DEPARTMENT OF MUSIC

HANDBOOK
20142015

TRINITY COLLEGE
UNIVERSITY OF DUBLIN

Copyright 2014
School of Drama, Film, and Music
Department of Music
House 5
Trinity College, Dublin 2, Ireland

CONTENTS
Foreword 4
Abbreviations
1

GENERAL INFORMATION
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
1.10
1.11
1.12
1.13
1.14
1.15
1.16
1.17
1.18
1.19

Short history of the Department of Music 5

Staff 6
Selection procedure for school leavers and mature students 8
Marking schemes 8
Plagiarism 14
Non-satisfactory regulations 17
Lecture times, attendance, and punctuality 17
Continuous assessment, submission dates, and late work 18
Presentation of work 19
Year coordinators 20
Module coordinators 20
Complaints and Feedback 21
Return of work and challenging marks 21
Computing and computer literacy 21
E-mail 22
Societies 22
Student representation 22
Sexual harassment, bullying, and discrimination 23
House rules 23

COURSE INFORMATION
2.1
2.2
2.3

Course structure 24
Academic progress and examinations 26
Non-compensatable units and modules 30

MODULE DESCRIPTORS
3.1
3.2
3.3

Junior Freshmen
Senior Freshmen
Sophisters

4
FOREWORD
The Department of Music in the School of Drama, Film, and Music of
Trinity College is one of the leading academic music departments in
Ireland. Its courses are of an equivalent standard to universities around the
world, including the United Kingdom and America, and equip students to
follow a wide range of careers both inside and outside music. In common
with many universities in Europe the main focus is the academic study of
music (students at Trinity pursue their instrumental or vocal studies
privately or in outside institutions). With an intake of only thirty-five or so
students a year in the undergraduate courses, the Department of Music has
preserved a style of teaching that can respond to the needs of the
individual and allow students to follow their own interests to an extent rare
in modern universities.
ABBREVIATIONS
Both undergraduate programmes (single honor and two-subject
moderatorship) are four years in duration. JF, SF, JS, SS are the names
given to the undergraduate year groups:
JF: Junior Freshmen (1st year)
SF: Senior Freshmen (2nd year)
JS: Junior Sophister (3rd year)
SS: Senior Sophister (4th year)
SH: Single Honor (music on its own)
TSM: Two-Subject Moderatorship (music with one other subject)
TCD: Trinity College, Dublin (University of Dublin)
MT: Michaelmas Term (SeptemberDecember)
HT: Hilary Term (JanuaryApril)
TT: Trinity Term (AprilJune)

GENERAL INFORMATION

1 GENERAL INFORMATION
1.1 SHORT HISTORY OF THE DEPARTMENT OF MUSIC
The Department of Music was founded in 1974, when Brian Boydell was
Professor. He set up a programme of historical, technical, and analytical
teaching, leading to a BA either in single-honor (SH) music or in the twosubject moderatorship (TSM) in which two subjects are studied. When he
retired in 1982 the staff complement was three full-time, one half-time, and
three or four part-timers. There were around fifty undergraduates and two
or three postgraduates.
A comprehensive revision of the undergraduate syllabus began when
Hormoz Farhat became Professor in 1982. Students could now specialise in
either composition or musicology. Since then the range of options has been
expanded to include a specialisation in music technology, and a wider
range of choices within musicology and composition.
The Music Department has a high number of students pursuing
postgraduate studies via research at doctoral level in a broad range of
subjects, including musicology of the medieval period and film music. It
collaborates in a postgraduate programme in Music and Media
Technologies, which has attracted students of high quality and includes
applicants from within and without Ireland. In 2012 a new degree was
introduced: the MPhil in Composition. This currently has a quota of twelve
students and is a taught degree, with modules in theory, composition,
advanced orchestration, and other subjects designed to build upon skills
acquired at undergraduate level.
The Chair of Music is one of the longest-established chairs in Trinity
College, predating the foundation of the department by 210 years. It was
founded in 1764 and has been held by such distinguished scholars as
Ebenezer Prout (18351909) and Charles Kitson (18741944). Until the
Department of Music was established, the Professors duties were mainly
examining and teaching for the Colleges General Studies and Mus degrees,
and the provision of music for College functions. It is hoped to advertise
and fill the Chair in the academic year 20132014.
The Department of Music has always been recognised as the most
academically prestigious music department in the Republic of Ireland. This
is reflected in the calibre of entrants to its programmes, the research record
of the staff (part-time and full-time), the careers of its graduates at BA and

GENERAL INFORMATION

doctoral levels, the roles played by the staff in the national development of
the subject, and in the eagerness of other institutions to develop links with
the Department. Members of staff have served on many important outside
bodies, including the Arts Council, Contemporary Music Centre, and
committees on music in the governments Department of Education and
Science.
The Department has always been based in House 5, in Trinitys Front
Square, though the postgraduate programme in Music and Media
Technologies takes place in ras an Phiarsaigh. In the longer term it is
intended to relocate the Department to a purpose-built building on the
College site in a shared space with Drama and Film.
Since 2006, as the result of a major reorganisation of College structures,
the Music Department has been part of the School of Drama, Film, and
Music.
1.2 STAFF
D R M ARTIN A DAMS (permanent)
Research interests: English music of the seventeenth century, with special
reference to Henry Purcell; early opera, especially the origins of English
dramatic opera; English music of the late 19th and early 20th centuries,
especially Elgar.
Office 5.12A, ext. 1326, madams@tcd.ie
D R M ATT B ARNSON : lecturer in composition, barnsonm@tcd.ie
Research interests: composition, noise, instrumentation, the influence of
electronic music on acoustic music since 1920, historical narratives of music
after 1945, critical theories of influence, spectralism, post-minimalsim, aesthetics in electronic music
Office 33B, barnsonm@tcd.ie
M R D ONNACHA D ENNEHY (on long-term leave)
Research interests: composition, music technology, and mixed media.

