A Curta Pressão Do Ser

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Bass, Acoustic, Jazz Paul Sw 140 ('2' only)

Jazz double bass in a 2 feel (i.e. 2 half-notes per measure) throughout the whol
e song. This style can be used if you never want the bass to start walking in y
our song. This bass style has a straight-ahead, fluid approach and mixes nicely
with brushes RealDrums. This style was designed for 4/4, but will also work wi
th waltz styles (e.g. BLUESET.STY).
Tempo range: Best tempo is 140 bpm, but sounds great over a very large range, a
t least 100-200 bpm
Style suggestions: J_MJQ_1, J_MILES1, J_COMBO, J!~SKY2, J_LIGHT, AFRICAN, PLAINS
MN, BLZTRIO4, C_SHUFLN, C_CAJUN, BLUESET
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Bass, Acoustic, Jazz Paul Sw 140 ('4' only)
Jazz double bass in a 4 feel (i.e. walking bass, 4 quarter-notes per measure) th
roughout the whole song. This bass style has a straight-ahead, fluid approach a
nd mixes nicely with brushes RealDrums. This style was designed for 4/4, but wi
ll also work with waltz styles (e.g. BLUESET.STY).
t least 100-200 bpm
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Bass, Acoustic, Jazz Paul Sw 140
Jazz double bass (aka upright bass or acoustic bass). This style of bass playin
g is very solid and flowing, and mixes especially nicely with brushes RealDrums.
The playing is in a 2 feel during the A section (substyle) of the song, and in
a 4 feel during the B section. This is common in Jazz songs with a 32 bar AABA
form for example, where the A section plays 2 half-notes per bar and the B sect
ion 'walks' with 4 quarter notes per bar. This style was designed for 4/4, but
will also work with waltz styles (e.g. BLUESET.STY).
t least 100-200 bpm
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Bass, Acoustic, Jazz Ray Sw 160 ('2' only)
Jazz double bass in a 2 feel (emphasizes 2 half-notes per measure) throughout th
e whole song. This style is more aggressive than the "Paul Sw 140" style, and u
ses more embellishments, such as triplets, skip notes, and syncopated rhythms.
This RealTracks style is intended for 4/4, but will also work with waltz styles
(e.g. ZZJAZWAL.STY).
Tempo range: Best tempo is 160 bpm, but sounds great over a very large tempo ra
nge, at least 120-220 bpm.
Style suggestions: ZZJAZZ, COC_TAIL, BRUBEK3, EDDIECON, ZZJAZWAL.STY, J_JSMITH
, J_DJANGO, JMILES1, ZZJAZWAL
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Bass, Acoustic, Jazz Ray Sw 160 ('4' only)
Jazz double bass in a 4 feel (i.e. walking bass, 4 quarter-notes per measure) th
roughout the whole song. This style is more aggressive than the "Paul Sw 140" s
tyle, and uses more embellishments, such as triplets, ghost notes, and syncopate
d rhythms. This RealTracks style is intended for 4/4, but will also work with w
altz styles (e.g. ZZJAZWAL.STY).
Style suggestions: ZZJAZZ, COC_TAIL, BRUBEK3, EDDIECON, J_JSMITH, J_DJANGO, JMIL
ES1, ZZJAZWAL
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Bass, Acoustic, Jazz Ray Sw 160
Jazz double bass (aka upright bass or acoustic bass). This style is more aggres
sive than the "Paul Sw 140" style, and uses more embellishments, such as triplet
s, ghost notes, and syncopated rhythms. This RealTracks style is intended for 4
/4, but will also work with waltz styles (e.g. ZZJAZWAL.STY).
Style suggestions: ZZJAZZ, COC_TAIL, BRUBEK3, EDDIECON, J_JSMITH, J_DJANGO, JMI
LES1, ZZJAZWAL
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Bass, Electric, Blues Chuck Sw 102
Simple Blues groove that blends beautifully with the RealTracks style "Guitar, E
lectric, Rhythm Blues Chuck Sw 102".
Tempo range: Best tempo is around 100 bpm, but it can be used anywhere from abo
ut 85-180. At higher tempos like 180, musically it tends to sound "too busy", h
owever the sound quality is still good.
Style suggestions: BLWOLF, BONNIER, C_BLUE, CR_ALLAY, JONLEE, DRJONSH
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Bass, Electric, Country DoubleTime Ev 088
Classic country bass sound; simple bass lines, mostly root and 5th, with some sy
ncopations. Try this style with "Guitar, Acoustic, Strumming DoubleTime Ev 088"
and "Guitar, Resonator, Background Trav Ev 088".
Tempo range: 60-130 bpm. Sound quality of the bass is preserved through a broa
d range of tempos.
Style suggestions: SLAMROK1, BLUGRAS, CR_JONES, AARON+, L_CANCAO, SPOONFL2, TEMP
TNS2, TZENA1, C_FOLKY, C_CHELY, C_DESERT, C_JODEE, C2_MONT, FOLKY+, C_KENNY, LIL
FOOT, LADIES1
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Bass, Electric, Country Ev 065
Warm and sweet bass groove suitable for country ballads, full of slides, slurs,
and interesting rhythmic variations that you wouldn't hear in a MIDI track.
Tempo range: 50-100. Great sound quality up to much higher tempos, although the
style of playing is best suited to slow ballads.
Style suggestions: C_DIAM, C_FAITH, C_FOLKY, C_HAL, C2_HIND
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Bass, Electric, Metal Ev 085
This style can certainly be used for Metal, however it works with a wide range o
f music. Straight 8th notes alternate with syncopations, slides, and other bass
techniques that can't be found in a MIDI bass track.
Tempo range: 60-180. As with the other Bass RealTracks styles, the sound quali
ty is excellent over a wide tempo range.
Style suggestions: ALTROCK3, AVRIL+, ROADHOG1, SLAMROK1, R_RAP1, CC_LAVI, SWAM
PROK, C_FAITH2, ZZHEVROK, HEAVYMET
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Pumping 8th notes in the classic metal style. Since it is mostly a straight 8th
bass feel it works for a lot of different genres, ranging from hard rock, to bl
ues, gospel, even techno.
Tempo range: 100-200. Works well at fast tempos, but you should consider "Bass
, Electric, Metal Ev 085" for tempos slower than about 100 bmp.
Style suggestions: BERLYN, TEKQUIK, FNK_150, METAL1, R_HEVMET, CHUKROK, LIILFO
OT1, LETTERS, DANCE6, DAVIDB2
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Pumping 8th notes in the classic metal style. Real versatile straight 8th note
bass pattern. Suited for metal, but also works great for dance, techno, rock, e
ven some gospel/soul.
Tempo range: 145-220 bpm.
Style suggestions: AHMAD1, ALTCNTRY, DANCPOP2, LILFOOT1, METAL2, RAYCH2, TEKHA
RP, TEKIDM, TRIPHOP1
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Fiddle, Background George Ev 085
Background ballad fiddle playing. Works best with Country/Folk styles, but can
also sound good with rock, pop, and jazz.

Tempo range: 75-100 bpm
Style suggestions: ALABAMA1, BHANGRA1, BIGPINK, BLUESSTR, C_MATINA, C_TANYA, C
2_BLAK, CR_KEBMO, LADIES1
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Guitar, Acoustic, Fingerpicking Ev 065
How would you like top Nashville players to record every track on your Country B
allad masterpiece? Try using this slow, melodic, 8th note fingerpicking style w
ith "Bass, Electric, Country Ev 065", "Guitar, Acoustic, Strumming Ev 065", "Ped
al Steel, Background Ev 065", and/or "Guitar, Electric, Background Dreamy Ev 065
"
Style suggestions: B_GEES2, BIGPINK, BOBALLAD, BOLERO2, C_CHALEE, C_FOLKY, C_G
STRAT, C_SWEET, CATALINA, CELIN, HIVE+, CR_PAULA, CROSWIND, DRAMA+, FLOAT1, BAGW
ELL, J_CASH, SIRIUS
The simple version of Guitar, Acoustic, Fingerpicking Ev 065 excludes riffs that
deviate from the basic rhythm. To select the simple variation, put a check in
the "Simpler" checkbox in the RealTracks picker.
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Gentle, melodic 8th-note based acoustic guitar fingerpicking. Versatile style,
great for Country ballads, but also works with various folk, pop, rock, and new
age styles - with other instruments or as a solo guitar track to accompany a voc
al performance.
Tempo range: 80-95 bpm. Stay within the recommended tempo range to get the bes
t guitar tone.
Style suggestions: C_FAITH2, CR_JONES, BTNYSOCA, C_PIANO, CAIRO3, ITAL_POP, L_
CANACAO, PW_MWS
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Graceful and precise straight-8ths fingerstyle guitar with some syncopation. Wi
ll work over any chord type, but sounds best when used over typical country/pop
chord progressions (rather than jazz chords like Cmaj7, G7alt, etc.).
Tempo range: 155-180 bpm. Stay within the recommended tempo range to get the b
est guitar tone.
Style suggestions: BG101_D, NUGRASS, C_BILLY2, C_VINCE2, JOHNNYH, RAMBLIN1, TE
NNROK, HOSANNA, AG_FRANK
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Guitar, Acoustic, Fingerpicking Hank Sw 165
Moderately fast Country-swing fingerstyle guitar.
Style suggestions: LUCILLE, APPOINTED, BOWEY3, C_BILLY2, J~UPTOWN, JMOVIN, SOF
TSWNG, SOLO_UKE, CABARET
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Looking for an authentic, sweet, country-swing sound? Try combining this style
with "Pedal Steel, Background Hank Sw 190"!
Style suggestions: C_TRICK, JERYLEE, JOYOUS1, LATJZ_LH, MOTOWN_1, RAP_2, STATLER
S, TRAVEL!
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Guitar, Acoustic, Strumming DoubleTime Ev 088
Double-time feel acoustic guitar strumming. There are sometimes fine lines bet
ween Rock, Pop, Folk and Country, and this style can be readily used in any of t
hose genres. Blends together oh-so-nicely with "Bass, Electric, Country DoubleT
ime Ev 088", and "Guitar, Resonator, Background Trav Ev 088".
Tempo range: 82-108. Styles can be used outside the suggested tempo range, bu
t the playing isn't as clear and convincing.
Style suggestions: SLAMROK1, BLUGRAS, CR_JONES, AARON+, L_CANCAO, SPOONFL2, TEM
PTNS2, TZENA1, C_FOLKY, C_CHELY, C_DESERT, C_JODEE, C2_MONT, FOLKY+, C_KENNY, LI
LFOOT, LADIES1
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Guitar, Acoustic, Strumming Ev 065
Basic straight 8th acoustic guitar strumming. This style works perfectly in a C
ountry ballad tune with "Bass, Electric, Country Ev 065", "Guitar, Electric, Bac
kground Dreamy Ev 065", and "Guitar, Acoustic, Fingerpicking Ev 065". It also w
orks great in various Folk, Pop, and Rock tunes. Will work over any chord type,
but works best over standard Country/Pop chords.
Tempo range: 55 - 85 bpm. You can try using this style above the recommended t
empo range, e.g. 110 - it still sounds great and has a totally different feel.
Style suggestions: C2_ALAN, C2_ANDY, C2_HIND, C_DIAM, C_NU_BAL,C_SHANIA, MAINST
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The original Acoustic Guitar RealTracks style. Basic, straight 8ths strumming no messing around with this one! This style doesn't play some Jazz type chords
like Cmaj9, G7alt, Dm7, etc, so it works best over typical Country/Pop chord pr
ogressions with maj, min, and dom.
Style suggestions: Various folk/pop/rock styles. C_FAITH2, CR_JONES, BTNYSOCA,
C_PIANO, CAIRO3, ITAL_POP, L_CANACAO, PW_MWS
:;405
Very versatile acoustic strumming pattern. Great for all types of rock, pop, cou
ntry, gospel... even techno.
Style suggestions: BAKBEAT, BREKBROS, C_90BAL, C_JEANIE, CR_BONNE, EGYPTPOP, NE
WAGE_2, OLDMOTWN, SUNRISE, TEKBOHN
:;406
You can use these basic straight-8ths acoustic guitar strumming styles in a wide
variety of folk/pop/rock country tunes - they are categorized as country/folk s
tyles, but are extremely versatile, and represent probably the most common strum
ming patterns.
Tempo Range: 116-156
Style suggestions: C_EAGLES, LOSLOB1, PALOALTO, PW_UPBT, RAYCH2, SANTAMON, SIMP
_ROK, STONESHF, TAJMALL, AG_FRANK
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Guitar, Acoustic, Strumming Hank Sw 120
Relaxed swing 8ths acoustic guitar strumming. Lends itself to country swing arr
angements, but also works well in folk/pop genres. Try using this RealTracks st
yle with "Pedal Steel, Background Hank Sw 120", or as a solo guitar part for a '
campfire' tune. This style doesn't play some Jazz type chords like Cmaj9, G7alt
, Dm7, etc, so it works best over typical Country/Pop chord progressions with ma
j, min, and dom.
Style suggestions: !CAMPGIT, CELTIC2, CR_NORAH, LUCILLE, MONGO1, NASHVL_G
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Swing 8th strumming pattern with alternating bass notes, typically found in clas
sic country and folk genres. Lends itself to traditional country swing arrangem
ents, but also works well in some other genres, including folk/pop. Works over
any chord type, but will sound best with typical country/pop chords, rather than
Jazz chords.

