issue #20
aug 2014
sgd $4.90
TAN OE PANG
events :
8 ART: art JUL-AUG 2014 9
: forethought
23rd, 24th Aug, 30th, 31st Aug
Various
Singapore Night Festival
Multiple
www.brasbasahbugis.sg/nightfestival
5th 19th Sep
Art Exhibition
Perception and Delusion
School of Art Design & Media,
Nanyang Technological University
www.ngwoonlam.com
A nocturnal extravaganza of spectacular aerial
performances, music, dance and installation
artworks at the heart of Bras Basah.Bugis
precinct, Singapores arts and heritage district.
The main events and special events with late
night openings will take place at cultural
venues such as the National Museum of
Singapore, the Peranakan Museum, Singapore
Art Museum and The Substation and More!
Treat your senses to an outdoor showcase of
spectacular interactive light installations, and
immerse yourself in a vibrant showcase of
heritage, arts and culture in Singapore.
The National Heritage Board will be
presenting Night Lights, an outdoor showcase
of spectacular light installations. Night Lights
2013, which promises to be a visual feast for
all to enjoy, will feature light installations at
Singapore Art Museum, National Museum of
Singapore, The Cathay, School of The Arts and
Rafes City.
For specifc event details, please download the
program guide at: www.brasbasahbugis.sg/
nightfestival/fles/SNF2013-A5Booklet.pdf
Singapore artist Ng Woon Lam will collaborate
with comic artist Don Low Chee Mun to
present Chinese calligraphy brushwork in
animation art. The show, titled Perception
and Delusion is supported by Nanyang
Technological University, School of Art
Design and Media. It will run from 5th to
19th September 2014 at School of Art Design
and Media Gallery in Nanyang Technological
University. The exhibition will showcase the
original backdrop artworks by Ng Woon Lam
and fgurative characters by Don Low Chee
Mun and their join efort animation video.
Till 31st Aug
Photography Exhibition
We: Defning Stories
Exhibition Gallery 1,
National Museum of Singapore
www.nationalmuseum.sg
10-12th Oct
Open Call
33rd UOB Painting of the Year
Helu-Trans
www.uobpoy.com
We: Defning Stories presents a series of
photojournalistic images of the iconic
moments in Singapores post-war years from
the 1950s till 2013. A collaboration with The
Straits Times, the exhibition is an opportunity
for everyone to revisit some of the more
signifcant events in our nations history,
and refect upon our own experiences that
were borne out of these moments. Come
and discover how your stories have defned
Singapores present, and how they continue to
defne our future.
The 400 photographs capturing defning
moments in Singapores history date back
to 1950. They have been divided into six
sections; Merdeka (the Malay word for
freedom), Home, Challenges, Heroes, So
Singaporean and Our Stories.
Free guided tours are held every Tuesdays,
Fridays and weekends.
The year was 1982 and it was a time when
the contemporary art scene was fourishing in
Singapore. Driven by a passion to encourage
aspiring artists in the pursuit of their craft,
United Overseas Bank (UOB) started its annual
Painting of the Year competition in Singapore.
Thirty-two years on, the UOB Painting of the
Year competition is now the longest-running
art competition in Singapore and one of the
most prominent in the region. It has helped to
discover many emerging artists and recognised
several established professionals who have
contributed signifcantly to the development of
the Southeast Asian arts scene.
Submit your painting from 10 to 12 October
2014 at Helu-Trans, 39 Keppel Road, Tanjong
Pagar Distripark, Singapore 089065. The
artist with the best painting in Southeast Asia
will receive $35,000 and have a chance at a
residency at the Fukuoka Asian Art Museum.
10 ART: art JUL-AUG 2014 11
CERTAINTY / ENTROPY
Third Floor - Herms / 29th May
12 ART: art JUL-AUG 2014 13
ART BASEL
Hong Kong / 15th May
: spotted
14 ART: art JUL-AUG 2014 15
SILENCE INK PAINTINGS BY
TUNG YUE NANG
Cape of Good Hope Art Gallery / 20th June
THE NANYANG CONFUCIAN
ASSOCIATION CELEBRATES
A 100 YEARS
A hundred years of legacy and therefore a hundred years of
inheritance: The Nanyang Confucian Association certainly has
a cause for celebration. Turning 100 years old this year, The
Nanyang Confucian Association is celebrating their birthday
in the best way they know how to give back to the society
in furtherance of with their Confucian ideology and to allow
for cultural exchange. In conjunction with their centennial
celebrations and with the support of the Federation of Art
Societies, Singapore (FASS), they will be holding a charity art
exhibition featuring over 100 pieces of works where some of
the works are featured here.
