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L. Peratt
van derSluijsand Anthony
MarinusAnthony
as an
The Ouroboros
AuroralPhenomenon
ofworldmythology
Since the beginningof history,fewcharacters
as muchas thedragon.One ofthemost
havecapturedtheimagination
theserpent
conspicuousformsassumedbythedragonis theouroboros,
- "devours
itstail"(LiddellandScott1940:1274).
that- as thenamesays
3
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Research
Journal
ofFolklore
Vol.46, No. 1
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The Ouroboros
thatoriginally
connotedno morethanthe
simple concept of "all thingsknownor
seen." By encirclingthe earth,the snake
it(Cheeffectively
supportedand protected
valierand Gheerbrant1996b:846).
SolarConnection: The serpentwas widelybelievedeitherto
enclosethesun or,in rarecases,to be the
sun (Preisendanz1935:143,1940:207).
relatethe
directly
Cosmogonic
Aspect: A numberofbeliefsystems
of
the
ouroboros
to
the
formation
cycleof
thecreation
eventsunderstoodtorepresent
oftheworld.
WithintheOld World,theoldesthistorical
examplesoftheouroboros
motif
areEgyptian
(Preisendanz1935:143;1940:194,cf.208;Needham
whichis indicativeof the
The
earliest
textualattestation,
1980:375).
of the theme,is a cursein the Pyramid
Texts(2300
greatantiquity
BCE): "Yourtailbe on yourmouth,O ini-snake!"(689.393). Cosmofroma numberoflaterimageson
can be inferred
logicalsymbolism
of the
"the earliestknownrepresentation
burialobjects.Arguably,
in funerary
artis an episodeon thesecondgildedshrineof
ouroboros'
fromthe fourteenth
"a
centuryBCE, featuring
KingTutankhamun
figureoftheking,hishead and feetencircledby
largemummiform
twoserpentsbitingtheirtails.The serpentaroundthehead is called
1955:121,fig.41; Hornung1999:78).
Mehen,theEnveloper"(Piankoff
and thesnakesurrounding
The twoimagesofMehen,theencircler,
ofheavenand earth
theking'sfeetsupposedlyconnotedthepolarity
1953:7). Animageon thefunerary
(Strieker
papyrusoftheChantress
features
a tail-biting
snake.It
ofAmunHenuttawy
(1069-747 BCE)
the
of
is placed in the righthand of Geb, thepersonification
earth,
torsooftheanthropomorphic
overwhosebodythestar-spangled
sky
goddessis extended(BritishMuseumcatalognumberEA 10018.2;
Lanzone1881:408-10,plateCLIX. 8). Althoughtheexactsignificance
leaveslittle
oftheouroborosin thisimageis elusive,thearrangement
conceived
of
it
as
a
doubtthattheEgyptians
prominent
phenomenon
in the space betweenheavenand earth- eitheras a manifestation
ofthepatternoftheenclosing
ofthejourneyingsun or a repetition
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Journal
ofFolklore
Vol.46, No. 1
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The Ouroboros
thepassageheretranslated
totranslator
Faulkner,
Raymond
According
is "surely
note
as "bentrightaroundmyself"
Texts:250,
corrupt"1
(Coffin
evidencereviewed
abovenonetheless
that
16).The comparative
suggests
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Research
Journal
ofFolklore
Vol.46, No. 1
thepresupposedimage is thatoftheouroboros,producingeithersingle
or multiplecoils around the solar orb. The textsmake it sufficiently
clear thatthissnakewas the supremegod ofcreation(cf.Clark 1959:51;
Faulkner1985:175;Uphill 2003:19).
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The Ouroboros
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10
Research
Journal
ofFolklore
Vol.46, No. 1
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A. vanderSluijs& Anthony
L. Peratt
Marinus
TheOuroboros
11
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12
JournalofFolkloreResearch
ocean (Modigliani
totheTobaBatak,
1890:317-18,
616). Andaccording
ofSumatra,
the"godoftheunderworld,
ofthesea and thelightning"
is
"Panena Bolon,theunderworld-serpent,"
and he "sendstherains,he
createsthewaves,thethunderand thelightning
. . . Moreover,
he gives
to thefieldsand bearsthemiddleworld
on hishead" (Tobing
fertility
Winkler
1956:27,cf.56,82,122;Joustra
1917:331;
1925:8,208;1956:31).
