Artists' Portfolios (Color Plates) Author(s): Hank Willis Thomas, Fred Wilson and Christopher Cozier Source: Representations,

Vol. 113, No. 1 (Winter 2011), p. 72 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/rep.2011.113.1.72 . Accessed: 29/03/2014 09:41
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ARTISTS PORTFOLIOS

Hank Willis Thomas Fred Wilson Christopher Cozier

72

R e p r e s e n t at i o n s

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plate 1. Hank Willis Thomas, Absolut No Return, 2008. Lightjet print, 30 20 in. Courtesy of the artist and Jack Shainman Gallery, New York.

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plate 2. Hank Willis Thomas, Absolut Power, 2003. Inkjet on canvas, variable size. Courtesy of the artist and Jack Shainman Gallery, New York.

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plate 3. Hank Willis Thomas (left to right), Ode to the CMB: Folks Say, Take That Chain Off Boy Ya Blindin Me; Ode to the CMB: Am I Not a Man and a Brother? and Ode to the CMB: Lucy is a Slave with Diamonds, 2006/2007. 24K gold and cubic zirconia, 5 3 in. Courtesy of the artist and Jack Shainman Gallery, New York.

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plate 4. Hank Willis Thomas, Hang Time (Circa 1923), 2008. Inkjet on canvas, variable size. Courtesy of the artist and Jack Shainman Gallery, New York.

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plate 5. Fred Wilson, An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place: An Installation by Fred Wilson, 2007 (installation view). Mixed media, dimensions variable. Photography courtesy Donnette Zacca.

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plate 6. Wilson, An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place (installation view). Mixed media, dimensions variable. Photography courtesy Donnette Zacca.

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plate 7. Wilson, An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place (installation view). Mixed media, dimensions variable. Photography courtesy Donnette Zacca.

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plate 8. Wilson, An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place (installation view). Mixed media, dimensions variable. Photography courtesy Donnette Zacca.

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plate 9. Wilson, An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place (installation view). Mixed media, dimensions variable. Photography courtesy Donnette Zacca.

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plate 10. Wilson, An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place (installation view). Mixed media, dimensions variable. Photography courtesy Donnette Zacca.

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plate 11. Wilson, An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place (installation view). Mixed media, dimensions variable. Photography courtesy Donnette Zacca.

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plate 12. Wilson, An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place (installation view). Mixed media, dimensions variable. Photography courtesy Donnette Zacca.

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plate 13. Christopher Cozier, Cross Currents, 2001 (installation view). Wood and paper, dimensions variable. TENT, Centrum Beeldende Kunst, Rotterdam. Courtesy of the artist.

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plate 14. Christopher Cozier, Key and forms from the Terra Stories project, shown in the exhibition The New Internationalism, Nikolaj Udstillingsbygning, Copenhagen, 2002.

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plate 15. Christopher Cozier, Notebook page/preparatory drawing from Terra Stories, 2002. Courtesy of the artist.

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plate 16. Christopher Cozier, And to think you had me believing that all this time. . . , 2002 (installation view). Mixed-media construction from Terra Stories. Courtesy of the artist.

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