GENERAL INFORMATION

M R R ICHARD D UCKWORTH (permanent)

Coordinator of music technology
Research interests: music technology, music production, and musical
interfaces.
Office 5.21, ext. 1500, duckwor@tcd.ie
D R O RLA F LANAGAN (permanent, half-time)
Research interests: choral music, conducting, Mendelssohn studies, and
music education (especially Kodly pedagogy).
Office 5.13B, ext. 2458, flanago@tcd.ie
M R A NDREW J OHNSTONE (permanent, half-time)
Secretary to the Department of Music Committee
Research interests: Renaissance polyphonic modes, English Reformation
church music, theory and pedagogy of composition techniques.
Office 5.13B, ext. 2458, c/o musicsec@tcd.ie
M S G RINNE R EDICAN (permanent)
Executive Officer
Office 5.23, ext. 1120, musicsec@tcd.ie
D R E VANGELIA R IGAKI (full-time)
Research interests: composition, experimental music theatre, opera, music
and text, mixed media.
Office 5.21B, ext. 4270 rigakie@tcd.ie
M R M ICHAEL T AYLOR (permanent)
Research interests: Berg, Birtwistle, Haydn, notation and performance,
sketch study, music analysis.
Office 5.11B, ext. 1584, wtaylor@tcd.ie
D R S IMON T REZISE (Head of Discipline, permanent)
Research interests: music analysis, Wagner, Debussy, Schoenberg, music
and text, performance practice, historical recordings, film music.
Office 5.34, ext. 1120, strezise@tcd.ie

GENERAL INFORMATION

Part-time
M R K EVIN B ARRY : lecturer in harmony and research methodologies,
barryk2@tcd.ie
M R K EITH H ENNIGAN : lecturer in music technology, hennigak@tcd.ie
M R J ONATHAN H ODGERS : lecturer in popular music, hodgersj@tcd.ie
M S J ENN K IRBY : lecturer in music technology, technical support,
kirbyje@tcd.ie
M S A MY R YAN : lecturer in aural training, amy.ryan@tcd.ie
1.3 SELECTION PROCEDURE FOR SCHOOL LEAVERS AND
MATURE STUDENTS
Applicants sit an entrance test (usually held in March) which is divided
into three parts. An aural paper tests, for example, the candidates ability to
recognise intervals and take down a simple melody and rhythm. A
rudiments paper assesses the candidates knowledge of basic music theory.
A general-knowledge paper asks the candidate to name the composers of
repertoire staples, and there are other broadly based questions. Greatest
emphasis is placed on the aural paper. The majority of applicants are called
to interview. Mature and overseas students feature regularly in the
Departments intake.
Places on the undergraduate programmes are provisionally offered on
the basis of the entrance tests and interviews. Applicants who have been
made a provisional offer will be made a firm one in August, according to
their ranking in the points obtained in the Leaving Certificate or other
qualifying examinations. In 2014 the quotas of places were 15 for SH
students and 20 for TSM.
1.4 MARKING SCHEMES
The Department of Music follows the standard marking scheme of the
Faculty of Arts, Humanities and Social Sciences. The information given
below is taken verbatim from a faculty document.

GENERAL INFORMATION

Fail (039): F1/F2

The fail grade is sometimes broken down into two bands: F1 and F2. An
answer at the F1 level (3039) represents a failure to answer the question
adequately, but the possession of at least some relevant information. The
failure to provide an appropriate answer may be due to a
misunderstanding of the question, or to one or more of the following
deficiencies: it may contain only a small amount of relevant information,
the material itself may have been misunderstood, the answer may be
poorly or incoherently presented, or the answer may not relate to the
question asked. An answer at the F2 level (029) normally contains no or
only the most minimal amount of information relating to the question, or
may demonstrate a complete misunderstanding of the question, or a
misunderstanding of the material relevant to its answer such as to render
the answer meaningless. Work at Fail level tends to have few positive
characteristics, except possibly when the grade has been awarded because
of the inclusion of a major error, the presence of which is sufficiently
important to outweigh any positive features of the answer. It is also
possible for an otherwise good piece of work to be awarded a Fail grade
because it fails to answer the question posed. The absence of positive
characteristics could also result from the fact that the answer is very short
(e.g., when a student runs out of time in an examination and writes very
little).
Work awarded a Fail grade tends to possess some or all of the
following negative characteristics:
represents a failure to answer the question (though may be an
answer to a different question)
shows no or only a little evidence of understanding of the topic
shows no or only very little evidence of relevant reading or research
includes no or very few relevant ideas
does not contain a structured argument
does not offer evidence to justify assertions
does not include relevant examples
contains multiple or major errors
Third class (4049)

