Montgomery Hughes
ii
www.lulu.com
phantasmagoriabook.googlepages.com
2 To Phantasmagoria 6
3 To my mentor 26
4 To Hastings 34
5 To Newport 36
6 To Salisbury 52
7 To Brighton 58
8 To Hastings 71
9 To The Pirellis’ 73
10 To Cambridge 82
11 To Liverpool 90
v
vi CONTENTS
13 To Sheffield 112
14 To Bellevue 123
16 To Hastings 139
17 To Dr Symonds 148
Chapter 1
To Holly Lemon
Cottage
1
2 CHAPTER 1. TO HOLLY LEMON COTTAGE
doom, they took action before it was too late and leapt
to safety amongst the salvation of the nearby hedgerow.
My wipers were still furiously giving it their all, spurting
rain right and left as they partially improved my level of
safety. I turned them off. I wouldn’t need them anyway
– without them I could still see oncoming headlights and
the sidehedges, and at least this way I could not see the
numerous rabbits and/or hares, which narrowly escaped
death at my hands.
After aeons of this monotony, which almost made me
miss the city I had left, I chanced upon a small cottage on
my right.
It looked like a classic child’s drawing of a cottage:
a door on the right with a window to balance, and two
upstairs windows. It had ivy covering most of the wall;
trying its best to encroach on the window’s territory. Its
front door met the road; it had absolutely no front garden,
which seemed strange to me considering there was so much
land available, and I had not seen another homestead for
over an hour. But still, I rang the bell. Of course, in this
brief walk from my car (which I had left in the road with
the lights on) to the front door, there was enough water
sent to me from the clouds to saturate my suit jacket and,
more noticeably, my socks. It could be that I had stood in
a puddle, but it was impossible to say. I winced at the light
from inside the homestead – I had been staring at nothing
but darkened rain for sometime now, but this somehow
warmed the old lady, who opened the door, to me.
‘Come in! Come in! You’ll catch your death!’ she
chimed maternally. I smiled widely; the phrase ‘you’ll
catch your death’ is one of those stereotypical things which
old dears are purported to say, yet I never would have
believed until I heard it. It is only ever voiced by soap
4 CHAPTER 1. TO HOLLY LEMON COTTAGE
To Phantasmagoria
6
7
there was nothing but a few rides in the making, the next
there was a large pink elephant watching over the proceed-
ings. They must have made it elsewhere or made it in an
evening.’
‘That makes sense,’ she agreed, ‘and they could hardly
have flown it over here. But perhaps they brought it here
overland?’
‘Yes, yes it’s a possibility,’ said Mr Brown impatiently,
‘but we don’t really have time to talk about trivial things
such as this. We have bigger fish to fry. Would you like a
drink?’ I was looking away from them, at the elephant,
pretending not to listen to their conversation, but now
there was a long pause and they seemed completely silent.
I chanced a glance up, to see the man’s grey bearded face
looking directly at me, as the elephant had done when I
approached it.
‘Are you thirsty?’ Mr Brown asked of me. I was
stunned into silence at first, but then quickly said yes.
These singular strangers intrigued me, and something made
me think they would be able to tell me more about the pink
elephant.
We walked around to the side of the elephant, where
I saw a set of large steps that I had not noticed before,
leading up to her side. There were people walking up and
down these steps, as if it was nothing out of the ordinary,
and then disappearing into a huge hole that had been cut
out of her side. Above this dark area of absent skin there
hung a large neon sign of a coffee cup with three lines of
rising neon steam, nailed right into the giant animal’s side
to keep it in place. I suppose I could not see this side of
the elephant from my bedroom window, and I was shocked
to see the beast which had so scared me on approach re-
duced to an inanimate edifice. It was with absolute calm,
14 CHAPTER 2. TO PHANTASMAGORIA
thinking aloud.
‘This is why he must be a benevolent God,’ Mrs Black
finished his train of thought. ‘There can be no other. He
created the world so that He could give the gift of life to
millions of people. He created a beautiful world and gave
us life so that we could experience His splendour!’ She
held her arms aloft as if to motion us to look around and
marvel at God’s work. It was a shame for her point that
we were sitting in a café inside a huge pink elephant.
