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For young children, learning begins in conversation contexts such as schools. Author contends that talk activities are fundamental to future knowledge and understanding. Current model of progression in 'Speaking and Listening' stresses effective talk.
For young children, learning begins in conversation contexts such as schools. Author contends that talk activities are fundamental to future knowledge and understanding. Current model of progression in 'Speaking and Listening' stresses effective talk.
For young children, learning begins in conversation contexts such as schools. Author contends that talk activities are fundamental to future knowledge and understanding. Current model of progression in 'Speaking and Listening' stresses effective talk.
Studies in Philosophy and Education 20: 267274, 2001.
2001 Kluwer Academic Publishers. Printed in the Netherlands.
267 Entitled to Speak: Talk in the Classroom CHRISTINE DODDINGTON Homerton College, Cambridge, UK Abstract. For young children, learning begins in conversation contexts such as schools. The author of this paper contends that talk activities are fundamental to future knowledge and understanding. Implicit is critique of a current British model that values the practice of speaking through effective talk. This view is contrasted to one centered on expressive speech and authentic listening. Key words: authenticity, oracy, pupil voice, teaching talk Introduction There is a current view that growth in human understanding and knowledge may be best conceived through the metaphor of conversation. Learning and acquiring understanding happens in essence through engagement in dialogue with the other. Philosopher Richard Bernstein writes, when we are engaged in dialogue, whether it be with another partner, a text, or a tradition, there is always something other to which we are being responsive, that speaks to us and constrains us. There is a genuine to-and-fro movement that enables us to constitute a we that is more than a projection of my own idiosyncratic desires and beliefs (Bernstein, 1991, p. 248). For young children, it might be that the dialogue of learning begins literally in the contexts of conversation in which they rst nd themselves. This means that the educational design of talk activities are fundamental to an entitlement for future knowledge and understanding as well as the capacity to have freedom of speech. The current British model of progression in Speaking and Listening stresses effective talk and rests on assumptions of how speech operates and the value attached to the practice of speaking. In the paper, this view is contrasted with an alternative view centered around personally expressive speech and authentic listening and the implications for communities where free speech is valued in both theory and in practice. 268 CHRISTINE DODDINGTON Speaking Freedom to speak is one of the most passionately defended or desired entitlements across the globe. Adults often regard it as a fundamental right and yet within educa- tion and from a childs perspective, speaking can be one of the most controlled aspects of behavior. This happens not just in terms of advocating that children should be seen and not heard or about limiting noise level, but also in terms of the kind of speaking that is endorsed and promoted within the classroom. While learning to speak is generally acknowledged as among the most signi- cant achievements of the young child, the capacity to do this well into adulthood continues to be valued in a variety of ways. People applaud a rousing speech or a stimulating live talk in different forms. The good priest, teacher, manager, or doctor who attend and communicate appropriately and effectively are valued. Praise is also given those who seem able to form good relationships in their personal and public lives because they express themselves well or are good listeners. A signi- cant question is this: What role should education play in enhancing the passage from baby babbling to levels of spoken language such as these? A brief reection on everyday speech situations offers a starting point. A spoken account is judged correct or accurate if it corresponds to the truth. However the quality of truthfulness depends on truthful perception in the rst place and in certain circumstances, (such as the speech of a journalist or politician) it might be more appropriate to think in terms of interpretation. Here, successful speaking is measured in part by how effectively the spoken words communicate what is meant. Effectiveness and clarity of purpose in ways of speaking therefore seem more realistic objectives to which education might contribute. One measure of how effective a speaker is will be the degree to which her or his audience receives the meaning intended. The speaker is therefore charged to attend to the needs of the audience. Numerous business or workplace-oriented courses hail effective communication as an empowering skill. Persons who speak, listen and are aware of the effect they have in different situations are undoubtedly more powerful than those who do not perceive this. In the current British National Curriculum, there is a particular stress on adapting to purpose, effectiveness and audience. Here are specics from the curriculum. To develop effective speaking and listening pupils