Style suggestions: BRENTSW, C_TUCKER, CASHLUTH, MILITARY, ROCKABIL, WILDWOOD, N
ATPOP1, GRITTY, MISSJH1
:;374
Up-tempo, swing 8th strumming pattern with alternating bass notes, typically fou
nd in classic country and folk genres. Lends itself to traditional country swi
ng arrangements, but also works well in some other genres, including folk/pop.
Try mixing this RealTracks style with "Pedal Steel, Background Hank Sw 190". Wo
rks over any chord type, but will sound best with typical country/pop chords, ra
ther than Jazz chords.
Style suggestions: AG_SKIP, C_TUCKER, C~HNKSR1, CHUKSHUF, CUMBFOK, DIXILAND, TR
AVEL!
:;380
Guitar, Acoustic, Strumming Syncopated Sugar Ev 102
A modern, syncopated strumming pattern, useful for many pop/country/rock/folk st
yles. There is an electric rhythm guitar style with a similar feel: "Guitar, El
ectric, Rhythm Syncopated Sugar Ev 102".
Tempo range: 82-137
Style suggestions: LSTDOGS1, EAGLE2+, COUNTRY1, C_ISLAND, ZZLITROCK, C_BDUNN, F
OLKGUIT, C2_BIG, CHUNKY, FOLROK1
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Guitar, Electric, Background Dreamy Ev 065
A beautiful "spacey" clean electric guitar with delay effects. Useful backgroun
d part in Country ballads (try mixing with other 65 bpm Country RealTracks style
s), but can add a special touch to just about any slow tune!
Style suggestions: BIGPINK, C_SHANIA, C_NU_BAL, SLOPOKE1, C_DESERT, RIDER1, SUM
RMOOD, DEADJAM1, TRAIN+, NR_UNDER, NR_CURR+, ALABAMA
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Guitar, Electric, Rhythm Blues Chuck Sw 102
Distorted electric guitar shuffle playing a rhythm popularized by Chuck Berry.
For a great blues session, combine with "Bass, Electric, Blues Chuck Sw 102".
Tempo range: 85-150 bpm. Distorted guitar styles have excellent sound quality
over a wide range of tempos, but the rhythms can become unrealistic at extreme t
empos.
Style suggestions: Country and Blues swing styles - e.g. C_BLUE, C_CAJUN, CR_BO
NNE
:;410
Guitar, Electric, Rhythm Country Cowboy Ev 165
Up-tempo, clean electric guitar with a true classic country groove. Use the Sol
oist "Guitar, Electric, Soloist Cowboy Ev 165" to add a smokin' guitar solo to y
our song. This style will work over any chord type, but sounds best with typica
l country chord progressions.
Style suggestions: C_COWBOY, C_DARRYL, C_EAGLES, CRUISIN, DS_FSTCT, JANDEEN1
The simple version of Guitar, Electric, Rhythm Country Cowboy Ev 165 excludes ru
ns and whole notes. To select the simple variation, put a check in the "Simpler
" checkbox in the RealTracks picker.
:;390
Guitar, Electric, Rhythm Metal Ev 085
Distorted guitar power chords, emphasizing the 2nd and 4th beats. Especially su
itable for hard rock, grunge, and metal. Generate an "all metal" arrangement wi
th rhythm guitar, bass ("Bass, Electric, Metal Ev 085"), a screaming guitar sol
o ("Guitar, Electric, Soloist Metal Ev 085"), and RockHardEven8 or Grunge RealDr
ums.
This style is capable of playing any chord type (including complicated Jazz chor
ds), however you'll get the best sound if you stick to typical rock chords (maj/
min/5).

Style suggestions: BIG+, C_DESERT, CR_KEBMO, TFF_ROK1, CC_AVRIL, MODROK2, TEKIN
DY
:;391
Killer metal guitar power chords. Warning: you won't be able to listen to MIDI
guitar again! Straight 8th and 16th note strumming patterns.
min/5).
Style suggestions: C_GJONES, HEAVYMET, PLAINSMN, RACER, RAMONES1, BERLYN, C_DAR
RYL
:;392
Distorted rhythm guitar, pumping out mostly straight 8th power chords, typical o
f fast hard rock and heavy metal styles.
min/5).
Tempo range: 140-200 bpm. Sound quality is preserved through a broad range of
tempos - the biggest factor is rhythm.
Style suggestions: HEAVYMET, R_HEVMET, RACER, RAMONES, SLAMROK2, Z3HEVROK, BERLY
N
:;384
Guitar, Electric, Rhythm Rock Southern Ev 120
Are you in the mood for some down-n-dirty rock-n-roll? Here's a distorted guita
r with a smokin' Southern Country Rock feel.
Tempo range: 90-140 bpm. The syncopated nature of the style affects the rhythm
at tempo extremes.
Style suggestions: C_ROCKIN, DANCE5, J_DDOZEN, FREEDOM, BGPOP, LYNYRD2, AG_THOM
, BREKBROS, MOZCUBA, NR_HILL+
The simple version of Guitar, Electric, Rhythm Rock Southern Ev 120 excludes rif
fs that deviate from the basic rhythm. To select the simple variation, put a ch
eck in the "Simpler" checkbox in the RealTracks picker.
:;381
Guitar, Electric, Rhythm Syncopated Sugar Ev 102
Syncopated distorted electric rhythm guitar. A lot of variation within the same
rhythmic pattern, mixing picked chord shapes with strumming. Useful for pop, c
ountry and rock tunes. Will play any chord type, but for best results stick to
mainly country/rock chords.
Style suggestions: BACHAT2, BEEBROK5, BOLERO3, C2_LOS, C~JCASH, GOLDEN, LILFOOT
2, NR_SUGA+, REQIEM+
:;411
Guitar, Electric, Rhythm Train Pickin' Ev 130
A fast train-beat, 'chicken pickin' rhythm. Tip - use the Soloist "Guitar, Elec
tric, Rhythm Train Pickin' Ev 130" to generate a hot guitar solo over this rhyth
m part.
While the style will play over any chord type, it's best to use typical country/
pop chords rather than more complicated jazz chords.
Style suggestions: ANCHORS, C_GJONES, MAINST, BOSSA2, KNEELIN, BEGUINE2, UPLIFT
2, STRAYST8
:;412
Guitar, Electric, Soloist Cowboy Ev 165
Clean electric country guitar soloing. Try combining this style with "Guitar, E
lectric, Rhythm Country Cowboy Ev 165". Sounds great with classic country style
s, but can also work with other genres - it's fun to experiment by "mixing and m
atching" similar tempo RealTracks styles, as well as by using RealTracks in styl
es (STY) from entirely different genres - be creative!