GENERAL INFORMATION

10

Work at this level contains evidence of study of the appropriate material

and displays a level of presentation at least minimally commensurate with
the award of an honours degree, but it often reflects only a limited
familiarity with the standard literature and/or methods of the subject. A
third class answer constitutes at least a minimal attempt to answer the
question posed, but the answer may omit key points and/or contain
assertions not supported by appropriate evidence. It may display
superficiality in understanding and/or the use of material, an over reliance
on knowledge at the expense of development or argument, analysis or
discussion, and it may lack continuity, or be inadequately organised.
Nonetheless, work at this level does show an ability to refer to some
standard sources, ideas, methods or techniques normally applied in the
subject and to achieve some success in solving problems or marshalling an
argument to reach a conclusion.
What differentiates a third class piece of work from one that fails is
that a third comprises an attempt to answer the question informed by some
relevant information and without any major error, while a fail either does
not contain an adequate attempt to answer the question, or does not
contain sufficient relevant information, or contains at least one significant
error.
Work at third-class level may possess some or all of the following
positive characteristics:
attempts to answer the question
shows modest evidence of understanding of the topic
shows modest evidence of relevant reading or research
includes a few relevant ideas
may include some relevant examples
Work at third-class level may possess some or all of the following negative
characteristics:
the attempt to answer the question may not be very successful
does not contain a sufficiently well-structured argument
does not offer sufficient evidence to justify assertions
does not include sufficient relevant examples
lacks lucidity
contains one or more important errors
Lower second class (5059)

GENERAL INFORMATION

11

Work at lower-second class level displays a knowledge of the standard

material and approaches of the subject and a familiarity with much of the
standard literature and/or methods. A lower second-class answer may
constitute a relatively simplistic answer to the question, and is likely to be
based on a narrow range of sources, such as lecture notes and the basic
required reading, rather than being indicative of wider reading. It usually
displays a basic ability to use relevant sources, methods or techniques
normally applied in the subject to achieve some success in solving
problems or marshalling arguments to reach a conclusion. The work may
show some inconsistency in standard, may contain occasional technical or
factual flaws, and may exhibit some difficulties with the organisation of
material or with the full understanding of a problem or issue, but it is
adequately presented and may include some critical judgement applied to
analysis or the application of standard ideas or methods.
What differentiates a lower second-class piece of work from one
awarded a third class grade is the greater success of the lower second in
answering the question, together with the possession of more relevant
information, a more coherent argument and an improved structure,
although neither the answer to the question nor the structure may be
incapable of improvement.
Work at lower second-class level will tend to possess some or all of the
following positive characteristics:
attempts to answer the question
shows evidence of a basic to good understanding of the topic
shows evidence of some relevant reading or research
includes some relevant ideas
includes some relevant examples
Work at lower second-class level may possess some or all of the following
negative characteristics:
the attempt to answer the question may not be completely
successful
does not contain a sufficiently well-structured argument
does not offer sufficient evidence to justify assertions
does not include sufficient relevant examples
the style of writing could be improved
lacks lucidity
may contain some minor errors

GENERAL INFORMATION

12

Upper second class (6069)

Work at upper second-class level displays a sound and clear understanding
of the subject and demonstrates a good grasp of a wide range of the
standard literature and/or methods and techniques of the subject. An upper
second-class answer constitutes a well-organised and structured answer to
the question that is reasonably comprehensive, generally accurate and well
informed. It will normally demonstrate a greater breadth of knowledge
than would be gained merely from the lecture notes and basic required
reading. It will demonstrate some ability to evaluate and integrate
information and ideas, to deal with knowledge in a critical way, and to
reason and argue in a logical way. Where relevant it will also demonstrate
an ability to analyse information, to make sense of material, to solve
problems, to generate new ideas and concepts and to apply knowledge to
new situations. The presentation of information, arguments and
conclusions will be clear and well written.
What differentiates an upper second-class piece of work from one
awarded a lower second is the greater success in answering the question,
the additional understanding displayed, the greater evidence of additional
reading, the improved structure and organisation, the superior quality of
the argument, and the level of critical thinking displayed.
Thus an upper second-class piece of work shows positive
characteristics such as:
answers the question clearly and fully
has a good structure and organisation
shows evidence of a very good understanding of the topic
shows clear evidence of relevant reading and research
clearly explains relevant theory and cites relevant evidence
contains reasoned argument and comes to a logical conclusion
includes highly relevant ideas
uses relevant examples
demonstrates the ability to apply learning to new situations and
tosolve problems
is well written
lacks errors of any significant kind
Upper second-class work usually has few negative characteristics, but may
be limited in the sense that it:

GENERAL INFORMATION

13

could demonstrates more in the way of insight, imagination,

originality or creativity
does not answer the question in as fully and comprehensive a
manner as would be possible
could demonstrate more ability to integrate information
could exhibit more critical thinking
could exhibit more independence of thought

First class (70100)

First class work represents an excellent to outstanding performance
demonstrating a thorough understanding of the subject. In addition to a
mastery of a wide to full range of the standard literature and/or methods
and techniques of the subject, work at this level shows independence of
judgement and evidence of attainment beyond the standard material. It will
frequently demonstrate characteristics such as insight, imagination,
originality and creativity. A first class answer will represent a
comprehensive and accurate answer to the question that will exhibit a
detailed knowledge of the relevant material as well as a broad base of
knowledge. Theory and evidence will be well integrated and the selection
of sources, ideas, methods or techniques will be well judged and
appropriately organised to address the relevant issue or problem. It will
demonstrate a high level of ability to evaluate and integrate information
and ideas, to deal with knowledge in a critical way, and to reason and
argue in a logical way. Where relevant it will also demonstrate a high level
of ability to analyse information, to make sense of material, to solve
problems, to generate new ideas and concepts and to apply knowledge to
new situations. The presentation of information, arguments and
conclusions will be fluent and clearly written and may also show particular
lucidity in expression appropriate to the subject.
What differentiates a first-class piece of work from one awarded an
upper second is a greater lucidity, a greater independence of judgement, a
greater depth of insight and degree of originality, more evidence of an
ability to integrate material, and evidence of a greater breadth of reading
and research in the first that is not present in the upper second.
Thus a first-class piece of work shows positive characteristics such as:

