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  • CAGED Jazz Guitar (Chords) PG 21-26

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    BTstudent8024
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    Caged Guitar System Explained - This is material that my jazz guitar instructor, Bill Thrasher, gave me. This is the 5th of 5 documents

    Judul Asli

    CAGED Jazz Guitar (chords) pg 21-26

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    Caged Guitar System Explained - This is material that my jazz guitar instructor, Bill Thrasher, gave me. This is the 5th of 5 documents

    Hak Cipta:

    Attribution Non-Commercial (BY-NC)
    Unduh sebagai PDF atau baca online dari Scribd
    Tandai sebagai konten tidak pantas
    4K tayangan6 halaman

    CAGED Jazz Guitar (Chords) PG 21-26

    Diunggah oleh

    BTstudent8024
    Caged Guitar System Explained - This is material that my jazz guitar instructor, Bill Thrasher, gave me. This is the 5th of 5 documents

    Hak Cipta:

    Attribution Non-Commercial (BY-NC)
    Unduh sebagai PDF atau baca online dari Scribd
    Tandai sebagai konten tidak pantas
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    Combine adsacent chord forms: Cmt = Cm7 m7 Cmt = Cm7 Cm Cin7 K2S314 199121 ABGKn Pesan XDISEE ux 1249 tha = = bal 5 T ott a MT ie Crinsctarr o¢ PLAYED, iil hf iil ee pur ircan We SEEN AS aller Ae ee ET NEES Coil cHonps wen Your Han cs Berween FRers Lt 5. same idea, but midt more fingergestretchenbreaken: Dut = Dl Dnt Dmt Dnt Dnt Dmz KOOZIL x 71314 “23444 wABZIX 143211 134240 cate Lele) = Wl . $ Peace ae “D' form “C”form SEE WHAT'S AVAILABLE --- BUILD EM now usith TWO chords: Dm6 G7 nc/erll ene 400201 320001 i yt tt + cs = BE ME oH I y v MD' form “Grform — > conse —— > suse ane txanne 6 7 y Pesce seu A Aone Mata t +9s9| + + i = Dod = aie | i f ¥ © form “£" form > ComsiNes —z (one ormant) similarly, combine Dm chords with Gt chords: NCTE To IMPROVESORS, MEL DY-PLAVERS... HH 14's smportant to “seer these chord-tones under your left hand t even when playing, Lines —helps you to tresolve™ nicely, and if yeu DO play & sluff or two, you can "bail out—> grab the nearest, handiest chord-tone and hang in there “til the US. Cavalry shows. THE F cHen> Poems (CAGED), Cont'd "Dino 5 nacre GS CHORDS IN THE "C” FoRM: D DMM SA NLC a ED eC G72) saan, SASt RBIS cerree cldgis — x2t30 x 3t2te ——> aguas wend WEN Ban TEN Gai GN, BA? Ui 3 BIL | no foe ; PAliies # § { Ht Ee HB iil pss CHondS IN THE “A” Foems, — A ic CF Ct C6é Cm CmiT Cm Cmé aiassx ok x wats vivdsz nta342 9 x1K2$3 x 3tt san (hizs41 Guszety Oh x Wnsazs Leet = “UN9921 Handa ——-> Roxas pee ee eee C1 16 APRaR ATELY One oF CHORDS IN THE “GQ” FoRmt AAEM TN Ae Ak eee A De “¢rjorm a yA L33n S214 «wane 431112 43414 2etgas teotte bette guides 5 aa Maitix tts ettn2 di Bet BR Oe 50) anisdx ——> 2a dee + At Ae toa og erect AmtT Sadeen Basse 2bLe peesies TT Am6 =D9 wintcvt root DA omic oo Hence, For “DT” citoens, SUBSTITUTE “fre” e>RDS add some “open’strings ...add. the “open” B- string (8's Yor rove of'seuc),,. AM SA ARQ) —Ar(6) Amt) Ama (o*) Alans) experiment (este (eorsaig 10)04400 (osteo oszoo Wothoe (Werte MEF atowh! H INVENT + + FLAY