President of the FASS, Stephen Leong comments, Presently
the Federation of Art Societies, Singapore has 30 Art Societies
under its umbrella. Our members are multi-racial, multi-
religion, sharing media and cultural activities as a group
and this is in line with the eforts of the Nanyang Confucian
Association in promoting cultural exchanges. When the
Chairman of Confucianism Association Mr Kek approached us
to join them in organising this exhibition to also commemorate
their 100th year, we are very happy that the result is very
positive and judging from the current response, we believe that
the charity exhibition will generate funds for the Association,
now and in the future, allowing the Association to continue in
its charitable endeavours.
The Nanyang Confucian Association and the Federation of Art Societies,
Singapore present A Charity Art Exhibition Commemorating the
Centennial of the Nanyang Confucian Association. The exhibition will be
opened by Mr Heng Chee How, Senior Minister of State, Prime Ministers
Ofce, on the 26th of July at 3pm at the Ngee Ann Cultural Centre, Teochew
Building (97 Tank Road). The exhibition runs from the 25th to 27th of July.
16 ART: art JUL-AUG 2014 17
: spotlight
ART EXPO MALAYSIA 2014
PROMISES TO STUN AUDIENCES
18 ART: art JUL-AUG 2014 19
: spotlight
Gear up for the largest, most
signifcant and prestigious
international visual art feast in
Malaysia Art Expo Malaysia 2014!
The 8th edition of this yearly art
fair will take place from September
25 28, at Matrade Exhibition and
Convention Centre (MECC), Kuala
Lumpur, featuring 70 established and
reputable art galleries / groups from
30 countries, exhibiting 2,000 pieces of artworks (including paintings,
sculptures, installation, digital art, photography) under one roof.
Currently the longest-running art fair in South-east Asia, Art Expo Malaysia
is probably the most public-friendly art fair in the world, as it does not
charge any entrance fee, Free Admission since its inception in 2007!
Kim Eun-ok, The Precious Message, Oil on canvas, 100 x 100 cm, 2013. Zoom Gallery from Korea
R. Sumantri MS, Batman at Petronas Twin Tower (Superheroes Landmark Series), Acrylic and oil on canvas,
120 x 100 cm, 2014. At Art Xchange Gallery
The Malaysia bandwagon, the largest delegation, will have a good
number of reputable exhibitors as well as new players in the local art
scene. These galleries will represent more than 100 local artists, a great
mix of pioneer artists, superstars, established and emerging young
artists. Exhibitors lineup this year includes the usual past exhibitors
and supporters such as Henry Butcher Art Auctioneers, Masterpiece
Auction, Core Design Gallery, G13 Gallery, Pelita Hati Gallery Of Art,
Segaris Art Center, Yahong Art Gallery, City Art Gallery, Fuman Art,
Blue Dots Art, and The Clay Arts Studio; as well as many frst-time
participants such as Artcube, Artelier Gallery, One East Museum, Pace
Gallery, TAKSU Kuala Lumpur, Tapak Yusof Ghani, The Bauhaus Gallery,
and University Of Malaya Art Gallery. Among the local exhibitors,
Artcube and Core Design Gallery are taking up relatively large booth
space to promote Malaysian Contemporary Art, which received well
response and good remarks from the visitors last year.
From our neighbouring country Singapore, as many as 11 galleries
are participating, forming the second largest exhibitor group, which
includes the esteemed Art Xchange Gallery, ArtBlue Studio, Barnadas
Huang, Cape of Good Hope Art Gallery, Da Tang Fine Arts, Eight Art
20 ART: art JUL-AUG 2014 21
Gallery, Nanman Art, Ovas Art Gallery, REDSEA Gallery, The Gallery of
Gnani Arts and Y2ARTS.
From Indonesia, there is participation from the revered Edwins Gallery
(in collaboration with Mon Dcor Gallery), Vivi Yip Art Room, Puri Art
Gallery, Cata Odata, and H Gallery.
Art lovers will also have the opportunity to admire artworks of various
medium, style and expression from Vietnam, China, Hong Kong, Taiwan,
Japan, Korea, United Kingdom, Spain, Hungary, and India etc. Foreign
exhibitors include Art Futures Group, Art House Vietnam, Artdoor Gallery,
Asian Artists Network, ATR Gallery, Chelian Art Gallery, Chit Fung Art,
Cube Gallery, Li Chi Mao Art Museum, LSD, Ludvig Gallery Budapest,
W.C.L. Studio, William Art Salon, and Zoom Gallery etc.
There will also be an Embassy Zone, which sees participation from
12 Embassies, namely Austria, Belgium, Italy, Netherlands, Romania,
Switzerland, Brazil, Cuba, Ecuador, Mexico, Iran, and Philippines.