should be taught to use the vocabulary and grammar of standard English; formulate, clarify and express their ideas; adapt their speech to a widening range of circumstances and demands; listen, understand and respond appropriately to others (DFE 1995, p. 2). In more detail, Pupils should be given opportunities to consider how talk is inuenced by the purpose and by the intended audience (1995, p. 4). ENTITLED TO SPEAK: TALK IN THE CLASSROOM 269 Learning to speak (and listen well) requires a heightened consciousness, a degree of objectivity or calculation in order to achieve the desired effect. Therefore education should make children more conscious of how they talk and how the audience responds. The curriculum continues, pupils should be taught the importance of language that is clear, uent and interesting . . . pupils should be encouraged to speak with condence, making themselves clear through organising what they say and choosing words with precision . . . [and] taking into account the needs of their listeners (p. 4). The assumption made is that talk is best seen as a conscious tool that one learns to use skillfully. The analogy of a craft is helpful here. An effective speaker selects words and phrases that might best achieve an intended purpose. The effect is chosen or pre-determined and practiced, or exercised and therefore skills and the ability to speak well are strengthened. Effect as one of the main criteria of valu- able talk implies that language and human behaviour is predominantly systematic and that it is therefore this aspect of speaking and listening that children have as an educational right. The question this raises is whether the full story of the central role language plays in being human and becoming educated is encapsulated by the story above from the curriculum. Freedom to speak may be signicant for more than the value attached to reporting or calculating effect. If this is so, then children might be entitled to an education which offers more than the model of skilled or effective speech sketched above. An Alternative View Reection on everyday speaking or listening experiences that seem signicant or worthy of comment helps to open up an alternative view. Many instances of speaking and listening soak invisibly into the fabric of day to day lives. Everyday speech is often instrumental or provoked by straightforward purpose and when woven smoothly with actions and behaviour, stories are told, inquiries made or questions answered, and persons are barely conscious of processes involved. However, there are other incidences of speaking that are more signicant and carry more weight. At these times persons become aware of the real power of speech either because it is successful or when words fail. In the latter there is struggle: I was so excited I just couldnt take in all of what was said; It left me lost for words I just didnt know what to say. Awareness of the power of speaking effects change that is signicant: Once she had talked me through it, I really understood it; His story really moved me; As I tried to explain the problem, it suddenly fell into place it all became clear to me. Supercially, these examples can simply be classed as talk that is either effective or not. However there are a number of features that do not t comfortably with an 270 CHRISTINE DODDINGTON emphasis on calculated efciency implied by the earlier model. The effective examples do not all depend on pre-meditation and selection. In particular the rst just above, and especially the third, highlight the value of interaction or process that cannot be fully predetermined. They describe events of enlightenment that signal an important general point. As Joseph Dunne explains, One cannot determine in advance the efcacy of ones words and deeds. Efcacy turns out to be a form of inuence; it lies not so much in ones own operation as in the co-operation of others. The nature and extent of this co-operation cannot be counted on beforehand and even afterwards one cannot be sure just what it has been (Dunne, 1995, p. 359). This indetermination is endorsed further by reecting on the statement His story really moved me. Here, speech is powerful but the idea that someone should set out to move those listening may be appropriate in a theatrical context but rings untrue in real life. If the idea of deciding the end and choosing the means were retained in this instance, suspicion of manipulation and accusations of a lack of sincerity might follow. To complete the point, it seems absurd to claim that the examples offered where speaking and listening have failed are rehearsed or are rational pre-selections. The argument rests on analysis of particular statements but these could of course be placed within variable contexts that considerably alters their meaning. This draws attention to another aw in the idea that speech is exercised as if it were simply a pre-set rule-governed activity. Human interaction is generally unpredict- able and it is impossible to articulate the rules of using language that are effectively applicable for every situation. Judgements and choices about what it is appropriate to say require a quality of perception, a close listening and reading of each situ- ation; therefore effective speaking must inevitably be locked into the particularities of each conversation. Individuals who try to operate from