NIKKOR Lenses DX
Pp. 8-11
Fisheye &
Wideangle& Micro-
NIKKOR Lenses Pp. 26-27
Normal
DX NIKKOR lenses,
designed exclusively For absolute clarity
and sharpness of
NIKKOR Lenses
for use with Nikon
DX-format digital Pp. 18-21 detail for close-up
photography.
SLRs, offer digital
Wideangle AF NIKKOR
photographers
lenses, including AF
unprecedented
Fisheye NIKKOR, provide
creative potential.
superior depth of field and
fast apertures for photojour-
Zoom- 12-17
nalism and travel. There
PC-E
are also Normal AF
Pp.
NIKKOR Lenses Provide both versa-
NIKKOR lenses for a nat-
ural perspective for diverse
tility and portabili- applications, from land-
scapes to candid shots.
NIKKOR Lenses
ty for every type of
photographer from
beginners to pros for
Pp. 28-29
every moment. Equipped with a
tilt/shift mechanism
for manipulating image
perspective, distortion
and focus.
Accessories
Tele photo
Telephoto AF NIKKOR lenses,
including AF DC-NIKKOR lenses,
Manual-
focus Lenses
Suggested equipment com-
binations, and accessories
for NIKKOR lenses.
P. 35
NIKKOR Lenses
AF-S NIKKOR lenses, and AF-S
Teleconverters, create A versatile and
dramatic sports, wildlife, portrait photo- Pp. 32-33 unique selection of
Pp. 22-25 graphs and everything in between. AF
DC-NIKKOR lenses offer creative focus-
manual focus lenses.
improved overall lens design ensures that your Nikon perature-resistance analysis.
A history of exceptional performance — and ensuring the superior camera is compatible with One of these tests concerns
NIKKOR lenses
N
ikon began producing lenses under the NIKKOR name in 1933, and since then more performance of the finished most NIKKOR lenses and the lens’ Optical Transfer
product. that your Nikon equipment Function (OTF), which evalu-
than 40 million lenses have been sold worldwide. Throughout the years, our unwaver- Electronics — microcomputer can accommodate future ates the resolving power and
ing commitment to quality and innovation has yielded many breakthroughs in the photo- innovation for precise system advances. contrast of the lens. To per-
graphic industry. For example, Nikon introduced the Nikkor Auto 24mm f/2.8 incorpo- performance Moreover, the F mount form this test, Nikon devel-
rating Nikon-pioneered Close-Range Correction (CRC) system in 1967, and started The recent advances in the achieves something no other oped the exclusive Nikon
production of aspherical lenses in 1968. In addition, Nikon developed ED (Extra-low computer industry play an design can — it is compati- OTF Analyser (NOA).
integral role in the makeup ble with both types of lens In addition to these
Dispersion) glass which made its first appearance in the 300mm f/2.8 ED Nikkor tele- as well as design of NIKKOR drive systems — the conven- uncompromising tests, Nikon
photo in 1972, and is now incorporated in many other NIKKOR lenses. And in 2003, lenses. For in addition to tional mechanical AF cou- technicians further guarantee
Nikon produced the AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED, as the first lens superior optics, each AF pling design for wideangle the performance of the final
optimised for Nikon DX-format digital SLRs in the new DX NIKKOR series. NIKKOR features a built-in and standard zooms, and product by going over every
These are just a few of the many achievements in lens design that exemplify Nikon’s posi- microcomputer. This micro- Nikon’s exclusive SWM detail of every finished lens.
computer works with the (Silent Wave Motor) system They check and assure the
tion as the world’s preeminent manufacturer of professional photographic equipment. The Nikon AF camera computer featured in the most mechanical construction,
following offers in-depth technical information that will help you understand more fully that system to provide information advanced supertelephoto electronics, AF movement,
NIKKOR lenses provide superior performance and are thus the best match for your Nikon SLR. Optical glass
that ensures fast autofocus, NIKKOR lenses. This is just zoom and aperture mecha-
raw materials Matrix exposure metering, one example why the Nikon F nisms, and lens resolution.
Optical design using computer Inspecting glass blocks Coating lenses Adjusting optical axis Inspecting resolution
Where it all begins — types of glass. This is pre- the NIKKOR lens. The lens Balanced Fill-Flash, and other mount continues to be an All of which ensures that the
Nikon glassworks cisely how Nikon developed mount, too, features similar Nikon innovations in SLR per- integral part of Nikon camera lens does what it’s supposed
To make the finest lens ele- Extra-low Dispersion (ED) materials. formance. equipment design. to — provide the outstanding
ments, you must begin with glass in 1972 — to meet Computers and lens design Only NIKKOR lenses are Reliability — lenses made optical performance and reli-
the finest optical glass. To design demands for super- Nikon designers employ the designed for today's and to withstand the toughest ability that make NIKKOR
ensure this, Nikon does what telephoto NIKKOR lenses. latest computers and Nikon- tomorrow’s Nikon SLR cam- conditions lenses the pro’s choice the
few makers can — it manu- Lens construction developed software to deter- eras, based on information Each NIKKOR lens is manu- world over.
