Important 20th Century Design Auction

Heritage Signature Auction #5021
Important 20th Century Design

June 4, 2009 | Dallas, Texas
preliminary LOT VIEWING

Ukrainian Institute (Fletcher-Sinclair Mansion)
2 East 79th Street, New York
LIVE AUCTION
Signature Floor Sessions 1-3
Thursday, May 21 9:00 AM 7:00 PM ET

Friday, May 22 9:00 AM 5:00 PM ET
Heritage Auction Galleries Design District Annex

1518 Slocum St. Dallas, Texas 75207
LOT VIEWING
Heritage Auction Galleries Design District Annex
1518 Slocum St. Dallas, Texas 75207
Session 1
Thursday, June 4, 2009 10:00 AM CT Lots 7300173102
Saturday, May 30 Wednesday, June 3

10:00 AM CT 5:00 PM CT (closed Sunday)
Session 2
Thursday, June 4, 2009 2:00 PM CT Lots 7310373266
(Floor, Telephone, HERITAGE Live!, Internet, Fax, and Mail)
View Online at HA.com/Modern

RECEPTION
Wednesday, June 3, 6:00 PM
noN floor/Non phone bidding session 3

(HERITAGE Live!, Internet, Fax, and Mail only)
LIVE floor BIDDING

Bid in person during the floor sessions.
Session 3
Thursday, June 4, 2009 5:00 PM CT Lots 7326773338
LIVE TELEPHONE BIDDING (floor sessions only)

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Charlie Mead 16418; Eric Thomas 16421; Shaunda Fry 16448; Marsha Dixey 16493; Tim Rigdon 16519; Michael Jester 16578; Cori Moore 16582; Dennis Nowicki 16584;
Stewart Huckaby 16590; Wayne Shoemacker 16600; Chris Dykstra 16601. Associate Leo Frese 7985 under sponsorship of Andrea Voss 16406.
2009 Heritage Auctions, Inc.
17098
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4-24-09
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ART NOUVEAU &

ART DECO
Session One
ART NOUVEAU
73001
EMILE GALL
An Overlaid, Etched, and Fire-Polished Scenic Glass Vase, circa 1900
Signed in cameo: Gall
11-1/4 inches (28.6 cm) high
Estimate: $6,000-$8,000
Starting Bid: $5,000
73002-73006
No Lot.
73007
DAUM
A Martel and Cameo Glass Two-Handled Vase, circa
1900
Engraved on base in gilt: DAUM NANCY with the Cross
of Lorraine
Estimate: $5,000-$7,000
6
Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT
A 19.5% Buyers Premium Applies to all lots
73008
DAUM
A Wheel-Carved Cameo Glass Gourd Vase, circa 1900
Engraved on base: DAUM NANCY with the Cross of Lorraine
8 inches (20.3 cm) high
Estimate: $5,000-$7,000
73009-73025
No Lot.
73026
DAUM
A Martel and Cameo Glass Vase, circa 1910
Engraved on base: DAUM NANCY with the Cross of
Lorraine
PROVENANCE:
Macklowe Gallery, New York
Estimate: $7,000-$9,000
Visit HA.com/FineArt to view scalable images and bid online.
73027
GABRIEL ARGY-ROUSSEAU
A Pte-de-Verre and Wrought Iron Rosaces Night Light, circa 1923
Molded on body: G. ARGY-ROUSSEAU, FRANCE
LITERATURE:
J. Bloch-Dermant, G. Argy-Rousseau: Glassware as Art, New York,
1991, p. 100, for a related example.
Estimate: $8,000-$12,000
73028
A Pte-de-Verre and Wrought Iron Masks Night Light, BlochDermant no. 23.12, circa 1923
Molded on body: G ARGY ROUSSEAU, FRANCE
LITERATURE:
J. Bloch-Dermant, G. Argy-Rousseau: Glassware as Art, New York,
1991, p. 100 (bottom row, center, in green and purple), pl. 23.12.
Estimate: $7,000-$9,000
8
73029
A Pte-de-Verre and Wrought Iron Dancer Under the Lights Night Light, Bloch-Dermant no. 28.07, circa 1928
Molded on body: G. ARGY-ROUSSEAU
LITERATURE:
J. Bloch-Dermant, G. Argy-Rousseau: Glassware as Art, New York, 1991, p. 128 , pl. 28.07.
Estimate: $10,000-$15,000
73030
No Lot.
73031
HENRI BERG FOR ALMERIC WALTER
A Beetle Pte-de-Verre Vide Poche, circa 1920s
Molded on body: A WALTER NANCY, H BERG SE
11-1/4 inches (28.6 cm) long
PROVENANCE:
Macklowe Gallery, New York.
Estimate: $10,000-$15,000
10
73032
DAUM AND MAJORELLE
A Pair of Oak, Wrought Iron, and Cameo Glass Sconces, circa 1900
Engraved on glass: DAUM NANCY with the Cross of Lorraine
18 inches (45.7 cm) high, each
PROVENANCE:
Macklowe Gallery, New York.
LITERATURE:
V. Arwas, Art Nouveau: The French Aesthetic, London, 2002, p. 290.
Estimate: $15,000-$20,000
11
73033
ANDRE LEGRAND
Aprs Midi dun Faune, A Glazed Stoneware Vase, circa 1924-1936
Marks: Mougin, Nancy, 292J, L, Legrand, dc
LITERATURE:
Jugenstil in Lothringen 1900: Zwischen Historismus und Art Deco, exh. cat., Mnchner Stadtmuseum, Mnchen, 1980, pp. 443-444, no. 629
(for a related example).
Estimate: $4,000-$6,000
12
73034
JEAN BAPTISTE MASSIER
A Gilt Glazed Ceramic Pitcher, circa 1900
Impressed on base: JEROME MASSIER FILS VALLAURIS (AM)
LITERATURE:
J. Miller, Art Nouveau, New York, 2004, p. 112.
Estimate: $5,500-$6,500
73035
JEAN BAPTISTE MASSIER
A Gilt Glazed Ceramic Pitcher, circa 1900
Impressed on base: JEROME MASSIER FILS VALLAURIS (AM) 8
Estimate: $5,000-$7,000
13
73036
LUCIEN LEVY-DHURMER FOR CLMENT MASSIER
A Gilt-Decorated Glazed Earthenware Vase, circa 1900
Impressed on base: Clement Massier, Golfe Juan, (A.M.), L Levy
Estimate: $6,000-$8,000
73037
CLMENT MASSIER
A Gilt Decorated Glazed Earthenware Bamboo
and Flying Crane Vase, circa 1900
Impressed on base: Clement Massier, Golfe
Juan
LITERATURE:
See Lost Paradise: Symbolist Europe, Montreal,
1995, p. 176, no. 269; S. Wichmann, Jugendstil
Art Nouveau, Floral and Functional Forms, New
York and Boston, 1984, p. 45; Y. Brunhammer,
et al., Art Nouveau Belgium France, exh.
cat., Houston, 1976; and E. Plichet and M.
Duperrex, La Cramique Art Nouveau, Paris,
1976, p. 89 (For more information and other
works by the Massier family.)
Estimate: $3,000-$5,000
14
73038
GOUDA ZUID-HOLLAND
A Glazed Earthenware Two-Handled Vase, circa 1900
Impressed on base: Zuid Holland
Estimate: $4,000-$6,000
73039
EDMOND LACHENAL
A Stained and Glazed Earthenware Vase
Signed on base: Lachenal
Estimate: $3,000-$5,000
15
73040
LOUIS MAJORELLE
A Pair of Carved Walnut, Rosewood, and Oak Armchairs with Floral Marquetry Backs, circa 1900
43 x 23-1/4 x 22-1/4 inches (109.2 x 59.1 x 56.5 cm) each
LITERATURE:
A. Duncan, Louis Majorelle: Master of Art Nouveau Design, London, 1991, p. 107 (for a related example).
Estimate: $25,000-$35,000
16
73041
JEAN PUIFORCAT
A Silver Plated Coffee and Tea Service, circa 1900
Marks: EP within diamond
10-3/4 inches (27.3 cm) high, coffee pot
24-1/2 inches (62.2 cm) long, tray
Comprising a coffee pot and tea pot, each with ivory insulators, a creamer, a sugar bowl, a pair of tongs, and a tray
Estimate: $10,000-$15,000
17
73042
MAURICE-ELYSE DUFRNE
A Silver Serving Tray, circa 1901
Marks: (Studio logo in oval cartouche), FM CAZZANIGA MILANO, 800
24 inches (61.0 cm) long
LITERATURE:
P. Follot, LOrfvrerie, Documents sur LArt Industriel Au XXe Siecle,
Paris, 1901, p. 15 (for related examples);
A. Duncan, Paris Salons: 1895-1914, volume IV: Ceramics & Glass,
Woodbridge, 1998, p. 195 (for a woodcarved version).
Estimate: $4,000-$6,000
73043
A FRENCH BRONZE CAT AND MOUSE
Cast after the model by Antoine Louis-Barye (French, 1796-1875)
Impressed on base: Barye
Estimate: $3,000-$5,000
73044
W.P. HARTGRING FOR ROZENBURG POTTERY
A Blackbird Hand-Painted Faience Mantle Clock, circa 1904
Painted on interior: Rozenburg (above stork) den Haag, 534, artists monogram H, and date
mark symbol for 1904
Estimate: $4,000-$6,000
18
Austrian design
19
73045
OTTO PRUTSCHER FOR WIENER PORZELLANMANUFAKTUR
AUGARTEN
A Pair of Hand-Painted and Glazed Porcelain Vases, circa 1926
Marks: (firms mark) Wien, Augarten Austria, 527 5278 19
9-1/2 inches (24.1 cm) high, each
LITERATURE:
Die Kunst, 1926.
For more information, see W. Neuwirth, Wiener Keramik: Historismus,
Jugendstil, Jugendstil, Art Deco, Braunschweig, 1, 1974, S. 409u 414.
Estimate: $3,000-$5,000
73046
KARL KLAUS FOR ERNST WAHLISS
A Serapis Tanzende Pottery Figure, circa
1910
Marks: Serapis Wahliss, 1565 F
Estimate: $5,000-$7,000
20
73047
KARL KLAUS FOR ERNST WAHLISS
A Pair of Monumental Serapis Faience Covered Jars, circa 1912
Marks: Serapis-Fayence Wahliss, 9686, F.0116, D.9712
The mate to these is in the permanent collection of the Brhan Museum, Berlin and is iIllustrated in Sammlung Brhan: Kunsthandwerk, Glas,
Holz, Keramik, Berlin, 1976, no. 564, p. 410.
Estimate: $8,000-$12,000
21
73048
GUSTAV GURSCHNER
A Bronze Chestnut Vase, circa 1900
Foundry mark: K.K. Kunst-Erzgiesserei Wien
Estimate: $3,000-$5,000
73049
LEOPOLD BAUER FOR LOETZ
A Large Cased Glass Vase, circa 1901
LITERATURE:
See T. Brhan, ed., Glaskunst der Moderne von Josef
Hoffmann bis Wilhelm Wagenfeld, Munich, 1992, p.
42, illus. 5 and H. Ricke and E. Ploil, Ltz: Bhmisches
Glas 1880-1940: Katalog der Musterschnitte, Band 2,
Munich, 1989, p. 339, illus. 1090/35.
(For biographical information,)
Estimate: $4,000-$6,000
22
73050
GUSTAV GURSCHNER
A Pair of Bronze Candlesticks, circa 1895
LITERATURE:
The Studio, Special Summer Number 1906: The Art Revival in Austria, ill. no. D6; Studio Yearbook, London, 1909, pp. 139-140;
Fischer Fine Art, Vienna Turn of the Century: Art and Design, exh. cat., London, 1979, p. 23, illus. 1;
D. Klein and M. Bishop, Decorative Art 1880-1980, Oxford, 1986, p. 84, illus. 1 (for related examples).
Estimate: $5,000-$7,000
23
73051
MICHAEL POWOLNY AND BERTOLD LFFLER FOR WIENER KERAMIK
Putto mit Fuellhornvase A Glazed Earthenware Figural Vase, circa 1910
Impressed on base: MP, WK within square
EXHIBITED:
sterreichisches Museum fr Kunst und Industrie (now the MAK museum),
Vienna, Frhjahrsausstellung sterreichischer Kunstgewerbe,1912.
LITERATURE:
Deutsche Kunst und Dekoration, vol. XXXI, October 1912-March 1913, n.p.;
Deutsche Kunst und Dekoration, vol. XXXIII, October 1913-March 1914, n.p.;
The Studio Yearbook of Decorative Art 1913, London, 1913, p. 218;
L.W. Rochowanski, Wiener Keramik, Leipzig and Wien, 1923, n.p.;
E. Frottier, Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Vienna,
1990, 1912 photograph with the horse sculpture displayed in vitrine from
Frhjahrsausstellung sterreichischer Kunstgewerbe, illus. 4, p. 15, illus. 16, p. 33,
cat. no. WV 132.
Estimate: $1,500-$2,000
73052
JOSEF HOFFMANN FOR THE WIENER WERKSTTTE
A Hand-Wrought Silver Plated Brass Spiral Fluted
Bonbonire, circa 1923-1924
Marks: JH monogram, WIENER WERKSTTTE, MADE IN
AUSTRIA
4 inches (10.2 cm) diameter
LITERATURE:
W.J. Schweiger, Wiener Werksttte, Design in Vienna
1903-1932, New York, 1984, p. 66;
G. Fahr-Becker, Wiener Werksttte, 1903-1932, Cologne,
1995, p. 172.
Estimate: $1,800-$2,200
24
73053
A Hand-Wrought Silver Plated Brass Spiral Fluted Candy Tazza, circa
1923-1924
Marks: JH monogram, WIENER WERKSTTTE
LITERATURE:
W.J. Schweiger, Wiener Werksttte Design in Vienna 1903-1932, New
York, 1984, pp. 62 and 66;
P. Noever, ed., Josef Hoffmann Designs, Munich, 1992, pp. 172, 174,
and 189 (for related examples).
Estimate: $2,000-$3,000
73054
MICHAEL POWOLNY AND BERTOLD LFFLER FOR WIENER KERAMIK
Putto mit Hahn A Glazed Earthenware Figure, circa 1910
Impressed on rim: MP, WK in square
EXHIBITED:
sterreichisches Museum fr Kunst und Industrie (now the MAK Museum), Vienna,
Frhjahrsausstellung sterreichischer Kunstgewerbe, 1912.
LITERATURE:
Deutsche Kunst und Dekoration, vol. XXXI, October 1912-March 1913, n.p.;
E. Frottier, Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Vienna,
1990, 1912 photograph with the cock sculpture displayed in vitrine from
Frhjahrsausstellung sterreichischer Kunstgewerbe, illus. 4, p. 15 and illus. 27, p. 54,
cat. no. WV92.
Estimate: $1,500-$2,000
25
73055
A Silver Plated Alpaca Spiral Fluted Serving Tray, circa 1910
Marks: JH monogram, WIENER WERKSTTTE
12-1/2 inches (31.8 cm) diameter
LITERATURE:
W. Neuwirth, Wiener Werksttte: Die Schutzmarken, The Registered Trade Marks, Vienna, 1985,
p. 221;
G. Fahr-Becker, Wiener Werksttte, 1903-1932, Cologne, 1995, p. 161 (for related examples).
Estimate: $3,000-$5,000
73056
DAGOBERT PECHE FOR THE WIENER WERKSTTTE
A Hand-Wrought Silver Plated Brass Fruit Bowl, circa 1919
Marks: P with 4-pointed star, WIENER WERKSTTTE
LITERATURE:
Die berwinding der Utilitt, Dagobert Peche und die Wiener Werksttte,
Ostfildern, 1998, no. 54, p. 222.
Estimate: $5,000-$7,000
73057
A Silver Plated Brass Oval Serving Tray, circa 1918
Marks: JH monogram, WIENER WERKSTTTE, MADE IN AUSTRIA
LITERATURE:
W. Neuwirth, Wiener Werksttte: Die Schutzmarken, The Registered Trade Marks,
Vienna, 1985, p. 221;
G. Fahr-Becker, Wiener Werksttte, 1903-1932, Cologne, 1995, p. 161.
Estimate: $4,000-$6,000
26
73058
A Cut Glass Footed Bowl, circa 1923-1924
LITERATURE:
W.J. Schweiger, Wiener Werksttte, Design in Vienna 1903-1932, New
York, 1984;
F. Cooke, Glass: Twentieth Century Design, London, 1986, p. 42.
Estimate: $2,500-$3,500
73059
JOSEF HOFFMANN FOR THE WIENER
WERKSTTTE
A Glass Lidded Vase, circa 1910
Etched on base: Wiener Wersttte mark
Estimate: $2,000-$3,000
27
73060
ANTONIO VOLPE
A Stained Beechwood and Cane Egg Rocker, model no. 267, manufactured by the Societ Anonima Antonio Volpe, Udineca, circa 1922
40-1/2 x 44 x 26-1/2 inches (102.9 x 111.8 x 67.3 cm)
LITERATURE:
D. Ostergard, Bent Wood and Metal Furniture: 1850 - 1946, New York, 1987, p. 87;
A. Duncan, Modernism: Modernist Design 1880 - 1940, Minneapolis, 1998, p. 201.
Until 1987 the design of this rocking chair was considered to be a work by Josef Hoffmann. The same year an original catalogue of bentwood
furniture manufactured by the firm of Antonio Volpe discovered, showing this chair as model no. 267 without any reference to the designer.
Antonio Volpe was one of the many businessmen in the second half of the 19th century that recognized the commercial viability of the
bentwood market and established a firm in 1883 to compete with the successful Thonet firm. His firm existed until 1940.
Many of the chairs design characteristics justify the former attribution to Josef Hoffmann. Who besides Hoffmann could create such a
clean and and yet erotic design? It resembles a rocking variant of Hoffmanns Sitzmaschine. Armrests and rocker are combined into an
aerodynamic oval enclosing the seat and the adjustable backrest. The slanted elements inside the oval supports not only provide the
necessary structural support but also impart a visual feeling of mobility. The negative voids created by the chairs linear elements do not
obstruct the room in the manner most traditional seating furniture do. A result is the perfect harmony between room and subject similar to the
