Sakis Rouvas technical rider.

HOUSE P.A. SYSTEM

Front of house speaker system should be of the highest quality possible. It should be a stereo, high fidelity, three- or four- way system plus subs capable of reproducing 30Hz - 20 kHz and sustaining 110db without distortion at the front of house mix position, and should adequately and consistently cover the audience area in a stacked and/or flying configuration. PREFERENCES: V-DOSC, Dv-dosc

F.O.H.
MIXING CONSOLE(S) WHICH, AT MINIMUM, HAS ALL OF THE FOLLOWING FEATURES: 48x input channels, 8x effect returns, CD, house announce, etc. 4-Band, fully parametric or sweepable frequency EQ, 48v phantom power, phase reversal, insert point, direct out, high pass filter, and VCA mute on each input channel min 8x Post-fader auxiliary sends, each with a master ON/OFF switch and perchannel switching 8x VCA masters min 8x Mute groups Good illumination, no burned-out bulbs, missing goose-necks, etc. Back-up Power Supply Unit(s) PREFERENCES: INNOVASON, Heritage 2000, Yamaha PM4000

DRIVE RACK: System EQs must be parametric or 1/3 octave graphics. Digital EQs are fine, but ONLY if there is a graphic interface PREFS: XTA CQ 600, Klark-Teknik DN3600, BSS 960 Please ensure that all system crossovers, compressor/li miters, and EQs are located at F.O.H., are fully accessible to the tour's engineer, and are system specific, if required. Separate EQ's are required for ground stacked and flying cabinets in systems utilizing a combined configuration PROCESSING: 1x High-quality, vocal processor PREFS: MANLEY VOX BOX 6x Channels of high-quality, full-feature compressors PREFS: Summit DCL200; BSS DPR402; Drawmer DS241, DBX 160 10x Channels of full-feature, frequency-tunable gates PREFS: Drawmer 201, BSS 504; Aphex 612 1x Eventide H3000 or 3500 harmonizer 1x Lexicon 480L or 960 reverb 1x Yamaha SPX 1000 or SPX990 multi-effect unit 1x minidisk deck, wired for playback and record. No portables 1x CD player wired for playback. No portables

Sakis Rouvas technical rider.

MONITOR SYSTEM
MIXING CONSOLE(S) WHICH, AT MINIMUM, HAS ALL OF THE FOLLOWING FEATURES: 48x Input channels with faders 4-Band, fully parametric or sweepable frequency EQ, 48v phantom power, phase reversal, insert point, direct out, high pass filter, and VCA mute on each input channel 16x discreet mixes selectable pre- and post- fader, stereo Side-Fill sends, separate Drum Sub send, on/off for each mix 8x Mute groups Good illumination, no burned-out bulbs, missing goose-necks, etc. Back-up Power Supply Unit(s) PREFERENCES: INNOVASON, Heritage 3000, Yamaha PM4000M PROCESSING: 9x high-quality, 1/3 oct. graphic EQs to be inserted across each mix. PREFS: XTA CQ 600,Klark-Teknik, BSS 10x Channels of high-quality, full-feature compressors PREFS: dbx, BSS 10x Channels of full-feature, frequency-tunable gates PREFS: BSS 504 2x multi-effect units PREFS: Yamaha SPX 990,1000; REV 500 WEDGES / SIDE FILLS / DRUM FILL: 7x Identical, 2way active floor wedges with 1,4 horns and 1 x 15 speakers (2 GT,1 BASS,1 KEYS,1 BACK VOCAL,1 bouzouki, 1 CUE). PREFS: 115 FM,MTD 115a 4x Identical, bi-amped floor wedges with 1,4 horns and either 1 x 15 speakers (1 MIX VOCAL FRONT STAGE). PREFS: 115 FM 2x 2way active wedges with 1, 4 horns and 1 x 15 plus 1x 218 or 1x18 sub for drum fill. 2x 2way active speakers per side, with 1, 4 horns and 1 x 15 plus 1x 218 sub for side fill. All necessary processing, amplification, and cabling

MICROPHONES
PLEASE REFER TO THE SAKIS ROUVAS STAGE PLOT / INPUT LIST FOR MICROPHONE REQUIREMENTS. Please be sure to include all necessary stands, cables, clips, and hardware ( drum mounts, etc.).

Sakis Rouvas technical rider.