‘So he created the whole world; the wars, disease,
hunger, pain and anger so that we could “experience his
splendour”? Everyday thousands of innocents die and the
guilty live - is this his splendour? Where did all this come
from if god created the world for the beautiful gift of life?’
The woman in Black had, of course considered this
question before and had a ready answer for it: ‘From the
Devil. God created a perfect world and the Devil has
stained it.’
Mr Brown looked truthfully stunned. ‘Why didn’t you
say from our god-given free will?’ She had, of course, al-
ready established that, in her view, we all have free will.
‘I use ‘the Devil’ more as a metaphor for the evil which
is a part of the human character, exercised by free will.
Even if we all have free will, there could be no evil in the
world without there being some in each of us to start off
with.’
‘Okay,’ said the man slowly, though he did not seem
satisfied. He also seemed, although I was not entirely sure
if this was the case, slightly relieved. ‘But where did the
devil come from? Surely he wasn’t created by god himself?’
‘That is of course possible, though surely He would not
have . . .’
‘. . .he could not have created him if he was an entirely
21
To my mentor
That was several years ago, and the last time I saw him
until this day. I had now found his cottage, and gained
a restless impatience that could only be quenched by my
finally meeting him again.
The door was wooden of some sort, and deep red in
colour; I knocked expecting to stumble on a group of merry-
making hobbits feasting aplenty on delightful food. Strik-
ing also, the door had a slightly oval quality, though I dare
say most people would not notice were it not pointed out
to them. I just happened to, as sometimes occurs – like the
young boy who, amongst a crowd of busy people is filled
with excitement - precipitated by adrenaline - at being the
first to spy a lost coin on the floor. Its original mislaying
being, of course, a small price to pay for this emotional
cocktail.
As with this privileged youngster, I believe I was the
first in many years to notice the curious, subtle shaping
there before me, yet how strange that it was apparent all
26
27
To Hastings
34
35
To Newport
36
37
send out signals all around them, some of which get to us.
When we first discovered them we thought they might be
intelligently beamed out signals; messages from another
world. But no, soon enough we worked out what they
were. Another hollow hope in a sea of teasing nothingness.
Another empty promise, to show us we are alone.
As the watch landed, the hairline fracture became sud-
denly too much for it to bear, as it shattered into perhaps
hundreds of pieces, perhaps thousands. No one knows. I
was surprised to feel somewhat satisfied as its pieces and
shards and cogs and hands were distributed around the
road.
This in fact amused me greatly over the hour or so that
I waited for a lift. I would watch a car go past, hold my
thumb out and hope. As that car would go past it would
strike the specifically placed, largest available piece of the
Rolex, and send its pieces shattering in all directions. I
would then find the largest piece left and place that on the
road in a prominent position, before waiting another five
minutes for the next car. Sometimes, of course, the car
would miss the Rolex entirely; sometimes the piece would
not break. But this only helped the excitement along.
It almost came as a disappointment when a car finally
drove over to the side of the road where I stood, its wheels
stopping just before the watch on the floor.
‘Where do you want to go?’ the driver asked.
For a few seconds I was a little confused; I had forgot-
ten exactly why I had been by the side of the road, and
was entirely caught in the game of destruction I was play-
ing. ‘Erm, Newport!’ I said, perhaps a little maniacally as
I suddenly remembered. I think I had been by the side of
the road for too long.
‘Hop right in!’ he said amiably.
41
* * *
moments.
‘This means,’ he continued, ‘that cells are alive, just
as we are. I know people say cells are alive, and they talk
about them being dead, like when you get frostbite, but
I am talking about them being really alive. Think about
it! That each one of your cells is its own being. It is a
separate entity, as I am, as you are. Maybe it even has its
own personality! That would be insane!’
Yes, it would, I thought. What is this guy talking
about, I thought. But I just went along with him, hu-
moured him. It made me wonder how his biology ca-
reer came to an end, and wondered if it was in a blaze
of ridicule.
‘But do you know what? That’s not all. You can say
the same about the population of the world; as each one
of us is alive, so is the organism made up by the animals
of the world.