Tempo range: 140-190
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Guitar, Electric, Soloist Metal Ev 085
Unbelievable rock/heavy metal soloing with unending variations and hot licks. N
ote: This soloist will play based on the key of the song only, except for '5' c
hords (e.g. F5, Bb5 etc.) When a '5' chord is encountered, it will solo over th
e chord instead.
Tempo range: 75-130 - responds well to much faster tempos (if you prefer this s
tyle to the 120 bpm soloists), but the tempo shouldn't be lowered much below the
recorded tempo (85).
Style suggestions: BIG+, C_DESERT, CR_KEBMO, TFF_ROK1, CC_AVRIL, MODROK2, TEKIND
Y
:;395
Guitar, Electric, Soloist Metal Ev 120
Hard rock / heavy metal guitar soloing, less aggressive than the "Wild" metal so
loists. This soloist will play based on the key of the song only, except for '5
' chords (e.g. F5, Bb5 etc.) When a '5' chord is encountered, it will solo base
d on the chord instead.
If you would prefer a tamer solo, consider the "Guitar, Electric, Soloist Metal
Ev 120" soloist, or choose one of the two other variations of this Wild soloist.
There are three variations... The unaltered variation plays wildly fast solos,
the "SemiWild" uses slower phrases throughout the whole song (e.g. wouldn't pla
y a long section of 32nd notes), while the "WildCresc" variation plays the wildl
y fast solos only during the B section of your song.
Combine this with the Metal rhythm and bass guitar RealTracks styles for a compl
ete Metal band. You will never be able to listen to a MIDI guitar again...
Tempo range: 105 - 170 bpm (if you dare)
Style suggestions: C_GJONES, HEAVYMET, PLAINSMN, RACER, RAMONES1, BERLYN, C_DARR
YL
:;394
Guitar, Electric, Soloist Metal Wild Ev 120 (SemiWild)
Fast heavy metal guitar soloing - truly a 'wild' soloist. This soloist will pla
y based on the key of the song only, except for '5' chords (e.g. F5, Bb5 etc.)
When a '5' chord is encountered, it will solo based on the chord instead.
Ev 120" soloist. You can also choose one of the two other variations of this Wi
ld soloist. There are three variations... The unaltered variation plays wildly
fast solos, the "SemiWild" uses slower phrases throughout the whole song (e.g. w
ouldn't play a long section of 32nd notes), while the "WildCresc" variation play
s the wildly fast solos only during the B section of your song.
YL
:;414
Guitar, Electric, Soloist Metal Wild Ev 120 (WildCresc)
Fast heavy metal guitar soloing in the A section, and "blisteringly" fast soloin
g in the B section of your song - truly a 'wild' soloist. This soloist will pla
y based on the key of the song only, except for '5' chords (e.g. F5, Bb5 etc.)
When a '5' chord is encountered, it will solo based on the chord instead.
Ev 120" soloist. You can also choose one of the two other variations of this Wi
ld soloist. There are three variations... The unaltered variation plays wildly
fast solos, the "SemiWild" uses slower phrases throughout the whole song (e.g. w
ouldn't play a long section of 32nd notes), while the "WildCresc" variation play
s the wildly fast solos only during the B section of your song.
YL
:;393
Guitar, Electric, Soloist Metal Wild Ev 120
Blisteringly fast heavy metal guitar soloing - truly a 'wild' soloist. This sol
oist will play based on the key of the song only, except for '5' chords (e.g. F5
, Bb5 etc.) When a '5' chord is encountered, it will solo based on the chord in
stead.
Ev 120" soloist, or choose one of the two other variations of this Wild soloist.
There are three variations... The unaltered variation plays wildly fast solos,
the "SemiWild" uses slower phrases throughout the whole song (e.g. wouldn't pla
y a long section of 32nd notes), while the "WildCresc" variation plays the wildl
y fast solos only during the B section of your song.
YL
:;413
Guitar, Electric, Soloist Train Pickin' Ev 130
It's time for some Chicken Pickin'! A smokin' fast country guitar soloist suite
d for 'train-beat' rhythm section. Played by a top Nashville session musician.
Style suggestions: ALTCNTRY, BAYOU, BGPOP, BISHOPS, SIMP_ROK, RICKY+, MAINST, C_
DRIVIN, C_HONKIN
:;419
Guitar, Electric, Soloist Train Pickin' Ev 130 (Bluesy)
It's time for some Chicken Pickin'! A smokin' fast country guitar soloist suite
d for 'train-beat' rhythm section. Played by a top Nashville session musician.
This is a more bluesy variation of this soloist, that will treat all majors like
dominant 7ths.
Style suggestions: ALTCNTRY, BAYOU, BGPOP, BISHOPS, SIMP_ROK, RICKY+, MAINST, C
_DRIVIN, C_HONKIN
:;408
Guitar, Resonator, Background Allis Ev 120
Background resonator guitar, sometimes referred to as 'TIFKAD' (the instrument f
ormerly known as Dobro). Resonator guitars have a metal cone that amplifies the
sound, rather than just using the hollow guitar body as a soundboard like most
other acoustic guitars. Popularly used in country, bluegrass, and blues. Try p
laying this style with "Guitar, Acoustic, Strumming Ev 120".
Style suggestions: BLUEGRAS1, JJESS, BAYOU, C_BWILLS, C_JEANIE, C_MARTY, C_OLDR
OC, J_CASH, BOARDWLK
:;377
Guitar, Resonator, Background Trav Ev 088
This background resonator guitar (TIFKAD) style will bring your country composit
ions to a whole new level, bringing to mind apple pie and the smell of hay! Try
it with "Guitar, Acoustic, Strumming DoubleTime Ev 088".
Background dobro playing will generally sound better if you use typical country
chords progressions (maj/min), although it will play over any chord type.
Style suggestions: TRAIN+, C_JESICA, NEAL, C_HAL, PW_PAUL, ROKBALD2, ALABAMA1,
BIG+
:;382
Guitar, Slide, Background Blues Ev 085
This background lap steel style is very soloistic, but is also understated, so i
t can be used effectively under a singer without getting in the way.

Style suggestions: ASHANT1, C_BALAD, C_PHIL, COOL, EKLUGH, FLORIDAS, JAZZROK1,
SADEE2, TEKINDY
:;383
Guitar, Slide, Soloist Blues Sw 120
The lap steel guitar is played horizontally while seated, using a steel (bottlen
eck). This irresistible soloist sounds great with a variety of styles, includin
g blues, rock, pop, country, and jazz. Try combining this soloist with an elect
ric rhythm guitar RealTracks style like "Guitar, Electric, Rhythm Blues Chuck Sw
102".
Style suggestions: C2_FIVE, C_BWILLS, C_DRIVIN, C_JP, CHACHA_G, LATNFOLK, OLDMO
TWN, TOASTY
:;418
Guitar, Slide, Soloist Blues Sw 120 (Bluesy)
This is a more bluesy variation of this lap steel soloist, that will treat all m
ajors like dominant 7ths.
102".
TWN, TOASTY
:;369
Pedal Steel, Background Ev 065
How would you like top Nashville players to record on your Country Ballad master
piece? Try combining this sweet Pedal Steel style with other country ballad sty
les such as "Guitar, Acoustic, Fingerpicking Ev 065" and "Bass, Electric, Countr
y Ev 065".
Style suggestions: C_BALAD, C2_HIND, HIND+, SWBALLAD, C_FAITH, C_FOLKY, PW_PAUL
, TJOAD
:;363
Pedal Steel, Background Ev 085
The original background pedal steel RealTracks style. Pedal steep has a distinc
tive sound that is strongly associate with country music. A pedal steel guitar
is a type of electric guitar that is mounted horizontally on a stand, and the gu
itarist uses a series of foot pedals to change the pitch of the strings.
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Pedal Steel, Background Hank Sw 120
Looking for the sweet Country-Swing sound? Try mixing this style with "Guitar,
Acoustic, Strumming Hank Sw 120". The pedal steel background styles work best o
ver typical country chord progressions, however they are capable of playing over
any chord type.
Style suggestions: C_CAJUN, NEWSOUTH, R_SHUFLE, BGPOP, C_BLUE, CR_BONNE, MODERN
+, NR_JASN+, OLDPOP_1, MAINST
:;371
Pedal Steel, Background Hank Sw 190
Up-tempo background swingin' pedal steel style. The pedal steel background styl
es work best over typical country chord progressions, however they are capable o
f playing over any chord type.
Style suggestions: AG_SKIP, C_TUCKER, C~HNKSR1, CHUKSHUF, CUMBFOK, DIXILAND, RO
K_200, TRAVEL!
:;404
Sax, Tenor, HipHop Rock Sw 100

Sophisticated swing 16ths tenor sax playing. While it will play over any chord
type, this soloist sounds best over jazz chords.
Tip - if you have recorded a melody for your song, try generating a solo using t
he 'around melody' mode in the Soloist dialog!
Style suggestions: AWB_1, BLTRACY, C_DELBERT, ENRIQUE, HIPTRIP, J!~FREDY, QUEEN
Y2, SPICE_M
:;416
Sax, Tenor, HipHop Rock Sw 100 (Bluesy)
dominant 7ths. Sophisticated swing 16ths tenor sax playing. While it will pla
y over any chord type, this soloist sounds best over jazz chords.
he 'around melody' mode in the Soloist dialog!
Y2, SPICE_M
:;361
Sax, Tenor, Jazz Sw 140
Original Jazz Sax RealTracks soloist style. Tip - while it can play over any ch
ord, this soloist will sound best over Jazz chord progressions.
:;415
Sax, Tenor, Jazz Sw 140 (Bluesy)
Original Jazz Sax RealTracks soloist style. This is a more bluesy variation of
this soloist, that will treat all majors like dominant 7ths. Tip - while it ca
n play over any chord, this soloist will sound best over Jazz chord progressions
.
:;403
Sax, Tenor, Motown Rock Ev 120
Live from New York...! Even 8ths Rock Sax soloist. Sounds best over Jazz (7th)
chords.
Style suggestions: BAKBEAT, BUSYBASS, CATALINA, DINER, JACO_JAZ, OLDMOTWN, FUSN
SW16, RB_SAMDV, SOUL2
:;417
Sax, Tenor, Motown Rock Ev 120 (Bluesy)
dominant 7ths. Live from New York...! Even 8ths Rock Sax soloist. Sounds bes
t over Jazz (7th) chords.
:;420
Bass, Electric, Blues Sw 120
A generic Swing 8ths Blues style. Try combining it with "Guitar, Electric, Solo
ist Blues Sw 120" and "Guitar, Electric, Rhythm Blues Sw 120".
Style suggestions: AG_ARETH, BLUSHF_2, BEEBSHUF, ZZSHFROK, STONESHF, R_SHUFLE, L
HBOOG4, FATS_DOM, CR_BONNE, J_LIGHT
:;421
Guitar, Electric, Rhythm Blues Sw 120
This style sounds best with maj, min, & dom7 chords, and works especially well o
ver typical Blues progressions.
Tip: Try replacing the Guitar track in your older MIDI-only songs and styles wi
th a REAL Electric Guitar part, and listen to the song come alive!
Style suggestions: BLZTRIO1, BLZTRIO2, BLZTRIO6, BOBBYBB, BOUNCY_G, C_BLUE, C_RO
CBIL, C~ROY, DRJONSHF, ELJAMES

