Assessment:
Work collected/observed: 1920s handout/notes, discussion responses, prior knowledge notes,
dialectical journals
Criteria used: Excellent work from Day One will be detailed, include information from each
gallery station, and will give a well-rounded response to what the 1920s was like (what it looked
like, sounded like, acted like). Excellent work from Day Two will include thoughtful, personal,
and detailed responses in the dialectical journals.
The assessments for these lessons will all be formative as it is the first day of this unit. I
will assess students prior knowledge of the 1920s by circulating the room and skimming the
notes they are writing down. Next, I will carefully listen to responses when I ask the class what
they can remember or what they think they know about the 20s. As students move through the
gallery walk in groups, they fill out a handout by adding short notes of what they learn from each
station; I will walk around ensuring that everyone is doing this. A section at the bottom of the
page asks the students to write a short paragraph about the context of the 1920s; after having a
brief whole-group discussion on what this context is, the handouts will be checked for
completion and understanding.
Objective
1. Students will be able to write down
and discuss their prior knowledge of
the 1920s time period and F. Scott
Fitzgerald.
2. Students will be able to compile
new information and details about
the 1920s on a handout while
circulating through a gallery walk.
3. Students will identify five elements
featured in the 1920s and The Great
Gatsby by synthesizing their prior
knowledge with the gallery walk
information.
4. Students will recognize components
of dialectical journals in mentor text
and compose dialectical journal
entries.
Assessment
Checking to see that everyone is
making/taking notes, listening to responses
when the class is asked about their prior
knowledge
Handout given to each student to take
personal notes in. These will be checked for
completion.
Brief class discussion of prior knowledge
combined with the information presented in
gallery walk. Handout should reflect what
is discussed.
Check for comprehension by asking
questions, listening to responses. Journals
will be reviewed.
3. Students receive handout for 1920s gallery walk and get into groups of about 4 people,
depending on class size.
4. Students travel, in groups, to one station of the gallery walk (newspaper headlines, jazz
music, fashion trends, nightlife, and inventions stations). Together, they watch the video
posted at the station, read the headlines or look at the posted pictures.
5. Students use handout to jot down notes/answer questions about their specific station.
Each student has his own handoutstudents may collaborate but have to produce own
work. If finished early, they may use the laptop at their station to continue to look at
videos or pictures they can find related to the 20s.
6. After each group is finished (5-7 minutes) the groups will rotate. There are 5 stations
total, so this process will be repeated 5 times.
7. After the gallery walk is over, students return to their seats. At the bottom of their
handout is a section that asks them to write a brief paragraph of what the 1920s seemed to
be like (what did it sound like, look like, what happened?). Students have a few minutes
to individually write this.
8. Class share-out/discussion of these findings, questions, and interesting ideas. With
teacher guidance, students create an accurate depiction of the 1920s/setting of Gatsby.
9. Final questions and wonderings are asked. Teacher briefly summarizes the day and says
they will begin reading tomorrow.
Day Two:
1. Students are given a brief review of the previous days lesson. Goals and objectives for
today are explained.
2. Students are asked whether they know anything about The Great Gatsbys author, F. Scott
Fitzgerald. Students are given the opportunity to share this knowledge with the class.
3. Students are shown a Prezi with two slides about Fitzgerald; they listen to the teacher
describe (briefly) his life/major works. Students may take notes in their binder.
4. Students get out copies of The Great Gatsby. They read along with the teacher as she
reads aloud the beginning of Chapter 1. Teacher stops every page or so to make sure
students comprehend what is happening (plot, narrator, characters, etc.). Students may
ask questions for clarification or wonderings.
5. At page 5, teacher stops reading at important passage. Dialectical journals are introduced
through a focus lesson (modeling). Example of journal is presented on Prezi slide and
students listen to teachers process.
6. Students are given handout with guidelines on how to do the journals. This includes
grading scale. Students are expected to complete two journal entries per chapter (total of
19 entries).
7. Students may ask questions about journals if they need more clarification. Students each
complete one journal entry on a sheet of paper from the 5 pages that have been read so
far.
8. After given a chance to work, students continue reading along with teacher. They may
mark where they want to make their next journal entry as they read.
9. When class is about to end, students turn in journal entries so that teacher can review
them for a formative assessment. Students are to finish reading Chapter 1 for homework
if it is not finished in class. They are to also finish their second journal entry if necessary.