On a painting
ina Toba house,Pane na Bolonisshownina head-to-tail
positionenclosingthemiddleworld(Hasibuan1985:79,cf.123).
The Fon ofBenindepictthecosmosas a calabash,withtheupper
halfcorresponding
to theskyand thelowerhalfcontainingtheearth
withthesea flowing
aroundit.The surrounding
sea is equivalentto
theprimordialserpentDa Ayidohwedo:
"It is oftensaid: Ayidohxvedo
turnsaroundthe earthlikea
daga (fordo ago) da weke,Ayidohxvedo
meridian... it is said thatDa residesin the ocean (xu)"8 (Maupoil
1943:63,73-74; cf. Mercier1954:220-1; Metraux1958:320). This
motifis abundantlyreflectedin local art (Herskovits1938:341and
Burton1966:298;Merloand Vidaud 1966). Manysimifrontispiece;
larartifacts
includea bas-relief
on thepalace ofKingGezo (figure1)
and a bronzeshieldthatmaysymbolize
thecosmos- likethefamous
shieldof Heracles- and featuresthe ouroborosencirclinga square
the earth(PittRivers1900:plate
that,in our estimation,
maysignify
indicatesthatthisserpentwasnot
18,catalog#102).A local tradition
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The Ouroboros
13
In SouthAmerica,
theKogiofColombiamaintain
thattheprimordial
ocean was"theGreatMother,theoriginof all things.Her namewas
In one ofherforms,
she was"a hugeblackserpentthat
Gaulcovdng"
encircledthesea" (Reichel-Dolmatoff
1987:83-84).Accordingto the
WaraooftheOrinoco,
the earthis a diskwhichfloatsin the middle of theworldsea. Accordingly,
the Indians referto the earth as hobahi,"thatwhich is surrounded bywater."Submerged in the ocean and encirclingthe earthis a serpentwhose
extremeends approach each other,uroboros
[sic] fashion,east of the disk.
This sea monsteris hahuba,"the Snake of Being," whose body contains
the amorphous luminous essence of all life formson earth and whose
breathingregulatesthe rhythmof the tides. (Wilbert1981:37-38)
The Shipibo-Conibo,
ofthePeruvianAmazon,holdstrikingly
similar
ideas.Asan informant
fromCaimito,LaureanoAncon,revealed,"The
earth,on whichwe are situated,is a largedisc floatingin the great
- halfsubmerged
- is nestled
water,dnipdro.The worldsnakeRonin
arounditsrim"9(Gebhart-Sayer
1987:25,cf.51, 72,86; 1984:10,13).
SomeOtherCharacteristics
oftheCircularSerpent
Otherrecurrent
inthearchetypal
features
oftheouroboros
mythology
are itsassociationwitha roundedobject,fourpillars,theaxismundi,
therainbow,
and lightning.
The ouroborosis sometimespartitioned
intoblackandwhitesections,
hasmultiple
"scales"or"eyes,"
glistening
and revolves.
Italso oftenhasa dual natureand a felineaspect.Space
permitselaborationon onlya fewofthese.
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14
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ofFolklore
Journal
Vol.46, No. 1
RainbowColor
Sourcesthatelaborateon thecolorpatternoftheouroborosrepeatedlyspecifya variegatedrainbow-like
spectrum.Accordingto the
Huicholpeople ofcentralMexico,theouroboros,whomtheycalled
Tate' Ipou,was"paintedred,blue,and yellow"(Lumholtz1900:39).
In Benin,Da Ayidohwedo
wascomparedto therainbowas wellas the
sun (Maupoil 1943:74)."Whenhe appearsas therainbow,themale
is theredportion,thefemaletheblue. Black,white,and redare the
times:night,day,
colorsofthegarments
whichDdputson at different
and twilight"
see
also
Merlo
and
Vidaud
1966:301;
(Mercier1954:221;
Metraux1958:320).As a long-standing
emblemofalchemy,
thechromaticpatternoftheserpentalso represented
thealchemicalprocess
(Jung1944:399).A medievalalchemicaltreatise(1478 CE) contains
twoillustrations
oftheautophagousserpentwithaccompanying
text.