:;422
Guitar, Electric, Soloist Blues Sw 120
Tasty Blues Guitar soloing, with a ton of variety and long licks.
Style suggestions: SHUFLIN, GRITTY, ELVIS1, CHUKSHUF, C_BLUE, ELJAMES, ZZHEVROK
:;423
Harmonica, Background Blues Sw 120
Blues harp playing. This background style is somewhat similar to the "Harmonica
, Soloist Blues Sw 120" style, although less busy and fewer melodic riffs.
Tempo range: 90-190. Very resilient to changes in tempo, although at extremely
fast tempos, the playing becomes 'super-human'.
Style suggestions: MILDRED, JIMMYR, HOWLINW, FOLKBLU, BERLYN, BLWOLF, ANCHORS,
NEWSOUTH, BLZTRIO1, BLZTRIO2, BLZTRIO6
:;424
Harmonica, Soloist Blues Sw 120
Blues harp Soloing. Somewhat similar to "Harmonica, Background Blues Sw 120", b
ut busier, more variety in the playing, with more melodic-sounding licks.
Tempo range: 100 - 170 bpm
Style suggestions: J!~BASIN, J!~SKY2, J!FGREE2, BOBBYBB, BOUNCY_G, C_BLUE, C_ROC
BIL, C~ROY, DRJONSHF, ELJAMES
:;425
Organ, B3, Background Blues Sw 120
Blues Organ with a "dirty" sound. This style sounds best with maj, min, & dom7
chords. There are distinct 'A' and 'B' sections, with 'A' having a more mellow
sound, and 'B' with a grittier sound overall.
Style suggestions: BLZTRIO1, BLZTRIO2, BLZTRIO6, BOBBYBB, BOUNCY_G, C_BLUE, C_R
OCBIL, C~ROY, DRJONSHF, ELJAMES
:;426
Banjo, Bluegrass Ev 130 (Rhythm)
Bluegrass banjo background. Try choosing the RealStyle _BG_BAND in the StylePic
ker - this style uses all RealTracks with no MIDI, including a Banjo rhythm part
. For best results, use over maj/min/dom7 chords (not Jazz chords).
Style suggestions: SUGARMAG, JUGTIME, BGRASS101, BG101_D, BAGWELL, J_CASH, AG_JU
MP, C_BWILLS
:;427
Bass, Acoustic, Bluegrass Ev 130
A straight forward Bluegrass Upright Bass style, mainly playing root and fifth.
Style suggestions: BYRDLYKE, C_AARON, C_COLIN, DOGSAMBA, Z3ETHNIC, CTRFST16, AG_
JUMP, C_WORKIN, BLUGRAS1
:;428
Fiddle, Rhythm Bluegrass Ev 130
This style features Fiddle chops during the A section, and shuffles at B.
Style suggestions: CC_CROW, PROGROK1, FAIRLASS, BG101_D, C_WORKIN, BLUGRAS1, BG1
01_D
The simple version of Fiddle, Rhythm Bluegrass Ev 130 omits rhythmic deviation.
To select the simple variation, put a check in the "Simpler" checkbox in the Re
alTracks picker.
:;429
Fiddle, Rhythm Bluegrass Ev 130 (Chops)
This is a variation of RealTracks rhythm style #428, which uses Fiddle chops thr
oughout both A and B substyles of the song.
01_D
alTracks picker.
:;430
Fiddle, Rhythm Bluegrass Ev 130 (Shuffles)
This is a variation of RealTracks rhythm style #428, which uses Fiddle shuffles
throughout both A and B substyles of the song.
01_D
alTracks picker.
:;431
Guitar, Acoustic, Strumming Bluegrass Ev 130
For best results, use Maj and Min chords (rather than Jazz chords) with this sty
le.
Style suggestions: BGPOP, BLUGRAS1, _NS2BT^7, BG101_D, BAGWELL, J_CASH, AG_JUMP,
C_BWILLS
:;432
Mandolin, Rhythm Bluegrass Ev 130
Mandolin background strumming. Try the demo song for _BG_Band.STY to hear an 'a
ll-RealTracks' Bluegrass Band. For best results, use over maj/min/dom7 chords.
Style suggestions: SLAWTERS, BG101_D, BAGWELL, J_CASH, SKA_1, AG_JUMP, SKA_FUNK
:;433
Banjo, Bluegrass Ev 130 (Soloist)
Bluegrass Banjo Soloing. This is a somewhat similar to the style "Banjo, Bluegr
ass Ev 130 (Rhythm)", and the two share some of the same source content. For be
st results, use over maj/min/dom7 chords.
Style suggestions: SUGARMAG, JUGTIME, BGRASS101, BG101_D, BAGWELL, C_WORKIN, BLU
GRAS1
:;434
Fiddle, Soloist Bluegrass Ev 130
Tip: Use this style with maj/min/dom7 chords for best results (rather than Jazz
chords). Try the RealStyle _BG_BDFS, by loading it's song demo from the StylePi
cker, or directly from the 'RealTracks - Demos' subfolder in your Band-in-a-Box
folder (uses RealTracks from sets 11 and 12).
Style suggestions: C_RICKY, C_SMOOTH, C_VINCE, BG101_D, BAGWELL, J_CASH
:;435
Guitar, Acoustic, Soloist Bluegrass Ev 130
Tip: You should have at least Version 2008 Build 263 for the best quality solo
(although the style will work with earlier builds). Use maj/min/dom7 chords for
best results, rather than Jazz chords.
Tempo range: 110-165. At the high end, sonic quality is good, but the guitarist
becomes 'super-human'!
Style suggestions: BGPOP, BG101_D, BAGWELL, J_CASH, AG_JUMP, C_BWILLS, DOGSAMBA,
Z3ETHNIC, CTRFST16, AG_JUMP, C_WORKIN, BLUGRAS1
:;436
Mandolin, Soloist Bluegrass Ev 130
Tip: Use maj/min/dom7 chords (rather than Jazz chords like maj7, m7, m7b5 etc.)
for best results with the Bluegrass RealTracks styles.
Tip: Some of the style suggestions are intended to show how you might integrate
the RealTracks style into different genres.
Style suggestions: BISHOPS, C_COWBOY, C_GJONES, BG101_D, BAGWELL, J_CASH, AG_JUM
P, C_BWILLS, DOGSAMBA, Z3ETHNIC
:;437
Sax, Alto, Older Sw 140