‘Just as we feed because our cells need to feed, so the
world feeds through each of us. The same goes for excre-
tion and respiration. We need energy to live because the
world does. The world is sensitive to its surroundings, just
look how it has adapted on a global scale to the natural
resources. It grows. It moves. And, if a collection of or-
ganisms like this is alive, then its reproduction is in the
form of new colonies in other geographical locations; other
countries, on the moon, and on other planets!’
I did not want to disagree with him, but I was getting
very bored of his speculation. He was getting progressively
more excited by everything he said – he enthused like a
child talking about playtime. But the more he talked the
more I became convinced he was entirely crazy.
So after another half an hour or so of him jabbering
away, his goatee springing up and down like a woodpecker,
45
To Salisbury
52
53
‘I’ll tell you what it’s about,’ she said, ‘it’s about a
man who falls out of love with his wife and starts having
an affair with another woman.’
This, she said, was not the worst part. She could han-
dle him having an affair. ‘I’m not as young as I used to
be,’ she said, the irrelevance of that phrase never being
more blatant than before now. ‘The worst part,’ she said,
‘is that I have been married to that bastard for thirteen
years, and all this time I have been thinking we were in
love. I was in love – I knew that. I don’t know what he
was in, but it wasn’t love. I’ll show you what he said -
hold the wheel.’
She gave me seconds to react and grab the steering
wheel, which I held for a few seconds more. In this time she
had produced from the glove compartment the manuscript
for her husband’s book and opened it up at the page she
had been reading last. ‘Go on, read what he says about
love,’ she said.
* * *
‘There is nothing romantic,’ I read, ‘nothing profound,
and nothing special about love. Love is a unique bond
between two people. It is something which brings some
together and tears others apart. It attracts and it repels,
it brings joy and it brings tears, but there is nothing divine
or miraculous about it.
Love brings two people together, and as it does so these
people frequently decide to bring the miracle of life into
the world. Put another way, to procreate. This offspring
they have takes on many of the traits of its parents; it
gains those factors that Mother Nature has deemed are
advantageous to its survival. It is a random mix of all the
aspects that its parents have; it is produced in their image.
55
To Brighton
58
59
surely no more than five feet tall, she had her black hair
tied back in a ponytail and had a professional, expression-
less face. She asked me what I would like. I glanced at the
menu board behind her, and ordered the all-you-can-eat; I
was ravenous.
‘Five-fifty,’ she said, maintaining the façade devoid of
emotion.
‘I only have five dollars, is that ok?’
‘I am sorry mister, the smorgasbord is five dollar fifty.’
This, it seemed, was not how my hunger would end.
At this the lonely man beside me became interested. One
could tell he was lonely; he had been looking down at
the bar ever since my entrance, enthralled by a flyer for
a launderette. People entirely happy with their lives, on
the whole, glance around at an entrance to such an oth-
erwise sparsely populated restaurant. It is simple human
nature. Yet lonely people take little interest in their sur-
roundings; they are used to the mutual ignorance. They
also take occasional breaks from solitude in an attempt to
break the cycle. It is at these times they try to strike up
conversation with strangers, and here the evidence of the
loneliness abounds, for they do it in a way quite outside
the norms of human interaction.
‘You know, some time ago, the money for which you
bought that five dollars would have been enough to buy
five dollars fifty, and thus you would have earned that all
you can eat, for exactly the same monetary outlay, in your
terms.’
‘Really,’ I said.
‘Yes,’ he said, ‘Your life would have been markedly
different, albeit relatively insignificantly. And all because
of slight adjustments by the bigwigs, beyond anybody’s
control - even theirs!’
60 CHAPTER 7. TO BRIGHTON
the world I could think of, including Alaska and The Sa-
hara, and had spent considerable time in a few of these;
speaking three languages fluently. He was an accomplished
long distance runner, boxer and had numerous trophies at
home, for judo, swimming and archery.
‘You should seeee them, man! They are my babies!’
He had a tendency to describe things as his ‘babies’. He
was clearly proud of his collection, and it sounded as one
unrivalled by many, yet he was leaving it all behind. This
I could not understand. I tried in vain to convince him of
more sensible action, yet he was not to be persuaded.
‘Why do you want to leave it all? You have everything!