- greenin
The first
illustration
oftheserpentdepictsthreewindings
- whilethe
thecenter,yellowin themiddle,and red at the exterior
secondone features
twoconcentric
rings greenand red as symbolic
offermentation
or putrefaction
(Berthelot1888:22-24,cf.159,196;
1885:59;Taylor1930:112Fig. 1).
Lightning
In theJudaic traditiontwo Rabbis stated that,"The reflectionof the
Leviathan'sfinsmakes the disk of the sun dim by comparison,so that
it is said of each of the fins... It telleththe sun thatit shinesweakly"
thereflections
and that:"The [Leviathan's]underparts,
[surpass]the
thereof,
is a shiningofyellow
sun: whereit liethuponthemire,there
gold. . . But the
place wherethe Leviathanlies is purereven thanyellowgold" (Pesiketa
de-RabKahdna.supplement2.4; cf.BabylonianTalmud:Baba Batra:74b).
In orderforthe effulgenceof the serpentto exceed thatof the sun, it
conmustborder on the brightnessof a lightningflash.Significantly,
comthe
from
ouroboros
the
beliefs
about
equatorialregions
temporary
To the Toba Batak of
circular
to
the
attribute
dragon.
lightning
monly
ofthesea and
of
the
"the
Bolon
was
na
Pane
underworld,
Sumatra,
god
he sends
the lightning... As Pane na Bolon, the underworld-serpent,
the rains,he creates the waves,the thunderand the lightning... he
to the fieldsand . . . bears the middleworldon his head"
givesfertility
(Tobing 1956:27, cf.56, 82-83, 122;Joustra1917:331; Winkler1925:8,
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The Ouroboros
15
inBeninDa Ayidohwedo
isintimately
connected
208;1956:31) . Similarly
tothethunderbolt:
"BeneaththeearthAyidoHwedo
issubmerged
inthe
waters.... he isseencleavingthewaterslikea flashoflight,hisvoiceis
heardand thenan altaris raisedto himcloseby"(Mercier1954:221).
Anotherdescription
fromBeninstatesthatthe"tailofthecelestialseris
the
twice
pent
lengthofthedistancebetweentheearthand thesky;
thatiswhytherearealwaystworeports
whena thunderbolt
crashes,the
first
ofthesendingofthebolttoearth,and thesecondoftherecoilof
thebolt- really
thesoundmadebythetailofAidoHwedo- as itreturns
above"(Herskovits
1938:249-50,cf.108,163).
texture
Filamentary
Bothiconographical
and textualsourcesoccasionally
describethetextureoftheouroboros'skinas a seriesofrays,specks,or another,
often
feature.On thebase of a Chinesebronzevessel
luminous,repetitive
fromtheWesternZhou period(1122-1011BCE), theroundbodyof
thesnakeis decoratedwith"circumferential
stylized
rays"(Mundkur
to
the
feathers
ofthe
1983:76). Theseraysmaytypologically
correspond
feathered
in
the
Meso-American
known
as
Cuculcan
tradition,
serpent
totheMayaofYucatan,
CucumatztotheQuicheMayaofGuatemala,
or
to
the
Aztec.
this
is
not
often
Quetzalcoatl
Although
reported
byscholars,
wasrepeatedly
incircular
formon ballringsand
Quetzalcoatl
portrayed
inclayreliefs
(cf.Seler1923:150fig.120,153fig.123).On thebas-reliefs
ofroyalbuildings
inBenin,redfeathers
thatindicateboththeserpent's
natureand itspneumaticcomposition
atmospheric
gracedthebodyof
Da Ayidohwedo
(MerloandVidaud1966:316,cf.307). Luminousdots
also studdedtheskinofa drakon
(dragon)whosebirthwasdescribed
in an alchemicalpoem attributed
to an unknownByzantine
scholar,
to
tenth
the
DeArte
Sacra:
CE),
Theophrastus
(eighth
century
Thisdragon,whomtheyOuroboroscall,
Is whitein looksand spottedin hisskin,
Andhas a formand shapemoststrangeto see.
hisgleamingskin
Andall thebandswhichgirdlehimaround
Arebrightas goldand shinewithpointsoflight(7-23; Browne1920)10
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16
Research
JournalofFolklore
Movement
Rotatory
The enclosing serpentor ocean is in permanentflow (Cooper 1978;
Chevalierand Gheerbrant1996a, 1996b) . The Fon regardedtheworldencirclingsnakeDa Ayidohwedoas theepitomeofmovement:"thecoils
revolves
made byDa around theearthare notstationary.
