Andi Gladwin
Being Creative
The Process
Making New Tricks
Props & Methods
New Presentations
Conclusions
to perform magic exactly as it is taught you are doing the right thing, I cannot tell you this is wrong, as it is
your opinion something that cannot be wrong. I can, however prompt you to consider thinking deeper
into what you perform, I am sure that it will make you a better performer, if not a better magician.
Being creative does not necessarily mean that you should start performing only the effects that you have
created; neither does it mean that you have to constantly create new tricks. If however you get the urge
to be different, to do something that no one else is doing then I suggest that you do make the extra effort
to produce some of your own material.
Before I explain how we can become more creative I feel we should look more closely at the
fundamentals of what qualities you should have already gained in your journey of magic.
What Do You Already Know?
I feel it is necessary to build a strong 'backbone' of magical knowledge if you want to create new magic,
this can be gained from reading magic books old and new. There are a few reasons for this, firstly there is
the possibility of're-inventing the wheel,' there is no feeling worse than inventing an effect and later
finding out that someone such as Vernon or Marlo invented it fifty years earlier.
Another reason I suggest you should be knowledgeable of magic effects and moves is for ease of
applying methods to your effects, which otherwise may seem impossible. At least if you know a few
basic sleights you will be able to utilise them in your idea.
An additional reason to be creative is that by studying the work of others you will gain a wider outlook of
magic.
Other magicians have inspired many of my tricks; I may take an effect and use a similar method to create
a totally new effect or visa versa, using the same effect with a distinct method.
There would be absolutely no reason of changing the method of an effect unless I had a problem with it,
for example if the creator's method would not be suitable for the location I have in mind for performing it
in I would consider modifying it to suit my needs. In fact if I regularly adapt the method of a trick by
someone else if I cannot execute the moves properly without being suspected.
I am in no way implying that if you are not well versed in magic you should not invent new magic effects.
In fact some people believe that developing a firm groundwork of magic is not necessary, it may even
lead to many advantages. The main advantage that comes to mind is that if you do not know of a method
to secretly reverse the bottom card of the deck you may be possessed to craft your own methods to
achieve the feat. This way you will be even more creative as you have now produced an effect and a
move.
Whether or not you have read a lot of magic I am sure you are ready to adventure into theCreative
Process .
Thoughts On The Creative Process
Creativity itself is something that is almost impossible to explain, as it is a subconscious event. There is no
right or wrong way of creating new magic effects, I believe that the following quote by Carl R. Rogers
explains my point, "The very essence of the creative is its novelty, and hence we have no standard by
which to judge it."
Some people are naturally creative; there are a few magicians who seem to produce and release new
effects faster than we can purchase them! The majority of magicians, through no fault of their own have a
slower approach to creating magic. This is not a bad thing as 'we have no standard by which to judge it'
so any creative thoughts are good thoughts. Remember to be creative you do not need to be gifted,
you just need to be willing to stretch your imagination.
Now that we have discussed the background points of creating new magic how do we think up new
effects? As I have said earlier in this essay it is not possible for me to tell you how to create new magic.
You will have to discover it for yourself. I can, however, give you advice on how you should go about
inventing new ideas by discussing the methods that I use or have used in the past.
Before we go on I ask that you have an open mind; whilst thinking you may stumble across a brilliant idea
but pass it by as an impossible concept that would never be achieved. This is not true, remember in
magic nothing is impossible! This is why I would like you to consider keeping a notebook wherever
you go try to keep it on your person.
In the past few years I have stumbled across many ideas, amongst those ideas were some good
inspirations. Unfortunately many of these inspirations are gone, I can only vaguely recall a few of them,
this is my greatest regret in magic.
I decided that it was time to take action against these many lost memories, the best method I could think
of was to keep a notebook. Today my notebook is one of my most valuable possessions, as soon as I
come across an idea I write it down in the back of my book whether it is good or bad.
Every night I spend a few minutes considering the ideas that I had earlier in the day and if I feel the need I
expand on the day's muses, in some cases producing a complete routine with the single idea. All of this
information is recorded so when I have time I can go back and develop the better ideas into effects that
one day I may use in performance.
If you do use this method of storing your thoughts please do not make your ideas opinionated, whatever
thought you receive for an effect write it down. If it is of no use today it could probably be useful at some
other time.
appear back inside the tape. At this stage the effect sounds impossible, but methods are not important.
If you have wrote all of your thoughts down you probably have a full page of ideas, notes and doodles.
Do not take a lot of time on this; do not force ideas out, as they should naturally flow from your mind a
five-minute 'brainstorming session' is adequate. As I said at the beginning of essay do not judge any of
your ideas at this stage, just write them down. Some people find it easier to make simple drawings of
their ideas - this is fine although I suggest that you make notes alongside your sketches just in case you
forget what they are!
