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A large crop of outstanding chess authors grace the British Isles. Colin Crouch may not be the most brilliant among them, but he usually deserves a close reading. His latest effort, Why We Lose at Chess, is a slim and rather quirky volume. It is a games collection, with twenty-two of Crouch's selected games annotated by the author.
A large crop of outstanding chess authors grace the British Isles. Colin Crouch may not be the most brilliant among them, but he usually deserves a close reading. His latest effort, Why We Lose at Chess, is a slim and rather quirky volume. It is a games collection, with twenty-two of Crouch's selected games annotated by the author.
A large crop of outstanding chess authors grace the British Isles. Colin Crouch may not be the most brilliant among them, but he usually deserves a close reading. His latest effort, Why We Lose at Chess, is a slim and rather quirky volume. It is a games collection, with twenty-two of Crouch's selected games annotated by the author.
Looking in a Mirror Doesn't Make you Uglier By Derek Grimmell Why We Lose at Chess, by Colin Crouch, Everyman Chess, 2010, Paperback, Figurine Algebraic Notation, 192pp. $26.95 (ChessCafe Price: $20.95) I don't know why so many outstanding chess authors come from the United Kingdom. The climate is no worse than Russia's, the culture no stodgier than the Scandinavian countries, the food no worse than, uh, well, hm. Perhaps it is the food, at that. But whatever the reason, a large crop of tremendous chess authors grace the British Isles, who have succeeded in making English (for Pete's sake) the international language of chess. Colin Crouch may not be the most brilliant among them, but he usually deserves a close reading. His book Attacking Technique is a very instructive and pleasant little book that will give the average player some valuable pointers on attacking the enemy King. How to Defend in Chess is without doubt the best book ever written on the topic. It ranks among that elite half- dozen of books whose ideas and precepts migrated into my over-the-board play instantly my ultimate test of excellence in any work. His latest effort, Why We Lose at Chess, is a slim and rather quirky volume. It is a games collection, with twenty-two of Crouch's selected games annotated by the author. Nothing unusual there. However, unlike most such collections, this one does not feature showpiece victories. Rather, these are twenty-two games in which Crouch made many mistakes, and which he analyzed in an effort to find and fix the causes of those mistakes. He groups his mistakes into fifteen successive "tests" of four positions each, arranging them so that each successive "test" occurs in a later stage of the game a novel idea, and one I rather like, as a way to help the reader spot problems at successive stages of the game. Let's look at an example. White to play
[FEN "rnb2rk1/1p2qp1p/p2p2p1/2nP4/P2pPP2/ 3B4/1P2NKPP/R1BQ3R w - - 0 1"] Crouch presents the reader with this diagram and under it gives three choices: A) 16.Nxd4 B) 16.Re1 C) Something else? I encourage you to study this diagram for a couple of minutes. You will soon realize that there is no tactical shot here, nor a positional breakthrough, a win, a crush, an attack, or indeed anything interesting or enjoyable at all. Rather, there is the chance to make some very plausible mistakes, losing an advantage Purchases from our shop help keep ChessCafe.com freely accessible:
Modern Chess: Move by Move by Colin Crouch
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Chess Secrets: Great Attackers by Colin Crouch patiently gained or acquiring some long-term problems that can make for a very long and cheerless playing session. The pawn on d4 is hanging, but so is White's on e4, and White's king is rather in the air after exchanging them. 16. Qc2 guards e4 again, but 16Nxd3 17.Qxd3 f5 is worth pondering. 16.Re1 Nxe4+ 17.Bxe4 Qxe4 18.Qxd4 Qxd4 19.Nxd4 Nd7 and both d-pawns will fall, leaving an even position. What is White to do? This is only one of four positions taken from Crouch Peacock, a game that is analyzed in its entirety through the four tests in which it appears. Naturally, given Crouch's clever decision to make each test depict the situation at later stages of the games, each position from Crouch-Peacock occurs in a different test. Several other games make four separate appearances as well, while others appear fewer times and a few only once. In each case, however, the entire game is included in the book, with appropriate annotations. At the end of the book Crouch gives overall summaries of each of the games sorted into the following categories: The very worst games One-move shockers Over-playing the opening Simple tactical slips in the middlegame Getting ground down Messing up the endgame The above diagram is from a game that Crouch uses to illustrate over-playing the opening. The entire game does in fact illustrate that he played with dash and lan, at least in spirit, while on the board he never had the slightest reason to be so optimistic, and in fact gave his opponent every opportunity to play for a win. Sometimes White just gains no advantage from the opening, and it's important for the competitive player to recognize this. The game went on as follows: 16.Nxd4? Nxe4+ 17.Bxe4 Qxe4 18.Nf3 Bg4