Da AyidoHxvedo
round theearth.In thiswayhe setsin motiontheheavenlybodies" (Mercier 1954:221, cf. 224; Maupoil 1943:74). In addition,the Toba Batak
viewedPane na Bolon as "He who completes his revolutionin a year,
who needs a monthto turnround.When he moves,the middleworldis
shaking,and when he turnsround, it is quaking" (Tobing 1956:56; cf.
82-83, 114, 122-28;Joustra1917:331; Winkler1925:9, 1956:26).
The CelestialAspectoftheCircularSerpent
FromthesixthcenturyBCE onward,culturesthathad adopted a spherical model of the cosmos, such as Greece and India, carried over the
notion of the world-surrounding
serpentinto the new cosmologyand
it
as
of
the
the
outermostsphere of the material
portrayed
perimeter
cosmos, universe,or sky,as opposed to the chaotic world that both
preceded and surroundedit.Thus, thelate EgyptianscholarHorapollo
oftheouroborosas thesur(fifth
centuryCE) ascribedtheinterpretation
rounding"soul of the universe"to the Egyptiansin his Hieroglyphica:
To show a verypowerfulking, theydraw a serpent represented as the
cosmos, withitstail in itsmouth and the name of the kingwrittenin the
middle of the coils, thus intimatingthatthe king rules over the cosmos.
And the name of the serpent among the Egyptiansis Meisi.. . . They
symbolizethe Almightybythe perfectanimal, again drawinga complete
serpent.Thus among themthatwhichpervadesthewhole cosmos is Spirit.
n
(1.59, 64, cf. 1.60, 61,63)
on severalGnosticamuletsthesevenvowelsthatrepreCorrespondingly,
thatthelatter
senttheplanetsare inscribedin theouroboros,signifying
1858?:cataChabouillet
around
the
orbits
itself
(e.g.,
wrapped
planetary
log#2196,#2203,#2205;Bonnet 1950:catalog#135,#139,#172,#191).
In the cosmic diagramof the Ophites, the heavenlyorbitswere "held
togetherbya singlecircle,whichwas said to be the soul of the universe
and was called Leviathan"(Origen:6.25,cf.6.35; Lewy1978:354).
In thesphericalparadigmofthecosmos,themundane egg treasured
thecosmosas a whole.
as representing
bythedragoncould be interpreted
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L. Peratt
A. vanderSluijs& Anthony
Marinus
TheOuroboros
17
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18
Research
Journal
ofFolklore
Vol.46, No. 1
(Olam
his teethand formsa ringaround the Ocean" (PiyyufWeyikkon
1964:48; cf.Pesiktade-Ral)Kahdnaisupplement2.4; BabylonianTalmud:
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The Ouroboros
19
oftheCircularSerpent
Towardan Explanation
Scholarshave tended to reportthe ancientinterpretations
of the
in
ouroboros an uncritical
manner,contenttoarguethattheimageof
theouroborosaroseas a spontaneousexpression
ofa snake,thevisible
the
the
the
outermost
horizon, rainbow, ocean,
sphereofthecosmos,
thecelestialequator,theeclipticband,timeortheyearpersonified,
the
lunarnodes,immortality,
or
Needless
to
the
perpetuity, cyclicity.
say,
ouroborosdidrepresent
all ofthesemeaningstovariouspeoplesover
timeand space,butwhethersuchassociationsaccountforthe origin
oftheicon is a different
question.In theirquestfora moretangible
in thenaturalworld,symbologists
haveoftenfailedto raise
prototype
a numberofunsettling
questions.
