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Screen Cultures Bibliography

Packer, George. The Unwinding: An Inner History of the New America. New York: Farrar,
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Anderson, Benedict. Imagined Communities. Revised edition. New York: Verso, 1991.
Campbell, Neil, and Alasdair Kean. American Cultural Studies: An Introduction to American
Culture. 3rd ed. New York: Routledge, 2012. (1997)
Chapter 8: Representing Youth: Outside the Sunken Nursery. 245-274.
Chapter 10: The Transmission of American Culture. 307-336.
Baudrillard, Jean. America. Trans. Chris Turner. New York: Verso, 1989.
Dow, Bonnie J. The Rhetoric of Television, Criticism, and Theory. Prime-Time Feminism:
Television, Media Culture, and the Womens Movement. Philadelphia: University of
Pennsylvania Press, 1996.
Dow, Bonnie J. How Will You Make It on Your Own?: Television and Feminism Since
1970. A Companion to Television. Ed. Janet Wasko. Malden, Massachusetts: Blackwell,
2005. 379-394.
Lentz, Kirsten Marthe. Quality versus Relevance: Feminism, Race, and the Politics of the Sign
in 1970s Television. Camera Obscura 15.1 (2000): 45-93.
Lotz, Amanda D. In Ms. McBeals Defense: Assessing Ally McBeal as a Feminist Text.
Searching the Soul of Ally McBeal: Critical Essays. Ed. Elwood Watson. Jefferson, North
Carolina and London: McFarland & Company, 2006. 139-159.
Sandars, Diana. Its More Than Just Another Silly Love Song: Ally McBeal Brings the
Hollywood Musical to Television. Searching the Soul of Ally McBeal: Critical Essays.
Ed. Elwood Watson. Jefferson, North Carolina and London: McFarland & Company,
2006. 198-218.
Corcos, Christine Alice. Women Lawyers. Prime Time Law: Fictional Television as Legal
Narrative. Eds. Robert M. Jarvis and Paul R. Joseph. Durham, North Carolina: Carolina
Academic Press, 1998. 219-248.
Boyd, Katrina G. Cyborgs in Utopia: The Problem of Radical Difference in Star Trek: The Next
Generation. Enterprise Zones: Critical Positions on Star Trek. Eds. Taylor Harrison, et
al. Boulder, Colorado: Westview Press, 1996. 95-113.
Sedgwick, Kosofsky Eve. Queer and Now. The Routledge Queer Studies Reader. Eds. Donald
E. Hall, et al. London and New York: Routledge, 2013. 3-17.
Butler, Judith. Critically Queer. The Routledge Queer Studies Reader. Eds. Donald E. Hall, et
al. London and New York: Routledge, 2013. 18-31.
Genz, Stphanie, and Benjamin A. Brabon. Postfeminist Contexts. Postfeminism: Cultural
Texts and Theories. Edinburgh: Edinburgh University Press, 2009. 1-50.

Sullivan, Nikki. Queer: A Question of Being or a Question of Doing? A Critical Introduction


to Queer Theory. New York: New York University Press, 2003. 37-56.
Sullivan, Nikki. Queering Popular Culture. A Critical Introduction to Queer Theory. New
York: New York University Press, 2003. 189-206.
Faludi, Susan. Blame It on Feminism. Backlask: The Undeclared War Against American
Women. New York: Three Rivers Press, 1991. 1-15.
Faludi, Susan. Fatal and Fetal Visions: The Backlash in the Movies. Backlash: The
Undeclared War Against American Women. New York: Three Rivers Press, 1991.
125-152.
Faludi, Susan. Teen Angels and Unwed Witches: The Backlash on TV. Backlash: The
Undeclared War Against American Women. New York: Three Rivers Press, 1991.
153-180.
Douglas, Susan J. Fantasies of Power. The Rise of Enlightened Sexism: How Pop Culture
Took Us from Girl Power to Girls Gone Wild. New York: St. Martins Press, 2010.
1-25.
Douglas, Susan J. The New Girliness. The Rise of Enlightened Sexism: How Pop Culture
Took Us from Girl Power to Girls Gone Wild. New York: St. Martins Press, 2010.
101-126.
Stansell, Christine. Democratic Homemaking and Its Discontents: Feminism in the Lost Years.
The Feminist Promise: 1792 to the Present. New York: The Modern Library,
2011.
177-217.
Stansell, Christine. The Revolt of the Daughters. The Feminist Promise: 1792 to the Present.
New York: The Modern Library, 2011. 219-272.
Mainardi, Pat. The Politics of Housework. The Essential Feminist Reader. Ed. Estelle B.
Freedman. New York: The Modern Library, 2007.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. New York:
Routledge, 1990.
Friedan, Betty. The Feminine Mystique. New York: Penguin, 1963. 5-59.
Friedan, Betty. Television and the Feminine Mystique. It Changed My Life: Writings on the
Womens Movement. New York: Random House, 1976.
Menand, Louis. Books as Bombs: Why the Womens Movement Needed The Feminine
Mystique. The New Yorker 24 Jan. 2011.
Sontag, Susan. On Photography. New York: Penguin, 1971.
Strinati, Dominic. An Introduction to Theories of Popular Culture. 2nd ed. London and New
York: Routledge, 2004.

