3 (elec.)

w/ dist.

P.M.

5
5
3

5
5
3

5
5
3

*Chord symbols reflect implied harmony.


C5

10

10

10

5
5
3

5
5
3

15

P.M.

D5

11

13

11

14

12

14

12

11

10
10

12

13

16

16

C5

13

F5

End Rhy. Fig. 1

Gtr. 1

11

Gb5

11

Gtrs. 2 & 3: w/ Rhy. Fig. 1

13

F5

Eb5

P.M.

5
5
3

D5
3

11

12

11

Eb5

F5

Eb5 F5

12

11

10

13

10

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

12

Eb5

13

10

10

1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C5

D5

Eb5

10

11

11

10

10

10

10

F5

10

D5
Gtr. 1

F5

Gb5

10

G5

12

10

12

13

12

10

12

10

12

P.M.

7
7
5

12

10

7
7
5

10


7
7
5

10

10

P.M.

10

11

12

15

12

14

14

7
7
5

7
7
5

Gtrs. 2 & 3: w/ Rhy. Fig. 2

17

13

2
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Sorgdal

12

10

13

10

13

12

13

15

13

12

10

G5

13

17 13

Ab5

G5

F5

13 15 15

13

15 13

14

13

14

13

15

13

14

13

P.M.

Gtr. 1

13

12

End Rhy. Fig. 2

D5

12

F5

loco

7
7
5

10

7
7
5

12

7
7
5

D5

12

1/2
12

F5

Pitch: F#

Rhy. Fig. 2
Gtrs. 2 & 3

13

G5

P.H.
1/2

F5

8va

F5

13

10

13

F5

G5

10

15

F5

13

15

13

13
15

17

12

G5

15

17

F5

15

12

13

15

17

15

D5

F5

G5

Ab5

G5

loco

8va

13

15

13 15 13 13

12

13 13 15 17 15

20 15

15

15

18

F5

18 18

13 15

17 18

15

17 15 16 15 15

17 20 17

0
14 15 17 17 15

Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)

C5

1. Black,

en - chant - ing

20

19

17

17


eyes

8va

D5

Eb5

F5

Eb5

cut through my

20

20

F5

heart with

15

20

Eb5

no

re

19

gret

or

sign of

life.

C5

17

D5

Harm.
*

2.75
2.75
Pitch: C
G
*Harmonic located three-fourths the
distance between the 2nd & 3rd frets.

Eb5

F5

They tear

8va


Gb5

a - part

my

F5

pride and

C5

cold

runs through my

D5

Eb5

veins.

loco

F5

feel

Eb5

their stare from

+1

/2.75
2.75 0

/2.75
2.75 0

Gtr. 1 tacet

haunt - ing



15ma

w/ bar

ev - ry

step,

and

Eb5

F5

they

wont

stop

Gb5

hunt - ing

F5

D5

me
For

2.25
2.25

Gtr. 2: w/ Rhy. Fig. 2 (2 times)


Gtr. 3: w/ Rhy. Fig. 2 (1 3/4 times)

D5

mi - les,

Harm.

+2

C5

fdbk.

Eb5

15ma

w/ bar

/2.75
2.75 0

F5

down.
get
the

time

will

come

/2.25
2.25 0
-1

-2 1/2

3
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Sorgdal

F5

G5

F5

G5

when

all

a - round mes burned and

D5

F5

per - son brought you

D5

youll still

F5

G5

see

me

there,

you

left

the

F5

F5

G5

F5

D5

Ab5

G5

- ing

burn - ing

chil - dren

cold,

out

in

the

night...

for

you

all

what

and

lone.

P.M.

to

Rhy. Fig. 3

went

F5

* D5

Gtr. 3

Slower q = 118

F5

Gtr. 2

call

G5

...and
why

End double-time feel

G5

ask - ing where you

Interlude

Ab5

here...
...and

F5

G5

0
0
0

2
2

3
3

0
0

0
0

0
0

3
3

2
2

0
0

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

2
2



3
3

0
0

0
0

2
2

3
3

0
0

6
6

5
5

6
6

2
2



3
3

0
0

0
0

0
0

2
2

3
3

0
0

(cont. in notation)



3
3

0
0

F5

D5

2
2

End Rhy. Fig. 3

0
0

3
3

2
2

0
0

5
5

6
6

6
6

F5

D5

Gtr. 3: w/ Rhy. Fig. 3 (3 times)

D5

F5

D5

F5

D5

F5

D5

Ab5

F5

P.M.

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

Oh.
Gtr. 2

4
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Sorgdal

Gtr. 2: w/ Rhy. Fig. 3 (2 times)

D5

P.S.

0
0

0
0

0
0

F5

D5

P.M.

F5 D5 Ab5

F5

X X

F5

D5

F5

D5

F5

D5

Ab5

F5

D5

F5

D5

F5

D5

F5

D5

Ab5

F5

D5

F5

D5

Ah!

F5

D5

F5

D5

Ab5

F5

D5

can

feel

it

burn

in

F5

D5

F5

D5

F5

D5 Ab5

Verse

iq = qK e

2nd time, Bkgd. Voc.: w/ Voc. Fig. 1

D5

2., 4. Dark

in

their

Rhy. Fig. 4
Gtrs. 2 & 3

hearts,

P.M.

0
0

0
0

0
0

0
0

P.M.

0
0

0
0

0
0

Gtrs. 2 & 3: w/ Rhy. Fig. 4 (3 times)

D5

Tor

G5

side

D5

F5

D5

of

me.

F5

G5

End Rhy. Fig. 4

ment - ed

with

souls,

young

no

G5 D5 F5 D5 F5 G5

haunt - ing

P.M.

D5

me.

Pain

P.M.

3
in

their

P.M.

lives,

all

they

To Coda


know

is

G5

D5

F5

D5 F5 G5

mis - er - y.

D5

Take

these

chains

way

that

are

G5 D5 F5

D5 F5 G5

hold - ing

me

Voc. Fig. 1

5
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Sorgdal

Half-time feel

D5

down,

Gtr. 4 (elec.)

w/ dist.

10
8

12

Gtr. 5 (elec.)

7
5

P.M.

0
0

0
0

0
0

0
0

P.M.

0
0

0
0

0
0

ing

me

10

12

14

12

12

12

12

12

hold

10

Gtrs. 2 & 3

w/ dist.

10

0
0

0
0

0
0

0
0

0
0

0
0

P.M.

End half-time feel

down.

3
10
5

7
5




P.M.
0
0

0
0

6
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Sorgdal

0
0

0
0

12

7
5

12

12

10

0
0

P.M.

0
0

0
0

0
0

P.M.

0
0

10
5

12

Gtrs. 5 & 6 tacet

3
3

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

Verse
Double-time feel
D5

3. Theyll

Riff A
Gtrs. 2 & 3

find

you

A/E

P.M.

0
0

P.M.

4
2

in - to

vil - lain - ous


3

stone,

they

seek more than

Eadd#9/G#

their hearts

D/Ab

des - prate and

Turn - ing

P.M.

Dm/F

your
3

A5

lone,

ways.

D5/A

P.M.

End Riff A

10

Gtrs. 2 & 3: w/ Riff A

D5

venge - ance.

A/E

fac -

D5

hold.

Gtrs. 2 & 3

0
0
0

Look

in

their

Dm/F

tion.

Look

in

their

D5/A

eyes,

your

D/Ab

eyes

and

A5

pain

is

their

sat

see

the

Eadd#9/G#

dark - ness

is

take

Chorus

Dm/F

Im

A7/E

con

(Wait

trolled

by

C#m/E

3
5
3

3
5
3

3
5
3

3
5
3

3
5
3

5
4
2

for,

3
5
3

fate.

ing
3

5
4
2

5
4
2

5
4
2

5
4
2

5
4
2

2
4
2

2
4
2

2
4
2

2
4
2

7
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Sorgdal

Dm/F

Eadd4/G#


Tired

D5

of

your

pa

wait

3
5
3

3
5
3

ing

for,

3
5
3

3
5
3

3
5
3

7
7
6

7
7
6

3
5
3

rade.

Dm/F

7
7
6

7
7
6

7
7
6

No

sign

of

venge

wait

7
7
6

A7/E

ing

0
0
0

3
5
3

3
5
3

3
5
3

3
5
3

3
5
3

3
5
3

5
4
2

5
4
2

5
4
2

5
4
2

5
4
2

5
4
2

End double-time feel

C#m/E

Dm

Eadd4/G#

ance.

Burn

for,

wait

for the rest of

time.

ing...)

Riff B
Gtr. 3

2
4
2

2
4
2

2
4
2

2
4
2

3
5
3

7
7
6

7
7
6

3
5
3

3
5
3

3
5
3

3
5
3

3
5
3

7
7
6

Riff B1



Gtr. 2

2
4
2

2
4
2

8
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Sorgdal

2
4
2

2
4
2

3
5
3

7
7
6

7
7
6

3
5
3

3
5
3

3
5
3

3
5
3

3
5
3

7
7
6

10

10

Interlude
iq = iq
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)

F5

D5

F5

D5

Ah!

End Riff B

F5

D5

F5

D5

10

10

F5

D5

Ab5

F5

10

10

14

14

End Riff B1

D5

F5

D5

F5

D5

10

10

14

F5

F5

10

D5

14

D5

Ab5

F5

D5

F5

D5

F5

D5

Ab5

F5

D5

Ah!

F5

D5

F5

D5

Chorus
Half-time feel
iq = q K e

Ab5

D5

Hear

the

haunt

4
5
4

4
5
4

D/F#

ing

Rhy. Figs. 5 & 5A


Gtrs. 2 & 3

2
2

3
3

0
0

0
0

2
2

3
3

0
0

6
6

0
0
0

5
5

6
6

0
0
0

0
0
0

0
0
0



0
0
0

0
0
0

4
5
4

4
5
4

4
5
4

4
5
4

9
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5

you

find

5
5
5

5
5
5

5
5
5

5
5
5

with

no

heart

are

chil - dren

lost

Whispered: (Theyll

words,

and

youre

the

2
3
3
3

2
3
3
3

2
3
3
3

Gtr. 2

2
3
3
3

2
3
3
3

2
3
3
3

0
0



2
3
3
3

0
0

Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A

D5

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Sorgdal

their hearts

to

5
5
5

4
7

4
7

4
7

0
0
0

0
0
0

0
0
0

0
0
0

2
2
2

0
0
0

4
7

4
7

0
0

Bb

C#m

Dm

now,

run

and

ing.

hide!

3
3
1

3
3
1

3
3
1

6
6
6
6

3
3
1

3
3
1

3
3
1

D/F#

hear

End Rhy. Fig. 5A

3
3
1

3
3
1

2 2 2 2 2 2

3 3 3 3 3 3

0 0 0 0 0 0

4 4 4 4 4 4

End Rhy. Fig. 5

3
3
1

them cry - ing

at

3
3
1

1 1 1 1 1 1

G5

0 0 0 0 0 0

out

is

4 4 4 4 4 4

night,

Whispered: Your pain

10

lost moth - er theyre call

2
3
3
3

Turn - ing

E5

cry - ing,

Screamed: Go

Gtr. 3

lone.

stone.

D5

Bb5

their sat - is - fac

side when the

5 5 5 5 5 5

tion.

plan - ets

are

D.S. al Coda
End half-time feel

D5

fall

E5

ing.

For the

rest

of

time.

Bb5

They

want

to

Bb

feel and know you

hear

Dm

them.

C#m

now,

run

and

Go

hide.)

Coda

Interlude
Half-time feel
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (4 times)

D5

G5

down.

F5

Whispered: Hold - ing

D5

F5

G5

me



Gtr. 6 (elec.)

D5

w/ dist.

14
X
12

D5

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

15
X
13

15
X
13

G5 D5 F5 D5 F5 G5

down.

hold - ing

me

down.

