SHOT LIST

Production:_____DOWNSTAGE_____________________
Director: ___Kate Sargent___ | DOP:__Sam Babington___
Scen
e/Sho
t
13.1

Action

Shot/Framing

Shoot Day __3__ Of __7__

Date __17th February 2016___
Sound

Duratio
n
(secs)

Locatio
n

Now in the changing room, we see John mutter

to Chantelle, seeming uninterested, as he plays
on his phone. Here the camera is hiding behind
the entrance from the hallway leading to the
stage.
Chantelle seems suspicious and takes a brief
step towards John.

L/S; Behind entrance

wall, spying on John
and Chantelle

COMM; JOHN Whats

up Chantelle, can I help?

06:56
07:01

CHANGIN
G ROOM

Same L/S.
ZOOM; IN to M/L/S
when Chantelle steps
forward.

07:01
07:09

CHANGIN
G ROOM

13.3

John laughs at Chantelle and still seems

uninterested as he browses his phone.

Same M/L/S.

07:09
07:14

CHANGIN
G ROOM

13.4

He then places his phone back into his pocket.

He takes a breath and stretches as he prepares
to say something serious.

Same M/L/S.

COMM; CHANTELLE I
was just wondering,
weve got enough
budget for this show to
work this time, right? If
you dont mind me
asking.
SFX; JOHN sniggering.
COMM; JOHN You
know I cant tell you
that.
COMM; JOHN Weve
got just about enough
for the show, but if this

07:14
07:26

CHANGIN
G ROOM

13.2

13.5

13.6

He then pulls his phone back out again as if he

has nothing more to say. Chantelle meanwhile
glances around the room acting like shes about
to blackmail John she smiles and seems quite
sarcastic.
Meanwhile, the cameraman spots the janitor
from the other end of the hallway he too is
spying on the conversation.
Still seeming uninterested, John continues to
look at his phone.

13.7

Chantelle now looks around the room to make

sure no-one is looking. The cameraman realizes
that she is checking so hides behind the wall for
a couple of seconds, before returning back and
spying on the two. The janitor does the same
and neither get caught.
Chantelle inverts her fingers as she says
support

13.8

John again takes interest and slides his phone

into his pocket now with more force. He seems
agitated and too glances around the room,
causing the janitor and cameraman to hide

Same M/L/S.
ZOOM; IN to M/C/U of
Chantelle and John
which also shows a
M/S of the Janitor,
peeking around the
door.
ZOOM; OUT to
previous M/L/S; still
showing the Janitor.
M/L/S moves to PAN
RIGHT; camera swings
around to REVERSE
SHOT for a couple of
seconds before
PANNING back to
same M/L/S.
Same as before: M/L/S
moves to PAN RIGHT;
camera swings around
to REVERSE SHOT for

show doesnt end well,

then theres not much
more I can do for AA.
Dont worry, we can only
try our best, cant we?
COMM; CHANTELLE
So, what if I knew a
certain someone who
could, lets say, support
us?

07:26
07:33

CHANGIN
G ROOM

COMM; JOHN What do

you mean?

07:33
07:38

CHANGIN
G ROOM

COMM; CHANTELLE
My daddy is willing to
support us. Hes been
in theatre all of his life
and knows what its like
when a theatre group is
on its last leg. He knows
how much it means to
me.
COMM; JOHN Dont be
stupid Chantelle thats
ridiculous, I could never
take money from your

07:38
07:50

CHANGIN
G ROOM

07:50
08:00

CHANGIN
G ROOM

again

a couple of seconds
before PANNING back
to same M/L/S.
Same M/L/S.
ZOOM; IN to M/C/U
with John and
Chantelle in shot.

13.9

Chantelle then tuts in annoyance because John

wont take her bribe. She takes another step
forward and stands on her tip-toes so shes eye
level with John.

13.10

John then takes a step back from Chantelle and

takes a deep breath as he thinks.

Same M/C/U.

13.11

Chantelle responds and now seems calm now

that shes got what she wants.

Same M/C/U.

13.12

She then takes another step forward to John,

seeming very smug.

Same M/C/U.
ZOOM; IN to C/U when
she starts talking.

father, you know Ive

known him for years!
COMM; CHANTELLE
Thats exactly why you
should take it, John. Hes
doing you and all of us a
favour, you wouldnt
want to let everyone
down, would you?
COMM; JOHN OK. Ill
think about it. Ill talk to
your father in more
detail. This is very kind
of him and your family,
youre doing AA a
massive favour.
COMM; CHANTELLE
Its fine. Daddys
always trying to help.
However, there was one
thing he needed in
return.
COMM; CHANTELLE If
hes going to be giving
away his hard earned
money, Im sure it would
be totally amazing for
him to see his daughter

08:00
08:09

CHANGIN
G ROOM

08:09
08:21

CHANGIN
G ROOM

08:21
08:29

CHANGIN
G ROOM

08:29
08:41

CHANGIN
G ROOM

13.13

John, angrily takes a step back and raises his

voice.

Same C/U.
ZOOM; OUT to M/C/U.

13.14

Chantelle then raises her finger to Johns lip

telling him to be quiet for a few seconds, before
getting in Johns face again. This time however
she is very angry her voice raises and she
begins to intimidate John

Same M/C/U.

13.15

Seeming shocked, John is lost for words as he

didnt expect this from Chantelle. He attempts
to swallow and almost seems scared of
Chantelle.
Chantelle continues to intimidate and scream at
John.

Same M/C/U.

13.16

Same M/C/U.
ZOOM; OUT to M/S;
showing Chantelle
leave.
ZOOM; IN to M/C/U;
John looking scared.

perform as the lead role.

Dont you think?
COMM; JOHN
Chantelle you know I
cant do that, it wouldnt
be fair on everyone
else!
COMM; CHANTELLE
Listen John Im doing
you a fucking favour
here. Do you really think
Id do this if its not
gonna benefit me? I
want that lead role and
youre not having the
money if Im not Wendy.
Got it?.
COMM; CHANTELLE
But Chantelle it isnt...
COMM; CHANTELLE
Isnt what? Fair? My
daddys doing you a
fucking favour! Just
make sure you do it
otherwise you can wave
goodbye to the money,
and wave goodbye to

08:41
08:46

CHANGIN
G ROOM

08:46
09:01

CHANGIN
G ROOM

09:01
09:07

CHANGIN
G ROOM

09:07
09:17

CHANGIN
G ROOM

13.17

Chantelle then storms out of the room, leaving a

very shocked John. He then continues to stare
into space, seeming shocked as to what has just
happened.

Same M/C/U.
FADE to BLACK.

AA.
SFX; Door
opening/closing.
SFX; JOHN sighing.

09:17
09:27

CHANGIN
G ROOM