In conjunction with the 40th anniversary of Malaysia-China bilateral ties,
the independent China Pavilion set up is the biggest ever, utilizing more
than 1000 sqm of Hall A, which is directly opposite the main exhibition
hall of Art Expo Malaysia 2014, showcasing works by more than 150
China artists, under the banner of 9 diferent groups / projects.
Another China emerging artist Zhang Yuxi will be featuring his 4.5
meter long oil on canvas masterpiece depicting an awakening dragon,
coupled with 8 bronze horses, which will surely catch visitors attention.
Art Expo Malaysia is under the Royal Patronage of Crown Prince and
Crown Princess of Perlis, DYTM Tuanku Syed Faizuddin Putra ibni
Tuanku Syed Sirajuddin Jamalullail, and DYTM Tuanku Hajjah Lailatul
Shahreen Akashah Khalil. We, as the Royal Patron, have watched over
the growth of the Art Expo Malaysia, and are proud of its achievements
and progress. As year goes by, we see better quality of artworks
and even masterpieces by some of the most famous names in the
art world, we see increasing visitorship and most importantly the
increasing awareness towards art appreciation in the public, we see
increasing media coverage on the Expo be it locally or abroad as it
is worth reporting about, we see participation from more countries,
we see a higher sales of artworks recorded, just to mention a few. It is
achieved via the hard work and painstaking efort by the organisers,
where they overcome daunting challenges and obstacles, keep on
striving to improve on the quality of the Expo in every aspects to meet
international expectation. This is the Malaysian fghting spirit. We hope
the organisers would keep on adding new programmes and come up
with interesting attractions, in order to value-add and also to make the
Art Expo Malaysia something special that the art enthusiasts, whether
at home or abroad, are keen to visit every year. The Art Expo Malaysia
has defnitely brought the visual arts industry in Malaysia a big leap
forward. Syabas!
Founder and Organising Chairman Datuk Vincent Sim said, Art Expo
Malaysia promotes Malaysia Art in an international art platform,
promoting local galleries and artists world widely, educating the
public about art appreciation and art investment, promoting arts to a
wider community (via intensive marketing) thus nurturing the interest
towards arts in them, bolstering Kuala Lumpur as an important art hub
in South-east Asia that is active in art commerce and art development,
as well as networking within the community. Following last years
success of recording RM 19.3 million sales of artworks and a visitorship
of 20,000 people, we hope to achieve a greater success while we
improve from diferent aspects.
Project Director Sim Pojinn said, Come with your family and friends,
the Art Expo promises to be a good Arty experience for all, dont miss
it, come and have fun, have a good quality time admiring Arts, and
acquiring Arts!
Free Admission to Art Expo Malaysia 2014. For more information, please contact
03-7728 3677 / info@artexpomalaysia.com or log on to www.artexpomalaysia.com
Chang Jui-Pin, American RMB 100 Dollar, Gouache on p-tex, 59 x 106 cm, 2014.
Artdoor Gallery from Taiwan
22 ART: art JUL-AUG 2014 23
GALLERY BY
SKY ONE ART
INVESTMENT
PRESENTS
TAN OE PANG
, Ink on Paper, 70 x 47.5 cm, 2014
24 ART: art JUL-AUG 2014 25
: in the news
Tucked away in Tai Seng is BreadTalk IHQ which serves piping hot foss
buns and juicy xiaolongbaos (steamed buns). Apart from satisfying the
stomach, the building also holds a feast for the eyes. On the 9
th
foor is
Gallery by Sky One Art Investment which showcases the works of one
of Singapores leading contemporary ink master, Tan Oe Pang (Chen
You Bing).
The marriage between culinary art and visual art was one made in
heaven and for a while now, striking works of art have been on display
at Michelin star decorated Din Tai Fung outlets throughout this little
island. The permanent display of art pieces whetted the appetite of art
lovers and piqued the curiosity of diners and this lead to the dedication
of a space in IHQ to show the wide array of works by Tan on rotation.
Gallery by Sky One Art Investment, which curates the exhibitions, is a
company that has been providing art consultancy services to private
collectors since 2001. In relation to Tan, they are responsible for the
notable artists book launch at the Singapore Art Museum, his solo
exhibition in Shanghai as well as Chiang Kai-Shek Memorial Hall in Taipei.
, Ink on Paper, 176 x 96 cm
Solo exhibition in Taipei
26 ART: art JUL-AUG 2014 27
, Ink on Paper, 34 x 134 cm, 2014
28 ART: art JUL-AUG 2014 29
Tans works feature bold strokes of the brush loaded with ink, rendered
in (hai pai) style. The compositions are exaggerated yet the
painting is balanced. Representing Sky One Art Invesment, Mr Lee
shares more about the artist and the gallery, While many artists are
associated with and instantly recognized for one series of work, Tan is
an artist who is versatile and has showcased his techniques in more
than one series, genre and medium. He is the epitome of Chinese ink
painting and this space allows us to present such strong Chinese ink
works to a wider audience.