15 15 15 15 15 15
X X X X X X
13 13 13 13 13 13

G5 D5 F5 D5 F5 G5

14 14 14 14 14 14 14 14 14 14 14 14
X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 12 12

15
X
13

15
X
13

D5

18 18 18 18 18 18
X X X X X X
16 16 16 16 16 16

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

14 14 14 14 14 14 14 14 14 14 14 14
X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 12 12

17
X
15

17
X
15

17
X
15

17
X
15

17
X
15

ing,

14 14 14 14 14 14 14 14 14 14 14 14
X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 12 12

9
X
7

17
X
15

10 10 10 10 10 10
X X X X X X
8 8 8 8 8 8

D5

15
X
13

Screamed: Hold

15
X
13

G5 D5 F5 D5 F5 G5

10 10 10 10 10 10
X X X X X X
8 8 8 8 8 8

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

11
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Sorgdal

Gtr. 2: w/ Riff B
Gtr. 3: w/ Riff B1
Gtr. 6 tacet

Outro
Half-time feel
iq = iq
Dm

Gm7


Riff C2
Gtr. 7 (acous.)


Gtr. 2


Gtr. 3

mp
5

End Riff C2

Riff C

Riff C1

Riff D2

10

P.M.

Riff D1

P.M.
8

10

12
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

10

11

End Riff D2

End Riff D

A7

Riff D

End Riff C1

End Riff C

A7

End Riff D1

10

12

11

Gtrs. 2, 3 & 7: w/ Riffs C, C1 & C2 (3 times)

Dm

Gm7

Gm7

Dm

Dm

ter

Gm7

A7

nal

A7

rest,

in

A7

time.

Gtrs. 2, 3 & 7: w/ Riffs D, D1 & D2

ter

nal

rest,

in

Gtr. 2: w/ Riff C

Dm

Gm7

A7

A7

Dm
Gtr. 2

time.

Gtr. 7

Gtr. 3

11

0
0
0

13
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Avenged Sevenfold - Waking the Fallen

I Wont See You Tonight (Part II)


Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Fast q = 215

Gtr. 2: w/ Riff A (3 times)

**D5

Ah!

15ma

Gtr. 1 (dist.)

***w/ DigiTech Whammy Pedal


+6

+6

19
18

19
18

16
15

16
15

***Set for one octave above when depressed (toe down).

*Gtr. 2 (dist.)

Riff A

End Riff A

P.M.
0

0 0

P.M.

P.M.
0

*Doubled throughout
**Chord symbols reflect implied harmony.

Gtr. 1

22ma

fdbk.
+6

15ma

1. Come

P.H.
+6

grad. release

19

19

20
19

20
19

Microphonic fdbk.; not caused by string vibration.

Verse
Half-time feel
Gtr. 1 tacet
Gtr. 2: w/ Riff A (4 times)

D5

back


to

me,


this

is

in

con - ceiv - a - ble,


break - ing

a - part

the

ones

you

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

love.

1
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Sorgdal

End half-time feel


Hate

runs

deep

for

what

youve done

to

us,

left

a - lone

through

su

Quarter-time feel

Eb5

F5

G5

Gtr. 4 (dist.)

divisi mf

Su

Bb5

A5

D5

- cide.
mf

Gtr. 3 (dist.)

5
6

6
7

5
6

6
7

7
8

Gtr. 2

1
1
1

1
1
1

6
7

5
6

6
7

6
7

5
6

8
8
8

7
7
7

7
7
7

6
7

5
6

6
7

5
6

6
7

6
7

0
0
0

6
7

4
5

6
7

5
6


6
7

5
6

6
7

5
6

3
3
3

5
5
5

5
5
5

6
7

End quarter-time feel

Eb5

Bb5

A5

D5

A5

5
cide.

5
6

6
7

5
6

6
7

7
8

1
1
1

1
1
1

6
7

5
6

6
7

6
7

5
6

8
8
8

7
7
7

7
7
7

6
7

5
6

6
7

5
6

6
7

6
7

6
7

3
5

0
0
0

A/C#

7
7

7
7

7
9

9
11

2
2
0

2
4

9
11

Verse
Gtr. 2: w/ Riff A (8 times)
Gtrs. 3 & 4 tacet

D5


2. I

2
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Sorgdal

just

wan

na

die.

Take

a - way

my

life,

lay

by

your

side.

Please

come

Half-time feel

back

to


Hate

me,

this

is

in

runs

deep

for

what

con - ceiv - a - ble,

youve done

to

us,

break - ing

a - part

left

a - lone

the

ones

you

love.

End half-time feel

through

su

Interlude
Slower q = 134
Gtr.5 tacet


D5

Ebmaj7b5

- cide.
Gtr. 5 (dist.)

mp

P.M.

D5

Ebmaj7b5

P.M.

0
0

10
10
8

0
0

0
0

0
0

0
0

Ebmaj7b5

D5

Gtr. 2

P.M.

10
10
8
0
0

D5

10
10
8

P.M.

10
10
8

0
0

0
0

0
0

0
0

0
0

0
0

Verse

Half-time feel
2nd time, Lead & Bkgd. Voc.: w/ Voc. Fill 1

Ebmaj7b5

D5

D5

3., 4. Look

P.M.

0
0

0
0

0
0

at

my

Rhy. Fig. 1

P.M.

10
10
8

face,

you

Ebmaj7b5 D5

10
10
8

pierce

with

Ebmaj7b5 D5 Ebmaj7b5 D5

0
0

0
0

0
0

P.M.

blank

stare.

P.M.

10
10
8
0

Voc. Fill 1

10
10
8
0

0
0

0
0

0
0

0
0

0
0

0
0

P.M.

10
10
8
0

3
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Sorgdal

No

dream

could

Ebmaj7b5 D5

pre

pare

heart

for

life

P.M.

P.M.

Gtr. 2: w/ Rhy. Fig. 1

0
0

0
0

0
0

0
0

0
0

0
0

0
0

friend.

P.M.

Hes gone,

10
10
8

less

Ebmaj7b5 D5

End Rhy. Fig. 1

10
10
8
0
0

Ebmaj7b5 D5 Ebmaj7b5 D5

P.M.

10
10
8

0
0

End half-time feel

Ebmaj7b5 D5 Ebmaj7b5 D5

noth - ing

will take

back

time.
I

Ebmaj7b5 D5

need him back

but

Ebmaj7b5 D5 Ebmaj7b5 D5

noth - ing

will take

back

time.

Interlude

D5

G5

D5

G5

D5

G5

Gtr. 2

*w/ wah-wah

12 0

11 0

0 10 0

12 0

11 0

0 10 0

12 0

11 0

D5

0 10 0

*As filter

D5

Chorus
Half-time feel
D5

G5

Ab5

D5

Gm

Rhy. Fill 1

12 0

4
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Sorgdal

11 0

0 10 0

grad. bend 1

can see
End Rhy. Fill 1

0
0
0

0
0
0

6
6
6

wah-wah off

4
4
4

6
6
6

just

fine

with you in

my

life

Rhy. Fig. 2



P.M.
P.M.
P.M.
0
0
0

0
0

0
0

0
0
0

0
0

8
10

0
0

7
8

P.M.
P.M.
P.M.
0
0

0
0

0
0

0
0
0

0
0

7
8

0
0

6
7

D5

Em

and there by

Dm

D5

my

Dm

A/C# D5

Eb5

side

as

it

starts

0
0

0
0

0
0
0

0
0

5
7

0
0

0
0

0
0

3
5

0
0

2
4

D5

fade.

0
0

End Rhy. Fig. 3

steady gliss.

P.M.

1
1
1

12
12

1
1
1

0
0

Ab5

Rhy. Fig. 3

P.M.
P.M.
P.M.

3
5

to

End Rhy. Fig. 2

P.M.
P.M.
P.M.

6
6
6

6
6
6

Gtr. 2: w/ Rhy. Fig. 2

D5

Gm

know

this

cant

D5

be

stuck in

1st time, End half-time feel

Eb5

right,

To Coda

D5

1
1
1

1
1
1

P.M.

steady gliss.

a night

Em

Dm

- mare

full

D5

Dm

A/C# D5


of

sor

Eb5

G5

Ab5

mare

Rhy. Fig. 4

dream,

Night

D5

row.

Bridge

Gtr. 2

full


P.M.

12
12
12

Eb5

12
12
12

P.M.
10

10

10

12

13
13
13

6
6
6

of

5
5
5

F5

6
6
6

1
1
1

3
3
3

Gtr. 2: w/ Rhy. Fig. 4 (3 times)

D5

Eb5

F5

G5

A5

pain.

Night

P.M.

D5

P.M.

12
12
12

P.M.

12
12
12

10

10

10

12

End Rhy. Fig. 4

Eb5

mare

P.M.

13
13
13

0
0

1
1
1

3
3
3

5
5
5

7
7
7

5
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Half-time feel

G5

Ab5

Eb5 F5

full

G5

the

D5

of

Ab5

Eb5

F5

G5

A5

D5

back

pain.

twist

Eb5 F5

D5

ed

road.

Eb5

F5

G5

A5

look

D5

Eb5


and

Best

friends

and

see

Eb5

de -

End half-time feel

G5

Ab5

spair

Eb5

took

D5

its

C#5 D5 C5 B5 Bb5 A5

F5

D5

D5 A5 Ab5 D5 G5 F5

F5

G5

A5

toll.

Rah,

Gtr. 2

Eb5

take

D5

C#5 D5 C5 B5 Bb5 A5

D5 A5 Ab5 D5 G5 F5

way.

Take

0
0

0
0

0
0

Rhy. Fig. 5

12
12

End Rhy. Fig. 5

11
11

0
0

10
10

9
9

8
8

7
7

7
7

6
6

0
0

5
5

3
3

0
0

12
12

11
11

0
0

10
10

9
9

8
8

7
7

7
7

6
6

0
0

5
5

3
3

Gtr. 2: w/ Rhy. Fig. 5 (1 1/2 times)

D5

C#5

D5

C5

B5

Bb5 A5

D5

A5

Ab5

D5

A5

Ab5 D5

G5

F5

Interlude
Half-time feel
D5

D5

Take

Take

C#5

D5

C5

B5

Bb5

way.

way.



P.M.
Rhy. Fig. 6

Gtr. 2

0
0

7
7

6
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Sorgdal

F5

way.
(Ah.)

D5

G5

6
6

0
0

5
5

3
3

0
0

0
0

0
0

0
0

P.M.
0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

A5

Gtr. 2: w/ Rhy. Fig. 6



0
0

P.M.

0
0

0
0

End Rhy. Fig. 6

P.M.

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

Guitar Solo




Gtr. 2: w/ Rhy. Fig. 6 (2 times)

Gtr. 6 (dist.)

D5

f
11

13 10

12 10 11 12

3
1
8va

17

16

17

16

11

10 13 10 13

17

17 17

loco

11

19 20

Gtr. 6

18

11

13 10

12 10 12

13

10 12 13

13

13 10 12

11 10 11

10 11 10

11 10

11

11

11

11

11 10 11

10

11 10 11

13

11 10 11

10

11 10

13

Gtr. 6 tacet

Ab5

8va

grad. bend 1

Double-time feel

Gtr. 7 (dist.)

G5

F5 G5

D5

Eb5

F5

loco

17 20 18 17
20 17

19 20

17 19 20 19 15

17

15 16

17 15

grad. bend

15 17 15
14 14
15 17 15 17
13 12 10

10

10 11

10
10 11 10

10

10

12 10
13 12 10

13

12

1013

13

P.M.
Gtr. 2

Rhy. Fig. 7

0
0
0

6
6
6

5
5
5

End Rhy. Fig. 7



P.M.
P.M.
0

0
0
0



0
0
0

1
1
1


P.M.
0

3
3
3

P.M.

7
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Sorgdal

Gtr. 2: w/ Rhy. Fig. 7 (3 times)

D5

Ab5

G5

F5

G5

Gtr. 7

13

11

14

14

15

15

12

15

12

10

10

10

10
10

13

13

15

D5

14

15

14

14

12

12

10

10

Eb5

14

12

15

14

12

13

F5

8va

10

10

*w/ Whammy Pedal


+6

15

13

12
14 12 12 15

15
16

16 12 15 12

17 18 14

16

15

12

16

15

12

16 16

16

12

16

12

16

12 12 14

16 12 16

12 16
15 14

*Set for one octave above when depressed (toe down).

