Working with multicam clips in Final Cut Pro is a flexible and fluid process. At any time, you
can add angles to or remove angles from a multicam clip, and easily adjust the
synchronization between angles.
You can also group unrelated footage together for real-time montage editing (such as for
music videos). For example, if youre editing a music video, you could add several angles of
abstract visuals and cut to those angles at specific places in the music. You can even use
photos (from a still camera) in a multicam clip. If the date and time (Content Created)
information matches the contents of the other angles, the photos are automatically adjusted
in duration to fill in the angle.
Create
multicam
clips
in
the
Event
Browser
Creating multicam clips is similar to creating auditions and compound clips in the Event
Browser. Multicam clips can be made up of diverse media sources (different formats, frame
rates, and so on). You can have multiple clips in any given angle of a multicam clip.
You can have Final Cut Pro create multicam clips for you automatically, or you can create
the clips manually.
If you know what kind of metadata your multicam media has, you can create multicam clips
using manual methods faster than with the automatic methods. The automatic methods use
sophisticated automatic audio sync technology to ensure synchronization accuracy (but at
the expense of processing time). Its best to turn off the Use audio for synchronization
feature when its not needed. For example, if youve recorded accurate timecode in every
clip, Final Cut Pro can create your multicam clip automatically without the audio sync
feature.
Creating a Multicam Clip
1 In the Event Browser, select the clips: Camera 1, Camera 2, Camera 3, and Camera 4
2 Do one of the following:
Choose File > New Multicam Clip.
Control-click the selection and choose New Multicam Clip from the shortcut menu.
3 In the window that appears, type a name for the multicam clip in the Name field. Lets
name it Hockey
4 If the multicam automatic settings are not shown, click Use Automatic Settings.
5 To sync angles automatically using audio waveform data, select Use audio for
synchronization.
This option makes precision sync adjustments using audio waveforms in each angle. This is
the same audio sync technology that you can use to automatically sync clips together into a
compound clip.
Note: Some audio recordings are not suited for use with this feature. Selecting this option
may result in long processing times during which Final Cut Pro is not available for editing.
6 After you create your multicam clip, it should now be visible in the Event Folder that your
clips were imported to.
To view the camera angles: Window > Viewer Display > Show Angles
Clicking on the Hockey clip will produce something like this:
7 Double clicking the clip will expand everything. Here you will see how the individual clips
that compose our multicam clip. Individual edits such as color correction, transform, and
other effects can be done normally.
8 You will only need the audio from Camera 1. Mute all other audio tracks (only Camera 2
should have audio) by turning off the audio on each individual clip.
10 Since we only want to edit the video for this multicam, select the video-only switch mode.
11 Select the Blade Tool (Shortcut: B) to do real time cuts. As you play the multicam clip,
you will be able to select which camera angle will be used. Active angles will be highlighted
in green. When you have selected all the camera angles you need to fit the audio track, you
can go back to the Timeline to refine your rough cuts.
12 Finalize your edits and export your multicam video.
Final Cut Pro color correction tools give you precise control over the look of every clip in
your project, including still images, by letting you adjust each clips color balance, shadow
levels, midtone levels, and highlight levels. Final Cut Pro also includes several automatic
tools you can use to quickly balance and match the color in clips. In Final Cut Pro, you can:
Automatically balance colors: With one click, neutralize any color casts and maximize
image contrast.
Automatically match a clips color and look. With two clicks, make one or more clips
match the color look of any clip that you choose.
Manually adjust color, saturation, and exposure: Manually correct a clips overall
color, or use color or shape masks to limit a correction to a particular color range or
area in the image. You can even add multiple manual color corrections to one clip.
Save color correction settings and apply them to other clips: Save a clips color
correction settings and apply them to other clips in the project or in other projects.
Although these features are independent of one anotheryou can turn any of the features
off and on to see its effectthe order in which you use them matters. In general, you should
use these features in the order of Balance Color, Match Color, and (if necessary) manual
color correction.
Final Cut Pro also includes several video scopes you can use when manually color
correcting your video. The scopes make it possible to precisely monitor the luma and
chroma levels of your video clips
If the clip has not been color analyzed and you balance its color: You can determine
the reference frame for a clip selected in the Timeline by moving the playhead to that
frame in the clip. If the playhead is on a different clip or youve selected a clip in the
Event Browser, the clips middle frame is used.
In the Color section of the Video inspector, select or deselect the Balance checkbox.
3 Skim any clip in the Timeline or the Event Browser to find a frame with the color look you
want to match, and click to preview that look applied to the selected clip.
You can click a variety of clips until you find the look you want.
Tip: You may want to import a still image that has the look you want, even if its not related
to your project, so that you can match its color look.
4 To accept the current look, click Apply Match in the Match Color window.
The Viewer returns to its normal configuration, and the selected Timeline clips change to the
new look.
Turn match color corrections on or off
You can turn off the color match corrections that have been applied to a clip. This is useful
for viewing the difference between the original clip and the corrected clip.
1 In the Timeline, select a clip with match color corrections applied.
2 Click the Color Match checkbox in the Color section of the Video inspector.
Exercise
1 Create a new event, Color Correction and drag the two clips, Jump 1 and Jump 2 into
the Timeline.