aesthetic of tubular metal furniture of the 1920s.
Estimate: $15,000-$20,000
28
73061
JOSEF MARIA OLBRICH
A Secessionist Bronze and Fruitwood LyreShaped Gong, circa 1900
60-1/4 x 27 x 12 inches (153.0 x 68.6 x 30.5 cm)
PROVENANCE:
Reinhold Hofsttter, Vienna.
EXHIBITED:
By repute this gong was part of the installation
at Mathildenhhe Exhibition.
LITERATURE:
I. Latham, Josef Maria Olbrich, New York, 1980,
p. 94;
Joseph M. Olbrich, 1867-1908, Darmstadt:
Institut Mathildenhhe,1983, p. 239;
J.M. Olbrich, Ideen von Olbrich, reprint of the
original 1904 publication, Stuttgart, 1992, pp.
20-21.
Estimate: $10,000-$15,000
29
73062
MARCEL KAMMERER FOR GEBRDER THONET
A Bentwood Wall Cabinet, circa 1905
Stamped verso: 3613
33 x 23-1/4 x 8 inches (83.8 x 59.1 x 20.3 cm)
LITERATURE:
C. Wilk, introduction, Thonet Bentwood & Other Furniture, reprint of the original 1904
illustrated catalogue, New York, 1980 (for information on Thonet);
Bugholzmbel, reprint of original catalogue, G. Candilis, Stuttgart, 1984, p. 199.
Le Arti a Vienna dalla Secessione alla Caduta dellImpero Asburgico, exh. cat., Venezia Palazzo
Grassi, Milan, 1984, p. 560 (for information on Kammerer);
C. Witt-Drring, Wien um 1900, Kunst und Kultur, Vienna, 1985, pp. 519-520 (for information on
Kammerer);
G. Zelleke, E.B. Ottilinger, and N. Stritzler, Against the Grain: Bentwood Furniture from the
Collection of Fern and Manfred Steinfeld, Chicago, 1993 (for information on Thonet).
Estimate: $2,000-$3,000
73063
A VIENNESE BENTWOOD AND METAL
BOOKSHELF
Circa 1900
70 x 45 x 18 inches (177.8 x 114.3 x 45.7 cm)
Estimate: $3,000-$5,000
73064
JOSEF HOFFMANN FOR J&J KOHN
A Beech, Sycamore Laminate, and Leather Barrel Suite Armchair, model 720/F, circa 1905
31-1/2 x 28 x 22-1/2 inches (80.0 x 71.1 x 57.2 cm)
LITERATURE:
Jacob & Josef Kohn cat., circa 1908, model no. 720, n.p.
Jacob & Josef Kohn cat., 1916, p. 50
D. Mller, Klassiker des Modernen Mbeldesign, Munich, 1980, p. 100, illus. 74
S. Wichmann, Jugendstil Art Nouveau: Floral und Functional Forms, New York and Boston,
1984, p. 177, illus. 361.
Estimate: $4,000-$6,000
30
german design
31
73065
HUGO LEVEN FOR KAYSERZINN
A Pewter Fledermaus Candelabrum, circa 1900
Stamped on base: KAYSERZINN 4506 in oval
LITERATURE:
1907 Kayserzinn patternbook, no. 4506, p. 44;
Metallkunst: Silber Kupfer Messing Zinn, Vom Jugendstil zur Moderne
1889-1939, Berlin, 1990, p. 327, cat. no. 367.
Estimate: $2,000-$3,000
73066
HUGO LEVEN FOR KAYSERZINN
A Pair of Pewter Duck Decanters and Four Cups,
circa 1900
Stamped on base: Kayserzinn 4358 in oval
8 inches (20.3 cm) high, each decanter
EXHIBITED:
L Arte Decorative all Esposizione di Torino, 1902.
LITERATURE:
J. P. Kayser Sohn Krefeld: Fabrik kunstgewerblicher
Metallgegenstnde, Musterbuch 1907, Munich,
1982, no. 4358.
For further information on Levens work for
Kayserzinn, see A. Duncan, Modernist Design
1880- 1940, The Norwest Collection, Woodbridge,
Suffolk, England, 1998, p. 79 and Metallkunst: Vom
Jugendstil zur Moderne (1889-1939), Kayserzinn
pp. 281-342. For further information on Hugo
Leven, see A. Krekel-Aalberse, Art Nouveau and
Art Deco Silver, New York,1989, p. 141.
Together with a silver plated tray by Orivit, circa
1900, marked ORIVIT, 2124, 12-1/4 inches (cm) long
Estimate: $1,800-$2,200
32
73067
HENRY VAN DE VELDE
A Rare Woven Wicker and Wood Bench, circa 1906-1908
32 x 36 x 18 inches (81.3 x 91.4 x 45.7 cm)
LITERATURE:
Henry van de Velde, Hagen, 1920, p. 62.
In 1906, Van de Velde was commissioned by the banker Karl Ernst Osthaus to design and build the Hohenhof residence in Hagen. Together
with Henri Matisse, Johan Thorn-Prikker, and Ferdinand Hodler, Van de Velde decorated the interior creating this bench for the foyer of the
villa.
Estimate: $6,000-$8,000
33
73068
ALBIN MUELLER FOR EDUARD HUECK
A Copper and Brass Kettle on Stand with
Burner and Two Cups, circa 1903
Stamped on base: AM, Eduard Hueck,
2032
13-1/8 inches (33.3 cm) high, stand
LITERATURE:
Innen Dekoration, vol. 15, 1904, p. 156;
Ein Document Deutscher Kunst,
Darmstadt 1901-1976, Vol. 4, Die Knstler
der Mathildenhhe, exhibition catalogue,
Mathildenhhe Darmstadt, Darmstadt,
1977, p. 433, no. 429;
Carl Bruno Heller, Jugendstil Kunst um
1900, Darmstadt, 1982, p. 225;
Karl H. Brhan, Metallkunst: Vom
Jugendstil Zur Moderne 1899-1939, Berlin,
1990, p. 243; Torsten Brhan and Thomas
Berg, Avantgarde Design 1880-1930, Kln,
1994, p. 80; Dedo von KerssenbrockKrosigk, Modern art of Metalwork: Brhan
Museum, State Museum of Art Nouvear,
Art Deco and Functionalism (1889-1939),
Berlin, 2001, p. 189.
Estimate: $4,000-$6,000
73069
JOSEF MARIA OLBRICH FOR HUECK
A Pewter Decanter, circa 1901
Marks: JO monogram, Edelzinn E. Hueck 1865
EXHIBITED:
Ausst. Der Kunstlerkolonie, Darmstadt, 1904, S. 32;
1904 St. Louis Exhibition.
LITERATURE:
Ideen von Olbrich: Seine Welt, Zeige der Knstler..., Arnoldsche, 1904, p. 1904
Deutsches Kunstgewerbe St. Louis 1904, Berlin, 1904, p. 41
Joseph M. Olbrich, 1867-1908: Das Werk des Architekten, exh. cat., Darmstadt,
1967, cat. no. 201, p. 156-157.
This model was exhibited at both the Knstler Kolonie Darmstadt and the
St. Louis Exhibitions of 1904.
Estimate: $4,000-$6,000
34
73070
LUDWIG MIES VAN DER ROHE FOR GEBRDER THONET
A Chromium Plated Steel and Canvas Armchair, model MR-534, circa 1927
30 x 22 x 30 inches (76.2 x 55.9 x 76.2 cm)
PROVENANCE:
Bart van der Leck, Utrecht, Netherlands
LITERATURE:
L. Glaeser, Ludwig Mies van der Rohe: Furniture and Furniture Drawings from the Design Collection and the Mies van der Rohe Archive,
The Museum of Modern Art, New York, 1985, pp. 22-23.
Estimate: $8,000-$12,000
35
73071
PAUL HAUSTEIN
A Bronze, Ivory, and Multi-Stone
Covered Box
Marks: PH in square
Estimate: $7,000-$10,000
73072
PAUL HAUSTEIN FOR WMF
A Silvered and Patinated Brass and Ivory Ikora Covered Jar, model no.
110/216, circa 1929
Stamped on base: (firms mark) WMF IKORA
LITERATURE:
A. Duncan, Art Deco, London, 1988, p. 146;
B. and H. Scheiffele, WMF Ikora Metall Metalwork, Stuttgart, 2006, pp.
10, 47, 111, 142, and 155.
Estimate: $5,000-$7,000
36
73073
MAX LUGER FOR TONWERKE
A Ceramic and Bronze Table Lamp, circa 1900
Stamped on pottery: Max Luger
Stamped on stand: Germany, S
22 x 18 inches (55.9 x 45.7 cm)
LITERATURE:
A. Duncan, Modernism: Modernist Design 1880-1940 (The Norwest
Collection, Norwest Corporation, Minneapolis), Woodbridge, Suffolk,
England, 1998 (for more information).
Estimate: $3,000-$5,000
73074
MARIANNE BRANDT FOR RUPPEL
An Enameled Metal and Glass Home Bar,
circa 1930
Stamped on base: Ruppel
Estimate: $5,000-$7,000
37
38
ART DECO
39
73075
EMILE-JACQUES RUHLMANN
A Burled Amboyna Two-Door Cabinet with Gilt Bronze Mounts, circa 1925
Branded verso: (B) twice, Ruhlmann three times
63 x 80 x 19-1/2 inches (160.0 x 203.2 x 49.5 cm)
PROVENANCE:
Macklowe Gallery-Modernism, New York;
Collection of Mr. and Mrs. Raymond Manzarek.
LITERATURE:
A. Frechet, ed., Mobilier et Dcoration dInterieur, pp. 10-11 (for a similar model);
L. Deshairs, LArt Dcoratif Franais, 1918-1925, Paris, p. 69 (for a similar model);
L. Deshairs, Modern French Decorative Art, London, 1926, p. 69 (for a similar model);
Un Interieur Moderne, Les Echos des Industries dArt, no. 10, May 1926, p. 15 (for a similar model);
Exposition Retrospective, E.-J. Ruhlmann, exh. cat., Paris, Muse des Arts Decoratifs, 1934 (for a similar model);
F. Camard, Ruhlmann Master of Art Deco, New York, 1984, p. 202 (for a similar model);
Million and Robert Auctions, The Ruhlmann Collection of Genevieve and Pierre Hebey, Paris, October 28, 1999, p.144 (for a period photo of
the identical cabinet in situ in the Van Beuningen apartment);
Fine Decorators, Inc., FD, Home of Fine Decorators, Des Plaines, 2001, p. 58 (for a similar model);
B. Foucart, et al., Ruhlmann, un Genie de lArt Deco, Paris, p. 31 (for a similar model);
E. Breon and R. Pepall, Ruhlmann, Genius of Art Deco, Paris, 2004, p. 31 (for a similar model).
Estimate: $120,000-$180,000
40
41
73076
JEAN DUNAND
A Parcel Gilt Bronze Vase, circa 1913
Inscribed on base: JEAN DUNAND 1913 with monogram and
numbered 14247
LITERATURE:
Art et Dcoration, September 1913, p. 118;
F. Marcilhac, Jean Dunand, His Life and Works, London, 1991, p. 302, fig.
964; p. 165
(for a photograph of Dunand working on a nearly identical vase in his
workshop).
Estimate: $30,000-$50,000
Taken from Art et Dcoration, September 1913, p. 118; the two
additional vases pictured here were sold at Christies Paris, Collection
Yves St. Laurent et Pierre Berg, February 2009.
42
73077
JEAN DUNAND
An Eggshell and Lacquer Vase, circa 1930
Impressed on base: JEAN DUNAND
PROVENANCE:
DeLorenzo Gallery, New York;
Private collection, Colorado, 1996-2009.
LITERATURE:
Anthony DeLorenzo, Jean Dunand, New York, 1985, p. 79 (for a related example)
Felix Marcilhac, Jean Dunand, His Life and Works, London 1991, p. 125, pl. 118. (for a related example)
Estimate: $70,000-$90,000
43
73078
ROBERT MALLET-STEVENS
A Chromium Plated Metal Torchre Lamp, circa 1930
LITERATURE:
Yvonne Brunhammer, 1930-1960: Le Mobilier Franais, Paris, 1997, p. 21;
Brunhammer, Les styles des Annes 30 50, Paris, Ill. 2, p. 19.
Estimate: $9,000-$12,000
44
73079
RAYMOND SUBES
A Wrought Iron and Black Granite Console, circa 1935
35-3/8 x 84-1/4 x 17-1/2 inches (89.7 x 214.0 x 44.5 cm)
LITERATURE:
Mobilier et Dcoration, Paris, 1935, p. 166 (for the model).
Estimate: $70,000-$90,000
45
73080
A FRENCH ART DECO MARBLE AND WROUGHT IRON COFFEE TABLE
Circa 1932
13 x 35 x 18 inches (33.0 x 88.9 x 45.7 cm)
Estimate: $4,000-$6,000
73081
A PAIR OF FRENCH UPHOLSTERED ARMCHAIRS
Circa 1940
37 x 24 x 23 inches (94.0 x 61.0 x 58.4 cm) each
Estimate: $4,000-$6,000
46
73082
Attributed to DOMINIQUE
An Art Deco Amboyna and Ivory Cabinet, circa 1930
54-1/2 x 32 x 16 inches (138.4 x 81.3 x 40.6 cm)
PROVENANCE:
Bob Gingold, New York
Estimate: $20,000-$30,000
47
73083
ALBERT CHEURET
An Alabaster and Silvered Bronze Table Lamp, circa 1925
Inscribed on base: Made in France
Estimate: $6,000-$8,000
73084
DOUARD CAZAUX
A Glazed Ceramic and Metal Table Lamp, circa 1935
Signed on base: CAZAUX Made in France
19-5/8 x 13-1/4 inches (49.9 x 33.7 cm)
LITERATURE:
V. Arwas, Art Deco, New York,1980, pp. 282-283;
E. Pelichet, La Cramique Art Dco, Paris, 1988, p.
80;
LArt Dco en Europe, Brussels, 1989, no. F8, pp. 146
and 256;
douard Cazaux, Cramiste-Sculpteur Art dco,
Saint-Rmy-en-lEau, 1994, pp. 119 and 121.
Estimate: $3,000-$5,000
48
73085
RENE LALIQUE
Trevise A Molded Glass Chandelier, Marcilhac no. 2473, model introduced 1927
Engraved on rim: R LALIQUE FRANCE
35-1/2 x 15-3/4 inches (90.2 x 40.0 cm)
LITERATURE:
F. Marcilhac, Ren Lalique, 1860-1945, Matre-Verrier : Analyse de LOeuvre et Catalogue Raisonn, Paris, 1989, no. 2473.
Estimate: $8,000-$12,000
49
73086
CHARLES CATTEAU FOR BOCH FRERES KERAMIS
A Pair of Polychrome Glazed Stoneware Vases, manufactured
by Keramis, circa 1930
Marks: Keramis, Made in Belgium, D1485, 914
LITERATURE:
D. Corrieras, LHomme de Keramis, Charles Catteau, Paris,
1991, p. 62.
Estimate: $2,000-$3,000
73087
ROBERT LALLEMANT
A Glazed and Painted Earthenware Vase
with Cubist Designs, circa 1925
Marks: T R Lallemant
Estimate: $2,500-$3,500
50
73088
Manner of LON JALLOT
A Wood Desk, circa 1930s
32 x 32 x 19 inches (81.3 x 81.3 x 48.3 cm)
Estimate: $4,000-$6,000
73089
ALVAR AALTO FOR FINMAR
A Birch Occasional Table, circa 1931
23-3/8 x 23-1/8 x 19-3/4 inches (59.2 x 58.7 x
50.2 cm)
LITERATURE:
Alvar Aalto Furniture, (Helsinki: Museum of
Finnish Architecture, 1984), p. 136;
Alvar Aalto (Helsinki: Alvar Aalto Museum
Publishing, 1992), p. 83, illus. 200.
Estimate: $3,000-$5,000
51
73090
73092
HOUR LAVIGNE
A 24K Gold Plated Bronze and Glass Clock
Stamped on base: Made in France, Hour Lavigne Paris, 3030, 479
HENRI MARTI
A Mirrorred Glass, Palmwood, and Chromium Plated Brass Mantle
Clock, circa 1925
Estimate: $2,500-$3,500
Estimate: $2,000-$3,000
73091
73093
JEAN PERZEL
A Chromium Plated and Enameled Metal Desk Lamp, circa 1930s
JEAN PERZEL
A Gilt Metal and Glass Table Lamp, circa 1930s
Impressed on base: JPerzel
Estimate: $4,000-$6,000
Estimate: $1,200-$1,800
52
73094
CLAUDIUS LINOSSIER
A Dinanderie Metal Vase, circa 1925
Stamped on base: CL-LINOSSIER
PROVENANCE:
Estimate: $4,000-$6,000
73095
Attributed to Maison Jansen
A BLACK LACQUER AND GILT-TOOLED
LEATHER COFFEE TABLE
18 x 35 x 35 inches (45.7 x 88.9 x 88.9 cm)
Estimate: $5,000-$7,000
53
73096
LA MAISON DESNY
A Burl Elm Veneered Desk and Chair, 1930s
Drawer hardware stamped: DESNY PARIS, MADE IN FRANCE, DEPOS
28-3/8 x 53-1/4 x 29-1/2 inches (71.9 x 135.3 x 74.9 cm) desk
32-1/2 x 16-1/2 x 16 inches (82.6 x 41.9 x 40.6 cm) chair
PROVENANCE:
Custom designed for a New York City apartment.
M. Desnet and Rn Nauny formed La Maison Desny in 1927. Nauny befriended many important artists and designers including Diego and
Alberto Giacometti and Andr Masson. The two had a workshop and a retail space in Paris (at 122 Champs Elyses), creating highly exclusive
items ranging from furniture to decorative accessories. They also offered an interior design service. They created designs for Worth (Paris) and
Chanel, and collaborated with Robert Mallet-Stevens, Djo Bourgeois, and Jean-Michel Frank. The partnership lasted until the death of Desnet
in 1933.
Estimate: $11,000-$14,000
54
73097
LA MAISON DESNY
A Burl Elm Veneered Sofa and Bookcase, 1930s
Hardware stamped: DESNY PARIS, MADE IN FRANCE, DEPOS
43 x 128 x 128 inches (109.2 x 325.1 x 325.1 cm) overall
Estimate: $20,000-$30,000
73098
No Lot.
55
73099
LA MAISON DESNY
A Pair of Maple Veneered Armchairs,
1930s
33 x 22 x 21-1/2 inches (83.8 x 55.9 x
54.6 cm) each
PROVENANCE:
Custom designed for a New York City
apartment.
Estimate: $4,00-$5,500
56
73100
LA MAISON DESNY
A Burl Elm Veneered Mantle, 1930s
Mantle stamped lower left: DESNY PARIS, MADE IN FRANCE, DEPOS
43 x 137 x 16-1/2 inches (109.2 x 348.0 x 41.9 cm)
PROVENANCE:
Custom designed for a New York City apartment.
Estimate: $13,000-$15,000
57
73101
73102
GERDAGO (GERDA IRO)

