Globetrotter
THE
N E W S LE T T E R F OR ME MBE RS O F T H E
FEBRUARY 2015
B R IT I SH G U IL D
OF
T RA VE L W RIT E R S
Guild members in operatic mode at our January AGM in La Scala (photo Kiki Deere)
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shares space with Equatorial Guinea, while in Cereals and Tubers Haiti is brought
together with Bolivia and Mozambique.
So there are serious messages to be delivered at Expo 2015, but a whole load of fun is
promised, too. On-site, youll find the worlds biggest restaurant, as well as a 12,000seater open-air theatre, childrens activities, DJ sets, cooking shows, concerts and the
world famous Cirque du Soleil performing a show designed exclusively for Expo 2015.
In addition, most participating countries will host a National Day during the six
months, pushing themselves temporarily towards centre-stage, with many Heads of
State expected to grace Expo with their presence.
Its Not Just About Technology, Tourism, and Trends
The theme for EXPO is Feeding the Planet and to this end millions of people will
converge on Milan and other towns in Lombardy to enjoy a rich programme of events
from May to October 2015. From art exhibitions to scientific conferences, from sport to
tourism, the events on show will cover everything that impinges on our planet. Milan
being the city of Leonardo, the artists work will feature in many events as will other
iconic artists during this Expo 2015.
More on this from Mari Nicholson on http://wizzley.com/expo-milan-2015/
In a continent currently searching for economic growth, the benefits of Expo 2015 are
expected to stretch far beyond Milan itself, embracing not only Lombardy and Italy, but
wider Europe as well. The logical assumption is that, if youre coming to Expo from the
Far East, youre likely to visit London, Paris, Rome or some other European highlight, as
well as Milan. For evidence of Expos global appeal, we resort, once more, to the
numbers. Around 1.5 million tickets have been sold in China; over 150,000
Bangladeshis have already booked their place.
Away from the Expo site itself, the whole of Milan is putting on a truly outstanding show
for its guests. There are new and refreshed museums to drool over, the largest
Leonardo da Vinci exhibition ever hosted in Italy, sculpture and tapestry exhibitions,
jazz, poetry and dance. A Pianocity festival in May, with pianos deposited in unusual
locations across Milan, will feature 300 performances over three ivory-tinkling days.
Even the stately La Scala will join in the party, hosting recitals, opera and ballet amongst
its 140 events during the lifespan of Expo.
Putting the sweet icing of Expo as well as the myriad associated events onto the already
tasty Milanese cake of art, food and fashion should be more than enough to challenge
the prospective visitor with one question: not Shall I visit?, but rather How long can I
spend there?
Whatever the answer is, there will not be enough time to exhaust the possibilities
offered by Expo and Milan in 2015. The city is hosting a thought-provoking, unique,
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truly special party, with an open invitation to all. The city is putting on its most stylish
outfit: you should do the same, engage in the debate and join in the fun.
A privileged view of Leonardos Last Supper was made available for the Guild (its
normally closed on Mondays); huge thanks to our hosts for arranging that. Restored,
bombed, repainted, repaired and nearly taken to Paris by Napoleon its surprising theres
anything left of the original, multi-layered composition, completed 516 years ago. For its
last restoration in 1999 several layers of heavy repainting were removed.
My first AGM
Lottie Gross; photo of Lynn Houghton at the AGM by Stuart Forster
Beyond the act of travel itself, there is perhaps nothing more inspiring than
sitting down to dinner with some of the (probably) most well travelled people in
Britain. Through the eyes of my esteemed peers, this weekend I explored
Antarctic icebergs (thats you Nori), traversed Ethiopian mountains (thanks
Trisha), and felt the sting of fire plankton in the middle of the ocean (ouch, Lynn).
I had been warned of two things before heading to Milan for the Guilds 2015 AGM: the
heated debates at the day-long meeting, and the post-gala dinner hangovers. As it
turned out, neither was a problem.
I was unsure of what to expect really
except for long speeches and perhaps some
soporific talk on the finer points of the Guild
constitution. And after I spent Saturday
strolling Milans sunny streets, eating pizza
and sipping hot chocolate as the sun set, all
while talking travel with a couple of
colleagues, the prospect of Sundays AGM
was less than exciting.
But in reality, sitting in that room for five whole hours, discerning, debating, and voting
on important Guild matters from membership fees to wording of the Articles of
Association for the proposed incorporation of the Guild was an engaging and
pleasingly democratic experience. I felt, for the first time in my so-far short
membership, completely involved: I was no longer just a newbie, I was allowed to
weigh-in on the important decisions, to vote with direct impact on the results, and hear
every point of view to aid my understanding.