factures the glass for nearly The peerless craftsmanship mine the optical design of and insight available exclu- factured to meet the most
all NIKKOR lenses in its own of NIKKOR lens elements each lens. Using this data sively within Nikon — includ- stringent requirements in the
glassworks. This means our is matched by the structures together with their accumu- ing autofocusing parameters. industry. The optical glass is
lens designers have over that house them. Only lated experience, they create No other lens maker can pro- scrutinised to assure it is free
200 types of glass to choose the best materials are the finest SLR lenses avail- vide this type of assurance. of imperfections, whereupon
from, giving them an excep- used for the mechanical able. The Nikon F lens mount — it is then remelted, cast,
tional variety from which to construction of each lens. Computer-aided design a tradition of continuity ground, polished and hard-
select just the right optical Fine metal alloys and simulation is also used to and forward compatibility coated to emerge as one of
glass for their requirements. polycarbonates make up ensure the utmost precision The debut of the original the world’s finest lens ele-
Moreover, when these the helicoids in some in the optical and mechanical Nikon F also marked the ments. After being precisely
requirements demand lens lenses. Inner and outer parts of each lens as well as introduction of what is per- mounted in lens barrels, the
properties not yet available, sleeves are tooled with the quality of the lens assem- haps its most significant lens elements and their
the glass technicians work to maximum precision, result- bly process. In this way, com- technological innovation — assemblies undergo a bat-
find a solution — which often ing in the smooth lens puters can identify problem- the Nikon F lens mount. tery of tests and inspections,
results in engineering new movement that characterises atic areas thus leading to This legendary design including vibration and tem-
4 5
Designed to be the best lenses in the world
ED glass — ness and contrast even at Nano Crystal Nikon employs three optical movement is limited to AF Nikon camera bodies. stops faster.*
an essential element their largest apertures. In this Coat types of aspherical lens the interior of the nonextend- This then makes possible It allows
of NIKKOR telephoto lenses way, NIKKOR’s ED-series Nano Crystal Coat is elements.Precision- ing lens barrel. This allows for advances like 3D Matrix handheld
Nikon developed ED lenses exemplify Nikon’s pre- an anti-reflective coat- ground aspherical lens a more compact, lightweight Metering and 3D Multi-Sensor shooting at
(Extra-low Dispersion) eminence in lens innovation ing that originated in the devel- elements are the finest expres- construction as well as a Balanced Fill-Flash. dusk, at
glass to enable the and performance. opment of NSR-series (Nikon sion of lens-crafting art, Aspherical lens closer focusing distance. In Note: D-type and G-type NIKKOR lens- night, and
Nikon Super demanding extremely rigorous addition, a smaller and lighter es provide distance information to the even in poor- VR lens unit
production of lenses Step and Repeat) semicon- following cameras: Auto exposure; F6,
that offer superior Integrated Coating ductor manufacturing devices. production standards. Hybrid focusing lens group is F5, F100, F90X, F80, F75, F70, F65, F60, ly lit interiors. The lens’ VR
ED glass sharpness and colour ensures exceptional It virtually eliminates internal lenses are made of a special employed to ensure faster F55, F50, PRONEA S, PRONEA 600i, system also detects automat-
D3, D2 series, D1 series, D300, D200,
correction by minimising chro- performance lens element reflections across plastic moulded onto optical focusing. The IF system is D100, D80, D70S/D70, D60, D50 and
ically when the photographer
matic aberration. To enhance the performance a wide range of wavelengths, glass. Moulded glass aspher- featured in most NIKKOR D40X/D40. Flash control; F6, F5, F100, pans — no special mode is
Put simply, chromatic aber- of its optical lens elements, and is particularly effective in ical lenses are manufactured telephoto and selected F90X, F80, F75, F70, D3, D2 series, D1 required.
series, D300, D200, D100, D80,
ration is a type of image Nikon employs an exclusive reducing ghost and flare pecu- by moulding a unique type of NIKKOR zoom lenses. D70S/D70, D60, D50 and D40X/D40.
* As determined by Nikon perform-
and colour dispersion that multilayer lens coating that liar to ultra-wideangle lenses. optical glass using a special Rear Focusing Silent Wave Motor
ance tests.
: Optical path of normal lens
occurs when light rays of vary- helps reduce ghost and flare Nano Crystal Coat employs metal die technique. : Optical path of aspherical lens
(RF) DX NIKKOR
ing wavelengths pass through to a negligible level. multiple layers of Nikon’s out- Close-Range With Nikon’s Rear Focusing
Nikon Super Integrated Correction system (RF) system, all the lens ele- Nikon’s AF-S technology is Compact and lightweight DX
optical glass. In the past, cor- standing extra-low refractive
Coating achieves a number The Close-Range Correction ments are divided into specif- yet another reason profes- Nikkor lenses featuring a
recting this problem for tele- index coating, which features
of objectives, including min- (CRC) system is one of ic lens groups, with only the sional photographers like smaller image circle are spe-
photo lenses required special ultra-fine crystallized particles
imised reflection in the wider Nikon’s most important focus- rear lens group moving for NIKKOR telephoto lenses. cially designed and optimised
of nano size (one nanometer CRC (AF 24mm f/2.8D)
wavelength range and superior ing innovations, for it provides focusing. This makes autofo- AF-S NIKKOR lenses feature for Nikon D2-series, D1-
equals one millionth of a mm).
colour balance and reproduc- superior picture quality at cusing operation smoother Nikon’s SWM which converts series, D300, D200, D80,
Nikon now proudly marks a
Normal glass ED glass tion, even with Zoom-NIKKOR close focusing distances and and faster. “travelling waves” into rotation- D100, D70S/D70, D60, D50
world first by applying this
lenses featuring a large num- increases the focusing range. AF DC-NIKKOR lenses— al energy to focus the optics. and D40X/D40 digital SLR
coating technology to a wide
ber of elements. It is also effec- With CRC, the lens ele- unique NIKKOR lens- This enables smooth autofo- cameras. These are ideal
optical elements that offer range of lenses for use in con-
tive in minimising ghost and ments are configured in a es for unique portraits cusing that’s extremely accu- options for landscape pho-
anomalous dispersion charac- sumer optical products.
flare caused by internal reflec- AF DC-NIKKOR lenses feature rate and super quiet. tographers and others who
teristics — specifically calcium Aspherical lens “floating element” design
tions from the image sensors of exclusive Nikon Defocus- M/A mode need to shoot expansive
fluoride crystals. However, fluo- elements wherein each lens group
rite easily cracks and is sensi- Nikon digital SLRs. Nikon introduced the first moves independently to image Control technology. This scenes with Nikon DX-format
Focusing lens groups
Also, Nikon's multilayer achieve focusing. This allows photographers to control AF-S NIKKOR lenses feature digital SLRs.