An Enameled, Silver Gilt, and Ivory Exotic Dancer, circa 1925
Signed on base: GERDAGO
Foundry mark: (Arthur Rubenstein monogram)
12-3/4 x 6 x 2 inches (32.4 x 15.2 x 5.1 cm) excluding base
ALLAN CLARK (American, 1896-1950)

Nude Woman, circa 1925-1930
Bronze
Inscribed on base: A. CLARK / No 15
Foundry mark: Roman Bronze Works N.Y.
Estimate: $5,000-$8,000
Estimate: $7,500-$10,000
End of Session One
58
session 2
59
73103
T.J. WHEATLEY
A Matte-Glazed Pottery Planter Vase, circa 1910
Marks: WP, 683, Wheatley paper label
Estimate: $2,000-$3,000
73104
A PAIR OF ARTS AND CRAFTS WROUGHT IRON
ANDIRONS
Circa Early 20th Century
Estimate: $1,000-$1,500
Starting Bid: $800
60
Session Two, Auction #5021 | Thursday, June 4, 2009 2:00 PM CT
73105
HARVEY ELLIS FOR GUSTAV STICKLEY
An Oak Chest of Drawers, model no. 913, circa 1900
Marked in drawer: Gustav Stickley red decal
50-1/2 x 36 x 20 inches (128.3 x 91.4 x 50.8 cm)
Estimate: $8,000-$12,000
61
73106
WILLIAM DAY GATES FOR TECO
A Glazed Pottery Four-Handled Vase, circa 1902
Marks: teco (twice)
Estimate: $3,000-$5,000
73107
WILLIAM DAY GATES FOR TECO
A Matte-Glazed Ceramic Two-Handled Vase,
circa 1902
Marks: teco (twice)
Estimate: $2,000-$3,000
62
73108
GEORGE WASHINGTON MAHER
An Oak and Leather-Upholstered Rockledge Side
Chair, circa 1911-1912
40-3/4 x 18-1/2 x 20-1/4 inches (103.5 x 47.0 x 51.4 cm)
PROVENANCE:
Ernest L. and Grace King residence, Homer,
Minnesota.
In 1912, George Washington Maher designed
Rockledge, a summer residence near Homer,
Minnesota, for E.L. King. Sited just beneath a cliff
along the Mississippi River, Rockledge is considered
the finest residence of Mahers career and a perfect
example of his motif-rhythm theory of architectural
design.
Information and other examples from the Maher /
Rockledge commission can be found in the following
books and publications: W. Kaplan, ed., The Art that is
Life: The Arts and Crafts Movement in America, 18751920, Boston, 1987, pp. 396-400; J. Kardon, The Ideal
Home: The History of Twentieth Century American
Craft, 1900-1920, New York, 1993, cover illus. and p.
205; Geo. W. Maher Quarterly, October-December
1992, pp. 1, 16, and 17; and Arts, December 1995, The
Minneapolis Institute of Arts, cover and back cover.
Examples of artworks from Rockledge are in the
permanent collections of the Metropolitan Museum
of Art, Cooper-Hewitt National Design Museum, the
Brooklyn Museum of Art, the Minnesota Historical
Society, the Newark Museum, the Baltimore
Museum of Art, the Minneapolis Institute of Arts,
the Milwaukee Art Museum, the Wolfsonian, Miami
Beach, the Dallas Museum of Art, the Houston
Museum of Fine Arts, and the St. Louis Art Museum.
Estimate: $20,000-$30,000
63
73109
FRANK LLOYD WRIGHT
Wasmuth Portfolio of Buildings, Plans, and
Designs, Horizon Press, New York, 1963 reprint
25-1/4 x 15-3/4 inches (64.1 x 40.0 cm) each sheet
Portfolio includes introductory booklet in original
wrapper, 100 plates loose as issued, together in
original half cloth portfolio with ties
Estimate: $3,000-$5,000
64
73110
FRANK LLOYD WRIGHT
An Oak Reclining Armchair, designed for
the William E. Martin House, Oak Park,
Illinois, circa 1902
28 x 29 x 33 inches (71.1 x 73.7 x 83.8
cm)
PROVENANCE:
Barbra Streisand Collection.
Frank Lloyd Wright created this chair for the house he designed in 1902 in Oak Park, Illinois, for William E. Martin, co-owner with his brother,
Darwin, of the E-Z Polish Company. The intriguing, successful design of Martins house brought Wright eight other major commissions,
including one for the Martin brothers own E-Z Polish factory. Darwin Martin was employed by the Larkin Company in Buffalo, New York, and
he convinced the company to have Wright design their new administration building. Darwin also commissioned Wright to build his home with
a gardeners cottage in Buffalo, New York, and his summer residence in Derby, New York. In Buffalo, Wright additionally completed homes for
George Barton, Darwins brother-in-law, and for W.R. Heath and for Alexander Davidson, both Larkin Company employees.
It was in the Chicago suburb of Oak Park, where William Martin lived and used this chair, that Wright developed and perfected his signature
Prairie style, the basis of 20th-century residential design in the United States. Wrights Prairie style featured structures with low-lying
exteriors and open, light-filled interiors, where the manmade was meant to resonate with the surrounding natural environment.
Understanding Wrights philosophy concerning the relationship between architecture and interior design is especially essential for
appreciating this chair. According to Wright, a homes materials, windows, lighting, furniture, and exterior setting, as much as its architectural
framework, equally contributed to the overall design concept and the ultimate success of the commission. In fact, Wright believed that the
home, in its entirety, had the power to shape its residents.
Estimate: $75,000-$90,000
65
66
tiffany
67
73113
73111
TIFFANY STUDIOS
A Pair of Gilt Bronze Fleur-de-Lis Two-Light Candle Holders and
Snuffers, model no. 1232
Stamped on base: TIFFANY STUDIOS NEW YORK 1232
TIFFANY STUDIOS
A Gilt Bronze Fern Dish with Copper Liner, model no. 1727
Estimate: $1,000-$1,500
Starting Bid: $750
Estimate: $3,500-$4,000
73114
73112
TIFFANY STUDIOS
A Gilt Bronze Match Stand in the Etruscan Pattern, model 2068
TIFFANY STUDIOS
A Pair of Gilt Bronze Candlesticks
Estimate: $3,000-$5,000
Estimate: $1,200-$1,800
68
73115
TIFFANY STUDIOS
A Gilt Bronze Picture Frame, circa 1910-1915
Stamped verso: TIFFANY STUDIOS NEW YORK 74408
15 x 12 inches (38.1 x 30.5 cm)
Estimate: $4,500-$6,500
73116
LOUIS C. TIFFANY FURNACES, INC.
A Pair of Gilt Bronze and Enamel
Candlesticks, circa 1920s
Stamped on base: Louis C. Tiffany Furnaces,
Inc. 368
Estimate: $5,000-$7,000
69
73117
TIFFANY STUDIOS
A Peacock Favrile Glass Vase, circa 1900
Engraved on the base: o7466
Estimate: $6,000-$8,000
73118
No Lot.
70
73119
TIFFANY STUDIOS
A Favrile Glass Gooseneck Vase, inspired by the Persian rosewater sprinkler vase of antiquity, circa 1903
Engraved on base: R5632 L.C.T.
PROVENANCE:
John and Katsy Mecom; Houston
Sothebys, New York, The John and Katsy Mecom Collection, October 13, 1992, lot 392.
Estimate: $8,000-12,000
71
73120
TIFFANY STUDIOS
A Favrile Glass Vase, circa 1910
Engraved on base: L.C.Tiffany Favrile
Estimate: $2,000-$3,000
73121
TIFFANY STUDIOS
Engraved on base: L.C.T. N2862
Estimate: $3,500-$4,500
72
73122
TIFFANY STUDIOS
A Floriform Favrile Glass Vase, circa 1908
Engraved on base: 6923C L.C.Tiffany - Favrile
PROVENANCE:
Sothebys New York, June 6, 2003
Estimate: $10,000-$15,000
73
73123
TIFFANY STUDIOS
A Bisque Pottery Vase, circa 1910
Incised on base: LCT monogram
Estimate: $2,000-$3,000
73125
LOUIS C. TIFFANY FURNACES, INC.
A Favrile Glass Trumpet Vase with Enameled Bronze Foot, circa 1920s
Stamped on base: Louis C. Tiffany Furnaces, Inc., Favrile, 165
Estimate: $4,000-$6,000
73124
TIFFANY STUDIOS
A Bisque Pottery Vase with Green-Glazed Interior, circa 1910
Incised on base: LCT monogram
73126
PROVENANCE:
Estate of Grady Cain, New York
TIFFANY STUDIOS
A Favrile Glass Lily Pad Bowl with Two-Tier Frog, circa 1915
Engraved on bowl: 4734L L.C.Tiffany - Favrile
Engraved on frog: 4732L L.C.Tiffany - Favrile
Estimate: $2,500-$3,500
Estimate: $2,500-$3,500
74
73127
TIFFANY STUDIOS
A Bronze Partial Desk Set in the Zodiac Pattern
Each stamped: TIFFANY STUDIOS NEW YORK and numbered
13-1/4 inches (33.7 cm) high, lamp
Comprising a table lamp with favrile glass shade, inkwell, letter rack, scale, box, and magnifying glass
Estimate: $12,000-$18,000
75
73128
TIFFANY STUDIOS
A Millefiore Favrile Glass Vase, circa 1910
Engraved on base: L.C.T. W3302
Estimate: $2,000-$3,000
73129
TIFFANY STUDIOS
Engraved on base: 5625E L.C.Tiffany - Favrile
Estimate: $4,000-$6,000
76
73130
TIFFANY STUDIOS
A Miniature Favrile Glass Vase, circa 1905
Engraved on base: E2059 L.C.T.
Estimate: $2,500-$3,500
73131
TIFFANY STUDIOS
Engraved on base: 6371H L.C.Tiffany Favrile
Estimate: $4,000-$6,000
73132
No Lot.
77
73133
TIFFANY STUDIOS
A Pair of Bronze Buddhist Bookends,
model no. 1025
Stamped on base: TIFFANY STUDIOS
NEW YORK 1025
Estimate: $2,500-$3,500
73134
TIFFANY STUDIOS
A Bronze Fleur-de-Lis Two-Light Candle Holder
and Snuffer, model no. 1232
Stamped on base: TIFFANY STUDIOS NEW YORK
1232
Estimate: $2,000-$3,000
78
73135
A COLLECTION OF TIFFANY STUDIOS EPHEMERA
Various dimensions
Comprising Tiffany Studios original letterhead, unused; an article by Theodore B.J. Merkt, M.E., King Tut to Tiffany; an original Tiffany
Studios receipt; an original Tiffany Studios oriental rug advertisement from Schribners magazine dated October 1903; an original Tiffany
Studios advertisement from Town and Country magazine dated November 1927; an original Tiffany Studios advertisement, circa 1911, with
showroom image; an original article on indoor fountains at Oyster Bay - Laurelton Hall, dated August 1908; a Tiffany Studios brochure, About
Lamps; a catalogue, Tiffany Favrile Glass, 23 pages from collection of Ruby Clark Wagner, a collector from Amarillo, Texas; two black-andwhite original photographs of Tiffany exhibition glassware; and a handwritten letter by Louis C. Tiffany to Joseph Briggs
Estimate: $3,000-$5,000
73136
No Lot.
79
73137
TIFFANY & COMPANY
An Important and Unique Bronze Table, designed by Edward C. Moore, circa 1875
Stamped under top: Tiffany & Co, 0304 Makers 5248, M
This Japanesque table was designed by Edward C. Moore around 1875, very
probably as an exhibition piece for Tiffany & Companys display at the Philadelphia
Centennial Exhibition of 1876. It is, to my knowledge, the largest known work
by Edward C. Moore and bears all the signature design elements of his early
Japanesque style of the first years of the 1870s before he turned to mixed metals in
preparation for the Paris Exposition Universelle of 1878, where his Japanesque silver
won the grand prize. (Moore was Tiffany & Co.s head designer from circa 1853 until
1891, and one of the greatest decorative artists in American history.)
- John Loring
LITERATURE:
John Loring, Magnificent Tiffany Silver, New York, 2001, pp. 20-73
Estimate: $40,000-$60,000
80
81
73138
TIFFANY STUDIOS
An Oak Leaf Leaded Glass and Bronze Table Lamp, circa 1910
Shade stamped: TIFFANY STUDIOS NEW YORK 1407
23 x 18 inches (58.4 x 45.7 cm)
Estimate: $45,000-$55,000
82
73139
TIFFANY GLASS AND DECORATING
COMPANY
A Bronze and Glass Byzantine Lamp, possibly
designed by J.A. Holzer, circa 1893
32 x 10-1/2 inches (81.3 x 26.7 cm)
Jacob Adolphe Holzer (1858-1938), chief
designer for Tiffany between 1890-1896.
Estimate: $20,000-$30,000
83
73140
TIFFANY STUDIOS
A Seven-Light Lily Favrile Glass and Gilt Bronze Table Lamp, circa 1910
Shades engraved: L.C.T. Favrile
Drop cluster pond lily base, model no. 385, stamped: TIFFANY STUDIOS NEW YORK 385
Estimate: $18,000-$22,000
84
73141
TIFFANY STUDIOS
A Four-Light Favrile Glass and Bronze Newel Post Table Lamp, circa 1910
Newel twist stem base, model no. 315, stamped: TIFFANY STUDIOS NEW YORK 315
PROVENANCE:
Estimate: $20,000-$30,000
85
73142
TIFFANY STUDIOS
A Dragonfly Leaded Glass and Bronze Table Lamp, circa 1910
Shade stamped: TIFFANY STUDIOS NEW YORK 1507
Base stamped: TIFFANY STUDIOS NEW YORK 532
Height x Diameter of shade - example 9 5/8 x 21 inches (24.4 x 53.3 cm)
Estimate: $100,000-$150,000
86
87
73143
TIFFANY STUDIOS
A Swirling Lemon Leaf Leaded Glass and Bronze Table Lamp, circa
1910
Vine ornament, plain squares, low dome shade, model no. 1474,
stamped: TIFFANY STUDIOS NEW YORK
Table lamp base, model no. 655, stamped: TIFFANY STUDIOS NEW
YORK 655
28-1/4 x 18 inches (71.8 x 45.7 cm)
Estimate: $15,000-$25,000
73144
TIFFANY STUDIOS
A Geometric Leaded Glass and Bronze Table Lamp, circa 1910
Shade stamped: TIFFANY STUDIOS NEW YORK
Library standard, Colonial base, model 532, stamped: TIFFANY
STUDIOS NEW YORK 532
31-1/2 x 23 inches (80.0 x 58.4 cm)
Estimate: $12,000-$18,000
88
73145
TIFFANY STUDIOS
A Tulip Leaded Glass and Bronze Table Lamp, circa 1910
Tulip cluster dome shade, model no. 1454, stamped: TIFFANY STUDIOS NEW YORK
Base stamped: TIFFANY STUDIOS NEW YORK 28616 TG&D Co
22 x 16 inches (55.9 x 40.6 cm)
PROVENANCE:
Sothebys New York, March 11, 2005
LITERATURE:
A. Duncan, Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, Woodbridge, 2007, p.174.
Estimate: $50,000-$70,000
73146
No Lot.
89
73147
TIFFANY STUDIOS
A Favrile Glass and Bronze Balance Floor Lamp, circa 1910
Shade engraved: L.C.T. Favrile
Base, model no. 468, stamped: TIFFANY STUDIOS NEW YORK 468
Model no. 423 stem with model no. 417 top
54 inches (137.2 cm) high x 10 inches (25.4 cm wide)
Estimate: $12,000-$18,000
90
73148
TIFFANY STUDIOS
A Ten-Light Lily Favrile Glass and Bronze Table Lamp, circa 1910
Pond lily base, model no. 381, stamped: TIFFANY STUDIOS NEW YORK 381
Estimate: $25,000-$35,000
91
73149
TIFFANY STUDIOS
A Tulip Leaded Glass and Bronze Table Lamp, circa 1910
Tulip, low dome shade, model no. 1596, stamped: TIFFANY STUDIOS NEW YORK 1596
Tyler, trumpet shape, pod design base, model no. 179, stamped: TIFFANY STUDIOS NEW YORK 6014
27 x 18 inches (68.6 x 45.7 cm)
Estimate: $125,000-$150,000
92
93
73150
TIFFANY STUDIOS
A Geometric Leaded Glass Lamp Shade on an American Arts & Crafts Bronze base, circa 1902
Shade stamped: TIFFANY STUDIOS NEW YORK
28 x 16 inches (71.1 x 40.6 cm)
Base is from unknown maker.
Estimate: $25,000-$35,000
94
73151
TIFFANY STUDIOS
A Geometric Leaded Glass and Bronze Table Lamp, circa 1910
Plain squares, OBrien shade, model no. 1501, stamped: TIFFANY STUDIOS NEW YORK 1501
30 x 22 inches (76.2 x 55.9 cm)
Estimate: $35,000-$40,000
95
73152
TIFFANY STUDIOS
A Dragonfly Leaded Glass and Bronze Table Lamp, circa 1910
Dragonfly cone shade, model no. 1495, stamped: TIFFANY STUDIOS NEW YORK 1495
Library standard, cushion base with large conventional pineapple, model no. 366, stamped: TIFFANY STUDIOS NEW YORK 6004
25-1/2 x 20 inches (64.8 x 50.8 cm)
Estimate: $180,000-$240,000
96
97
73153
TIFFANY STUDIOS
A Favrile Glass and Enameled Copper Table Lamp, circa 1910
Base stamped: TIFFANY STUDIOS NEW YORK 1095 TG&D Co
18 x 16 inches (45.7 x 40.6 cm)
Estimate: $25,000-$35,000
98
73154
TIFFANY STUDIOS
A Greek Key Leaded Glass and Bronze Table Lamp, circa 1910
Greek border, domed shade, model 1907, stamped: TIFFANY STUDIOS NEW YORK 1907
Library lamp, arch and leaf design base, model no. 542, stamped: TIFFANY STUDIOS NEW YORK 542
32 x 22 inches (81.3 x 55.9 cm)
Estimate: $50,000-$70,000
73155
No Lot.
99
73156
TIFFANY STUDIOS
A Pair of Gilt Bronze and Favrile
Glass Three-Light Lily Sconces,
circa 1910
Shades signed: L.C.T.
Estimate: $15,000-$20,000
73157
No Lot.
73158
TIFFANY STUDIOS
A Linenfold Favrile Glass and Gilt Bronze Table Lamp, circa 1910
Shade, model no. 1940, stamped: TIFFANY STUDIOS NEW YORK 1940 PAT.
APPLD FOR
Bell lamp for 7 inch shade, ribbed, pivot base, model no. 419, stamped:
TIFFANY STUDIOS NEW YORK 419
13-3/4 x 9-1/4 inches (34.9 x 23.5 cm)
Estimate: $4,000-$6,000
100
AMERICAN MODERNISM
101
73159
PETER MLLER-MUNK FOR REVERE
A Chromium Plated Metal Normandie Pitcher, circa 1935
Marks: Revere ROME N.Y.
LITERATURE:
A. Duncan, American Art Deco, New York, 1986, p. 93;
D.H. Pilgrim, et al., The Machine Age in America 1918-1941, exh. cat.,
New York, 1986, p. 307;
J.S. Johnson, American Modern 1925-1940, Design for a New Age,
exh. cat., New York, 2000, p. 145.
Estimate: $2,000-$3,000
73160
JEAN G. THEOBALD FOR WILCOX
A Four-Piece Silver Plated Metal and
Wood Dinette Set, circa 1928
Marks: WILCOX S P CO.
INTERNATIONAL S. CO., 7037
13-1/2 inches (34.3 cm) long, tray
LITERATURE:
Creative Art, 1928;
A. Duncan, Modernism: Modernist
Design 1880-1940, The Norwest
Collection, Norwest Corporation,
Minneapolis, Woodbridge, 1998, p. 230;
J. Stern, Modernism in American Silver
20th Century Design, New Haven and
London, 2005, pp. 36-37.
Estimate: $2,500-$3,500
102
73161
WALTER VON NESSEN
An Aluminum and Bakelite Art Moderne
Occasional Table, manufactured by Nessen
Studio Inc. USA, circa 1931
Impressed on underside: NESSEN STUDIOS,
NEW YORK, 451
18 x 18-1/2 x 12 inches (45.7 x 47.0 x 30.5 cm)
LITERATURE:
House Beautiful, September 1929;
R.L. Leonard and C.A. Glassgold, eds.,
Annual of American Design 1931, New York,
1930, p. 68;
Arts & Decoration, July 1932.
Estimate: $10,000-$15,000
73162
WALTER VON NESSEN
A Glass and Patinated Metal Desk Lamp, circa 1925
16 x 16 inches (40.6 x 40.6 cm)
PROVENANCE:
Executive offices of the Fisher Building, Detroit, designed by the
architect Albert Kahn.
Estimate: $2,500-$3,500
103
73163
GILBERT ROHDE FOR HERMAN MILLER
A Mirrored Blue Glass and Chromium Plated Metal Table Clock, circa 1934
LITERATURE
See J.S. Johnson, American Modern 1925-1940: Design for a New Age , New York, 2000, p. 142
and R. Wilson, The Machine Age in America, 1918-1941, New York, 1986, p. 320 for a related
example.
Estimate: $3,000-$5,000
73164
GILBERT ROHDE
A Chromium Plated Metal and Glass Clock,
manufactured by Herman Miller Clock Co.,
circa 1933
Printed on clock face: Herman Miller, HM in
circle, Herman Miller Clock Co. Zeeland, Mich.
U.S.A.
Estimate: $2,000-$3,000
73165
A Chromium Plated Metal and Glass Clock, circa 1934
Printed on clock face: Herman Miller Clock Co. Zeeland, Mich. U.S.A.
LITERATURE
See J.S. Johnson, American Modern 1925-1940: Design for a New Age, New
York, 2000, pp. 142-143 and R.G. Wilson, D.H. Pilgram, and D. Tashjian, The
Machine Age in America: 1918-1941, exh. cat., New York, 1986 for related
examples.
Estimate: $1,500-$2,000
Starting Bid: $900
104
73166
GILBERT ROHDE FOR HERMAN
MILLER
A Specimen Wood and Chromium
Plated Metal Showroom Sample Clock
and Thermometer/Barometer, circa 1933
Estimate: $3,000-$5,000
73167
GILBERT ROHDE FOR HERMAN
MILLER
A Black Lacquer and Chromium Plated
Metal Wall Clock, circa 1934
Printed on clock face: Herman Miller,
HM in circle, Herman Miller Clock Co.
Zeeland, Mich. U.S.A.
8 inches (20.3 cm) diameter
Estimate: $2,000-$3,000
105
73168
A Walnut, Burl Walnut and Steel Sideboard, Formal Group no. 3321, circa 1933
35 x 66 x 17 inches (88.9 x 167.6 x 43.2 cm)
LITERATURE:
L. Pia, preface, Herman Miller 1940, Gilbert Rohde Modern Furniture Design, Atglen, PA, 1998, pp. 52-53;
Phyllis Ross, Gilbert Rohde: Modern Design for Living, New Haven, 2009, p. 97
Estimate: $4,000-$6,000
106
73169
T.H. ROBSJOHN-GIBBINGS FOR
WIDDICOMB
An Upholstered Birch Settee and
Armchair, circa 1950
37-3/4 x 55-7/8 x 30-1/2 inches (95.9 x
141.8 x 77.5 cm) settee
37-3/4 inches (95.8 cm) high, armchair
LITERATURE:
Metropolitan Home, March 1998, for an
illustration of this set on the magazine
cover;
J.V. Lovine, Solving Moderns Midlife
Crisis, The New York Times, February
7, 2002, for a photograph of this set
in a New York apartment designed by
Benjamin Noriega-Ortiz.
Estimate: $6,000-$8,000
View armchair at HA.com.
73170
T.H. ROBSJOHN-GIBBINGS FOR
WIDDICOMB
A Pair of Ebonized and White GoldLeafed Ash Coffee Tables, circa 1946
Label: Modern Original, WIDDICOMB,
#1277, 30
15-1/2 x 48 x 22 inches (39.4 x 121.9 x
55.9 cm) each
LITERATURE
See C. Greenberg, Mid-Century
Modern: Furniture of the 1950s, New
York, 1984, p. 28 for more information
on Robsjohn-Gibbings.
Estimate: $4,000-$6,000
107
73171
DONALD DESKEY
A Chromium Plated Metal and Vinyl Upholstered Sofa, circa 1935
31-1/2 x 70-1/2 x 35-1/2 inches (80.0 x 179.1 x 90.2 cm)
Estimate: $4,000-$6,000
108
73172
JULES BOUY FOR CARLOS SALZEDO
A Lacquered and Painted Wood Bookshelf, circa 1931
51 x 34 x 9 inches (129.5 x 86.4 x 22.9 cm)
PROVENANCE:
Lucille Lawrence, River Edge, NY
Estimate: $4,000-$6,000
73173
JULES BOUY FOR CARLOS SALZEDO
A Lacquered Wood Desk, circa 1931
30 x 59 x 25 inches (76.2 x 149.9 x 63.5 cm)
PROVENANCE:
Lucille Lawrence, River Edge, NY
Estimate: $6,000-$8,000
109
73174
RUSSEL WRIGHT
A Spun Aluminum and Cork Cocktail
Set, circa 1932
Each stamped on base: Russel Wright
11-3/8 inches (28.8 cm) high, shaker
Comprising a shaker, six cups, and tray
Estimate: $7,000-$9,000
73175
Attributed to
DONALD DESKEY
An Enameled Metal and Wood Miniature
Screen
Estimate: $3,000-$5,000
110
73176
KEM (KARL EMMANUEL MARTIN) WEBER FOR ROYALCHROME CO.
A Chromium Plated Metal and Vinyl Upholstered Sofa, circa 1930
35 x 79 x 40 inches (88.9 x 200.7 x
101.6 cm)
Estimate: $4,000-$6,000
111
73177
KEM (KARL EMANUEL MARTIN)
WEBER FOR LAWSON TIME INC.
A Copper and Brass Lawson Zephyr
Clock, circa 1933
Printed on clock face: Lawson
Original metal tag: Lawson Electric
Clock, Lawson Time Inc., Pasadena, Calif.
For related models, see The Machine
Age in America 1918-1941, New York,
1986; Kem Weber, The Moderne in
Southern California 1920-1941, Santa
Barbara, 1969; and M. Eidelberg,
Design 1935-1965, What Modern Was:
Selections from the Liliane and David M.
Stewart Collection, Montreal and New
York, 1991.
Estimate: $3,000-$4,000
73178
FRANK A. DANDREA FOR FADA
A Temple Catalin Radio Set, model 652, circa 1940s
Printed on face: FADA
Paper label on base with tube layout diagram
Estimate: $1,200-$1,800
112
73179
FRANK A. DANDREA FOR FADA
A Streamliner Bakelite Radio Set, model 1000, circa 1940
Printed on face: FADA, Kilocycles, Meters
LITERATURE:
F. Hufnagl, A Century of Design: Insights Outlook on a Museum of
Tomorrow, Germany, 1998, p. 120.
Estimate: $1,200-$1,800
73180
MILO BAUGHMAN FOR THAYER COGGIN
A Set of Six Chromium Plated Metal and Leather Upholstered Chairs,
circa 1960s
28-1/4 x 23 x 29 inches (71.8 x 58.4 x 73.7 cm) each
Estimate: $4,000-$6,000
73181
CHARLES & RAY EAMES FOR HERMAN MILLER
An Aluminum and Marble Table, circa 1958
29-1/2 x 72 x 36 inches (74.9 x 182.9 x 91.4 cm)
Estimate: $2,500-$3,500
113
73182
JEAN PROUV AND JULES LELEU
A Painted Steel Table, circa 1935
29 x 49 x 49 inches (73.7 x 124.5 x 124.5 cm)
PROVENANCE:
Martel de Janville Sanatorium, Plateau dAssy, France.
Designed by Pol Abraham and Henry LeMeme, The Martel de Janville Sanatorium featured interiors by Jules Leleu in collaboration with Jean
Prouv, whose firm manufactured the table.
Estimate: $8,000-$12,000
114
73183
JEAN PROUV AND JULES LELEU
A Lacquered Steel and Laminated Wood Wall-Mounted Desk, circa 1935
29 x 66-1/2 x 27-1/2 inches (73.7 x 168.9 x 69.9 cm)
PROVENANCE:
Martel de Janville Sanatorium, Plateau dAssy, France.
Designed by Pol Abraham and Henry LeMeme, The Martel de Janville Sanatorium featured interiors by Jules Leleu in collaboration with Jean
Prouv, whose firm manufactured the wall-mounted desk. The rooms for the officers in the French Air Force were comprised of a bed, a wallmounted desk with an accompanying chair, and an armchair for guests.
Estimate: $7,000-$9,000
115