Of course at times the room was tense, but at others there was a sense of complete
togetherness: unanimous votes of thanks or rounds of applause and rightly so for
various committee members and the secretariat showed me just how powerful this
union of creative travellers really is.
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What followed was an evening of excellent food, compelling conversation and some
wonderfully smooth Italian reds (fortunately, good wine never gives bad hangovers).
This weekend I realised how much there is for me to learn, and that I might even have
something to teach others. As the weekend drew to a close, I sipped my final Negroni,
and reflected on how lucky and excited I am to be a member of this group of successful,
professional travellers. So thank you for a wonderful weekend, and see you all at the
yearbook launch.
Hidden Gems
Words and pictures by Tricia Hayne
Im not sure what Id expected as hidden gems, but Milans Duomo wasnt one of them.
With its intricately carved embellishments soaring skyward above the square that it
dominates, the cathedral is one serious architectural statement. Castello Sforzesco, too,
makes quite an impression at the end of the Via
Dante, currently set off by the twin white A-frames
promoting EXPO 2015. And La Scala surely needs
no introduction, even to the least musical.
If the logic remained unexplained, our personable
guide, Laura, did reveal facets of these Milanese
icons that were not immediately visible. At La
Scala, we were privileged to share the audiences
view of the richly adorned auditorium, and to gaze
out from the royal balcony, once the preserve of
powerful dukes. Yet although most day visitors are confined to two lesser boxes, the
opera house is by no means exclusive to the wealthy: anyone can queue for the 150
tickets in the gods that are released just a couple of hours before each performance, a
snip at just 1015 though a head for heights would be handy.
A promenade through the Galleria delivered on the gem front, too: four mosaics
encircling the central dome, each depicting one of the four (yes, four) continents
Africa, Asia, Europe and America as if to put the likes of Prada, Versace and Giorgio
Armani in their place. But beyond lay the real jewel, the Duomo. Framed by a cold blue
January sky, the top of its magnificent faade appeared to be crawling with tiny people.
For 12 you can be beamed up to join them; for 6, you can tackle the 200 or so stairs.
Either way, the reward is exceptional, as if a magnifying glass has been taken to the
artistry of the cathedrals stonemasons. At each turn, marble walkways and staircases
worn smooth by the passage of time perhaps by those very stonemasons, or by priests
drawing nearer to God reveal dragons and dogs and improbably tall saints on long,
thin pillars. And then, right up on the rooftop, the glittering golden Madonnina keeps
watch over her city spread out below.
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today a shopping arcade that links Piazza della Scala with Piazza del Duomo. Beneath
the glass cupola is a circular mosaic with the symbols of the cities of unified Italy,
including a bull for Turin. It is considered good luck to place ones heel on the bulls
testicles and spin round three times (which some BGTW members eagerly tried their
hand at!)
We soon found ourselves in Piazza del Duomo, home to the worlds largest Gothic
Cathedral, and the third largest Roman Catholic Church in the world. Construction of the
Duomo began in 1386 although it was only completed in 1813, resulting in an eclectic
mix of styles. Our tour ended on the cathedral roof, where we strolled around pinnacles
and statues while enjoying the fine views of the city and the Alps beyond.
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No-one wanting to see the current seasons designs in the flagship stores of leading
fashion houses should fail to stroll along the Via Monte Napoleone, Corso Venezia, Via
SantAndrea and Via della Spiga, all streets in the fashion district. Perhaps it was a cold
January breeze that caused my eyes to water when I saw the price of 21,000 neatly
printed by a chic red handbag in one shop window. Many stores dont display prices,
making me wonder if viewing their displays then counts as window shopping or merely
as an observational walk.
Prior to the commencement of our tour wed eaten well during lunch at Larte (Via
Manzoni 5, +39 0 2 89096950, http://lartemilano.com), a chic restaurant serving wellpresented, modern interpretations of traditional Italian dishes. Food though, had been
conspicuous by its absence subsequently. In a city such as Milan, with strong culinary
and couture credentials, perhaps it would have been best for a tour to focus on one or
the other, as either subject could have kept us occupied for significantly longer than a
single afternoon.