Classic older Jazz swing soloing, with lots of long phrases and smooth playing.
Use it in older swing Jazz band styles - for a good example try the RealStyle _
J140_OS (uses RealTracks from sets 13 & 14). Will also work as the soloist in a
variety of other genres including Blues, Latin, and Gospel; some suggestions ar
e below.
Tempo range: 110-170. Both the musical and sonic quality are preserved over a r
elatively wide tempo range.
Style suggestions: AG_CLAP, AHMAD1, BLAKWOOD, BLZTRIO4, FREEDOM, J_HERBIE, JAZCO
OL, LATJZ_LH, REGAENEW, SOUL_1
:;438
Sax, Alto, Older Sw 140 (Bluesy)
This is a more "bluesy" variation of RealTracks Soloist #437, which means that i
t will treat any major triad like a dominant 7th, and use a flatted 7th for solo
ing.
:;439
Trombone, Older Sw 140
Trombone swing soloing in the style of 30's and 40's players. For a typical sty
le example, try the RealStyle _J140OTB (uses RealTracks from sets 13 & 14).
Style suggestions: SINATRA, ZZJAZZ, J!~BASIN, J_COMBO, FREEDOM, MOTOWN_1, DINER,
FUSN_SHUF, SWINGBAL
:;440
Trombone, Older Sw 140 (Bluesy)
ing.
Tempo range: 110-170.
FUSN_SHUF, SWINGBAL:
:;441
Trumpet, Older Sw 140
Soloing in the style of 30's and 40's trumpet players. A typical style is the R
ealStyle _J140OTR (uses RealTracks from sets 13 & 14), although the style works
as the soloist in a variety of genres - your imagination is the limit.
Tip: In the StylePicker styles with the prefix '_' are RealStyles, which don't
contain any MIDI tracks. Styles with the '=' prefix are Styles with RealTracks,
which contain some MIDI tracks along with one or more RealTracks.
Tempo range: 115-220. Very large usable range. Sonic quality is good to very hi
gh tempos, but playing becomes unnatural.
Style suggestions: 98_JIG, FLUTHER!, JAZFOURS, LHBOOG1, LUCILLE, ORKBCH44, PAULM
ARY, PLAINSMN, PRINCE, TRACYCH1
:;442
Trumpet, Older Sw 140 (Bluesy)
ing.
:;443
Bass, Acoustic, Jazz Sw 140
This upright bass style plays 'in 2' during the A substyle, and 'in 4' (walking)
during the B section of your song. It is perfectly suited for any number of ol
der and newer Jazz swing styles.
Tempo range: 105-215. Like most other Bass RealTracks, this style can sound fla
wless over a very wide tempo range. Over 215bpm the percussive slaps (that soun
d along with the bass) sound less human.
Style suggestions: BRUBKBAL, FARAWAY, GARNER, J_PNO&BS, JOICE1, LAZY_RIV, OCTETT
E, ROMPIN
The simple version of Bass, Acoustic, Jazz Sw 140 has less busy riffs and sticks
to a simpler rhythm. To select the simple variation, put a check in the "Simpl
er" checkbox in the RealTracks picker.
:;444
Bass, Acoustic, Jazz Sw 140 ('2' only)
A variation of RealTracks rhythm style #443 that plays 'in 2' (mostly playing 2
notes per measure) throughout both the A and B substyles of your song.
E, ROMPIN
:;445
Bass, Acoustic, Jazz Sw 140 ('4' only)
A variation of RealTracks rhythm style #443 that plays 'in 4' (walking bass line
s) throughout both the A and B substyles of your song.
E, ROMPIN
:;446
Guitar, Electric, Rhythm Jazz Sw 140
Cool Jazz Electric Guitar comping with lots of traditional Jazz voicing. This s
tyle sounds best when used over Jazz chords (e.g. maj7, m7, 7). There are separ
ate 'A' and 'B' sections in the style, although the differences are subtle.
Style suggestions: ORKMED44, LARRY2, JAZZY1, J~MD_WLZ, J_HERBIE, GARNER~, FOLKRA
G, C_LSHUFF, AHMAD1
The simple version of Guitar, Electric, Rhythm Jazz Sw 140 has less non-diatonic
chord tones and complex rhythms. To select the simple variation, put a check i
n the "Simpler" checkbox in the RealTracks picker.
:;447
Guitar, Electric, Rhythm Jazz Sw 140 ('A' only)
A variation of the RealTracks rhythm style #446. The 'A' section of the style w
ill play through both the A and B substyles of your song.
G, C_LSHUFF, AHMAD1
:;448
Guitar, Electric, Rhythm Jazz Sw 140 ('B' only)
A variation of the RealTracks rhythm style #446. The 'B' section of the style w
ill play through both the A and B substyles of your song.
G, C_LSHUFF, AHMAD1
:;449
Piano, Acoustic, Rhythm Jazz Sw 140
Combine this style with Acoustic Bass Sw 140, Acoustic Bass Sw 140, and Guitar,
Electric, Rhythm jazz Sw 140, and you have a world-class Jazz rhythm section bac
king you up. There are separate A and B sections in this style, so you can add
variety to your song by entering different part markers.
To hear a typical use for this style, open the StylePicker and try the RealStyle
_J140_JT (uses RealTracks from sets 13 and 14). There are more style suggestio
ns below; some of these are intended to show a range of genres that the RealTrac
ks style can be integrated into.
Style suggestions: J_LIGHT, LARRY, REGAESKA, SANFRAN, SAVED, SINATRA, TANTUCKER,
TBONE, TEKQUIK, ZZBLUSTR
The simple version of Piano, Acoustic, Rhythm Jazz Sw 140 omits some of the nondiatonic tensions and busy riffs. To select the simple variation, put a check i
:;450
Piano, Acoustic, Rhythm Jazz Sw 140 ('A' only)
A variation of the RealTracks rhythm style #449. The 'A' section of the style w
ill play through both the A and B substyles of your song. This is slightly more
relaxed and lower intensity variation.
:;451
Piano, Acoustic, Rhythm Jazz Sw 140 ('B' only)
A variation of the RealTracks rhythm style #449. The 'B' section of the style w
ill play through both the A and B substyles of your song. This gives you a slig
htly more lively Piano comping performance.
:;452
Bass, Acoustic, Soloist Jazz Sw 140
Double Bass soloing with a ton of variety and lots of long phrases. Tip: Also
add a Rhythm Bass RealTracks style to another track in your song, but mute it wh
en you want the Soloist to take over (and vice versa). Try the RealStyle _J140_
B2, and reduce the volume of the other instruments to let the bass solo shine.
Style suggestions: STEVIEW4, SHOPING+, ROCKABIL, MAYTAL1, J!~TEDY2, FUSNSHF2, CO
C~TAIL, C_EZSHUF, BLUE+
:;453
Bass, Acoustic, Soloist Jazz Sw 140 (Bluesy)
ing.
Style suggestions: STEVIEW4, SHOPING+, ROCKABIL, MAYTAL1, J!~TEDY2, FUSNSHF2, CO
C~TAIL, C_EZSHUF, BLUE+
:;454
Piano, Acoustic, Soloist Jazz Sw 140
Jazz Piano Left-hand and right-hand soloing, with some RH-only phrases. This is
quite a specific style and sounds best with medium tempo Jazz swing styles. Tr
y the RealStyle _J140_PS, a Jazz trio with piano soloing.
Tempo range: 130-160. Relatively narrow tempo range is appropriate.
Style suggestions: COZY_SW, GARNER, J!~HONEY, J_COMBO, J_DJANGO, J_HERBIE, J_LIG
HT, J~BREEZY, KEITHMED, SINATRA
:;455
Piano, Acoustic, Soloist Jazz Sw 140 (Bluesy)
ing.
:;456
Sax, Alto, Jazz Sw 140
Nothing says "sophistication" like an alto sax intricately weaving it's way thro
ugh a set of complex jazz lines. This is a more modern feel than the "Older Sw"
soloist (Bird etc.).
:;457
Sax, Alto, Jazz Sw 140 (Bluesy)
ing.
:;458
Sax, Tenor, Jazz Sw 140 Extended
This style is similar to "Sax, Tenor, Jazz Sw 140" (the first RealTracks soloist
), but it has a much larger database of material available, so your tenor solos
can have a fresh new sound with brand new lines. Generation time is slightly lo
nger.
Style suggestions: DIXIDUKE, ELVIS1, FNK_150, FUSN_SHU, GAITHERS, MCCOY3, TROPIC
S1, ZZJAZWAL
:;459
Sax, Tenor, Jazz Sw 140 Extended (Bluesy)
ing.
S1, ZZJAZWAL
:;460
Trombone, Jazz Sw 140
This soloist features a Contemporary Jazz approach. As with other RealTracks, y
ou can use your imagination to combine the soloist with other genres. Use the S
tyle suggestions below to get started, and have fun!
Style suggestions: J_MJQ_1, J_CELLAR, LAJOLLA, R_SHUFLE, TEK_WILD, MAYTAL1
:;461
Trombone, Jazz Sw 140 (Bluesy)
ing.

:;462
Trumpet, Jazz Sw 140
A modern approach to Jazz Trumpet playing, in the tradition of Miles, Freddie, e
tc. Works with many different styles and tempos.
Tip: In the StylePicker, you can find many Styles with RealTracks ('=*.STY) - th
ese have some MIDI parts, but at least one RealTracks style, and RealStyles ('_*
.STY) - these ones have no MIDI parts.
Style suggestions: C_LEANN, HERBIE2, KLEZMER1, LOTUS1, MCCOY3, REGAENEW, SONMN23
:;463
Trumpet, Jazz Sw 140 (Bluesy)
ing.
:;464
Bass, Acoustic, Bossa Ev 140
This style has distinct 'A' and 'B' sections (more up-beat during the B substyle
in your song). Combine this RealTracks style with "Piano, Acoustic, Rhythm Boss
a Ev 140" and "Guitar, Electric, Rhythm Bossa Ev 140", and you have your dream B
ossa backing band!
Tempo range: 120-175. Bass generally tempo stretches well and retains it's "mus
icality" over a wide range.
Style suggestions: !BYRDQRT, AG_FRANK, BACH_1, BBE_TEK, BISHOPS, BLUSHF_2, BURTB
AC1, FLASHED, HIPHOP_2
The simple version of Bass, Acoustic, Bossa Ev 140 omits complex rhythms. To se
lect the simple variation, put a check in the "Simpler" checkbox in the RealTrac
ks picker.
:;465
Bass, Acoustic, Bossa Ev 140 ('A' only)
A variation of the RealTracks rhythm style #464. The 'A' section of the style p
lays throughout both A and B substyles in your song. Less rhythmic variability
than 'B'.
ks picker.
:;466
Bass, Acoustic, Bossa Ev 140 ('B' only)
A variation of the RealTracks rhythm style #464. The 'B' section of the style p
lays throughout both A and B substyles in your song. This is more lively, with
more rhythmic variability than the 'A' section.
ks picker.
:;467
Guitar, Electric, Rhythm Bossa Ev 140
This style is suitable for most Latin-Jazz, Jazz-Bossa, and Bossa-Rock styles.
Try the RealStyle _B140GTB for a good example. It sounds best over Jazz chords
(e.g. maj7, m7, 7). There are 'A' and 'B' sections, although the differences ar
e subtle.

Style suggestions: BOSALITE, !BYRDTRI, JOHNNYH, L_BOS_EZ, L~BOSBRZ, OLINDA, SOUL
_1, BOSANY
The simple version of Guitar, Electric, Rhythm Bossa Ev 140 excludes some busy r
iffs and non-diatonic tensions. To select the simple variation, put a check in
:;468
Guitar, Electric, Rhythm Bossa Ev 140 ('A' only)
lays throughout both A and B substyles in your song.
_1, BOSANY
:;469
Guitar, Electric, Rhythm Bossa Ev 140 ('B' only)
_1, BOSANY
:;470
Piano, Acoustic, Rhythm Bossa Ev 140
Jazz Bossa Piano coming. This style features distinct 'A' and 'B' sections. 'B
' is considerably more energetic, in contrast to the soft, sparse playing at 'A'
. Try the RealStyle _B140_TP for a typical example of how to use this style. I
t sounds best over Jazz chords (e.g. maj7, m7, 7) Combine with "Bass, Acoustic,
Rhythm Bossa Ev 140" and "Guitar, Electric, Rhythm Bossa Ev 140", and you have y
our dream Bossa backing band!
Tip: The suggested tempo range is what we have found to be the most useful rang
e in general based on sonic (sound quality) and musical considerations, however
it is quite possible to find specific cases where the style will work well outsi
de the range.
Style suggestions: C_SAMMY, SONMN23, HIVE+, GUAJIRA1, EXCITE1, COLORS, BOSSA2, B
ERLYN
The simple version of Piano, Acoustic, Rhythm Bossa Ev 140 excludes some busy ri
ffs and non-diatonic tensions. To select the simple variation, put a check in t
he "Simpler" checkbox in the RealTracks picker.
:;471
Piano, Acoustic, Rhythm Bossa Ev 140 ('A' only)
lays throughout both A and B substyles in your song - simple, soft comping.
ERLYN
:;472
Piano, Acoustic, Rhythm Bossa Ev 140 ('B' only)
lays throughout both A and B substyles in your song. This is a more energetic a
pproach.