D5
8va

Ab5

G5

F5

G5

12

12

12

12

+6

12 16

12

14

D5

loco

8va

16 14

14

14 16
15

14

12

14

12

14

12

14

Eb5

12

14

13 15 15

14

15

14

15

15

14

F5

12

15 16

15

D5

14

12 15

15 16

Ab5

12 15

15 16

G5

12

12

15 12

14

14

F5 G5

+6

12

12
14 12

10 12

10 11 13

11 10

11 10 13 11 10

11

11 10

12 10 11 12

11 13 11

10 12 10

10

10 12 10

12 10 11

10

12 10

10 12 10 12 10 11

13

10 13 10
12 10

10

End double-time feel


D5

F5

11

13

8
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Sorgdal

Eb5

13

11

13

13

11

10

13

12

10

13

11

10

11

10

11

10

11

10

12

10

13

10

13

13

11

13

10

11

13

Chorus
Half-time feel
G5

Sor

Gtr. 7

row,

sank

13

deep

in - side

blood.

Rhy. Fig. 8

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

Bb5

All

the ones

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

X
X
X
X

Gtr. 7 tacet

a - round

me

F5

cared

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

and, most

of

all,

13

Gb5

for

3
3
1

my

13




Gtr. 2

Eb5

3
3
1

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

6
4
4
4

6
4
4
4

6
4
4
4

6
4
4
4

6
4
4
4

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

X X
X X
X X

5
3
3
3

5
3
3
3

loved.

6
4
4
4

End Rhy. Fig. 8

6
4
4
4

6
4
4
4

Gtr. 2: w/ Rhy. Fig. 8



G5


But

cant

Eb5

see

my - self

that

way.

Please

dont


for - get

9
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D.S. al Coda

Bb5

me

F5

or

cry

while

Gb5

Im

a - way.
(A - way.)

Coda

Gtr. 2: w/ Rhy. Fill 1

Gtr. 2: w/ Rhy. Fig. 2

D5

D5

Ab5

Gm

can

see

just

D5

fine

with

you

in

my

life

Gtr. 2: w/ Rhy. Fig. 3

D5

Em

and there by

Dm

my

D5

Dm

A/C# D5

Eb5

side

as

it

starts

to

fade.

D5

Ab5

Gtr. 2: w/ Rhy. Fig. 2

D5

know

this

End half-time feel

Gm

be

right,

cant

D5

stuck in

D5

dream,

a night

Em

Dm

mare

full

D5

Dm

A/C# D5


of

sor

row.

Outro
Tempo I
Gtr. 2: w/ Riff A (2 1/2 times)

Eb5

D5

Ah!

15ma

Gtr. 2

Gtr. 7

*w/ Whammy Pedal & delay


+6
+6

24

24

24
24

+6

24
24

24

1
1
1
*Whammy Pedal set for one octave above when depressed (toe down).
15ma

Gtr. 1

**w/ Whammy Pedal


+6
19
18

**Set for one octave above when depressed (toe down).

10
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

19
18

15ma

24

24

+4 +4 1/2

24

+6

+5 1/2

15ma

24

24

21

21

let ring
+6

+6

16
15

16
15

19
18
17

15ma


Gtr. 7

+6

19

P.M.

+6
24

let ring

Gtr. 2

24

24

15ma

+2 1/2

24
24

Gtr. 1

19

+6

19
18

19
18



P.M.

P.M.

0
0

11
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Sorgdal

from Avenged Sevenfold - Waking the Fallen

I Wont See You Tonight (Part I)


Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
G5

Eb5

F5

D5

G5 type2

Bb5

5fr
Drop D tuning:
(low to high) D-A-D-G-B-E

1113

Intro
Moderately slow q = 65

(Piano)

5fr
1113

*Gm

1113

134

111

Eb

D7

8va

Gtr. 1 (dist.)

**fdbk.

X
**Microphonic fdbk.; not
caused by string vibration.

*Chords played by piano, next 3 meas.

G5

Eb5


loco



Rhy. Fig. 1

***Gtr. 2
(dist.)

1/2

1/2

4 3

***Doubled throughout
See top of page for chord diagrams pertaining to rhythm slashes.

F5

D5

1/2

1/2

Eb5

1/2

Bb5

F5

fdbk.

1/2

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

1/2

1
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Sorgdal

G5

Eb5

F5

1/2

D5

G5

1/2

type2

mf

15

15

12

15

18

15

Gtr. 2 tacet
** F/A




15

8va

Gtr. 3 (dist.)

F5





1/2

End Rhy. Fig. 1

Eb5

15

18

17

18

15

15

15

14

15

18
15

17

17
19

17

20

17

18

17

20

17

8va



Gtr. 1

fdbk.

Riff A
*Gtr. 4 (clean)

mf
w/ fingers
let ring throughout

*Doubled throughout

2
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Sorgdal

5
3

3
3

5
3

10

11
12

10

10
10

12

10

10

**Chord symbols reflect implied harmony.

12
12

10

12
12

10

12

10

12

Gtr. 1 tacet

Eb/G


8va

15

15


D/F#

12

15

18

15
15

18

17

15

15

15

15

14

D7/A

14

14

15

11

14

16

14

8va

Gm

loco

14 15

14

16

12

13

13

10

10

10

8
8

10

10
8

10

10
8

10

7
7

End Riff A

8
7

13
7

11

12

13
10

10

11
7
8

11

Verse
Gtr. 3 tacet
Gtr. 4: w/ Riff A (1 1/2 times)

1. Cry

a - lone,

Ive gone

D/F#

D7/A

no

more pain.

Eb/G

F/A

Ive

Gm

way.

No

made

the

a - lone,

change,

Riff B

Gtr. 4

11
10

10
8

10

8
8

10

10
8

gone

Eb/G

10

took

all

my

10

more nights,

F/A


strength.

Ive

D7/C

wont

see

you

7
7

to - night.

D/F#

10
8

8
7

13
11
10

Gm

End Riff B

13
11
10

3
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus
Gtr. 4 tacet

G5

Sor

7
5
5
5

Bb5

7
5
5
5

7
5
5
5

All

the

3
3
1

ones

sank

deep

in - side

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

a - round

Eb5

row

Gtr. 2

me

my

blood.

F5

3
1
1
1

3
1
1
1

3
1
1
1

0
0

Gb5

cared

for

and

loved.

2. Its

3
3
1

3
3
1

3
3
1

5
3
3
3

6
4
4
4

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

X
X
X

Verse
Gtr. 2 tacet
Gtr. 4: w/ Riff A (1 1/2 times)

Gm

build

- ing

up

Eb/G

place

Gm

mourn

of

dark

for

me,

Gtr. 4: w/ Riff B

Eb/G

bot - tles

4
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

call

in

my

of

me,



name,

had

to

set

not

the

F/A

one

me

free.

wont

Dont

to

place

the

blame.

D/F#

D7/A

D/F#

cold

youre

F/A

side

so

see

you

to - night.

As

D7/C

Chorus

G5

Gtr. 2

Sor

- row

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

Rhy. Fig. 2

Bb5

All

Eb5

sank

deep

in - side

ones

3
3
1

my

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

a - round

F5

me

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

Gb5

cared

blood.


the

for

and, most

all,

3
3
1

3
3
1

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

6
4
4
4

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

X
X
X


of

6
4
4
4

0
0

loved.

End Rhy. Fig. 2

6
4
4
4

6
4
4
4

Gtr. 2: w/ Rhy. Fig. 2

G5

But

Bb5

cant

Eb5

see

my - self

F5

me

or

that

way.

Please

cry

while

Gb5

Im

dont

for - get

way.

Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1

G5

8va

Gtr. 1

Eb5

1
18

18

18

15

18

1
18

1
20

1 1/2
20

20

20

20

18 20

20

18 15

5
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F5

D5

8va

1/2

17

1/2

17

17

15

16

16

Eb5

Bb5

15

18

20

15

16

15

15

17

18

15

15

18

17

18

15

17

15

18

15

20

20

15

17

18

20

20

18

18

15

18

15

18

18

18

D5

16 15

18

17

18

15

15

14

17

16

16

18

17

18

15

17

15

18

15

F5

15

15

Eb5

8va

Sorgdal

17

loco

Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

15

F5

10

Eb5

18

16

15

20

15

18

14

F5

G5

8va

18

16 14

16

1 1/2
16

8va

let ring

1 hold bend

14
0

15
0

17
0

18

18
17

17

15

17

15

Verse
G5

3. Cry

a - lone,

Ive

gone

F5

way.

Gtr. 1

fdbk.

18

18

Rhy. Fig. 3

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

F5

Gtr. 2

7
5
5
5

7
5
5
5

Gtr. 1 tacet

Eb5

D5

No

more nights,

no

Eb5

more

pain.

Ive

End Rhy. Fig. 3

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

2
0
0
0

2
0
0
0

2
0
0
0

2
0
0
0

2
0
0
0

2
0
0
0

2
0
0
0

2
0
0
0

2
0
0
0

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

5
3
3
3

5
3
3
3

5
3
3
3

Gtr. 2

3
1
1
1

3
1
1
1

Gtr. 2: w/ Rhy. Fig. 3

G5

gone

Eb5

a -

lone,

made

the

change,

took

all

my

F5

strength.

D5

wont

see

you

to

Eb5

But

Ive

F5

night.

7
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bridge
Gtr. 2: w/ Rhy. Fig. 1

G5

Eb5

far

Gtr. 3

1
3

10

10

Please


Im

Eb5

gone.

D5

a - way,

(So

F5

dont

15

15

Bb5

fol

15

18

F5

8va

15

18

8
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

15

15
12

17

G5

18

18

to - night.

1/2

15

18

17

15



13

17

14

20

18

Eb5

ev - ry - thing

loco

1/2

be

al

will

1/2

14

11

11

11

11

F5

10

17

20

1/2
17

gone,

D5

17

And while Im

8va

15

Eb5

low me

15

F5

13

11

10

13

11
12

Interlude
Gtr. 2: w/ Rhy. Fig. 3 (2 times)

G5

right.)

F5

Gtr. 3

13

13

13

Gtr. 6 (dist.)

divisi
f

7
8

5
7

7
8

8
10

3
5

8
10

7
8

5
7

7
8

8
10

7
8

5
7

7
8

13

Gtr. 5 (dist.)

5
7

5
7

7
8

5
7

7
8

7
8

3
5

7
8

7
8

5
7

7
8

8
10

7
8

5
7

7
8

Gtr. 3 tacet

Eb5

D5

Eb5

F5

11

11

5
7

7
8

5
7

7
8

8
10

8
10

G5

Gtr. 5

Gtr. 6

3
5

5
7

7
8

5
7

7
8

8
10

8
10

3
5

3
5

7
8

5
7

7
8

8
10

7
8

5
7

7
8

5
7

7
8

5
7

7
8

5
7

7
9

7
9

F5

7
8

5
7

7
8

8
10

7
8

5
7

7
8

5
7

7
8

5
7

7
8

7
8

7
8

7
9

3
5

8
10

8
10

8
10

10
12

10
12

7
8

5
7

7
8

8
10

7
8

5
7

7
8

9
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Eb5

5
7

7
8

5
7

7
8

8
10


Gtr. 5

5
7

7
8

8
10

7
8

5
7


grad. bend

7
8

Eb5

7
9

7
9

F5

8
10

7
9

8
10

8
10

10
12

10
12

(cont. in notation)

*fdbk.

X
*Microphonic fdbk.; not caused by string vibration.

5
7

10

Gtr. 6

7
8

8va

fdbk.

10

fdbk.

1/2

12

10

5
7

grad. bend

7
8

G5
Gtr. 2

7
8

3
5

8
10

D5

12
Pitch: F

Gtrs. 5 & 6 tacet

Gtr. 2 tacet

G5

Gtr. 2

(Piano)

7
5
5
5

G5

G5

Gtr. 2

F5

Play 8 times

P.M.
5
5

5
5

5
5

5
5

5
5

Eb5

5
5

5
5

5
5

5
5

5
5

5
5

5
5

F5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

F5

Rhy. Fig. 4

7
55
5

End Rhy. Fig. 4

Bridge
Gtr. 2: w/ Rhy. Fig. 4 (2 times)

G5

No

10
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

more

F5


breath

in

Eb5

side.