Erll, Astrid. Memory in Culture. Trans. Sara B. Young. Hamsphire, England: Palgrave
Macmillan, 2011.
Why Memory. 1-9.
The Invention of Cultural Memory: A Short History of Memory
Studies. 13-37.
Media and Memory. 113-143.
Cook, Pam. Rethinking Nostalgia: In the Mood for Love and Far From Heaven. Screening the
Past: Memory and Nostalgia in Cinema. London and New York: Routledge, 2005.
1-19.
Rommel-Ruiz, W. Bryan. Beyond Dallas: History, Narrative, and the Struggle for Meaning in
the Kennedy Assassination. American History Goes to the Movies: Hollywood
and the
American Experience. London and New York: Routledge, 2010. 191-225.
Sorlin, Pierre. Television and Our Understanding History: A Distant Conversation. Screening
the Past: Film and the Representation of History. Ed. Tony Barta. Westport,
Connecticut
and London: Praeger, 1998. 205-220.
Kitch, Carolyn. Pages from the Past: History and Memory in American Magazines. Chapel Hill,
North Carolina: The University of North Carolina Press, 2009. 1-7; 131-174; 175184.
Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Baltimore, Maryland:
The Johns Hopkins University Press, 1996.
The Wound and the Voice. 1-9.
Unclaimed Experience: Trauma and the Possibility of History.
10-24.
Caruth, Cathy, ed. Trauma: Explorations in Memory. Baltimore, Maryland: The Johns Hopkins
University Press. 1995.
Trauma and Experience. 3-12.
Recapturing the Past. 151-157.
Cullen, Jim. Small Screens: Popular Culture in the Age of Television and Beyond, 1945-2000.
The Art of Democracy: A Concise History of Popular Culture in the United States.
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2 ed.
New York: Monthly Review Press, 2002. 201-287.
Jenkins, Henry. Worship at the Altar of Convergence: A New Paradigm for Understanding
Media Change. Convergence Culture: Where Old and New Media Collide. New
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and London: New York University Press, 2006. 1-24.
Jenkins, Henry. Democratizing Television?: The Politics of Participation. Convergence
Culture: Where Old and New Media Collide. New York and London: New Yor
University Press, 2006. 251-270.
Jenkins, Henry. Star Trek Rerun, Reread, Rewritten: Fan Writing and Textual Poaching.
Critical Studies in Mass Communication 5.2 (1988): 85-107.

