catch
as
catch
can
Once a carnival attraction, catch
wrestling now influences MMA.
by kelly crigger // PHOTOS FROM THE BOOK CATCH WRESTLING - ROUND TWO by MARK S. HEWITT
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CATCH WRESTLING
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CATCH WRESTLING
sions such as Olympic, freestyle, and folkstyle, though these styles had the dangerous submissions or hooks removed to
make it safer for competitive athletes.
Many men were able to make a decent
living off of their grappling skills, which
gave birth to the professional wrestler.
CATCH WRESTLING
and Joe Stecher went on for an extraordinary nine hours. Besides, the phony
stuff with its theatrics and acrobatics
was an easier sell than the real thing
and made more money for the promoters. Making money was the theme, just
as in the days of the carny attraction.
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CHUCK LIDDELL
States as Karl Gotch and quickly established his legacy as one of the greatest
true wrestlers to ever step on the mat. It
was Gotch who would use catch wrestling to sow the seeds of MMA, but not
in America.
Burgeoning Pride
Jim Miller invited Gotch to teach his
skills in Japan. Starting in 1972, Gotch
spent a decade instructing and influencing a slew of whos who in Japanese wrestling, including Antonio Inoki. In 1976,
Inoki promoted a series of mixed martial arts bouts against the champions of
other disciplines (including Muhammad
Ali), which were hugely popular and gave
him a stage to showcase some of Gotchs
favorite moves, like the sleeper hold,
cross arm breaker, seated armbar, Indian
deathlock, and keylock. Much like Wrestlemania in the 1990s, these matches
spread like wildfire in Japan.
During and after his time in Japan,
Gotch was a boon to Japanese wrestling, personally teaching many of
the greatest wrestlers there, who in
turn embraced wrestling the same way
Brazil embraced jiu-jitsu. Twelve years
after Gotch began his work in Japan,
a handful of his students formed the
original Universal Wrestling Federation and Shooto, which gave rise to
shoot-style wrestling matches and
eventually paved the way for MMA in
Japan. Catch wrestling is the base of
Japans martial art of shoot wrestling
and has found a home in an ironic case
of reverse immigration. Japanese martial arts have been exported throughout the world for centuries. Catch
wrestling is the first western martial art
to establish a following in Japan.
Everyone thinks Japanese marital arts
are so mystic, but catch wrestling had
so many more techniques, says Shooto
champion and MMA trainer Erik Paulson. We were learning the north-south
choke, the DArce choke, the anaconda
choke, and the head and arm choke, all
those way back in the 80s. Nowadays
everyone knows them and thinks they
come from MMA, but they were really
some of the basics of Shooto.
In the late 1990s, Yuko Miyato established the UWF Snake Pit in Tokyo, Japan, in order to keep the sport of real
wrestling and catch-as-catch-can alive.
The head coach was Billy Robinson, a
wrestling legend who trained at the original Snake Pit in England and who was
widely feared and respected in the wrestling community. At the UWF Snake Pit,
Robinson trained MMA legend Kazushi
Sakuraba and current top-ranked heavyweight Josh Barnett.
[Catch wrestling] is a root on the tree
of MMA, says Barnett. Catch went to
Brazil with Mitsuyo Maeda, formed the
basis of New Japan pro wrestling and later Japanese shooting through Gotch and
Robinson, and was an art based on battle testing. Its aggressive and explosive
and has a deep history throughout the
world and was my first major exposure
to submissions. I see many top amateur
wrestlers who go to BJJ gyms because
thats what they think you have to train
to learn submission. Most of the time
though, those BJJ trainers train the wrestlers in ways that are counter-productive
to a wrestlers skills and strengths.
CHUCK LIDDELL
IN THE
NOOSE
Have you ever seen a lone
guy in a gym using the head
crank machine to build up his
neck muscles? What were your
thoughts? Did you pass him off
as silly? Legendary Iowan wrestler Farmer Burns made a living from those exercises. Burns
purposely increased his neck size
using weights and pulleys.
Burns did it to perform an extremely risky stunt at carnivals,
during which he would hang
himself to prove how strong
his neck was. Burns repeatedly
performed the stunt, subjecting
his neck to the full force of having his body dropped from the
gallows and never once got hurt.
And you thought base jumping
was scary.
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Club under Roy Wood, an original disciple of Riley. Were he alive today (Riley
died in 1977), Riley would be astounded
at how prominent catch wrestling has
become in the proving grounds of
MMA. Unlike many martial arts, catch
wrestling was not born out of a necessity to defend oneself. Its purpose was entertainment and conflict resolution, but
that doesnt diminish its impact on
modern fighting. In fact, catch wrestling is the basis of all submissions, and
along with Muay Thai, jiu-jitsu, and
western boxing, catch wrestling has risen to the top of the mixed martial arts
heap as one of the disciplines critical to
the success of every fighter. Makes you
want to check out a traveling circus to
see what else theyre cooking up.