F5

G5

Es - sence

F5

left

my

Eb5

heart

to - night.

Outro
G5

Whoa,

Voc. Fig. 1

whoa,

Bb5

(Whoa,
Rhy. Fig. 5

Gtr. 2

7
5
5
5

7
5
5
5

7
5
5
5

yeah,

whoa,

F5

yeah.

whoa,

whoa.)

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

7
5
5
5

3
3
1

3
3
1

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

5
3
3
3

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

Bkgd. Voc.: w/ Voc. Fig. 1 (till fade)


Gtr. 2: w/ Rhy. Fig. 5 (till fade)

Eb5

G5

Bb5

Whoa,

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

3
1
1
1

End Voc. Fig. 1

F5

Eb5

End Rhy. Fig. 5

3
1
1
1

3
1
1
1

yeah.

G5

Bb5

Yeah,

F5

Eb5

yeah,

yeah,

G5

whoa.

Bb5

Yeah,

* Begin

F5

Eb5

yeah.

fade

G5

Repeat and fade

Bb5

Whoa,

whoa,


yeah,

F5

Eb5

whoa.

*Signal distortion increases as track fades out.

11
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Sorgdal

from Avenged Sevenfold - Waking the Fallen

Radiant Eclipse
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
D5

Drop D tuning, down 1 step:


(low to high) C-G-C-F-A-D

Intro
Moderately fast q = 125
* D5

Riff A

Gtr. 1 (dist.)

End Riff A

D5add#11

let ring

*Chord symbols reflect implied harmony.

Gtr. 1: w/ Riff A (7 times)

D5

Rhy. Fig. 1
Gtrs. 2 & 3 (dist.)

0
0

0
0

P.M.

0
0

0
0

D5

D5add#11

0
0

0
0

0
0

0
0
0

P.M.

Eb5

End Rhy. Fig. 1

P.M.

D5add#11

0
0

P.M.

0
0

0
0

0
0

0
0

0
0

P.M.

0
0

0
0

3
1
1
1



Eb5

0
0

0
0

0
0

P.M.

3
1
1
1

Gtrs. 2 & 3: w/ Rhy. Fig. 1

D5

Half-time feel
D5

Eb5

D5add#11

D5add#11

Eb5

Gtrs. 2 & 3

Eb5

Play 3 times

P.M.

0 0 0

0 0 0

0 0 0

1 1 1 1 1 1 1 1

0 0 0

0 0 0

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

0 0 0

1 1 1 1 1 1 1 1

1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D5
Gtr. 1

Eb5

D5add#11

Eb5

let ring

Gtrs. 2 & 3



P.M.

0 0 0

0 0 0

0 0 0

1 1 1 1 1 1 1 1

0 0 0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

1 1 1 1 1 1 1 1

Gtr. 1 tacet

D5

Eb5

Gtrs. 4 & 5 (dist.)

D5

Eb5

fdbk.

14

14
X
12

12 14
X
10 12

12

14
X
12

15

14
X
12

13

14
12

12
X
10

12
X
10

14

14

12

14

12 14
X
10 12

12

14
X
12

15
13

14
X
12

14
X
12

Pitch: E
Riff B
Gtrs. 2 & 3

P.M.

End Riff B


P.M.

0 0 0

0 0 0

P.M.

0 0 0

1 1 1 1

1 1 1 1

0 0 0


P.M.

0 0 0

P.M.

0 0 0

1 1 1 1

1 1 1 1

Gtrs. 2 & 3: w/ Riff B

D5
Gtrs. 4 & 5

Eb5

D5

Eb5

fdbk.

9
X
7

10

10
X
8

10
8

12
X
10

14
12

14
X
12

15
13

14
X
12

14
12

12
X
10

12
X
10

14

14

12

12
Pitch: E

2
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Sorgdal

14

12
X
10

14
12

14
X
12

15
13

14
X
12

14
X
12

Verse
End half-time feel
Gtrs. 4 & 5 tacet

D5

D5

F5

1. Two

D5 G5

G#5

A5

D5

a - go

was

shot,

nights

Rhy. Fig. 2

P.M.
P.M.

Gtrs. 2 & 3

P.M.
P.M.
0
0
0

0
0
0

3
3
3

0
0
0

5
5
5

6
6
6

7
7
7

0
0
0

Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 3/4 times)

F5

D5

bul - let

D5

3
3
3

si - lenced

G#5

sunk straight

0
0
0

G5

0
0
0

See - ing


knew

skull.

6
6
6

D5 G5

G#5

A5

D5

the face

of

the

man,

D5

G5

this

was

go

0
0
0

No

pain

as

a - woke

ing

to

take

place.

G#5

the

trig - ger

pulled

A5

that

G#5

Half-time feel
D5

A5

but

time

F5

D5 G5

that

he layed

White

G#5

down

si

F5

dead.

the

D5

friend

G5

D5

P.M.

F5

End Rhy. Fig. 2

G5

D5

A5

F5

G#5

P.M.

7
7
7

me.

F5

the


F5

D5

through

5
5
5

A5

lence,

A5

D5

his

gun.

D5

so

G5

G#5

A5

peace - ful,

so

3
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Sorgdal

Pre-Chorus

D5

*C/E

numb.
No

one





0
0
0

0
0
0

12
X
10

12 12 12 12
X X X X
10 10 10 10





Gtr. 3

0
0
0

0
0
0

0
0
0

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

Bb

knows

Gtr. 2

0
0
0

Dm

**A/C#

the

time

Dm

C/E

theyre

chang

ing.

9
X
7

7
X
5

9
X
7

10
X
8

9
X
7

9
X
7

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

7
X
5

7
X
5

9
X
7

9
X
7

9
X
7

9
X
7

10
X
8

10
X
8

12
X
10

12 12 12 12
X X X X
10 10 10 10

5
X
3

3
X
1

6
X
4

7
X
5

5
X
3

5
X
3

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

3
X
1

3
X
1

*Bass plays E.

6
X
4

6
X
4

6
X
4

6
X
4

7
X
5

7
X
5

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

**Bass plays C#.

End half-time feel

D5

C/E

No

one

0
0
0

0
0
0

0
0
0

12
X
10

12 12 12 12
X X X X
10 10 10 10




0
0
0

0
0
0

4
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Sorgdal

0
0
0

9
X
7

9
X
7

9
X
7

9
X
7

9
X
7

Bb

will

Dm

see

A/C#

Dm

C/E

through...

9
X
7

7
X
5

10
X
8

9
X
7

9
X
7

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

7
X
5

7
X
5

9
X
7

9
X
7

10
X
8

9
X
7

9
X
7

5
X
3

3
X
1

5
X
3

5
X
3

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

3
X
1

3
X
1

6
X
4

6
X
4

6
X
4

6
X
4

6
X
4

10
X
8

10
X
8

12 12 12 12
X X X X
10 10 10 10



7
X
5

7
X
5

7
X
5

9
X
7

9
X
7

9
X
7

9
X
7

0 0

0 0

Verse
Double-time feel
F5
D5

2., 4. Youre

all

gone

to

(Gone

to

me.)

F5

Ive

been

pulled

out

to

G5

watch

from

Ab5

End Rhy. Fig. 3


P.M.

3
3
3

me.

Rhy. Fig. 3
Gtrs. 2 & 3

D5




P.M.
P.M.
P.M.

0
0
0

3
3
3

5
5
5

5
5

6
6

Gtrs. 2 & 3: w/ Rhy. Fig. 3 (3 times)

F5

my

D5


e - ter

nal

D5

sleep.

F5

In - tu

G5

- i - tion

and

Ab5 F5

D5

warn - ing

to

be - lieve.
(Will

D5

F5

G5

Some - thing went wrong and though


lieve.)


F5

D5

som

ber

bliss...

Ab5 F5

felt

0
0
0

F5

...I

G5

my moth - er

P.M.
0
0
0

To Coda 1

Ab5

watch

3
3
3

had

to

F5

- out

5
5
5

shed

D5

3
3
3

F5

mov - ing

G5

one

D5

stay,

good

P.M.

P.M.
3
3
3

...with
Rhy. Fig. 4
Gtrs. 2 & 3

D5

5
5
5

Ab5

F5

bye.

on seemed to

be

D5

P.M.

5
5

3
3
3

F5

be -

End double-time feel


G5
Ab5

6
6

0
0
0

D5

G5

G#5

A5

tears.

End Rhy. Fig. 4

P.M.
5
5

6
6

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0



0
0
0

3
3
3

0
0
0

5
5
5

6
6
6

7
7
7

5
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Sorgdal

Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1 1/2 times)

D5

No!

3. This

P.M.
0
0
0

F5

al - tered

eyes

G5

D5

of

my

fate.

G5

feel

the

cold

G#5

0
0
0

3
3
3

6
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0
0
0

G#5

A5

D5

in

its

tracks,

stopped time

has

winds

5
5
5

6
6
6

7
7
7


F5

D5 G5

Des - ti - ny

is

G#5

shat - tered

A5

and

D5

time - less.

Closed

Pre-Chorus

Bb

em

A5

Gtrs. 2 & 3

has

G5

A5

D5

Sorgdal

G#5

the course

gun

D5

F5

F5

P.M.

D5

Gtrs. 4 & 5

D5

Dm

C/E

A5

Bb5

brace.
cries.


Ill

15
X
13

14
X
12

14

12
X
10

12

7
X
5

9
X
7

10
X
8

12
X
10

14

14

12

12

watch

you

10
X
8

7
7
7

8
8
8

call,

10
8

8
8

0
0

Bb

Dm

C/E

A5

Bb5

Bb

call

15
X
13

14
X
12

14

12
X
10

12

10
X
8

9
X
7

You cant

12
X
10

7
X
5

14

14

12

12

7
7
7

8
8
8

Bb

bring

back

10

8
8
8

8
8

ing

for

me.

8
8

Dm

C/E

0
0

A5

A5

Bb5

10

C/E

15
X
13

14
X
12

14

12
X
10

12

12
X
10

7
X
5

9
X
7

10
X
8

14

14

12

12

10
X
8

7
7
7

8
8
8

Bb5

14
X
12

17

time.

10

10
X
8

Dm

0
0

15
X
13

14
X
12

14

12
X
10

12

14
X
12

12

10

7
X
5

9
X
7

10
X
8

7
7
7

15

8
8
8

17
X
15

17
X
15

17
X
15

17
X
15

17
X
15

17
X
15

17
X
15

8
8
8

8
8
8

8
8
8

8
8
8

8
8
8

8
8
8

8
8
8

7
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Sorgdal

Chorus
Half-time feel
D

your

eyes

* Gadd9

Close

Gtr. 1

10

Riffs D & D1

10



11 11 11
X X X
9 9 9

11
X
9

14
X
12

14 14
X X
12 12

14
X
12

14
X
12

14
X
12

14
X
12

C5

14
X
12

Gsus2

look

Gtrs. 4 & 5

11 11 11 11
X X X X
9 9 9 9

and

Riff C

G%

Gsus2

a - way.

End Riff C

10

10

12
X
10

14
X
12

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

9
0

9
0

9
0

9
0

9
0

14
X
12

14
X
12

End Rhy. Fig. 5



9
0

Rhy. Fig. 5

Gtrs. 2 & 3

9
0

10

9
0

9
0
0

7
5
5

12 12
0 0
0 0

12
0
0

12
0
0

12
0
0

12
0
0

12
0
0

10
10
10

10
10
10

10
10
10

10
10
10

10
10
10

10
10
10

10
10
10

10
10
10

7
5
5

7
5
5

7
7
5

7
7
5

7
5
5

7
5
5

0
0

*Bass plays G.

Gtr. 1: w/ Riff C (3 times)


Gtrs. 2 & 3: w/ Rhy. Fig. 5 (3 times)

Fate

ex

Gadd9



Gtr. 4

11
X
9

11
X
9

11
X
9

11
X
9

11
X
9

11
X
9

11
X
9

11
X
9



Gtr. 5

11
X
9

11
X
9

8
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Sorgdal

11
X
9

11
X
9

11
X
9

11
X
9

11
X
9

11
X
9

let

me

C5

posed,

wont

Gadd9

G%

Gsus2

stay.

