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ALLWRITEFICTIONADVICE
A D V I CEONCR EA TI V EWR I TI NG

S UNDA Y, 2 9 S E PT E MBE R 2 0 1 3

Doestherehavetobeamoraltoevery
story?
Everystoryhassomethingtosayandeverystory
conveysamessagetothereader,whetherits
somethingabouttheworldingeneral,oraboutthe
humancondition,andthekindofissuesthatrelateto
allofus.Theseareallrelayedthroughthecharacters
thatinhabitthestory.
Anyintendedmessagecanbeovert,subtleorimplied.
Themoralofastoryisnottobeconfusedwiththe
authorspersonalthoughtsandfeelings,becauseasa
rule,anauthorshouldneverpersonallyintrudea
story.Instead,moralsaretheproductsofour
observationsandtheissuesthatimpactallofus,and
howwecanlearnandgrowfromthem.
Thinkofthesnippetsofwisdomgiventoyoubyyour
parentsorgrandparentsthesearethebasisof
variousmoralsadaptedbysocietyandusedfor
generations.Ourlivesaredictatedbymorality,and
fictionisnodifferent.
Evenfromthedawnoftime,storytellershaveincluded
moralsintheirtalestheyallwanttogiveusamessage
ofsomesort,whetherthatmessageisaboutloveor
kindness,bravery,courage,loyaltyortrust,behavingin
therightwayorlearningfromonesmistakesetc.
http://allwritefictionadvice.blogspot.in/2013_09_01_archive.html

A LL WR IT E FICT ION
A DVICE

IsBackstoryNecessary?
CreatingLastingImages
TrustYourMemories
ReadingYourMSSOutLoud
SortingFactfromFiction

WE LCOME T O A LL WR IT E

Soyou'veembarkedonyour
fictionwritingjourney.
It'soneofthehardestthingsto
docreateawhole,believable
worldforotherpeopletoenjoy,
especiallyifyou'renewto
writing.It'salsooneofthe
loneliestjobs,especiallywhen
thereisnohelporadviceor
support...sorightheretherewill
behandyarticles,examplesand
simplestepbystepguidesto
helpmakethecreativeprocess
thatmucheasier.

FE BR UA R Y FE MME S
FA T A LE S

Thisnewdeliciouslydark
anthologyisoutnow,witha
rangeofstunningfemalewriters
toscareanddelightinequal
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AllWriteFictionAdvice:September2013

Eventhemostbasicstorieshavesomethingtotellus,
but,contrarytobelief,constructingastorywithamoral
templateisntascomplicatedasitsounds.Writers,on
thewhole,tendtomakeitcomplicatedwhenthereis
noneedto.
Sohowitisdone?Howdoyouconveythatimportant
moralmessage?
Tobeginwith,everywriterneedstothoroughly
understandthekindofstorytheyrewritingbecause
fromthatbasis,theheartofthestoryanditscentral
themes,andthecharacterspersonaljourney,formthe
moral(s)ofthestory.
Forexample,ifyouhaveastoryaboutbetrayalor
revenge,youmayhaveacharacterthateventually
comestorealisethat,intheend,forgivenessisbetter
thanvengeancebecausealthoughrevengemightfeel
satisfactoryintheshortterm,itdoesntalterthe
situationinthelongrun.Themoralofthestory,
therefore,isthatforgivenessisbetterthanvengeance.
AlexHaleysRootshasmanystrongmoralthreads,
particularlytheinjusticeofslaveryforthemain
character,byhavingadifferentcolouredskin,andhis
struggletobecomeafreemaninalandofwhite
people.Themoralsherearethatskincolourmakesno
differencenomanismasteraboveanotherbecause
weareallbornequalanditiswrongtoprejudge
someone.

measure.Iamprivilegedto
haveeightshortstories/poems
publishedinthisbook,soifyou
likeyourdamesalittledarkand
dangerous,thisisthebookfor
you.

NOW A VA ILA BLE ON


A MA Z ON

FebruaryFemmesFatalesThe
Book

WIS E WOR DS ...

Writingislikebeingmarried
youhavetoworkhardat
maintaininghappinessand
equilibrium,butinvariablyone
alwaysendsupinthedog
house.