GENERAL INFORMATION

14

answers the question clearly and comprehensively, in a focused

way
has an excellent structure and organisation
demonstrates characteristics such as insight, imagination,
originality and creativity
demonstrates the ability to integrate information
exhibits sound critical thinking
exhibits independence of judgement
clearly explains relevant theory and cites relevant evidence
contains reasoned argument and comes to a logical conclusion
gives evidence of wide relevant reading
includes a sufficient number of appropriate examples
demonstrates a clear comprehension of the subject
demonstrates the ability to apply learning to new situations and to
solve problems
is lucid and well written
lacks errors of any significant kind
All pieces of first-class work may not have all of the characteristics above,
but all such work will have few, if any, negative characteristics.
1.5 PLAGIARISM
(This section is taken verbatim from the University Calendar, section H.)
68 Plagiarism is interpreted by the University as the act of presenting
the work of others as ones own work, without acknowledgement.
Plagiarism is considered as academically fraudulent, and an offence against
University discipline. The University considers plagiarism to be a major
offence, and subject to the disciplinary procedures of the University.
69 Plagiarism can arise from deliberate actions and also through
careless thinking and/or methodology. The offence lies not in the attitude
or intention of the perpetrator, but in the action and in its consequences.
Plagiarism can arise from actions such as:
a. copying another students work;
b. enlisting another person or persons to complete an assignment on
the students behalf;
c. quoting directly, without acknowledgement, from books, articles or
other sources, either in printed, recorded or electronic format;

GENERAL INFORMATION

15

d. paraphrasing, without acknowledgement, the writings of other authors.

Examples (c) and (d) in particular can arise through careless thinking
and/or methodology where students:
i.
fail to distinguish between their own ideas and those of others;
ii.
fail to take proper notes during preliminary research and therefore
lose track of the sources from which the notes were drawn;
iii.
fail to distinguish between information which needs no
acknowledgement because it is firmly in the public domain, and
information which might be widely known, but which nevertheless
requires some sort of acknowledgement;
iv.
come across a distinctive methodology or idea and fail to record its
source.
All the above serve only as examples and are not exhaustive.
Students should submit work done in co-operation with other students
only when it is done with the full knowledge and permission of the lecturer
concerned. Without this, work submitted which is the product of collusion
with other students may be considered to be plagiarism.
70 It is clearly understood that all members of the academic
community use and build on the work of others. It is commonly accepted
also, however, that we build on the work of others in an open and explicit
manner, and with due acknowledgement. Many cases of plagiarism that
arise could be avoided by following some simple guidelines:
i.
Any material used in a piece of work, of any form, that is not the
original thought of the author should be fully referenced in the
work and attributed to its source. The material should either be
quoted directly or paraphrased. Either way, an explicit citation of
the work referred to should be provided, in the text, in a footnote, or
both. Not to do so is to commit plagiarism.
ii.
When taking notes from any source it is very important to record
the precise words or ideas that are being used and their precise
sources.
iii.
While the Internet often offers a wider range of possibilities for
researching particular themes, it also requires particular attention to
be paid to the distinction between ones own work and the work of
others. Particular care should be taken to keep track of the source of
the electronic information obtained from the Internet or other

GENERAL INFORMATION

16

electronic sources and ensure that it is explicitly and correctly

acknowledged.
71 It is the responsibility of the author of any work to ensure that he/she
does not commit plagiarism.
72 Students should ensure the integrity of their work by seeking advice
from their lecturers, tutor or supervisor on avoiding plagiarism. All schools
and departments should include, in their handbooks or other literature
given to students, advice on the appropriate methodology for the kind of
work that students will be expected to undertake.
73 If plagiarism as referred to in 68 above is suspected, in the first
instance, the head of school will write to the student, and the students
tutor advising them of the concerns raised and inviting them to attend an
informal meeting with the head of school, and the lecturer concerned, in
order to put their suspicions to the student and give the student the
opportunity to respond. (The director of teaching and learning
(undergraduate) may also attend the meeting as appropriate. As an
alternative to their tutor, students may nominate a representative from the
Students Union to accompany them to the meeting.) The student will be
requested to respond in writing stating his/her agreement to attend such a
meeting and confirming on which of the suggested dates and times it will
be possible for the student to attend. If the student does not in this manner
agree to attend such a meeting, the head of school may refer the case
directly to the Junior Dean, who will interview the student and may
implement the procedures as referred to under CONDUCT AND
COLLEGE REGULATIONS 2.
74 If the head of school forms the view that plagiarism has taken place,
he/she must decide if the offence can be dealt with under the summary
procedure set out below. In order for this summary procedure to be
followed, all parties attending the informal meeting as noted in 73 above
must state their agreement in writing to the head of school. If the facts of
the case are in dispute, or if the head of school feels that the penalties
provided for under the summary procedure below are inappropriate given
the circumstances of the case, he/she will refer the case directly to the
Junior Dean, who will interview the student and may implement the
procedures as referred to under CONDUCT AND COLLEGE
REGULATIONS 2.