End Riff D

14
X
12

12
X
10

16
X
14

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

16
X
14

16
X
14

17
X
15

16
X
14

14
X
12

12 11
X X
10 9

14
X
12

12
X
10

12
X
10

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

14
X
12

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

End Riff D1

12
X
10

12
X
10

14
X
12

14
X
12

14
12

12 11
X X
10 9

Gtrs. 4 & 5: w/ Riffs D & D1

will

fall

Gadd9



Hope

C5

Gsus2

to - night

with

bro

- ken

G%

Gsus2

wings...
...de -


scend

ing

en

Gadd9

ti

Gtr. 4

12
X
10

ty

Gadd9

in

Interlude
** D5
Gtrs. 2,
3&5

C5

* To Coda 2

Gsus2

me.
*Key signature remains D major
(2 sharps) at Coda 2.

G%

(Gtrs. 2 & 3, cont. in notation)

14
12

**See top of first page of song for chord diagram pertaining to rhythm slashes.

Gtrs. 4 & 5 tacet

D5

G5

F5

D5

E5

F5

D5

A5

Ab5

D5

G5

F5

D5

F5

Eb5

D5

0
0

5
5

3
3

0
0

2
2

3
3

0
0

Ab5

D5

G5

F5

D5

F5

Eb5

P.M.

F5

D5

E5

F5

D5

5
5

3
3

0
0

3
3

0
0

A5

Ah,

Gtrs. 2 & 3

G5

7
7

my

6
6

0
0

Bridge
D5 G5

F5

5
5

3
3

0
0

3
3

0
0

D5

E5

F5

1
1

D5

6
6

5
5
5

3
3
3

0
0

Ab5

voice
Rhy. Fig. 6

A5

0
0
0

5
5
5

3
3
3

0
0
0

3
3
3

Ab5

D5

0
0
0

3
3
3

1
1
1

2
2
2

0
0
0

7
7
7

D5

G5

has

been

0
0
0

Eb5

D5

G5

lis

F5

D5

7
7

F5

Eb5

tak - en

from

End Rhy. Fig. 6

6
6
6

2
2

5
5
5

3
3
3

0
0
0

3
3
3

1
1
1

Gtrs. 2 & 3: w/ Rhy. Fig. 6 (3 times)

D5

me.

G5

F5

D5

E5

F5

D5

A5

G5

F5

D5

The

more

F5

F5

D5

E5

F5

D5

A5

ten,

9
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Ab5

D5

G5

F5

D5

the

more

have

F5

Eb5

D5

to

G5

F5

D5

E5

F5

D5

A5

Ab5

D5

G5

D.S. al Coda 1
End half-time feel
D5 F5 Eb5

F5

say.

Coda 1

D.S.S. al Coda 2
G5
Ab5

Gtrs. 2 & 3: w/ Rhy. Fig. 4

F5 D5

F5

G5

tears

Ab5

F5 D5

and taste the blood that she

F5

cries,

and taste the blood that she

Coda 2

Outro-Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 5 (2 times)

Gadd9

Whoa,

Gtr. 6 (dist.)

C5

Gsus2

yeah,

G%

Gsus2

whoa.

*w/ wah-wah
1

10

10
10

12

10
9

10
11

10

8
7

10

10

12

10

10

12

10

*As filter

Gadd9

Yeah,

whoa,

10

12 14 12
10
X
11 12 12 14 12 11

11

poco rit.

Gtrs. 2, 3 & 6

poco rit.

7
9
0

10
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

10
10

11

12

10
11

12

Gsus2

yeah.

8
9

G%

Gsus2

fdbk.



10 12
X
10 12

10

C5

10
10

from Avenged Sevenfold - Waking the Fallen

Remenissions

Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Moderately q = 91

D5

(Drums)

w/ dist.

0
0


Gtr. 1 (elec.)

Gtr. 2 (elec.)

D5


P.M.

0
0

P.M. let ring

0
0


P.S.

0
0

0
0

P.M.

w/ dist.

0
0

0
0

0
0

0
0

0
0

0
0

Quadruple-time feel
* Dm

A7

Ulh!
Riff A
Gtrs. 1 & 2

0 0 0 0 2 2 2 2 3 3 3 3

2 2 2 2

5 5 5 5 3 3 3 3 2 2 2 2 0 0 0 0

4 4 4 4

0 0 0 0 2 2 2 2 5 5 5 5

2
4 4 4 4 0 0 0 0

*Chord symbols reflect implied harmony.

Bb

A7

(Ulh!)

1 1 1 1

0 0 0 0 3 3 3 3

3 3 3 3

3 3 3 3 0 0 0 0

1 1 1 1

0 0 0 0

0 0 0 0

4 4 4 4

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

2 2 2 2

End Riff A

0
4 4 4 4

1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Riff A

Dm

A7

Gtr. 2



2 2 2 2 0 0 0 0 2 2 2 2 5 5 5 5 3 3 3 3 2 2 2 2

Bb

Dsus2

Gtrs. 1 & 2

3 3 3 3

3 3 3 3

0 0 0 0 3 3 3 3

D5

P.M.

3 3 3 3

D5

0
0

0
0

0
0

3 3 3 3 0 0 0 0 3 3 3 3

D5

4 4 4 4 4

End quadruple-time feel



0
0

4 4 4 4

C#/D

2 2 2 2 5 5 5 5

A5addb2

P.M.

3
3
0

0
0

2 2 2 2

P.M.

3 3 3 3

2 2 2 2 3 3 3 3 5 5 5 5

A7

Bb/D

0
3
2
0
0

5 5 5 5 3 3 3 3

5
5
3

2
3
0

0
0

4 4 4 4

Verse

D5

1. With

F5 E5 D5

this

ink

in

my

F5 E5 D5

skin,

weve

sealed

our

fate,

Rhy. Fig. 1




P.M.
P.M.

0
0

3
3

2
2

0
0

nat

3
3

2
2

0
0

(On - ly


2
3

2
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

P.M.
P.M.
and the

3
1

Bb5

G5

So,

what

3
1

axe comes


C5

A5

does

that

mat

ter?

ral - ly.)

P.M.
3

ear - ly.

Sorgdal

Bb

End Rhy. Fig. 1

P.M.
0

P.M.

P.M.

3
1

5
3

5
5

2
0

2
0

2
0

2
0

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 3 meas.)

D5

Theres

E5 D5

bed

of

G5

Theyre

wait

Bb5

F5


skel


ing

Bb

wait - in for

me

on

the

5
3


my

next

2
0

real.

oth - er

G5

see

past

Bb

move.
(Next

fa

tal

2
0

You

cant

2
0

2
0

0
0

0
0

C5

the

you.

side.

F5 E5 D5

Hu - man lives,

to me,

un -

0
0

see through the

A5

ster

12

Ill

tear

you

grey

fog,

D5

seem so

breath.)

0
0

Be - lief,

down

past

F5 E5 D5

type.

F5 E5 D5

(Noth - ing

Bb5

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

D5

Bb

P.M.

5
5

D5

A5

for




P.M.

E5

e - tons

Gtrs. 1 & 2

3
1

C5

F5

struc

ture

wall.)

F5

built


Bb5

G5

C5

and the

one

who

cre

D5

up

in

A5

E5

at

ed

Interlude

D5

D5

you.

Gtrs. 1 & 2

P.M.
11
15

12
16



P.M.

11
15
0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

12
16
0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

3
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D5

P.M.

11
15



P.M.

12
16

11
15
0
0

0
0

0
0

0
0

0
0

0
0

Pre-Chorus

D5

If

they

D5

did - nt

have

0
0

0
0

One,

how

12
16

0
0

0
0

0
0

0
0

Bb5

would

they

0
0

0
0

0
0

0
0

0
0

0
0

act?

(Whoa,

Rhy. Fig. 2

3
1

0
0

G5

If

we

did - nt

have

hope,

how

C5

would

we

be -

Would they

5
3

5
5

Gtrs. 1 & 2: w/ Rhy. Fig. 2

D5

feel


whoa.)

4
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

still

have?

End Rhy. Fig. 2

re - morse

if

they slaught - ered

in

no - cent

Bb5

be - ings?

Or

is

Chorus


G5

hope the on

- ly

thing

that keeps

C5

you

sane?

Gtr. 3 (nylon-str. acous.)

Dm

friend

once

good

told

10

12

Riff B

mp
10

10

Riff C
*Gtr. 4 (steel-str. acous.)

mp

10

w/ fingers
let ring

*Doubled throughout
Gtrs. 1 & 2

P.M.

5
3

5
5

0
0

Gtrs. 1 & 2 tacet


Gm

me
Gtr. 3

Cadd9

you

are

a mem

11

10

11

ry,

with - out

10
12

Fadd9

5 6

5 7

6 5

them

A7

we

9 10 12
12

3
5

3
3

3
0

0
3

3
3

0
3

qual

10
9

12

1
3

11

let ring

noth -

12

let ring
let ring

let ring
5

Gtr. 4

12
End Riff C

2
2

5
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 4: w/ Riff C

Dm

ing.

Gtr. 3

All

let ring

can

see

is

place

wan

Gm

w/ pick & fingers

w/ pick & fingers


let ring

10
9

Cadd9

10

10

12

12

13

12

14

w/ pick & fingers

Sud - den - ly,

my

12
12

10

D5

free.


Gtr. 3

12

12 10

12

10

12

10

12

Gtr. 3 tacet

Leaves

at

my

G5

feet,

10
10

theyre blown

12

be.

12

13

12

14

life

was

so

11

10


to

na

A7

10

11

Fadd9

10
11

the

C5

12

10

10
10

ground.

11

Their

End Riff B

12

Gtrs. 1 & 2

P.M.
P.M.

P.M.

0
0

5 5 5 5

0 0

6
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0 0 0 0 0 0 0 0

0 0 0 0

5
5

5 5 5 5 5 5

5 5 5 5

5
3

3 3 3 3 3 3 3 3 3 3 3 3 3 3

ech

A5

oes

are

reach

D5


ing

my

F5

ears.

Nights

com

in

Gtrs. 1 & 2

P.M.

3
3

fast,

the

G5

2
0

go

D5

keep

a - way

from

me.

3
1

C5

3
1

5
3

C5

5
3

7
5

7
5

0 0 0 0

P.M.

7
5

7
5

3
1

7
5

0 0 0 0

7
5

7
5

its

hard

C5

a - way

from

3
1

5
3

3
1

F5

3
1

3
1

5
3

5
3

5
3

5
3

5
3

C/E

5
3

0 0 0 0


3
1

P.M.

3
1

C5

3
1

but

P.M.

7
5

0 0 0 0

P.M.

5
3

Bb5

down,

(Oh,

Keep

me,

0
0

in

P.M.

Bb5

Quadruple-time feel
Dm

P.M.

suns

Bb5

P.M.

P.M.

5
5

way

from

keep

to

keep

me

in

this

3
3

3
3

3
2

3
2

7
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Dm

Bb5

C5

F5

me,

keep

C5

way

from

place.



Dm

3
1

3
1

3
1

3
1

5
3

5
3

0
0

3
1

Bb5

3
1

5
3

5
3

5
3

5
3

C5

Keep

Dm

3
1

3
1

way

from

3
1

3
1

5
3

5
3

3
1

3
1

5
3

C5

5
3

way

from

3
2

me.

Bb5

5
3

5
3

A5 C5 D5

5
3

C/E

keep

5
3

0
0

me,

5
3

F5

3
3

3
3

3
2

me.

Ulh!)

8
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3
1

3
1

3
1

3
1

5
3

5
3

3
1

3
1

5
3

5
3

2
0

5
3

7
5

Bridge
D5

We

may have

cre - at

Riff D1

Gtr. 2

7
X
5

7
X
5

9
X
7


Riff D

Gtr. 1

7
X
5

Bb5

7
X
5

A5

9
X
7

10
X
8

Bb

ed

be - gin - ning,

the

10
X
8

9
X
7

3
X
1

9
X
7

3
X
1

7
X
5

7
X
5

10
X
8

men - tal - ly.


