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SOURCE

NAME
Baked in or to be graded?
Black level

David Shuttleworth

Samuel H

Kholi on DVXuser

Canon DSLR look

S-LOG 2 for A7s

Flaat

Kholi Slog2 PicPro

Baked in

to be graded

to be graded

to be graded

Gamma
Black Gamma Range
Black gamma Level
Knee mode

S-log 2

s-log 2

s-log 2

Movie

Middle

middle

middle

-3

-3

Auto

Auto

100

95
mid

manual

Auto set max point


Knee auto sensitivity

95

Mid

Knee manual point

95

Knee manual slope

Color Mode

pro

Pro

Cinema

Pro

Saturation

-8

Pro

15

Color Phase

-3

Pro

-2

Color Depth R

Color Depth G

-1

-1

Color Depth B

Color Depth C

-2

-2

Color Depth M

-1

-3

-1

Color Depth Y

-3

Detial Level

-5

-7

-5

Detail Mode

auto

Manual

Auto

Manual

-2

-2

Detail V/H Balance

Please paste your settings into a column! SCROLL RIGHT to start a new column. Please add your comments for a profile in t
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B/W Balance type

type3

type 3

Limit

Crispning

Hi-Light Detial

White Balance Tweak?

no

Preferred LUT?
Example footage
NOTES

Grid setting B1
FilmConvert setting is
http://www.similaar.com/foto/a
Arri Alexa as the
Vision Colour 6
7s/lut.html
camera. logC.
http://www.dvxuser.com/
V6/showthread.php?326
https://www.youtube.com/wa https://www.youtube.co https://youtu.be/u4Wuo8NAa5 049-A7S-PicPro-Settings
http://www.dvxuser.com/V6/s
howthread.php?328495Flaat-for-the-a7s

Add your comments for the profile in its


column
Hey guys!

movie color mode is more


accurate than pro
After using a color chart I
think pro color mode is more
accuarte than movie

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Please paste your settings into a column! SCROLL RIGHT to start a new column. Please add your comments for a profile in t
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Please paste your settings into a column! SCROLL RIGHT to start a new column. Please add your comments for a profile in t
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Please paste your settings into a column! SCROLL RIGHT to start a new column. Please add your comments for a profile in t
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Please paste your settings into a column! SCROLL RIGHT to start a new column. Please add your comments for a profile in t
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gma

Kholi on Dvxuser

Kholi and Spreeni

SOURCE

Cine 2/Pro Pic Pro 2

Kholi Cine 2 PicPro Spreenu mod

to be graded

to be graded

-11

-11

Cine 2

Cine 2

wide

wide

Manual

Manual

95

95

Auto set max point

mid

mid

Knee auto sensitivity

96

105

105

Knee manual point

Knee manual slope

Pro

Pro

NAME
Baked in or to be graded?
Black level

David Shuttleworth

Canon DSLR look

S-LOG 2 for A7s

Baked in

to be graded

Gamma
Black Gamma Range
Black gamma Level
Knee mode

S-log 3
Movie

Middle

-3

-3.6

manual

Color Mode

pro

Pro

Saturation

-7

-3

Color Phase

-0.6666666667

-0.380952381

Color Depth R

3.533333333

4.161904762

-3

-3

Color Depth G

-3.466666667

-4.123809524

Color Depth B

1.4

1.514285714

-3

-3

Color Depth C

-3.333333333

-4.047619048

-2

-1

Color Depth M

-1.933333333

-2.104761905

-5

Color Depth Y

-1.133333333

-1.219047619

-5

-5

Detial Level

-6.8

-7.457142857

Manual

Manual

Detail Mode

auto

Manual

-2

-2

-2.533333333

-2.876190476

Detail V/H Balance

gma
type 3

type 3

B/W Balance type

type4

-1.4

-2.8

Limit

Crispning

Hi-Light Detial

White Balance Tweak?

no

Grid setting B1
In Resolve, a good way to start's switching to LOG
panel, setting LOW RANGE to .200 and HIGH
RANGE to .700. Use Shadow, Mid, Highlight to
build the curve then LGG to adjust contrast.

none

Preferred LUT?

https://vimeo.com/118833828
http://www.dvxuser.com/V6/showthread.php?3260
49-A7S-PicProSettings&p=1986456526&viewfull=1#post198645
6526