You are a phenomenal success; you have respect, you have
an amazing girlfriend –’ he had shown me a picture of her.
She was, in a word, heavenly, ‘You have a degree, and you
are 19!’
‘I know, man, exactly! I want some mediocrity in my
life for a change. Success like this does not make you happy,
all I want is some failure. I can’t be accepted by anybody.
People look at me, and what do you reckon they think?’
He looked over at me. ‘What do you think when you are
speaking to me?’
‘I feel astounded at what you have accomplished,’ I
said, ‘I am impressed, but how can that be bad?’
‘People look at me whilst I am talking and I can tell
what they are thinking; ‘I am in the presence of greatness’.
I know that sounds arrogant to you, man, but its true. I
have tried so many things, and there is nothing I can’t do.
I have never failed in anything I have tried! Nothing!’
I wondered what the odds could be. Out of everyone
who had ever lived, surely there would be one . . .
‘All I want is to be bad at something, so I can feel
human, how can I feel human if I have no faults?’ He
68 CHAPTER 7. TO BRIGHTON
To Hastings
71
72 CHAPTER 8. TO HASTINGS
To The Pirellis’
73
74 CHAPTER 9. TO THE PIRELLIS’
dear life. Some wither and die, some flourish and thrive
but all reluctantly face death in the end; a fragile explosion
of pleading desperation. Hardly buddhistic.
The bee had finished her work and flew back over the
hedge on the opposite side of the road. I stood up to
see where she went, becoming witness suddenly to a great
crowd of bees I had somehow not noticed before. The
throng pulsated forward and back; ebbing and flowing like
a shore-side wave. And at its centre, like a wizard control-
ling the bees under some spell, was the beekeeper, his veil
hiding his face.
His arms and hands moved slowly but decisively, like a
conductor commanding an orchestra. Sometimes his move-
ments were fast – he hit the side of the apiary, he blasted
smoke in to suppress any potential onslaught, yet mostly
he was so smooth and calm that I was reminded of t’ai chi.
The hive community buzzed around like they knew he was
in charge.
Suddenly his head turned towards me, his veil shield-
ing his face like some hooded demon, yet his hands con-
tinued to work the hive uninterrupted, independent. He
shook a comb, causing bees to fall off and mill around his
head. His bare hands had bees crawling all over, yet he
continued, through the stings, robotically dominating the
colony he nurtured.
Then he turned away from me, inspecting the comb,
as he later explained to me, for parasites and infected hon-
eycomb brood cells.
‘The hive is open to all kinds of attack; varroa, wasps
- you name it - even other bees if you give them half a
chance,’ he told me once.
He replaced the comb and went to the next, shaking
the bees off and inspecting it. He went like this through the
75
hive.
‘When I first started beekeeping,’ he told me one day
whilst he was checking his hive, ‘I just thought of the bees
as animals; no more than thoughtless beings compelled to
do what is in their nature. But then I saw a friend’s hive.
Do you know that different bees have different personali-
ties? Some are aggressive, some are relaxed. I started to
think of bees more truly as animals. Different dogs have
different personalities, so why not bees?’
He lifted one of the combs out and started scanning
its surface.
‘What are you looking for?’ I asked him.
‘I am looking for queen cells,’ he said. ‘Sometimes the
bees will grow a new queen, but I do not want that to
happen. The old queen may be superceded, and I have
got used to this one.’ He squashed something on the comb
between his fingers.
‘Oh,’ I said.
He placed the comb back in position and looked at me.
‘But then I realised,’ he continued from before, ‘I had
been looking at the whole thing in the wrong way. You
can think of bees as animals but you are not getting at the
whole truth.’
‘What’s that?’ I asked.
‘The bee colony is an animal.’ He lifted another comb
and shook the bees. ‘Oh,’ he said, as calm as ever, ‘I’ve
just been stung.’ He told me later that beekeepers become
immune to bee stings before long. They still hurt, but they
no longer swell.
‘How is the colony an animal?’ I ventured.
‘Well the queen acts as the brain - she controls the hive
with her pheromones. The workers act as her body; they
venture out and collect food. Yet each would be nothing
78 CHAPTER 9. TO THE PIRELLIS’
To Cambridge
82
83
sometimes when they really don’t mean it. ‘Just get in the
car.’