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17

75 If the offence can be dealt with under the summary procedure, the
head of school will recommend to the Senior Lecturer one of the following
penalties:
a. that the piece of work in question receives a reduced mark, or a
mark of zero; or
b. if satisfactory completion of the piece of work is deemed essential
for the student to rise with his/her year or to proceed to the award
of a degree, the student may be required to re-submit the work.
However the student may not receive more than the minimum pass
mark applicable to the piece of work on satisfactory re-submission.
76 Provided that the appropriate procedure has been followed and all
parties in 73 above are in agreement with the proposed penalty, the Senior
Lecturer may approve the penalty and notify the Junior Dean accordingly.
The Junior Dean may nevertheless implement the procedures as referred to
under CONDUCT AND COLLEGE REGULATIONS 2.
1.6 NON-SATISFACTORY REGULATIONS
College has procedures for reporting poor progress by a student (see
College Calendar). These procedures preserve equality of treatment within
the student body and provide good warning if a student is in danger of
failing a module. Students are returned non-satisfactory (non satis) if they
miss a third or more of one module in one term or/and they fail to submit
course work. Students will be informed when they become nonsatisfactory.
When a student becomes non-satisfactory a report will be submitted to
the tutor. Students who are reported in two consecutive terms in the same
module will additionally be reported to the Senior Lecturer (the head of
academic affairs in College), who has the power to bar students from
examination. The Department enforces non-satisfactory regulations in all
cases.
In accordance with College regulations the only mitigating
circumstances for non-attendance, failure to prepare for classes, and failure
to submit work are either a medical certificate or an appeal from the tutor
on other grounds (such as bereavement). In accordance with standard
College practice, medical certificates must be submitted to the Department
office not more than five working days after the illness, otherwise the
certificate will not be accepted; students are advised to send a copy to their

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18

tutor. Anyone who is registered with the Colleges Student Health Service
and is too ill to go to the campus clinic to obtain a medical certificate must
call the health centre and ask for a visit by a locum doctor.
1.7 LECTURE TIMES, ATTENDANCE, AND PUNCTUALITY
Lectures begin on the hour and end at ten minutes to the hour. Students
must be punctual and ensure that they sign the attendance sheet circulated
at the beginning of each class.
The Department's SH programme and the TSM programme in which
the department participates are both full-time undergraduate courses to
which students are expected to commit between 1,200 and 1,500 hours
annually (i.e. between 40 and 50 hours per week for 30 weeks). Attendance
is therefore compulsory at all timetabled events belonging to the modules
taken in a given academic year.
Students who are unable to attend any event to which they have been
timetabled must supply a doctor's certificate (if the reason for their absence
is medical) or a tutor's letter (if the reason is personal) to the executive
officer of the department not later than five working days after that event.
They are advised also to supply a copy of a doctor's certificate to their
tutor.
Absences so documented will be excused; those not so documented
will be deemed to be without excuse.
Penalty points for non-attendance
For each lecture missed, a penalty of 3% will be deducted from your total
mark for the module affected. This applies to all modules. For occasional,
usually single-day absences you may self-certify by emailing
musicabs@tcd.ie on the day of your illness or event (such as a family
funeral). The self-certification must be supported by a note from your tutor
within two weeks of the absence; if this is not forthcoming the absence will
be penalised. If your circumstances prevent your attending classes for more
than three days, you must obtain a medical certificate. If you are absent for
other reasons, a tutors letter will usually be accepted. Under these
circumstances no penalty will be imposed for absence. All students will be
given leeway of one absence per term before penalties are imposed.

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19

1.8 CONTINUOUS ASSESSMENT, SUBMISSION DATES, AND

LATE WORK
Continuous assessment is part of the examination process. Essays and other
continuous assessment work are therefore subject to the same regulations
as work carried out under examination conditions. Feedback from lecturers
will be given, including a grade as appropriate, but any grades awarded
are only provisional: the external examiner and court of examiners have the
right to amend all marks from the year. Sophister assessments must be
resubmitted prior to the visit of the external examiner for her/his perusal.
Assessment work should be submitted to the Department of Music
executive officer before 12.00 p.m. on the day of the deadline; students
must fill in a cover sheet giving details of the assignment. When a nationalholiday date is given for submission, the work should be submitted on the
following working day (usually Tuesday). Late work will not be accepted
unless it is covered by a medical certificate or other legitimate certification.
This applies equally to work that is five minutes late or five hours
late. Students should present the appropriate documentation, such as a
medical certificate or tutors letter, in order to have the work accepted. The
documentation must cover every day of lateness, otherwise the work will
not be accepted for marking. Where there is doubt a decision on whether or
not to penalise work will be made by the court of examiners at the end-ofyear meetings. In some modules late work is not accepted under any
circumstances (this is because the work is discussed in the class following
submission). If you are unable to present work for one of these modules for
valid reasons, you will be excused the assignment and the calculation of the
mark adjusted accordingly.
As printing problems or other issues may occasionally prevent a student submitting completed work at 12.00 on the due date, the work may be
submitted to the office by email by 12.00 on the day of the deadline and
submitted in hard copy by 12.00 on the following working day. A 5% penalty will be applied for work submitted in this way. The electronic version
must have the same content as the hard copy and be sent to the office and
module lecturer.
Individual extensions will not be granted under any circumstances.
The above system of documentation ensures that when work is submitted
late because of illness or other, serious events in a students life, it will be
accepted and marked normally.