NOTES
All system components are expected to be 100% operational. Any and all substitutions to and variations from these requirements must be approved by tour's engineers and/or production manager prior to day of show. If no item PREFERENCES are listed, options must be discussed with and approved by tour's engineers and/or production manager prior to day of show. NO EXCEPTIONS. The system must be accompanied by at least (1) competent and knowledgeable technician, who may be required to engineer for support acts. The tour does NOT share consoles, either FOH or monitor. Separate consoles, processing, etc. will be necessary for support acts. The tour shall provide intro & outro music for entire evening. For aesthetics, promoter/sound company needs to supply black cloth or scrim to cover amp racks, backs of consoles, etc. MIX POSITION LOCATIONS: F.O.H.: Please consider the mix location carefully and arrange seat-kills (please refer to the tour rider) as necessary. Extreme mix positions, to either the side or rear of a venue, are unacceptable, as is mixing from under a balcony. If the proposed location is clearly not ideal from a sound mixers point of view, this must be discussed IN ADVANCE between the sound company, the promoter, and tours production manager. Monitor Console: STAGE-LEFT Please make sure that all racks are well illuminated, and located to allow convenient access to controls and easy visual monitoring of displays. Do not locate ANY racks under the consoles. COMMUNICATIONS: Two-way exclusive communication between the F.O.H. and Monitor mix positions. A talkback mic at F.O.H. which shows up as an input on the monitor console. POWER REQUIREMENTS: The Sound Power Service must be on transformer isolated phases, separate from the lighting power service.

CONTACTS
FOH ENGINEER: Nikko Chronopoulo :mobile 0030932411424, fax: 0030108235860 Email: eventco@otenet.gr

Sakis Rouvas technical rider.

CH
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29-37 40-46 TASCAM DA 88 EFFECT RETURNS

INPUT
BASS KICK SNARE 1 HI HAT 1 TOM 1 TOM 2 FLOOR 1 FLOOR 2 OVERHEAD L OVERHEAD R EL. GT 1 ACOUSTIC GT EL. GT 2 ACOUSTIC 2 NYLON KEYS 1 L KEYS 1 R KEYS 2 L KEYS 2 R BACK VOCAL 1 BACK VOCAL 2 BACK VOCAL 3 SAKIS 1(VOCAL) SAKIS 2(VOCAL)

INPUT LIST MIC

DI D 112 or BETA 52 SM57 or BETA 98 C 451 or BETA 98 Beta 56- SM 57 Beta 56- SM 57 Beta 56- SM 57 Beta 56- SM 57 C 451 or BETA 98 C 451 or BETA 98 SM 57 ACTIVE DI SM 57 ACTIVE DI DI DI DI DI BETA 58 BETA 58 BETA 58

MONITOR
AUX 6 1 X E5 SHURE AUX 1+2 1 X E5 SHURE

NOTES
Comp - FOCUSRITE Comp - FOCUSRITE AUX 13 - SPX 990 Comp - FOCUSRITE

Comp BDX 166 Comp BDX 166 Comp BDX 166 Comp BDX 166

AUX 3 1 X E5 SHURE AUX 4 1 X E5 SHURE AUX 5 1 X E5 SHURE Comp - FOCUSRITE Comp - FOCUSRITE

AUX 16 2X 12 mix

AUX 15 PCM 91

AUX 18 ACTIVE DI 4X 15

VOX BOX AUX - 17 PCM 91 Comp DBX

Sakis Rouvas technical rider.

BACKLINE REQUIRMENTS

A. 1X 1X 1X

GUITARS Gibson Chet Atkins electric nylon guitar Takamine 6-string acoustic guitar with eq and a cutaway Gibson LE Spol

B. GUITAR AMPLIFIERS 1X Gcm 900 marshal head with one cabinet 4X12 and also include the footswitch 1X mesa boogie dual rectifier head with one cabinet 4X12 and also include the footswitch C. BASS AMPLIFIER 1X David Eden world tour 800 head with two cabinets 4X10 xlt D. DRUM KIT dw or pearl 1X bass drum 22 1X wood snare 5X4 2X toms 10, 12 2X floor toms 14, 16 2X hi-hats 14 2X crash 16, 17 1X splash 8 1X ride 22 1X china 18 paiste signature cymbals or 2002 or zildjian k dark custom E. 1X 1X 1X F. 7X 1X 6X KEYBOARDS Hammond B3 with Leslie and volume pedal trinity korg karma korg with sustain and volume pedal STANDS stands for guitars and bass DUAL stand for the keyboards music stands with light

G. WIRELESS 5X Wireless system for guitars & bass

Sakis Rouvas technical rider.

STAGE PLOT

Mix 4
KEYS CH 17-20 K E Y S

Mix 4 SUB Mix 11 HEADHONES FOR CLICK

DRUMS CH 2-12

mix4

Mix 3
GTR1 GTR2 HAMOND

BASS CH 1

CH 13-16 RISER: 3m X 2,5m X 40cm RISER: 3m X 2,5m X 40cm MIX 5 MIX 8 BOYZOUKI 25

Mix 2 Mix 1

Mix 7
Back VOCAL CH 21-22

Mix 9 SF

VOCAL CH 23-24

Mix 6

Mix 10 SF