End Riff D1

10 15 15
X X X
8 13 13

2
0

5
X
3

3
X
1

2
X
0

3
X
1

3
X
1

3
X
1

2
X
0

5
X
3

3
X
1

2
X
0

3
X
1

3
X
1

3
X
1

3
X
1

3
X
1

4
X
2

6
X
4

6
X
4

End Riff D

9
X
7

14
X
12

14
12

Gtrs. 1 & 2: w/ Riffs D & D1

D5

C5

end


Gtr. 2

have

cre

may

A5

- at

ed

the

be

of

hu - man

9
X
7

our

Bb5

10
X
8

7
X
5

Bb

We

Bb5

gin - ning,

phys - i - cly.

To

the

End quadruple-time feel

A5

ex

ist

9
X
7

A/C#

ence.

6
X
4

Gtr. 1

5
3

3
1

2
0

2
4

Interlude
D5
Rhy. Fig. 3
Gtrs. 1 & 2

End Rhy. Fig. 3

P.M.

P.M.

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

9
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Sorgdal

Half-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 3

Ulh!

Gtr. 5 (elec.)


mf
w/ dist.

Bridge
End half-time feel

Gtrs. 1 & 2: w/ Rhy. Fig. 3

D5

see through you,

Gtr. 6 (elec.)


the

fear thats in

your

eyes,

mf
w/ dist.

10

Gtr. 5

12

11

10

12

10

11

12

10

11

12

11

Gtrs. 5 & 6 tacet

Eb5

E5

F5

D5

0
0

Eb5

E5

F5

D5

1
1

2
2

3
3

0
0

Eb5

E5

F5

D5

1
1

2
2

3
3

0
0

Eb5

E5

F5

1
1

2
2

3
3

whoa.
Gtrs. 1 & 2

0
0

1
1

2
2

3
3

10
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Sorgdal

Guitar Solo

D5

Bb5

Gtr. 5

10

10

10

10

10

10

Rhy. Fig. 4
Gtrs. 1 & 2



P.M.

10

P.M.

0
0

C5

12

13

11

10

11

13

10

12

P.M.
3

5
3

10

10

10

3
1

P.M.

C/E

10

10

13

11

10

11

10

10

10

10

10

F5

13

12

11

0
0

10

0
0

11

0
0

11

Gtr. 6

10

10

10

End Rhy. Fig. 4


P.M.

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
2

3
2

3
2

3
2

3
2

3
2

3
2

3
2

11
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fig. 4

D5

Gtr. 5

Bb5

10

Gtr. 6

10

10

10

10

C5

11

10

11 10

12

10

11

12

13

12

13 11 10 11

13 10

10

10

10

10

10

10

10

Chorus
Gtr. 3: w/ Riff B

F5

C/E

D5

13

11

10

11

10

10

10

10

10

me

ry,


5
3

5
3

5
3

12
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

with

5
3

5
3

5
3

5
3

5
3

5
3

are

a mem

5
3

out


3
3

5
5

5
5

F5

we

0
0

C5

Rhy. Fig 5
Gtrs. 1 & 2

told

(cont. on upper staff)

10

once

friend

G5

Gtrs. 5 & 6

good

3
3
3

Gtrs. 5 & 6 tacet

5
5

5
5

5
5

5
5

0
0

5
5

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (2 1/2 times)

A5


them

A/C#

we

qual

noth

End Rhy. Fig 5

2
0

2
4

3
3

3
3

3
3

D5

ing.

All

can

G5

see

is

na

D5

a place

free.

wan

Leaves

at

C5

F5

be.

G5

my

feet,

blown

14 14 14
X X X
12 12 12

14 14
X X
12 12

14 17 17 17
X
X X
12 15 15 15

A5

ech - oes

A/C#

are reach - ing

5
X
3

5
X
3

6
X
4

D5

my

ears.


Nights

com

the

A5

my

life

A/C#

was

so

ground,

their

12 10 10 10
X
X X
10 8 8 8

10 12 12 12 12 10
X
X X X
8 10 10 10 10 8

in

10
X
8

9 9
X X
7 7

G5

C5

to

17 15 15 15 15 14 14 12 12 12
X
X X X
X
X X
15 13 13 13 13 12 12 10 10 10

F5

Time - less,

Gtr. 5

14 14 14
X X X
12 12 12

fast,

suns

9 7 7
X
X
7 5 5

go

in

6
X
4

14
X
12

6
4

14 14 14
X X X
12 12 12

14 14 14
X X X
12 12 12

14 14
X X
12 12

14 17 17 17
X
X X
12 15 15 15

17 15 15 15 15 14 14 12
X
X X X X X X
15 13 13 13 13 12 12 10

12 12 12
X X X
10 10 10

12 10 10 10
X
X X
10 8 8 8

Gtr. 5 tacet


C5

down,

con

Gtr. 5

10 12 12 12 12 10
X
X X X
8 10 10 10 10 8

Gtrs. 1 & 2

5
3

10
X
8

9
7

9
X
7

9
X
7

9
X
7

7
5

A5

Eb5

fused.

dont know

7
X
5

6
X
4

5
3

5
3

5
3

2
0

5
3

5
3

5
3

5
3

5
3

5
3

the

P.M.
2
0

2
0

2
0

2
0

2
0

2
0


1
1

1
1

1
1

1
1


1
1

1
1

1
1

1
1

13
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F5

an

D5

swers,

rit.

but neith - er

do

you.

Gtrs. 1 & 2

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

rit.

0
0

Outro
Faster q = 130
Half-time feel

D5

Ulh!
Riff E

End Riff E

P.M.

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

Gtrs. 1 & 2: w/ Riff E (3 times)

Yeah!
(Ulh.)

Begin fade

Play 4 times & fade



Gtrs. 1 & 2

P.M.

12
0

12
0

14
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12
0

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
0

from Avenged Sevenfold - Waking the Fallen

Second Heartbeat

Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
C5

Bb5

F5

G5

Ab5

Bb5

5fr
Gtrs. 1-7: Drop D tuning:
(low to high) D-A-D-G-B-E

134

134

111

111

6fr
111

Eb5

VIII

8fr
111

111

Intro
Very fast q = 257
* C5
Gtr. 1 (dist.)

10 10 10 10 10 10 10 10

10 10 10 10 10 10 10 10

10 10 10 10 10 10 10 10

10 10 10 10 10 10 10 10

P.M.

Gtr. 2 (dist.)

P.M.

10
*Chord symbols reflect implied harmony.

Gtrs. 1 & 2

10

10

10

P.M.

10

10

10

Riff A
Gtr. 3 (dist.)

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

Bb5

Ab5

10

10

10

10

10

10

10

10

Rhy. Fig. 1

Gtrs. 1 & 2

10
10
10

P.M.

10
10

8
8

6
6
6

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

6
6
6

1
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Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fig. 1


Gtr. 3: w/ Riff A

F5

G5

C5

End Riff A

Gtr. 4 (dist.)

10

10

10

10

Bb5

Ab5

F5

12

10

C5

Riff B1

10

Riff B

Gtr. 3

12

10

10

10

12

10

10

G5

12

10

12

10

10

12

5
5
5

Gtr. 4

10

End Rhy. Fig. 1

3
3
3

11

12

10

10

12

Gtrs. 1 & 2

P.M.

10

2
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Sorgdal

10

10
10

10

10

10

10
10

10

10

10

10
10

10

10

10

10
10

10

10

10

10
10

10

10

10
10 10

10

10

10

10
10

10

10

10

10
10

10

Ab5

10

12

10

1.
F5

P.M.

6
6

6
6


Gtr. 4


Gtr. 3

G5

11

10

6
6

2.

F5

6
6

10

3
3

P.M.

3
3

3
3

10

P.M.

3
3

3
3

5
5

Gtr. 2

3
3


5
5

5
5

10

End Riff B

5
5

Gtr. 1

Slower q = 185
C5

End Riff B1

G5

11

10

5
5
3

5
5
3

3
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Sorgdal

Verse
Double-time feel
Gtrs. 3 & 4 tacet

C5

1. We

keep

Riff C
Gtrs. 5 & 6 (dist.)

12
X
10

Bb/D

12
X
10

Rhy. Fig. 2

Gtrs. 1 & 2

5
5
3

5
5
3

Eb

writ

ing,

Eb/G

talk

Ab5

ing,

and

plan

G5

ning

12
X
10

7
X
5

8
X
6

8
X
6

3
X
1

5
X
3

5
X
3

5
X
3

4
X
2

7
X
5

7
X
5

8
X
6

3
X
1

3
X
1

5
X
3

5
X
3

5
X
3

4
X
2

4
X
2

4
X
2

End Riff C

4
X
2

4
X
2

End Rhy. Fig. 2

5
5
3

3
5

5
6

5
6

5
6
5

6
6
6

6
6
6

6
6
6

6
6
6

5
5
5

5
5
5

5
5
5

5
5
5

3
5

3
5

5
6

5
6
5

5
6
5

6
6
6

6
6
6

5
5
5

5
5
5

Gtrs. 1 & 2: w/ Rhy. Fig. 2


Gtrs. 5 & 6: w/ Riff C

C5

Bb/D

Eb

Eb/G

but

C5

We

all

Bb/D

know what

to

P.M.
P.M.

Gtrs. 5 & 6

5
3

3
5

P.M.
P.M.

Gtrs. 1 & 2

4
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Sorgdal

5
3

3
5

Ab5

ev - ry - things

Eb

do

but

Eb/G

chang

no

one

5
6

8
10 10 10 10 10

P.M.
P.M.
6

5
6

8
10 10 10 10 10

ing.

P.M.
P.M.
6

G5

Ab

does

it.



5
X
3

5
X
3

5
X
3

4
X
2

4
X
2

X
X

5
X
3

6
6
6

6
6
6

6
6
6

6
6
6

5
5
5

5
5
5

6
6
6

4
X
2

P.S.

5
X
3

6
6
6

5
X
3

5
5
5

X
X

P.S.

X
X

XX

Gtrs. 1 & 2: w/ Rhy. Fig. 2


Gtrs. 5 & 6: w/ Riff C

C5

Bb/D

Now

this

Eb

time

has

Eb/G

past

and

full

of

Ab5

re

End double-time feel

G5

D5

Bridge
Half-time feel

12
X
10

12
X
10

Ab5

my

heart

have

my

in

(Two

in

Gtr. 1


P.H.

P.M.

12
X
10

12
X
10




Gtrs. 1 & 2

1
1
1



8
X
6

1
1
1

10
X
8

10
8

12
X
10



8
6

0
0

0
0

10
X
8

10
8

12
X
10

0
0

0
0

0
0

12
X
10

12
X
10

5
X
3

5
3

while.

7
X
5

7
5

13
X
11

11

13

8
X
6

have

13

8
X
6

8
X
6

stand

stand

15

17
X
15

17

13

8
X
6

C5

while.

Riff D

13
X
11

11

Gtr. 2: w/ Riff D

Bb5

0
0

7
X
5

heart

5
X
3

Gtr. 2

1
1
1

me

0
0

15

15
X
13

15
13

12
X
10

Ab5

lone.

left

8
X
6

1
1
1

me

0
0

left

12
X
10

(Gtr. 1, cont. on upper staff) P.M.

1
1
1

12
X
10

1
1
1

Eb5

C5

Two

Gtrs. 5 & 6

gret.

Gtrs. 5 & 6 tacet

Eb5

12
X
10

13

13

11

11

lone.