A BOUT ME
A J HUM PA GE

Thinkaboutotherstories.ToKillaMockingbirdalso
exploresracismandprejudice.
HemingwaysnovelForWhomtheBellTollsisamoral
storyaboutthebrutalityofandpointlessnessofwar.
Itsasimplemessage.
Throughouthistory,writersandpoetshaveused
moralitywithintheirtales.Therearecountlessmorals
toponderinAesopsfables,whileHomersOdysseyis
litteredwithmoralisticdilemmasforOdysseusto
overcomeandlearnfrom.
Probablythemostfamousexamplesofanymoralistic
storiescanbefoundintheBibleandKoran.Manyof
http://allwritefictionadvice.blogspot.in/2013_09_01_archive.html

UNIT E DK INGDO M

I'vebeenwritingfor
over25yearsand
startedoutinthe
publishingindustry.I've
publishedarticles,studyguides,
poems,flashfiction,short
storiesandanovel.Ialsowork
fulltimesoI'mALWAYS
working.
V IEW MY CO MPL ETE PR O F IL E

BLOOD OF T HE FA T HE R

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AllWriteFictionAdvice:September2013

thetalesinvolvepeoplewhoembarkonajourneyand
learnsomethingaboutthemselvesandtheworld
aroundthemsothattheymaybecomebetterpeople.
Yourmaincharactersstoryinvolvesapersonal
journey.Bytheendofthatjourneytheywillhave
changedinsomeway,theywillhavelearnedabout
themselves,andsotheirbehaviourwillchangetoo.All
thisisinterwovenwiththecentralthemesofthestory,
bethemlove,hate,revenge,jealousy,murderetc,to
formthemoralthread.
Asyouwriteyourstory,youwillseehowsuchmorals
areformedbywhathappenstoyourcharactersand
howtheygoaboutachievingtheirsetgoals.
Sometimeswehavefirmideasaboutthemoralswe
wantinourstories,whileothertimestheynaturally
emergeasthestoryiswritten.
Thestrengthofvoiceasthewriteralsoplaysan
importantroleinhoweffectivethemoralthreadiswith
thereader.Asalreadymentioned,suchthreadscan
besubtle,impliedorevenhiddenwithinthestory.
Thesearefarmorepreferableforareaderthanhaving
itshovedintheirfacesateveryavailableopportunity.
Dontpreachtoyourreader,butratherenlightenthem.
Readersliketofigureoutthingsforthemselvesits
oneofthethingsthatmakereadingawellwrittenbook
soenjoyable.
Dontgettoocaughtupintryingtoinventmoralsforthe
storybecauseyouthinkthestorymusthaveone.
Often,themessageemergesnaturallyasyouwritethe
story.Andofcourseallthatdependsonthequalityof
thewritingthestrengthofthecharactersandthe
situationsthatevokeemotionandempathy,thekindof
journeytheyundertake,thevariousthemesrunning
throughthestory,andofcoursethestrengthofthe
authorsvoice.Yourcharactermustchangebytheend
ofthestory/novel,andhavingsharedthejourney,the
readerwilltoo.

NowavailableonAmazonKindle
UKandUS

BLOOD A ND GUT S
A NT HOLOGY

YOUASCAREDYCAT?Now
availableatAmazon

FE BR UA R Y FE MME S
FA T A LE S S T OR IE S

So,doestherehavetobeamoraltoeverystory?The
answeristhateverystoryhassomethingtosay.

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Nextweek:Suspendingdisbeliefforyourreader
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S UNDA Y, 2 2 S E PT E MBE R 2 0 1 3

Expressingtoneinyourwriting
Settingtoneinyourstoriesisonething,butexpressing
itisanotherthingentirely.
Whenwetalkabouttone,itgenerallymeanstheoverall
quality,expositionandpitchofthewritingandthevalue
itbringstothenarrativeintermsofwhatitgivestothe
readerbecausetheyneedtounderstandthetoneof
yournovelorstory.
Thetoneisaboutthewritersabilitytocoveythoughts
andfeelingsinrelationtothethemesthatmakeupthe
story.Oftenwritersconfusetonewithmoodand
voice,butalthoughtheseaspectscomplementeach
otherinfictionwriting,therearesubtledifferences
betweenthem,andtheybothhavedifferentrolesto
playwithinthenarrative.
Voiceistheessenceandindividualstyleofthewriter
comingthroughthenarrative.Moodhowever,(andits
closerelation,atmosphere),istheeffectcreatedbythe
writertoevokearangefeelingswithinthereader
horror,sadness,humour,empathyandcompassion
etc.
Therealimportancehereishowwritersexpressthe
toneofthestoryandhowtheyachievethis.
HowdoyoucreateTone?
Thinkaboutthetoneofsomeonesvoicewhenin
conversation.Thepitchoftenchanges,somewordsare
emphasisedbyelongationorshorteningthemandtheir
soundschange,dependingonthepersonsmoodand
reactions.
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Doestherehavetobea
moraltoeverystory?
Expressingtoneinyour
writing
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AllWriteFictionAdvice:September2013