73184
ROGER CAPRON
A Wrought Iron and Ceramic Tile Coffee
Table, circa 1960
Signed on tile: R. Capron
12 x 40 x 20 inches (30.5 x 101.6 x 50.8 cm)
Estimate: $8,000-$12,000
73185
ROGER CAPRON
A Ceramic Tripod Lamp, circa 1960
Signed verso: CAPRON
Estimate: $3,000-$5,000
116
73186
JEAN ROYERE
A Wrought Iron and Travertine Ruban Coffee Table, circa 1948
13 x 50 x 20 inches (33.0 x 127 x 50.8 cm)
LITERATURE:
R. Gabriel, Ensembles mobiliers, vol. 7, variante rfrence pl. 44;
Catalogue de lexposition du 8 octobre 1999 au 30 janvier 2000 au Muse des Arts Dcoratifs Jean Royre dcorateur Paris Editions
Norma, Paris, 1999, similar model p. 58;
P.-E. Martin-Vivier, Jean Royre, Editions Norma, Paris, 2002, similar model p. 225.
Estimate: $25,000-$35,000
117
73187
YRJO KUKKAPURO FOR HAIMI
A Chromium Plated Metal and Leather
Chair with Ottoman, circa 1960s
31-1/2 x 29-3/4 x 25 inches (80.0 x 75.6 x
63.5 cm) chair
15 x 20-1/2 x 16-1/2 inches (38.1 x 52.1 x
41.9 cm) ottoman
Estimate: $4,000-$6,000
73188
ILMARI TAPIOVAARA
A Birch and Leather Lounge Chair, circa 1947, designed for the
Competition for Low-Cost Furniture Design at the Museum of Modern
Arts 1947-1948 International
28-1/2 x 24-1/2 x 22 inches (72.4 x 62.2 x 55.9 cm)
LITERATURE:
E. Kaufmann, Jr., Prize Designs for Modern Furniture, New York, 1950,
(for an illustration of Tapiovaaras chairs in the Museum of Modern
Arts low-cost furniture competition);
I. Tapiovaara, Barcelona, 1987, p. 86;
I. Tapiovaara, Interior Architect, exh. cat., New York, 2001, p. 25.
Estimate: $3,000-$5,000
118
73189
ARNE JACOBSEN FOR FRITZ HANSEN
A Leather Upholstered Aluminum Egg Chair Model No. 3316 with Ottoman Model No. 3127, circa 1958
Label on chair: Made in Denmark, 0867, FH by Fritz Hansen, Danish Furniture Makers Control
41-1/2 x 32 x 31 inches (105.4 x 81.3 x 78.7 cm) chair
17 x 22 x 16 inches (43.2 x 55.9 x 40.6 cm) ottoman
PROVENANCE:
Sothebys Amsterdam.
LITERATURE:
Arne Jacobsen, Interiors, June 1959, p. 115;
Martin Eidelberg, ed., Design 1935-1965: What Modern Was, Montreal, 1991, p. 192;
Carsten Thau and Kjeld Vindum, Arne Jacobsen, Copenhagen, 2001, pp. 154, 158-159, 433-435, 438-439, 471-472;
Anne Karlsen, Danish Furniture Design in the 20th Century, vol. 2, Copenhagen, 2007, pp. 136-137.
Estimate: $10,000-$15,000
119
73190
PETER KARPF FOR CHRISTENSEN &
LARSEN
A Red Lacquered Plywood and White
String Lounge Chair, circa 1968
25-1/2 x 49-1/4 x 28 inches (64.8 x 125.1
x 71.1 cm)
Estimate: $3,000-$5,000
73191
INGO MAURER
A Incandescent Bulb and Electric Wire Light Structure, in collaboration
with Peter Hamburger, manufactured by Ingo Maurer GmbH, Munich,
Germany, circa 1970
19 x 19 x 19 inches (48.3 x 48.3 x 48.3 cm)
Estimate: $7,000-$9,000
120
73192
POUL KJAERHOLM FOR E. KOLD CHRISTENSEN
A PK-80 Painted Wood and Steel Day Bed with Leather Mattress, circa 1957
12 x 75 x 31 inches (30.5 x 190.5 x 78.7 cm)
LITERATURE:
See C. Harland, K. Helmer-Peterson et. al., Poul Kjaerholm, Copenhagen, 2001, pp. 104 and 177 and M. Sheridan, The Furniture of Poul
Kjaerholm: Catalogue Raisonn, New York, 2007, p. 105 for illustrations of this model.
The Furniture of Poul Kjaerholm: Catalogue Raisonn, Michael Sheridan, New York: Gregory R. Miller & Co., 2007, pp. 104-105.
Estimate: $25,000-$35,000
121
73193
JEAN PROUV
A Bent Steel and Wood Armoire, circa 1950
63 x 58-1/2 x 21 inches (160.0 x 148.6 x 53.3 cm)
LITERATURE:
P. Sulzer, Jean Prouv Complete Works, Volume 3: 1944-1954, Basel, 2005, pp. 56-57;
Galleries Jousse Sequin, Enrico Navarro, Jean Prouv, ADAGP, Paris, 1998, p. 115.
Estimate: $18,000-$24,000
122
73194
JEAN PROUV
Aile dAvion
Bent Enameled Steel, Oak and original marble top desk, manufactured by Les Ateliers Jean Prouv, circa 1950
29 x 66 x 33 inches (73.7 x 167.6 x 83.8 cm)
LITERATURE:
P. Sulzer, Jean Prouv: Oeuvre Complte/Complete Works, Volume 3: 1944-1954, Basel, 2005, fig. 1159.9,1.
Estimate: $35,000-$45,000
123
73195
ROGER CAPRON
A Pair of Mahogany and Ceramic Tile Coffee Tables, circa 1960
Impressed on tile: CAPRON VALLAURIS FRANCE
11 x 38-3/4 x 27 inches (27.9 x 98.4 x 68.6 cm)
Estimate: $8,000-$12,000
124
73196
LE CORBUSIER
An Oak and Formica Room Divider for the
Unites dHabitation in La Cit Radieuse,
Firminy, France, circa 1957
55 x 72 x 26-1/2 inches (139.7 x 182.9 x
67.3 cm)
LITERATURE:
Le Corbusier: Les units dhabitation en
France, Grard Monnier, Paris: BelinHerscher, 2002, p. 159
Estimate: $10,000-$15,000
La Cit Radieuse, Firminy, France, 1957
125
73197
SIMON BENETTON
A Wrought Iron and Glass Occasional Table
32 x 38 x 38 inches (81.3 x 96.5 x 96.5 cm)
Estimate: $4,000-$6,000
73198
SIMON BENETTON
A Wrought Iron and Glass Occasional Table
32 x 38 x 38 inches (81.3 x 96.5 x 96.5 cm)
Estimate: $4,000-$6,000
126
73199
A.R. PENCK (German, b. 1939)
Figure
Stainless steel on wood base
17-1/4 x 12 x 0-1/2 inches (43.8 x 30.5 x 1.3 cm)
Ed. e.a.
Signed on foot: a.r. penck
PROVENANCE:
Private collection, Fernandina Beach, Florida.
Estimate: $3,000-$5,000
73200
ARMAN (American, 1928-2005)
Le Fantme de la Libert, 2000
Iron
51 x 18 x 18 inches (129.5 x 45.7 x 45.7 cm)
Ed. 4/8
Signed and numbered on plaque at base: Arman / 4/8
PROVENANCE:
Galleri GKM Siwert Bergstrm, Malm;
Sothebys, Olympia, Contemporary Art, February 9, 2006, lot 549.
This work is recorded in the Denyse Durand Ruel Archives under
no. 6808.
Estimate: $4,000-$6,000
73201
No Lot.
127
73202
JOAQUIM TENREIRO
An Upholstered Caviona Low Lounge
Chair, circa 1958
26 x 27 x 20 inches (66.0 x 68.6 x 50.8 cm)
Estimate: $4,000-$6,000
73203
JOAQUIM TENREIRO
An Upholstered Caviuna Curved
Back Lounge Chair, circa 1958
26 x 22-1/2 x 21 inches (66.0 x
57.2 x 53.3 cm)
Estimate: $4,000-$6,000
128
73204
A BRAZILIAN CAVIONA AND MARBLE COFFEE TABLE
Circa 1960s
15 x 56 x 56 inches (38.1 x 142.2 x 142.2 cm)
Estimate: $8,000-$12,000
129
73205
CARLO HAUNER
A Triangular Caviona, Caning, and Glass Coffee Table, circa 1961
19 x 39-1/2 x 37-1/2 inches (48.3 x 100.3 x 95.3 cm)
Estimate: $10,000-$15,000
130
73206
SERGIO RODRIGUES
A Jacaranda Eleh Bench , circa 1965
14 x 59 x 24 inches (35.6 x 149.9 x 61.0 cm)
LITERATURE:
S. Rodrigues, Soraia Cals, Rio de Janeiro, 2000, p. 60
Estimate: $10,000-$15,000
131
73207
GEORGE NAKASHIMA
A Slab Walnut Coffee Table
Inscribed with clients name: Frieman
15 x 55 x 25 inches (38.1 x 139.7 x 63.5 cm)
Estimate: $22,000-$28,000
132
73208
GEORGE NAKASHIMA
A Walnut Settee with Loose Cushions, circa 1960s
29 x 48 x 30 inches (73.7 x 121.9 x 76.2 cm)
Estimate: $7,000-$9,000
133
73209
GEORGE NAKASHIMA
A Pair of Walnut New Chairs, circa 1960
LITERATURE:
George Nashima, The Soul of a Tree, Kodansha
Intl., LTD., New York, 1981, p. 142.
Estimate: $4,000-$6,000
73210
GEORGE NAKASHIMA
A Set of Four Walnut New Chairs,
circa 1960
Inscribed with clients name
37 x 18 x 19 inches (94.0 x 45.7 x 48.3 cm)
LITERATURE:
George Nashima, The Soul of a Tree,
Kodansha Intl., LTD., New York, 1981, p. 142.
Estimate: $7,000-$9,000
134
73211
GEORGE NAKASHIMA
A Walnut Desk, circa 1970
28 x 48 x 23-5/8 inches (71.1 x 121.9 x 60.0 cm)
Estimate: $15,000-$20,000
135
73212
GEORGE NAKASHIMA
A Slab Walnut Coffee Table, 1987
Signed and dated on base: George
Nakashima Oct. 2, 1987
Inscribed on base: Studio
13 x 69 x 32 inches
(33.0 x 175.3 x 81.3 cm)
Estimate: $18,000-$24,000
73213
GEORGE NAKASHIMA FOR
WIDDICOMB
A Walnut Coffee Table
15 x 28 x 28 inches (38.1 x 71.1 x 71.1 cm)
Estimate: $1,800-$2,400
136
73214
GEORGE NAKASHIMA
A Walnut Sofa with Loose Cushions, circa 1961
36 x 102 x 33 inches (91.4 x 259.1 x 83.8 cm)
Estimate: $18,000-$24,000
137
73215
HARRY BERTOIA (American, 1915-1978)
Untitled (Multiplane Construction), circa 1960s
Beryllium copper and brass
Estimate: $25,000-$35,000
138
73216
HARRY BERTOIA (American, 1915-1978)
Untitled (Spray), circa 1968
Chromium plated steel and steel wire
LITERATURE:
N.N. Schitter and V.O. Bertoia, The World of Bertoia, Atglen, PA,
1003, p. 167 (for similar examples).
Estimate: $20,000-$30,000
139
73217
FELIX AGOSTINI
A Gilt Bronze Floor Lamp
69 x 23-1/2 inches (175.3 x 59.7 cm)
Estimate: $18,000-$24,000
73218
FELIX AGOSTINI
A Pair of Gilt Bronze Bird Table Lamps
Signed on base: F Agostini
Estimate: $15,000-$20,000
140
73219
PHILIP AND KELVIN LAVERNE
A Bronze Relief Side Table, circa 1960
Signed: Philip K LaVerne
18-1/2 x 28-3/8 x 14 inches (47.0 x 71.9 x 35.6 cm)
Estimate: $15,000-$20,000
141
73220
ELAINE DE KOONING (American, 1919-1989)
Untitled
Lithograph
25 x 20 inches (63.5 x 50.8 cm)
Ed. 9/16
Signed lower center: Elaine de Kooning
Estimate: $1,000-$2,000
Starting Bid: $800
73222
FRANK STELLA (American, b. 1936-)
Creede I and Ouray, 1970
Lithograph and screenprint on paper
16 x 22 inches (40.6 x 55.9 cm)
Ed. 34/70
Published by Gemini G.E.L.
Each signed and dated lower right in pencil: 34/70 F. Stella 70
PROVENANCE:
Print and Drawing Sale, Minneapolis Institute of Arts, March 23, 1988;
Private collection, Stevensville, MD.
LITERATURE:
Axom, Richard H. The Prints of Frank Stella: A Catalogue Raisonne
1967-1982, no. 39 & 44, pp. 67, 69.
The Copper Series prints are based upon the Copper Series
paintings of 1960-61. The titles of the individual works refer to towns
near the San Juan Mountains in Colorado which had active copper
and silver mines at the turn of the century but have since been
depleted.
73221
CHRISTO (American, b. 1935)
The Umbrellas, Joint Project for Japan and U.S.A., 1991
Lithograph in colors and collage with fabric samples
27-1/4 x 39 inches full sheet size(69.2 x 99.1 cm)
Signed on yellow fabric sample: Christo
PROVENANCE:
Private collection, Des Moines, Iowa.
In 1991, Christo and Jeanne-Claude opened 3,100 umbrellas in
Ibaraki, Japan, and California. This lot includes two lithographic
studies and fabric samples from each location. The blue fabric was
used in Ibaraki, Japan, and the yellow fabric was used in California.
Estimate: $800-$1,200
Starting Bid: $400
142
Estimate: $2,000-$4,000
73223
ANDY WARHOL (American,
1928-1987)
Greta Garbo
Offset lithograph
11 x 8-1/2 inches (27.9 x 21.6 cm)
Inscribed lower left: Happy / G /
Garbo / Day
Signed lower right: Andy Warhol
Estimate: $1,500-$2,500
Starting Bid: $750
73224
ANDY WARHOL (American, 1928-1987)
Grevys Zebra, 1983
Published in the portfolio Endangered Species
Screenprint in colors
Ed. 112/150
Signed lower center: Andy Warhol
38 x 38 inches (96.5 x 96.5 cm)
LITERATURE:
F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonn 1962-1987, Milan, 1997, pp. 126-127, no. II.300.
Estimate: $25,000-$35,000
143
73225
FRED BROUARD
A Seven-Branch Bronze Candelabrum, circa 1970
17 x 28 x 6 inches (43.2 x 71.1 x 15.2 cm)
Fred Brouard
The celebrated French sculptor was born in 1944 in Caen, Normandy. He attended the Ecole Nationale Suprieure des Beaux Arts de Paris.
Beginning in 1971, Brouard participated in numerous important Parisian salons, including Comparaisons, Jeune Sculpture, Grands et Jeunes
dAujourdhui, Ralits Nouvelles, and Salon de Mai. His work can be found in private collections throughout France and also abroad. His first
solo exhibition came in 1978 at LEspace Ecureuil in Paris.
Brouards work includes sculpture, lighting design and furniture. Whether in wood or bronze, Brouards pieces are sculptural, curvaceous, and
monumental.
Bella Neyman
Estimate: $18,000-$24,000
144
73226
FRED BROUARD
A Seven-Branch Bronze Candelabrum, circa 1970
17 x 28 x 6 inches (43.2 x 71.1 x 15.2 cm)
Estimate: $18,000-$24,000
145
73227
JIM DINE (American, b. 1935)
Lithographs of the Sculpture: The Plant
Becomes a Fan (W.C. 171-5), 1974
Set of five lithographs with varnish on
Natsume 4007
36 x 24 inches (91.4 x 61.0 cm)
Ed. 3/60
Signed in pencil lower right: 3/60 Jim
Dine 1975
PROVENANCE:
Atlantic Richfield Company, Los Angeles
(label verso);
Private collection, Des Moines, Iowa.
Estimate: $3,000-$5,000
73228
My Nights in Santa Monica, 1986
Etching, direct gravure, spit-bite aquatint, soft-ground etching, and power-tool drypoint with burnishing on Arches Cover Buff
35-1/2 x 72-1/4 inches (90.2 x 183.5 cm)
Ed. 2/20
Signed in pencil lower left: 2/20 Jim Dine 1986
LITERATURE:
E. Carpenter, Jim Dine Prints 1985-2000: A Catalogue Raisonn, Minneapolis Institute of Arts, 2002, illus. no. 14, .68.
Estimate: $3,000-$5,000
146
73229
Fortress of the Heart, 1982
Lithograph in colors
36 x 60 inches (91.4 x 152.4 cm)
Printers Proof
Signed in pencil lower right: P/P Jim Dine 1982
Estimate: $6,000-$8,000
147
73230
JACQUES QUINET
A Pair of Bronze Door Handles, circa
1960s
LITERATURE:
O. Watelet and G. Maldonado, Jacques
Quinet, Paris, 2000, pp. 74 and 88
(illustrations of the bookstore in the
South of France, the Librairie Guibaud,
where these handles were originally
located).
Estimate: $1,800-$2,400
73231
PAUL EVANS STUDIO FOR DIRECTIONAL USA
A Chromium Plated Metal and Burl Wood Patchwork Credenza, circa 1970
29-3/8 x 72 x 20 inches (74.5 x 182.9 x 50.8 cm)
Estimate: $5,000-$7,000
148
73232
POUL KJAERHOLM FOR PP MBLER
A Set of Four Steambent Ash PK-15 Chairs with Woven Cane Seats, circa 1990s
27-1/2 x 21-1/4 x 17-3/4 inches (69.9 x 54.0 x 45.1 cm) each
LITERATURE:
M. Sheridan, The Furniture of Poul Kjaerholm: Catalogue Raisonn, New York, 2007, pp. 206-207
Estimate: $15,000-$20,000
149
73233
JOHN DICKINSON
A Galvanized Steel and Brass Table, model no. 107, circa 1975
Plaque with incised artist signature
23-1/2 x 28 x 27 inches (59.7 x 71.1 x 68.6 cm)
LITERATURE:
Interior Design, 1974, n.p. (for a John Dickinson & Associates advertisement);
M. Owens, John Dickinson, ELLE Dcor, February 2005, p. 52.
Estimate: $20,000-$30,000
150
73234
MORITA SHIRYU
An Ink on Rice Paper and Wood Four-Panel Screen, 1967
Signed and dated
71-5/8 x 111-5/8 inches (181.9 x 283.5 cm)
Estimate: $30,000-$50,000
151
73235
GEORGE RICKEY (American, 1907-2002)
Documenta, 1968
Stainless steel
16 x 20 x 4-1/4 inches (40.6 x 50.8 x 10.8 cm)
Ed. 24/25
Numbered and dated on base: 24/25 / 1968
Estimate: $25,000-$35,000
152
73236
KEITH HARING (American, 1958-1990)
Untitled, 1989
Painted leather motorcycle jacket
25 x 21 inches (63.5 x 53.3 cm)
Jacket size 42
Initialed and dated verso: KH89
PROVENANCE:
Artwork gifted to the late Robert Bissell by the artist.
Along with this leather jacket is a collection of Keith Haring
ephemera acquired by Robert Bissell including a personal album of
twenty-nine photographs from Keith Harings 30th birthday party
containing images taken by Robert Bissell of Keith Haring and
various guests, such as Russell Simmons. Also included is a 1988
Keith Haring calendar inscribed to Robert and a 14K gold Haring
crawling baby pendant on a 14K gold necklace.
Estimate: $50,000-$80,000
153
73237
FRANZ WEST FOR METAMEMPHIS
A Welded Iron Chain Chandelier Light,
1991
Estimate: $4,000-$6,000
73238
FRANZ WEST FOR METAMEMPHIS
Privatlampe des Kuenstlers I An Iron Floor Lamp, circa 1989
Estimate: $4,000-$6,000
154
73239
MARC NEWSON FOR IDEE
A Wicker Chair, circa 1990
30 x 35 x 26-1/2 inches (76.2 x 88.9 x 67.3 cm)
LITERATURE:
A. Rawsthorn, Marc Newson, London, 1999,
fig. 60;
C.L. Morgan, Marc Newson, New York, 2001,
pp. 164-165.
Estimate: $4,000-$6,000
73240
GIJS BAKKER FOR DROOG DESIGN
A Maple Chair with Holes, no. 7 from the edition of 50, 1989
Stamped: Droog
Numbered and signed: 7/50 G. Bakker
30-1/2 x 17-1/2 x 17-1/2 inches (77.5 x 44.5 x 44.5 cm)
Estimate: $8,000-$12,000
155
73241
BG (E. GAROUSTE ET M. BONETTI) FOR BLOME
A Set of Four Parcel Gilt Bronze Table Top Accessories, circa 1999
Molded on base: BG, BLOME
3-1/2 inches (8.9 cm) long, largest
Estimate: $3,000-$5,000
73242
ELIZABETH GAROUSTE AND MATTIA BONETTI
A Lune Bronze and Glass Table Lamp, manufactured by En
Attendant les Barbares, Paris, circa 1984
Stamped on base: BG
LITERATURE:
C. Downey, Neo-Furniture, New York, 1992, p. 26;
A. Buck and M. Vogt, eds., Garouste & Bonetti, Frankfurt, 1996, p.
90;
E. Vedrenne, Elizabeth Garouste & Mattia Bonetti, Brussels, 2001,
p. 4.
Estimate: $3,000-$5,000
73243
RON ARAD FOR COR UNUM
A Reversible Bronze Ceramic Jive Vase, circa 1997
Estimate: $2,000-$3,000
156
73244
RON ARAD FOR DRIADE
A Molded Polyethylene MT3 Rocker,
circa 2005
Marks: Driade Store MT3 by Ron Arad,
Made in Italy
31 x 41 inches (78.7 x 104.1 cm)
Estimate: $2,000-$3,000
73245
RON ARAD FOR BARTON
A Tree Tops Steel and Concrete Floor Lamp, manufactured by
Barton, circa 1983
Molded at join: ...MALLEABLE, BARTON ENG, 6685
Estimate: $4,000-$6,000
157
73246
ISAMU NOGUCHI (American, 1904-1988)
Neo Lithic, 1982
Hot-Dipped galvanized steel
72 x 29 x 16 inches (182.9 x 73.7 x 40.6 cm)
From the Gemini GEL USA edition of 18
Welded signature and date to side: I.N. 82
LITERATURE:
M. McClure, Isamu Noguchi at Gemini 1982-1983, Los Angeles, 1983, p. 42.
In 1958, on the topic of sculpture, Isamu Noguchi wrote, It is clear why so many sculptors have turned to the welding torch and the scrap
heap. The effect of wreckage ties it to time continuity, welding reincarnates it as a creation. In the same essay, he wrote that sculpture in
the traditional sense is, by definition, something with built-in values of permanence, forever beautiful, something of shape and material that
defy time. Illuminating observations such as these give us insight into the genius that has made Isamu Noguchi one of the most significant
sculptors of the twentieth-century.
The Japanese- American Isamu Noguchi was born in 1904, and his first art-related job was in 1922, when he served as an apprentice to a
sculptor. It was during his college years at Columbia University, where he was studying medicine, that he decided to change course and
pursue his love of art. A Guggenheim Fellowship supported his sojourn to Paris from 1927-1928, which left the greatest mark on his career. Not
only did he serve as a studio assistant to Constantine Brancusi but he also began to create abstract stone and wood sculptures. This work was
exhibited when he returned to New York in 1929, at the Eugene Schoen Gallery.
Over the course of his career, which spanned seven decades, Noguchi experimented with materials such as paper, stone, wood, slate,
ceramics, and iron. The medium was often dictated by the environment. It is no wonder that the sculptor associated metal and industrial
fabrication with America. Noguchi once wrote. It seemed to me absurd to be working with rocks and stones in New York, where walls of glass
and steel are our horizon, and our landscape is that of boxes piled high in the air.
During his career, Noguchi worked with metal on several occasions. Beginning in the late Twenties, during his first trip to Paris, and then again
in the late Fifties upon his return to New York from Paris, where he worked on the UNESCO Headquarters gardens.
Noguchis large-scale public sculpture and fountains were also made of metal. The most famous example is perhaps News (1938-1940), the
stainless- steel relief for the Associated Press Building at Rockefeller Center. In the early 1980s, he created sculpture made of galvanized steel.
This was a material that Noguchi had not previously utilized in his sculptural work.
Gemini G.E.L, established in 1966, is a workshop for artists and has been responsible for the publication of limited edition prints and
sculpture. Gemini has worked with numerous celebrated artists to bring their work to fruition. Noguchis collaboration with Gemini G.E.L
began in 1982. He completed twenty-eight sculptural editions. With the exception of two, all were made of galvanized steel.
Bella Neyman
Literature:
Isamu Noguchi, A Sculptors World (New York and Evanston: Harper Row, 1968).
Estimate: $100,000-$150,000
158
159
73247
YONEL LEBOVICI
La Satelite Carree A Methacrylate and Chromium Plated Steel Table Lamp, circa 1971
16-1/4 x 15-3/4 x 4-3/4 inches (41.3 x 40.0 x 12.1 cm)
LITERATURE:
Delphine and Yorane Lebovici, Yonel Lebovici 1937-1998 exhibition catalogue, 15 sq. de Vergennes, 2003, p. 54.
Estimate: $25,000-$35,000
160
73248
ALBERT PALEY
A Forged and Fabricated Steel Coffee Table with Glass Top, 2000
Signed and dated on base: (c) ALBERT PALEY 2000
18 x 36 x 36 inches (45.7 x 91.4 x 91.4 cm)
Estimate: $40,000-$60,000
161
73249
HUMBERTO AND FERNANDO
CAMPANA FOR EDRA
An Iron and PVC Hose Zig Zag Screen,
2001
78 x 69 inches (198.1 x 175.3 cm)
LITERATURE:
J. Kipnis and A. Massie, Mood River,
February 3-June 26, 2002, exh. cat.,
Ohio, 2002;
H. and F. Campana, Campanas, Sao
Paulo, 2003, p. 240.
Estimate: $5,000-$8,000
73250
MARCEL WANDERS FOR BISAZZA
MOSAICO
One Morning They Woke Up A Gilt and
Colored Glass Mosaic Occasional Table, 2004
Numbered on base in red crayon: no. 4
12-1/2 x 20 x 16 inches (31.8 x 50.8 x 40.6 cm)
Estimate: $5,000-$8,000
162
73251
FORREST (FROSTY) MYERS
Pandoras Sister A Powder-Coated Aluminum and Coiled Aluminum Wire Chair, 1991
Inscribed: FM91 Forrest Myers
28 x 25-1/2 x 24 inches (71.1 x 64.8 x 61.0 cm)
Estimate: $15,000-$20,000
163
73252
ETTORE SOTTSASS FOR MEMPHIS
A Silver Alaska Vase, manufactured by Rossi & Arcandi, Vicenza, circa 1982
Stamped on base: Memphis, Italian guarantee mark, 925
LITERATURE:
B. Radice, Memphis: Research, Experiences, Results, Failures and Successes of New Design,
Milan and New York, 1984, p. 120, drawing p. 119.
Estimate: $5,000-$7,000
73253
ETTORE SOTTSASS FOR SWID POWELL
A Silver Plated Childs Cup
Stamped on base: (c) Swid Powell, Ettore
Sottsass, Silver Plate, Made in Argentina
Estimate: $2,000-$3,000
73254
ETTORE SOTTASS FOR CERAMICA TOSCANA
A Yantra Glazed Ceramic Ashtray, circa 1969
Signed on base: Ettore Sottsass
Estimate: $3,000-$5,000
164
73255
ETTORE SOTTSASS FOR DESIGN GALLERY
Mobile Giallo A Burlwood, Lacquered Oak, and Gilt Wood Cupboard from the Bharata Collection, designed 1988, limited serial
production
57-1/2 x 52-5/8 x 18-1/8 inches (146.1 x 133.7 x 46.0 cm)
Estimate: $15,000-$20,000
165
73256
PAOLO VENINI
A Glass and Bronze Picture Frame, circa 1940s
Engraved on easel: Venini Murano, Made in Italy
Paper label: Lenart Import Ltd. New York City
12-3/4 x 10-3/4 inches (32.4 x 27.3 cm)
Estimate: $3,000-$5,000
73257
FLAVIO POLI FOR SEGUSO VETRI DARTE
A Cased Glass Bottle with Stopper, circa 1950s
Estimate: $2,000-$3,000
166
73258
A Cased Glass Vase, circa 1950s
Estimate: $5,000-$7,000
73259
A Cased Glass Vase, circa 1950s
Estimate: $5,000-$7,000
167
73260
FULVIO BIANCONI FOR VENINI
A Fasce Verticale Glass Bottle with Stopper
Paper label: VENINI, VENEZIA MURANO, NO. 4996, MADE IN ITALY
For a similar model, see F. Deboni, I Vetri Venini, Torino, 1989, pl. 125.
Estimate: $2,000-$3,000
73261
PIETRO CHIESA FOR FONTANA ARTE
A Brass and Glass Hanging Lamp,
circa 1930s
34-1/2 x 24-5/8 inches (87.6 x 62.5 cm)
Estimate: $9,000-$12,000
168
73262
FULVIO BIANCONI FOR VENINI
A Large Fasce Orrizontali Glass Bottle, circa 1952-1953
Paper label: VENINI, VENEZIA MURANO, N, MADE IN ITALY
PROVENANCE:
Commissioned by the Olivetti showroom, New York.
EXHIBITED:
The 1950 Biennali and 1952 Biennali (smaller models).
For more information, see R. Bossaglia, I Vetri di Fulvio Bianconi, Torino,
1993, illus. 67, cat. no. 67, p. 136; M. Barovier, R. Barovier Mentasti, A.
Dorigato, Il Vetro di Murano alle Biennali 1895-1972, Milan, 1995, pp. 64 and
77; H. Ricke and E. Schmidt, Italian Glass, Murano, Milan 1930-1970, The
Collection of the Steinberg Foundation, Munich and New York, 1997, illus. 81.
Estimate: $7,000-$9,000
73263
MASSIMO VIGNELLI
An Enameled Metal and Plastic Table Lamp,
model no. 526, circa 1970
Estimate: $3,000-$5,000
169
73264
TOMASSO BARBI
A Hammered Brass Sconce
Estimate: $3,000-$5,000
73265
ANGELO LELLI FOR ARREDOLUCE MONZA
An Enameled Metal Table Lamp
Shade labeled: Made in Italy, Arredoluce Monza
Estimate: $4,000-$6,000
73266
STILNOVO
An Enameled Metal and Brass Two-Light Sconce,
circa 1950s
Estimate: $9,000-$12,000
End of Session Two
170
non floor SESSION

