overseas, the memory and legacy of these young people will be enduring
through the newfound connection with Switzerland and integrated
national identities. Floral imagery is used to convey the enrichment and
revitalisation of both national identities, as the wattle is symbolically the
Australian national floral emblem. This is further Sir William Deane is
noted to be a proud supporter of multiculturalism, thus accounting for his
ability to establish international optimism from such a tragedy. Moreover,
this adds to its enduring nature as, worldwide, accidents such as the MH17 aeroplane crash impact on peoples from many different nations. Is it
still winter at home provides hope and optimism from such disasters and
hence is enduring.
Similarly, in Spotty handed Villainesses, Margaret Atwood criticises the
contemporary notion that the identity of individuals is determined and
limited by gender construction. Thus, she highlights the way in which
literature inaccurately depicts the female gender and hence creates a
restricting environment for women in a contemporary society. Her address
is targeted towards an audience which is highly educated, thus, she
employs an array of literary allusions to emphasise her promotion of
diverse female identity. One such example is that of the Russian work by
Leo Tolstoy Anna Karenina, as she states she could flout authority. She
could do new good-bad things. The juxtaposition between the rebellious
actions of Anna Karenina and the strict society in which she lives conveys
that stories in which, ultimately, the heroine is punished for rejecting
gender conformity, are stereotypical and do not properly convey the true
nature of the female gender. Later in the speech, however, she portrays
the illogical nature of binary differentiation between what constitutes
morally good and morally bad through utilising a deliberative approach,
questioning women who wore make up and high heels were instantly
suspect, those in overalls were acceptable. The juxtaposition
demonstrates logos by positioning the audience to realise that such
constructions within society mean women are subject to societal
conformity. Through this depiction, Atwood promotes the diverse identity
of women and advocates the rejection of conformity that is also present in