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20

The Department of Music will try to spread deadlines out as much as

possible, but it is the students responsibility not to leave work to the last
moment. Provided assessment work is set well in advance of the deadline,
close deadlines should not constitute a problem and extensions will not be
granted to overcome their occasional bunching up.
1.9 PRESENTATION OF WORK
Students are required to present all essays and dissertations in wordprocessed form. Work may not be submitted in electronic form (e-mail or
disc), unless it is laid down as a requirement of a module. Where students
use software, or versions of software, other than what is installed on
Department of Music computers, responsibility for all problems of
compatibility (for example, failure to print) rests with the student. No
requests for extensions on such grounds can be entertained. Students
should therefore ensure that they leave adequate time to print essays.
The standard marking scheme evaluates both content and presentation
of essays. All students are expected to adhere to the guidelines given in the
Department of Musics style book, which is available on the department's
home pages. It is a valuable source of information on all aspects of style
and presentation at a professional and academic level, such as referencing
and formatting a bibliography. (Lecturers may sometimes accept
alternatives.) Poor presentation will be penalised. All essays should display
evidence of critical engagement with scholarly literature pertaining to the
topic discussed. Poor grammar, spelling, and writing style will be
penalised.
1.10 YEAR COORDINATORS
Year coordinators are assigned to each undergraduate year to help students
resolve any problems arising during their studies that cannot be dealt with
effectively by module coordinators.
Coordinators in 20142015 are:
Junior Freshmen: Simon Trezise
Senior Freshmen: Martin Adams
Junior Sophisters: Michael Taylor
Senior Sophisters: Richard Duckworth

GENERAL INFORMATION

21

1.11 MODULE COORDINATORS

Module coordinators oversee the conduct of modules. They will draw up
the syllabus of modules (or assist part-time staff in doing so), organise
deadlines, set assignments, check attendance, ensure work is marked and
returned within the agreed period, and generally review standards.
Complaints or comments about a module should, whenever possible,
initially be directed to the module coordinator (failing this, to the year
coordinator or head of discipline).
1.12 COMPLAINTS AND FEEDBACK
Module and year coordinators are part of a framework of consultation and
feedback designed to ensure that the delivery of the curriculum, together
with the general running of the Department, are open and transparent. The
Department values feedback on all its activities throughout the year either
formally or informally. Constructive comments will always be noted and
acted upon whenever possible.
If concerns arise in a module (for example, the module descriptor
appears inaccurate), talk to the module coordinator. If you wish to take the
matter further, or are reluctant to talk to the module coordinator, ask your
student representatives to deal with the issue. They can take it to the
module coordinator, year coordinator, or Head of Discipline. When all
these avenues have been exhausted, issues can be taken to the Education
Officer of the Students Union, but it is important that the Music
Department is given a chance to set matters right before such action is
taken.
1.13 RETURN OF WORK AND CHALLENGING MARKS
Lecturers undertake to return essays and other assessment work within
twenty working days (effectively four weeks). When there is a delay
students should take the matter to the Head of Discipline.
According to the University Calendar, marks may be challenged by a
student, who has discussed the mark with the member of staff concerned,
on the following grounds:
the calculation of the result is wrong

GENERAL INFORMATION

22

the examination paper included questions on subjects not covered

in the course
bias was shown in marking the script

1.14 COMPUTING AND COMPUTER LITERACY

The Department of Music has one of the largest on-site computer facilities
of any department outside computer science and related disciplines. These
computers are available only to music students. Department of Music
computers supplement computers provided for students around the
university, which should be used for e-mail and word processing whenever
possible. All music students are expected to be able to use computers for
essays, e-mail, and music technology. In addition to any assistance
available in the Department of Music, students should attend introductory
courses provided by College.
1.15 E-MAIL
Department notices and course details are often only sent out by e-mail.
Every student is responsible for checking her/his e-mail account at least
once a day during term time. Failure to do so may result in classes being
missed or assignments not collected. Anyone encountering technical
difficulties should initially take the matter up with IS Services in ras an
Phiarsaigh.
Department website
The departments website may be accessed at http://www.tcd.ie/music
1.16 SOCIETIES
Students are expected to contribute to the musical activities of the College
as a whole, and the Department of Music in particular, by membership of
the Music Society. Participation in societies of this sort is voluntary and
cannot be taken into account in a students academic assessment.
1.17 STUDENT REPRESENTATION

