Broadway Revue

A Night on Broadway
By Katie Ribant
Revised by Taylor Smith
Featuring music from
the following
productions:
Shre: The !usical
"es !iserables
#ats
"egally Blonde
$nce
%air&
#hicago
The 'i(ard of $(
Rocy %orror )icture Show
'est Side Story
'iced
*rease
#ast of #haracters
Taylor Smith: +irector
!organ Smelcer: Stage !anager
Taylor #andelaria: 'endla,Spring Awaening
#ady "eger: Reno,Anything *oes
%aley Tucer: Sandy,*rease
"ogan Bass: -ac,Newsies
-enna )rice: .ponine,"es !iserables
Kimberly Tesam: *ri(abella,#ats
Rosalia,'est Side Story
!ercedes !attes: .lle,"egally Blonde
+ara 'oods: )aulette,"egally Blonde
#hris 'ard: Riff,Rocy %orror
Sean *rady: *abe,$nce
+ania %unter: +onna,%air&
/elma,#hicago
#hristian #able: !atthew,Rocy %orror
Sye %unter: 'ednesday,Addams Family
.riberto #andelaria: $liver,$liver&
!egan Tucer: +orothy,'i(ard of $(
Siena #andelaria: !unchin,'i(ard of $(
Kaitlyn #onnors: .lphaba,'iced
Anita,'est Side Story
01
A#T 2
Scene 3
+2R.#T$R: 4'elcome 'elcome& 25m the director of
this FAB6"$6S !usi#A"& 'e5ve got a great show for
you tonight,4
(Stage manager runs onstage frantically)
STA*. !ANA*.R: 4'e don5t have a show&4
+2R.#T$R: 4'hatcha mean we don5t have a show74
STA*. !ANA*.R: 4'ell8 you see your cast8 inda
9ust waled out on you4
+2R.#T$R: 4'%AT7 'ell what are we supposed to do now74
STA*. !ANA*.R: 4%mmm8 well we could tae a trip to
Broadway 2sland& :ou now8 the place where all of
the Broadway characters go to once their shows are
on Broadway74
+2R.#T$R: 4)shh8 what a dumb idea& 'ait a minute& 2
got it& 'e need to go to Broadway 2sland&4
STA*. !ANA*.R: 4But that5s what 2 9ust said,4
+2R.#T$R: 4To Broadway 2sland&4
(Cut light. Drop Curtain. Stage manager follows
Director offstage stage right. Lights come up
center on Company)
1. Freak Flag Shrek: he !usical
(D"#$C%# &'D S&($ !&'&($# enter from stage
right)
+2R.#T$R: 4'ow they weren5t idding when they
called this place Broadway 2sland1114
'.N+"A, 4'ho are you74
+2R.#T$R:4!e7 'hy 25m Broadway5s biggest director&
%old for applause&4
('o one applau)s e*cept for S&($ !&'&($#)
+2R.#T$R: 425m here to pic one of your shows to bring
bac on my big stage& 25ll be holding a pre,audition
seminar today for all of; you characters1 Now will
someone show me to my hut74
<All crowd around her cheerfully
and escort offstage=
<.)$N2N. stays onstage
<#$NT2N6.+=
#$NT2N6.+: >1
*R2?AB.""A is watching secretly
from behind=
+. %n !y %wn , Les !isera-les
($.%'"'$ e*its Stage right)
*R2?AB.""A: 4$%8 to be young and beautiful1114
/. !emory, Cats
((#"0&1$LL& e*its stage left)
($LL$ an) .&2L$$ enter from stage left)
."".: 425m telling you8 )aulette8 if a man
were pursuing me8 2 wouldn5t be trying to run
from him&4
)A6".TT.: 42 now1 And 2 do lie him8 but 2 9ust
don5t now how to get him to lie me14
."".: 4'ell here5s what you are going to do&
*irls&4
<*2R"S .nter=
3. 1en) &n) Snap Legally 1lon)e
($LL$ an) ("#LS e*it stage right)
($nter #"FF an) (&1$ from stage left)
*AB.: 4-ust missed her again&4
R2FF: 4That girl again7 Bro8 forget about her1
:ou could have any other girl on this island that
you wanted& She5s obviously not interested if
she5s avoiding you4 <R2FF .@its stage left=
*AB.: 42 9ust don5t understand4
4. Falling Slowly %nce
($nter $.%'"'$ singing stage left)
<*AB. e@it stage right=
<+2R.#T$R enter with AN2TA
from stage left=
+2R.#T$R: 4Alright *irls8 Now for auditions
tomorrow8 2 am e@pecting nothing but your best& :es8
yes8 perform at your best8 but most importantly8
dress your best14
<#$NT2N6.+=
#$NT2N6.+: A1
R.N$: 4+ress our best7 But these raggedy
costumes are all that we have4
+2R.#T$R: 4'ell mae it wor for you then1
"adies8 "isten1114
<"oud thunderclaps=
+2R.#T$R: 4$n second thought8 2 thin we
better wrap this up1 "oos lie a big storms
coming in&4
(D"#$C%# an) ("#LS e*it stage left)
<"oud thunderclap1 %2))2. TR2B.
