SOURCE
ANNOTATION
THOUGHTS/CONNECTIONS
Kelly Chi
photograph/#>.
Jones, Jonathan. "The $6.5m Canyon: It's
the Most Expensive Photograph
Ever but It's like a Hackneyed
Poster in a Posh Hotel." The
Guardian. Guardian News and
Limited Media, 10 Dec. 2014.
Web. 09 Feb. 2015. <http%3A
%2F%2Fwww.theguardian.com
%2Fartanddesign
%2Fjonathanjonesblog
%2F2014%2Fdec
%2F10%2Fmost-expensivephotograph-ever-hackneyedtasteless%23gsc.tab%3D0>.
forces one to focus on simple things and realize the greatness and
small details of said object, person, land, etc.
In the article from The Guardian, Jonathan Jones harshly criticizes
photography as having no right to be next to works of paintings
and drawings, and much more. He clearly states his belief in the
first sentence. He forwardly states, Photography is not an art. It is
a technology. It is not surprising that in the article, he critiques a
photo to make his point. The photo is named Phantom and was
photographed by landscape photographer, Peter Lik, and it was
sold for $6.5 million making it the most expensive photo ever. It is
a photograph of the Antelope Canyon in Arizona. Jones first
comments that the black and white effect is an arty effect anyone
could do to make anything fancier and nostalgic. Next, he
describes it as beautifully cheap that he took a photo of a grand
phenomenon of nature. This implies that he didnt have anything
to do with that; it already existed. The photographer has added
nothing of any value to what was already there he says.
Kelly Chi
a variety of viewers and stimulate them with emotional or aesthetic
appeal. Finally, when asked what he thought of people that dont
believe it is art, he simply shows sympathy by saying I feel sorry
for the people that cant see the artistic value in a variety of media
types.
Kelly Chi
Jones, Jonathan. "Flat, Soulless and
Stupid: Why Photographs Dont
Work in Art Galleries." The
Guardian. 13 Nov. 2014. Web. 09
Mar. 2015. <http%3A%2F
%2Fwww.theguardian.com
%2Fartanddesign
%2Fjonathanjonesblog
%2F2014%2Fnov
%2F13%2Fwhy-photographsdont-work-in-art-galleries>.
Lopez, Anthony. Personal interview. 17
Mar. 2015. Email.
This is the third article that Ive read from Jonathan Jones. In this
article, he speaks about how photographs do not belong in art
galleries because in a gallery it is flat, soullessand a waste of
space Jones talks about how he cannot postulate what people
see in photos being with other arts like paintings. It seems as if a
photo does not have equal or greater quality as paintings because
he claims that it does not have the difficulty, skills, or emotional
appeal as a painting would. Jones downgrades photographs, but
finds photography a miracle of the modern world. The article
gives praise to photography, but compares it so harshly with other
arts and is ranked, according to him.
I conducted an interview via email with UNC-Charlottes very
own Anthony Lopez. Lopez is an illustrator, and the interview
began with the question of how he would classify photography. He
said that he would classify photography as an art. His reason is that
it has formal properties and capacities. By that, he means that it
must be able to impact, which it doesthrough linking, making
arguments, being subjective. Lopez says that a good art
photograph canenrich life. After saying all of that, simply about
photography and photographs, it is no surprise that he defines art
as an expression of the soul and that art is a life of its own.
Even though he believes that, the thought of people disagreeing
with him does not faze him because the topic [photography] is just
as complex to define as art. At times, the opposing team has a
point. Lopez then dumps knowledge about a good photograph
using ideas from a former photographer, John Szarkowski. Lopez
lists five formal qualities of a photo: 1) The thing itself, 2)Detail,
3) Frame, 4)Vantage Point, and 5)Time. Finally, he mentions that a
good photograph should have a well constructed composition,
lighting, shadowing, and demonstrate mastery of technical skill.
In this article by Kelli Dunn, it talks briefly about the skills needed
to be a photographer. Beginning with equipment skills, Dunn says
that knowing your camera is vital to being able to produce quality
photos. This not only applies to the actual technical aspects, but
environmental conditions as well. One must understand lighting
and angles that complement well with the vision. Like the next
step after capturing the photo, editing is up next of what Dunn
discusses. She says that because of digital photography, artistic
Kelly Chi
opportunities have increased because we can edit much more. The
best way to develop this skill is to practice with photo editing
software and watching tutorials. After editing skills, marketing and
people skills follow. These two seem to go together, you need to
get your name out there and is important for a professional
photographer. Having people skills and being able to connect to a
client or possible clients.