Architectural Significance
Heritage Listed
Bangerang Cultural Centre is listed in Victorian Heritage
database due to its historical, social and architectural
significance, as it is an important landmark in the
struggle of the Aboriginal people to maintain their own
culture.
Historical Significance
The Bangerang Cultural Centre in Shepparton, is the
first Aboriginal keeping place or museum to be
developed and managed by the Aboriginal
community in Australia. It houses an important
collection of artefacts and artworks from Aboriginal
communities across Australia, whilst focusing on
local communities of the Murray and Goulburn
Valley regions. It represents a tangible symbol of the
shift of attitude in society from the idea of
assimilation to self-determination. The phenomenal
museum is beneficial for everyone from children
right through to the elderly, as it holds within it an
experience of history through life sized dioramas and
an insight into traditional Aboriginal cultural
lifestyle. The dioramas focus on local stories, whilst
the remainder of the displays represent Indigenous
cultures from across the country. The displays within
the Bangerang Cultural Centre include features of;
ceramics, glass works, carvings, woven baskets,
paintings and a range of tools and weapons.
Figure 5: An artwork
from Bangerang
Cultural Centre,
representing the
ancient Yorta Yorta
tribes. Photo taken by
Courtney Jezewski
2010
7
Figure 10: Dawn Magazine, Margaret Tucker, May 1958
AIATSIS
Many other cultural centres have emerged in Australia to
seek and represent the cultures of the Indigenous tribes as
well as acting as a gathering place for the Indigenous
population. One positive example of a cultural centre is the
Australian Institute of Aboriginal and Torres Strait Islander
Studies Keeping place (AIATSIS), which prides itself as
the great keeping place and refers to itself as a treasure
trove. The keeping place located in the heart of the capital
city holds some of the largest collections of Aboriginal and
Torres Strait Islander materials in the world. Its library
holds more than one hundred and seventy thousand items.29
These items consists of photographs, films, audio tapes and
cover all aspects and time of Indigenous histories,
languages, traditions, practices and peoples. Furthermore
AIATSIS centre digitalises most of its oldest materials
which date back to the earliest years to preserve these
valuable information and items, for the future generations
to come. The centre works very closely with honorly
scholars and researches, native title rep bodies, local
councils and lawmakers in order to develop programs to
make a difference on the emerging issues and support the
Indigenous communities.30
As a Result
To conclude, the purpose of this article was to state
the importance of the Aboriginal culture and the
significance of educating the public about one of
the most fascinating and earliest continuing
cultures in the world. There is no doubt that
Aboriginals are the original owners and are the
pride of this land, therefore their stories, traditions
and customs should continue to be taught and
experienced. This is when the museums and
keeping places play a significant role. As discussed
throughout this article, museums not only are
places that display items but also places that posses
an invisible power to shape our social
understanding. Particularly Indigenous keeping
places are important due to the artefacts and
materials they hold which have sentimental value
to the Aboriginal communities. Continuation of
these keeping places is crucial for the educational
purpose and keeping the communities and their
cultures alive. As proposed above, there are
brilliant examples of Indigenous keeping places in
our communities and the key word for continuity of
most keeping places in Australia is Change and
Availability.
Figure 12, The Yorta Yorta Country Barmah- Millewa National
Park Wetlands
1.
October 2015].
2003) P17.
October 2015].
18. Tony Birch, History is never bloodless: getting it wrong after one hundred
5.Ibid, P11.
19. Tony Birch, History is never bloodless: getting it wrong after one
53.
20. Native title & the Yorta Yorta | Ergo. 2015. Native title & the Yorta Yorta |
21.
23.
26. Dawn Magazine, A magazine for the Aboriginal People of NSW, Margaret
2015.
P105.
28. Atwood B &Marcus A, Thinking Black: William Cooper and the Australian
29. Atwood B &Marcus A, Thinking Black: William Cooper and the Australian
P105.
10
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Lumley, Bill & Lynn Bangerang Cultural Centre: Exodus from Cummeragunja, News Clippings from 1968 to 1961. Shepparton Newspapers.
John Atkinsons speech over Bangerang Cultural Centre, Cofounder and Manager, 20.12.2014.
Morgan, Monica 2002. The Yorta Yorta experience. Paper presented at The Native Title Conference 2002: Outcomes and Possibilities,
Patten, T. J., Abo Call: The Voice of the Aborigines, Australian, April 1938, in Trove [online database], accessed 11 Oct 2015.
Tucker, Margaret, If Everyone Cared: Autobiography of Margaret Tucker (Sydney: Ure Smith, 1977), P34.
Tucker Margaret, As I Saw the World Abroad Dawn Magazine, photos from Margaret Tucker section, 1952, 20, in AISISES [online database], accessed 10
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Birch, Tony History is never bloodless: getting it wrong after one hundred years of federation, Australian Historical Studies, 33:118 (2002), P53.
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11