Daily Learning Target I can sustain my own part in the ensemble, performing stylistic jazz articulations. I can sustain my own part in the ensemble, performing accurate rhythms involving syncopation. I can sustain my own part in the ensemble, performing accurate rhythms involving syncopation. No class today Team building on teams. Bell-ringer/Flashbacks Rooftop, staccato, accidental Accidental, syncopation. Accidental, syncopation
Standards Addressed Students will sing or play alone and with others examples of music with increasingly complex melodies and rhythmic patterns in treble and bass clef (with practice). Students will sing or play alone and with others examples of music with increasingly complex melodies and rhythmic patterns in treble and bass clef (with practice) Students will use knowledge of the elements of music and music terminology to describe and critique their own performance and the performance of others.
Instructional Method; Aligned Strategies/Activities Flashbacks; EQ/LT; Warm- up with B Flat Concert Scale followed by Blues Scale in 8 th notes swinging. Solo turns on notes of the Blues scale. Review #13 Jada. Begin analysis of #14 in Jazz Book. Discuss syncopation as preview for tomorrows lesson. Review/re- hearse Intensity Flashbacks; EQ/LT; Warm-up with B Flat Concert Scale followed by Blues Scale in 8 th notes swinging. Solo turns on notes of the Blues scale. Individual rhythmic analysis of #14, writing in counts. Compare with a partner. Volunteers will play. Group performance of #14. Perform with recording. Continue in book after mastery of Flashbacks; EQ/LT; Continue same as yesterday, going as far in book as possible today. Discuss all vocabulary up to this point. Perform in books and extend as far as possible.
Exit slip: see yesterdays Exit slip. Repeat with new and different measure.
and Cameroon to increase prep in regular band classes.
#14.
Thinking Strategy: Asking Questions, Accessing schema Exit Slip: Compose 1 measure of music that utilizes syncopation. Include at least 1 accent or staccato. Method of Formative and Summative Assessments Determining if students can perform in characteristic jazz style (articulations and rhythms). Summative Assessment: Friday, September 12, 2014 Determining if students can perform in characteristic jazz style (articulations and syncopated rhythms). determine importance (THINKING STRATEGY) Summative Assessment: Friday, September 12, 2014 Determining if students can sustain own parts in the ensemble Summative Assessment: Friday, September 12, 2014
Student Assignment/Individua l or group work Solo and group performances from book and Blues Scale improvs FB, playing as a whole group from jazz book, Exit slip FB, playing as a whole group from pp 4-5, Exit slip
Modifications/ accomodations Modeling; peer tutoring, assist with notes / re-teach as necessary ; high-low groupings all according to IEP mods/accomo- dations Modeling; peer tutoring, assist with notes / re-teach as necessary ; high- low groupings all according to IEP mods/accomo- dations Modeling; peer tutoring, assist with notes / re-teach as necessary ; high-low groupings all according to IEP mods/accomodations
Critical Vocabulary Blues Scale, improvisation, rooftop accent, staccato See Tuesday Vocab plus add syncopation. Review all vocab from this week.
Intended Homework 30 min. of individual 30 min. of individual practice 30 min. of individual practice at home
practice at home at home
College/Career Readiness: These lessons will aid students in becoming well-rounded individuals. Learning about/performing music strengthens brain functioning and helps students prepare for college/career.