[FEN "rn3rk1/1p3p1p/p2p2p1/3P4/P3qPb1/ 5N2/1P3KPP/R1BQ3R w - - 0 4"] Crouch presents this diagram in a later test, and again gives us three choices: 19.Ra3 19.Ng5 19.Something else? In analyzing the previous diagram, Crouch finds that 16.Re1! is the best option. After 16...Nxe4+ 17.Bxe4 Qxe4, instead of 18.Qxd4, 18.Nc3! Qf5 19. Qxd4, and White's centralized pieces and improved development confer an advantage. Crouch considers 16...Bg4 in response, but concludes that 17.Ra3 Nxe4+ 18. Bxe4 Qxe4 19.Qxd4 Qxd4 20.Nxd4 again leaves White more actively placed, about to double rooks and ahead in development. Black's best reply is 16...Qh4 +! 17.Kg1 Nxd3 18.g3 Nf2 19.gxh4 Nxd1 20.Rxd1 Bg4 21.Kf2 Nd7 22.Rxd4 f5. The point is not that 16.Re1 wins, as the reader can see. The point is that this choice puts the burden on Black to find the best reply, rather than leaving White in arid positions or struggling for equality. His choice, 16.Nxe4, leaves Black with nothing to prove and White a little uncoordinated after a natural sequence of moves. As I said, it's a quirky book, not really like any other I've seen. Yet it is based on one of the oldest and soundest pieces of advice for the improving player: analyze your own games. In that sense this book is really a piece of a strong international player's personal notebooks. Most readers will already be aware that Colin Crouch suffered a near-fatal stroke in 2004, which robbed him of considerable mental speed and much of his eyesight. He has been determined to regain as much playing strength as possible, and hopes to compete above 2400 ELO again. He relates how he gloomily expected to sink as low as 2000, but has happily found his play has settled in around 2350. Yet, Crouch, though partially disabled and no longer young, still has the competitive fire that any international player needs. So for an entire season, he kept track of his games, looking to isolate those games that would illustrate his weaknesses. Most of his wins did not make the list, although a few were lucky escapes that deserved closer attention. The losses all deserved a thorough study. In the end he selected these twenty-two games for his own purposes, to find and (as he hoped) eliminate his most frequent and costly errors. For him to share his notebook with the general public is a remarkable act. Yet it is also a model for any strong club player who wants to improve further, on how to absorb each painful lesson effectively, so that the lesson will not be repeated. Among other things, Crouch is well aware that his mistakes tend to occur around certain move numbers, something I had noted in my own play. For years, I tended to lose games between moves eight and fifteen. It is a sign of progress that I now lose games between moves fifteen and twenty-one. Self- analysis leads to progress in many ways, one of which is by noting personal struggles with certain phases of the game. Thus, in the old days I lost not because of insufficient memorization, but because I did not understand principles of effective piece development. Now I lose games because I don't grasp correct principles of positional play. Every time I can push back my "blunder horizon," another class of players enters the happy category of those who blunder first. Now, after reading this quirky but intriguing work, I have a much better understanding of how to continue this process. Crouch has a much more fine- tuned understanding of his weak spots than I ever will of mine. Thus, for me to read this book is rather inspirational. Although I have not suffered a stroke, the steadily receding nature of my birth year is subjecting me to similar effects, such as reduced calculating speed and reduced energy. And I have noticed an upsurge in tournament players who are middle-aged, having played vigorously in their youths and then abandoned chess for careers, only to return to their passion now that they have the luxury of time. This book is almost a must-read for any player who returns to tournaments after a long layoff. Confronting one's rusty play can be quite discouraging, but discovering ways to remedy rust quickly is equally refreshing. It pays to look in the mirror. Looking doesn't create the defects; it only exposes them, so they can be removed. If you want a model of how to do this yourself, from an author with great experience in the same difficult but rewarding process, Crouch has written an invaluable guide. Order Why We Lose at Chess by Colin Crouch Comment on this week's column via our Contact Page! Pertinent responses will be posted below daily. Readers' Responses John from the UK - Hah! Amusing to see an American have a go at British food.
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