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73267
73270
PAUL DUPR-LAFON FOR

HERMS
A Leather Perpetual Desk
Calendar, circa 1950
CHARLOTTE PERRIAND
A Set of Eight Enameled
Metal Sconces, model CP1,
circa 1970
Estimate: $2,000-$3,000
Estimate: $4,000-$6,000
73276
SVRES
An Art Nouveau Painted
Porcelain Box and Cover,
circa 1925
Estimate: $2,000-$3,000
73274
DEGU (DAVID GURON)
A Wrought Iron and
Mottled Glass Three-Light
Chandelier, circa 1930
73271
Estimate: $500-$800
Starting Bid: $250
JEL AND JAN MARTEL

FOR PRIMAVERA
A Pair of Glazed
Earthenware Pigeons with
Silver Decoration, circa
1925-1930
73268
73279
73277
SVRES
Porcelain Box and Cover,
circa 1921
LUCIEN LELONG
A Stage Set Painted and
Glazed Ceramic Vase, circa
1935
Estimate: $1,000-$1,500
Starting Bid: $750
Estimate: $2,000-$3,000
Estimate: $2,000-$3,000
PACO RABANNE
A Chain-Mail Handbag,
circa 1970s
73280
Estimate: $2,000-$3,000
73272
73278
DAUM
An Etched Glass Star
Bowl, circa 1930
ROBERT LALLEMANT
A Painted and Glazed
Earthenware Table Lamp,
circa 1928
Estimate: $1,000-$1,500
Starting Bid: $750
73269
JEAN PROUV
A Pair of Laminated Beech
and Enameled Steel Stools,
circa 1935
73275
ARSALL
A Cameo Glass and Metal
Table Lamp, circa 1920s
CAMILLE FAUR FOR

LIMOGES
An Enamel and Silver
Plated Bronze Vase, circa
1925-1930
Estimate: $2,000-$3,000
Estimate: $2,000-$3,000
Estimate: $2,000-$4,000
73281
Estimate: $2,000-$3,000
MAURICE BOUVAL FOR

M. COLIN
A Silver Plated Bronze
Figural Candleholder, circa
1900
73273
Estimate: $1,000-$1,500
Starting Bid: $650
EMILE GALL
An Overlaid and WheelCarved Glass Vase, circa
1910
Estimate: $4,000-$6,000
172 Session Three, Auction #5021 | Thursday, June 4, 2009 5:00 PM CT
73282
NoLot.
73287
73283
STUDIO SIMON
Omaggio Ad Andy
Warhol, A Lithographed
Metal and Upholstered
Stool, circa 1973
Estimate: $3,000-$5,000
OTTO HEINTZ
A Silver on Bronze Picture
Frame, circa 1908
73285
After ALBERT HEINRICH
HUSSMANN (German,
1874-1946)
The Dying Amazon
WMF
[WRTTEMBERGISCHE
METALLWARENFABRIK]
A Hammered Copper and
Brass Planter, circa 1900
Estimate: $800-$1,200
Starting Bid: $600
73293
RISPAL
A Painted Wood Floor
Lamp, circa 1950
Estimate: $4,000-$6,000
Estimate: $3,000-$5,000
73286
73284
JESSIE PRESTON
A Pair of Bronze
STILNOVO
A Lacquered Metal Ceiling Candlesticks, circa 1912
Light, circa 1950s
Estimate: $2,000-$3,000
Estimate: $2,000-$3,000
Estimate: $1,500-$2,000
73290
73288
73291
OTTO HEINTZ
A Pair of Silver on Bronze
Tulip-Form Candlesticks,
circa 1912
CHRISTIAN DELL FOR

KAISER & CO.
An Enameled Metal
Double Table Lamp, model
no. 6580, circa 1938
Estimate: $1,200-$1,800
Starting Bid: $750
Estimate: $2,000-$3,000
73294
Attributed to RICHARD
RIEMERSCHMID FOR F &
R FISCHER
A Hammered Brass Water
Pitcher with Raffia-Covered
Handle

73289
WALTER VON NESSEN
FOR CHASE
A Chromium Plated Metal
Tiffin Tray with Ebonized
Wood Handles, circa 1934 73292
Estimate: $800-$1,200
Starting Bid: $500
Estimate: $2,000-$3,000
IDA PAULIN
A Painted Glass Scent
Bottle with Stopper, circa
1925
Estimate: $3,000-$5,000
Session Three, Auction #5021 | Thursday, June 4, 2009 5:00 PM CT 173
73300
73295
PETER BEHRENS FOR
AEG
A Brass and Wicker
Octagonal Electric Kettle,
circa 1909
Estimate: $2,000-$3,000
73298
ZEISS IKON
A Chromium Plated
Metal and Glass Aneroid
Barometer, circa 1930
Estimate: $3,000-$5,000
Estimate: $3,000-$5,000
Estimate: $2,000-$3,000
73306
73303
PETER BEHRENS FOR
AEG
A Metal and Cast Iron
Table Fan, circa 1908
Estimate: $3,000-$5,000
LOETZ
A Glass Vase, circa 1907
Estimate: $1,000-$1,500
Starting Bid: $800
73301
73296
MARIANNE BRANDT FOR
RUPPEL
An Enameled Metal,
Wood, and Glass Inkwell,
Pen Tray, and Blotter, circa
1930-1933
OTTO ECKMANN
A Pair of Hand-Wrought
Iron Candlesticks, circa
1900
73299
MAX BILL FOR
JUNGHANS
A Ceramic Wall Clock and
Timer, circa 1954
Estimate: $2,000-$3,000
MARIANNE BRANDT FOR

PFEIFFER
A Patinated and Nickel
73304
Plated Metal Table Clock,
PETER BEHRENS FOR
circa 1930-1932
AEG
Estimate: $3,000-$5,000 A Brass and Enameled
Starting Bid: $2,000 Metal Wall Clock, model
no. 417, circa 1908
Estimate: $2,000-$3,000
73307
METTLACH
and Glazed Ceramic
Pitcher
Estimate: $2,500-$3,500
73302
MARIANNE BRANDT FOR
RUPPEL
An Enameled Metal Paper
Holder, circa 1930-1933
Estimate: $3,000-$5,000
73305
73297
WILHELM WAGENFELD
FOR WMF
A Silver Plated Cocktail
Shaker
Estimate: $2,000-$3,000
STEUBEN
A Blue Aurene Glass Vase,
circa 1928
Estimate: $1,000-$2,000
Starting Bid: $500
73308
Attributed to JAN
EISENLOEFFEL
A Brass, Copper, and
Beveled Glass Mantle
Clock, circa 1903
Estimate: $2,500-$3,500
73309
TIFFANY STUDIOS
A Bronze Three-Light Lamp
73312
Base, circa 1910
PAIRPOINT
Estimate: $3,000-$5,000
MANUFACTURING
COMPANY
A Glass and Metal Table
Lamp, circa 1923
Estimate: $1,200-$1,800
73320
73317
73315
PAIRPOINT
MANUFACTURING
COMPANY
A Metal Candlestick, circa
1910-1915
Stamped on base:
FULPER
A Geometric Pottery Bud
Vase, circa 1907
Estimate: $1,000-$1,500
Starting Bid: $800
ROOKWOOD
A Matte-Glazed Pottery
Vase by Paulson, 1916
Estimate: $500-$800
Starting Bid: $400
Estimate: $2,000-$3,000
73310
TIFFANY STUDIOS
A Favrile Glass Vase, circa
1905
73316
Estimate: $1,200-$1,800
73313
FULPER
A Glazed Pottery Table
Lamp, circa 1923
73318
ROOKWOOD
A Pottery Prairie Bowl
with Butterfly Motif, 1921
Impressed on base:
Estimate: $1,000-$1,500
73321
STICKLEY BROTHERS
MCCOY
A Glass and Hammered
A Standard-Glazed Pottery
Copper Table Lamp
Vase with Night Daffodils
Estimate: $500-$700
Starting Bid: $450
Estimate: $400-$600
Starting Bid: $300
Estimate: $1,500-$2,000
73322
73319
73311
TIFFANY STUDIOS
A Bronze Hanging Lamp,
circa 1900
Estimate:
$10,000-$15,000

73314
WINSLOW BROTHERS
COMPANY
A Nickel Plated Bronze
Prairie School Vanity
Wall Sconce, designed by
Robert Spenser, circa 1904
A COPPER CIGAR
ASHTRAY
Beaumont, Texas, circa
1880
WELLER
A Woodcraft Pottery Bowl
with Waterlilies
Estimate: $500-$800
Starting Bid: $450
Estimate: $80-$120
Starting Bid: $70
Estimate: $2,200-$2,800
Session Three, Auction #5021 | Thursday, June 4, 2009 5:00 PM CT 175
73323
VAN BRIGGLE
A Matte-Glazed Pottery
Bowl, circa 1930
Estimate: $450-$650
Starting Bid: $400
73326
73330
73333
RUSSEL WRIGHT FOR

KLISE WOOD WORKING
CO.
A Maple Oceana Bowl,
circa 1935
TIFFANY & CO
An Art Deco-Style Silver
and Enamel Cigar Box,
circa 1980
TIFFANY STUDIOS &

REVERE
Estimate: $1,200-$1,800
A Group of Bronze Desk
Set Items in the Grape Vine Starting Bid: $850
Pattern, circa 1900
Estimate: $2,500-$3,500
73336
PAUL JOSEPH STANKARD
A Cloistered Botanical
Glass Upright Weight, 1994
Inscribed on base: Paul J.
Stankard B48 94
Estimate: $1,200-$1,800
73327
Estimate: $1,200-$1,800
Starting Bid: $600
No Lot.
73334
NORMAN BEL GEDDES
A Silver Plated Bronze
Medal Commemorating
the Twenty-Fifth
Anniversay of General
Motors 1908-1933, 1933
73324
FULPER
A Pottery Candle Holder,
circa 1910
Estimate: $400-$600
Starting Bid: $350
73325
73328
RUSSEL WRIGHT FOR
STEUBENVILLE
An Assembled Set of
Ceramic Dinner Ware, mid
20th century
Estimate: $500-$800
Starting Bid: $250
MARSHALL FIELD & CO

A Pair of Gilt Bronze Celtic
Bookends, circa 1915
Estimate: $500-$700
Starting Bid: $500
Estimate: $1,500-$2,000
Estimate: $2,500-$3,500
73329
PORTER BLANCHARD
A Three-Piece HandWrought Pewter and Ebony
Coffee Set, circa 1950
Estimate: $1,000-$1,500
Starting Bid: $750

A Botanical, Blueberry,
and Earth Spirit Glass
Weight, 1994
73331
ARTHUR UMANOFF FOR
HOWARD MILLER
An Ebonized Wood,
Chromium Plated Steel,
and Glass Case Clock,
model no. 622
73337
Estimate: $1,000-$1,500
Starting Bid: $500
73335
ALDO TURA
A Lacquered Goat Skin and
Gilt Metal Bar Cart, circa
1950
Estimate: $500-$800
Starting Bid: $240
73338
73332
GREENE & GREENE AS
RETAILER
A Chinese Export Bronze
Vase, circa 1910
Estimate: $1,800-$2,400

A Botanical, Insect, and
Earth Spirit Glass Cube
Weight, 1997
Estimate: $1,000-$1,500
Starting Bid: $500
End of Auction
Heritage Auction Galleries Staff

Steve Ivy - Co-Chairman and CEO
Steve Ivy began collecting and studying rare coins in his youth, and as a teenager in 1963 began advertising coins for sale in national
publications. Seven years later, at the age of twenty, he opened Steve Ivy Rare Coins in downtown Dallas, and in 1976, Steve Ivy
Numismatic Auctions was incorporated. Steve managed the business as well as serving as chief numismatist, buying and selling
hundreds of millions of dollars of coins during the 1970s and early 1980s. In early 1983, James Halperin became a full partner, and
the name of the corporation was changed to Heritage Rare Coin Galleries. Steves primary responsibilities now include management
of the marketing and selling efforts of the company, the formation of corporate policy for long-term growth, and corporate relations
with financial institutions. He remains intimately involved in numismatics, attending all major national shows. Steve engages in daily
discourse with industry leaders on all aspects of the rare coin/currency business, and his views on grading, market trends and hobby
developments are respected throughout the industry. He serves on the Board of Directors of the Professional Numismatists Guild (and was immediate
past president), is the current Chairman of The Industry Council for Tangible Assets, and is a member of most leading numismatic organizations. Steves
keen appreciation of history is reflected in his active participation in other organizations, including past or present board positions on the Texas Historical
Foundation and the Dallas Historical Society (where he also served as Exhibits Chairman). Steve is an avid collector of Texas books, manuscripts, and
national currency, and he owns one of the largest and finest collections in private hands. He is also a past Board Chair of Dallas Challenge, and is currently
the Finance Chair of the Phoenix House of Texas.
James Halperin - Co-Chairman
Jim Halperin and the traders under his supervision have transacted billions of dollars in rare coin business, and have outsold all other
numismatic firms every year for over two decades. Born in Boston in 1952, Jim attended Middlesex School in Concord from 1966 to
1970. At the age of 15, he formed a part-time rare coin business after discovering that he had a knack (along with a nearly photographic
memory) for coins. Jim scored a perfect 800 on his math SATs and received early acceptance to Harvard College, but after attending
three semesters, he took a permanent leave of absence to pursue his full-time numismatic career. In 1975, Jim personally supervised the
protocols for the first mainframe computer system in the numismatic business, which would catapult New England Rare Coin Galleries
to the top of the industry in less than four years. In 1983, Jims business merged with that of his friend and former archrival Steve Ivy.
Their partnership has become the worlds largest and most successful numismatic company, as well as the third-largest auctioneer in
America. Jim remains one of the best eyes in the coin business today (he won the professional division of the PCGS World Series of Grading the last time
he competed). In the mid-1980s, he authored How to Grade U.S. Coins (now posted on the web at www.CoinGrading.com), a highly-acclaimed text
upon which the NGC and PCGS grading standards would ultimately be based. Jim is also a well-known futurist, an active collector of EC comics and early
20th-century American art (visit www.jhalpe.com), venture capital investor, philanthropist (he endows a multimillion-dollar health education foundation),
and part-time novelist. His first fictional novel, The Truth Machine, was published in 1996 and became an international science fiction bestseller, and
was optioned for movie development by Warner Brothers and Lions Gate. Jims second novel, The First Immortal, was published in early 1998 and
immediately optioned as a Hallmark Hall of Fame television miniseries.
Greg Rohan - President
At the age of eight, Greg Rohan started collecting coins as well as buying them for resale to his schoolmates. By 1971, at the age of
10, he was already buying and selling coins from a dealers table at trade shows in his hometown of Seattle. His business grew rapidly,
and by 1985 he had offices in both Seattle and Minneapolis. He joined Heritage in 1987 as Executive Vice-President and Manager of
the firms rare coin business. Today, as an owner and as President of Heritage, his responsibilities include overseeing the firms private
client group and working with top collectors in every field in which Heritage is active. Greg has been involved with many of the rarest
items and most important collections handled by the firm, including the purchase and/or sale of the Ed Trompeter Collection (the
worlds largest numismatic purchase according to the Guinness Book of World Records), the legendary 1894 San Francisco Dime, the
1838 New Orleans Half Dollar, and the 1804 Silver Dollar. During his career, Greg has handled more than $1 billion of rare coins,
collectibles and art, and provided expert consultation concerning the authenticity and grade condition of coins for the Professional Coin Grading Service
(PCGS). He has provided expert testimony for the United States Attorneys in San Francisco, Dallas, and Philadelphia, and for the Federal Trade Commission
(FTC). He has worked with collectors, consignors, and their advisors regarding significant collections of books, manuscripts, comics, currency, jewelry,
vintage movie posters, sports and entertainment memorabilia, decorative arts, and fine art. Additionally, Greg is a Sage Society member of the American
Numismatic Society, and a member/life member of the PNG, ANA, and most other leading numismatic organizations. Greg is also Chapter Chairman
for North Texas of the Young Presidents Organization (YPO), and is an active supporter of the arts. Greg co-authored The Collectors Estate Handbook,
winner of the NLGs Robert Friedberg Award for numismatic book of the year. Mr. Rohan currently serves on the seven-person Advisory Board to the Federal
Reserve Bank of Dallas, in his second appointed term.
Paul Minshull - Chief Operating Officer
As Chief Operating Officer, Paul Minshulls managerial responsibilities include integrating sales, personnel, inventory, security and MIS
for Heritage. His major accomplishments include overseeing the hardware migration from mainframe to PC, the software migration of
all inventory and sales systems, and implementation of a major Internet presence. Heritages successful employee-suggestion program
has generated 200 or more ideas each month since 1995, and has helped increase employee productivity, expand business, and improve
employee retention. Paul oversees the companys highly-regarded IT department, and has been the driving force behind Heritages Web
development, now a significant portion of Heritages future plans. As the only numismatic auction house that combines traditional floor
bidding with active Internet bidding, the totally interactive system has catapulted Heritage to the top rare coin Web site (according to
Forbes Magazines Best of the Web). Paul came to Heritage in 1984. Since 1987, he has been a general partner in Heritage Capital
Properties, Sales Manager, Vice President of Operations, and Chief Operating Officer for all Heritage companies and affiliates since 1996.
Todd Imhof - Executive Vice President

