6B Carter
AP Lit
TTTC Group 1 Questions
ESSENTIAL THEME
In fiction, truth is not a matter of fact but instead how one perceives and experiences truth.
Fact is what is accepted as the truth. Fact means conventional truth, recognized fact, majority truth,
and acknowledged fact (everyone knows that).
ESSENTIAL QUESTION
Dominique Cain
6B Carter
AP Lit
TTTC Group 1 Questions
Philosophy and Personal Choice: Describe the distinction between "being braver than [one] ever
thought possible" and "not being so brave as [one] wanted to be" (153). Use specific textual
support.
In chapter 4 O'Brien provides commentary of the notion of bravery and how it changes through
experience. He states before the war he thought of bravery as "finite quantities, like an
inheritance" and it people would use it up by "stashing" it away whenever they deemed fit. He
thought bravery should be used in bits, and if it was wasted away on "little acts of daily courage",
one would not have enough to use when they really needed it. However his "theory" failed when
he must really muster up his courage. This brings the notion of 'where a person's duty lies'. Before
the war O'Brien questioned if one's duty was to their love ones, to their country, to God or their
religion. O'Brien finally decides that one's duty and courage can only be measured by themselves.
Later within the chapter O'Brien comes to the conclusion that he wasn't as brave as he wanted to
be because we joined the war, which went against his belief of that the war was wrong. However,
he was brave because he survived the war.
War: OBrien says: If at the end of a war story you feel uplifted, or if you feel that some small bit of
rectitude has been salvaged from the larger waste, then you have been made the victim of a very
old and terrible lie. There is no rectitude whatsoever. Explain. Use specific textual support.
In chapter 7 O'Brien in a collection of insightful memories discusses the truth of war stories. He
conveys the idea that a "true war story" has little or nothing to do with what occurred in the story
but rather the moral of the story. Because the narrator can induce the listeners with whatever
feelings they deem fit by changing the way a story sounds or is told how "true" the story is doesn't
matter, but rather the if the listeners believes the story is true - if they do then the moral of the
story sticks rather than what actually occurred. For example when O'Brien romanizes Curt
Lemon's death, the reader can automatically assume that half of the story isn't true, but that
doesn't matter because the moral of the complexity of the war sticks.