Laura said arrivederci (goodbye) to us the wonderfully named Eataly (Piazza XXV
Aprile 10, +39 02 49497301, eataly.net) food concept store. Occupying the site of a
former theatre, this cavernous place should be on the itinerary of any foodie visiting
Milan during the Expo. Its a combination of delicatessen, book store, grocery shop and
wine emporium with several areas to eat and drink, including a Michelin-starred
restaurant, Alice (+39 02 4949 7340). Eataly has a kitchen for cooking lessons and live
music is performed up on the stage each evening.
Who says that food needs to be regarded as any less stylish than fashion when it is
presented correctly?
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Whether youre travelling solo for business, in the romantic company of a partner or
with the whole family, Lombardy is ideal for every kind of vacation and budget.
Ill long remember the evocative smell of wood and varnish in the workshop of violin maker
Stefano Conia in Cremona such a treat to see the work of a true craftsman.
Loved the rendition of Land of Hope and Glory played for us on the church organ in
Cremona. And to hear the organist admit that its different every time he plays it. Such talent!
Fabulous spread of organic farm-produced fare at Lago Scuro near Cremona.
Gillian Thornton
Chris Hawksworth got more than he bargained for after this years AGM. Not only
Milan, Cremona and Mantova, but an extra day in Dusseldorf, courtesy of a strike by
security staff at the German airport. After all the efforts by senior Guild members,
particularly Lisa Gerard-Sharp, to get Chris and other guilders to Malpensa in time for
their return flights to Manchester and London, a strike at Dusseldorf scuppered the
Yorkshiremans connection home.
But Chris was impressed by the response of Lufthansa low cost partner German Wings.
A night at the Tulip Inn, meals and taxis before a flight next day. Home Friday night
eventually. The extra unwanted 24 hours gave Chris time to reflect on a productive, well
debated AGM with splendid sights, sounds and hospitality from our Italian hosts. It
could have been a more uncomfortable delay in Dusseldorf. Our man from the Pennines
was told he had bagged the last hotel room in town and that all the other stranded
passengers behind him in the queue were getting camp beds for the night.
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and Glory, improvised in our honour on one of the largest church organs in Italy. We sat
listening to this glorious sound in the magnificence of the building, an amalgam of
Romanesque, Gothic and Baroque, and every square inch of which inside is adorned
with decoration. The fresco frieze, painted 1508-22, contrasts archaism and mannerism.
The cathedral is part of an astonishing ensemble, including Europes tallest brick tower,
itself sporting a huge astronomical clock that still works with its original mechanism.
You cant go far in Cremona without being reminded of its heritage as a musical
instrument making centre. Within the Museo Civico is a world-renowned collection of
early guitars, lutes and other plucked instruments made in Cremona; one guitar here is
faithfully reproduced in every detail in a Degas painting.
Most famously, in this town of Stradivarius and Amati, its violins: some 150 violinmakers are based here, and the industry is celebrated by the magnificent new violin
museum (Museo del Violino) which features Stradivariuss tools of his trade and one of
his most celebrated violins, the Cremonese, worth around 12 million and owned by the
municipality. The concert hall within the museum is itself shaped like a musical
instrument like being inside a huge cello and within its perfect acoustics we were
given a recital on a Stradivarius by the young violinist Lena Yukuyama of the Meditation
from Thais by Massenet and Paganinis 24th caprice.
In the evening gloom we entered
Stefano Conias violin-making
workshop. Within, a sweet smell of
resinous varnish greeted us. He is 42,
and tells us he made his first violin in
his grandfathers workshop at the age
of 14. Each instrument takes two
months to make, and he completes 12
a year, selling them for 10,000 a
time. We ask what makes a great
violin stand out from the others its
down to attention to detail: They are
my children. I put my personality into
them, and they are the mirror of me.
Accommodation: Imperia Hotel (www.hotelimpero.cr.it/en), a very adequate four-star
hotel right in the middle of things, and a minutes walk to the cathedral square. On the
day we left, the Wednesday market was setting up stalls right outside the front door.
Eating: Lunch was a supremely memorable, unhurried event at the Cascina Lago Scuro
(http://www.cascinalagoscuro.it/ENG/index.html), an agriturismo serving home-grown
country food, including their own cheeses: seating around one long table. Theyre
adherents of the Slow food movement, and the farm itself is endearingly rustic and
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unfussy. For dinner we ate close to the hotel in the modern minimalism of the excellent
Locanda Torriani, www.locandatorriani.it
Guide: our excellent tour guide was Elena Piccioni of Target Turismo
www.targetturismo.com
Cremona is renowned for its musical heritage and I enjoyed gaining insights into the
citys violin making. Id recommend anybody visiting does so on market days, which
prove a great opportunity to stock up on attractively priced regional food products.