Todd Imhof did not start collecting coins in his teens, unlike most professional numismatists. Shortly after graduating college, Todd
declined an offer from a prestigious Wall Street bank to join a former high school classmate in his small rare coin firm in the Seattle
area. In the mid-1980s, the rare coin industry was rapidly changing, with the advent of third-party grading and growing computer
technologies; as a newcomer, Todd more easily embraced these new dynamics. In 1991, he co-founded Pinnacle Rarities, a firm
specialized in servicing the savviest and most prominent collectors in numismatics. At 25, he was accepted into the PNG, and currently
serves on its Consumer Protection Committee and its Legislation/Taxation Issues Committee. In 1992, he was invited to join the Board
of Directors for the Industry Council for Tangible Assets, later serving as its Chairman (2002-2005).
Leo Frese - Vice President
Leo has been involved in numismatics for nearly 40 years, a professional numismatist since 1971, and has been with Heritage for
more than 20 years. He literally worked his way up the Heritage ladder, working with Bob Merrill for nearly 15 years, then becoming
Director of Consignments. Leo has been actively involved in assisting clients sell nearly $500,000,000 in numismatic material. Leo was
recently accepted as a member of PNG, is a life member of the ANA, and holds membership in FUN, CSNS, and other numismatic
organizations.
Jim Stoutjesdyk - Vice President

Jim Stoutjesdyk was named Vice President of Heritage Rare Coin Galleries in 2004. He was named ANAs Outstanding Young
Numismatist of the Year in 1987. A University of Michigan graduate, he was first employed by Superior Galleries, eventually becoming
their Director of Collector Sales. Since joining Heritage in 1993, Jim has served in many capacities. Jims duties now include buying
and selling, pricing all new purchases, assisting with auction estimates and reserves, and overseeing the daily operations of the rare
coin department.
Norma L. Gonzalez - VP of Auction Operations

Norma Gonzalez joined the U.S. Navy in August of 1993 and received her Bachelors Degree in Resource Management. She joined
Heritage in 1998 and was promoted to Vice President in 2003. She currently manages the operations departments, including Coins,
Currency, World & Ancient Coins, Sportscards & Memorabilia, Comics, Movie Posters, Pop Culture and Political Memorabilia.
Debbie Rexing - VP - Marketing

Debbie Rexing joined the Heritage team in 2001 and her marketing credentials include degrees in Business Administration and Human
Resources from The Ohio State University. Debbie has worked across many categories within the company leading to her comprehensive
and integrative approach to the job. She guides all aspects of Heritages print marketing strategies advertisements, brochures , direct
mail campaigns, coordination of print buying, catalog design and production, The Heritage Magazine, and media and press relations.
Ron Brackemyre - Vice President

Ron Brackemyre began his career at Heritage Auction Galleries in 1998 as the Manager of the Shipping Department, and was promoted
to Consignment Operations Manager for Numismatics in 2004. He is responsible for the security of all of Heritages coin and currency
consignments, both at the Dallas world headquarters and at shows. His department also coordinates the photography, scanning, and
cataloging of coins for upcoming auctions; coordination of auction planning; security and transportation logistics, and lot-view and
auction prep.
Marti Korver - Manager - Credit/Collections

Marti Korver was recruited out of the banking profession by Jim Ruddy, and she worked with Paul Rynearson, Karl Stephens, and Judy
Cahn on ancients and world coins at Bowers & Ruddy Galleries, in Hollywood, CA. She migrated into the coin auction business,
and represented bidders as agent at B&R auctions for 10 years. She also worked as a research assistant for Q. David Bowers for
several years.
Fine & Decorative Arts Department Specialists

Edmund P, Pillsbury, Ph.D - Chairman
Dr. Edmund P. Pillsbury, one of the worlds foremost art museum professionals, has led the Yale Center for British Art; the Paul Mellon
Centre for Studies in British Art, London; the Kimbell Art Museum; the Bellagio Gallery of Fine Art; and the Meadows Museum. He
earned his Ph.D. in Italian Renaissance Art from the University of Londons Courtauld Institute of Art. He has numerous affiliations with
Important American institutions and has received many awards and honors.
Michael Duty - Managing Director, Fine & Decorative Arts

Michael Duty is a noted author that has spent three decades in the museum community in various Director capacities, including at the
National Western Art Foundation in San Antonio, the Amon Carter Museum in Fort Worth, Rockwell Museum in Corning, New York and
the Eiteljorg Museum of American Indian and Western Art in Indianapolis. He is a co-founder of MuseumsWest consortium and a former
Executive Director of the California Historical Society in San Francisco. Michael has organized more than 60 museum exhibitions, is a
frequent lecturer, and has won multiple awards.
Christina Japp - Director, 20th Century Design

Christina Japp brings 15 years of international experience in all aspects of 20th Century design to her position at Heritage. She formerly
worked at Sothebys as a Vice President in the 20th Century Design department. She was involved in the record-breaking sale of the
Karl Lagerfeld Collection, as well as several important single owner sales, including the highly successful auctions of the Collection of
Wolfgang Joop, the Barry Friedman Collection, The Triestman Collection of Important Tiffany Glass, Deutscher Werkbund to Bauhaus:
An Important collection of German Design, and the important collection of the Estate of Cecile Singer.
Meredith Meuwly - Senior Consignment Director

Meredith received her B.A. degree in Classical Studies and Art History from Duke University, and a Masters in Modern Art,
Connoisseurship, and the History of the Art Market from Christies Education in New York. She spent the next five years in the Christies
Antiquities Department, working on numerous high profile auctions, including the Doris Duke Estate, Ancient Egyptian Art from the
Harer Family Trust, and the Morven Collection of Ancient Art.
Thom Pegg - Consignment Director

Thom Pegg is a veteran of the art and design business. He was a specialist in art and design at Treadway-Toomey Auction in Chicago for
twelve years, and owned galleries in Chicago, Los Angeles, Indianapolis, and St. Louis. He is well regarded for his knowledge of 20th
century art, especially in the categories of American Modernism, African-American art, early abstraction, American Scene painting, and
Magic Realism. Mr. Pegg has discovered numerous important objects, and has handled the sale of major works of art and design from
both public and private collections.
Courtney Kennedy - Administrative Director, Fine & Decorative Arts

Courtney Kennedy received her Bachelor of Arts in Art History and Business Administration from Southern Methodist University in
2000. She began at Pillsbury and Peters Fine Art (now the Gerald Peters Gallery) in Dallas, as Marketing Manager and then as Associate
Director. Afterwards, she served as Operations Manager and Administrator of the Meadows Museum at SMU. She now serves as
Cataloged by: Christina Japp, Meredith Meuwly

Edited by: Carrie Hunnicutt, Christina Japp, Courtney Kennedy, Meredith Meuwly
Operations Support by: Abel Privado, Fiona Elias, Ronnie Greer, Laura Howard, Juan Isleno,
Kelly Jones, Ralph Jubera, Edna Lopez, Rachel Peart
Catalog and Internet Imaging by: Bryan Buchanan, Nina Cornelison, Crystal Hartmann, Roy Richardson, Brenna Wilson
Production and Design by: Katie Brown, Mary Hermann, Mark Masat, Debbie Rexing
Terms and Conditions of Auction

Auctioneer and Auction:
1. This Auction is presented by Heritage Auction Galleries, a d/b/a/ of Heritage Auctions, Inc., or
its affiliates Heritage Numismatic Auctions, Inc., or Heritage Vintage Sports Auctions, Inc., or
Currency Auctions of America, Inc., as identified with the applicable licensing information on the
title page of the catalog or on the HA.com Internet site (the Auctioneer). The Auction is conducted
under these Terms and Conditions of Auction and applicable state and local law. Announcements
and corrections from the podium and those made through the Terms and Conditions of Auctions
appearing on the Internet at HA.com supersede those in the printed catalog.
Buyers Premium:
2. On bids placed through Auctioneer, a Buyers Premium of fifteen percent (15%) will be added to
the successful hammer price bid on lots in Coin and Currency auctions, or nineteen and one-half
percent (19.5%) on lots in all other auctions. There is a minimum Buyers Premium of $9.00 per
lot; after June 1, 2009, the minimum Buyers Premium shall be $14.00 per lot. In Gallery Auctions
(sealed bid auctions of mostly bulk numismatic material), the Buyers Premium is 19.5%.
Auction Venues:
3. The following Auctions are conducted solely on the Internet: Heritage Weekly Internet Auctions
(Coin, Currency, Comics, and Vintage Movie Poster); Heritage Monthly Internet Auctions (Sports,
and Stamps). Signature Auctions and Grand Format Auctions accept bids from the Internet,
telephone, fax, or mail first, followed by a floor bidding session; Heritage Live and real-time
telephone bidding are available to registered clients during these auctions.
Bidders:
4. Any person participating or registering for the Auction agrees to be bound by and accepts these
Terms and Conditions of Auction (Bidder(s)).
5. All Bidders must meet Auctioneers qualifications to bid. Any Bidder who is not a client in good
standing of the Auctioneer may be disqualified at Auctioneers sole option and will not be awarded
lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any
time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude
any person from the auction.
6. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally
guarantee payment for any successful bid.
Credit:
7. Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit
information (including two collectibles-related business references) well in advance of the Auction
or supply valid credit card information. Bids placed through our Interactive Internet program
will only be accepted from pre-registered Bidders; Bidders who are not members of HA.com or
affiliates should pre-register at least 48 hours before the start of the first session (exclusive of
holidays or weekends) to allow adequate time to contact references. Credit may be granted at the
discretion of Auctioneer. Additionally Bidders who have not previously established credit or who
wish to bid in excess of their established credit history may be required to provide their social
security number or the last four digits thereof to us so a credit check may be performed prior to
Auctioneers acceptance of a bid.
Bidding Options:
8. Bids in Signature Auctions or Grand Format Auctions may be placed as set forth in the printed
catalog section entitled Choose your bidding method. For auctions held solely on the Internet,
see the alternatives on HA.com. Review at HA.com/common/howtobid.php.
9. Presentment of Bids: Non-Internet bids (including but not limited to podium, fax, phone and mail
bids) are treated similar to floor bids in that they must be on-increment or at a half increment
(called a cut bid). Any podium, fax, phone, or mail bids that do not conform to a full or half
increment will be rounded up or down to the nearest full or half increment and this revised
amount will be considered your high bid.
10. Auctioneers Execution of Certain Bids. Auctioneer cannot be responsible for your errors in
bidding, so carefully check that every bid is entered correctly. When identical mail or FAX bids are
submitted, preference is given to the first received. To ensure the greatest accuracy, your written
bids should be entered on the standard printed bid sheet and be received at Auctioneers place
of business at least two business days before the Auction start. Auctioneer is not responsible for
executing mail bids or FAX bids received on or after the day the first lot is sold, nor Internet bids
submitted after the published closing time; nor is Auctioneer responsible for proper execution of
bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins.
Internet bids may not be withdrawn until your written request is received and acknowledged by
Auctioneer (FAX: 214-4438425); such requests must state the reason, and may constitute grounds
for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction
unless prearranged.
11. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest
amount you may bid on a particular lot. Bids greater than one increment over the current bid
can be any whole dollar amount. It is possible under several circumstances for winning bids to be
between increments, sometimes only $1 above the previous increment. Please see: How can I lose
by less than an increment? on our website. Bids will be accepted in whole dollar amounts only. No
buy or unlimited bids will be accepted.
The following chart governs current bidding increments.
Current Bid......................Bid Increment
<$10..................................... $1
$10 - $29.............................. $2
$30 - $49.............................. $3
$50 - $99.............................. $5
$100 - $199.......................... $10
$200 - $299.......................... $20
$300 - $499.......................... $25
$500 - $999.......................... $50
$1,000 - $1,999.................... $100
$2,000 - $2,999.................... $200
$3,000 - $4,999.................... $250
$5,000 - $9,999.................... $500
$10,000 - $19,999................ $1,000
Current Bid........................Bid Increment

$20,000 - $29,999..................$2,000
$30,000 - $49,999..................$2,500
$50,000 - $99,999..................$5,000
$100,000 - $199,999..............$10,000
$200,000 - $299,999..............$20,000
$300,000 - $499,999..............$25,000
$500,000 - $999,999..............$50,000
$1,000,000 - $1,999,999........$100,000
$2,000,000 - $2,999,999........$200,000
$3,000,000 - $4,999,999........$250,000
$5,000,000 - $9,999,999........$500,000
>$10,000,000.........................$1,000,000
12. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half
of the increment (Cut Bid) only once per lot. After offering a Cut Bid, bidders may continue
to participate only at full increments. Off-increment bids may be accepted by the Auctioneer at
Signature Auctions and Grand Format Auctions. If the Auctioneer solicits bids other than the
expected increment, these bids will not be considered Cut Bids.
Conducting the Auction:
13. Notice of the consignors liberty to place bids on his lots in the Auction is hereby made in
accordance with Article 2 of the Texas Business and Commercial Code. A Minimum Bid is
an amount below which the lot will not sell. THE CONSIGNOR OF PROPERTY MAY PLACE
WRITTEN Minimum Bids ON HIS LOTS IN ADVANCE OF THE AUCTION; ON SUCH LOTS,
IF THE HAMMER PRICE DOES NOT MEET THE Minimum Bid, THE CONSIGNOR MAY PAY
A REDUCED COMMISSION ON THOSE LOTS. Minimum Bids are generally posted online
several days prior to the Auction closing. For any successful bid placed by a consignor on his
Property on the Auction floor, or by any means during the live session, or after the Minimum
Bid for an Auction have been posted, we will require the consignor to pay full Buyers Premium
and Sellers Commissions on such lot.
14. The highest qualified Bidder recognized by the Auctioneer shall be the buyer. In the event of
any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the
lot. Auctioneers decision and declaration of the winning Bidder shall be final and binding upon
all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on
occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized
bid accepted as the winning bid, regardless of whether a competing bid may have been higher.
15. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in
its sole discretion. A bid is considered not made in Good Faith when made by an insolvent
or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory
credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid
by a consignor or his agent on a lot consigned by him is deemed to be made in Good Faith. Any
person apparently appearing on the OFAC list is not eligible to bid.
16. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids,
or very nominal advances. If a lot bearing estimates fails to open for 4060% of the low estimate,
the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.
17. Lots bearing bidding estimates shall open at Auctioneers discretion (approximately 50%-60% of
the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall
pass as unsold.
18. All items are to be purchased per lot as numerically indicated and no lots will be broken.
Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.
19. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty,
disputed ownership, auctioneers clerical error or omission in exercising bids and reserves, or
for any other reason and in Auctioneers sole discretion. In cases of nonpayment, Auctioneers
election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees
(sellers and buyers premium) and any other damages or expenses pertaining to the lot.
20. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer
periodically schedules system downtime for maintenance and other purposes, during which
Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend
bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to
contact Client Services at 1-800-872-6467.
21. The Auctioneer or its affiliates may consign items to be sold in the Auction, and may bid on those
lots or any other lots. Auctioneer or affiliates expressly reserve the right to modify any such bids
at any time prior to the hammer based upon data made known to the Auctioneer or its affiliates.
The Auctioneer may extend advances, guarantees, or loans to certain consignors, and may extend
financing or other credits at varying rates to certain Bidders in the auction.
22. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots
shall be considered sold during the Auction and all these Terms and Conditions shall apply to such
sales including but not limited to the Buyers Premium, return rights, and disclaimers.
Payment:
23. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier
checks, travelers checks, eChecks, and bank money orders, all subject to reporting requirements).
All are subject to clearing and funds being received In Auctioneers account before delivery of the
purchases. Auctioneer reserves the right to determine if a check constitutes good funds when
drawn on a U.S. bank for ten days, and thirty days when drawn on an international bank. Credit
Card (Visa or Master Card only) and PayPal payments may be accepted up to $10,000 from nondealers at the sole discretion of the Auctioneer, subject to the following limitations: a) sales are
only to the cardholder, b) purchases are shipped to the cardholders registered and verified address,
c) Auctioneer may pre-approve the cardholders credit line, d) a credit card transaction may not
be used in conjunction with any other financing or extended terms offered by the Auctioneer, and
must transact immediately upon invoice presentation, e) rights of return are governed by these
Terms and Conditions, which supersede those conditions promulgated by the card issuer, f) floor
Bidders must present their card.
24. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer
reserves the right to void an invoice if payment in full is not received within 7 days after the close
of the Auction. In cases of nonpayment, Auctioneers election to void a sale does not relieve the
Bidder from their obligation to pay Auctioneer its fees (sellers and buyers premium) on the lot
and any other damages pertaining to the lot.
25. Lots delivered to you, or your representative in the States of Texas, California, New York, or
other states where the Auction may be held, are subject to all applicable state and local taxes,
unless appropriate permits are on file with Auctioneer. Bidder agrees to pay Auctioneer the
actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired,
inaccurate, inappropriate tax certificate or declaration, 2) an incorrect interpretation of the
applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at
and verified by Auctioneer five days prior to Auction or tax must be paid; only if such form or
certificate is received by Auctioneer within 4 days after the Auction can a refund of tax paid be
made. Lots from different Auctions may not be aggregated for sales tax purposes.
26. In the event that a Bidders payment is dishonored upon presentment(s), Bidder shall pay the
maximum statutory processing fee set by applicable state law. If you attempt to pay via eCheck
and your financial institution denies this transfer from your bank account, or the payment cannot
be completed using the selected funding source, you agree to complete payment using your credit
card on file.
27. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance
will bear interest at the highest rate permitted by law from the date of invoice until paid. Any
invoice not paid when due will bear a three percent (3%) late fee on the invoice amount or three
percent (3%) of any installment that is past due. If the Auctioneer refers any invoice to an attorney
for collection, the buyer agrees to pay attorneys fees, court costs, and other collection costs
incurred by Auctioneer. If Auctioneer assigns collection to its in-house legal staff, such attorneys
time expended on the matter shall be compensated at a rate comparable to the hourly rate of
independent attorneys. .

28. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell
the lot(s) securing the invoice to any underbidders in the Auction that the lot(s) appeared, or at
subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer.
A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 10% sellers
commission, if consigned to an auction conducted by Auctioneer). The defaulting Bidder is liable to
pay any difference between his total original invoice for the lot(s), plus any applicable interest, and
the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less
the 10% sellers commissions, if sold at an Auctioneers auction
29. Auctioneer reserves the right to require payment in full in good funds before delivery of the
merchandise.
30. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of
the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any
other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any
Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer. With respect
to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of
the Texas Uniform Commercial Code, including but not limited to the right of sale. In addition,
with respect to payment of the Auction invoice(s), the buyer waives any and all rights of offset he
might otherwise have against the Auctioneer and the consignor of the merchandise included on
the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates
shall have the right to offset such unpaid account by any credit balance due Bidder, and it may
secure by possessory lien any unpaid amount by any of the Bidders property in their possession.
31. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility
of the buyer to provide adequate insurance coverage for the items once they have been delivered
to a common carrier or third-party shipper.
Delivery; Shipping; and Handling Charges:
32. Buyer is liable for shipping and handling. Please refer to Auctioneers website www.HA.com/
common/shipping.php for the latest charges or call Auctioneer. Auctioneer is unable to combine
purchases from other auctions or affiliates into one package for shipping purposes. Lots won will
be shipped in a commercially reasonable time after payment in good funds for the merchandise
and the shipping fees is received or credit extended, except when third-party shipment occurs.
33. Successful international Bidders shall provide written shipping instructions, including specified
customs declarations, to the Auctioneer for any lots to be delivered outside of the United States.
NOTE: Declaration value shall be the item(s) hammer price together with its buyers premium
and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots
designated for third-party shipment must designate the common carrier, accept risk of loss, and
prepay shipping costs.
34. All shipping charges will be borne by the successful Bidder. Any risk of loss during shipment will
be borne by the buyer following Auctioneers delivery to the designated common carrier or thirdparty shipper, regardless of domestic or foreign shipment.
35. Due to the nature of some items sold, it shall be the responsibility for the successful bidder to
arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no
liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject
Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage
for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event
the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due
storage or moving fees, including a 10% Sellers Commission.
36. The laws of various countries regulate the import or export of certain plant and animal properties,
including (but not limited to) items made of (or including) ivory, whalebone, turtleshell, coral,
crocodile, or other wildlife. Transport of such lots may require special licenses for export, import,
or both. Bidder is responsible for: 1) obtaining all information on such restricted items for both
export and import; 2) obtaining all such licenses and/or permits. Delay or failure to obtain any
such license or permit does not relieve the buyer of timely compliance with standard payment
terms. For further information, please contact Bill Taylor at 800-872-6467 ext. 1280.
37. Any request for shipping verification for undelivered packages must be made within 30 days of
shipment by Auctioneer.
Cataloging, Warranties and Disclaimers:
38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY
DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of
the items or second opine contained in this Auction is for the sole purpose of identifying the
items for those Bidders who do not have the opportunity to view the lots prior to bidding, and
no description of items has been made part of the basis of the bargain or has created any express
warranty that the goods would conform to any description made by Auctioneer. Color variations
can be expected in any electronic or printed imaging, and are not grounds for the return of any lot.
NOTE: Auctioneer, in specified auction venues, for example, Fine Art, may have express written
warranties and you are referred to those specific terms and conditions. .
39. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by
virtue of consignment agreements on the date of auction and disclaims any warranty of title to
the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particular
purposes. All images, descriptions, sales data, and archival records are the exclusive property of
Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any
other uses deemed appropriate.
40. Translations of foreign language documents may be provided as a convenience to interested
parties. Auctioneer makes no representation as to the accuracy of those translations and will not
be held responsible for errors in bidding arising from inaccuracies in translation.
41. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in
connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any
benefit of these Terms and Conditions and any rights, if any, established hereunder are personal
to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion
and does not constitute a warranty or representation. No employee of Auctioneer may alter these
Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null
and void.
42. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such
defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.
Release:
43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases
Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide
second opines, from any and all claims, cause of action, chose of action, whether at law or equity
or any arbitration or mediation rights existing under the rules of any professional society or
affiliation based upon the assigned description, or a derivative theory, breach of warranty express
or implied, representation or other matter set forth within these Terms and Conditions of Auction
or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred
therein are strictly construed as specifically declared herein; e.g., authenticity, typographical error,
etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted
remedy, shall waive any claim against Auctioneer.
44. Notice: Some Property sold by Auctioneer are inherently dangerous e.g. firearms, cannons, and
small items that may be swallowed or ingested or may have latent defects all of which may cause
harm to a person. Purchaser accepts all risk of loss or damage from its purchase of these items and
Auctioneer disclaims any liability whether under contract or tort for damages and losses, direct or
inconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold.
Dispute Resolution and Arbitration Provision:
45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and
Conditions of Auction, and specifically agrees to the alternative dispute resolution provided
herein. Arbitration replaces the right to go to court, including the right to a jury trial.
46. Auctioneer in no event shall be responsible for consequential damages, incidental damages,
compensatory damages, or any other damages arising or claimed to be arising from the auction of
any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the
lot lacks title, or other transfer or condition issue is claimed, In such cases the sole remedy shall be
limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneers
maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the
value of the lot. After one year has elapsed, Auctioneers maximum liability shall be limited to any
commissions and fees Auctioneer earned on that lot.
47. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on
the Internet, or, if discovered at a later date, to refund the buyers purchase price without further
obligation.
48. Arbitration Clause: All controversies or claims under this Agreement or arising from or pertaining
to: this Agreement or related documents, or to the Properties consigned hereunder, or the
enforcement or interpretation hereof of this or any related agreements, or damage to Properties,
payment, or any other matter, or because of an alleged breach, default or misrepresentation under
the provisions hereof or otherwise, that cannot be settled amicably within one (1) month from
the date of notification of either party to the other of such dispute or question, which notice shall
specify the details of such dispute or question, shall be settled by final and binding arbitration by
one arbitrator appointed by the American Arbitration Association (AAA). The arbitration shall
be conducted in Dallas, Dallas County, Texas in accordance with the then existing Commercial
Arbitration Rules of the AAA. The arbitration shall be brought within two (2) years of the alleged
breach, default or misrepresentation or the claim is waived. The prevailing party (a party that is
awarded substantial and material relief on its claim or defense) may be awarded its reasonable
attorneys fees and costs. Judgment upon the award rendered by the arbitrator may be entered
in any court having jurisdiction thereof; provided, however, that the law applicable to any
controversy shall be the law of the State of Texas, regardless of its or any other jurisdictions choice
of law principles and under the provisions of the Federal Arbitration Act.
49. No claims of any kind can be considered after the settlements have been made with the consignors.
Any dispute after the settlement date is strictly between the Bidder and consignor without
involvement or responsibility of the Auctioneer.
50. In consideration of their participation in or application for the Auction, a person or entity (whether
the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees
that all disputes in any way relating to, arising under, connected with, or incidental to these Terms
and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to
the arbitration provision. In the event that any matter including actions to compel arbitration,
construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such
litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if
necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser,
or Auction participant also expressly submits himself to the personal jurisdiction of the State of
Texas.
51. These Terms & Conditions provide specific remedies for occurrences in the auction and delivery
process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that
any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided
in these Terms and Conditions agrees that in no case whatsoever shall Auctioneers maximum
liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of
the lot.
Miscellaneous:
52. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit
bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the
Auctioneers Auction to obtain sales for non-selling consigned items subsequent to the Auction,
are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of
this provision, Auctioneer reserves the right to charge Bidder the applicable Buyers Premium and
consignor a Sellers Commission as determined for each auction venue and by the terms of the
sellers agreement.
53. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be
contacted by Heritage in the future. In conformity with do-not-call regulations promulgated by
the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being
contacted at the phone number shown in his application and this consent shall remain in effect
until it is revoked in writing. Heritage may from time to time contact Bidder concerning sale,
purchase, and auction opportunities available through Heritage and its affiliates and subsidiaries.
54. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as
such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall
be construed to waive the general Terms and Conditions of Auction by these additional rules and
shall be construed to give force and effect to the rules in their entirety.
State Notices:
Notice as to an Auction in California. Auctioneer has in compliance with Title 2.95 of the California
Civil Code as amended October 11, 1993 Sec. 1812.600, posted with the California Secretary of State
its bonds for it and its employees, and the auction is being conducted in compliance with Sec. 2338 of
the Commercial Code and Sec. 535 of the Penal Code.
Notice as to an Auction in New York City. These Terms and Conditions are designed to conform to
the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations
as Amended. This is a Public Auction Sale conducted by Auctioneer. The New York City licensed
Auctioneers are Harvey Bennett, No. 0924050, and Samuel W. Foose, No.0952360, who will conduct
the Auction on behalf of Heritage Auctions, Inc. (Auctioneer). All lots are subject to: the consignors
right to bid thereon in accord with these Terms and Conditions of Auction, consignors option to
receive advances on their consignments, and Auctioneer, in its sole discretion, may offer limited
extended financing to registered bidders, in accord with Auctioneers internal credit standards. A
registered bidder may inquire whether a lot is subject to an advance or reserve. Auctioneer has made
advances to various consignors in this sale.
Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby
provided that this auction is covered by a Recovery Fund administered by the Texas Department of
Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may
be directed to the same address.
Rev. 5-5-09

Additional Terms & Conditions:
FINE & DECORATIVE ARTS AUCTIONS
FINE AND DECORATIVE ARTS TERM A: LIMITED WARRANTY: Auctioneer warrants authorship,
period or culture of each lot sold in this catalog as set out in the BOLD-face type heading in the
catalog description of the lot, with the following exclusions. This warranty does not apply to:
i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is
determined to be a counterfeit which has a value at the date of the claim for rescission which is
materially less than the purchase price paid for the lot; or
ii. any catalog description where it was specifically mentioned that there is a conflict of specialist
opinion on the authorship of a lot; or
iii. authorship which on the date of sale was in accordance with the then generally accepted opinion
of scholars and specialists, despite the subsequent discovery of new information, whether
historical or physical, concerning the artist or craftsman, his students, school, workshop or
followers; or
iv. the identification of periods or dates of execution which may be proven inaccurate by means of
scientific processes not generally accepted for use until after publication of the catalog, or which
were unreasonably expensive or impractical to use at the time of publication of the catalog.
The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago
with the intent to deceive. The authenticity of signatures, monograms, initials or other similar
indications of authorship is expressly excluded as a controlling factor in determining whether a
work is a counterfeit under the meaning of these Terms and Conditions of Auction.
FINE AND DECORATIVE ARTS TERM B: GLOSSARY OF TERMS: Terms used in this catalog
have the following meanings. Please note that all statements in this catalog, excluding those in
BOLD-face type, regarding authorship, attribution, origin, date, age, provenance and condition
are statements of opinion and are not treated as a statement of fact.
1. THOMAS MORAN
In our opinion, the work is by the artist.
2. ATTRIBUTED TO THOMAS MORAN
In our opinion, the work is of the period of the artist which may be whole or in part the work of
the artist.
3. STUDIO, (CIRCLE OR WORKSHOP) OF THOMAS MORAN
In our opinion, the work is of the period and closely relates to his style.
4. SCHOOL OF THOMAS MORAN
In our opinion, the work is by a pupil or a follower of the artist.
5. MANNER OF THOMAS MORAN
In our opinion, the work is in the style of the artist and is of a later period.
6. AFTER THOMAS MORAN
In our opinion, this work is a copy of the artist.
7. ASCRIBED TO THOMAS MORAN
In our opinion, this work is not by the artist, however, previous scholarship has noted this to be
a work by the artist.
8. SIGNED (OR DATED)
The work has a signature (or date) which is in our opinion is genuine.
9. BEARS SIGNATURE (OR DATE)
The work has a signature (or date) which in our opinion is not authentic.
FINE AND DECORATIVE ARTS TERM C: PRESENTMENT: The warranty as to authorship is
provided for a period of one (1) year from the date of the auction and is only for the benefit of
the original purchaser of record and is not transferable.
FINE AND DECORATIVE ARTS TERM E: The catalog descriptions are provided for identification
purposes only. Bidders who intend to challenge a BOLD-face provision in the description of
a lot must notify Auctioneer in writing within forty (40) days of the Auctions conclusion. In
the event Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks
title or the BOLD-face section of description is incorrect, or other transfer or condition issue is
claimed, Auctioneers liability shall be limited to rescission of sale and refund of purchase price.
In no case shall Auctioneers maximum liability exceed the successful bid on that lot, which bid
shall be deemed for all purposes the value of the lot. After one year has elapsed from the close
of the Auction, Auctioneers maximum liability shall be limited to any commissions and fees
Auctioneer earned on that lot.

FINE AND DECORATIVE ARTS TERM F: Any claim as to authorship, provenance, authenticity,
or other matter under the remedies provided in the Fine Arts Terms and Conditions or
otherwise must be first transmitted to Auctioneer by credible and definitive evidence within
the applicable claim period. Auctioneer, in processing the written claim, may require the
Purchaser to obtain the written opinion of two recognized experts in the field who are mutually
accepted by Auctioneer and Purchaser. Upon receipt of the two opinions, Auctioneer shall
determine whether to rescind the sale. The Purchasers claim must be presented in accord
with the remedies provided herein and is subject to the limitations and restrictions provided
(including within the described time limitations). Regardless of Purchasers submissions there
is no assurance after such presentment that Auctioneer will validate the claim. Authentication
is not an exact science and contrary opinions may not be recognized by Auctioneer. Even
if Auctioneer agrees with the contrary opinion of such authentication and provides a
remedy within these Terms and Conditions or otherwise, our liability for reimbursement
for bidders third party opines shall not exceed $500. The right of rescission, return, or any
other remedy provided in these Terms and Conditions, or any other applicable law, does not
extend to authorship of any lot which at the date of Auction was in accordance with the then
generally accepted opinion of scholars and specialists, despite the subsequent discovery of
new information, whether historical or physical, concerning the artist, his students, school,
workshop or followers. Purchaser by placing a bid expressly waives any claim or damage based
on such subsequent information as described herein. It is specifically understood that any
refund agreed to by the Auctioneer would be limited to the purchase price.
FINE AND DECORATIVE ARTS TERM G: Provenance and authenticity, excluding attributions in
BOLD-face type, are guaranteed by neither the consignor nor Auctioneer. While every effort is
made to determine provenance and authenticity, it is the responsibility of the Bidder to arrive at
their own conclusion prior to bidding.
FINE AND DECORATIVE ARTS TERM H: On the fall of Auctioneers hammer, Buyers of Fine Arts
and Decorative Arts lots assumes full risk and responsibility for lot, including shipment by
common carrier or third-party shipper, and must provide their own insurance coverage for
shipments.
FINE AND DECORATIVE ARTS TERM I: Auctioneer complies with all Federal and State rules and
regulations relating to the purchasing, registration and shipping of firearms. A purchaser is
required to provide appropriate documents and the payment of associated fees, if any. Purchaser
is responsible for providing a shipping address that is suitable for the receipt of a firearm.
WIRING INSTRUCTIONS:
Bank Information:
Account Name:
ABA Number:
Account Number:
Swift Code: CHASUS33
JP Morgan Chase Bank, N.A., 270 Park Avenue, New York, NY 10017
HERITAGE NUMISMATIC AUCTIONS MASTER ACCOUNT
021000021
1884827674
FINE AND DECORATIVE ARTS TERM D: The Auction is not on approval. Under extremely limited
circumstances (e.g. gross cataloging error), not including attributions in BOLD-face type,
which are addressed in Term F below, a purchaser who did not bid from the floor may request
Auctioneer to evaluate voiding a sale; such request must be made in writing detailing the alleged
gross error, and submission of the lot to Auctioneer must be pre-approved by Auctioneer.
A bidder must notify the appropriate department head (check the inside front cover of the
catalog or our website for a listing of department heads) in writing of the purchasers request
within three (3) days of the non-floor bidders receipt of the lot. Any lot that is to be evaluated
for return must be received in our offices within 40 days after Auction. AFTER THAT 40-DAY
PERIOD, NO LOT MAY BE RETURNED FOR ANY REASON. Lots returned must be in the same
condition as when sold and must include any Certificate of Authenticity. No lots purchased
by floor bidders (including those bidders acting as agents for others) may be returned. Late
remittance for purchases may be considered just cause to revoke all return privileges.
Rev. 3_20_09
Choose Your Bidding Method
Your five most effective bidding techniques:

1 Interactive Internet Proxy Bidding
(leave your maximum Bid at HA.com before the auction starts)
Heritages exclusive Interactive Internet system is fun and

easy! Before you start, you must register online at HA.com and
obtain your Username and Password.
1. Login to the HA.com website, using your
Username and Password.
2. Chose the specialty youre interested in at the top of the
homepage (i.e. coins, currency, comics, movie posters,
fine art, etc.).
3. Search or browse for the lots that interest you. Every auction
has search features and a drop-down menu list.
4. Select a lot by clicking on the link or the photo icon. Read the
description, and view the full-color photography. Note that
clicking on the image will enlarge the photo with
amazing detail.
5. View the current opening bid. Below the lot description,
note the historic pricing information to help you establish
price levels. Clicking on a link will take you directly to our
Permanent Auction Archives for more information and images.
6. If the current price is within your range, Bid! At the top of the
lot page is a box containing the Current Bid and an entry box
for your Secret Maximum Bid the maximum amount you
are willing to pay for the item before the Buyers Premium is
added. Click the button marked Place Bid (if you are not
logged in, a login box will open first so you can enter your
username (or e-mail address) and password.
7. After you are satisfied that all the information is correct,
confirm your Secret Maximum Bid by clicking on the
Confirm Absentee Bid button. You will receive immediate
notification letting you know if you are now the top bidder, or
if another bidder had previously bid higher than your amount.
If you bid your maximum amount and someone has already
bid higher, you will immediately know so you can concentrate
on other lots.
8. Before the auction, if another bidder surpasses your Secret
Maximum Bid, you will be notified automatically by e-mail
containing a link to review the lot and possibly bid higher.
9. Interactive Internet bidding closes at 10 P.M. Central
Time the night before the session is offered in a floor event.
Interactive Internet bidding closes two hours before live
sessions where there is no floor bidding.
10. The Interactive Internet system generally opens the lot at
the next increment above the second highest bid. As the
high bidder, your Secret Maximum Bid will compete for
you during the floor auction. Of course, it is possible in a
Signature or Grand Format live auction that you may be
outbid on the floor or by a Heritage Live bidder after Internet
bidding closes. Bid early, as the earliest bird wins in the
event of a tie bid. For more information about bidding and
bid increments, please see the section labeled Bidding
Increments elsewhere in this catalog.
11. After the auction, you will be notified of your success.
Its that easy!
6-30-08
Choose Your Bidding Method, (Contd.)

2
Bidding
(participate in the Live auction via the Internet)

1. L ook on each auctions homepage to verify whether that auction is HA.com/Live Enabled. All Signature
and Grand Format auctions use the HERITAGE Live! system, and many feature live audio and/or video.
Determine your lots of interest and maximum bids.
2. Note on the auctions homepage the session dates and times (and especially time zones!) so you can plan your
participation. You actually have two methods of using HERITAGE Live!: a) you can leave a proxy bid through
this system, much like the Interactive Internet (we recommend you do this before the session starts), or b) you
can sit in front of your computer much as the audience is sitting in the auction room during the actual auction.
3. Login at HA.com/Live.
4. Until you become experienced (and this happens quickly!) you will want to login well before your lot comes
up so you can watch the activity on other lots. It is as intuitive as participating in a live auction.
5. When your lot hits the auction block, you can continue to bid live against the floor and other live bidders by
simply clicking the Bid button; the amount you are bidding is clearly displayed on the console.
3 Mail Bidding
(deposit your maximum Bid with the U.S.P.S. well before the auction starts)
Mail bidding at auction is fun and easy, but by eliminating the interactivity of our
online systems, some of your bids may be outbid before you lick the stamp, and you
will have no idea of your overall chances until the auction is over!
1. Look through the printed catalog, and determine your lots of interest.
2. Research their market value by checking price lists and other price guidelines.
3. Fill out your bid sheet, entering your maximum bid on each lot. Bid using whole
dollar amounts only. Verify your bids, because you are responsible for any errors you
make! Please consult the Bidding Increments chart in the Terms & Conditions.
4. Please fill out your bid sheet completely! We also need: a) Your name and complete
address for mailing invoices and lots; b) Your telephone number if any problems or
changes arise; c) Your references; if you have not established credit with Heritage,
you must send a 25% deposit, or list dealers with whom you have credit established;
d) Total your bid sheet; add up all bids and list that total in the box; e) Sign your bid
sheet, thereby agreeing to abide by the Terms & Conditions of Auction printed in
the catalog.
5. Mail early, because preference is given to the first bid received in case of a tie.
6. When bidding by mail, you frequently purchase items at less than your maximum bid. Bidding generally opens at the
next published increment above the second highest mail or Internet bid previously received; if additional floor, phone,
or HERITAGE Live! bids are made, we act as your agent, bidding in increments over any additional bid until you
win the lot or are outbid. For example, if you submitted a bid of $750, and the second highest bid was $375, bidding
would start at $400; if no other bids were placed, you would purchase the lot for $400.
7. You can also Fax your Bid Sheet if time is short. Use our exclusive Fax Hotline: 214-443-8425.
4 Telephone Bidding (when you are traveling, or do not have access to HERITAGE Live!)
1. To participate in an auction by telephone, you must make preliminary arrangements with Client Services
(Toll Free 866-835-3243) at least three days before the auction.
2. We strongly recommend that you place preliminary bids by mail or Internet if you intend to participate by telephone.
On many occasions, this dual approach has reduced disappointments due to telephone (cell) problems, unexpected
travel, late night sessions, and time zone differences. Keep a list of your preliminary bids, and we will help you avoid
bidding against yourself.
5 Attend in Person (whenever possible)

Auctions are fun, and we encourage you to attend as many as possible although our HERITAGE Live! system brings
all of the action right to your computer screen. Auction dates and session times are printed on the title page of each
catalog, and appear on the homepage of each auction at HA.com. Join us if you can!
6-30-08
M odern A nd C ontemporary A rt
An Invitation to Consign
Modern and Contemporary Art
Live Auction: October
Consignment Deadline: August
*Dates subject to change - Please check HA.com for the most current information
As Americas most trusted

major auction
house Heritage offers:
- A database of more than 600,000 collectors
across multiple collecting categories
- A proven track record selling $3 billion + of fine
mid-range and high-end art & collectibles, on
behalf of more than 45,000 consignors since
1976
- $7 million dollars spent annually in marketing
in traditional auction publications, as well as
magazines and journals geared to specialized
collectors
- An award-winning Website, HA.com, which
draws an average of 30,000+ collectors each
day (more than three times as many unique
visitors as Christies.com and Sothebys.com
combined!) Source: Compete.com
- Competitive commission rates, and attractive
terms available, including cash advances.
- World Class Customer Service
For more information, please contact

Frank Hettig at 214-409-1444, or visit
HA.com/FineArt.
ARNALDO POMODORO
Piccolo Sfera, 1963
Bronze
20 x 20 x 20 inches
Realized: $358,500 (May 2008)
HA.com/5004-26003
Receive a free copy of a catalog from any Heritage category.

Register online at HA.com/CATF17098 or call 866-835-3243
and mention reference CATF17098.
Annual Sales Exceed $700 Million 450,000+ Online Registered Bidder-Members

3500 Maple Ave, 17th Floor Dallas, Texas 75219 214-409-1444 800-872-6467 ext. 1444 HA.com
TX Auctioneer licenses: Samuel Foose 11727; Robert Korver 13754; Andrea Voss 16406. This auction is subject to a 19.5% Buyers Premium.
&
Forever
Marilyn
The Art of
Fashion
CONSIGNMENT
OPPORTUNITIES
Limited chance to consign now to this falls

most glamorous auctions, both in October 2009:
Forever Marilyn
Americas fascination with its most iconic starlet has only grown in the 47
Two
years since her death. The legacy and life of this unforgettable Hollywood
idol are celebrated with related photographs and memorabilia.
glamorous
The Art of Fashion
Fashion and photography have always gone hand-in-hand. The symbiosis
auctions.
between the two is the cornerstone of this exploration of haute couture.
Two chances As the worlds most trusted auction house, Heritage delivers:
to consign
with
Heritage!
A database of more than 600,000 collectors across multiple collecting categories.

A proven track record selling more than $3 billion worth of fine mid-range and
high-end art & collectibles, on behalf of more than 45,000 consignors since 1976.
More than $7 million dollars spent annually in marketing in traditional auction
publications, as well as magazines and journals geared to specialized collectors.
An award-winning Web site, HA.com, which draws an average of more than
30,000 collectors each day (more than three times as many unique visitors as
Christies.com and Sothebys.com combined!)
Competitive commission rates, and attractive terms available, including
cash advances.
World-class customer service.
To consign photography, contact Lorraine Anne Davis at

800-872-6467 ext. 1714 or LorraineD@HA.com
To consign other materials, contact Jeri Carroll at
800-872-6467 ext. 1725 or JeriC@HA.com
Past auction highlights:
ALFRED EISENSTAEDT
Portrait of Marilyn Monroe, 1953
Silver gelatin, 1953
Sold for: $8,963 (December 2008)
HA.com/5015-31028
RICHARD AVEDON
Sunny Harnett, Evening Dress by
Gres, Casino, Le Touquet, August
1954; Used in the September, 1954
issue of Harpers Bazaar
Sold for: $13,145 (October 2004)
HA.com/604-42004
Nolan Miller Gold, Hand-Beaded

Gown Designed for Lucille Ball, with
Original Marker Sketch. Ca.1980
Sold for: $1,553 (April 2008)
HA.com/688-37024
Annual Sales Exceed $700 Million

425,000+ Registered Online Bidder-Members
3500 Maple Ave, 17th Floor Dallas, Texas 75219
214-409-1444 800-872-6467 ext. 1444 HA.com
17135
THE JOHN SIMPSON MCKAUGHAN JR.

