Corona, Victor P. 2013. Memory, Monsters, and Lady Gaga. Journal Of Popular
Culture 46(4):725-744
Dennen, James. 2009. On Reception of Improvised Music. TDR The Drama Review
53(4):137ff.
Desler, Anne. 2013. History without royalty? Queen and the strata of the popular music
canon. Popular Music 32(3):385-405
Dettmann, Christine. 2010. Through A Glass Darkly: Making Sense Of The Empirical
Data Of Performance. Journal Of Ethnography And Folklore No. 1-2:43-56
Devitt, Rachel. 2013. 'Ke-the best of you, "do" the rest of you': passing, ambivalence
and keeping queer time in gender performative negotiations of popular music. Popular
Music 32(3):427-449
Dobson, Melissa C. 2010. New Audiences for Classical Music: The Experiences of Nonattenders at Live Orchestral Concerts. Journal Of New Music Research 39(2):111-124
Dodds, Sherril. 2014. The Choreographic Interface: Dancing Facial Expression in HipHop and Neo-Burlesque Striptease. Dance Research Journal 46(2):39-56
Ferreira, Annemari. 2008. 'Passionate, curiously-coloured things': Chameleon sexuality
in Ek herhaal jou. Journal Of The Musical Arts In Africa 5:75-87
Ferris, Kerry O. 2010. Ain't Nothing Like The Real Thing, Baby: Framing Celebrity
Impersonator Performances. Text And Performance Quarterly 30(1):60-80
Galvin, Kristen. 2013. TV Party: Downtown New York Scenes Live on Your TV
Screen. Journal Of Popular Music Studies 25(3):326-348
Hagen, Ross. 2015. "Bandom Ate My Face": The Collapse of the Fourth Wall in Online
Fan Fiction. Popular Music And Society 38(1):44-58
Hill, Kathryn. 2013. S/He's a rebel: The James Dean trope in Buffy the Vampire Slayer.
Continuum 27(1):124-140
Hollingshaus, Wade. 2008. Review: Performing Glam Rock: Gender and Theatricality in
Popular Music. TDR The Drama Review 52(4):201-202
Jost, Christofer. 2013. The performative turn in Music. Musiktheorie 28(4):291-309
Keeling, Kara. 2014. Electric Feel: Transduction, errantry and the refrain. Cultural
Studies 28(1):49-83
Kheshti, Roshanak. 2008. Musical Miscegenation and the Logic of Rock and Roll:
Homosocial Desire and Racial Productivity in "A Paler Shade of White". American
Quarterly 60(4):1037-1055
Leistra-Jones, Karen. 2013. Staging Authenticity: Joachim, Brahms, and the Politics of
Werktreue Performance. Journal Of The American Musicological Society 66(2):397-436
Miller, Derek. 2011. On Piano Performance: Technology and Technique.
Contemporary Theatre Review 21(3):261ff
Miller, Kiri. 2009. Schizophonic Performance: Guitar Hero, Rock Band, and Virtual
Virtuosity. Journal Of The Society For American Music 3(4):395-429
Mock, Roberta. 2014. 'This ain't no love-in, this ain't no happenin': Misfits, Detroit
hardcore and the performance of zombie scenarios. Studies In Theatre And Performance
34(3):201-210
Negus, Keith. 2011. Authorship And The Popular Song. Music & Letters 92(4):607629
Olds, Kirsten. 2013. "Gay Life Artists": Les Petites Bonbons and Camp Performativity
in the 1970s. Art Journal 72(2):16-33
Roesner, David. 2011. The Guitar Hero's Performance.
Contemporary Theatre Review 21(3):276ff.
Ronyak, Jennifer. 2014. Studying the Lied: Hermeneutic Traditions and the Challenge of
Performance. Journal Of The American Musicological Society 67(2):543-581
Schmidt, Axel. 2013. Action, Staging, Performance For interactional theoretical
Conceptualization of musical Artistry. Musiktheorie 28(4):351-368
Tsitsos, William. 2014. Racial Transparency Theory Applied to Musicians who Claim to
Be Aliens. Popular Music And Society 37(1):22-32
Volioti, Georgia. 2010. Playing with tradition: weighing up similarity and the buoyancy
of the game. Musicae Scientiae 14(2):85-114
Vogel, Shane. 2008. Lena Horne's impersona. Camera Obscura No. 67, pp. 11-44
Warfield, Patrick. 2011. The March as Musical Drama and the Spectacle of John Philip
Sousa. Journal Of The American Musicological Society 64(2):289-318