Source:
http://www.centralptonews.org/CESCAP/Art%20Terms/renaissance.htm
http://www.biography.com/people/charles-darwin-9266433
whole of nature together in one room. The collecting habit was widespread
throughout Europe and used for various purposes, including social research.
The re-discovered texts of Plato and Hermes Tresmegistus (rediscovered in the C15)
raised interest in the mystical and spiritual and transferred attention away from logic
and the notion of causes towards ideas of revelation. In this neo-platonic ideas can be
seen as more openly magical and led to the interpretation that it was possible to
manipulate the spiritual. The texts of Hermes Tresmegistus were particularly
influential for humanists in preference to Plato. Tresmegistus was believed to be a
contemporary of Moses and underlines the interest in and the importance of antiquity,
elevating the importance of the hermetic tradition. Francis Yates saw magical items as
crucial to the rise of modern science, and champions Giordano Bruno, an outspoken
critic of orthodoxy and Aristotelian science, as a fore-runner of early modern science.
Yates sees the hermetic texts as giving rise to new ideas of cosmology and the concept
of man as magician with magical powers and knowledge, able to manipulate nature
through the forces available in the world. She regards this as a necessary preliminary
to the rise of science and sees the influence of heretic ideas as widespread for instance
n the works of Copernicus and Kepler (the presence of renaissance neo-platonism in
the idea of elliptical orbits and the Pythagorean solids). This is in tune with Francis
Bacons later conviction that man could manipulate and dominate nature
Yates ideas are important in the context of the 1960s when they were put forward
because they were part of a growing criticism that questioned the traditional values of
western science. This was part of a growing scepticism with respect to our views of
science and also formed part of the debate on what magic was and what did it
contribute to the rise of science. Yates ideas are criticised for being vague in that they
are related to the idea of one great magical tradition. Yet magic was not as unitary as
Yates implies and it was certainly not homogenous, being a series of overlapping
traditions based on a single view of the universe comprising the celestial and material
realms with correspondence between them in the form of signatures and secret
influences. This provided the opportunity to tune in to the harmony of the world as a
means of manipulating these influences by those who had the knowledge to
understand them (a form of mind-over-matter).
Alchemy was the ability to purify spirit out of a mixture, whereas astrology was an
attempt to identify the correspondence between the celestial and terrestrial by
monitoring the influence of the celestial on the terrestrial by plotting the position of
the stars. It was therefore directly linked to both science and magic and was
associated with other magical arts such as palmistry and the use of talisman etc.
Magic had existed in medieval times but had grown considerably in the C16 as a
result of the increased appetite for knowledge within the renaissance tradition. There
was a degree of conflation between the mechanical and magic arts., the latter being
seen as essentially empirical and based on forces waiting to be discovered if they
could be sought in a methodical way, hence the interest in mathematics and the
harmony of the heavens. C16 magic also contained the roots of modern magic. The
need to sanitize magical ideas in the C17 and C17 left a residue that remains as
magical today. Magic then as now was crucial, popular and quasi-religious. The
question that needs to be answered is whether the rise of magic in the C16 was the
result of a disillusionment with religion or as a result of the decline of something else?