Dance as Narrative: The interaction of the speaking body and moving text
Keynote Speakers
1. Gabriele Brandstetter is co-director of the International Research Centre
"Interweaving Performance Cultures" and Professor of Theatre and Dance Studies at
Freie Universitt Berlin since 2003. She is also vice-president of Heinrich-vonKleist-Society, a member of German National Academy of Sciences
Leopoldinaand a jury member for art history, musicology, Theatre-, film- and
media-studiesof the DFG. Her research focus is on: History and aesthetics of dance
from the 18th century until today, theatre and dance of the avant-garde; performance,
theatricality and gender differences; concepts of body, movement and image. In 2004
she was awarded the Gottfried-Wilhelm-Leibniz-Prize by the DFG, and in 2011 the
Federal Cross of Merit of the Federal Republic of Germany. Among her numerous
book
publications: Tanz-Lektren.
Krperbilder
und
Raumfiguren
der
Avantgarde (1995); ReMembering the Body (2000, co-ed. H. Vlckers); Bild-Sprung.
TanzTheaterBewegung
im
Wechsel
der
Medien (2005); Methoden
der
Tanzwissenschaft. Modellanalysen zu Pina Bauschs Sacre du Printemps (2007, coed. G. Klein); Schwarm(E)Motion. Bewegung zwischen Affekt und Masse (2007, coeds. B. Brandl-Risi, K. van Eikels), Tanz als Anthropologie (2007, co-ed. C. Wulf),
Prognosen ber Bewegungen (2009, co-eds. S. Peters, K. van Eikels); Improvisieren.
Paradoxien des Unvorhersehbaren. Kunst - Medien Praxis (2010, co-eds. H.-F.
Bormann, A. Matzke)
Title of the Keynote Address: "Dance and the break of narratives"
2. Stephen Barber is a former Fellow of the International Research Centre
Interweaving Performance Cultures at the Free University Berlin and a Professor of
Visual Culture in the Faculty of Art, Design and Architecture at Kingston University,
London. He is currently the holder of a Major Research Fellowship of the Henkel
Foundation. His most recent book is Performance Projections (Chicago UP/Reaktion),
2014.
(Other Keynote Speakers to be announced later)
The Narrative Turn is a signature event that brings together delegations of eminent
practitioners and scholars from around the globe: Round Tables with guest speakers from the
field of performance and academy// Performances// Installations// Music Concerts//
Workshops (to be announced later)
The conference is part of the International Festival Performing Tangier now in its 12th
edition. The theme was carefully chosen as a follow up of our previous international
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conferences, with the expectation that it would be sharp enough to elicit diverse intellectual
contributions from distinguished experts and colleagues from many parts of the world and in
many areas of research. Besides academic panel sessions, the conference program will be
nourished by a rich artistic public agenda with workshops, exhibitions, book launch, and
diverse performances and artistic interventions relevant to the narrative turn, plus receptions
and gala dinners to be announced after opening.
Proposals: The organising committee welcomes abstracts and proposals strictly on the above
issues. A 250-WORD abstract, along with a ONE PARAGRAPH curriculum vitae, should be
submitted electronically (preferably in Word or Rich Text format) by 31 March 2016 to the
scientific committee care of Professor Khalid Amine (Conference Convener). Acceptance,
however, unfortunately does not include any financial support - participants are
responsible for their own funding (i.e. securing grants, etc.) to pay for travel and lodging
expenses. Selected conference papers will be published in a special volume upon the approval
of the scientific committee. Submitters of accepted proposals will be notified within two
weeks of the above deadline and all decisions of the scientific committee are final.
Important dates & Deadlines:
Final Paper Submission Deadline: 01 June, 2016 (included). (The paper must have a
sound methodology reflecting the features of real scientific research. It must be 10 up
to 14 pages of A4 format using Times New Romans size 14 in text and size 10 in the
margins.
The conference will be held on 15, 16, 17, 18, September 2016.
Abstracts and completed research papers should be sent to the following emails:
khamine55@gmail.com / jaouadradouani@gmail.com
New Scholars Panel: The conference is also a home for graduate students and new scholars
from different parts of the world. The establishment of an emerging Scholars panel invites
new voices to join the debate (provided that their contributions must be relevant to the theme
of this year). Up to FIVE participants will be selected for this panel, and each panelist will
have ten to fifteen minutes to deliver her/his paper. Graduate students whose papers are
accepted will receive free conference registration, free admission to conference luncheon, and
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a one-year membership in ICPS. Who is eligible? Scholars who meet the definition of new
scholars are postgraduate students writing up their PhD dissertation or post-doctoral
researchers whose PhDs have been completed less than three years.
Registration Fee: 150 Euros payable in advance via Bank transfer (le centre international
des tudes de spectacle, Banque Populaire, Tanger Ain Ktiout: 164 640 2121490077510009
61). Registration includes 2 Gala Receptions, conference pack, tickets for any public concerts
or site-specific performances within the conferences public agenda, free guided tour of the
Kasbah Museum, and one of the books of published proceedings from previous conferences.
Since the conference is again pulling a very international public, registered attendees,
participants from past conferences, and friends of ICPS will be most welcome to attend too.
Women and underrepresented minorities are especially encouraged to apply. ICPS is an
Affirmative Acting/ Equal Opportunity Organization.
Conference Location: Faculty of Letters at Abdelmalek Essadi University (Ttouan), the
University of New England Campus in Tangier, the Kasbah Museum (Tangier), Sahat El
Kasbah, Chellah Hotel
The Scientific Advisory Board (2016)
Christel Weiler, Professor at Institute for theatre science of the Freie Universitt
Berlin, Germany
Maria Shevtsova (Chair Professor of Drama and Theatre Arts, Co-editor of New
Theatre Quarterly (Cambridge University Press), Director of Sociology of
Theatre and Performance Research Group, University of London)
Marvin Carlson (The Sidney E. Cohn Professor of Theatre, Comparative
Literature and Middle Eastern Studies at the Graduate Center of the City
University of New York)
Zohra Makach (Professor of Theatre at Ibn Zohr University of Agadir. She
holds a PhD degree in Theatre Studies from Paris III)
Richard Gough, Senior Research Fellow and Artistic Director of the Centre for
Performance Research, Department of Theatre, Film and Television Studies,
Aberystwyth University, Aberystwyth, Wales
Carol Malt (Museum Curator, Adjunct Professor at the University of West
Florida, and Ex-Director of the Art & Culture Center of Hollywood, USA)
Marjorie Kanter (Author of short literary and poem-like pieces, USA)
Conference Convener:
Conference Co-Convener:
charab09@yahoo.fr
khaliliaziz@yahoo.fr
Khalid Amine, Conference Convener, Residence Al Andalous N 11, Rue Birr Anzaran,
Tanger 90 010, Maroc Adresse: E-mail: khamine55@gmail.com, Tl/Fax: (212) 539330466,
Portable: 0664596791/ Web: www.furja.ma /
ICPS