sips on from stage left and
right=
5. &6uarius7Let the Sunshine "n 8&"#9
(Storm ceases. Sunlight comes up)
<All the characters slowly and
cautiously wal out and gather by
the edge of the stage1 They loo
concerned and scared8 and loo
around to mae sure their friends
are all still there and alive1=
+2R.#T$R: 4$h my what a storm& Are all my
precious little characters, 2 mean friends8
here74
!ATT%.': 42 thin so4
-A#K: 4'ait& 'here5s *abe74
+2R.#T$R: 4'ho74
.)$N2N.: 4The guy from $N#. T%. !6S2#A"1 'here
is he74
R.N$: 4%e said something about his cra(y e@,wife;
2 hope he5s not; +ead14
(8ear the first few secon)s of music from
offstage. C%!.&': looks aroun) to see where
the music is coming from. S&'D:; .&2L$$;
<$D'$SD&:; <$'DL& an) =$L!& enter with >ail
cells)
?.Cell 1lock ango , Chicago
($nter (&1$ looking scare); $*it angry @&"L
("#LS)
$"2/.R: 4*abe& 'e5re so glad you5re
safe&4
*AB.: 4)shh nothing5s going to stop me from doing that
audition tomorrow& Not even my cra(y e@,wife who has
been in 9ail for si@ years&4
<#$NT2N6.+=
#$NT2N6.+: B1
+2R.#T$R: 4Now that5s the spirit& The show
much go on8 as they say& See you all at
auditions tomorrow& .ven the cra(y e@,
wives&4
(D"#$C%# e*its stage left)
(C%!.&': gra)ually leaAes the stage too;
e*cept for !2'C8B"'; S&'D: an) D%#%8:)
+$R$T%:: 4%ey what5s wrong74
!6N#%K2N: 4The storm ruined everything and all
they can thin about is that audition& The
hammoc8 our sandbo@8 everything5s gone& And now
we have nothing&4
SAN+:: 4At least we still have each other4
!6N#%K2N: C'ell yeah1 2 9ust wish we could get
out of this place4
SAN+:: 4'here would we go7 New :or74
+$R$T%:: 4No& There&4
!6N#%K2N: 4where74
+$R$T%:: $ver the rainbow&4
C. Somewhere %Aer the #ain-ow, he <iDar) of %D
(D%#%8: smiles an) takes !2'C8B"'ES han)
an) they e*it stage right)
($nter stage right D"#$C%# followe) -y
S&($ !&'&($# scrolling through
clip-oar))
STA*. !ANA*.R: 4So you need to hire a new
choreographer8 hold an interview with the press8
and call bac our producer so he nows more
about the show you5re returning with14
(akes clip-oar) from Stage !anager)
+2R.#T$R: 4:es8 yes8 25ll handle it1 2 always
do1 Now mae yourself useful8 and go teach the
#haracters how to dance or something4
(Stage !anager e*its stage left)
+2R.#T$R: 425m in way over my head1 'hat am 2
going to do74
(D"#$C%# e*its stage left)
/."!A: 4%ey now8 everybody8 hold on here 9ust a
minute1 2t has been a privilege to perform for this
<!$R.=
<#$NT2N6.+=
#$NT2N6.+: D1
audience tonight8 and yes 2 now it5s
intermission8 and you5ve all got some 4business4
to tae care of8 But here on Broadway we do
things a little differently1 2f you would so
indly give our show a small donation on your way
to the restroom that would be greatly
appreciated1 But if you don5t7 Then 2 hope you
can hold it for another half hour because here8
it5s a privilege to pee14
.nd of act 3
2ntermission
Act 0:
F. ime <arp #ocky 8orror .icture Show
(.&2L$$ enters stage left with ("#LS)
)A6".TT.: 4*irls& Today has finally
arrived&4
AN2TA: 4'hat did you 9ust say74
."".: 4Today5s the day1 Audition day&4
AN2TA: 4$h8 right8 that14
)A6".TT.: 4So are you coming or what8 because
2 don5t want to be late4
AN2TA: 46mm8 you go ahead8 25ll catch up in a
bit4
."".: 4Suit yourself4
<*2R"S run off stage left
giggling=
<AN2TA e@its stage right=
<.nter +2R.#T$R and A""=
+2R.#T$R: 4!orning& "et5s get these auditions
rolling& $ur first; ahem; character; auditioning
will be Rosalia from 'est Side Story4
<#$NT2N6.+=
#$NT2N6.+:
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