COLLECTION OF SOUTH AMERICAN ART
Reception immediately
followed by:
LIVE AUCTION:
JUNE 3 DALLAS, TEXAS
LOT VIEWING:
MAY 30, JUNE 1-3
Receive a free copy of a catalog
from any Heritage category. Register
online at HA.com/CATD17098 or call
866-835-3243 and mention reference
CATD17098.
Heritage Auction Galleries

presents the John Simpson
McKaughan, Jr. Collection
of South American Artmore
than 90 works of contemporary
South American art by leading
artists such as:
1
Arcangelo Ianelli Thomaz

Ianelli Manabu Mabe
Rmulo Macci Tomie Ohtake
Rodolfo Opazo Eduardo
Kingman Riofro Jos Antnio
da Silva Fernando de
SzyszloJorge de la Vega
1. JORGE DE LA VEGA
La Pata Roja, (detail) 1964,
Collage, 31-1/4 x 39 in.
Estimate: $200,000 - $300,000
HA.com/5019-22024
2. ROdOlFO OpAzO
Unicornio Virrey, (detail) 1967
Oil on canvas, 47 x 39-1/4 in.
Estimate: $12,000 - $18,000
HA.com/5019-22045
3. TOMIE OhTAkE
Boto, (detail) 1976
Oil on canvas, 39-1/2 x 39-1/2 in.
Estimate: $15,000 - $25,000
HA.com/5019-22058
4. EduARdO KIngMAn RIOFRO
Arpista, (detail) 1963
Oil on canvas, 31 x 47 in.
Estimate: $20,000 - $30,000
HA.com/5019-22015
For more information contact

Courtney Case at either
800-872-6467, ext. 1293 or
CourtneyC@HA.com
4
3500 Maple Ave, 17th Floor, Dallas, Texas 75219 800-872-6467 ext. 1444 HA.com
TX Auctioneer licenses: Samuel Foose 11727; Robert Korver 13754; Andrea Voss 16406. This auction is subject to a 19.5% buyers premium.
H E R I TA G E A U C T I O N G A L L E R I E S
rom Rare Coins to Comic

Books, Fine Art to First
Editions, Movie Posters to
Mammoth Skeletons,
Heritage can turn your
collections into cash!
4
We invite you to consign

to an upcoming auction.
Timely payments to consignors
since 1976
Generous cash advances available
Competitive consignment terms
Outstanding prices realized
To discuss consigning your material

to a future auction, please call
800-872-6467 today to speak
to a Consignment Director.
22
1

2

Roy Lichtenstein
Brass, 15 in. high
Sold for $167,300
Dec. 2007
HA.com/656-38001
Multicolor Tourmaline:
Sharon Stone
Sold for $77,675
Sept. 2008
HA.com/6008-6094
3 1804 $1 Original
PR62 NGC
Sold For: $3,737,500
Apr. 2008
HA.com/1104-7001
4 Mikhail Klodt
O/C, 41- x 60- in.
Sold for $1,314,500
Apr. 2008
HA.com/5008-17001
5 Yellow Diamond Ring

Sold for $131,450
May 2008
HA.com/686-79002

6 James Bond
Rolex Watch
Sold for $107,550
May 2008
HA.com/686-8001
7 Honus Wagner Baseball Card
Sold for $227,050
May 2008
HA.com/970-9043001
8 William Herbert
(Buck) Dunton
O/C, 14- x 14-/8 in.
Sold for $286,800
Dec. 2007
HA.com/656-148001
Flag Carried to the

Moon by Armstrong
Sold for $56,762
Sep. 2007
HA.com/669-1150
10 Yousuf Karsh
Hemingway, 1954
Silver gelatin, 1967
Sold for $19,120
Dec. 2008
HA.com/5015-6001
10
11 Bride of Frankenstein
Poster
Sold for $334,600
Nov. 2007
HA.com/667-20004
13 Pair of George III

Silver Candelabra
Sold for $53,775
Apr. 2007
HA.com/683-10001
15 William Barrett
Travis Document
Sold for $191,200
Nov. 2007
HA.com/650-25002
12 The Federalist, 1788

First edition, uncut
Sold for $262,900
June 2008
HA.com/683-10001
14 Norman Rockwell
Saturday Evening
Post Cover Study
33 x 22 in.
Sold for $203,150
June 2007
HA.com/670-50001
16 Never Hinged
Inverted Jenny
Stamp
Sold for $825,000
Dec. 2007
3500 Maple Ave, 17th Floor Dallas, Texas 75219 214-528-3500 800-872-6467 HA.com
Seeking Quality Consignments

We are currently accepting
consignments for our Live
Signature and weekly
Internet auctions in the
following areas:
15
11
Rare US, World, & Ancient

Coins and Currency
European, Russian, and

American Art
Sculpture
Photography
Art of the American West
Texas Art
Illustration Art
Decorative Art
Fine Silver and Vertu
20th-Century Design
Modern & Contemporary Art
Fine Jewelry & Timepieces
Comic Books and Original
Comic Art
Vintage Movie Posters
Music and Entertainment

Memorabilia
Americana and Political

Collectibles
Rare Books & Manuscripts
Natural History
Civil War & Militaria
Air and Space
Sports Collectibles
Stamps
17
16
18
12
13
19
16
20
23
21
18
14
22
19
24
17 American Leaded
Glass and Bronze
Floor Lamp
Sold for $83,650
Oct. 2006
HA.com/637-21001
19 Elvis Presley
Owned and
Used Guitar
Sold For $77,675
Apr. 2007
HA.com/647-102001
21 Fr. 188 $5000

1878 Legal Tender
PMG Very Fine 25
Sold for $805,000
Sep. 2007
HA.com/448-158067
18 US Grant Sword
Sold for $1,673,000
June 2007
HA.com/663-1009
20 Robert R. Crumb.
Original Art
Sold for $21,510
Aug. 2008
HA.com/829-75001
22 Rare Cox / Roosevelt

Campaign Pin
Sold for $30,000
Dec. 2007

Annual Sales Exceed $700 Million
23 Charles I Gold triple

Unite 1643
Sold for $431,250
June 2005
HA.com/378-41001
Receive a FREE catalog from any

Heritage category. Register online
at HA.com/CATA17098 or call
866-835-3243 and mention
reference CATA17098.
24 Beaded Hide

Baby Carrier
Sold for $65,725
Oct. 2007
HA.com/681-6289
425,000+ Registered Online Bidder-Members
17010
M odern A nd C onteMporAry A rt
Featuring Important Paintings from the charles martignette estate
illustrAtion Art
live Auction: July 15
Pin-uP And glAmour Art
live Auction: SePTemBer 24
consignment deAdline: AuguST 8
modern And contemPorAry Art
live Auction: OcTOBer
consignment deAdline: AuguST
*Dates subject to change - Please check HA.com for the most current information
AS AmerIcAS mOST TruSTeD mAJOr AucTIOn

HOuSe HerITAge OFFerS:
- A database of more than 600,000 collectors
across multiple collecting categories
- A proven track record selling $3 billion + of fine
mid-range and high-end art & collectibles, on
behalf of more than 45,000 consignors since 1976
- $7 million dollars spent annually in marketing
in traditional auction publications, as well as
magazines and journals geared to specialized
collectors
- An award-winning Website, HA.com, which
draws an average of 30,000+ collectors each day
(more than three times as many unique visitors
as christies.com and Sothebys.com combined!)
Source: compete.com
- competitive commission rates, and attractive
terms available, including cash advances.
- World class customer Service
HigHligHts include:
MEL RAMOS (b. 1935)
Sheena, Queen of the Jungle, 1963
Oil on canvas 30 x 26 in.
Estimate: $120,000 - $160,000
HA.com/7015-11005
receive a free copy of this catalog, or one from

another Heritage category. register online at
HA.com/cATB17098 or call 214-409-1150
and mention reference cATB17098. the entire
auction will go online approximately sept. 25.

3500 Maple Ave, 17th Floor Dallas, Texas 75219 214-409-1444 800-872-6467 ext. 1444 HA.com
For more information, please contact one

of our specialists at 214-409-1444, or visit
HA.com/illustration.
DESIGNER & ARTIST INDEX

A
FELIX AGOSTINI...........................................73217, 73218

ALVAR AALTO FOR FINMAR........................73089
RON ARAD FOR BARTON............................73245
RON ARAD FOR COR UNUM......................73243
RON ARAD FOR DRIADE.............................73244
GABRIEL ARGY-ROUSSEAU..........................73027, 73028, 73029
ARMAN.........................................................73200
ARSALL.........................................................73275
BG (E. GAROUSTE ET M. BONETTI)

FOR BLOME..................................................73241
GIJS BAKKER FOR DROOG DESIGN............73240
LEOPOLD BAUER FOR LOETZ.....................73049
MILO BAUGHMAN FOR
THAYER COGGIN.........................................73180
TOMASSO BARBI..........................................73264
PETER BEHRENS FOR AEG...........................73295, 73303, 73304
SIMON BENETTON......................................73197, 73198
HENRI BERG FOR ALMERIC WALTER.........73031
HARRY BERTOIA..........................................73215, 73216
FULVIO BIANCONI FOR VENINI..................73260, 73262
MAX BILL FOR JUNGHANS..........................73299
PORTER BLANCHARD..................................73329
MAURICE BOUVAL FOR M. COLIN.............73281
JULES BOUY FOR CARLOS SALZEDO..........73172, 73173
MARIANNE BRANDT FOR PFEIFFER............73301
MARIANNE BRANDT FOR RUPPEL..............73074, 73296, 73302
FRED BROUARD..........................................73225, 73226
BURGUN, SCHVERER & CIE.........................73006
HUMBERTO AND FERNANDO CAMPANA

FOR EDRA....................................................73249
ROGER CAPRON..........................................73184, 73185, 73195
CHARLES CATTEAU FOR
BOCH FRERES KERAMIS...............................73086
DOUARD CAZAUX.....................................73084
ALBERT CHEURET........................................73083
PIETRO CHIESA FOR FONTANA ARTE.........73261
ALLAN CLARK..............................................73102
CHRISTO......................................................73221
LE CORBUSIER..............................................73196
FRANK A. DANDREA FOR FADA.................73178, 73179

DAUM...........................................................73007, 73008, 73026,
73272
DAUM AND MAJORELLE..............................73032
ELAINE DE KOONING..................................73220
FRANOIS-EMILE DECORCHEMONT..........73020, 73021
DEGU (DAVID GURON)...........................73274
CHRISTIAN DELL FOR KAISER & CO............73291
Attributed to DONALD DESKEY....................73175
DONALD DESKEY........................................73171
LA MAISON DESNY......................................73096, 73097, 73099,
73100
GEORGES DESPRET......................................73022
JOHN DICKINSON.......................................73233
JIM DINE.......................................................73227, 73228, 73229
Attributed to DOMINIQUE............................73082
MAURICE-ELYSE DUFRENE.........................73042
JEAN DUNAND............................................73076, 73077
PAUL DUPR-LAFON FOR HERMS.............73267
CHARLES & RAY EAMES FOR
HERMAN MILLER..........................................73181
OTTO ECKMANN.........................................73300
Attributed to JAN EISENLOEFFEL...................73308
HARVEY ELLIS FOR GUSTAV STICKLEY........73105
PAUL EVANS STUDIO FOR
DIRECTIONAL USA......................................73231
CAMILLE FAUR FOR LIMOGES...................73280
FULPER.........................................................73313, 73317, 73324
EMILE GALL................................................73001, 73273

ELIZABETH GAROUSTE AND
MATTIA BONETTI.........................................73242
WILLIAM DAY GATES FOR TECO.................73106, 73107
NORMAN BEL GEDDES................................73334
GERDAGO (GERDA IRO)..............................73101
DIEGO GIACOMETTI....................................73201
GREENE & GREENE.......................................73332
GUSTAV GURSCHNER.................................73048, 73050
KEITH HARING.............................................73236
W.P. HARTGRING FOR
ROZENBURG POTTERY................................73044
CARLO HAUNER..........................................73205
PAUL HAUSTEIN...........................................73071
PAUL HAUSTEIN FOR WMF.........................73072
OTTO HEINTZ..............................................73287, 73288
JOSEF HOFFMANN FOR J&J KOHN.............73064
JOSEF HOFFMANN FOR THE
WIENER WERKSTTTE..................................73052, 73053, 73055,
73057, 73058, 73059
After ALBERT HEINRICH HUSSMANN..........73285
ZEISS IKON...................................................73298
ARNE JACOBSEN FOR FRITZ HANSEN.........73189

Manner of LON JALLOT..............................73088
MARCEL KAMMERER FOR

GEBRDER THONET....................................73062
PETER KARPF FOR
CHRISTENSEN & LARSEN.............................73190
POUL KJAERHOLM FOR
E. KOLD CHRISTENSEN................................73192
POUL KJAERHOLM FOR PP MBLER..........73232
KARL KLAUS FOR ERNST WAHLISS..............73046, 73047
YRJO KUKKAPURO FOR HAIMI...................73187
EDMOND LACHENAL..................................73039
RENE LALIQUE.............................................73085
ROBERT LALLEMANT...................................73087, 73278
MAX LUGER FOR TONWERKE...................73073
PHILIP AND KELVIN LAVERNE.....................73219
HOUR LAVIGNE...........................................73090
YONEL LEBOVICI..........................................73247
ANDRE LEGRAND........................................73033
ANGELO LELLI FOR
ARREDOLUCE MONZA................................73265
LUCIEN LELONG..........................................73279
HUGO LEVEN FOR KAYSERZINN................73065, 73066
LUCIEN LEVY-DHURMER FOR
CLMENT MASSIER.......................................73036
ARTIST INDEX
CLAUDIUS LINOSSIER..................................73094
LOETZ...........................................................73306
After ANTOINE LOUIS-BARYE......................73043
GEORGE WASHINGTON MAHER................73108

LOUIS MAJORELLE.......................................73040
ROBERT MALLET-STEVENS...........................73078
MARSHALL FIELD & CO...............................73325
JEL AND JAN MARTEL FOR PRIMAVERA...73271
HENRI MARTI...............................................73092
CLMENT MASSIER.......................................73037
JEAN BAPTISTE MASSIER..............................73034, 73035
INGO MAURER............................................73191
MCCOY.........................................................73318
METTLACH...................................................73307
ALBIN MUELLER FOR EDUARD HUECK......73068
PETER MLLER-MUNK FOR REVERE............73159
FORREST (FROSTY) MYERS...........................73251
GEORGE NAKASHIMA.................................73207, 73208,

73209, 73210, 73211, 73212, 73213, 73214
MARC NEWSON FOR IDEE..........................73239
ISAMU NOGUCHI........................................73246
JOSEF MARIA OLBRICH................................73061

JOSEF MARIA OLBRICH FOR HUECK...........73069
PAIRPOINT MANUFACTURING COMPANY.73312, 73315

ALBERT PALEY..............................................73248
IDA PAULIN..................................................73292
DAGOBERT PECHE FOR THE
WIENER WERKSTTTE..................................73056
A.R. PENCK...................................................73199
CHARLOTTE PERRIAND...............................73270
JEAN PERZEL.................................................73091, 73093
FLAVIO POLI FOR
SEGUSO VETRI DARTE................................73257, 73258, 73259
MICHAEL POWOLNY AND
BERTOLD LFFLER FOR
WIENER KERAMIK........................................73051, 73054
JESSIE PRESTON............................................73286
JEAN PROUV..............................................73193, 73194, 73269
JEAN PROUV AND JULES LELEU................73182, 73183
OTTO PRUTSCHER FOR WIENER
PORZELLANMANUFAKTUR AUGARTEN.....73045
JEAN PUIFORCAT.........................................73041
JACQUES QUINET........................................73230
PACO RABANNE...........................................73268
GEORGE RICKEY..........................................73235
Attributed to RICHARD RIEMERSCHMID
FOR F & R FISCHER......................................73294
RISPAL...........................................................73293
T.H. ROBSJOHN-GIBBINGS
FOR WIDDICOMB........................................73169, 73170
SERGIO RODRIGUES....................................73206
GILBERT ROHDE..........................................73164
GILBERT ROHDE FOR HERMAN MILLER.....73163, 73165, 73166,
73167, 73168
ROOKWOOD...............................................73316, 73320
JEAN ROYERE................................................73186
EMILE-JACQUES RUHLMANN......................73075
SVRES..........................................................73276
SVRES..........................................................73277
MORITA SHIRYU..........................................73234
ETTORE SOTTSASS FOR CERAMICA TOSCANA
73254
ETTORE SOTTSASS FOR DESIGN GALLERY.. 73255
ETTORE SOTTSASS FOR MEMPHIS...............73252
ETTORE SOTTSASS FOR SWID POWELL......73253
PAUL JOSEPH STANKARD............................73336, 73337, 73338
FRANK STELLA..............................................73222
STEUBEN......................................................73305
STICKLEY BROTHERS...................................73321
STILNOVO....................................................73266, 73284
STUDIO SIMON...........................................73282, 73283
RAYMOND SUBES........................................73079
ILMARI TAPIOVAARA....................................73188
JOAQUIM TENREIRO....................................73202, 73203
JEAN G. THEOBALD FOR WILCOX...............73160
TIFFANY & COMPANY.................................73333, 73137
TIFFANY GLASS AND DECORATING COMPANY 73139
TIFFANY STUDIOS........................................73111, 73112, 73113,
73114, 73115, 73117, 73119, 73120, 73121, 73122, 73123, 73124,
73126, 73127, 73128, 73129, 73130, 73131, 73133, 73134, 73135,
73138, 73140, 73141, 73142, 73143, 73144, 73145, 73147, 73148,
73149, 73150, 73151, 73152, 73153, 73154, 73155, 73156, 73158,
73309, 73310, 73311, 73326
LOUIS C. TIFFANY FURNACES, INC.............73116, 73125
ALDO TURA.................................................73335
ARTHUR UMANOFF FOR

HOWARD MILLER........................................73331
VAN BRIGGLE...............................................73323
HENRY VAN DE VELDE.................................73067
LUDWIG MIES VAN DER ROHE FOR GEBRDER THONET 73070
PAOLO VENINI.............................................73256
MASSIMO VIGNELLI.....................................73263
ANTONIO VOLPE.........................................73060
WALTER VON NESSEN..................................73161, 73162
WALTER VON NESSEN FOR CHASE.............73289
WMF [WRTTEMBERGISCHE
METALLWARENFABRIK]................................73290
WILHELM WAGENFELD FOR WMF..............73297
MARCEL WANDERS FOR
BISAZZA MOSAICO......................................73250
ANDY WARHOL...........................................73223, 73224
KEM (KARL EMANUEL MARTIN)
WEBER FOR LAWSON TIME INC..................73177
KEM (KARL EMMANUEL MARTIN)
WEBER FOR ROYALCHROME CO................73176
WELLER.........................................................73322
FRANZ WEST FOR METAMEMPHIS..............73237, 73238
T.J. WHEATLEY..............................................73103
WINSLOW BROTHERS COMPANY..............73314
FRANK LLOYD WRIGHT...............................73109, 73110
RUSSEL WRIGHT..........................................73174
RUSSEL WRIGHT FOR
KLISE WOOD WORKING CO.......................73330
RUSSEL WRIGHT FOR STEUBENVILLE.........73328
GOUDA ZUID-HOLLAND............................73038

Important 20th Century Design Auction

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Important 20th Century Design Auction

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Heritage Signature Auction #5021

Important 20th Century Design

preliminary LOT VIEWING

Thursday, May 21 9:00 AM 7:00 PM ET

Heritage Auction Galleries Design District Annex

Saturday, May 30 Wednesday, June 3

(Floor, Telephone, HERITAGE Live!, Internet, Fax, and Mail)

View Online at HA.com/Modern

noN floor/Non phone bidding session 3

LIVE floor BIDDING

LIVE TELEPHONE BIDDING (floor sessions only)

LOT SETTLEMENT AND PICK-UP

THIS AUCTION IS PRESENTED AND CATALOGED BY HERITAGE AUCTIONS, INC.

Heritage World Headquarters

Heritage Design District Annex

2009 Heritage Auctions, Inc.

Fine & Decorative Art Specialists

Edmund P. Pillsbury, Ph.D.

Chairman, Fine & Decorative Arts

3500 Maple Avenue, 17th Floor Dallas, Texas 75219

Directory for Department SpecialiStS anD ServiceS

CoMiCs & CoMiC ArT

ART OF THE AMERICAN WEST

Len Glazer, Ext. 1390

Meredith Meuwly, Ext. 1631

WORLD & ANCIENT COINS

AMERICANA & POLITICAL

Edmund P. Pillsbury, Ph.D., Ext. 1533

Delia Sullivan, Ext. 1343

Todd Imhof, Ext. 1313

AMERICAN & EUROPEAN

AMERICAN INDIAN ART

Ed Jaster, Ext. 1288

Tom Slater, Ext. 1441

Chris Ivy, Ext. 1319

CIVIL WAR AND

Sandra Palomino, Ext. 1107

Sam Foose, Ext. 1227

James Gannon, Ext. 1609

Grey Smith, Ext. 1367

John Hickey, Ext. 1264

Frank Hettig, Ext. 1157

Sandra Palomino, Ext. 1107

Jewelry & TiMepieCes

Douglass Brown, Ext. 1165

SILVER & VERTU

WATCHES & FINE TIMEPIECES

Tim Rigdon, Ext. 1119

MusiC & enTerTAinMenT

Atlee Phillips, Ext. 1786

VINTAGE & CONTEMPORARY

Lorraine Anne Davis, Ext. 1714

VinTAGe MoVie posTers

TrusTs & esTATes

Harvey Bennett, Ext. 1185

Doug Norwine, Ext. 1452

CORPORATE & INSTITUTIONAL

Jared Green, Ext. 1279

Norma Gonzalez, Ext. 1242

Marti Korver, Ext. 1248

Debbie Rexing, Ext. 1356

MEDIA & PUBLIC RELATIONS

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT

Session One, Auction #5021 | Thursday, June 4, 2009 10:00 AM CT