Thosewhoprefer
a naturalist
outlookpointoutthattheflexible
body
ofa snakeis"aseminently
forpurely
decorative
appropriate
purposesas
foresoteric
theprocessbywhichsnakesperiodically
ones,"whileecdysis,
shedtheirskins,couldhavereinforced
theouroboros'association
with
thesheddingoftheskin
(Mundkur1983:76).17However,
rejuvenation
isnotan annualevent,butratheroccursfourtoeighttimesa year,thus
thesymbolic
linkbetween
theouroboros
andtheyear.Anothweakening
erzoologicalquestioniswhether
of
snakes
hasbeenknown
anyspecies
toconsumeitsownrearparts.In a casualremark,
theearlyapologistof
theChristian
church,EpiphaniusofSalamis(f 403 CE), notedthatthe
snakesinterred
belowtheirtempleswouldnaturally
be
bytheEgyptians
inducedtoautophagousbehavior(Epiphanius:
1.22.2.2-4,repeatedin
1.30.26.5-7). Whilethismaybe evidenceofa genuineburialriteandthe
oftheouroboros,
one
Egyptians
mayhaveembracedsuchexplanations
shouldbearinmindthatsuchevidencedoesnotnecessarily
standup in
thecoldlightofday.Asone zoologistpointsout,"Itisdoubtful. . . that
to biteor swallow
anyserpentcan or has everbeen knownto attempt
itsowntail"(Mundkur1983:75).As ithappens,a case is on recordof
a femalecaptivepythoncommitting
suicideat thethreatofdeathby
to
devour
her
own
tail.
suchincidents
However,
beginning
although
may
Merloand PierreVidaudrightly
out
that
the
happen,Christian
point
of
suicide
is
a
far
from
the
of
the
despair
cry
sovereign
majesty
mythical
ouroboros(1966:307,309).Recognizing
theproblem,
JosephNeedham
- intheshapeof
moreboldlypropagatedthat"ouroborosactually
lives
theSouthAfrican
armadillolizard,whichwhendisturbed
holdsthetip
ofitstailinitsmouthinordertoprotect
itsbellybyitsspringscales.Not
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ofFolklore
Vol.46, No. 1
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The Ouroboros
21
beliefsofancientsocieties,
whileearly
haveconfirmed
thecosmological
distribution
of
water
have
influenced
thenoabout
the
may
guesses
tionofa flowing
worldocean. Evenifitweregrantedthatthehorizon
and, byextension,the oceans,are circular,thechoice of a snaketo
theimaginedperimeter
oftheworldremainsanomalousand
represent
The
natural
appearanceoftheocean is notquiteas clearly
puzzling.
motion"as some anthropologists
endowedwithsucha "serpent-like
haveclaimed(contraLumholtz1900:81),butdoes thismeanthatthe
offancy?
Wheredo
choiceofa serpentforitssymbolwasjust a flight
and
the
feather-like
filamentation
associated
with
colors
thespecific
the naturalconditionof theequathiscreaturecome from?Finally,
the specificcosmogonicand
toror theeclipticalso does not clarify
cosmologicalcontextwithinwhichthe themesof thecircularsnake
embedded:whywastheouroborosthoughtto
and ocean areso firmly
oftheabyss?Andwhy
haveformedfromthebreath-like
primamateria
wasitconceivedas theanimatedsourceoflifeon earth?These queseveniftheouroborosis merelya metaphor
tionsremainunanswered
forthehorizon,theecliptic,or therainbow.
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22
JournalofFolkloreResearch
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The Ouroboros
23
thebright
synchrotron
lightemitted
byan auroraldiocotron
instability.18
ofauroraehasrepeatedly
The luminescence
theircomparison
provoked
tonocturnal
suns{Han Shu,XidowudiBenJi,
6,inXu etal 2000:189),an
which
offers
a
to
understand
theancientEgyptian
interpretation
way
sungod'srepresentation
as a coilingserpent.The respective
rainbowlike colorsattributed
to the ouroborosfallwithinthe spectrumof
colorsobservedin aurorae,whichtypically
shiftsfromred to green
character
of
(Peratt2003:1193;Perattetal 2007:797). The filamentary
as
often
observed
in
resembles
intensely
glowing
plasmas,
rayedaurorae,
theraysand scalesdeckingtheserpent'sskinin ancientartand traditions.Exceptionally
activeauroraehaveoccasionally
seemedto touch
thehorizon(Corliss1982:16,21)- an observation
thatfacilitates
the
ouroboros'linktothehorizonas themeetingplaceofskyand earthor
water.Furthermore,
therepeateddescription
oftheouroborosas the
of
movement
and
as
thevivifying
soul ofthe
supremerepresentation
cosmosresonates
withthesurprisingly
life-like
of
the
properties
glowing
plasmaseenin theaurorae.
auroraearesporadicandusuallylastfora maximum
Contemporary
ofseveralhours.The mostintenseand largestauroraldisplaysoccur
duringa solarstorm,whentheincomingfluxincreasesdramatically
(Perattet al 2007:797).Yeteventheselastno longerthana fewdays.