Although you may not have realised it you have produced some of your own magical effects, just by
answering three questions! Looking back at the previous five minutes you may find that some of your
ideas are not brilliant, but amongst those ideas you are guaranteed to find at least one idea that has
potential - if not more than one.
If you could not think of any original tricks that use the item you have chosen you a number of alternative
choices. You could try a totally different item, I don't recommend this though as you have spend five
minutes thinking about this item. I do suggest however that you add another item to the previous one,
then try and think of 'impossible feats' using both items, to start you thinking how about the items
magically changing place?
toothbrush magically clean your teeth something you would not have done if it were a pen.
If you are happy with your effect then we are ready to move on to the difficult part 'creating a method.'
Applying The Method
You have in your mind an effect that you want to produce, the picture in your mind now needs to
materialize into something that the audience can visualize and experience the way you have for the past
few minutes.
I cannot tell you how to give your effect a method that would be impossible as I do not know what
effect you want to produce! I can give you a few pointers that I feel will help you along your way. First,
have a think about how you would perform the effect; you may immediately have a few ideas of your
own. If you have try them out and if they do not work find the bad points and try to remove them by
changing the methods slightly.
An idea I tend to use if I cannot think of any acceptable methods is to look at how others have solved
similar methods. If I wanted to make a banker's credit card vanish in my hands I would immediately go to
my collection of magic books and find effects that are similar, such as playing card vanishes.
The first method that comes to mind is Howard Thurston's 'Five Card Vanish & Reproduction' using the
Back Palm. On examining Thurston's method I can try to modify it so that the effect I want to produce
will work with that method. By combining a series of methods and thinking about why the inventor
choose to execute the trick in the way he did I can normally think up a respectable method.
After I have thought up a basic method I will start practising and rehearsing the effect. This is very helpful
as during my practising I can look at certain parts of the effect and change any parts that do not look
right.
If, however you cannot find similar tricks my next suggestion will be very helpful! You should discuss the
idea with other magicians, they have probably read different books to you and as I said earlier everyone's
mind works differently. With a few magicians brainstorming your idea I am sure you will be able to
concoct a method. If you are not happy with the method use it as groundwork to produce another
method.
does not mean that you should set about thinking how you could vanish the Eiffel Tower, but it means
that you should try and work out methods for ideas that you may have ... whether it is for a grand illusion
or a small scale close-up trick.
I have recently been made aware of a book aimed at magicians and at helping them create new tricks.
The book is entitled 'The Trick Brain' by Dariel Fitzkee and is a system that seems to have potential. If
you are interested in this idea I suggest that you try and get hold of a copy. On a similar note I have
stumbled across a few books and even computer programs aimed at writers and novelists. The idea is to
inspire plots and stories by randomly generating phrases; this could also be applied to the creation of
magic effects.
Another method of creativity that I have experimented with is a very cheeky method that I believe has
potential. In a conversation with your friends casually bring up the subject of magicians performing the
impossible and ask them if you could perform any miracle in the world what would it be? Working with
the response you receive you should be able to create a miracle!
There is another method of creativity that we have not explored taking a trick by someone else and
making it suitable for our own personal use. We will look in depth at that method now.
Making A Trick New
Like most magicians I perform a card location routine. For a few months my presentation was exactly as
I read 'You pick a card and I will find it you can then see how clever I am.' I found that this was not
receiving the reaction I wanted.
I spent a long time thinking about why I was not receiving the response that other performers were
getting. What were they doing different to me? I later realised that it had nothing to do with the
performance location, my style or handling of the effect (which can sometimes be the cause of bad
reactions) but was in fact my presentation.
Whilst performing the effect amongst friends I had a presentation idea, I would not merely find the
selected card, I would make it turn invisible, the spectator would place the 'invisible card' back into the
pack where it would re-materialise. I told the audience that during the materialisation process the card
would become extremely hot. In fact too hot to hold, hence I would be able to find the chosen card by
feeling the backs of the cards.
The presentation of this effect was improvised; I made it up as I performed the standard routine. Now,
three years on I still perform the routine exactly how it read in the book, although I have radically
changed the presentation. If I had not been creative in that one performance I would have probably
rejected the routine a few weeks after I had learnt it. This is an example of 'improvisation.'
Although I didn't create the effect just described I used my own presentation perspective. If the same
effect was shown to you now you probably would not recognise what effect it actually is, although at this
point I must state I do not claim the routine as my own. This is good because I have taken someone
else's routine and made it into something that I am happy with, something that suits my style and not that
of the author's.
It seems to me that the most successful magicians are not those who perform excellent sleight of hand but
those who care for presentation of their material. Taking an old, outdated effect and updating it to
something that looks almost new is a true art form and those who make the effort to do so will receive
great rewards.