Gamest ~ Ha uigren fH7| Gnore! CAGED, Cont'd. CHORNS IN THE “E" FORM: G Gt Gi Ge Gm Gini? Gm Gmb ce baat persee Ly4824 gx0431 2ex481 Pengyo Lys29h dye t41 2eK3HL Dex ado — 4 yan sso WRS2N Feast HRASDL VAWS20 HRDIEL GaezeE AEB 7SL argzze LR ISe TT fe & r ioeit] GF 2h E HH ie: HTH Ho cauaey Gui7 Gm7 + Gino SEBM EIRW ant i CHORDS (N THE "D” FORM* z EF Lf £6 fm Emit Lm Emé Bisex Hise Fetate Peiian Fetdan ZaLdne Mai2as 721388 1324 nyt952 Wensss ve tax Root (4) 12 Seued Iw Hector Hs set © Qe jorm “Tws CHART MAS-T8U5 a) Ala? Far skleven, oven i uu pe TWe* FANCC CHORDS, Bur THEst AgE 00 Peery to pass BY add “open” strings: Fe ae “OLI2AS 041393 Sk1420 OA13I4 ONSZEE OKIE OR: it f fee ee tf 4 re t t te a " P Ww ee ee Chords (including, minoy seventh’ chords) we Bertman seem meat sae gm ome ee ag a" ea Root () ea) Sm Tu rt (2nd) in 1314 (Gu) mags ° 2 T HOARE Pe He) tee altel WF You kwou wilcwe ame. 5th is, You car Flaritjee sine tF) — --Fip We Ue, rHew suage iy O8 FLAT ity ct cr Crs Che 86h ca cn? = Ct-9 azato xigoze 7g7ate DSA arts ezisss wgiteo — xazasax Ab DHie Tae aM eter ajar ae e me ae La A ee cmt mt Cm? aos (Sees ae ae ee was Hee eB Ae conan 2 bth wine Hb Hy Ceath enaens ony ees on anur ie Ge) Pe ca CH) ee CHM Ce CE Wis wae ee nae aie ates ee THE LHS paras ' a i i EL Re Be eae wo ii rote wai (ith ctores mersse o8 crv 2th) eo ccenenne i Chwd CHD CHE cH cas) Cm Ctd Cond C10 Fol HE yee ewes es seal liezsese| | |MeeesceollMasazelyasatellizzesaullle cuca j iB + ; * = el aa | at ae AS ‘ahs eg ee ee el ates: eA ini allliecealtesai Ii eeere een all Mee Mout work out on the “A form finsern5 ss cage on T wasor MINOR al goor(s) “Srp a0 5 rt Freited) Stewlsn) L3ru(oen) “Seventh” chords — continued Mae (ee) } (os ) SINC AUN bd Clost C15 C15 cha G3 ca cre cg havag, SSA tae eat! waste s 34 aay. os A ntetse caaige vitae eeaito 1020 en 32t4 i Ge Ae ee Geno) Cost cuit Cr Cot Cote Cmts Cmte Cm AT'S NORMALLY ROE mer gan ues (BIE Ge ce ae Se Bee & (mame) eee) CH(hatg-dim) an ae : eo AT Boor “So. “Sao St Tek Fre Sw S310 s24u2 lo) ‘comet BAD PHAGE Bes ee gt At Hab AT? ASS ANZ) Al? AQ-5 a AB) At azay cergec PENSE azatee seas age wars WE! GREP a ah! fa E oe f eet Oe am ArT Amt Amd Armd (Ce Amis Amis Am “Ames ‘Amé se? re case ee eee VI BG, EEG fan ee A Ee Be ina Fed CEH) (ea) Tamara om bo} foo (1) See ieee sen "Ir a Mee 3c) 2 foe oe ee ; I i 1 CCGG us gop Pe PH 97D Ce Fe AR AA 8 bee BEFORE Goma on to THE NexT PAGE, woo our GT, GI“, GTH, GT#S, GTS, Gint, Gmd, GmTS eh, ~ AEN cer ei oF Any “oren” steinae, AND Mave everrnuine veto © Tew > ayiaat by ee “Seventh” chords — continued vp form al GT out Grs Gq Gt Gia Gite Gre Gra af qr tzise asiea Te ee lies ET utees HA call LARS fan AT GE Gmt Gm Git Guts Gm? Gme Gwt-S Gun? Gm 323.444 MgMie 1g 3448 aanee petate az35e xp 284s Atte ¢ jee ea t { Hel te Ht HBr Fey Ba a FE ih td He Be Be al GH Gil) Gia Gua GHA Ge G9 Gime Gme Gmtle palaealiace seal mease mm aa Uae BUS Ge Sit ges JHE ey et Git ap cit) (Git) aA Gres GLO GO GIO Geb Get Ges 4216S nasa pagan assis elas es Sassy X2US xszise Area RE Se ee ae ce Dr Dmi- mit Dm Lan a See il eS (Gnt) ae ae LEAS rae3qigs 42d sbiaie ipaaain sx33s4 a

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