How mightthe fleeting,
intermittent
characterof auroraloutbursts
be reconciledwiththesemi-permanent
of theouroborosas
stability
withtheboundaryofthevisibleworld?
expressedin itsidentification
thefeebleauroraeobservedtodayare mostoftenseen at
Moreover,
farremovedgeographically
fromthetemperate
latitudes,
circumpolar
and equatorialzones connectedto themythology
of theouroboros.
One answerto thesechallengesis the possibility
thata dramatically
enhancedsolarwindprovokeda severegeomagnetic
storm.Although
auroraeare generallya mild,benign,and relatively
short-lived
phean
intense
solar
storm
or
some
other
nomenon,
extremedisturbance
ofthegeomagnetic
fieldwouldprovokean excessiveauroraloutburst,
more
visiblein areasmuchcloserto
producing
enduringformations
theequator.The earliestexampleofsucha low-latitude
aurorainmodernscienceisthefirst
recognizedspaceweatherevent,whichmayalso
havebeen "thelargestsolarenergeticparticleeventin thepastseveral
hundredyears"(Townsendet al 2006:226).On September2, 1859,a
RichardCarrington
observeda
dayafterEnglishamateurastronomer
solar
flare
that
indicated
a
massive
white-light
magneticexplosionon
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24
Research
Journal
ofFolklore
Vol.46, No. 1
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The Ouroboros
25
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26
JournalofFolkloreResearch
diocotroninstability,
Fig. 3. A high-current
rotatingcounterclockwise.
Courtesy
A. L. Peratt.
cosmologiesthecenteroftheearthwastypically
occupiedbya cosmic
as a gianttreeor mountain,whichalso appearedto
pillarsymbolized
formtheearth'shighestpart.Therefore,
thishypothetical
scenarioexhow
the
erstwhile
ofa ring-shaped
formation
aurorainthepolar
plains
beliefthatit encompassed
skymayhavespawnedthenear-universal
theearthor theworld:theserpentbelievedtosurroundtheearthwas
reallywrappedaroundthelowerstrataofthecosmicmountainseen
abovethecenteroftheearth.
Atpresent,
theearliestrecordedauroraeare"a multi-colored
light"
listedin ChineseannalsforthelastyearofkingZhao ofZhou,around
950 BCE (Zhushu
Annals,GujlnTushuu
102;
Jinidnor Bamboo
Jicheng,
in
Yuldn,
874,all Xu etal 2000:188)and an unusual"redglow"
Tdiping
in thenightskymentionedon a Babylonianclaytabletdatedto 567
BCE. The latterobservation
"occurredata timewhenthegeomagnetic
ofBabylonwasabout41N comparedwiththepresent
(dipole)latitude
valueof27.5N; suggesting
a higherauroralincidenceatBabylonin567
BC thanatpresent"(Stephensonetal 2004:615).**Ifouranalysis
iscorand iconography
oftheouroboroscan be seenas a
rect,themythology
recollection
ofan aurorathatwasexperienced
muchearlier,
longbefore
theriseof an appropriateastronomical
suchas theone
terminology
or theChinese.Thishypothetical
event
employedbytheBabylonians
wouldhavetranspired
on a moreextremescalethanthemodestauroraeobservedtoday,
a diocotroninstability
involving
phaseknownboth
fromlaboratory
and
occasional
experiments
ephemeralrecrudescences
seenincontemporary
aurorae.Thismotherofallaurorae,inscribed
in
theannalsofcreationmyths
aroundtheworld,is conjecturedto have
occurredtowards
theend oftheNeolithicperiod.Whilescientists
have
notyetfullymodeledtheearth'smagneticfieldforthisearlytime,it
is noteworthy
thatthescientific
evidenceforincreasedauroralactivity
in theancientNear Eastduringthesixthcentury
BCE facilitates
the
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The Ouroboros
27
in Central
oftheouroborosthemeat equatoriallatitudes
proliferation
and
Oceania.23
America,
Africa,
raisesmorequestionsthanitanswers.
