Stephan Vermeersch
2008
Start: remove the mouthpiece with mounted reed from the neck and keep it within reach.
Turn the bass clarinet neck 180 towards the microphone (amplification and little reverb).
The microphone should be positioned so it can capture the popping sounds of the keys
coming out of the neck
Moderato e rubato
Hit the keys to create popping sounds.
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b rit.
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Stephan Vermeersch
&
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b b
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& .. .. r r r
vary the tempo ad libitum
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Stephan Vermeersch
&
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Sing the 'A' in the instrument and improvise using the duodecime
keyhole, G#, A, side Bb and B to make alterations ad libitum
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3
3
Stephan Vermeersch
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& 98
.
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16
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bisbigliando
( )
optional ad libitum
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# n
slaps on mouthpiece only
&
make improvisationa
consonants 's', 'ch', 's
of the oral cavity ad
+ + + + + + +
&w
make again improvisational whistles
and meanwhile turn the neck back
180 to the microphone.
Stephan Vermeersch
4981
91
& 4 8
& 4681
& 7481
b
r
61
4 8
7481
4981
41
& 4981 r
r
b
& 41
Stephan Vermeersch