ERLYN
:;473
Bass, Acoustic, Soloist Bossa Ev 140
Jazz Bossa Bass soloing. Tip: Also add a Rhythm Bass RealTracks style to anothe
r track in your song, but mute it when you want the Soloist to take over (and vi
ce versa).
Tip: To use RealTracks in your song, it isn't necessary to select a specific 'S
tyle with RealTracks'. Try adding new life to your older songs that use MIDI-on
ly styles - simply load in one of the songs, right-click on a track and select a
ny available RealTracks style.
Tempo range: 115-170. Sonic quality is preserved throughout wide range, but rea
lly fast tempos can be 'unbelievable'.
Style suggestions: ARPORK44, BOSANY, C_DARRYL, CATALINA, DISCO_1, FASTLAT3, FNK_
150, MERFAST, PNOMOOD1, REQIEM+
:;474
Bass, Acoustic, Soloist Bossa Ev 140 (Bluesy)
ing.
Tempo range: 115-170. Sonic quality is preserved throughout wide range, but rea
lly fast tempos can be 'unbelievable'.
Style suggestions: ARPORK44, BOSANY, C_DARRYL, CATALINA, DISCO_1, FASTLAT3, FNK_
150, MERFAST, PNOMOOD1, REQIEM+
:;475
Sax, Alto, Bossa Ev 140
Alto Saxophone Bossa soloing, with long, free-flowing, and catchy phrases. Appr
opriate for Jazz-Bossa and Latin-Jazz, and can be used with a wide variety of st
yles. Start with the style suggestions below, and then use your imagination!
Tempo range: 105-180. Faster tempos may be useable as well, up to double-time.
Style suggestions: =MODER_G, C_ERIC, C_GJONES, HIPHOP_2, J!~SKY, JANDEEN1, JUMPI
N, L_GUARCH, ROCK8, SEEKER
:;476
Sax, Alto, Bossa Ev 140 (Bluesy)
ing.
:;477
Trombone, Bossa Ev 140
This style works great with everything from Bossa Jazz and Latin to Rock, Fusion
, Reggae - even Techno! Try selecting the RealStyle _B140_TB from the StylePick
er to hear a typical use of the Trombone Bossa Soloist in a Bossa Jazz setting.
Also, try it with the Cuban Salsa styles, using RealDrums from RD sets 12 & 13.
Tempo range: 115-165. Sonic quality is excellent over a wide tempo range.
Style suggestions: BOSANY, HORACE1, J_DOLFIN, L~BOSBRZ, PALOALTO, REGAENEW, SOUL
_1, TEKREGAE
:;478
Trombone, Bossa Ev 140 (Bluesy)
ing.
_1, TEKREGAE
:;479
Trumpet, Bossa Ev 140
Combine this RealTracks style with "Piano, Acoustic, Rhythm Bossa Ev 140", "Guit
ar, Electric, Rhythm Bossa Ev 140", and "Bass, Acoustic, Bossa Ev 140" (using R
ealTracks from sets 16 & 17) for the ultimate Jazz Bossa experience!
Style suggestions: BOSANUVO, FNK_150, ITALPOP, LILFOOT1, LJ_CHA, SOUL_1, SKALITE
1
:;480
Trumpet, Bossa Ev 140 (Bluesy)
ing.
1
:;481
Bass, Acoustic, Jazz Ballad Sw 085
Try combining this style with "Piano, Acoustic, Rhythm, Jazz Ballad", "Guitar, E
lectric, Rhythm, Jazz Ballad", and a Terry Clarke brushes RealDrums style. Or c
hoose the RealStyle _J085GAS. Sounds best over Jazz chords (e.g. maj7, m7, 7).
It plays an 'in 2' feel for the A substyle, and walks during the B substyle.
Tempo range: 65-120
Style suggestions: BLUESSTR, JOEPSLOW, J_SLOBAL, JAMMIN, JAZZSLOW, RAININ, SKYBL
AST, SLOWHOP, STRIDE2
The simple version of Bass, Acoustic, Jazz Ballad Sw 085 has less busy riffs and
sticks to a simpler rhythm. To select the simple variation, put a check in the
"Simpler" checkbox in the RealTracks picker.
:;482
Bass, Acoustic, Jazz Ballad Sw 085 ('2' only)
A variation of the RealTracks rhythm style #481. The style plays 'in 2' through
out both A and B substyles in your song.
Tempo range: 65-120
:;483
Bass, Acoustic, Jazz Ballad Sw 085 ('4' only)
A variation of the RealTracks rhythm style #481. The style plays 'in 4' (walkin
g) throughout both A and B substyles in your song.
Tempo range: 65-120
:;484
Guitar, Electric, Rhythm Jazz Ballad Sw 085
This style will sound best with Jazz chords (e.g. maj7, m7, 7). It has separate
'A' and 'B' substyle sections, although the difference is subtle.
Tempo range: 75-120
Style suggestions: AG_SOUL, ARPEGGIO, BGEE_BAL, BLUESSTR, BLUESY1, C_TAMMY, J~CO
ZY, JAMMIN
The simple version of Guitar, Electric, Rhythm Jazz Ballad Sw 085 has less non-d
iatonic chord tones and complex rhythms. To select the simple variation, put a
check in the "Simpler" checkbox in the RealTracks picker.
:;485
Guitar, Electric, Rhythm Jazz Ballad Sw 085 ('A' only)
Tempo range: 75-120
ZY, JAMMIN
:;486
Guitar, Electric, Rhythm Jazz Ballad Sw 085 ('B' only)
Tempo range: 75-120
ZY, JAMMIN
:;487
Piano, Acoustic, Rhythm Jazz Ballad Sw 085
This style has distinct 'A' and 'B' sections, the A section features softer, mor
e relaxed chording, while the B section offers more energy and rhythmic/melodic
variety. Will sound best with Jazz chords (e.g. maj7, m7, 7).
Tempo range: 75-110. For the most natural sound, you should play this style fai
rly close to it's native tempo of 85.
Style suggestions: BOLERO2, CC_TOWN, FUNKAFY, JAZZBAL1, KLADRMAN, POPBALAD, REGA
EFNK
For Piano, Acoustic, Rhythm Jazz Ballad Sw 085, b9, #9, #5, b13,on dominant 7 ch
ords have been removed to make a simplified version which will sound better over
more basic styles. To select the simple variation, put a check in the "Simpler
:;488
Piano, Acoustic, Rhythm Jazz Ballad Sw 085 ('A' only)
lays throughout both A and B substyles in your song. This features softer, more
sparse and relaxed chording.
rly close to it's native tempo of 85, although depending on how you are using it
, more extreme tempos can sound good as well.
Style suggestions: BOLERO2, CC_TOWN, FUNKAFY, JAZZBAL1, KLADRMAN, POPBALAD, REGA
EFNK
:;489
Piano, Acoustic, Rhythm Jazz Ballad Sw 085 ('B' only)
lays throughout both A and B substyles in your song. This features louder playi
ng, and more rhythmic and melodic variation.
rly close to it's native tempo of 85.
Style suggestions: BOLERO2, CC_TOWN, FUNKAFY, JAZZBAL1, KLADRMAN, POPBALAD, REG
AEFNK
:;490
Sax, Alto, Jazz Ballad Sw 085
Sophisticated and flowing Alto Saxophone playing in a Ballad style. In addition

to typical Jazz Swing styles like _J085_AS, this can work great with Smooth Jaz
z, Hip-hop, and Reggae styles, as well as some straight-feel Pop styles!
Tempo range: 65-130
Style suggestions: ASHANT1, BGEE_BAL, BRITSW16, DUBDROPD, HIGHER, HIPHOP5, J_SL
OBAL, J~COZY, J~LIONEL, RAININ
:;491
Sax, Alto, Jazz Ballad Sw 085 (Bluesy)
ing.
Tempo range: 65-130
Style suggestions: ASHANT1, BGEE_BAL, BRITSW16, DUBDROPD, HIGHER, HIPHOP5, J_SL
OBAL, J~COZY, J~LIONEL, RAININ
:;492
Trombone, Jazz Ballad Sw 085
Slow and expressive Trombone playing. Tip: Try loading the RealStyle _J085_TB
from the StylePicker to hear it playing in a typical Jazz Ballad setting with Ba
ss and Piano Sw 085 RealTracks styles.
Style suggestions: BOGEY~, DEEPFRY1, FLOYD, J!~HOAGY, JOEPSLOW, P_DIDO1, RAININ
, SAM_COOK
:;493
Trombone, Jazz Ballad Sw 085 (Bluesy)
ing.
Style suggestions: BOGEY~, DEEPFRY1, FLOYD, J!~HOAGY, JOEPSLOW, P_DIDO1, RAININ
, SAM_COOK
:;494
Trumpet, Jazz Ballad Sw 085
Tasteful, slow swing ballad playing with a modern approach. Try choosing the Re
alStyle _J085_TP from the StylePicker. This style is has the prefix '_' (unders
core), which indicates that it has no MIDI parts. Styles with RealTracks with t
he '=' prefix have a combination of RealTracks and MIDI tracks. Of course, you
can also open MIDI-only styles such as the ones suggested below, and add RealTra
cks to them. The possibilities are endless...
Tempo range: 70-100
Style suggestions: JAZCOOL, JAZ_60, JAZZBAL1, JIMMYR, BOGEY~, ENYA44, SWBALLAD,
SLOWHOP
:;495
Trumpet, Jazz Ballad Sw 085 (Bluesy)
ing.
Tempo range: 70-100
Style suggestions: JAZCOOL, JAZ_60, JAZZBAL1, JIMMYR, BOGEY~, ENYA44, SWBALLAD,
SLOWHOP
:;496
Guitar, Electric, Rhythm StoneZ Honky 1 Ev 120
There are two 'StoneZ Honky' guitar styles. These are intended to be played tog
ether for a full band sound. The two guitar parts were recorded by two differen
t musicians, each playing off of the riffs of the other. With these 120bpm Real
Tracks, the guitarists play in a laid-back manner compared to the 140bpm styles.
There are two distinct substyles, which follow A/B part markers in your song.
Style suggestions: CRAY1, KEEFR, C_HBILLY, MODROK1, LYNYRD1
The simple version of Guitar, Electric, Rhythm StoneZ Honky 1 Ev 120 excludes me
lodic riffs. To select the simple variation, put a check in the "Simpler" check
box in the RealTracks picker.