Thishighly
speculative
theory
of
auroral
the
the
of
Ultimately, validity
explanationofthearchetype
oftheplasma-physical
theouroboroshingeson thefeasibility
model.
in auroralphysicsare in a positionto replicateor to
Untilspecialists
ruleout theformation
of a ringshaped diocotroninstability
in the
aurorasimilarto theone apparentin our ownexperiments,
theproof
the
ouroboros
motif
will
remain
controversial.
posed explanation
evenatthisearlystagewefeelthattheapparentubiquity,
Nonetheless,
and cosmologicalsignificance
of theouroborosare better
antiquity,
our
rooted
in
natural
and auroralphysics,
explainedby
theory,
history
thanbyanyexplanationoffered
before.The aweinstilled
bythemontheawesomespectacle
ster,whichcastsitsshadowstilltoday,reflects
evenofcontemporary
with
tranquilaurorae.Aninterdisciplinary
study
an open mindtowardstheturbulent
eventsofthepastwouldthrowa
clearerlighton thedragon'sfuzzypast.
the presentintellectualclimateis conduciveto
Encouragingly,
suchlinesof inquiry.
Withinthehistory
of ideas,thehypothesis
that
theworldwide
motifof thetail-biting
was
based
on
dragon
originally
observations
of an extremetypeof aurorafitsintorecently
revived
interests
in
transient
natural
as
the
ultimate
scholarly
phenomena
forwidespreadmythical
themes.In our view,thishypothinspiration
esisbetterexplainssuchwidespreadmotifs
thantheintrospective
and
structuralist
models
most
of
the
psychosociological
preferred
during
twentieth
and
thinkers
such
as
century championedby
SigmundFreud,
CarlJung,
JosephCampbell,EmileDurkheim,
GeorgesDumezil,and
Claude Levi-Strauss.
On a parwiththenascentfieldofgeomythology,
theexploitation
ofcutting-edge
scientific
ofatmospheric
and
knowledge
astronomical
eventssuchas aurorae,mega-lightning,
and thepassage
ofcometsis a moderncontinuation
ofthenineteenth-century
nature
schoolofmythology,
whichlookedtotheordinary
ofthesun,
properties
sourceofprominent
moon,andvegetallife,as theinspirational
mythical themes(e.g.,Masse1995;1998;BarberandBarber2006;Bobrowsky
and Rickman
2007;PiccardiandMasse2007).Yetunliketheoldschool,
themoderninterdisciplinary
approachplacesno emphasison elaborate
and thelinguistic
names.Thisapproach
metaphors
aspectsofmythical
- suchas tsunamis,
on short-lived,
concentrates
dramaticevents
volcanic eruptions,
or
meteor
showers
instead
of
less
aurorae,lightning,
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Research
JournalofFolklore
28
awe-inspiring
spectaclessuch as the sunriseor the lunar cycle.Further
of
exploration the inspirationforshared motifsbenefitsfromthe immenselyimprovedstateof researchtakingplace in geophysics,plasma
and relatedscientificdisciplines.
physics,climatology,
MarinusAnthony
van derSluijs
MuseumofArchaeology
and Anthropology,
University
ofPennsylvania,
Philadelphia
L. Peratt
Anthony
Los AlamosNationalLaboratory
NewMexico
MuseumofArchaeology
and Anthropology,
University
ofPennsylvania
Philadelphia
Acknowledgments
Withouttheunceasingand generoussupportoftheMainwaringArchive
Foundationthisprojectcould nothavebeen completed.The PetrieMuseum of EgyptianArchaeologyand theAsian departmentof the British
Museum,bothin London, as wellas theFieldMuseumofNaturalHistory,
Chicago,are thankedforallowingexaminationofsome crucialartifacts.
Help was also offeredbyJamesAllen, Sebastian Brock,Huub de Mul,
Albertvan der Heide, FayYao,JacquelineSimpson,and Wilbertvan der
Sluijs.Finally,we are deeply indebted to Ev Cochrane forthe constant
and intelligentfeedbackhe has providedover the years,as well as two
anonymousrefereesforJFR,who pointedout thechallengeposed bythe
auroral theoryof the ouroborosforthe science of astronomy.
Notes
andmeans
ofphilology
1. Theterm"corrupt"
iscommonly
usedinthediscipline
in theversion
wehavebeforeus today.
thattheoriginaltexthasbeendistorted
toPhoenicia
2.While"H3w-nbwt"
(Bikai1989:135),
specifically
mayhavereferred
as "the
Lands"and"theSn-'3-sk"
Clark(1959:117) rendered
itas "theOutermost
Ocean."