tive to temperature changes photographic lens with
coating process is tailored to ensures superior lens per- IF (AF-S 300mm f/2.8D IF-ED II)
the degree of spherical aberra- Nikon’s exclusive M/A mode, Note: We do not
that can adversely affect focus- aspherical lens elements in
the design of each particular formance even when shoot- tion in the foreground or back- that allows switching from aut- recommend use
ing by altering the lens’ refrac- 1968. What sets them apart? of DX Nikkor with
lens. The number of coatings ing at close distances. ground by rotating the lens’ DC ofocus to manual operation 35mm (135) or
tive index. Aspherical lenses virtually
applied to each lens element The CRC system is used ring. This will create a rounded with virtually no time lag — IX240 format
So Nikon designers and eliminate the problem of cameras.
is carefully calculated to in fisheye, wideangle, Micro, out-of-focus blur that is ideal for even during AF servo opera-
engineers put their heads coma and other types of lens
match the lens type and and selected medium tele- portrait photography. No other tion and regardless of AF
together and came up with ED aberration — even when RF (AF DC 135mm f/2D)
glass used, and also to photo NIKKOR lenses. lenses in the world offer this mode in use. SWM
glass, which offers all the bene- used at the widest aperture.
assure the uniform colour bal- Internal Focusing special technique. Vibration Reduction
fits, yet none of the drawbacks They are particularly useful in
ance that characterises (IF) Distance information (VR)
of calcium fluorite-based glass. correcting the distortion in
NIKKOR lenses. This results Imagine being able to focus a This innovative VR system
With this innovation, Nikon wideangle lenses. In addition,
minimises image blur caused
developed several types of ED in lenses that meet much
higher standards than the
use of aspherical lenses con- lens without it changing in
size. Nikon’s IF technology
D-type and G-type Nikkor
lenses relay subject-to-cam- by camera shake, and offers Nikon
glass suitable for various lenses. tributes to a lighter and small-
They deliver stunning sharp- rest of the industry. er lens design. enables just that. All internal era distance information to the equivalent of shooting at Technology
a shutter speed four or three
6 7
DX NIKKOR lenses —
distinguishing features
© Toshiaki Kaneto
owners with greater wideangle Weight: 305g
covering power. Mounting a
35mm format 14mm widean- AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED* (2.0x) e a i d S M s C
gle lens, for example, onto a Ultra-wideangle zoom lens for exclusive
digital camera would result in a
©Tim Andrew
lent to 27-82.5mm in 35mm (135) format
Filter attachment size: 52mm Hood: HB-45
Dimensions: 70.5 x 74mm Weight: 205g
AF-S DX Zoom-Nikkor 18-135mm f/3.5-5.6G IF-ED* (7.5x) e a i d S s C AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED* (3.6x) e i d S s B C
A high-power zoom lens with SWM for Lens construction: 15 Affordable zoom lens with VR for Lens construction: 15
exclusive use with Nikon digital SLRs elements in 13 groups exclusive use with Nikon digital SLRs elements in 11 groups
• Built-in SWM for accurate, ultra-quiet Closest focusing: • VR offers the equivalent of a shutter Closest focusing:
0.45m/1.5 ft. Picture 1.1m/3.6 ft.
operation speed 3 stops faster**
angle with Nikon DX Picture angle with
• Aspherical lenses and ED glass element format: 35mm (135) • Newly developed, compact SWM
Nikon DX format: equivalent to 82.5 –
• Seven-blade rounded diaphragm format equivalent to 27-202.5mm • An ED glass element helps minimise 300mm in 35mm (135) format Filter attach-
• High-power 7.5x zoom lens Filter attachment size: 67mm Hood: HB-32 chromatic aberration ment size: 52mm Hood: HB-37
Dimensions: 73.5 x 86.5mm Weight: 385g • Seven-blade rounded diaphrag Dimensions: 73 x 99.5mm Weight: 335g
** As determined by Nikon performance tests.
AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED* (11.1x) e a i d S M s B C AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED* (3.6x) e d S s C
High-power zoom lens with VR ll for Affordable high-power zoom lens for Lens construction: 13
Lens construction: 16
exclusive use with Nikon digital SLRs elements in 12
exclusive use with Nikon digital SLRs elements in 9 groups
• Ultracompact and light (255g) Closest focusing:
• VR ll offers the equivalent of a shutter groups Closest focus-
0.95m/3.1 ft.
speed 4 stops faster** ing: 0.5m/1.6 ft. • Two ED glass elements
Picture angle with
Picture angle with • Newly developed, compact SWM
• Two ED glass elements Nikon DX format: equiv-
Nikon DX format: • Nine-blade rounded diaphragm
• Built-in SWM for accurate, ultra-quiet alent to 82.5-300mm in 35mm (135) format
equivalent to 27-
operation Filter attachment size: 52mm Hood: HB-34
300mm in 35mm (135) format Filter attach-
(provided) Dimensions: 68 x 79mm
• M/A mode for quick switching between ment size: 72mm Hood: HB-35 (provided)
Weight: 255g
autofocus and manual operation Dimensions: 77 x 96.5mm Weight: 560g
• Seven-blade rounded diaphragm
** As determined by Nikon performance tests.
* The G-type NIKKOR has no aperture ring; aperture should be selected from camera body.
* The G-type NIKKOR has no aperture ring; aperture should be selected from camera body. Note: VR operation works with the Nikon D3, D2 series, D1 series, D300, D200, D100, D80, D70S/D70, D60, D50 and D40X/D40.
10
AF Zoom-NIKKOR lenses—
distinguishing features
12 13
© David Mendelsohn
AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED
© Sonoe
AF Zoom-Nikkor 24-85mm f/2.8-4D IF
: Nano Crystal Coat
: ED glass elements
: Aspherical lens elements
AF-S NIKKOR 24-70mm f/2.8G ED* (2.9x) e a i d S M s
Standard zoom lens with constant f/2.8 aper- Lens construc-
ture tion: 15 ele-
• PGM aspherical lenses and ED glass elements ments in 11
groups Closest
• Nano Crystal Coat reduces ghosting and flare focusing:
• Compact SWM for accurate, ultra-quiet AF 0.38m/1.2 ft.