Indeed, Tan has demonstrated that he is adept at a variety of medium
by producing works not only in Chinese ink but also in Chinese
calligraphy, oil painting, mixed media, sculpture and poetry. His works
are intriguing and lures the viewer in because he applies the technique
of multiple perspectives (), thereby creating depth and intensity,
and almost a sense of fervor, in his compositions. The magnitude of
his creative endeavors is a culmination of years of hard work and he
earned his stripes in art by being the third generation of style,
mentored by master Wu Chang Shuo (), a prominent painter,
calligrapher and seal artist.
Tans works are an epitome of oxymoron. They are unrestrained in their
stokes yet contained within the painting. They are subtle and subdued
at times, yet exaggerated and uninhibited in others, especially in
his depictions of animals. He applies the techniques of Chinese
ink painting in his brushwork, yet incorporates ideas from Western
painting in the fnal composition.
With the exhibition space at BreadTalk IHQ, Sky One Art Investment
is able to showcase highlights from their collection and present Tans
work on a more permanent basis. Noteworthy pieces in the collection
include the huanlejiayuan <> and The Highway Series <
>. Huanlejiayuan depicts rustic houses set against a seeming
endless stretch of idyllic and picturesque view. The simple and quaint
houses are rendered only in black ink and negative space, lending a
certain charm that makes the work even more attractive. Deliberate
splattering of color throughout elevates the mood of the painting,
seducing the viewer into a dreamlike state.
Exhibition space at BreadTalk IHQ
30 ART: art JUL-AUG 2014 31
, Ink on Paper, 70 x 47.5 cm, 2014
(Highway Series), Ink on Paper, 138 x 70 cm, 2010
32 ART: art JUL-AUG 2014 33
In contrast, light, precise and dainty brushstokes give way to thick,
bold and stark renderings in The Highway Series. Mr Lee highlights
that it is interesting to note that while many Chinese ink artists avoid
modern references in their work, Tan is so confdant in his delivery that
he is unafraid to incorporate such a jarring subject into his work and in
doing so, dispels all notions of Chinese ink painting and raises the bar
for his peers. When viewed traditionally, the snaking highway can be
interpolated to be a snake or a dragon, animals packed with symbolism
for the Chinese. For the modern man, he immediately recognizes the
omnipresent highway that runs through our metropolitan city, a sight
that is ever so prevalent in our lion city.
Art critic and ex-Chief Editor of Art & Collection (Taiwans leading art
magazine) Xiong Yijing comments, Tan Oe Pengs art and calligraphy
connect the past with the present, and fuse the east with the west; his
depth of knowledge and profound understanding of the principles
of art, have enables his practice of and insight in art become more
penetrating and enriched. There was a line that Tan wrote, which could
best summarise his generosity and ease: Calligraphy fears pretense;
art fears artisanship. Undeniably, by transcending genre, medium and
tradition, Tan has allowed himself to become a better art practitioner,
one that is able to breathe life into his works because he does not
impose himself with preconceived notions. Ultimately, the indelible
marks he leaves behind in his art are not of the medium he chooses but
of a kind of energy he has passed on.
Gallery by Sky One Art Investment is located at 30 Tai Seng Street, #09-02, Singapore
534013 and can be reached at +65 8655 0006.
A Han Acrobatics, Chinese Ink on Rice Paper, 150 x 80 cm, 1983
34 ART: art JUL-AUG 2014 35
AN ANTHOLOGY OF
STEPHEN LEONG
CHUN HONG
36 ART: art JUL-AUG 2014 37
: on the couch
Dr. Ho Kah Leong on Stephen Leong
Mr. Leong has dedicated himself to art and art research for nearly
45 years. From 1966 until now, he has diligently cultivating the
feld of art. His commemorative art exhibition is therefore both
a congratulatory and celebratory occasion, which gives us the
opportunity and the pleasure to review his artwork over the years
up to the present. As we all know, it is difcult to be an artist, more
difcult to be a professional artist who has to provide for a family and
lead Miao Hua Chinese Art Society. One has to possess a tremendous
amount of energy and courage. I truly respect Mr. Leongs dedication
and spirit.
There are stories behind every piece of timeless art, which are both
internal and external. Internally, the artist has to endure fnancial and
psychological hardship, have his own unique insights and artistic
style and steadfastly pursue his artistic creativity. Externally, the
emotional and professional support from both family and colleagues
are vital to the artist. Collaborating, exchanging and communication
with colleagues both nationally and internationally can further
promote artistic creation. Opinions and feedback from society can
either afect positively or negatively.
