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'Uncanny' has emergent use in the +;os prior to its more recent 'psychoanalytic' sense, as meaning 'not quite sate to trust' lreud notes that the German vord tor it, das Unheimlich, has tvo meanings, both the 'homely' and the 'unhomely', so that one meaning - the opposite - is alvays behind the other.
'Uncanny' has emergent use in the +;os prior to its more recent 'psychoanalytic' sense, as meaning 'not quite sate to trust' lreud notes that the German vord tor it, das Unheimlich, has tvo meanings, both the 'homely' and the 'unhomely', so that one meaning - the opposite - is alvays behind the other.
'Uncanny' has emergent use in the +;os prior to its more recent 'psychoanalytic' sense, as meaning 'not quite sate to trust' lreud notes that the German vord tor it, das Unheimlich, has tvo meanings, both the 'homely' and the 'unhomely', so that one meaning - the opposite - is alvays behind the other.
41 What is a surrealist photograph tunction ot the mysterious signitcation vas to point to a moral philosophy, ethics or theological meaning, but to grasp the meanings at vork in surrealism ve vill need to exchange those telds ot thought (philosophy and theology, tor that vhich more obviously tascinated the surrealists, ot sexuality and the unconscious and the discipline vhich theorized it psychoanalysis. Primal Scenes Historically, the uncanny has an emergent use in the +;;os prior to its more recent psychoanalytic sense, as meaning not quite sate to trust. In 1he Lncanny essay lreud notes that the German vord tor it, das Unheimlich, has tvo meanings, both the homely and the unhomely, so that one meaning the opposite is alvays behind the other. 46 1hus something homely can become unhomely and something unhomely can become uncanny by also being homely (yet strange,. In enect, the uncanny is like a return ot the repressed ot an antithetical meaning. In an earlier paper, 1he Antithetical Meaning ot Primal Words (+,+o,, lreud had already dravn the connection betveen the vay that dreams combine contrary things into a unity in the same vay that vords in ancient (Lgyptian to Semitic and Indo-Luropean, languages also have antithetical meanings at their origin. 47 No seems not to exist so tar as dreams are concerned, lreud says. 48 Such is also the logic ot tantastic and marvellous tales and vhat ve see there is not the collapse ot reality into a dream-vorld, but the emergence ot a psychical reality imposed upon the real. Iaplanche and Pontalis: 1his notion [psychical reality| is bound up vith the lreudian hypothesis about unconscious processes: not only do these processes take no account ot external reality, they also replace it vith a psychical one. In its strictest sense, psychical reality denotes the unconscious vish and the phantasy associated vith it. 49 What is described here is not only the characteristics ot surrealist practice, the imposition ot psychical reality on the real, but also the strategy that the surrealists used on existing signitying systems ot representation. 1he captioning ot the photograph ot tvo vorkers gazing dovn a hole on the cover ot La Rvolution o Sigmund lreud, 1he Lncanny (+,+,,, Art and Literature, PlI + (Harmonds- vorth: Penguin, +,:,. ; Sigmund lreud, 1he Antithetical Meaning ot Primal Words, S.L., Vol. XI, trans. ames Strachey (Iondon: Hogarth, +,:o,. : lreud, 1he Antithetical Meaning ot Primal Words, p. +. , Iaplanche and Pontalis, The Language of Psychoanalysis, p. o.
A LM Still (Photograph) From Man Ray's Cinépoéme' As A Photograph in La Centre of André Breton's Essay, Le Surréalisme Et La Peinture' in La Révolution Surréaliste, No. - , October