• M/A mode for quick switching between autofo- (at 35-50mm focal length) Picture angle with
cus and manual operation Nikon DX format: 35mm (135) format equiv-
• Nine-blade rounded diaphragm alent to 36-105mm Filter attachment size:
77mm Hood: HB-40 Dimensions: 83 x
133mm Weight: 900g
14
15
© Chase Jarvis
© Arthur Meyerson
©Tim Andrew
: ED glass elements
Travel, landscape, and com- : Aspherical lens elements
mercial photography are just
Fish
a few of the applications
suited to these lenses. The eye
Normal NIKKOR
Nikon’s unique Close-Range vides high performance at both near and far Lens construction: 8 elements in 5 groups
Correction (CRC) system, focusing distances Closest focusing: 0.25m/0.85 ft. Picture
• Focuses down to 0.25m/0.85 ft. angle with Nikon DX format: 35mm (135)
the lens provides a 180˚ format equivalent to 24mm Filter (provided):
angle of view with consistent L37C, A2, B2, O56 Hood: Built-in
picture quality from all focus- Dimensions: 63 x 57mm Weight: 290g
Lenses
ing distances.
Normal lenses are so
called because they provide
a 46˚ picture angle, for an
angle of view that approxi-
mates that of the human
eye. They are useful for
many applications, from
landscapes to candid shots.
Other advantages include Wide angle
NIKKOR Lenses
wide maximum apertures. AF Nikkor 14mm f/2.8D ED ea r d s
The 50mm f/1.4D is
extremely fast, and the High-performance, ultra-wideangle lens for
photo journalism
50mm f/1.8D is the most
• Hybrid aspherical lens elements and ED
compact of all AF NIKKOR glass element
lenses. • Picture angle with Nikon DX format is equiva-
lent to that of 21mm lens in 35mm (135) format Lens construction: 14 elements in 12 groups
• RF (Rear Focusing) system Closest focusing: 0.2m/0.66 ft. Picture
angle with Nikon DX format: 35mm (135)
format equivalent to 21mm Filter attachment
size: Rear-attachment type 27mm
Hood: Built-in Dimensions: 87 x 86.5mm
Weight: 670g
photography
• Compact ultra-wideangle lens construction
• Close-Range Correction (CRC) system
• 94° picture coverage with edge-to-edge
Lens construction: 12 elements in 9 groups
sharpness
AF Nikkor 50mm f/1.8D
18 19
© Fraser Harding
© Chase Jarvis
AF Nikkor 50mm f/1.8D
Normal
NIKKOR Lenses
AF Nikkor 24mm f/2.8D c d s AF Nikkor 50mm f/1.4D d s
Superb wideangle for landscapes or High-performance normal lens
candids • High-speed normal lens
• Compact wideangle lens • Great for travel and for shooting full-length
• Lightweight construction portraits in available light
• Close-Range Correction (CRC) system • Distortion-free images with superb resolu-
• 84° picture coverage with edge-to-edge Lens construction: 9 elements in 9 groups tion and colour rendition Lens construction: 7 elements in 6 groups
Closest focusing: 0.3m/1 ft. Picture angle Closest focusing: 0.45m/1.5 ft. Picture
sharpness • Provides high-contrast images even at
with Nikon DX format: 35mm (135) format angle with Nikon DX format: 35mm (135)
equivalent to 36mm Filter attachment size: maximum aperture format equivalent to 75mm
52mm Hood: HN-1 Dimensions: 64.5 x Filter attachment size: 52mm Hood: HR-2
46mm Weight: 270g Dimensions: 64.5 x 42.5mm Weight: 230g
20 21
Telephoto AF NIKKOR
lenses — distinguish-
ing features
Tele photo
NIKKOR Lenses
W ith an array of focal
lengths from 85mm to
© Peter Frank
600mm, extraordinary optics
and highperformance autofo-
(DC-NIKKOR lenses, AF-S NIKKOR lenses, AF-S Teleconverters) cusing, telephoto AF NIKKOR
lenses have much to offer any
© Nikon
8 elements in 6
sports arenas or concert halls
groups Closest
• High-performance telephoto lens focusing:
• Perfect for news, sports, action and astro- 1.5m/5 ft.
Teleconverters
AF-S
• High optical performance even with a tele-
ments in 6
converter attached groups Closest
• ED glass elements focusing:
• Focuses down to 1.45m/4.8 ft. 1.45m/4.8 ft.
• M/A mode allows rapid switching between Picture angle with Nikon DX format: 35mm
autofocus and manual operation (135) format equivalent to 450mm Filter
attachment size: 77mm Hood: Built-in AF-S Teleconverter TC-14E II AF-S Teleconverter TC-17E II AF-S Teleconverter TC-20E II
• Nine-blade rounded diaphragm Dimensions: 90 x 222.5mm Weight: 1,440g
(1,300g without tripod mounting foot) • Increases the original • Increase the original focal • Increases the origi
focal length by 40% length by 70% nal focal length by
• Reduces lens aperture • Reduces lens aperture by 100%
AF-S NIKKOR 400mm f/2.8G ED VR* e i d S M s B by one f-stop 1.5 f-stops • Reduces lens aper
High-performance supertelephoto with • Autofocus possible • Autofocus possible ture by two f-stops
SWM and VR II with AF-S and AF-I with AF-S and AF-I • Autofocus possible
• VR II offers the equivalent of a shutter speed NIKKOR lenses having NIKKOR lenses having with AF-S and AF-I
four stops faster** maximum aperture of f/4 or larger maximum aperture of f/2.8 or larger NIKKOR lenses having maximum aper-
• Tripod mode reduces vibration that may occur (except AF-S VR Micro 105mm f/2.8G (except AF-S VR Micro 105mm f/2.8G ture of f/2.8 or larger (except AF-S VR
at shutter release IF-ED) IF-ED) Micro 105mm f/2.8G IF-ED)
Lens construction: 14 elements in 11 groups
• Nano Crystal Coat and meniscus protective Closest focusing: 2.9m/9.5 ft. (2.8m/9.2 ft. in Lens construction: 5 elements in 5 groups Lens construction: 7 elements in 4 groups Lens construction: 7 elements in 6 groups
glass reduce ghosting and flare MF) Picture angle with Nikon DX format: Dimensions: 66 x 24.5mm Weight: 200g Dimensions: 66 x 31.5mm Weight: 250g Dimensions: 66 x 55mm Weight: 355g
• Magnesium alloy ensures lightweight body 35mm (135) format equivalent to 600mm
• Nine-blade rounded diaphragm Filter attachment size: 52mm
** As determined by Nikon performance tests. Hood: HK-33 (provided) Dimensions: Note: AF-S Teleconverters are compatible with AF-S and AF-I NIKKOR lenses except
159.5 x 368mm Weight: 4,620g AF-S 14-24mm f/2.8G ED, 17-35 mm f/2.8D IF-ED, 24-70mm f/2.8G ED, VR 24-120mm f/3.5-5.6G IF-ED,
28-70mm f/2.8D IF-ED, VR 70-300mm f/14.5-5.6G IF-ED and DX NIKKOR lenses.