2 Jump 1 is a bit cooler than Jump 2. Try using the Balance analysis to automatically
adjust the colors.
3 Jump 2 is still a bit too warm and orange. Use the Match Color tool to match the two clips.
4 Export your video as Color Correction
Each effect in the Video Animation Editor has a separate area for adding keyframes
Some effects have more than one parameter and allow you to add keyframes to individual
parameters separately. They appear in the Video Animation Editor with a triangle next to
the effects name or in the Video inspector as additional parameter controls.
In the Video inspector: Position the playhead in the Timeline at the point where you want to
add a keyframe, and click the Keyframe button (or press Option-K).
Once you add a keyframe, the Keyframe button changes to yellow, indicating that the
playhead currently sits on this keyframe.
When you move the playhead in the Timeline, arrows appear next to the Keyframe
button in the Video inspector to indicate which side of the playhead has keyframes. To
go to the previous keyframe, click the left arrow or press Option-Semicolon (;). To go
to the next keyframe, click the right arrow or press Option-Apostrophe ().
Exercise
1 Select your Color Correction video. We will be manually creating a transition by using
keyframes.
2 Under compositing opacity, creating a fade-to-black transition by using the opacity tool to
set the necessary keyframes.
3 You should now have a Color Correction clip with both the color correction edits as well as
the keyframe edits.
1 In the Timeline, select a range, a whole clip, or a group of clips whose speed you want to
change.
2 Do one of the following:
To apply a preset speed setting: Choose Slow or Fast from the Retime pop-up menu
in the toolbar (shown below), and choose a speed from the submenu.
To apply a custom speed setting: Choose Show Retime Editor from the Retime popup menu (or press Command-R) to display the Retime Editor above the selection in
the Timeline, and drag the retiming handle.
If you drag the retiming handle to the right, the speed of the selection decreases, the
duration of the selection increases, and the bar above the Timeline selection turns orange.
If you drag the retiming handle to the left, the speed of the selection increases, the duration
of the selection decreases, and the bar above the Timeline selection turns blue.
The selection is segmented into four parts with different speed percentages, creating the
ramp effect. If more precision is required, you can manually drag any one of the four
retiming handles to set the speed you want.
A checkmark to the left of the command name indicates that Preserve Pitch is turned on.
Choose Preserve Pitch again to turn it off.
Change the end frame of a speed segment
You can change the end frame of a speed segment in the Timeline.
When you drag the retiming handle of a speed segment, youre adjusting the speed of the
segment, not trimming it. The Change End Source Frame command allows you to trim the
end point (end frame) of a segment.
1 In the Timeline, select a clip that has speed segments.
2 To display the Retime Editor above the clip in the Timeline, choose Show Retime Editor
from the Retime pop-up menu in the toolbar (or press Command-R).
3 Click the triangle next to the speed percentage for a speed segment, and choose Change
End Source Frame from the pop-up menu.
A filmstrip icon appears over the end frame of the speed segment.
4 To change the end frame, drag the filmstrip icon left or right.
The green bar with arrows pointing to the left above the selection in the Timeline indicates
that the clip is reversed.
3 If you want to adjust the speed of the reversed clip, drag the retiming handle to the left to
increase the speed or to the right to decrease it.
4 To see the reverse effect, play back the reversed clip or selection.
Rewind a range selection or clip
1 In the Timeline, select a range, a whole clip, or a group of clips whose contents you want
to rewind.
2 Choose Rewind from the Retime pop-up menu in the toolbar (shown below), and choose
a speed from the submenu.
The selection is duplicated, added to the end of the original selection, and then reversed
according to the speed choice. An additional duplicate of the Timeline selection follows the
reversed section and plays back in forward motion at the selections original speed.
3 If you want to adjust the speed of the rewound section or the sections that precede and
follow the rewound section, drag the sections retiming handle to the left to increase the
speed or to the right to decrease it.
A duplicate of the range or clip is appended to the end of the selection and plays back in
forward motion at the selections original speed. (By default, the instant replay is set to play
back at 100 percent speed.)
3 If you want to adjust the speed of the instant replay segment, drag the retiming handle to
the left to increase the speed or to the right to decrease it.
4 To see the instant replay effect, play back the original selection and the instant replay
segment.
If you selected a clip, a 2-second hold segment is added to the clip at the position of the
skimmer or the playhead.
If you selected a range, a hold segment is created for the duration of the range. The frame
used as the still frame is the first (leftmost) frame in the range.
3 If you want to adjust the duration of the hold segment, drag the segments retiming handle
to the right to increase the duration, or to the left to decrease it.
4 To see the effect of the hold segment, play back the clip in the Timeline.
Exercise
1. In this exercise, you will be applying the methods you have just learned to our clip
Color Correction video. At this point, you should have created a transition using
keyframes for the video.
2. We will now apply the following:
a. Constant Speed Change
b. Variable Speed Change
c. Rewind Effect
d. Creating an instant Replay
e. Creating a 2-second hold segment
3. In the end, you should have a video that displays all these effects. Try and see if you
can make these changes to be as smooth as possible. Export your final video as
Color Correction Final