His car was almost hearse-like; big, black and spacious
inside. I climbed in and said ‘Hi’.
He smiled, but not at me. It was meant for me, no
doubt, but he smiled at the road directly in front of him.
I tried several times throughout the journey to start con-
versations with this man, but every time I did I was faced
with a dead end.
I asked him what he did for a living. He looked at me
slowly, then back at the road. Then he told me he was a
truck driver.
‘How come you’re in a civvies vehicle?’ I asked him.
But he just ejected a short laugh.
Geez, I thought to myself, this will be a long lift. I
asked him where he came from, to no avail. I asked him
where he was going and he mumbled something I couldn’t
hear. I opted to stare out of the window in the same way
I had stared at the sundial. That is, mindlessly.
I thought how strange this situation was: most drivers
won’t shut up, and you have to listen to them go on and
on, just to be polite. But now I was so used to this that I
couldn’t bear the silence.
I decided in this time that my silent driver seemed like
the religious type, and, being a truck driver he must have
had a good time to think. Perhaps, perhaps not. But
either way it would stave off the determined silence for
another few seconds if I asked what was on my mind. So
I did.
‘I have an unusual belief system,’ he said to me, shak-
ing his hand in mid air in front of him, ‘I’m not sure you
really want to know.’
‘Try me,’ I said. I have never seen such a transfor-
85
when you are trying to work out if the person you are talk-
ing to is joking, or being ludicrously serious. This always
precedes a sudden change of expression and an outburst of
one kind or another.
‘That is ridiculous!’ And there it was. ‘How could
one god have the power to do anything - every god has an
opposite number to balance him out.’
‘But that is when you look at them as a whole,’ I
contested. ‘I am talking about one god’s point of view,
and the infinite number around him.’
He snorted.
‘That makes no sense!’ And that was all he could say.
For the rest of the journey we sat in silence, though
now it was far more welcome. He seemed so insulted by
my take on his views that he resorted to his initial inac-
cessibility. But I was happy with that, knowing now his
closed-mindedness. I just stared out of the window and
enjoyed my own thoughts.
The more I thought about it, the more sense it made
to me and the clearer was my vision of the society of these
gods: a huge, seething community of possibility; the desire
of each god being pooled together to form a composite
of every world from good to evil. And from this ocean
of possibility each god chooses his own version of reality
- each sees what he wants and injects that into his own
vision of the world.
However, the more I thought about these things, the
more ridiculous became my picture. Each god affects us, as
far as he believes, so there is a different reality, for each of
us, corresponding to each one. There is an infinite number
of versions of us, experiencing every possible sin, prize,
shame and delight. Yet no one reality is more or less real
than any other. And worst of all, we are not in control of
87
our lives.
I had to sit up suddenly, like I was trying to force
back the floods of belief that were surging towards me, but
had only the resistance of a grain of sand – and somehow,
by sitting up my connection to our pre-conceived reality
became stronger.
I suddenly thought of a game of cards – it is irrele-
vant which one, but one partly of skill and partly chance.
However, it is not a game whose rules and tactics are hard
to grasp: one in which it is clear at every step which is
the best card to play, and which one must not. Thus, the
game is entirely of chance, as long as every player involved
knows the rules and desires to win, like their lives were at
stake.
I imagined what it would be like to play such a game.
Every player involved would play like a robot, like a
computer. No player has even an option of how to play,
assuming he is faithful to his goal (to win), and knows at
every point the best card to play. Every move is decided
as soon as the chance aspect collapses; when the cards are
dealt. No player is anything more than an agent through
which his game is played; an automaton lost in selfish delu-
sion.
Despite this, every player believes he is in control.
Such is life.