* The G-type NIKKOR has no aperture ring; aperture should be selected from camera body.
G-type NIKKOR is compatible with all exposure modes of the Nikon F6, F5, F100, F80, F75, F65, F60, F55, F50, F-401
series, PRONEA 600i, PRONEA S, D3, D2 series, D1 series, D300, D200, D100, D80, D70S/D70, D60, D50 and D40X/D40
and the [P] and [S] modes of the F4, F90 series, F70, F-801 series and F-601M. Other cameras are not compatible. Note: VR operation works with the Nikon F6, F5, F100, F80, F75, F65, D3, D2 series, D1 series, D300, D200, D100, D80, D70S/D70, D60, D50 and D40X/D40.
24 25
: Nano Crystal Coat
Micro-NIKKOR lenses — : ED glass elements
distinguishing features AF-S Micro NIKKOR 60mm f/2.8G ED* e a i d S M s
: Aspherical lens elements
Micro
Compact, high-performance Micro lens with Lens construction:
12 elements in 9
F
SWM
-
groups Closest focus-
• Versatile lens for close-up and general photogra-
or close-up photography ing: 0.185m (0.6 ft.)
phy Picture angle with
without compromise, • Close-up to approx. 0.185m/0.6 ft. (1:1 reproduc-
NIKKOR Lenses
Nikon DX format:
Micro-NIKKOR lenses are tion ratio) 35mm (135) format equivalent to 90mm
the obvious choice for your • ED glass elements, aspherical lenses and one Working distance*: 49.5mm Filter attachment
size: 62mm Hood: HB-42 Dimensions:
Nikon SLR. with Nano Crystal Coat
Approx. 73 x 89mm Weight: Approx. 425g
• Nine-blade rounded diaphragm
Each Micro-NIKKOR lens
enables photographers to
shoot 1:1 life-size close- AF Micro-Nikkor 60mm f/2.8D c d s
ups, without the need for Nikon’s most compact Micro lens for close-up Lens construction:
and general photography 8 elements in 7 groups
additional accessories. Each Closest focusing:
lens also features f-stops • Versatile lens for macro photography
0.219m (8-3/4 in.)
• Close-up to approx. 0.219m/8-3/4 in. (1:1 repro- Picture angle with
down to f/32, for maximum
duction ratio) Nikon DX format:
depths of field, so indispen- • Close-Range Correction (CRC) system provides 35mm (135) format equivalent to 90mm
sable for close-ups and high performance at both near and far focusing Working distance*: 90.4mm Filter attachment
size: 62mm Hood: HN-22 Dimensions: 70 x
© Chase Jarvis
macro shooting. distances
74.5mm Weight: 440g
Moreover, to deliver
superior optical perform-
ance and colour reproduc- AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED* e s i d S M s B
PC-E
PC-E NIKKOR 24mm f/3.5D ED e a d s
NIKKOR Lenses a tilt/shift mechanism that • ±90° lens revolving capability for versatile
enables photographers to tilt/shift effects Lens construction: 13 elements in 10 groups
• Maximum reproduction ratio of 1/2.7 (at Closest focusing: 0.21m/0.75 ft.
emphasise or correct far and Picture angle with Nikon DX Format: 35mm
0.21m/0.75 ft.)
near perspective, control • Three ED glass elements, and three aspherical
(135) format equivalent to 36mm
depth of field, resolve distor- Filter attachment size: 77mm
lenses Hood: HB-41
tions caused by the camera • Nano Crystal Coat reduces ghost and flare for Dimensions: Approx. 82.5 x 108mm
angle, and achieve the clear images Weight: Approx. 730g
desired focus throughout the • Nine-blade rounded diaphragm
entire subject plane, even • Auto aperture control with electromagnetic
when it is not parallel to the diaphragm (with D3 and D300)
camera’s focal plane.
Furthermore, these lens-
es incorporate numerous PC-E Micro NIKKOR 45mm f/2.8D ED e c d s
state-of-the-art Nikon opti- Normal lens with Perspective Control and Lens construction: 9 elements in 8 groups
macro capability Closest focusing: 0.253m/0.83 ft.
cal features and technolo- Picture angle with Nikon DX Format:
gies that ensure superior • Wide shifting and tilting range (shift: ±11.5mm;
35mm (135) format equivalent to 67.5mm
tilt: ±8.5°) Filter attachment size: 77mm
picture quality even at the
• ±90° lens revolving capability for versatile Hood: HB-43
maximum tilt and/or shift set- tilt/shift effects Dimensions: Approx. 82.5 x 112mm
tings. • Maximum reproduction ratio of 1/2 (at Weight: Approx. 740g
The electromagnetic 0.253m/0.83 ft.)
diaphragm employed in • ED glass element
• Nano Crystal Coat
these lenses enables auto
reduces ghost and
aperture control when used flare for clear images
with compatible camera • Nine-blade rounded
models. diaphragm
In addition to applications • Auto aperture control
with subject matter that with electromagnetic
diaphragm (with D3
requires perspective control,
and D300)
such as architecture, land-
scapes and commercial
products, these lenses are
also ideal for various other Entire subject plane is in focus with tilting Without tilting
situations, such as close-up
photography.
PC-E Micro NIKKOR 85mm f/2.8D c d s
Medium telephoto lens with Perspective Lens construction: 6 elements in 5 groups
Control and macro capability Closest focusing: 0.39m/1.3 ft.