Alexander, Victoria D. Sociology of the Arts: Exploring Fine and Popular Forms. Malden,
Massachusetts: Blackwell, 2003.
What is Art? 1-18.
Businesses and Industries. 89-107.
Globalization. 157-172.
Reception Approaches. 181-198.
The Art Itself. 251-272.
McQuail, Denis. McQuails Mass Communication Theory. 6th ed. Thousand Oaks, California:
Sage, 2010.
Lacey, Nick. Image and Representation: Key Concepts in Media Studies. 2nd ed. Hampshire,
England: Palgrave Macmillan, 2009.
Chapman, Jane. Comparative Media History: An Introduction: 1789 to the Present. Cambridge,
England: Polity Press, 2005.
Hall, Stuart. The Work of Representation. Representation: Cultural Representations and
Signifying Practices. Ed. Stuart Hall. London: Sage, 1997. 13-64.
Nixon, Sean. Exhibiting Masculinity. Representation: Cultural Representations and
Signifying Practices. Ed. Stuart Hall. London: Sage, 1997. 291-330.
Gledhill, Christine. Gender and Genre: The Case of the Soap Opera. Representation: Cultural
Representations and Signifying Practices. Ed. Stuart Hall. London, Sage: 1997.
337-384.
Vanderbilt, Tom, and Willa Paskin. The New Rules of the Hyper-Social, Data-Driven, ActorFriendly, Super-Seductive Platinum Age of Television. Wired Apr. 2013: 90-103.
Wolcott, James. Washington Noir. Vanity Fair Aug. 2013: 46-47.
Ariano, Tara, and Sara D. Bunting. Television Without Pity: 752 Things We Love to Hate (and
Hate to Love about TV). Philadelphia, Pennsylvania: Quirk Books, 2006.
Miller, Toby. Television Studies: The Basics. London and New York: Routledge, 2010.
Williams, Raymond. Television: Technology and Cultural Form. 1974. 2nd ed. London and New
York: Routledge, 1990.
Newcomb, Horace, and Paul M. Hirsch. Television as a Cultural Forum. Television: The
Critical View. 6th ed. Ed. Horace Newcomb. Oxford: Oxford University Press,
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Littlefield, Warren. Top of the Rock: Inside the Rise and Fall of Must See TV. New York: Anchor
Books, 2013.
Sepinwall, Alan. The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who
Changed TV Drama Forever. New York: Touchstone, 2012.

Cantor, Muriel G., and Joel M. Cantor. Prime-Time Television: Content and Control. 2nd ed.
Newbury Park, California: Sage, 1992.
Fiske, John. Television Culture. 1987. 2nd ed. London and New York: Routledge, 2011.
Boddy, William. The Shining Centre of the Home: Ontologies of Television in the Golden
Age. Television in Transition: Papers from the First International Television
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Institute, 1985. 125-134.
Kaplan, Ann E. A Post-Modern Play of the Signifier? Advertising, Pastiche and Schizophrenia
in Music Television. Television in Transition: Papers from the First International
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British Film Institute, 1985. 146-163.
Kaplan, Ann E. Feminist Criticism and Television. Channels of Discourse, Reassembled:
Television and Contemporary Criticism. 2nd ed. Ed. Robert C. Allen. Chapel Hill,
North Carolina: The University of North Carolina Press, 1992. 247-283.
Deming, Caren J. For Television-Centred Television Criticism: Lessons from Feminism.
Television and Womens Culture: The Politics of the Popular. Ed. Mary Ellen
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Ang, Ien. The Battle Between Television and its Audiences: The Politics of Watching
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London: British Film
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Mayer, Martin. About Television. New York: Harper & Row, 1972.
Wedell, George, and Bryan Luckham. Television at the Crossroads. Hampshire, England:
Palgrave, 2001.
ODonnell, Victoria. Television Criticism. Thousand Oaks, California: Sage, 2007.
Gillan, Jennifer. Television and New Media: Must-Click TV. New York: Routledge, 2011. 1-25.
Lotz, Amanda D. The Television Will Be Revolutionized. New York: New York University Press,
2007.
Newman, Michael Z., and Elana Levine. Legitimating Television: Media Convergence and
Cultural Status. New York and London: Routledge, 2012.
Legitimating Television. 1-13.
The Showrunner as Auteur. 38-58.
Not a Soap Opera. 80-99.
Television Scholarship and/as Legitimation.
153-171.