10. Teacher reviews what was done in todays lesson. Last minute questions are answered.
Accommodation:
Students who need more support will benefit from all the visuals that are included in the
gallery walk as well as being able to work in a small group to collaborate ideas before they are
asked to produce individual work. The modeling process of the dialectical journals will allow
them to see/hear the teacher do the work before being thrown into their own work. Reading
Chapter 1 in class with the teacher will help these learners as they are introduced to the
characters and new plot with the help of others. Students who need to be challenged can go more
in-depth with their handout responses and dialectical journals; their interactions with the text
may be more pensive, detailed, or intellectual. When I collect each students first dialectical
journal to formatively assess, I can provide some feedback as well. For the students who need to
be challenged more, I can suggest that they connect what they read in the passage with what they
have read in other literature or encourage them to predict what will happen next or start to think
about themes arising in the novel. ESOL students will also benefit from the gallery walk;
subtitles can be added to the videos if they need them. The pictures will be easy for them to
understand as well, and having a few partners to work with can help them too. Hearing me read
aloud the first chapter of the novel may help them with unfamiliar words; I also pause every now
and then to have the class help me piece together what is happening in the story.
their text. In the final few minutes of class, students will jot down on a piece of paper some of
the things they noticed, found, or thought about the American Dream from Chapter 2. These slips
will be turned in so I can get a sense of where students are in their understanding of todays
lesson.
Objective
1. Students will be able to develop a
definition of the American Dream,
who can achieve it, and what people
want from it.
2. Students will be able to identify
references to the American Dream
in the text.
Assessment
American Dream handout, small and whole
group discussions
Text markings (dialectical journals, sticky
notes, colormarking), exit slips
students for the class discussion we will have at the end of the week; students will be writing
questions and commenting on the novels theme, including the American Dream.
Process/Procedures for Students:
1. Students are reminded of work that was done yesterday. Teacher explains the days
objectives and goals.
2. Prezi is pulled up. Students watch American Dream video, focusing on the different
perspectives and opinions of it.
3. Students receive American Dream handout and complete the questions by themselves.
4. Students get into groups of four to share their responses on the handout. As a group,
they decide if they mostly agree or disagree for the different questions. They pick out
key points of discussion and get ready to share-out to the whole class.
5. Quick share-out from each group. Teacher helps students create a holistic view of the
American Dream and its components.
6. Now that students have background knowledge, the American Dream will be applied
to the text as a recurring theme. Students will begin reading Chapter 2 in class,
staying on the lookout for references to the American Dream its surrounding
components. Students may jot their notes of this theme in their dialectical journals,
may use sticky notes, or colormark their own book. They will have around 20 minutes
for this.
7. Students do not have to finish the whole chapter in class, but the final assessment will
be filling out an exit slip listing what they noticed or found about the American
Dream theme in the novel. These will be handed in.
8. Teacher briefly reviews the days lesson and encourages them to think about this
theme as they read more of the book. Chapter 2 should be finished for homework.
Accommodation:
This lesson accommodates for students who need more support because the video at the
beginning of class will help stimulate some ideas about the American Dream if they have no
prior knowledge or opinions of it. They have to answer the handout questions alone, but these are
mostly opinion based and the students get to discuss in small groups afterward. Being able to talk
with classmates and pick out a few key elements of their discussion before announcing ideas to
the class will also scaffold them. ESOL students may not be able to catch every word of the
video, but the video could be played twice if students need more time, or the subtitles could be
turned on to help with their listening skills. I think ESOL students will be engaged in the handout
and small group conversations of this theme because their family might have experience with
trying to achieve this dream. Students who need more of a challenge can be encouraged to look
deeply into the text when reading and considering theme; they can catch details that other
learners may not. Their notes and personal reflections can be more elaborate, and if their exit
slips show they are not pushing themselves, I can give feedback to them.
Standards addressed:
CCSS.ELA-LITERACY.SL.9-10.1 Initiate and participate effectively in a range of collaborative
discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics,
texts, and issues, building on others' ideas and expressing their own clearly and persuasively.
excellent questions that should be asked the following day. The class discussion on Day 5 will be
the summative assessment for this first week of the unit. As the discussion unfolds, I will keep
notes on which students are asking questions, listening and building off of the conversation,
responding to questions, and providing textual support. An exit slip at the end of the period will
also be part of this summative assessment; students who did not get to verbally participate as
much as some students may write down some of their burning questions, thoughtful responses, or
things they wanted to say in the moment, but couldnt.
Objective
1. Students will be able to generate 3
text-based discussion questions.
2. Students will be able to discuss
Chapters 1-3 of Gatsby in a whole
group setting.
Assessment
Collection of questions at the end of Day 4
Class discussion on Day 5. This includes
questions asked, answers given, listening to
others, and exit slip for comments you did
not get to make.