Suddenly I froze, like the world was spinning and I was
powerless to stop it. All I felt was a paranoid psychedelia
brought on by the intense feeling that everything was out of
my control. We are only puppets, forced to dance around
by whichever god may be in control of our lives. We exem-
plify, define – we embody the god’s vision of how he would
choose reality, his balance of good and evil, of sadistic sat-
isfaction and kindly altruism. As if my solipsism had not
88 CHAPTER 10. TO CAMBRIDGE
To Liverpool
When a car finally did stop, the driver did not acknowledge
me at first. His campervan was adorned beautifully with
an intricately mosaicked design of a mermaid. He had long,
blond, scruffy hair with beads at random intervals around
it, and no shirt on – forgivable, given the weather. But I
could only see the back of his head. He was speaking to
the woman next to him (who turned out to be his wife).
She was wearing a bright pink and red tie-dyed t-shirt and
short, scruffy shorts. She had dreadlocks.
‘Look,’ said the driver, turned towards his wife as they
pulled up in front of me, ‘all I am saying is that your body
is, like, totally irrelevant. It is nothing to do with you, like
the clothes of your mind, man.’
The woman next to him did not look like she was in
agreement. She shook her head. And smiled. While I
suspect she was smiling at his comment, I could not help
being amused by his vernacular.
The driver looked around at me. He turned his head
90
91
two exits. The specific details of the room are, in fact, irrel-
evant, except that it had these two features only. However,
if you are interested, its walls are made of stone and the
doors are heavy, dark and wooden. It is cold and feels
damp. Alas neither of the men would ever leave through
either door, nor see what is behind them. But they both
knew what lay on the other side of each. One door led to
certain death and one to freedom, and the job of these men
was to guard these doors for the purposes of a riddle. One
man is bound to telling the truth in any situation, and the
other has no choice but to lie. That is their programming,
if you will. The specific details of the men are, in fact ir-
relevant, except that they have these two features. But if
irrelevant details are required, they actually like the cold
and damp, and the dingy, near-featureless room. They
have no desire to leave.
Suddenly another man appears in the room. This man
has been asked the riddle in question. He must work out
how to leave the room, and has little help. He can pose
one of the men one question, and from the information he
finds, leave the room by the correct door. He would like
to successfully answer the riddle – if he does not he faces
certain death. It is in his programming, if you will.
He looks around the room. There is no help from any-
where, save the two men in front of him, leaning on their
spears. They are dressed in medieval armour, but have
their shields leant against the wall behind them. They
hardly look well prepared for an actual fight, but some-
thing about them suggests that they would certainly not
lose. Previously riddled, foolhardy men have actually asked
whether or not they can win a fight, whereupon the answer
of ‘no’ or ‘yes’ only went on to prove which man was the
liar, and which tells the truth. There was only one door
97
To The Arctic
Ocean
101
102 CHAPTER 12. TO THE ARCTIC OCEAN
To Sheffield
112
113
into the car, which had stopped in front of me, the ominous
headlights narrowly missing the space I had vacated when
I jumped back to avoid them.
I looked across at my Good Samaritan as I stuffed my
coat down at my feet. It is never fair to describe people
in just a few words; one can clearly never do them justice.
But it is sometimes adequate to describe first impressions
in this way, and in this case, my few words would be ‘over
the hill’. Tired eyes surrounded by bruise-blue bags, and
the peculiarity amongst the elderly; thinly visible veins
inside aged cheeks. But first impressions are frequently
incorrect.
I remember, once, a few years before, having an argu-
ment with somebody, which caused us both some distress.
As is often the case, a harmless debate turned into a heated
argument and neither of us talked about first impressions
again. His view was that his first impressions were always
right. I could not understand how anybody could be so
arrogant, and told him his first impressions have proba-
bly filtered through strongly in his view of everyone; he
could no longer view anybody objectively because of his
first impressions. Essentially he could not understand my
viewpoint and I could not tolerate his arrogance. I tried
constantly to calm the discussion down, but he argued un-
til he was blue in the face.
‘Hi, what’s your name? I said, out of formality. It was
Jerome Greene.
‘Where are you going?’ I asked him, more out of ne-
cessity. He was going to Newcastle, so we agreed he would
take me all the way to Sheffield - making it my biggest lift
so far. I was making good time.
Another amazing thing about hitchhiking is that when
you choose to accept a lift, it could be from anybody. It
115
ing cities.’
But now, crackled the radio, Francis Doolittle talks to
Dr Nigel Simmons, a leading expert in his field, about time,
time travel and the very nature of time.