As we look into Mr. Leongs art carefully, we can see the journey of
his art creation, his perseverance and his diverse style. We can also
feel soul through his art, his ability to illustrate by using multiple
mediums. In the early 70s Mr. Leong studied western art at the
Nanyang Academy of Fine Art, and before that he studied Chinese art
and calligraphy with the famous Ling Dong Jing Shi () artist
Tan Keng Chow () for six years, which laid a solid foundation
for him. Upon graduation from Nanyang, Mr. Leong went to England
to study art design. After his return to Singapore, he worked a few
years before going to teach at Nanyang Academy of Fine Art where
he nurtured many talents. He combined the characteristics of eastern
and western art into his own. And his experience transitioning
from initially studying to teaching further solidifed his professional
development. Although Mr. Leong later joined the SIA College of
Art to teach, he kept in the contact with the Nanyang Academy of
Fine Art, benefting from the positive competition between the
two institutions. Under the guidance of Brother McNally, the formal
president of the SIA College of Art, Mr. Leong gained knowledge of
contemporary western art, which clearly had a great impact on his
art, Mr. Leong went to the Royal Melbourne Technology Institute in
Australia to pursue a two-year degree with the opportunity provided
by the SIA College of Art. His study enabled him to combine the
Stephen Leong Chun Hong is as much a prolific artist as
he is a promoter of the arts. He lives his life vivaciously
and he paints with earnest, participating in numerous
exhibitions locally and abroad. As an arts advocator, he
formed the Singapore Miao Hua Chinese Art Society and
today, fills the position of President at the Federation
of Art Societies Singapore. The best way to understand
this multifaceted personality is to collect sketches of
Leong and through this collation of narrations, get
closer to unraveling his enigma.
38 ART: art JUL-AUG 2014 39
techniques and the colors of the east and the west, embarking on a
colorful new world of his own. Mr. Leong realized that the common
truth of eastern and western art is consistent, both containing the
elements of trust and practicality.
In the last 45years, Mr. Leong has had countless individual and
collective exhibitions, which have gained him a great reputation
both nationally and internationally. Ten years ago, he created todays
Singapore Miao Hua Chinese Art Society. In the last four years, he
has also been leading the developing of the General Council of Art,
continuously nurturing the younger generation of artist. I expect that
his leadership abilities and his artistic creativity will further enhance
his art in the years to come. A true artist possesses technique, a keen
sense of judgment, and most importantly, perseverance. Mr. Leong
has them all.
Mr Seng Yu Jin (Senior Curator, The National Art Gallery, Singapore) on
Stephen Leong in The Monumentality of Lines and Dots
Both Chinese & Western art techniques rely on lines and dots; toning
of these lines and dots are the base functions of structure.
Stephen Leongs approach to art making has been shaped by the
Lingnan School initiated The Three Masters of the Lingnan School,
Gao Jianfu (1879-1951), Gao Qifeng (1889-1933) and Chen Shuren
(1883-1948), who graduated from art academies in Japan and
advocated an eclectic approach to reinvent traditional Chinese ink
painting techniques by selectively adapting painting techniques and
concepts from diverse sources such as Japans nihonga (Japanese
painting) and the School of Paris, exemplifed by Gao Qifengs
comment: I took up the study of Western art, paying particular attention
to portrait painting, light and shade, perspective, etc. I then picked
out the fnest points of Western art and applied them to my Chinese
techniques as to [sic] the masterful strokes of the pen, composition,
inking, colouring, inspiring background, poetic romance, etc. In short, I
tried to retain what was exquisite in the Chinese art of painting, and at
the same time adopt the best methods of composition which the worlds
art schools had to ofer, hereby blending the East and the West into a
harmonious whole.
Gao Jianfu went one step further by expanding the pictorial sources
for the Lingnan School globally by stating, I think we should
not only take in elements of Western painting. If there are good
points in Indian painting, Egyptian painting, Persian painting, or
masterpieces of other countries, we should embrace all of them, too,
40 ART: art JUL-AUG 2014 41
42 ART: art JUL-AUG 2014 43
as nourishment for our Chinese painting. The desire to nourish
Chinese ink painting with ideas, techniques and painterly
methods from all possible sources to resolve problems in
painting fnds resonance in the Nanyang movement whose
forerunners were Chen Wen Hsi, Chen Chong Swee, Cheong
Soo Pieng, Georgette Chen, Lim Hak Tai and Liu Kang who
migrated to Singapore from China and synthesised pictorial
elements from the School of Paris with traditional Chinese ink
painting and cultural elements from Southeast Asia. Leongs
approach to art making bears strong attraction to both the
Lingnan School and the Nanyang artists due in part to his art
education from Nanyang artists such as Georgette Chen and
Chen Chong Swee, and Lingnan School artists. Au Ho-nien,
Wang Lui Sen and Chiang Tan Loong. Returning to Leongs
comment on dots and lines as the basis of both Chinese and
Western brush painting techniques, I will focus on Leongs
recent experimentation in his use of dots and line work
that marks new developments in his art making by critically
engaging with this group of ink paintings Leong painted in
2010 as an entry point.