• Wide shifting and tilting range (shift: ±11.5mm; Picture angle with Nikon DX Format:
35mm (135) format equivalent to 67.5mm
tilt: ±8.5°) Filter attachment size: 77mm
• ±90° lens revolving capability for versatile Hood: HB-22
PC-E Micro NIKKOR 45mm f/2.8D ED © Nikon Perspective distortion is corrected by shifting the lens up
tilt/shift effects Dimensions: Approx. 83.5 x 107mm
• Maximum reproduction ratio of 1/2 (at Weight: Approx. 635g
0.39m/1.3 ft.)
• Nano Crystal Coat reduces ghost and flare for
clear images
• Nine-blade rounded diaphragm
• Auto aperture control with electromagnetic
diaphragm (with D3 and D300)
Notes:The Nikon D3 can be used without any limitation. With other cameras, there are limitations in tilt/shift operation.
The Nikon F90X series, F90 series, F70, F60D, F55, F50D, F-401 series, F-801 series, F-601, F-601M, F3AF, F-501,
PRONEA S or MF cameras cannot be used.
Tilting the lens achieves focus on a Without tilting
specific part of the subject PC-E Micro NIKKOR 85mm f/2.8D © N.Yuasa
28 29
NIKKOR Lenses
Specifications
AF Zoom-Nikkor 18-35mm f/3.5-4.5D IF-ED 8/11 100°-62° 76°-44° 22 0.33 (1.1) 1/6.7 77 CL-S2 HB-23 82.5 x 82.5 370 1 — 1 — — — — ✔*b 0 ✔ 0
AF-S NIKKOR 24-70mm f/2.8G ED 11/15 84°-34°20' 61°-22°50' 22 0.38 (1.2) 1/3.7 77 CL-M3 HB-40 83 x 133 900 — — — — — — — ✔*b 0 ✔ 0
AF Zoom-Nikkor 24-85mm f/2.8-4D IF 11/15 84°-28°30' 61°-18°50' 22 0.5 (1.6) [0.21 (0.7)] 1/5.9 [1/2] 72 CL-S2 HB-25 78.5 x 82.5 545 1 — 1 — — — — ✔*b 0 ✔ 0 ✔ Usable.
AF-S VR Zoom-Nikkor 24-120mm f/3.5-5.6G IF-ED 13/15 84°-20°30' 61°-13°20' 22 0.5 (1.6) 1/4.8 72 CL-S2 HB-25 77 x 94 575 — — — — — — — ✔*b 0 ✔ 0 *a Slight vignetting occurs.
*b Vignetting will occur only in certain situations.
AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED 15/21 34°20'-12°20' 22°50'-8° 22 1.5 (5) 1/6.1 77 CL-M2 HB-29 87 x 215 1,470 — — — — 2 2 2 ✔ 0 ✔ 2
AF Zoom-Nikkor 70-300mm f/4-5.6G 9/13 34°20'-8°10' 22°50'-5°20' 32 1.5 (4.9) 1/3.9 62 CL-S4 HB-26 74 x 116.5 425 — — — — — — — ✔ 3 ✔ 4
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED 12/17 34°20'-8°10' 22°50'-5°20' 32 1.5 (4.9) 1/4 67 CL-1022 HB-36 80 x 143.5 745 — — — — — — — ✔ 2 ✔ 4
AF Zoom-Nikkor 80-200mm f/2.8D ED*1 11/16 30°10'-12°20' 20°-8° 22 1.8 (6) [1.5 (4.9)] 1/7.1 [1/5.9] 77 CL-M2, CL-43A HB-7 87 x 187 1,300 4 — 4 1 — — — ✔ 0 ✔ 3 Note: Lens hood names indicate type: HN for
AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED*1 11/17 30°10'-6°10' 20°-4° 32 2.3 (7.5) 1/4.8 77 CL-M1 HB-24 91 x 171 1,360 4 — — — — — — ✔ 2 ✔ 3 Screw-in, HR for Rubber Screw-in, HK for Slip-on,
HS for Snap-on, and HB for Bayonet.
AF-S VR Zoom-Nikkor 200-400mm f/4G IF-ED*1 17/24 12°20'-6°10' 8°-4° 32 2 (6.6) 1/3.7 52 CL-L2 HK-30 124 x 365 3,275 — — — — 2 1 1 Not usable Not usable
Fisheye
AF Fisheye-Nikkor 16mm f/2.8D 5/8 180° 107° 22 0.25 (0.85) 1/10 Provided CL-0715 Built-in 63 x 57 290 1 — 1 — — — Not usable Not usable
Wideangle
AF Nikkor 14mm f/2.8D ED 12/14 114° 90° 22 0.2 (0.66) 1/6.7 Rear-attachment type CL-S2 Built-in 87 x 86.5 670 1 — 1 — — — — Not usable Not usable
AF Nikkor 20mm f/2.8D 9/12 94° 70° 22 0.25 (0.85) 1/8.3 62 CL-S2 HB-4 69 x 42.5 270 1 — 1 — — — — ✔*a 0 ✔ 0
AF Nikkor 24mm f/2.8D 9/9 84° 61° 22 0.3 (1) 1/8.9 52 CL-0715 HN-1 64.5 x 46 270 1 — 1 — — — — ✔ 0 ✔ 1
AF Nikkor 28mm f/2.8D 6/6 74° 53° 22 0.25 (0.85) 1/5.6 52 CL-0715 HN-2 65 x 44.5 205 1 — 1 — — — — ✔ 0 ✔ 1
AF Nikkor 35mm f/2D 5/6 62° 44° 22 0.25 (0.85) 1/4.2 52 CL-0715 HN-3 64.5 x 43.5 205 1 — 1 — — — — ✔ 1 ✔ 2
Normal
AF Nikkor 50mm f/1.4D 6/7 46° 31°30' 16 0.45 (1.5) 1/6.8 52 CL-0715 HR-2 64.5 x 42.5 230 3 — 3 — — — — ✔ 1 ✔ 3