Soinfictionwriting,itsalsoaboutchoosingtheright
wordsinordertoconveytherightmeaning.Itsabout
therightexpositionemphasisingwords,changingthe
soundofthemandvaryingthepitchandpaceofthem
allhelpcreatetone.
Thenatureofastorystoneisalsodictatedbythe
genre.Romancewritersleantowardssofternarrative
withandfulsomephraseology.Horrorwriterswilluse
darkerwordsandemphasisecertainwordswhile
thrillerwritersmightusetight,conciseexpositionto
createafastpacedtone.
Forinstance,comparethesetwoparagraphs:
Shelookedupfrombetweencrinkledsheetsatthe
hazylightformingaseductiveveilaroundthefigure
sittingbythewindow.Softglowhighlightedhisstrong
features

ThePowerofVerbsand
Nouns
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Style?
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Nowtheotherexample:
Shesnatchedthesheetsasideandgotoutofbed.The
rainhadstopped,butlowlightsprinkledthecoolmaw
thatclungtotheroomandbathedherfaceinagrey
cloud
Youcanseeinthefirstexamplehowtherightwords
expressthetoneofnarrative,evenwithoutknowing
whatkindofgenreitiswordslikehazylight,
seductiveveilandstrongfeaturesalltellusthetone
hereisaboutromance.Whencomparedwiththe
secondexample,thechoiceofwordsisdifferent,the
expositionistightandtheuseofdarkcoloursclearly
tellsthereaderthekindoftonetoexpect.

T WIT T E R

YoucanfindmeonTwitter:@AJ
Humpage

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Tonecanbedeliveredinthefollowingways:
Usingtherightdescriptivewords
Useofimagerycoloursandsounds,shadows
andlightetc.
Symbolism
Metaphor
Pacingandflowofsentences

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AllWriteFictionAdvice:September2013

themuskladendarknesslikeacreepingfog,andeach
hourthatpassed,herpainwhittledagainstthesilence.
Lockedbehindtheatticdoor,helistenedashervoice
slowlytrailedoff
Fromthisexampleyoucanhearthedarkundercurrent
inthisextract,emphasisedthroughthechoiceof
words,thepaceandflowofthesentencesandhow
theyrepitched.
Trythisexample:
Mollyjumpedagainstthesoftwallsofthebouncy
castleandsherebounded,fallingintoaheapwiththe
otherchildren.Herlaughmingledwithacacophonyof
voices,likeacolourfulkaleidoscopicmelee
Thisexampleismorebuoyantandlighterintone,
madeeffectivesimplythroughchoiceofwords.
ImagineifIhadusedadifferenttone:
Mollyfellagainstthewallsofthebouncycastleandshe
rebounded,fallingintoaheapwiththeotherchildren.
Herscreamsmingledwithacacophonyofvoices,like
thescreechofcagedcats
Seehowthetonehasdramaticallychanged,just
throughtheuseofdifferentwords?Thatswhytoneis
importantinyournarrativetherighttone.
Youcanseehoweasytoneandmoodandauthorial
voiceseemverysimilar,buteachhasitsownroleto
playinthecompositionofastory.Andwheretoneis
concerned,onceyouknowtheprecisenatureofthe
sceneyouwanttocraftforyourcharacters,thenyou
cancreatetherighttone.