The Lingnan School is characterised by the washing the
background with colours to create an atmospheric mood
that allows the artist to interpret the subject in his or her own
way, which departs from traditional Chinese ink painting
that emphasises on negative white spaces to denote the
background. There is also less emphasis on brushwork by
the Lingnan School to allow for the artist to experiment and
innovate without being circumscribed by existing painterly
conventions. Leong breaks with the conventions of the Lignan
School by ascribing primacy to brushwork in the form of
brushworks by reducing it to dots and lines as the foundation
to painting. This approach of disintegrating forms to create
new ones was explored by Leong in his 1996 solo exhibition,
Broken Character that fragmented the calligraphic characters
of happiness, sadness, anger, order and disorder to reveal the
state of catastrophe/disaster as expressed in nature. Leongs
approach of disintegrating forms to create new ones is seen in
Cambodia that fragmentises the architectural form of Angkor
Wat through his use of dots in various tones to create spatial
depth and the atmosphere of tension that slips between
the monumentality of a great civilisation and its demise as
witnessed by the ruins that now mark its passing.
44 ART: art JUL-AUG 2014 45
46 ART: art JUL-AUG 2014 47
451966
70
45
gallery UG
Blue Dots Art represents one
of Malaysias best abstract
painter, Foo Yong Kong, as
well as a selection of the
fnest artists in the country
and this region.
Lua Gallery
No.40, Ground Floor,
Jalan SS15/4B, Subang Jaya,
Selangor, Malaysia
+603 56369886 /
+6017 6368970
choowleng@gmail.com
LUA GALLERY
Mizuma Gallery
2F Kagura Bldg., 3-13
Ichigayatamachi
Shinjuku-ku, Tokyo 162-0843
+81 3 3268 2500
gallery@mizuma-art.co.jp
mizuma-art.co.jp
gallery UG
1-14-11 Higashikanda
Chiyoda-ku, Tokyo 101-0031,
Japan
+81 3 5823 7655
www.gallery-ug.com
BluuContemporary
2F 9 & 10, 2nd Floor,
Bangsar Village II, Jalan Telawi
Satu, Bangsar Baru, 59100
Kuala Lumpur
bluupointcontemporary.com
City Art Gallery
G08A, Ground Floor, The
AmpWalk
No. 218, Jalan Ampang,
50450 Kuala Lumpur
+60 3277 53933
cityartgallerymalaysia@gmail.com
Blue Dot
61 Jalan SS20/1,
Damansara Utama, 47400
Petaling Jaya, Selangor,
Malaysia
+60 3772 83677
bluedotsart@gmail.com
68 ART: art JUL-AUG 2014 69
art - international :
Cape of Good Hope
140 Hill Street, #01-06
Old Hill Street Police Station
www.capeofgoodhope.com.sg
Chan Hampe Galleries
328 North Bridge Road, #01-04
www.chanhampegalleries.com
Christies Auction
501 Orchard Road #19-03
www.christies.com
Collectors Contemporary
5 Jalan Kilang Barat, #01-03
www.collectors.com.sg
Crown Fine Arts
36 Pioneer Road
www.crownfneart.com
dArt Studio
5 Westbourne Road #02-03
www.d-artstudio.com.sg
Dahlia Gallery
69A Pagoda Street
www.dahliagallerysg.com
DLR Gallery
22 Marshall Road
www.dlrgallery.com
Domain Art Gallery
140 Hill Street #01-07
www.domainartgallery.com
Drama Centre
100 Victoria Street, NLB Building (Lv3)
www.dramacentre.com
Dynasties Antique & Art Gallery
18 Boon Lay Way, #08-124
www.9911art.com
Eagles Eye Art Gallery
42 Hongkong Street
www.eagles-eye.com.sg
Eastern Carpets
252 North Bridge Road, #08-124
www.easterncarpets.com.sg
Element Art Space
328 North Bridge Road #02-13
www.elementartspace.com
Esplanade - Theatres On The Bay
1 Esplanade Drive
www.esplanade.com