Example footage
NOTES

Vision Colour 7
https://www.youtube.com/w https://www.youtube.c

Add your comments for the


profile in its column
Colors are accurate, I set the manual knee point to
95 to protects highlights

much better flesh tones

Hey guys!

movie color mode is more


accurate than pro
After using a color chart I
think pro color mode is
more accuarte than movie

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

gma

Samuel H

Kholi on DVXuser

Frank Glencairn adapted by Michael Tapp

Flaat

Kholi Slog2 PicPro

K-Tone Picture Profile for fs100

to be graded

to be graded

To be graded

-18.33333333

s-log 2

s-log 2

cine 1 outdoors

middle

middle

Middle

-4.2

-4.8

Auto

Auto

manual

92.5

91

Mid

mid

96

90

Cinema

Pro

ITU 709

15

3.333333333

-2

-0.09523809524

0.1904761905

-7

4.79047619

5.419047619

-4.780952381

-5.438095238

1.628571429

1.742857143

-4.761904762

-5.476190476

-2.276190476

-2.447619048

-1.304761905

-1.39047619

-8.114285714

-8.771428571

Auto

Manual

Manual

-3.219047619

-3.561904762

type 4

type 3

-4.2

-5.6

Grid setting B1
FilmConvert setting is Arri Alexa as the
camera. logC.

LB-5, CC+2

http://www.similaar.com/foto/a7s/lut.ht
ml

https://youtu.be/u4Wuo8NAa54
https://vimeo.com/118833828
http://www.dvxuser.com/V6/showthread http://www.dvxuser.com/V6/showthread.php?3
.php?328495-Flaat-for-the-a7s
26049-A7S-PicPro-Settings

K-Tone LUT in Magic Bullet


https://vimeo.com/36863951r
Expose 1-2 stops under and dial in WB
manualy, by looking at skin tones only

Flesh tones are whacked. Adds in green.

Frank Glencairn adapted by Claus Andersen

Abel Cine Tech

Abel Cine Tech

Abel Cine Tech

Abel Cine Tech

G-LOG Ultimate for FS100

JR45 Cine

JR45 Video

AB NORM

AB HighSAT

to be graded

to be graded

baked in

baked in

baked in

Cine 1

Cine 3

Cine 1

Cine 1

Cinema

Still

Movie

Movie

ITU 709 Matrix

-2

-2

-1

variable
cine 2

Manual
80
1

-7
-3

1
-2

5
0

-4

0
0
-3
manual
0

type 3
7
0
0
no
https://youtu.be/6VHQJiPzSEc
http://blog.abelcine.co http://blog.abelcine.com http://blog.abelcine.com http://blog.abelcine.com/2
Make sure you dial in the color temperature (WB) manually with the little
In a bright, high
It is designed to give With this look, we used We used Cine 1 to match
wheel, don`t do auto or push button (greycard) balance, since that will
contrast scene, you
you nice colors and a
Cine 1 for a good
our other files, but you
screw up your color on the magenta/cyan axis.
may choose to go with
good amount of
amount of range, but if could use Cine 3 or 4 for
S-Log2 for more range contrast. We used Cine you like it, then also try
more contrast.
in the highlights.
3 gamma as a starting it with Cine 3 or 4 for
place, which provides a
more contrast.
nice fall-off in the
highlights, but with
enough contrast so that
it doesnt require much
post correction.

Miguel de Olaso

Jason Li by Jeremy Dulac

Macgregor's Cine 4

PPOFF Autumn Leaves

to be graded

to be graded

PP OFF Neutral

15
Cine 4
Wide
7

Pro

Dynamic Range Optimization (DRO) Level 4

Autumn Leaves -3, 0, -3

Neutral -3, 0, -3

Impulz luts
http://www.dvxuser.com/V6/showt
https://vimeo.com/116044343
Replicate S-log 2 dynamic range black/mid/white levels modification and
while using normal iso values and then you applied a LUT on top (Impulz
avoiding noise.
LUT Fujicolor 200 superior FC)
Underexpose by 1 2/3 stops and
bring back in post.

https://vimeo.com/106292534

super milky, not much saturation even at


0
moire issues with sharpening turned all
the way down
needs more saturation