generalised rules without close attention to a situation speak and listen in ways that appear wooden or unre- sponsive. In this context someone is judged unfavourably for appearing rehearsed or insincere. This point leads to a third feature of the examples cited for they are based on judgements that are not made by reference to an audience, but to oneself. There is no need to seek public agreement in order to determine what moves others or oneself. Whether one understands or not is partially a personal judgement. This is not to say that discussion does not help this process, but there is an important sense in which speaking must be self-determined. Speech has to express what one wants to say. Care and attention to ones own sense of what is right rather than what appeals to an audience is not an unusual idea. For instance, King Lear explores the ramications of tempering speech to the audience in the closing words of the play: Speak what we feel, not what we ought to say highlights a sense of authenticity that many consider vital to personal life. It might be argued that speech seen as expression of feeling is perhaps not relevant to education. Indeed where talk is seen as a system of communication ENTITLED TO SPEAK: TALK IN THE CLASSROOM 271 employed to satisfy an audience, then expression is largely considered only as a cosmetic technique to be employed. But there is more as the curriculum indicates: (Pupils) talk engages the interest of the listener as they begin to vary their expression and vocabulary (DFE, 1995, p. 26). Indeed expression has a far more signicant meaning in relation to speech according to philosopher R.G. Collingwood. In The Principles of Art (1938) the realm of expression as fundamental to human communication is posited as the language of total bodily gesture. Collingwood claims that language as a full bodily activity is linked inextricably with imaginative experience of mind or consciousness and that expression is needed to consolidate and make experiences conscious. He puts it that [formal] or linguistic expression is a necessary element in the consolidation of experience at the level of consciousness (1938, p. 234). Without some form of expression, experiences cannot be consciously felt or under- stood. More specically, an emotion cannot come into consciousness unless it is expressed in some form only then can feelings be known. Here is Collingwood again: Expression of emotion is not, as it were, a dress made to t an emotion already existing but is an activity without which the experience of that emotion cannot exist (p. 244). Examples assist in understanding. What is felt initially as indiscriminate anger is revealed as a more complex sense of betrayal, hurt pride, indignation or jealousy in attempts to express to others or even to oneself what has occurred. Although a spoken form is only one kind of expression it is one of the most frequently used. The argument runs that speech is one form of human action through which an emotion is rened and constituted. In general, speech on this view has the potential to bring thought into being rather than naming pre-existing states. Philosopher Charles Taylor follows similar lines when he considers ideas on the origin of language developed by the German historian Herder. In Taylor, the echoes from Collingwood are clear: Speech is the expression of thought. But it isnt simply an outer clothing for what could exist independently. It is constitutive of . . . thought that deals with its objects in the linguistic dimension. In its origins it is close to and interwoven with gesture (Taylor, 1991, p. 55). Taylor further argues for adequate consideration of situated- ness and background to fully understand how language is used and acquired. The salient feature is that speech at its most valuable is a vital form of activity, through which reection is realised. Taylor summarises, [Language] is . . . something in the nature of a web; a web, which to complicate the image, is present as a whole in any one of its parts . . . . Because the words we use have sense only through their place in the whole web, we can never in principle have a clear oversight of the implications of what we say at any moment. Our language is always more than we can encompass; it is in a sense inexhaustible (p. 59). Dunne adds interpretation to Taylors use of Herder: 272 CHRISTINE DODDINGTON No one really uses language, no one, that is, constructs thoughts within his or her subjectivity and then employs words which can best convey these thoughts to a public. Rather thinking itself is already within language, even when, as a creative or radical thinking, it does not fell into the obvious pathways of the language . . . but strains to cut fresh paths (Dunne, 1995, p. 360). The focus here is obviously not all on speaking. It seems from these writers that personally expressive talk may not merely serve to articulate the emotional and reective life, but actually constitute it. Furthermore, the potential value of language which articulates an emotional life may be best understood in terms of what characterises a central aspect of humanity. Returning to Taylor, If language serves to express/realise a new kind of awareness, then it may not only make possible a new awareness of things, an ability to describe them. It may also open new ways of responding to things, of feeling. If