AF Nikkor 50mm f/1.8D 5/6 46° 31°30' 22 0.45 (1.5) 1/6.6 52 CL-0715 HR-2 63.5 x 39 155 1 — 1 — — — — ✔ 1 ✔ 3
Telephoto
AF Nikkor 85mm f/1.4D IF 8/9 28°30' 18°50' 16 0.85 (3) 1/8.8 77 CL-44 HN-31 80 x 72.5 550 1 — 1 — — — — ✔ 1 ✔ 3
AF Nikkor 85mm f/1.8D 6/6 28°30' 18°50' 16 0.85 (3) 1/9.2 62 CL-0815 HN-23 71.5 x 58.5 380 3 — 5 — — — — ✔ 2 ✔ 4
AF DC-Nikkor 105mm f/2D 6/6 23°20' 15°20' 16 0.9 (3) 1/7.7 72 CL-S3, CL-38 Built-in 79 x 111 640 — — — — — — — ✔ 1 ✔ 5
AF DC-Nikkor 135mm f/2D 6/7 18° 12° 16 1.1 (4) 1/7.1 72 CL-S4, CL-38 Built-in 79 x 120 815 — — — 1 — — — ✔ 1 ✔ 4
AF Nikkor 180mm f/2.8D IF-ED 6/8 13°40' 9° 22 1.5 (5) 1/6.6 72 CL-S4, CL-38 Built-in 78.5 x 144 760 4 — 4 — — — — ✔ 5 ✔ 5
AF-S VR Nikkor 200mm f/2G IF-ED 9/13 12°20' 8° 22 1.9 (6.2) 1/8.1 52 CL-L1 HK-31 124 x 203 2,900 — — — — 2 2 2 Not usable Not usable
AF-S VR Nikkor 300mm f/2.8G IF-ED 8/11 8°10' 5°20' 22 2.2 (7.2) 1/6.4 52 CL-L1 HK-30 124 x 267.5 2,870 — — — — 2 2 2 Not usable Not usable
AF-S Nikkor 300mm f/4D IF-ED*1 6/10 8°10' 5°20' 32 1.45 (4.8) 1/3.7 77 CL-M2 Built-in 90 x 222.5 1,440 — 1 — 1 2 1 1 ✔*a 2 ✔ 5
AF-S NIKKOR 400mm f/2.8G ED VR*1 11/14 6°10' 4° 22 2.8 (9.2) 1/6.3 52 CT-404, CL-L2 HK-33 159.5 x 368 4,620 — — — — 2 2 2 Not usable Not usable
AF-S NIKKOR 500mm f/4G ED VR*1 11/14 5° 3°10' 22 3.85 (12.6) 1/6.9 52 CT-504, CL-L2 HK-34 139.5 x 391 3,880 — — — — 2 1 1 Not usable Not usable
AF-S NIKKOR 600mm f/4G ED VR*1 12/15 4°10' 2°40' 22 4.8 (15.7) 1/7.4 52 CT-607, CL-L2 HK-35 166 x 445 5,060 — — — — 2 1 1 Not usable Not usable
Special Purpose
AF-S Micro NIKKOR 60mm f/2.8G ED 9/12 39°40' 26°30' 32 0.185 (0.6) 1 62 CL-1018 HB-42 73 x 89 425 — — — — — — — — — — —
AF Micro-Nikkor 60mm f/2.8D 7/8 39°40' 26°30' 32 0.219 (8 3/4 in.) 1 62 CL-0815 HN-22 70 x 74.5 440 3 — 3 — — — — ✔ 1 ✔ 3
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED 12/14 23°20' 15°20' 32 0.314 (1) 1 62 CL-1020 HB-38 83 x 116 790 — — — — 1 1 1 ✔ 4 ✔ 5
AF Micro-Nikkor 200mm f/4D IF-ED*1 8/13 12°20' 8° 32 0.5 (1 5/8) 1 62 CL-M2, CL-45 HN-30 76 x 193 1,190 — — — — — — — ✔ 5 ✔ 5
PC-E NIKKOR 24mm f/3.5D ED 10/13 84° 61° 32 0.21 (0.75) 1/2.7 77 CL-1120 HB-41 82.5 x 108 730 — — — — — — — — — — —
PC-E Micro NIKKOR 45mm f/2.8D ED 8/9 51° 34°50' 32 0.253 (0.83) 1/2 77 CL-1120 HB-43 82.5 x 112 740 — — — — — — — — — — —
PC-E Micro NIKKOR 85mm f/2.8D 5/6 28°30' 18°50' 32 0.39 (1.3) 1/2 77 CL-1120 HB-22 83.5 x 107 635 — — — — — — — — — — —
PC Micro-Nikkor 85mm f/2.8D *3 5/6 28°30' 18°50' 45 0.39 (1.3) 1/2 77 CL-75 HB-22 83.5 x 109.5 775 — — — 1 — — — ✔*b 0 ✔ 0
AF-S Teleconverters*2
AF-S Teleconverter TC-14E II 5/5 — — — — — — CL-0715 — 66 x 24.5 200 — — — — — — — — — — —
AF-S Teleconverter TC-17E II 4/7 — — — — — — CL-0715 — 66 x 31.5 250 — — — — — — — — — — —
AF-S Teleconverter TC-20E II 6/7 — — — — — — CL-0715 — 66 x 55 355 — — — — — — — — — — —
30 31
Manual-
focus Lenses
Nikkor 50mm f/1.2
Ultra-fast f1.2 aperture normal lens Lens construction: 7 elements in 6 groups
• High-speed normal lens Closest focusing: 0.5m/1.7 ft.
• High-contrast, sharp images even at maximum Picture angle: 46°
Filter attachment size: 52mm
aperture Hood: HS-12, HR-2
Manual-
• Ideal for candids, scenics, and available-light Dimensions: 68.5 x 47.5mm
shooting Weight: 360g
focus Lenses
A versatile and unique selection of lenses
Nikkor 50mm f/1.4
High-performance normal lens
• High-speed normal lens
• Distortion-free images with superb resolution
• Great for travel and for shooting full-length
Lens construction: 7 elements in 6 groups
Closest focusing: 0.45m/1.5 ft.
