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Theorie Praktijk Gear Audio Post
01 Trailer
02 New This Week - How Do I Get a GoPro in the Air
03 Introduction X
04 Which Frame Size Should I se X
05 Which Frame !ate Should I Shoot X
06 What Is The Im"act #$ %om"ression X
07 What Is The Di$$erence &etween %ro""ed and Full Sensors X
08 Wh' Does (iew$inder Sto" Workin) X
09 What Is As"ect !atio X
10 %an I %ro" (ideo X
11 What S"eed *emor' %ard Do I Need X
12 What %auses !ollin) Shutter X
13 What Is *oir+ X
14 Wh' Is Foota)e #ut #$ Focus X
15 How %an I %onnect A *onitor X
16 Wh' Does *' Audio Sound So &ad X
17 Wh' Does *' Foota)e ,itter X
18 Wh' Is *' Shot Too Dark X
19 How %an I A-oid .ens Flares X
20 Wh' Is *' Foota)e Shak' X
21 Wh' Should I Shoot with A Prime .ens X
22 Wh' Should I se A *atte &o/ X
23 Wh' Should I se A 0lectronic (iew$inder X
24 Wh' Should I se A .ou"e X
25 Wh' se A *ono"od X
26 What T'"e o$ Audio !ecorder Do I Need X
27 How Do I se a Dedicated Audio !ecorder X
28 How %an I record S'nc Sound With iPhone X
29 Wh' Does 0/"osure %han)e With A 1oom .ens X
30 How %an I %heck *' Focus X
31 How *an' &atteries Do I need X
32 What Ada"ters Should I %arr' X
33 What T'"e o$ *icro"hone Should I se $or !un-and-Gun Shootin) X
34 What T'"e o$ *icro"hone Should I se $or an Inter-iew X
35 Wh' Do I Need A Fluid Head X
36
37 Wh' Are There !ecord Time .imits X
38 Is The %anon 2D !i)ht For *e X
39 Is The Nikon D233 !i)ht For *e X
40 %an I Attach .i)hts To The %amera X
Theorie Praktijk Gear Audio Post-Proces
41 How D# I Get *' %amera Into Ti)ht S"aces X
42 How %an I Get Smooth Trackin) Shots X
43 How %an I Fi/ Shake Shootin) X
44 How Should I *ana)e *' %ards In The Field X
45 How Do I Trans$er The Foota)e X
46 How Do I !ack Focus X
47 How Do I %lean *' %amera X
48 How Do I Get Slow *otion Foota)e X
49 How Do I Im"ort Into Final %ut Pro 4 X
50 How Do I Im"ort Into Premiere Pro X
51 How Do I S'nc Sound in Post X
52 How Do I .i)ht Without 0lectrical #utlets sin) A-aila5le .i)ht X
53 How Do I li)ht Without 0lectrical #utlets sin) Alternate Sources X
54 How Do I Shoot In Small Places X
55 What Is Follow Focus X
56 How Do I Achie-e %ritical Focus X
57 How Do I %ontrol 0/"osure and De"th o$ Field In &ri)ht .i)ht X
58 How Do Deal With A &acklit Su5ject X
59 How Do Deal With &acklit Su5jects in Post-Production X
60 How Do I Get Audio For An Inter-iew X
61 How Do I Shoot A Product Shot X
62 Wh' Should I se A Field *onitor X
63 How To !ead A Wa-e$orm *onitor And (ectorsco"e In The Field X
64 What Is A GoPro X
65 *asterin) 0/"osure X
66 *asterin) A"erture X
67 How Do I *aster Shutter S"eed X
68 How Do I *aster IS# X
69 How Do I %ontrol 0/"osure &e'ond The %amera Settin)s X
70 How %an I Get The %amera Hi)her X
71 What Is The Pocket %inema %amera X
72 How Do I Shoot With A GoPro X
73 Wh' Should I se A %lick Track X
74 How To Pre"are For A *ulticamera Shoot X
75 How Do I Do A *ulticamera Shoot X
76 How I Achie-e A Film .ook With Final %ut Pro 4 X
77 What Is A %inema %amera X
78 How Do I Achie-e A Film .ook With Premiere Pro X
79 How Do I Shoot Time .a"ses With A GoPro X
80 How Do I Assem5le A Time-.a"se (ideo With A GoPro X
81 How Do I Process *ulti"le (ideo %li"s In Ado5e Premiere Pro X
82 How Do I Process *ulti"le (ideo %li"s In Final %ut Pro 4
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Theorie Praktijk Gear Audio Post-Proces
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