Gray, Jonathan, and Amanda D. Lotz. Television Studies. Malden, Massachusetts: Polity Press,
2012.
Lotz. Amanda D. Female-Centered Dramas after the Network Era. Redesigning Women after
the Network Era. Urbana and Chicago: Illinois University Press, 2006. 1-36.
Lotz, Amanda D. Postfeminist Television Criticism: Rehabilitating Critical Terms and
Identifying Postfeminist Attributes. Feminist Media Studies 1.1 (2001): 105-121.
Kaminer, Wendy. Feminisms Identity Crisis. The Atlantic Monthly Oct. 1993: 51-68.
DAcci, Julie. Television, Representation and Gender. The Television Studies Reader. Eds.
Robert C. Allen, and Annette Hill. London and New York: Routledge, 2004. 373388.
McRobbie, Angela. Postfeminism and Popular Culture. Feminist Media Studies 4.3 (2004):
255-264.
Projansky, Sarah. The Postfeminist Context: Popular Redefinitions of Feminism, 1980Present. Watching Rape: Film and Television in Postfeminist Culture. New York:
New
York University Press, 2001. 66-89.
Tasker, Yvonne, and Diane Negra. Feminist Politics and Postfeminist Culture. Interrogating
Postfeminism: Gender and the Politics of Popular Culture. Durham, North
Carolina:
Duke University Press, 2007. 1-25.
Nash, Jennifer C. Re-Thinking Intersectionality. Feminist Review 89 (2008): 1-15.
McCall, Leslie. The Complexity of Intersectionality. Signs 30.3 (2005): 1771-1800.
Papathanassopoulos, Stylianos. European Television in the Digital Age: Issues, Dynamics and
Realities. Cambridge, England: Polity Press, 2002.
Curtin, Michael, and Jane Shattuc. The American Television Industry. London: British Film
Institute, 2009.
Spigel, Lynn. Introduction. Television After TV: Essays on a Medium in Transition. Durham,
North Carolina: Duke University Press, 2004. 1-34.
Spigel, Lynn. Entertainment Wars: Television Culture after 9/11. American Quarterly 56.2
(2004): 235-270.
Sconce, Jeffrey. What If?: Charting Televisions New Textual Boundaries. Television After
TV: Essays on a Medium in Transition. Durham, North Carolina: Duke University
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Brants, Kees, and Els De Bens. The Status of TV Broadcasting in Europe. Television Across
Europe: A Comparative Introduction. Eds. Jan Wieten, Graham Murdock, and
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Dahlgren. London: Sage, 2000. 7-22.

Dahlgren, Peter. Key Trends in European Television. Television Across Europe: A


Comparative Perspective. Eds. Jan Wieten, Graham Murdock, and Peter
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Moran, Albert. Popular Drama: Travelling Templates and National Fictions. Television Across
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Edgerton, Gary R. The Columbia History of American Television. New York: Columbia
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A Great Awakening: Prime Time for Network Television 1964-1975.
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The Skys the Limit: Satellites, Cable, and the Reinvention of
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The Business of America is Show Business: U.S. TV in
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Tune in Locally, Watch Globally: The Future of
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Traube, Elizabeth G. The Popular in American Popular Culture. Annual Review
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Hall, Stuart. Encoding, Decoding. Media and Cultural Studies: KeyWorks. Revised ed. Ed.
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Gitlin, Todd. Prime Time Ideology: The Hegemonic Process in Television Entertainment.
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Hastie, Amelie. Eating in the Dark: A Theoretical Concession. Journal of Visual Culture 6
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Wilson, Mary Jeanne. Make Them Wait: Fan Manipulation of the Soap Opera Narrative
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Nussbaum, Emily. Shedding Her Skin: The Good Wifes Thrilling Transformation. The New
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Napier, Susan Jolliffe. Matter Out of Place: Carnival, Containment, and Cultural Recovery in
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A.V. Club 3 Sept. 2014. Web. 20 Oct. 2014.
Watercutter, Angela. Star Trek Boldly Mashes Up with Sex and the City in Twitter Parody.
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Akner-Brodesser, Taffy. Can Jill Soloway Do Justice to the Trans Movement? The New York
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Larson, Sarah. The Emmys 2014: Television Is Still in Its Awkward Stage. The New Yorker 26
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Beck, Julie, Emma Green, and Olga Khazan. Outlander: False Feminism? The Atlantic 16
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Fennell, Chris. Beyond Clueless: A Golden Age of the American Teen Movie. British Film
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Nicholson, Amy. How YouTube and Internet Journalism Destroyed Tom Cruise, Our Last
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Teeman, Tim. Thank You for Being a Friend: Why TV Re-runs Never Grow Old. The Daily
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Garber, Megan. Why The Limit to Mean Girls Does Not Exist. The Atlantic 30 Apr. 2014.
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Zilberman, Alan. Still Very, 25 Years Later: The Bleak Genius of Heathers. The Atlantic 31
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Nowalk, Brandon. How (and Why) to Fight Television Cultures Amnesia. The A.V. Club 8
Apr. 2014. Web. 20 Oct. 2014.
Doyle, Sady. Hannibals Feminist Take on Horror. In These Times 11 Mar. 2014. Web. 20
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Peisner, David. The Rise of The Walking Dead: The Tortured History of TVs Goriest Show.
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