AjantaCaves,Maharashtra
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TheAjantacaveshavebeendesignatedasaWorldHeritageSite,toinspireandenrichthefuturegenerations.
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MahayanacavesatAjanta
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AjantaCaves
VayudootHolidays
in
Maharashtra
are
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2015.Fun&
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consideredas
masterpieces
ofthe
Buddhistart
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andtheyhave
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influencein
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the
developmentofartinIndia.Hence,UNESCOhasconsideredthese
cavesasaWorldHeritageSitesince1983.Thepaintingsonthewalls
andceilingsdramaticallyreflectthesophisticatedachievementsofthe
veryapogeeofIndia'ssocalledGoldenage,generallyassociatedwiththeGuptaEmpire.Thecreativityofthesculpturesdepict
varioushumanandanimalformsandevenmakethemexpressivemakesthecavepaintingsatAjantaoneofthehighwatermarksof
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artisticcreativity.TheAjantaCavesareauniqueartisticcreationanditssanctuariesdevotedtodifferentreligiousillustratethespiritof
tolerancethatwasacharacteristicofancientIndia.TheAjantaCavesare
meticulouslycutinthebentarmoftheVaghaRiver,whereitpushesitsway
throughthebrokenandroughhillsofthenorthernscarpoftheDeccan,andinto
theBerar,andalsothelevelsoftheTaptivalley.Evenduringhotweather
conditiontherearepoolsintheriverbed,whileafewminutes'rainwillsendthe
riverintospateforhours,fillingthegorgeandthecaveswithnoiseofwaters.
TheseBuddhistrockcutcavesareabout107kmawayfromthecityof
AurangabadinMaharashtranestledinapanoramicgorge,intheformofa
gigantichorseshoe,overlookingabendoftheWaghoraRiverinnorthern
Maharashtra.Thesecaveswerecarvedbetweenthe2ndcenturyBCandthe5th
centuryADandareyetknownforitsstunningpaintingsandsculpture,sincetheyareallverywellpreserved.Itwasonlyinthe19th
centurythattheywerediscoveredandtheydepictthestoryofBuddhism,spanningaperiodfrom200BCto650AD.Theirbeautyand
antiquitydistinguishthemasoneofthetreasuresofIndian,andindeedworld,art.
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ThecavesofAjantacanbeclassifiedintotwodistinctphases:TheearlierHinayanaphase,inwhichtheBuddhawasworshippedonly
intheformofcertainsymbols.AndthelaterMahayanaphase,inwhichtheBuddhawasworshippedinthephysicalform.
TwokindsofAjantaCaves:
FinishedCaves:TheyareTwentySevenanddepictdifferentformsofBuddha.
UnfinishedCaves:Theyareunfinished&someofthemareaccessible.
Thus,depictingthesculpturesandpaintingsoftheearliestBuddhistarchitecture,the
Ajantacavesincludesasetof29caves,whicharenumberedaccordingtotheir
sequentiallocationalongthecliffface,whichdoesnotcorrespondtotheorderinwhich
theywereconstructed.ThesecavescompriseofChaityaHallsorshrinesandViharasor
monasteries.ThemoreprominentHinayanacavesarethosenumbered9,10(both
chaityas),8,12,13and15(allviharas),whereastheMahayanamonasteriesinclude1,
2,16and17,whilethechaityasareincaves19and26.Inancienttimes,eachcavewas
accessedfromtheriverfrontbyindividualstaircases.
Ajantaisaworldinitself,shutinandaloof.Inthespring,whentherainshavebrokenandeverythingisgreen,itsbeautyissurpassing
andappealing.TothenortharethetwofinehillfortsofBaithalWadiandAbasgarhdominatingstrategicpoints,undoubtedlyancient.
Butthereisnosignofatownorvillageofanysizenearby.Theoldpilgrimsmusthavemadetheircamponthegreenbankattheturn
oftheriverbelowthecaves,wherethereisnowacarpark.FourmilesawayistheAjantaGhat,theancienthighwaytoAsirgarhand
thenorth.SouthwardlieAurangabad,Paithan,Junnar,Thana,andtheportsofSalsette,oncethrongedwiththeshippingoftheAfrican
andArabiantrade
HistoryofAjantaCaves
ChaityahallswerededicatedtoLordBuddhaandwereconsideredastheplacesofworship.
Thesewerelarge,rectangularchambersseparatedbyrowsofpillarsintoacentralnave,
surroundedbyaislesonthreesides,forcircumambulationduringprayer.Italsohada
sanctuaryoppositetheentrance.AsitwasdedicatedtoBuddha,itincludedmanysculptures
andpaintingsdepictingthevariousincarnationsofBuddha.Theviharas,whereaswereused
byBuddhistmonksformeditationandthestudyofBuddhistteachings.Thesewererectangular
shapedhallswithseriesofsmallcellsattachedontwosides.Thesideoppositetheentrance
containedanimageofBuddhaoravotivestupa.
ThemuralsthatsurroundthewallsandceilingsofthecavesdepicttheepicofLordBuddha
andvariousdivinitiesofBuddhist.Outofthese,themostimportantartformsarethepaintingsof
theJatakatales,whichtellsthestoriesaboutthepreviousincarnationsoftheGautama
BuddhaasBodhisattva.TheyalsoincludethesculpturesofBuddhathatstandcalmandsereneincontemplation.Theseelaborate
paintingsandsculptureshavealotofexclusivenesssincetheyhavewithstoodalltheravagesoftime.Onecanalsofindinthecavesa
sortofilluminatedhistoryofthetimesstreetscenes,courtscenes,cameosofdomesticlifeandevenanimalandbirdstudiescome
aliveontheseunlitwalls.
Thesewallpaintingsandsculptureshavebeenchiselledfromroughrocksbythe
primitiveinhabitantsduringthefirstandsecondcenturyB.C.Theartworkisofgreat
finesseandrepresentsthelevelofskillthepeopleofthosetimeshad.Thepopular
AssemblyRockorChaityaareexamplesoftheecclesiasticalforms,butwere
undoubtedlyderivedfromtheapsidalhallsofthesecularcommunitiesandguilds
whichplaysoprominentapartinearlyBuddhistliterature.Theyarefoundinthe
CavesNos.IXandXatAjanta.
(LastUpdatedon:20/02/2014)
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