Day 5: Have students complete exit slips following the discussion; they should write down what
they wished they had said, but did not get the chance to. They can ask remaining questions they
have following the discussion and/or write down what they learned from the discussion. After
that, briefly review what was mentioned throughout the discussion, hitting on main issues and
key points. Remind students to keep reading over the weekend, ending at Chapter 4 at the very
least.
Connection to previous and forthcoming lessons:
These lessons connect to the previous ones because we have just finished discussing a major
theme in the novel and students have been marking their text with thoughts, questions, and ideas.
This helps lead them up to Day 4 when they write discussion questions. The class discussion is
summative, but it also helps prepare students for the Socratic seminar in the last week of the unit;
this seminar will also be summative, but weighted more heavily than this first discussion. The
discussion also allows students to build off of each others interpretations of the text and gets
them thinking deeper for when we further explore the novel in the next week.
Process/Procedures for Students:
Day 4:
1. Students are reminded of what was done the previous day. Teacher explains objectives
and goals for the day.
2. Students get out their novels and are reminded (from the previous unit) of what makes for
a strong discussion question. They may ask questions.
3. Students are shown some example discussion questions for the beginning of Gatsby that
the teacher has created. She points out how these follow the previous guidelines.
4. Students are asked to create 3 of their own discussion questions by the end of the period.
These questions should only be asked about information from the first 3 chapters of the
novel. Questions need to stem from the text. They make take some of the period to reread
some of the sections or read some/all of Chapter 3, as it is not very long.
5. Students may ask teacher for guidance as they work; she will be circulating the room
while the questions are being created.
6. Students turn in their 3 questions at the end of the period. They are reminded to finish
Chapter 3 for homework if they have not already. Teacher briefly reviews the day and
reminds them about the discussion tomorrow. Tells them they will get feedback on their
questions so that they will be prepared for tomorrow.
Day 5:
1. Students are reminded of what they did the previous day. Teacher explains objectives and
goals for the day.
2. Students are given their discussion questions with feedback. They have a few minutes to
review the feedback.
3. Students are prompted to take out their questions, novels, notes, and annotations for
Gatsby. These may all be used in the discussion. Teacher quickly reviews guidelines for
the discussion procedure (make sure to listen to others, build off of their responses,
support answers with the text, ask questions when the previous question is dying down,
take notes if you need to).
4. Students move their desks into a circle so that they can see everyone. They begin the
discussion with a student question. Students move through the discussion themselves, but
the teacher may intervene, provide motivation/encouragement, or clarity if need be.
5. When the class is almost over, students fill out an exit slip based off of the days
discussion. They write what they wished they had the chance to say or ask, thinks they
learned or noticed about the discussion, and/or more questions they have.
6. Teacher collects exit slips, briefly reviews the key points of the discussion, and reminds
students to read Chapter 4 over the weekend.
Accommodation:
In these lessons, students who need more support are given guidelines on how to write
discussion questions and sample questions to help build off of. The teacher can also work
individually with students in class on Day 4. Feedback and helpful hints on their questions will
also help them prepare for the discussion. On the discussion questions, teacher can pick out
excellent questions that quieter students have written. She can encourage these students to ask
their questions the next day so they are able to participate verbally. Students are also able to have
many resources out during the discussion to help scaffold them. ESOL students will also benefit
from the scaffolding given on Day 4 surrounding the question writing process. The exit slips can
help them express their thoughts and ideas in writing for the teacher if they have too much
trouble participating in the verbal component of Day 5. Students who need more of a challenge
may not need to refer to the sample discussion questions before writing their own. They may ask
tougher questions and receive more critical or in-depth feedback from the teacher. They can push
themselves and fellow students in the Day 5 discussion to dive deeper into the text and closely
look at what is said about theme, plot, etc.
Standards addressed:
CCSS.ELA-LITERACY.RL.9-10.1 Cite strong and thorough textual evidence to support analysis
of what the text says explicitly as well as inferences drawn from the text.
CCSS.ELA-LITERACY.SL.9-10.1 Initiate and participate effectively in a range of collaborative
discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics,
texts, and issues, building on others' ideas and expressing their own clearly and persuasively.
A. Come to discussions prepared, having read and researched material under study;
explicitly draw on that preparation by referring to evidence from texts and other research on the
topic or issue to stimulate a thoughtful, well-reasoned exchange of ideas.
References
Beers, K., & Probst, R. E. (2013). Notice & note: Strategies for close reading. Portsmouth, NH:
Heinemann.
Fisher, D., & Frey, N. (2013). Better learning through structured teaching: A framework for the
gradual release of responsibility. Alexandria, VA: ASCD.
Fitzgerald, F. S. (1925). The Great Gatsby. New York, NY: Scribner.