GENERAL INFORMATION

23

Students should elect class representatives from each of the four years (one
SH, one TSM) to discuss the concerns of their year group with the Head of
Discipline, module coordinators, and year coordinators. A student
representative is responsible for representing the views of her/his year to
the staff and regularly reporting back to students. Tensions arising from
any cause should be reported to the class representative, who is then
empowered to seek a meeting with any member of staff.
If a student experiences problems of an academic or other kind, s/he
may take them to a class representative, member of staff, tutor, or student
counsellor. All undergraduates are assigned to a tutor outside the
Department of Music, who is responsible for representing the pastoral and
academic affairs of the student. Assuming, for instance, that the tutor feels
the student has a reasonable case in an academic matter, s/he will act as
advocate for the student in a system that functions in an adversarial
manner redolent of the legal profession.
1.18 SEXUAL HARASSMENT, BULLYING, AND
DISCRIMINATION
No student should have to suffer sexual harassment, bullying, or any other
form of discrimination in the course of her/his academic career. Every
student is entitled to receive unbiased, equal treatment. The College has a
booklet dealing with sexual harassment which describes the offences
regarded as harassment and how to deal with them. Students who are
unhappy with their treatment should discuss the matter with any member
of staff, student representative, tutor, or the Colleges appointed contact
persons.
1.19 HOUSE RULES
Listening to music forms an important part of many lectures and must be
treated with the same attention and seriousness as the spoken part of the
lecture. The use of mobile phones by students is not permitted in lectures
and shared facilities, such as the studio or the staircase. Laptops may not be
used in class unless the lecturer has given permission for their use. In the
interests of hygiene, please do not bring food or drinks into lecture rooms,
practice rooms, and computer rooms. Please dispose of litter in the bins
provided.

24

2 COURSE INFORMATION
2.1 COURSE STRUCTURE
The undergraduate programmes are intended to give students the best
possible theoretical and practical understanding of music as it is studied
and understood at university level. The course covers the main areas
traditionally the province of a university-based music education.
The JF year is a foundation year in which students take modules
related to all areas offered in the SH and TSM courses. All SF-SH students
are required to take and complete a Broad Curriculum module. Details are
published annually on the colleges web site:
http://www.tcd.ie/Broad_Curriculum/.
Senior Freshmen will select Introduction to Composition, Introduction
to Musicology, or Music Technology II as their first stage of specialism (or
two of these specialisations). At the end of the SF year students are
expected to continue with the specialism, or one of the specialisms, they
attended in the SF year. In order to continue with Composition,
Musicology, or Music Technology as a minor elective in their Sophister
years they must have attended and done the work for the appropriate SF
module. They may change their declared specialism at the beginning of the
JS year if they have attended and done the work for the preferred
specialism or if they pass a specially set qualifying test. Change of
specialism after the beginning of the JS year is not permitted.
A comprehensive list of electives for SF, JS, SS years, complete with
ECTS breakdowns, prerequisites, and other information is published each
year in Hilary Term.
JS SH
C ORE M ODULES (15 Credits):
History & Repertoire III A
Instrumentation A
M AIN E LECTIVE (20 Credits):
One of the following:
Composition Forum JS A
Music Technology Seminar JS A
Musicology Seminar JS A

Credits
10
5

COURSE INFORMATION

25

S OPHISTER E LECTIVES (25 Credits):

A full list is published each year and distributed separately.
JS TSM
C ORE M ODULES (10 Credits):
History & Repertoire III B
Instrumentation
M AIN E LECTIVE (10 Credits):
Choose one of the following:
Composition Forum JS B
Music Technology Seminar JS B
Musicology Seminar JS B
S OPHISTER E LECTIVES (10 Credits):
See partial list below

5
5

SS, SH & TSM

All students take 60 credits
C ORE M ODULE (10 Credits):
History & Repertoire IV
M AIN E LECTIVE (10 Credits):
Choose one of the following:
Composition Forum SS
Music Technology Seminar SS
Musicology Seminar SS
P ROJECTS (20 Credits):
Composition Portfolio
Music Technology Project
Musicology Dissertation II
S OPHISTER E LECTIVES (20 Credits):
A full list is published each year and distributed separately.
Sophister electives
Electives available annually may be taken once only, in either the JS or SS
year. Musicology Students take Dissertation I in their JS year.
Electives available annually:

COURSE INFORMATION
Dissertation I (5000 words)
Recital A
Recital B
Composition Forum
Music Technology Seminar (as advertised)
Musicology Seminar

26

10
5
10
5
5
5

2.2 ACADEMIC PROGRESS AND EXAMINATIONS

SH
The following is an extract from the College Calendar, section L12.
2 The honor curriculum of the Department of Music is primarily
concerned with the study of western classical music in three principal
areas: composition, musicology and music technology.
3 The ECTS value of each year of the course is 60 credits.
4 Students are examined at the end of the academic year either by
written examination or continuous assessment, or by a combination of
both.
5 To pass each of the Freshman years of the course, students must
achieve an overall credit-weighted average mark of at least 40 per cent
(grade III) and accumulate 60 credits by (a) passing all modules outright or
(b) passing by compensation. To pass by compensation students must
either pass outright modules totalling 55 credits and achieve a minimum
mark of 30 per cent in the failed module, or pass outright modules totalling
50 credits and achieve a minimum mark of 35 per cent in any failed
module(s). The designation of certain modules, or module components, as
non-compensatable may reduce the level of compensation permitted in any
year. Students, in the Freshman years, who do not pass at the annual
examination session, either outright or by compensation, must complete
supplemental assessments in all modules in which they did not achieve a
mark of at least 40 per cent (grade III) by taking such assessment
components, as required, during the supplemental examination period.
6 To pass the Junior Sophister (moderatorship examination, part I) and
Senior Sophister (moderatorship examination, part II) years, students must
achieve an overall credit-weighted average mark of at least 40 per cent
(grade III) and accumulate 60 credits by (a) passing all modules outright or
(b) passing by compensation or by aggregation. To pass by compensation