Picture angle: 46°
Filter attachment size: 52mm
Hood: HS-9, HR-1
portraits in available light Dimensions: 63 x 40mm
Weight: 250g
Specifications
Closest Dia. x
Nikkor 28mm f/2.8 Lens Marked Focus Maximum Filter Length Max. Max.
Lens Construction Picture Minimum Distance Reproduc- Attach- Lens Case Lens (extension Weight TC- TC- TC- TC- AF-3 number AF-4 number
Standard wideangle for general photography Lens construction: 8 elements in 8 groups (groups/ Angle f/Stop [Macro tion Ratio ment Size Hood from lens (g) 201 301 14A 14B of HN-36 of HN-37
Closest focusing: 0.2m/0.7 ft. elements) Setting] [Macro Setting] (mm) mount) hoods usable hoods usable
• Compact, lightweight wideangle lens [m (ft.)] (mm)
• 74° picture angle for superlative flexibility Picture angle: 74°
Filter attachment size: 52mm Wideangle
• Close-Range Correction (CRC) system Hood: HN-2 Nikkor 20mm f/2.8*1 9/12 94° 22 0.25 (0.85) 1/8.3 62 CL-0915 HK-14 65 x 42.5 260 1 — 1 — ✔*
a
0 ✔ 0
Dimensions: 63 x 44.5mm Nikkor 24mm f/2.8*1 9/9 84° 22 0.3 (1) 1/8.8 52 CL-0915 HN-1 63 x 46 275 1 — 1 — ✔ 0 ✔ 1
Weight: 250g Nikkor 28mm f/2.8*1 8/8 74° 22 0.2 (0.7) 1/3.9 52 CL-0815 HN-2 63 x 44.5 250 1 — 1 — ✔ 0 ✔ 1
Nikkor 35mm f/1.4*1 7/9 62° 16 0.3 (1) 1/5.6 52 CL-S2 HN-3 67.5 x 62 400 2 — 2 — ✔ 0 ✔ 1
Normal
Nikkor 50mm f/1.2 6/7 46° 16 0.5 (1.7) 1/7.9 52 CL-0915 HS-12, HR-2 68.5 x 47.5 360 1 — 1 — ✔ 1 ✔ 2
2 2 ✔ ✔
Nikkor 35mm f/1.4 Nikkor 50mm f/1.4 6/7 46° 16 0.45 (1.5) 1/6.8 52 CL-0815 HS-9, HR-1 63 x 40 250 — — 1 3
Special Purpose
Superior image quality with a wide aperture Lens construction: 9 elements in 7 groups PC Micro-Nikkor 85mm f/2.8D*1, *2 5/6 28°30' 45 0.39 (1.3) 1/2 77 CL-75 HB-22 83.5 x 109.5 775 — — — 1 ✔*b 0 ✔ 0
of f/1.4 Closest focusing: 0.3m/1 ft. Micro-Nikkor 55mm f/2.8*1 5/6 43° 32 0.25 (0.9) 1/2 52 CL-0915 HN-3 63.5 x 62 290 1 — 1 — ✔ 1 ✔ 3
• High-speed wideangle lens Picture angle: 62° Micro-Nikkor 105mm f/2.8*1 9/10 23°20' 32 0.41 (1.34) 1/2 52 CL-1018, CL-38*3 HS-14 66.5 x 83.5 515 1 — 1 — ✔ 3 ✔ 5
Filter attachment size: 52mm
• High-contrast, sharp images even at maximum Hood: HN-3 *1 Features Close-Range Correction (CRC) system. *3 With a PN-11 ring. 1 Usable. ✔ Usable.
aperture Dimensions: 67.5 x 62mm *2 The camera's exposure metering and flash control system do not work properly 2 When used at smaller aperture than f/11 with high shut- *a Slight vignetting occurs.
• Close-Range Correction (CRC) system Weight: 400g when shifting and/or tilting the lens, or when using an aperture other than the ter speeds, there is occasional uneven exposure.
*b Vignetting will occur only in
maximum aperture. Shifting and/or tilting the lens to a large degree can cause — Not usable. certain situations.
some vignetting. This lens cannot be used with the Nikon PRONEA S camera.
32 33
Choosing the right lens — ACCessories
some points to consider for NIKKOR Lenses
Selecting which lens to purchase is one of the most important decisions
you can make as a photographer, for the lens often determines both what and how you can shoot.
Below, we’ve outlined a range of technical factors to consider
when searching for the lens that’s right for you.
Maximum aperture The maximum aper- (smaller f-numbers) are ‘fast’ lenses that tures (larger f-numbers) allow the use of LN-1
(f-number) ture of the lens can determine how
and in what lighting situations you can
allow photographers to use faster shutter
speeds in dim light. This minimises the
lower shutter speeds for available light
but are also lighter and smaller than
Lens Hoods
shoot. Aperture value is indicated by f- need for a tripod or flash, allows greater faster lenses. Nikon offers some Lens hoods minimise stray light, help-
number which can be expressed in var- depth-of-field control (see below) and NIKKOR lenses with equal focal ing reduce flare and eliminate “ghost”
ious ways: f/8, F8 and 1:8, for example, offers a brighter image through the lens lengths, but different maximum aper- images; they also protect the lens.
all refer to the same effective aperture. finder for easier focusing. tures to give you a variety from which to
Lenses with large maximum apertures Lenses with smaller maximum aper- choose.
Depth of field This term refers to the will result in a picture where
CT-F1
areas of the photograph — both in front much of the scene is in
of and behind the main subject — that sharp focus. Shallow depth of field (f/2.8)
are acceptably sharp. You can adjust Focal length is also impor-
depth of field by adjusting the lens tant, for the depth of field
aperture. The smaller the aperture decreases as the lens’ focal
(larger f-number) gives you a greater length increases. Thus,
depth of field. This means that shooting wideangle lenses offer inher-
CL-L1
at larger apertures like f/1.8 will make ently more depth of field along the Great depth of field CL-M1 CL-M2
the background appear blurred, while entire focal length while telephoto lens- (f/16) CL-S2 CL-S3 CL-S4 CL-L2
using small apertures like f/16 or f/22 es have less.
34 35