It was one of those moments when the radio was quiet
as a dog whistle; barely audible, yet you know everyone
heard it.
‘Why have you–’
‘Ssh, I want to listen to this.’ He turned the radio up.
Good afternoon to you all, I’m joined today by Dr Sim-
mons, who, as you may know, is an expert in the field of
time. Now, Doctor, tell us a bit about your latest research.
Well, Francis, it’s interesting you said “field” of time,
because–
‘What is so interesting about this?’ I asked, ‘time is
time it flows, we move along it. Big wow.’
‘What? Are you serious? If you believe that you’re
living in the nineteenth century.’
‘Well what is your view of time?’
‘You don’t want to know mine, trust me. Mine is more
unusual than Dr Simmons”.
And so, the observer relative to whom the clock is in
motion measures a greater interval, Dr Simmons droned
on. This effect is called time dilation.
I turned the radio off. ‘Please, try me,’ I said, ‘it has
to be better than this shit.’
He looked at me, disgusted. But anyone interested in
a topic prefers to be talking about it than hear another do
the same.
‘My view, basically, is that time doesn’t flow. It doesn’t
even exist, I mean. If it doesn’t flow then it can’t exist.’
‘How so?’
‘Well I believe the past doesn’t exist, and neither does
117
turned around.
‘What is that?’ I said. Jerome was holding a knife.
‘There is no time. This is a delusion. So there can
be no matter, no world. No God. But still life strives to
exist. That is the power of life. And the nature of life is
delusion. Despite there being no time with which to exist,
life, it seems, finds a way. It invents an elaborate hoax
just so that it can continue. Yet all it sees is the same,
unchanging point.’
‘What are you doing?’
‘I’m doing you a favour. You don’t need to thank me,’
he brushed a fly from his face, ‘none of the others did.’
‘What do you want from me? Do you want money?’
‘Why is it you want to stay alive anyway? What do
you see in this shallow existence? It is ridiculous! We
are not even sure if we exist, we certainly don’t know in
what form our existence is, even if it is there. We don’t
even know anything! Do you know that’s the worst fucking
thing about being alive! We don’t know a single fucking
thing. We don’t know if there’s a god, we don’t know any
of the people we think we know, we don’t even know if the
sun’s going to rise tomorrow.’
‘We know the sun’s going to rise tomorrow! If you can
be sure of one thing, surely that’s it.’
‘Again! Living in the nineteenth century! Wake the
fuck up!’
I didn’t say anything. There was nothing I could say.
He peered out across the view as I had done minutes before,
the wind blew his minimal hair and the sun forced him to
squint.
‘Do you know what happens when a person drowns?’,
he said.
I remained silent. I looked down at the lake.
122 CHAPTER 13. TO SHEFFIELD
To Bellevue
123
124 CHAPTER 14. TO BELLEVUE
To a small window
126
127
To Hastings
I ran. That was all I did for five full hours; that was all I
was. All I experienced, and every part of me went straight
into running. I just stared in front of me, all I took in
was what was approaching, like a pilot in a combat situa-
tion. An infinite string of possible destinations passed me
by, none of them good enough. I ignored any obstacle that
should happen to be in my path. I hurdled small fences and
jumped over gates as if they weren’t there, taking in only
the average height of the ground. Like a computer system
scanning the landscape mindlessly, blankly taking in noth-
ing but the absolute essential data of the land. At first I
took some slight care in crossing barbed wire, but after the
first half hour I cared no more; I just took my chances and
hurdled that too. Sometimes it snagged my clothes, some-
times it caught my flesh. It caught my shirt, billowing out
behind me, refusing to keep up and tantrumming violently
against the wind, which rushed past my ears and made my
eyes water. A few times it caught my trousers, normally
139
140 CHAPTER 16. TO HASTINGS
chapters.’
‘Well how do you make sure it flows as one book?’
‘You see my pile of books back there? I have spent
years tracking down viable extracts. In the end I have very
few whole chapters, and instead had to resort to cutting
fractions of several chapters, and pasting it all together. It
is not quite as elegant, but I have been working on this for
years. I suppose I am starting to get desperate. People
always set their sights high, and only a modest set ever
achieve them. The rest of us have no choice but to lower
our goals or never achieve them.’ He sighed.