:;497
Guitar, Electric, Rhythm StoneZ Honky 1 Ev 120('A' only)
This is a variation of 'StoneZ Honky 1' that uses only the A substyle, even if y
ou have part markers in your song.
:;498
Guitar, Electric, Rhythm StoneZ Honky 1 Ev 120('B' only)
This is a variation of 'StoneZ Honky 1' that uses only the B substyle, even if y
ou have part markers in your song. This substyle can be used if your whole song
needs an added 'boost'.
:;499
Guitar, Electric, Rhythm StoneZ Flash 1 Ev 140
There are two 'StoneZ Flash' guitar styles. These are intended to be played tog
Tracks, the parts are full of the energy that an up-tempo tune requires.
The simple version of Guitar, Electric, Rhythm StoneZ Flash 1 Ev 140 excludes me
:;500
Guitar, Electric, Rhythm StoneZ Flash 1 Ev 140('A' only)
This is a variation of 'StoneZ Flash 1' that uses only the A substyle, even if y
:;501
Guitar, Electric, Rhythm StoneZ Flash 1 Ev 140('B' only)
This is a variation of 'StoneZ Flash 1' that uses only the B substyle, even if y
:;502
Guitar, Electric, Rhythm StoneZ Honky 2 Ev 120
There are two 'StoneZ Honky' guitar styles. These are intended to be played tog
Tracks, the guitarists play in a laid-back manner compared to the 140bpm styles.
There are two distinct substyles, which follow A/B part markers in your song.
:;503
Guitar, Electric, Rhythm StoneZ Honky 2 Ev 120('A' only)

This is a variation of 'StoneZ Honky 2' that uses only the A substyle, even if y
:;504
Guitar, Electric, Rhythm StoneZ Honky 2 Ev 120('B' only)
This is a variation of 'StoneZ Honky 2' that uses only the B substyle, even if y
needs an added 'boost
:;505
Guitar, Electric, Rhythm StoneZ Flash 2 Ev 140
There are two 'StoneZ Flash' guitar styles. These are intended to be played tog
Tracks, the parts are full of the energy that an up-tempo tune requires.
:;506
Guitar, Electric, Rhythm StoneZ Flash 2 Ev 140('A' only)
This is a variation of 'StoneZ Flash 2' that uses only the A substyle, even if y
:;507
Guitar, Electric, Rhythm StoneZ Flash 2 Ev 140('B' only)
This is a variation of 'StoneZ Flash 2' that uses only the B substyle, even if y
:;508
Guitar, Electric, Rhythm Dire Ev 085
Clean, even, classic rock guitar sound. The Notation and Guitar Fretboard windo
ws will show accurate tab and fingering for all the 'Rhythm Dire' styles!
Tempo range: 65-100
Style suggestions: DIREMOOD
The simple variation of Guitar, Electric, Rhythm Dire Ev 085 has just major chor
ds being played with out any runs or embellishment. To select the simple variat
ion, put a check in the "Simpler" checkbox in the RealTracks picker.
:;509
Style suggestions: DIREMOOD
The simple version of Guitar, Electric, Rhythm Dire Ev 120 excludes riffs that d
eviate from the basic rhythm. To select the simple variation, put a check in th
e "Simpler" checkbox in the RealTracks picker.
:;510
Style suggestions: DIREFAST
The simple version of Guitar, Electric, Rhythm Dire Ev 140 excludes riffs that d
:;511
Guitar, Electric, Soloist Dire Ev 140
Clean, even, classic rock guitar sound. This superbly clean soloist can be used
in any key, over any changes you care to throw it's way, and the Notation and G
uitar Fretboard windows will show accurate tab and fingering!
Style suggestions: DIREMOOD, DIREFAST
:;512
Guitar, Electric, Soloist Dire Ev 140(Bluesy)
This is a 'Bluesy' variation of the 'Soloist Dire Ev 140' RealTracks. This mean
s that it will treat triads as 7th chords instead than major7.
:;513
Bass, Electric, Funk James Finger Ev 100
Finger version of the Funk 100 Electric Bass style.
Tempo range: 85-115
Style suggestions: JB_BRASS, HIPTRIP
:;514
Bass, Electric, Funk James Slap Ev 100
Slap version of the Funk 100 Electric Bass style. It's comprised of intricate l
ines and funky slap tones.
Tempo range: 85-125
:;515
Bass, Electric, Funk Smooth Jammin Ev 100
There are two substyles in this RealTracks instrument, which follow A and B part
markers in your song.
Tempo range: 85-120
Style suggestions: JAMMIN
:;516
Bass, Electric, Funk Smooth Jammin Ev 100('A' only)
This is a variation of the 'Funk Smooth Jammin' Bass style, which only plays the
A substyle throughout the song, regardless of part markers.
Tempo range: 85-120
:;517
Bass, Electric, Funk Smooth Jammin Ev 100('B' only)
This is a variation of the 'Funk Smooth Jammin' Bass style, which only plays the
B substyle throughout the song, regardless of part markers.
Tempo range: 85-120
:;518
Bass, Electric, Pop HalfNotes Ev 085
The Pop "HalfNotes" Bass styles suit a wide range of musical styles. This is su
itable for Pop and Country ballads.
Tempo range: 75-105
Style suggestions: NR_DUNN+
The simple version of Bass, Electric, Pop HalfNotes Ev 085 excludes riffs that d
:;519
The basic approach to this bass style is simplicity, playing mostly half notes,
but the subtle embellishments and the solid groove make the part come alive. Su
itable for a wide range of musical styles.
Style suggestions: C_EAGLES

:;520
For up-tempo tunes, you need a solid bass part holding things down, provided her
e. Could be used with a wide range of musical styles.
:;521
Bass, Electric, Pop Syncopated Ev 136
This is an extremely common pop bass groove, with the bass playing half notes, b
ut with an additional note played on the and-of-two. This gives the "Heartbeat"
groove frequently heard in pop tunes.
The simple version of Bass, Electric, Pop Syncopated Ev 136 excludes riffs that
deviate from the basic root notes. To select the simple variation, put a check
in the "Simpler" checkbox in the RealTracks picker.
:;522
The Guitar is meant for a simple filler to round out the sound with a basic fing
erpicking approach. It goes well with Even Acoustic Strumming guitar.
This style works for pop or country tunes.
Style suggestions: C_AARON, C_EAGLES, BLUGRAS1, SIMP_ROK
:;523
Very basic fingerpicking, nothing fancy here. The picker keeps a solid pattern
so it fits in well with up tempo even feel songs. Great for fast country number
s.
Style suggestions: RAMBLIN1, BODID1, C_TUCKER
With simple chosen for Guitar, Acoustic, Fingerpicking Ev 190 you will not hear
any sus chords played when entering a major chord. To select the simple variati
on, put a check in the "Simpler" checkbox in the RealTracks picker.
:;524
Straight ahead strumming meant to give you the solid rhythm backing with a human
feel and real acoustic sound which you cant get from a MIDI Synth guitar.
Style suggestions: C_TUCKER, C_VINCE2, HOSANNA
:;525
An Even strumming feel, this Guitar is quick and solid and will fill in on many
variations of styles. It works well when sped up as well.
Style suggestions: ROCKABIL.STY, STEELES, C_BUCK
:;526
Slow pop swing 8ths ballad. Slow Country feel, the swing makes it perfect for a
`mozie` song. Works well in other genres besides country as long as they are sl
ow tempo.
Tempo range: 60-80
Style suggestions: C_TAMMY, C~PATSY, FLOYD
:;527

This style takes it simple to add another layer to your song. It doesn't take a
way from any of the other instruments, just adding a nice layer to the sound.
Tempo range: 75-115
Style suggestions: FLOYD, SWBALLAD, C_TAMMY
:;528
The Swing of the Fingerpicking gives this RealTrack a bouncy feel. Works well wi
th simple country songs as well as more complex chord changes as the playing is
consistent through out.
Style suggestions: NASHVL_G, SWBALLAD, BGBALLAD
:;529
Slow swinging guitar with Country feel. This RealTrack will fit in perfectly wi
th slow country ballads. Also can be used in a slow swinging pop ballad.
Tempo range: 60-85
Style suggestions: NASHVL_G, SWBALLAD,
:;530
This Swinging Strummed Acoustic guitar will fit in perfectly with any swing genr
e at this tempo. With such a basic strumming style this RealTrack is extremely
versatile.
Tempo range: 75-100
Style suggestions: C_HAGARD, C_TAMMY, C~PATSY
:;531
Bass, Acoustic, Pop Sw 065
Simple Acoustic Swinging Bass for Pop numbers. Useful for slow ballads and can a
lso be used in slow Jazz numbers. Works well with Guitar, Acoustic, Strumming Ha
nk Sw 065 and Guitar, Acoustic, Fingerpicking Hank Sw 065.
Style suggestions: NASHVL_G, SWBALLAD,
:;532
This Acoustic bass works in all genres of music. You can play it with country s
tyles or Jazz. You can even play it with Pop styles. Try this RealTrack with G
uitar, Acoustic, Strumming Hank Sw 085 and Guitar, Acoustic, Fingerpicking Hank
Sw 085 for a solid rhythm section.
Tempo range: 70-105
Style suggestions: C~PATSY, SWBALLAD, ACBALLAD
:;533
Bass, Electric, 12-8 Crystal Sw 065
Just a simple Bass that hits the '1 and 3' most of the time and can be used in m
any styles of music. Jazz, Country, Pop and Rock. It works in 12-8 but it also
works in swing 4/4 songs.
Tempo range: 60-80
Style suggestions: NR_NORJ+, 34BGSLOW,
The simple version of Bass, Electric, 12-8 Crystal Sw 065 omits busy riffs and r
hythmic deviation. To select the simple variation, put a check in the "Simpler"
checkbox in the RealTracks picker.
:;534
Bass, Electric, Pop Sw 065
Simple Bass lines played in a slow Swing for mainly Pop Ballads. Not too complic
ated so it will work well with other styles of music.
Tempo range: 55-100
Style suggestions: WEEDS, C_BLUE, AG_SOUL
The simple version of Bass, Electric, Pop Sw 065 excludes riffs that deviate fro
m the basic rhythm and/or harmony. To select the simple variation, put a check
:;535

This Swinging Electric Bass is played very simple with out allot of flourishes s
o it sits nicely in the mix. Try it on a Pop tune or on a Swinging Jazz number.
Tempo range: 70-105
Style suggestions: AG_SOUL, BGEE_BAL, FLOYD
:;536
Up-tempo feel that will cover all swinging Acoustic Bass needs. Fits many diffe
rent genres so it can be used in varying songs. Nothing flashy about this bass
playing so use it when you need a solid Rhythm section.
Style suggestions: FAITH, GLORIA, HAPPY
:;537
Giving you a Feel that you can only get from an actual Acoustic Bass this swingi
ng style is perfect for those up-tempo pop numbers or even a country song. You
can also try this style with some swinging jazz styles.
Style suggestions: GIT_COMP, QWICKSTEP, SHUF70S
:;538
With a fast tempo to this Acoustic Swing bass it will fit in with Pop numbers or
Jazz numbers. Try this Bass out with Guitar, Acoustic, Fingerpicking Hank Sw 1
90 and Guitar, Acoustic, Strumming Hank Sw 190.
Style suggestions: STEVIEW4, C_TRAVIS, C_TEX_SW
The simple version of Bass, Acoustic, Pop Sw 190 excludes riffs that deviate fro
:;539
Basic Electric Pop bass with a Swing feel that plays mainly on the '1' and '3'.
Can be used with Strummed Acoustic Guitar and Fingerpicked Guitar to give a sol
id swinging rhythm section.
Style suggestions: C_JUKBOX, C_SWING, PADDY
:;540
Up Tempo Swinging Electric Bass that isn't just for Pop. Try this RealTrack wit
h jazz numbers or Country tunes to add a perfect rhythm from the Bass.
Style suggestions: PAULMARY, R_SHUFLE, J!ALHIRT
:;541
This RealTracks is a fast electric swinging bass that can be used in varying gen
res of music. With such a basic approach to this bass track it can fit well wit
h a variety of RealTracks and RealDrums.
Style suggestions: J!~TEDY2, CASHLUTH, J_MODTRI