End Riff D

15

15

13

13

5
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Sorgdal

Interlude
End half-time feel

Bb5

When they get back,

When they get back,


Gtr. 6

it wont

be

the

same.

be

the

same.)

it wont

20
X
18



Gtr. 1

8
X
6

10
X
8

10
8

12
X
10

12
X
10

15

15

13

13

Ab5

C5


Eb5

19
X
17

15
X
13

17
X
15

19
17

15
X
13

17
15

17
X
15

17
X
15

15
13

Rhy. Fig. 3
Gtrs. 1 & 2


P.M.
P.M.
P.M.
P.M.
P.M.
5
5
3

5
3

5
3

5
5
3

5
5
3

5
3

X X
X X
X X

6
6
6

X
X
X

6
6
6

6
6
6

6
6
6

Gtrs. 1 & 2: w/ Rhy. Fig. 3

Eb5

15
X
13

15
X
13

15

12

13

10

12
X
10

12
10

10
X
8

10
X
8

10
8

C5

12
X
10

12
X
10

12

10

10

12
X
10

10
X
8

10
8

8
X
6

8
X
6

Ab5

End Rhy. Fig. 3

P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
1
1

6
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Sorgdal

15
X
13

Bb5

1
1

1
1
1

X
X
X

1
1

1
1
1

3
1

3
1

3
3
1

3
0

3
0

3
3
1

3
1

3
3
1

3
1

8
X
6

Half-time feel

Eb5

Bb5

* C5
Gtrs.
1&2

It

wont

12

13

10

13
X
11

11

Gtr. 6

8
X
6

8
6

10
X
8

be

Gtr. 5

12
X
10

10
8

the

7
X
5

7
5

5
X
3

10

7
X
5

same!

10
X
8

3
X
1

9
X
7

5
X
3

5
3

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

Verse

Gtrs. 5 & 6 tacet

C5

(cont. in notation)

2. My

Rhy. Fig. 4
Gtrs. 1 & 2

P.M.

12
X
10

P.M.

12
10

life,

5
5
3

7
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Sorgdal

Gtrs. 1 & 2

youve

al

ways

P.M.
3

5
5
3

been

5
5
3

F5

there.

P.M.
P.M.

Ab5

5
5
3

5
3

End Rhy. Fig. 4

6
6

6
6
6

P.M.

5
5
3

5
5
3

P.M.

3
3

3
3
3

Gtrs. 1 & 2: w/ Rhy. Fig. 4

C5

Now

youre

C5

Left

gone

the

child

and

my

heads

hood,

left

the

Ab5

F5

spin - ning.

mem - o - ries,

left

the

good

times...


Gtrs. 1 & 2

P.M.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtrs. 1 & 2: w/ Rhy. Fig. 4

Ab5

F5

the

past.

C5

Mov

...in

P.M.
6
6

8
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Sorgdal

3
3

3
3
3

P.M.

6
6
6

ing

on,

your

time

has

End half-time feel


run

Ab5

F5

Cm

G7

out.


Gtr. 3


Gtr. 4

3
6

Bridge
Gtrs. 3 & 4 tacet

Cm

Bb5

Wish - ing

the

clock

would

stand

still,

the

Bb5

Ab5

(Whoa.

world

can

wait.

Whoa.

Rhy. Fig. 5

Gtrs. 1 & 2

End Rhy. Fig. 5

4
5
5
3

4
5
5
3

4
5
5
3

4
5
5
3

4
5
5
3

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
3

6
6
6

6
6
6

6
6
6

3
3
1

3
3
1

6
6
6

Gtrs. 1 & 2: w/ Rhy. Fig. 5

Cm

Wast

Whoa.

ing

a - way

once

Ab5

a - gain,

Bb5

once

Bb5



3
3
1

3
3
1

3
3
1

lived

as

Whoa.)

9
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Sorgdal

Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)

Cm

Bb5

Ab5

Bb5

friends.

Riff E



Gtr. 4

10

10

Cm

Bb5

10

10

Ab5

Bb5

10

10

11

End Riff E

11

Gtr. 4: w/ Riff E

Cm

Gtr. 3

Riff F

Bb5

Ab5

Bb5

Cm

Bb5

Ab5

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Sorgdal

6
8

10

10

Bb5

10

As

End Riff F

10

Chorus
Gtrs. 3 & 4 tacet

C5

time


Gtr. 3

pass - es

11
13

10
11

by,...
...re

Gtr. 4
divisi

Bb5

11
13

Rhy. Fig. 6

Gtrs. 1 & 2

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

Eb5

for

5
5
3

the

rest

of

Gtrs. 1 & 2

1
1
1

5
5
3

Bb5

grets

5
5
3

1
1
1

1
1
1

1
1
1

1
1
1

X X
X X
X X

3
3
1

5
5
3

5
5
3

C5

my

ones

Eb5

gone

in

3
3
1

3
3
1

5
5
3

5
5
3

3
3
1

3
3
1

who

con

the

black

Bb5

3
3
1

3
3
1

of


Bb5

The



3
3
1

3
3
1

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

the



5
5
3

5
5
3

fide

End Rhy. Fig. 6

were

C5

3
3
1

life.

Gtrs. 1 & 2: w/ Rhy. Fig. 6 (3 times)

5
5
3

night.

11
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Sorgdal

Bb5

Eb5

Whoa.



Bb5

C5

Whoa.

To Coda



Bb5

Eb5

Bb5

C5

Whoa.

Interlude
Half-time feel
C5

Gtrs.
1&2
Gtr. 5

5
X
3

5
3

Gtr. 6

5
X
3

5
3

F5

G5

Bb5

12
X
10

12
10

10
X
8

8
X
6

7
X
5

Ab5

10
8

Bb5 VIII

5
X
3

12
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Sorgdal

12
X
10

12
X
10

10
X
8

7
X
5

8
X
6

(cont. in notation)

3. Ah,
Gtrs. 5 & 6

10
8

15
X
13

15
13

Verse
Gtrs. 5 & 6 tacet

C5


nev

D5

Eb5

will

for - get

er

D5

Eb5

F5

G5

Bb5

you

G/B

and

all

the

mem - o - ries

past.
So

17
X
15

17

Gtrs. 5 & 6

15

Rhy. Fig. 7

10
10
10

10
10
10

Gtrs. 1 & 2

End Rhy. Fig. 7

X
X
X

0
0
0

1
1
1

0
0
0

1
1
1

3
3
3

5
5
5

5
5
5

X
X
X

8
8
8

8
8
8

X
X
X

9
10
9

9
10
9

X
X
X

Gtrs. 1 & 2: w/ Rhy. Fig. 7 (3 times)

C5

rare

D5

Eb5

D5

get

to

see

ly

Bb5

G/B

C5

Grow

G5

guid

F5

knew

that

D5

Eb5

D5

looked

to

you

G/B

face.

ing,

G5

your

Bb5

Eb5

Eb5

F5

in

C5

would

kill

D5

ance.

...but
We

time

youre

us...

End half-time feel

Eb5

D5

Eb5

F5

still

so

close

to

me.

G5

Bb5

G/B

To

13
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Sorgdal

Quarter-time feel

D5

Eb5

me,

D5

you

Eb5

D5

were

my

life.

To


Riff G

End Riff G

*Gtrs. 5 & 6

1/4

10

10
13

13

*Composite arrangement
Rhy. Fig. 8
Gtrs. 1 & 2

0
0
0

P.M.

0
0
0

1
1
1

0
0
0

1
1
1

0
0
0

0
0
0

0
0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

Gtrs. 5 & 6: w/ Riff G ( 2 times)

Eb5

me,

D5

you

Eb5

were

D5

my

soul

F5

com

pan

E5

ion.
End Rhy. Fig. 8

Gtrs. 1 & 2

0
0
0

P.M.

0
0
0

1
1
1

0
0
0

1
1
1

0
0
0

0
0
0

0
0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

2
2

2
2

2
2

2
2

Gtrs. 1 & 2: w/ Rhy. Fig. 8

D5

Now,

Gtr. 7 (dist.)

Eb5

D5

Eb5

you

are

so

far

a - way.

D5

f
let ring
grad. bend

13

14
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Sorgdal

17

13

17

13

17

17

1/4

17

13
17

End quarter-time feel

Noth -

ing

D5

take

can

8va

Gtr. 7

Eb5

Eb5

D5

way

the

times

let ring
grad. bend

1/2

17
20

20

and

the

20

mem - ries

weve

1/2

1/2

E5

19

19

Gtrs. 5 & 6

1/2

F5

let ring
1/4

10

10

10

10

10

10

13

10
10
13

Half-time feel

D5

Bb5

G/B

had.

Gtr. 7

loco

19
X
17

19
17

Gtr. 5

Gtr. 6
divisi

Gtrs. 1 & 2

0
0
0

7
8

5
7

10

15

14

7
8

7
8

4
5

3
3
1

4
5
2

(cont. in slashes)

15
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Sorgdal

Interlude

Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)


Gtrs. 5 & 6 tacet

C5
Gtrs.
1&2


Gtr. 7

15

Gtrs. 1 & 2 tacet

Ab5

End half-time feel

Gtr. 7 tacet

F5

G5

4. Come

15

Verse
Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)

C5

to

the

days

back

when we

were

Rhy. Fig. 9
Gtrs. 1 & 2

End Rhy. Fig. 9

10
10

10
10

10
10

P.M.

10
10

10
10

Ab5

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

10
10

F5

10
10

10
10

10
10

10
10

10
10

10
10

10
10

G5

10
10

10
10

young.

Come



P.M.

6
6

6
6

16
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Sorgdal

10 10
10 10

6
6

6
6

6
6

6
6

6
6

6
6

6
6

5
5

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

5
5

5
5

5
5

5
5

5
5

5
5

5
5

Gtrs. 1 & 2: w/ Rhy. Fig. 9

C5

back

to

Ab5

mat

F5

the

days

to

the

tered,

when noth

G5

ing

days

when noth

ing

Gtrs. 1 & 2

P.M.

(cont. in slashes)

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

6
6

C5
Gtrs.
1&2

6
6

3
3

3
3

3
3

3
3

3
3

3
3

mat

3
3

5
5

5
5

8
8

5
5

5
5

5
5

5
5

Gtrs. 1 4 tacet

feel

Gtr. 4
divisi

5
5

tered.

Gtr. 3

8
8

3
3

4
5

Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (2 times)

C5

time

Eb5

grets

for

Bb5

the

rest

of

Bb5

pass - es

by,

my

re

C5

life.

The

17
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Sorgdal

ones

Eb5

gone

in


Bb5

who

con


Bb5

the

black

of

fide

were


C5

the

night.

D.S. al Coda

Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
Gtr. 3: w/ Riff F (1 3/4 times)
Gtr. 4: w/ Riff E (1 3/4 times)

Cm

Ab5

Bb5

As

10

f
9

10

11

10

11

10

12

12

10

11

12

10

13

15

10

11

10

11

13

15

13 12 13
13

10

10

Bb5

fdbk.

13

Outro-Guitar Solo
C5
*Gtr. 8 (dist.)

Gtr. 4

10

Coda

Gtr. 3

15

15

15

15

16 18

15

*Standard tuning
Rhy. Fig. 10


Gtrs. 1 & 2

P.M.

5
5
3

18
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Sorgdal

5
3

5
3

5
3

5
3

5
3

5
3

End Rhy. Fig. 10

5
3

5
3

5
3

5
3

5
3

5
3

5
3

5
3

3
3
1

3
1

P.M.

3
1

3
1

3
1

3
1

3
1

3
1

3
1

3
1

3
1

3
1

3
1

3
1

3
1

Eb5

18

20

20 18 16

16

Bb5

13

15

13

1
1

1
1

1
1

1
1

1
1

C5

13

15

15

P.M.

3
3
1

1
1

3
1

3
1

3
1

3
1

12

17 12



P.M.

1
1
1

3
1

13

12

5
5
3

3
1

5
3

5
3

13

12

13

12

12 10

Eb5

8va

15

18

16

11

C5
Gtrs.
1&2

Gtr. 8

P.M.
1
1

1
1

1
1

1
1

1
1

Bb5

13

15

5
3

15

13

5
3

5
3

5
3

5
3

5
3

5
3

5
3

3
3
1

15

16

loco

15

16

17


3
1

3
1

3
1

3
1

3
1

17

3
1

5
3

5
3

5
3

15

17

15

16

18

5
3

5
3

5
3

5
3

5
3

5
3

17 15 15 0

17

P.M.

5
5
3

1 1/2

(cont. in slashes)
5
3

5
3

5
3

5
3

5
3

5
3

5
3

5
3

Bb5


5
5
6
3
1

15

5
3

15

P.M.

1
1

13 14 15

C5

17

Gtrs. 1 & 2

1
1
1

18

10

17

Bb5

13

15

Gtr. 8

13

3
3

10

13 12

P.M.