‘It doesn’t mean we don’t achieve something,’ I assured
him. ‘The world would not work if only geniuses achieved.
And no-one would achieve anything worthwhile if everyone
was a genius.’
He shrugged. As he did he caused a dusty turbulence
in the air above his shoulders. He was frail – gaunt, al-
most. Undernourished. He seemed like the type to sacri-
fice everything he could for his goal – the full depression of
humanity; we constantly aim outside of our abilities. This
may increase the race’s chance of survival, but it results
in disappointment, pain and unhappiness. It benefits the
race, at the expense of the individual.
‘It fascinates me,’ he continued, ‘when things are taken
out of context and placed elsewhere. They wind up mean-
ing something so totally different that they lose all their
original meaning. That’s why I’m making this book; to
show how much assumption there is when things are placed
together. The human mind cannot think objectively.’
‘But is it not obvious when you’re reading it, that each
part comes from a different book?’
‘I hope not,’ he said. ‘Perhaps it will be, but you
see the reader assumes so much. When they read books,
146 CHAPTER 16. TO HASTINGS
people are piecing together what they can, and as such see
a huge portion of the story that is just not there, like a
silhouette at night might appear like a fox, or a man, or
whatever. The brain plays mischievous tricks on you.
‘You see, all the chapters I am choosing are written
from the first person,’
‘I see,’ I said.
‘and though they are all from a different person’s point
of view, if the story flows then the brain follows.’
‘Yes, I think I understand,’ I said. I wondered how
much of a novelists character would come from themselves,
and how much is added by the reader.
Hedges rushed by and the windows rattled. Pages on
the back seats flapped up and down with the wind from the
sunroof. Words came and words went. Words approached,
were used, and receded.
‘But how do you think about the story?’ I asked, back-
tracking only slightly, ‘I mean, to you is it one story or is
it a collection of individual parts?’
‘It is both, as I said.’
‘But surely you must see it, yourself, as one or the
other. As the author, you must know which one it is.’
He looked across at me, and rubbed his head not in a
comforting way, but in the way many do from time to time,
pushing hard with his hand and moving his face around it;
relieving, as far as he could, frustration, or perhaps stress.
‘Let me tell you something about writing,’ he said,
‘people have this misconception that when a person writes
a story, it is their product, like their brainchild or some-
thing, like it is a part of them. That is just not true. What
people don’t realise is that the author merely comes up
with the preliminary ideas; he sets the initial conditions.
Once he begins the writing process he can only guide it.
147
* * *
To Dr Symonds
148
149
will hear the gun fire five times out of these ten.
‘She now places her head in front of the gun and asks
her assistant to repeat the experiment. Since there is ex-
actly one observer having perceptions both before and after
the trigger event, the MWI prediction is that she will hear
the dud click with one hundred per cent success rate. Oc-
casionally, to verify the apparatus is still working, she can
move her head away from the gun and hear it going off
intermittently. Note, however that almost all terms in the
final superposition state will have her assistant perceiving
that he has killed his boss.’
I looked up and saw the cold, dead gun on the desk in
front of me. It was suddenly different; it had taken on a
new persona. But it was not the only change. Dr Symonds
had produced another from somewhere, and was holding
it in his right hand.
‘I have in my hand apparatus as you have just de-
scribed, and identical to the one placed in front of you.’
‘Are you being serious?’ I asked, and somehow, beyond
my control, started backing my chair away from the desk;
from the situation before me.
‘I used to think there was nothing – nothing we could
know about reality, yet here, finally is one thing we can.
Although, from your point of view, you may see me die’ –
he pulled the trigger of his quantum gun, the only reper-
cussion being a loud click, – ‘but from mine, however many
times I pull it’ – which he did again, resulting only in a
click quieter than the alternative – ‘all I will hear is–’
I stood up in reflex shock at what happened next; the
sound so suddenly loud it stunned my ears for a minute or
two, and the sight before me so horrific I would plead that
no-one else need ever bear witness to it. All over the wall
behind Dr Symonds’ desk was the sanguine décor implied
154 CHAPTER 17. TO DR SYMONDS