Evil Empire
48 Niven Road
www.evilempire.asia
FLABSLAB Gallery
1 Commonwealth Lane, #06-11
www.fabslab.com
Follow the Art Today Pte Ltd
Suntec City Mall #02-381/2
www.fatgallery.com.sg
Forest Rain Gallery
261 Waterloo Street, #02-43/44
www.forestraingallery.com
Gajah Gallery
140 Hill Street, #01-08
www.gajahgallery.com
Galerie Bartoux
Ion Orchard Level 1,
2, Orchard Turn #01-12A/13
www.galeries-bartoux.com
Galerie Belvedere
140 Hill Street #01-10/11/12
www.galerie-belvedere.com
Galerie Sogan & Art
33B Mosque Street
www.soganart.com
Give Art
65 Spottiswoode Park Road
www.giveart.net
HaKaren Art Gallery
19 Tanglin Road, #02-43
www.hakaren.com
Heng Artland
290 Orchard Road, #04-08
www.hengartland.com.sg
I Theatre
27 Kerbau Road
www.itheatre.org
Ikkan Art Gallery
39 Keppel Road, #01-05
www.ikkan-art.com
Indigo Blue Art
52B Temple Street
www.indigoblueart.com
Immagini Fine Art Gallery
59A Joo Chiat Place
www.immaginiartgallery.com
8Q SAM
8 Queen Street
www.singaporeartmuseum.sg
2902
222 Queen Street #02-02
www.2902gallery.com
72-13 (TheatreWorks)
72-13 Mohamed Sultan Road
www.72-13.com
Art and Printmaking Studio
28 Woking Road #03-05
www.artprintmakingstudio.com
Art Conservation
10 Ubi Crescent #04-28
www.artconservation.com.sg
Agility Fairs & Events Logistics
5 Changi North Way 7
www.agilitylogistics.com
Alliance Franaise de Singapour
1 Sarkies Road
www.alliancefrancaise.org.sg
ART FORUM
82 Cairnhill Road
www.artforum.com.sg
art gallery 3
231 Bain Street, #02-89
Art Front
70 Stamford Road, B1-42
Singapore Management University
www.artfront.com.sg
Art Glass Solutions
39 Kuo Chuan Avenue
www.artglasssolutions.com
Art On
26 Farrer Rd Hampton, #03-02
www.artondeco.com
Art Plural Gallery
38 Armenian Street
www.artpluralgallery.com
Art Retreat
10 Ubi Crescent, #01-45/47
Ubi Techpark (Lobby C)
www.artretreatmuseum.com
Art Seasons
1 Selegie Road, #02-21/24
www.artseasonsgallery.com
Art Stage
Marina Bay Sands
www.artstagesingapore.com
Art Trove
51 Waterloo Street, #02-01/02/03
www.art-trove.com
Art Xchange
6 Eu Tong Sen Street
#02-65 The Central
www.artxchangegallery.com
Art-2 Gallery
140 Hill Street, #01-03
www.art2.com.sg
artcommune
231 Bain Street, #02-43
www.artcommune.com.sg
ArtOne21 Studio
82 Tiong Poh Road #01-21
www.sukeshisondhi.com
ArtScience Museum
10 Bayfront Avenue
www.marinabaysands.com/
ArtScienceMuseum
Asian Civilisations Museum
1 Empress Place
www.acm.org.sg
Australasian Arts Projects
303 Tanglin Road
www.australasianartsprojects.com
Bhaskars Arts Academy
19 Kerbau Road
www.bhaskarsartsacademy.com
Bruno Gallery
91 Tanglin Road, #01-03
www.brunoartgroup.com
LISTINGS
Art / Antiques / Museums / Theatre /
Photography / Art Schools / Services
70 ART: art JUL-AUG 2014 71
: listings
Opera Gallery Singapore
2 Orchard Turn, #04-15
www.operagallery.com
OVAS Art Gallery
1 Kaki Bukit Road 1 #01-11
www.ovas-art.com
Pearl Lam Galleries
9 Lock Road #03-22
www.pearllam.com
Peranakan Museum
39 Armenian Street
www.peranakanmuseum.sg
PIA Preserve In Aesthetics
63 Hillview Avenue #02-06B
www.thepiastudio.com
Red Dot Design Museum
28 Maxwell Road
www.museum.red-dot.sg
Red Sea Gallery
9 Dempsey Road, #01-10
www.redseagallery.com
Rhema Events & Arts Services
10 Changi South Street 3
www.rhemaevents.com
Richard Koh Fine Art
71 Duxton Road
www.rkfneart.com
School of the Arts (SOTA)
1 Zubir Said Drive
www.sota.edu.sg
Sealey Brandt