MOS T POPULA R A R T ICLE S

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Justhowlongshouldachapterbe?
Whatsthebestlength?And
doesanovelhavetofitintoa
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Whatisaflashback?Flashbackis
oneofthoseusefultoolsthata
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story.Itenrichesand,ina
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Subplots
Imoftenaskedbynewwriters
howsubplotsshouldevolve.
Somewritersfindsubplots
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Nextweek:Doestherehavetobeamoraltoevery
story?
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ThePowerofVerbsandNouns
Ifyouhaveeverwonderedhowyoucanmakeyour
writingthatmuchstronger,thenthepowerofverbsand
nounsmighthelp.Unlikeadjectivesandadverbs,which
actuallyweakenyourwriting,theuseofstrongverbs
andnounsmakethenarrativemoredynamic,vibrant
and,aboveall,activeinordertohelpstrengthenthe
narrativeconsiderably.
Theyareoftenreferredtoasactionwordsbecause
theyareespeciallyusefulforthefluidityandmotion
withinsentences,wherethesubjectisdoing
something.Sowhenitcomestoinjectingclarity,
movementandaction,wordslikewalk,grab,runand
chopetc.,conveytothereaderexactlywhattheyneed
toknow.
Theycanexpressthephysical(torun,towalk,tofight),
theycanshowastateofbeing(toappear,tobe)or
theycanshowusmentalactions(tothink,toponder).
Theinterestingthingaboutverbsisthat,unlikeadverbs
andadjectives,theycanchangeinform,andthereare
severalformsthatbelongtoverbs.Forexample,the
verbtowalkhasfiveforms,whichhavedifferent
dynamicstosentences:

PA GE VIE WS LA S T MONT H

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Towalk,walk,walks,walkedandwalking.

TowalkwithTomisfun.
ItookawalkwithTom.
Ourwalkstogetherarefun.
IwalkedwithTom.
IlikewalkingwithTom.
Theseexamplesshowthedifferencewitheach
sentence,whetheritistoshowpast,presentorfuture
tense,toshowthetoneofthenarrativeandtoconvey
activeorpassivevoice.
Onethingwritersshouldalwaysaimforistomakethe
verbactiveratherthanpassive.Therearestilllotsof
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AllWriteFictionAdvice:September2013

beginnerswhogetconfusedwiththis.Forexample:
Theplantwaswateredbythemanager.
Thewholesentenceisclunkybecauseofthepassive
voice.Itdoesntreadwellatall.
Nowthesamesentence,butwithactivevoice:
Themanagerwateredtheplant.
Thedifferenceisverynoticeableandsomuchbetterin
activevoice.Itstighter,conciseandeasiertoread
andissomuchstrongerthanthepassivevoice.
Whataboutnouns?Nounsrefertopeople,places,
animalsorthings,forinstancetelephoneisathing,
Londonisaplace,adogisananimalandTomisa
person.Forexample:
TomvisitedLondonwithhisdog,Jenny,anduseda
telephonetocallhomeoncehehadarrived.
Nounsprovideamultitudeoffunctionswithin
sentencesassubjects,asdirectobjects,asindirect
objects,assubjectcomplementsorobject
complements.Theyareeverywhere,andwithout
them,writingwouldbeprettybland.
Howdoverbsandnounswork?
Infictionwriting,verbsandnounsdotheworkforyou.
Usingmoreactiveverbsenablesyoutobespecific
withinyourwriting,andnounstellusthepeople,the
places,theobjects,animalsandthings.Forexample:
Tomgrabbedtheflashlightandlistenedatthedoor.
Heheardthesoundinthehallway,dullthuddown
eachstair.Hispulsedrummedhardbeneathhis
clammyskin,butdespitethefear,heknewhehadto
investigate
Thenarrativeinthisexamplehastencommonnouns
highlightedinbold.Therearealsosomeverbsin
there,withtheoddadjectivejusttoroundtheoff
paragraph.Youcanseefromtheexamplehownouns
andverbshelpthenarrativeflow,itsactive,its
dynamicanditalsoconveystothereaderthemoodof
narrative.
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AllWriteFictionAdvice:September2013

Everysentenceyouwritecontainsverbsandnouns,
butbecausewriterstendtorelytoomuchonadjectives
andadverbs,whichmeansthattherearenotenough
verbsandnounsinthenarrative,forinstance:
Johnwasterriblyhandsomeandworethickblack
ruffledshirtandwasdancingaroundthefloor,showing
offtothegirls.Hisbrightbluesparklingeyes
majesticallycaughteverygirlsattention
Thiswholeparagraphisstrewnwithadverbsand
adjectives.Withstrongverbsandnouns,thesentence
ismuchbetter,likethis:
Johnsblueeyessparkledasheshowedofftothegirls
gatheredaroundthedancefloor.Leanandhandsome
inhisruffledshirt,hecaughteverygirlsattentionwith
hisdancemoves.
Whileitstruethatyoucanteradicateeveryadverbor
adjectivefromyournarrativesometimessomeof
thesewordsarerequiredyoucanminimisethe
amountyouuse.Writersoftenrelytoomuchon
adjectives,andthereissuchthingasadjective
overload.Alltheydoisclogthenarrative.
Anotherthingwritersdontalwaysseeistheadverb
usage.Readthroughyourmanuscript/storyandyou
willfindmoreadverbsthanyouthoughtyouhad,
guaranteed.Weedthemout,prune,cutbackand
reassembleusingverbsandnounsandseethe
difference.
Rememberthemaxim:letyourverbsandnounsdothe
work.
Nextweek:Expressingtoneinyourwriting.
PO S TED B Y A J H UMPA G E A T S A TUR D A Y, S EPTEMB ER 14, 2013
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S A T UR DA Y, 7 S E PT E MBE R 2 0 1 3