in expressing our thoughts about things, we can come to have new thoughts, then in expressing our feelings, we can come to have transformed feelings (Taylor, 1991, p. 60). This view is shared and extended by writers who offer signicant claims that language is the means by which both personal and cultural identity is forged. Such identity is constituted not only of what makes each unique but also in what ways one is interdependent with others. This means that an additional element is crucial. This is the importance of listening that is often neglected even in theories of expressive speaking. This neglect of listening as an essential ingredient of learning to speak is partic- ularly signicant for education. Implicit in what has been presented thus far is a particular dialogic form of listening, one in contrast to a form of listening which is intent only on critique and scrutiny that reduces what can be heard. Philosopher Hans Georg Gadamer writes of the importance of being open: the important thing . . . is to listen to what (the Thou) has to say to us. To this end, openness is necessary. But this openness exists ultimately not only for the person to whom one listens, but rather anyone who listens is fundamentally open. Without this kind of openness to one another there is no genuine human relationship (Gadamer, 1979, p. 324). Returning to education, if teachers encourage authentic speech then the way in which they receive and respond to childrens talk is important. At the same time, teaching children what is involved in listening is also vital and yet is commonly taken for granted with simple directives Listen carefully. 1 The qualities involved in being genuinely open to anothers ideas through listening is an area that philosophy has neglected as G. Corradi Fiumara has pointed out. 2 Returning again to the realm of Collingwood, the notion of attending and contemplating in a receptive rather than in pre-determined, judgemental fashion is familiar to those who try to explain the ways in which objects or perform- ances of art work. In contrast, language in the classroom is frequently seen as most legitimate when it revolves around questions and answers. However, by ENTITLED TO SPEAK: TALK IN THE CLASSROOM 273 showing children that utterances can be food for thought rather than prompts for interrogation, teachers could well encourage a richer form of learning to speak. Conclusion In this paper, I have suggested that in the familiar world of a child, where talk as total bodily gesture looms large, constraint or exclusion of personally expressive conversation denies a basic opportunity by which emotions are felt and come into being. This may also neglect the very basis by which children can begin to deepen and extend their sensibility, humanity and identity. These views need closer analysis than I can give them here but they do seem sharply at odds with talk seen as a means to pre-determined ends. If speaking and genuine hearing enables me to have ideas, to nd out what I want to say, as I say it, if it involves the expression and sharing of thoughts and emotions and the interpretation of others expression, it is indispensable for personal meaning, human interaction and thought. Put together, these ideas alert educators to vital qualities of speaking and listening that are neglected in an overly systematised view of language. Talking is a fundamental form of expression for each individual located between persons as conversation. It is the basic vehicle for personal engagement with others and serves to develop thought and identity. This implies that educational practice in speaking and listening should support and give opportunity for talk and oppor- tunity to listen in ways that are authentic rather than contrived. Each speech event relates to the particularity in which it is embedded; the objective of classroom talk should enable speakers to become perceptive listeners, interpreters and versatile participants rather than to be programmed. Speech is not internal to the individual nor developed through simple rehearsal in a rule- governed social action. The basic assumption that talk as simply a process which can be engineered towards predetermined ends is therefore lamentably inadequate. Note 1 Some teachers who have recognised the importance of listening to language development have made behaviours explicit to help very young children know what they should do when listening such as Sit still, look, think. See Powers Hall Infant School, Speech and Language Unit. 2 See Corradi Fiumara (1990). References Bernstein, R.: 1991, The New Constellation, Basil Blackwell, Oxford. Collingwood, R.G.: 1938, The Principles of Art, Clarendon, London. Corradi Fiumara, G.: 1990, The Other Side of Language, Routledge, London. D.F.E.: 1995, English in the National Curriculum, HMSO, London. Dunne, J.: 1995, Back to the Rough Ground, University of Notre Dame Press, Notre Dame, IN. Gadamer, H.G.: 1979, Truth and Method, Sheed & Ward, London. 274 CHRISTINE DODDINGTON Powers Hall Infant School, Speech and Language Unit, Witham, Essex. Taylor, C.: 1991, The Importance of Herder, in E. Ullmann-Margalit and A. Margalit (eds.), Isaiah Berlin: A Celebration, The University of Chicago Press, Chicago. Address for correspondence: Christine Doddington, Homerton College, Hills Road, Cambridge, CB2 2PH, UK (E-mail: cd236@cam.ac.uk)