Mantua is a lovely place to wander. Its compact, pedestrian-friendly centre makes
strolling to explore the citys history and architecture a real joy.
Stuart Forster (go-eat-do.com)
Palatial Mantua
Roger MacDonald; picture of Hall of Mirrors by Stuart
Forster
The four great lakes of Mantua one dried up at the end
of the 18th century once formed part of a network of
inland waterways that enabled continuous travel by boat
between the land-locked towns and cities of the
Lombardy plain. William Shakespeare said as much in
Two Gentlemen of Verona and revealed a remarkably
detailed geographical knowledge of Italy in his plays.
Perhaps as a humble actor in the entourage of the Earl of
Oxford, during the seven long years when nothing is
known of Shakespeares whereabouts, he may have seen
the medieval wonders of Mantua for himself.
Shakespeare probably borrowed from a 15th-century
Italian novel to create Romeo and Juliet, in which Romeo
of the Montagues is banished to Mantua after slaying
Tybalt of the Capulets.
The patronage of the ruling Gonzaga family reached its zenith at Mantua in the midsixteenth century but much of their famous art collection had to be sold off to Englands
Charles I to make ends meet. Only the vaulted ceiling frescoes escaped, most notably the
scene of Olympus and the Chariots of Day and Night, whose horses, in an ingenious trick
of perspective, seem to change direction at either end of the glittering Hall of Mirrors.
When the Austrians ousted the last duke, he stripped the Ducal Palace of its fine
furnishings; but many of the carts sent to collect them disappeared, complete with their
contents, on the way to Milan. The Palace remains almost empty and a relentless
draught permeates its corridors in winter.
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Federico II Gonzaga brought one of Italys most famous artisans, Guilio Romano, from
Rome and by 1535 Romano had rewarded him by creating the Palazzo Te, an exquisite
example of Renaissance architecture. One of the villas earliest rooms to be finished was
the Sala di Amore, noted for its erotic frescoes that leave nothing to the imagination and
its candid observation in a frieze that Federico spent the summers here in honest
idleness. With him was his beautiful mistress Isabella Boschetti, despite the vehement
objections of her husband the Count of Calvisano, destined to suffer a violent death in
mysterious circumstances.
To many, however, Mantuas most memorable edifice must be its 18th-century Teatro
Scientifica, designed in late Baroque or early Rococo style by Antonio Bibiena. The
theatres bell-shaped design, with four rows of boxes that even run behind the stage, is a
breathtaking masterpiece. One of the first concerts held here, on Tuesday 16 January
1770, was by thirteen-year-old Wolfgang Amadeus Mozart but it nearly did not take
place. Mozarts fingers were frost-bitten and painful and he was only able to play after a
local poet, Signora Edvige Sartoretti, eased his discomfort with a liberal application of
bear fat.
Eating The memorable last supper in our mini tour of Lombardy was at a family-run
agriturismo Corte Costavecchia, with local specialities (very local zero kilometre)
served in a beautiful brick-vaulted room. Has deservedly got very impressive internet
reviews. www.costavecchia.it
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sage leaves, proved the old gastronomic adage, keep it simple. By contrast, the wine
served with our meal, a Curtefranca rosso Barone PIzzini from nearby Franciacorta, was
complex, nuanced, and a perfect accompaniment.
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Clooneys swanky pad, and we all zoomed in and snapped away like amateur paparazzi.
Well, when in Italy
A quick note to congratulate Mary, Benita, Rob, the committee, our sponsors and
everyone else concerned with the organisation of another first-rate AGM.
On a more personal note, I would like to thank all my fellow members who lent me
assistance during the event. Your comradeship is much appreciated and I hope that with
a little kind help I will be able to attend many Guild meetings in the future.
Roger St Pierre
My first AGM
Lots of people warned me to expect high drama, contention and arguments at the AGM.
In the event, business was conducted in an orderly and harmonious fashion with barely
any fuss.
I couldnt get over how incredibly welcoming and friendly everyone was. I half expected
to be treated like the new kid at school but it wasnt like that at all.
I quickly realised that it wasnt just us newbies who were constantly having to enquire,
And you are...? Even long-standing members didnt always know each other by name.
Andrea Montgomery (with a reminder that next year we should reintroduce name tags!)