HowImportantisWritingStyle?
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Toknowhowimportantitisornotitsbesttogeta
feelforwhatwritingstyleisallabout.
Plentyofwritersareundertheimpressionthatinorder
tobeasuccessful,publishedauthor,theymustcreate
andpromotetheirowndistinctiveandcharacteristic
writingstyle,butthetruthisbydoingthat,theycould
becultivatingsomebadhabitsinstead.
Thetruthis,writingstylesarenotsomethingthat
writerstypicallythinkabout,butrathersomethingthat
developsnaturallyovertime.
Writingstyleisasmuchtodowithindividualityasitis
aboutwriting.Itsabouthowthewriterpresentsthe
wordstothereader,howwellheorsheknowsthe
beautyofthelanguage,howwellafictionworldor
fictionalcharactersareblendedtogether,howeach
sentencestartsandends,howeachparagraphis
unifiedwiththenarrative,hownarrativeanddescription
areinvented.Itshowwellawritertellstheirtale.
Inordertoforcestyleintotheirwriting,writerstendto
bedeliberatelyartyorliterary,orevenworse,theytry
tobeclever.Theydothisbycopyingsuccessful,
famousauthorsandtheirwritingstyles,littlerealising
thatwhatworksforthepopularauthor,doesnt
necessarilyworkforJoeWriter.Thatswherebad
habitscreepin,sopurposefullycreatingawritingstyle
doesntwork.
Writingstyledevelopsasthewriterdoes.Awriters
workstartstobecomemultifacetedand
multidimensional,wherebeforeitmayhavebeenflat
anduninspiring.Thewriterbeginstonoticea
differenceinhisorherwork.Thereisagreatforceat
workthemoreawriteractuallywritesself
awareness.
Becomingawareofthenatureofthewrittenwordand
trulyunderstandingtheintricaciescreatedthrough
descriptionisalightbulbmoment.Thatsbecausethe
styleofwritinghascometoapointwhereitstandsout
tothewriterithasevolvednaturally.
Andonceitdoeshappen,thewriterwillinstinctively
knowbecausewritingwillbecomealmostseamless,
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AllWriteFictionAdvice:September2013

andmucheasier,andthewriterwillbecome
comfortablewiththeirwork.
Buthowimportantisit?
Itsonlyasimportantasanindividualwantsittobe.
Styleisaboutindividualityandoriginality.Often
readerscanspotanauthorsparticularstyle,whether
thatmightbeshortandsuccinct,colourfulandlavish,
brashandgritty,orjustplainquirky.Andreadersgetto
likecertainstyles.
WhatifIdontdevelopmyownstyleofwriting?
Youwillitjusttakestime.Itsnotaninstantprocess.
Sometimesitcantakemonths,sometimesyears.It
dependsuponhowmuchworkthewriterdoes,how
quicklytheydevelopandtheexperiencetheygain.It
personallytookmealmostadecadetofinallyfindmy
style.ButonceIdidfindit,Ibecameimmediatelyat
easewithmywriting.Itwaslikeclimbingintoalovely,
comfyseatmouldedjustforme.
Goodwritingandwritingstyleinvitesustoread.It
shouldneverbeabouttryingtobedifferentorcoolor
trendy,norshoulditbeaboutfittingintowhatyouthink
publisherswant,becausetheywillseerightthroughit.
Takethetimetodevelopandcultivateyourownstyle.
Yourwritingwillbebetteroffforit.

Nextweek:Thepowerofverbsandnouns
PO S TED B Y A J H UMPA G E A T S A TUR D A Y, S EPTEMB ER 07, 2013
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