Surrounding
ofOsiriswithlife-giving
identification
3. Forexamplesofthewell-known
water,
see Pyramid
Texts:.
589 (357),848 (455),868 (460), 1291(536), 1631(539),2007
(676), 2111 (690); BookoftheDead: Introductory
Hymnto Osiris;Hippolytus:5.1.7
and Breasted1959:20.
(150); Erman1911:933-34;
of OsiriswiththeNile,see Plutarch:32
4. Forexamplesof theidentification
2, 122-23;Boylan
(363D), 33 (364A-B),36 (365B),38 (366A);Budge1904:vol.
1999:17;andKurth2004:7.
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All use subject to JSTOR Terms and Conditions
L. Peratt
A.vanderSluijs& Anthony
Marinus
TheOuroboros
29
5. Translation
provided
bytheauthors.
6. Translation
bytheauthors.
provided
in- butperhapsnotbeingidentical
7. ThatLeviathan
theearth,lying
supports
- thewaters
belowit,is alsofoundin othersources,including
with
of
Apocalypse
Midras
Abraham
:21;Hirschman
1976:11;Pirqede-RabWEli
'ezer,
(CodexSylvester)
Bdraitddi Ma'aseh Beresit(MS. Paris,BiblioKonen:26;SederRabbddi-Bdresit$\
Razi'ettoL
cf.
35a-36b),185-92in Sed 1965:58-59,
thequeNationale;cf.Sepher
1964:293.
8. Translation
bytheauthors.
provided
9. Translation
bytheauthors.
provided
menopsin
10.The Greekfor"whitein looksand spottedin hisskin"is leuken
skin"tesdoraschroan,
andfor"points
oflight"
kaikatdstikton
for"gleaming
dordn,
thealchemicalopus,theserpentis subsequently
Asitrepresents
stigmas
phdous.
and thenintogold.
intosilver
transformed
theroyalcartouche
tothemnh,
thatwas
11. Horapollomayhavebeenreferring
of
Scholars
have
this
written
around
the
names
kings.
longregarded
customarily
oftheouroboros(Strieker
as a derivative
cartouche
1953:14).
andfromSidoncorroborate
theclaimofPhoenician
12.ThecupsatPalestrina
the
ouroboros
with
(Bourdais1895:151).
affinity
cavecan hardly
be
13.The Mithraic
imageofthesnakewoundaboutMithra's
divorced
fromthistheme.
14.Translation
bytheauthors.
provided
itsowntail"isflammivomus
15.TheLatinfor"a fire-breathing
dragondevouring
dracocaudaesuae ultimadevorans.
thecosmosand
between
theouroboros
16.Horapollo's
distinction
representing
is notrigid(Cumont1898:293;Nilsson1950:481,
theone embodying
eternity
note5).
theouroboros,
as
forthechoiceofthesnake,particularly
17.Thisexplanation
hasbeenpropagated
oflifeandimmortality
a symbol
byancientandmodernauMahdihassan
thors
alike.CompareHorapollo:
1963:20;
1940:194;
1.2;Preisendanz
in Baumgarten
255.
Sanchuniathon
1981:245-46,
emissions
refers
toelectromagnetic
radiation
18.Synchrotron
bycircular
generated
currents.
For
orspiralmotionofelectrons
field,as in Birkeland
alonga magnetic
seePeratt1992:197-98.
further
explanation
ofresearch
aredisofthehistory
anda briefoverview
19.The relevant
physics
cussedin Peratt1992,cf.2003,andPerattetal 2007.
ofarchaic
20.Asarguedin Peratt2003and Perattet al 2007,a largesegment
as
or abstract
withgeometric
interpreted
designsoftententatively
petroglyphs
into
account
an
intense
to
of
such
solarsymbols
aurora,taking
correspond aspects
and field-of-view.
factors
suchas latitude
geographic
inPeratt1992:31,84-85.Peratt
herearediscussed
21.The imagesreproduced
theseexperiments
to very
and Snell (1985) followthemechanism
underlying
beam
in
intense
currents
experiments.
high
fieldoverthepast
orientation
oftheglobalgeomagnetic
22. Fortheevolving
see Constableetal 2000.
3,000years,
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30
Research
JournalofFolklore
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