1 Westbourne Road #01-02
www.sealeybrandt.com
Sculpture Square
155 Middle Road
www.sculpturesq.com.sg
ShanghART Singapore
9 Lock Road #02-22
www.shanghartsingapore.com
Singapore Art Museum
71 Bras Basah Road
www.singaporeartmuseum.sg
Singapore Philatelic Museum
23B Coleman Street
www.spm.org.sg
INS ART INTERNATIONAL
545 Orchard Road
#03-22 Far East Shopping Centre
www.insart.com.sg
INSTNC SOHO
12 Eu Tong Sen Street, #04-163
www.instinc.com
Institute of Contemporary Arts
Singapore (ICAS)
LASALLE College of the Arts
www.lasalle.edu.sg
IPA Gallery
77 South Bridge Road, #02-01
www.invisiblephotographer.asia
iPRECIATION
50 Cuscaden Road, #01-01
www.ipreciation.com
Japan Creative Centre
4 Nassim Road
www.sg.emb-japan.go.jp/JCC
Jasmine Fine Arts
333A Orchard Road, #03-01
www.jasminefnearts.com.sg
Jastar Investment
1 Jalan Anak Bukit #02-15
shuran001224@gmail.com
Jeremy Ramsey Fine Art
16 Bukit Pasoh Road
www.artjeremyramsey.com
Kato Art Duo
328 North Bridge Road #02-28
Kelly Reedy Studio Arts
27 Woking Road, #01-01
www.kellyreedystudio.com
Kwan Hua Art Gallery
19 Tanglin Road, #02-09
www.kwanhua-artgallery.com
Lalique
Orchard Mandarin Gallery #01-16
www.lalique.com
Larasati Auctioneers
15 Scotts Road, #03-02
www.larasati.com
LASALLE
1 McNally Street
www.lasalle.edu.sg
Li Fine Art
19 Tanglin Road, #03-32
www.lifneart.com
Linda Gallery
15 Dempsey Road, #01-03
www.lindagallery.com
M Gallery
39 Jalan Peminpin #06-03
www.mgallery.com.sg
Malay Heritage Centre
85 Sultan Gate
www.malayheritage.org.sg
MAD Museum of Art & Design
333A Orchard Road, #03-01
www.madmad.com.sg
Maya Gallery
8 Changi South Street 2
www.mayagallery.com.sg
Memories at Old Ford Factory
351 Upper Bukit Timah Road
www.s1942.org.sg
MINT Museum of Toys
26 Seah Street
www.emint.com
Mizuma Gallery
22 Lock Road #01-34
www.mizuma.sg
Mulan Gallery
36 Armenian Street #01-07
www.mulangallery.com.sg
NAFA
80 Bencoolen Street
www.nafa.edu.sg
National Museum of Singapore
93 Stamford Road
www.nationalmuseum.sg
Ngee Ann Kongsi
97 Tank Road
www.ngeeann.com.sg
NUS Baba House
157 Neil Road
www.nus.edu.sg/museum/baba
Ode to Art
252 North Bridge Road #01-36E/F
Rafes City Shopping Centre
www.odetoart.com
Singapore Tyler Print Institute
41 Robertson Quay
www.stpi.com.sg
Studio 67
67 Kampong Bahru
www.studio67.com.sg
Taksu Gallery Singapore
43 Jalan Merah Saga, #01-72
www.taksu.com
Tembusu Art Gallery
140 Hill Street #01-05
2 Jurong East Street 21 #02-56
www.tembusu-art.com.sg
The Gallery of Gnani Arts
19 Tanglin Road, #01-17
www.gnaniarts.com
The Luxe Art Museum
6 Handy Road, #02-01
www.thelam.sg
The Substation
45 Armenian Street
www.substation.org
Third Floor - Herms
541 Orchard Road
www.hermes.com
Utterly Art
20B Mosque Street
www.utterlyart.com.sg
Victoria Theatre & Concert Hall
9 Empress Place
www.vch.org.sg
Vue Prive
63 Spottiswoode Park Road
www.vueprivee.com
W!LD RICE
3A Kerbau Road
www.wildrice.com.sg
Y2ARTS
140 Hill Street, #01-02
www.y2arts.com
Yang Gallery
19 Tanglin Road, #02-41
www.yanggallery.com.sg
Yunlore Arts
328 North Bridge Road #01-25
www.facebook.com/yunlorearts
72 ART: art JUL-AUG 2014 73
: lastpage
Ive only sold three
artworks in my life,
three Basquiats; and
Im still crying that I
sold them.
Founder and CEO of vente-prive, the $2.3 billion
fash sale website, 51-year-old entrepreneur
Jacques Antoine-Granjon says, referring to his
vast, beloved art collection.