Gtrs. 1 & 2: w/ Rhy. Fig. 10


Gtr. 8

12

15 17

16 18 17 16

15 15 17

16 19

16

16

15

18 17

15 15 17 18

17

15

18 17

15

18

15

3
16 15
18 17

15 15 18

17

15

18 17

15

15 18

15

15

19
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Sorgdal

Eb5

Bb5


loco
8va


5
18 16 16 15

18

16 15 16 17

15

15 18 15 16 15
17

16

18 16 15 18 16 15
17

X 15

20 20 19 17 15 15 13 12

15 15 13 12 13 12

15 15 13 12 15 12

15 13 12 12

15 13 12

C5

8va

3
5
1/2
15

15

6 15

Bb5

8va

12

12

15

13

15

17

20

20

20

20 20

20

17 17

20

20

20

20

19

20 20

19

20

5
22 22 22
19

18
19

20

22 22 22

18
19

20

19

20

22 22 22
19

20

19

20

20

20

20

20

17 17

15

Gtrs. 1 & 2

3
3
1

20

20

20

20 16

17

16

19 19

(cont. in notation)

loco

22
12 13 15 15

12 13 14 15

12 13 15

13

17

16

15

5
18

15

15

16

17

17

15

16

18

15

16

18

20

fdbk.

5
5
3

5
Pitch: G

20
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Sorgdal

20 20

22

19

20

Eb5

1/2

22 22 22

20 20

C5

16

17 17

8va

20

Bb5

Gtr. 8

20

22 22

13

15

from Avenged Sevenfold - Waking the Fallen

Unholy Confessions
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Fast q = 180
* D5

Riff A
Gtr. 1 (dist.)

P.M.

Gtr. 2 (dist.)

P.M.

10

Bb5


P.M.

10

10

A5

End Riff A


P.M.

10

*Chord symbols reflect basic harmony.

D5

P.M.
0

10

Bb5

8
8
8

10

8
8
8

A5



7
7
7

7
7
7

P.M.

8
8
8

Gtr. 1: w/ Riff A

D5

Bb5

Riff B

0
0

0
0

7
7
7

A5

P.M.
P.M.

8
7
5 7 5
8
7
5
5
7

0
0
7
8
8
0
0
7
7
0
0
7

End Riff B

Gtr. 2

P.M.

7
7
7

1., 2., 3.

Double-time feel

8
8
8

2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

1
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Sorgdal

4.

Bb5

A5

Verse
End double-time feel Half-time feel
D5

Screamed: 1. Ill
f
Gtr. 1

Gtr. 3 (dist.)

Gtr. 1
divisi

try.

Rhy. Fig. 1

8
8
8

8
8
8

7
7
7

12
X
10

7
7
7

12
X
10

14
12

14
X
12

10
8

10
X
8

9
7

7
7
5

7
7
5

8
8
8

8
8
8

7
7
7

Gtr. 4 (dist.)

Gtr. 2
divisi

9
X
7

7
7
7

9
X
7

Bb5

She

said

as

he

walked

10

10
X
8

7
5

7
X
5

C5

-

7
7
5

way.

P.M.

0
0

0
0

7
7
5

f
Gtr. 2

7
7
5

P.M.

0
0

0
0

7
7
5

0
0
0

0
0
0

Try

not

to

Riff C

0
0
0

0
0
0

13
X
10

13
X
10

11
8

11
X
8

10
7

14
X
12

14
X
12

12
10

12
X
10

10
8

Gtrs. 1 & 2: w/ Rhy. Fig. 1

D5


you.

2
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Sorgdal

lose
End Riff C

8
X
5

P.M.

8
8

8
8

10
7

8
8
8

8
8
8

8
8
8

9
X
7

10
8

8
8
8

8
8
8

8
8
8

P.M.

8
8

8
8

Gtrs. 3 & 4: w/ Riffs C & C1

Two

vi

brant

10
10
10

Bb5

hearts

12
X
10

10
10
10

Riff C1


could

12
X
10

14
12

14
X
12

End Rhy. Fig. 1

10
8

10
X
8

9
7

End Riff C1

9
X
7

9
X
7

10

10
X
8

C5

change.

7
X
5

6
4

D5

Noth - ing

tears

the

be - ing

Gtrs. 1 & 2

7
5

7
5

P.M.

5
3

Bb5

0
0

0
0

0
0

0
0

be

here

wait

P.M.

5
5
3

5
3

5
5
3

5
3

and

se

8
8
8

8
8
8

P.M.

8
8

8
8

P.M.

Gtrs. 1 & 2: w/ Rhy. Fig, 2

D5

masked

D5

0
0

0
0

3
1

3
1

3
1

P.M.

3
3
1

3
1

3
3
1

5
3

5
3

Gtrs. 3 & 4: w/ Riffs C & C1

7
7
5

7
7
5

P.M.

0
0

0
0

Rhy. Fig. 2

P.M.

0
0

0
0

0
0

D5

P.M.

D5

P.M.

D5

D5

0
0
0

Interlude
D5

P.M.

fear.

10
10
10

0
0

D5

P.M.

7
7
5

C5

ing,

cure.
(Ah.)

Un

0
0

5
5
3

C5

Ill

test - ed

P.M.

8
8
8

de - cep - tion.

D5

5
3

more than

7
7
5

7
5

P.M.

7
5

Bb5

End Rhy. Fig. 2

3
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Sorgdal

Pre-Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

D5

Noth

ing

hurts


my

world,

just af - fects

Riff D
Gtrs. 3 & 4

P.M.

P.M.

P.M.

P.M.

P.M.

the

ones

sins


deep

in

my

P.M.

youll

be

the

one

blood,

a - round

me.

When

Ab5


to

P.H.

Gtrs. 3 & 4: w/ Riff D

D5

Ab5

End Riff D

8va

P.M.

fall!
I

Chorus

D5

wish

could

Rhy. Fig. 3
Gtrs. 1 & 2

7
7
5

7
7
5

one

3
3
3

4
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Sorgdal

who

3
3
3

F5

C5

2
2

3
3

Bb5

care

3
3
3

3
3
3

0
0

3
3
1

the

5
5
3

wont

one,

0
0
0

E5

the

X
X
X

F5

be

5
5
3

5
5
3

5
5
3

at

all.

But

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

3
3
1

End Rhy. Fig. 3

3
3
1

D5

be

in

the

7
7
5

X
X
X

E5

one

7
7
5

0
0
0

F5

on

the

2
2

3
3

C5

stand,

to

go,

3
3
3

3
3
3

3
3
3

X
X
X

time

soaked

with


F5

D5

Gtrs. 1 & 2

7
7
5

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

ed

in

7
7
5

X
X
X

0
0
0

guid

in

me.

3
3
3

3
3
3

3
3
3

5
5
5

5
5
5

X
X
X

3
5
3

turns

its

C5

5
5
3

5
5
3

When

X
X
X

X
X
X

hard

5
5
3

back

me

its

Dm/F

F5

way

E5

know the

Bb5

ones

know

fid

blood


no

Gtrs. 1 & 2: w/ Rhy. Fig. 3

D5

G5

5
5
3

F5

to

E5

F5

was

your

2
2

3
3

fall.

C5

Con -

heart.

5
5
3

5
5
3

5
5
3

5
5
3

5
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

To Coda

know

its

hurt

in

you,

3
3
3

3
3
3

X
X
X

3
3
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

Dm/F

kill

in

me.

5
5
5

5
5
5

X
X
X

3
5
3

5
5
5

5
5
5

X
X
X

3
5
3

5
5

6
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A7

Gtr. 2

Interlude
Dm

Gtr. 1

Sorgdal

G5

F5

3
3
3

Db

its

but

Bb

3
3
3

Bb

2.
Aaddb13

1.
Aaddb13

Gtr. 1: w/ Riff A (1 1/2 times)

D5

Bb5

A5

Gtr. 2

0
0
0

End half-time feel

D5

Bb5

P.M.
0
0

A5

Gtrs. 1 & 2



8
8
8

0
0

8
8
8

7
7
7

7
7
7

Bridge
Double-time feel
Gtrs. 1 & 2: w/ Riffs A & B (4 times)

D5

Screamed: Noth - ing

will

last

in

this

D5

Now

youre

per

Con - strict

D5

fect

your

hands

ing

world

a - round

This

air

tastes

dead

in

side

life,

D5

Bb5

me.

our

time

is

Bb5

meant

to

Bb5

me,

Bb5

squeeze

till

Con

tri

spent

con - struct

A5

ing.

sin.

A5

bute

A5

can - not

A5

to

breathe.

End double-time feel

our

7
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Sorgdal

Half-time feel
D5

Break
plague.

all

your

prom

is

...tear

down

this

stead

es,...
-

fast

wall.

Rhy. Fig. 4

End Rhy. Fig. 4

Gtrs. 1 & 2

P.M.

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

Gtrs. 1 & 2: w/ Rhy. Fig. 4


Re

straints

are

use

less

C#5

D5

C5

ing

sal

here.
Tast

Interlude
D5

B5

Bb5

D5

A5

va

tions

D5

near.

Ab5

G5

*Gtrs. 1 & 2

0
0

12
12

11
11

0
0

C#5

D5

10
10

9
9

8
8

0
0

C5

B5

Bb5

D5

5
5

7
7

6
6

5
5

0
0

*Composite arrangement

D5

0
0

10
10

12
12

11
11

0
0

8
8

10
10

9
9

8
8

P.M.

A5

0
0

7
7

D5

Ab5

G5

6
6

5
5

0
0

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

D5

Ah.

Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
Gtrs. 3 & 4: w/ Riff D (2 times)

D5

Noth - ing

8
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Sorgdal

hurts

my

world,


just

af

- fects

the

ones


a - round


me.

Ab5

When

D5

sins

deep

in

my

youll

be

the

one

to

blood,

Ab5

fall!

Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 2

D5

G5

D5

G5

Riff E

End Riff E

*Gtrs. 3 & 4

11

10

grad. bend
1 1/2

11

10

grad. bend
1 1/2

*Composite arrangement

D5

G5

A5

D5

G5

A5

D5

1 1/2

1 1/2

Coda

G5

D5

Gtrs. 14

G5

in

me.

5
5
5

5
5
5

X
X
X

3
5
3

kill

Em

D.S. al Coda

Gtrs. 1 & 3
divisi

Gtrs. 1 & 2

D5

Gtrs. 2 & 4

Dm/F

F5

7
5

7
5

4
2

Outro
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtrs. 3 & 4: w/ Riff E (4 times)

D5

G5

D5

G5

Ah.

D5

G5

Gtrs. 1 & 2


P.M.
0
0

0
0


P.M.

0 0 0 0

0
0

D5

G5

P.M.
0
0

0
0

P.M.

0 0 0 0

0
0

D5

Gtrs. 14

Play 3 times

P.M.
0
0

0
0

9
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Sorgdal

from Avenged Sevenfold - Waking the Fallen

Waking the Fallen (Intro)


Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Moderately q = 95

4
4

4
4

4
4

F#5

Gtr. 2 (dist.)

** pp

w/ fingers
fdbk.

**Fade in
*Gtr. 1 (dist.)

*** pp
P.M. throughout

4
4

4
4

4
4

4
4

4
4

4
4

4
4

4
4

4
4

4
4

4
4

4
4

4
4

4
4

4
4

*Doubled throughout
***Fade in

mp

6
0



4
4

4
4

4
4

4
4

4
4

Gtr. 2 tacet

4
4

4
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(Ah.)

Gtr. 1

Rhy. Fig. 1

End Rhy. Fig. 1

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2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING


All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

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1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Rhy. Fig. 1

w/ echo repeats & heavy reverb

Rah!

Verse
Gtr. 1: w/ Rhy. Fig. 1 (4 1/2 times)

F#5

Wake

the



Fall

Rise

en

now

ones

and

and

rise

to

souls,

we

shine

so

ev

night.

er,

leave

your

mem

Rise

now

bright.

and

ev

ries.

er,

Segue to Unholy Confessions

leave

your

mem

Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

ries.
(No

one

can

touch

us.)