COURSE INFORMATION

27

students must pass outright modules totalling 40 credits and achieve a

minimum mark of 30 per cent in each failed module, up to a maximum of
20 credits. Further, students may pass by aggregation, if they have a mark
of less than 30 per cent in one or more failed modules up to a maximum of
10 credits, if they have passed outright modules totalling at least 40 credits
and have a minimum mark of 30 per cent in any remaining failed
module(s). The designation of certain modules, or module components, as
non-compensatable, and/or the credit value of modules, may affect the
level of compensation or aggregation permitted in any year.
7 There are no supplemental examinations in the Junior Sophister and
Senior Sophister years; students who fail the annual examinations in the
Junior Sophister year are required to repeat the year. Sophister
examinations and the equivalent submission of project and assessment
work may not take place outside the normal annual examination period.
JF and SF TSM
The following is an extract from the college calendar, sections K5K7.
i.
ii.

iii.

iv.

General academic progress see 1922 (section K4).

Students must achieve an overall pass mark (grade III or above) in
both subjects at the annual or supplemental examinations in the
same academic year in order to pass the year overall and to proceed
to the next year.
Students may pass the Junior Freshman year by compensation if
they achieve an overall credit-weighted average mark of at least 40
per cent (grade III) in each subject, and either (a) pass outright
modules totalling at least 25 credits in each subject and achieve a
mark of at least 30 per cent in any failed module(s), or (b) pass all
modules outright in one subject, and modules totalling at least 20
credits in the other subject, and achieve a mark of at least 35 per
cent in any failed module(s). Some modules or module elements in
some subjects are non-compensatable.
Students who do not pass at the annual examination session, either
outright or by compensation, must complete supplemental
assessments in all modules in which they did not achieve a mark of
at least 40 per cent (grade III).

COURSE INFORMATION
v.

vi.

vii.

28

Students who fail one or both subjects at the annual examinations

will be re-assessed in their failed modules during the supplemental
examination session. Where required, course work must be resubmitted by the Friday before the supplemental examination
period commences.
Students who fail in one or both subjects at the supplemental
examination may be permitted to repeat the year in both subjects
(subject to GENERAL REGULATIONS AND INFORMATION,
section II, 5961).
Students who are absent from any or all of their supplemental
examinations without permission from the Senior Lecturer are
excluded from the course.

JS and SS TSM
i.
ii.

iii.

iv.

v.

vi.

vii.

General academic progress see 1922 (section K4).

Students must achieve an overall pass mark (grade III or above) in
both subjects at the annual examinations in the same academic year
in order to pass the year overall and to proceed to the next year.
Students in pattern B may pass the Junior Sophister year by
compensation if they achieve an overall credit-weighted average
mark of at least 40 per cent (grade III) in each subject, and pass
outright modules totalling at least 20 credits in each subject, and
achieve a mark of at least 30 per cent in any failed module(s). Some
modules or module components in some subjects are noncompensatable.
The examination in the minor subject (subject studied for the first
three years of the course only) is part I of the moderatorship
examination. This is the final examination for the minor subject.
The examination in the major subject (subject studied for all four
years of the course) forms part of the moderatorship part II
examination.
The total moderatorship mark is the combined result of both the
Junior Sophister and Senior Sophister years in both subjects. The
overall mark is calculated on the basis of equal weighting of both
subjects in the Junior Sophister year and equal weighting of both
Sophister years.
There are no supplemental examinations.

COURSE INFORMATION
viii.

ix.

x.

xi.

29

Students who fail in one or both subjects at the annual examination

may be permitted to repeat the year in both subjects (subject to
GENERAL REGULATIONS AND INFORMATION, section II,
5961).
Students who are absent from any or all of their examinations
without permission from the Senior Lecturer are excluded from the
course.
Students who obtain a minimum grade of III in each of their two
subjects at the annual examinations may be permitted to graduate
with an ordinary degree of B.A. Except by special permission of the
University Council, the ordinary degree of B.A. may be conferred
only on candidates who have spent at least three years in the
University.
Students taking a modern language other than English literature as
their minor subject must complete their residence requirement in
that subject before the Junior Sophister end-of-year examination in
that subject. Students who do not complete their residence
requirement before their Junior Sophister examinations will not
receive their results and will be unable to proceed until the
requirement has been met and approved by the relevant schools or
departments.

An Ordinary BA may be recommended by the Court of Examiners in

accordance with university regulations.
Under the Freedom of Information Act students are permitted to view
their examination scripts and meet the markers. Ad hoc arrangements will
be made to facilitate this provided adequate notice is given in writing by
the student. It should, however, be noted that the marker will not say
anything to the student that might compromise the decision of the court of
examiners.
Assessment work is part of the examination process and is governed
by the same regulations. Deadlines for all assessment work (including
projects and dissertations) must be treated with the same seriousness as
examination times.

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30

2.3 NON-COMPENSATABLE UNITS AND MODULES

Units
JF: a pass must be obtained in Presentation and Listening to pass in History
and Repertoire I.
JF: a pass must be obtained in Rudiments to pass in Counterpoint and
Rudiments.
SF: a pass must be obtained in Presentation and Listening to pass in History
and Repertoire II.
Modules
JF: a minimum mark of 40% (pass) must be obtained in Harmony I,
Counterpoint and Rudiments, and Aural and Keyboard to rise with the
year.
SF: a minimum mark of 40% (pass) must be obtained in Aural and
Keyboard to rise with the year.