:;542
Guitar, Electric, Rhythm Dreamy Ev 085
Not to busy, the name says it all. A dreamy even feel that blends into the back
ground of any slow ballad. Works well with Guitar, Acoustic, Fingerpicking Ev 0
85 and Guitar, Acoustic, Strumming Ev 085 to make a solid backing section.
Tempo range: 70-110
Style suggestions: ALANIS1, CR_ERIC, ELVISBIG
The simple version of Guitar, Electric, Rhythm Dreamy Ev 085 excludes riffs that
:;543
This Even Rhythm guitar features a lightly strummed guitar which gives it the dr
eamy feel. This RealTrack is meant for backing and it goes well with the Guitar
, Acoustic, Fingerpicking Ev 120 and Guitar, Acoustic, Strumming Ev 120 guitars.
Style suggestions: CC_CROW, R_BOSSA1, Elton1
:;544
This is a basic Even Rhythm track it has long sustained chords that are meant to
add depth to a pop song or even a country tune. The electric guitar has a clea
n tone which does not distract from the other RealTracks.
Style suggestions: P_SURFIN, EASTRNRK
:;545
With an Even feel this RealTrack is perfect for up-tempo songs which need a drea
my feel to round out the sound. Try it with your quicker tunes to add some dept
h. Great for Intro's and outro's.
Style suggestions: Riders, Rock_200
:;546
Bass, Acoustic, Jazz Waltz Sw 140
An upright acoustic Bass played in a Swinging waltz feel. Includes 'A' and 'B' s
ubsections. The 'A' section plays on the one mostly. The 'B' section is a walk
ing bass in waltz feel. This will work well with Guitar, Electric, Rhythm Jazz W
altz Sw 140 as well as Piano, Rhythm, Jazz Waltz Sw 140.
Style suggestions: BLUESET, GUIT34, VIENAWLZ
The simple version of Bass, Acoustic, Jazz Waltz Sw 140 omits busy riffs and som
e non-diatonic tensions. To select the simple variation, put a check in the "Si
mpler" checkbox in the RealTracks picker.
:;547
Bass, Acoustic, Jazz Waltz Sw 140('A' only)
Upright Acoustic Bass with just the 'A' section so it will play mostly on the on
e. Use this RealTrack if you want to keep the Bass simple.

:;548
Bass, Acoustic, Jazz Waltz Sw 140('B' only)
Only the 'B' section so this Acoustic Bass has a walking feel. Use this RealTrac
k when you need a slightly up-tempo walking bass line on an acoustic bass.
:;549
Guitar, Electric, Rhythm Jazz Waltz Sw 140
Electric guitar Waltz lightly played for a nice basic rhythm. Includes both an '
A' and 'B' section for more variations within one song. Also available in just
'A' and 'B' sections as well.
Style suggestions: J_WESWLZ, J~GITWLZ, BLUESET
The simple version of Guitar, Electric, Rhythm Jazz Waltz Sw 140 omits busy riff
s and some non-diatonic tensions. To select the simple variation, put a check i
:;550
Guitar, Electric, Rhythm Jazz Waltz Sw 140('A' only)
Just the 'A" section of the Swinging Waltz Jazz guitar. Soft feel for when you w
ant the guitar player to stay in the back of the mix.
:;551
Guitar, Electric, Rhythm Jazz Waltz Sw 140('B' only)
With just the 'B' section you get a harder/sharper attack on this RealTrack. Use
this RealTracks when you want a prominent guitar through your whole song.
:;552
Piano, Rhythm, Jazz Waltz Sw 140
Jazz Waltz RealTracks with a light attack in the 'A' section and a shorter attac
k in the 'B'. Works well with Jazz Electric Guitar Waltz and Jazz Acoustic Bass
.
Style suggestions: TENDERLY, SKATING, BLUESET
The simple version of Piano, Acoustic, Rhythm Jazz Waltz Sw 140 omits busy riffs
and some non-diatonic tensions. To select the simple variation, put a check in
:;553
Piano, Rhythm, Jazz Waltz Sw 140('A' only)
Just the 'A' section so it has a light attack and more held chords then the 'B'
section. Use this style when you want the same feel from the Piano player throu
gh the whole number.
:;554
Piano, Rhythm, Jazz Waltz Sw 140('B' only)
Has only the 'B' section so the piano has a shorter attack and more of a staccat
o feel. Works great with any Jazz Waltz style as well as Jazz RealDrums.
:;555
Guitar, Acoustic, Rhythm Jazz Ballad Freddie Sw 085
The 'Freddie' comping styles for Jazz Swing and Ballads feature 4-to-the-bar aco
ustic rhythm guitar. This style and sound blends nicely with the acoustic bass a
nd brushes (or sticks) and it gives total comping freedom to the piano player. K
eep it fairly low in the mix. Typically heard in swing combos or big-bands like
Basie etc.
Tempo range: 75-105
Style suggestions: J_LIONEL, J_SLOBAL, J~COZY
:;556
Guitar, Acoustic, Rhythm Jazz Ballad Freddie Sw 085('A' only)
nd brushes (or sticks) and it gives total comping freedom to the piano player. W
hen you do not want any variation in the guitar playing through the song. Keep i
t fairly low in the mix. Typically heard in swing combos or big-bands like Basie
etc.
Tempo range: 75-105
:;557
Guitar, Acoustic, Rhythm Jazz Ballad Freddie Sw 085('B' only)
Basie etc.
Tempo range: 75-105
:;558
Guitar, Acoustic, Rhythm Jazz Freddie Sw 140
Basie etc.
Style suggestions: J~CELLAR, J_WYNT_K, J_MJQ_1
:;559
Guitar, Acoustic, Rhythm Jazz Freddie Sw 140('A' only)
Basie etc.
:;560
Guitar, Acoustic, Rhythm Jazz Freddie Sw 140('B' only)
Basie etc.

:;561
Guitar, Electric, Rhythm Jazz WesComp Sw 140
This Jazz guitar comping style features electric guitar using a repetitive rhyt
hmical comping style . Many jazz guitar players use this approach when the piano
player is using a freestyle comping approach. In the 'a' section, the comping f
igure starts on beat 2. At 'b' the comp pattern is dotted quarter, eighth. It s
hould not be too prominent in the mix. The point of this is to be compatible (i
.e. subservient) with the piano - this is why the repeated rhythms would work wi
th whatever the piano plays. 9ths, 11ths, 13ths were avoided, so as not to clas
h with the piano part.
The simple version of Guitar, Electric, Rhythm Jazz WesComp Sw 140 omits busy ri
ffs and some non-diatonic tensions. To select the simple variation, put a check
:;562
Guitar, Electric, Rhythm Jazz WesComp Sw 140('A' only)
th whatever the piano plays. 9ths, 11ths, 13ths were avoided, so as not to clash
with the piano part.
:;563
Guitar, Electric, Rhythm Jazz WesComp Sw 140('B' only)
th whatever the piano plays. 9ths, 11ths, 13ths were avoided, so as not to clas
h with the piano part.
:;564
Bass, Electric, Blues Monday Sw 065
This RealTrack is a swinging Electric Bass for slow Ballads. This RealTrack can
be used with Electric Guitar Blues RealTracks. If you also wanted to add a var
iation to a pop song you can try adding this bass. This RealTrack also works wi
th Guitar, Acoustic, Strumming Hank Sw 065.
Tempo range: 60-85
Style suggestions: BOGEY~, AG_SOUL, DEEPFRY1
:;565
Guitar, Electric, Rhythm Blues Monday Sw 065
In this RealTrack you get a Bluesy Electric Guitar that will work as a slick bac
king track on any bluesy ballad song. This RealTracks works great with Bass, Ele
ctric, Blues Monday Sw 065 and Guitar, Electric, Soloist Blues Monday Sw 065 for
the Solo sections.

Tempo range: 60-85
Style suggestions: C_EAGLES, AG_SOUL
:;566
Guitar, Electric, Rhythm Blues Monday Sw 065('A' only)
king track on any bluesy ballad song. The 'A' section is played at a lower octav
e than the B section. This RealTracks works great with Bass, Electric, Blues Mon
day Sw 065 and Guitar, Electric, Soloist Blues Monday Sw 065 for the Solo sectio
ns.
Tempo range: 60-85
:;567
Guitar, Electric, Rhythm Blues Monday Sw 065('B' only)
king track on any bluesy ballad song. The 'B' section is played higher up on the
neck of the guitar so it has a higher range compared to the 'A' section. This R
ealTracks works great with Bass, Electric, Blues Monday Sw 065 and Guitar, Elect
ric, Soloist Blues Monday Sw 065 for the Solo sections.
Tempo range: 60-85
:;568
Guitar, Electric, Soloist Blues Monday Sw 065
A Slow swinging blues solo playing a minor pentatonic scale available in all key
s. This RealTracks works great with the Guitar, Electric, Rhythm Blues Monday Sw
065 as well as Bass, Electric, Blues Monday Sw 065. Be sure to set this RealTr
ack up using the Soloist so that it will come in when you are ready.
Tempo range: 60-85
:;569
Guitar, Resophonic, Rhythm Blues Delta Sw 065
This RealTrack has captured the distinct sound of a Resophonic guitar with a slo
w Swinging feel. This RealTrack makes a great backing track, never to complicat
ed this distinct sound can be used to give a track that southern 'bluesy' feel.
Tempo range: 60-90
Style suggestions: AG_BURD, BLZTRI10,
:;570
Guitar, Slide, Soloist Blues Monday Sw 060
In this RealTrack you get a slightly distorted electric guitar that you can fit
your slow blues numbers as a solo. This RealTrack sets works well with Guitar,
Electric, Rhythm Blues Monday Sw 065 and Bass, Electric, Blues Monday Sw 065 as
the Rhythm track and then this RealTrack as a Solo.
Tempo range: 50-85
Style suggestions: AG_BURD, BLZTRI10,
:;571
Harmonica, Background Blues Monday Sw 065
This RealTrack is meant to fill in the background of your Slow Ballad with some
soulful Harmonica. This RealTrack would work great in the breaks between vocals
. It would be primarily used in Blues numbers but it would also fit in a country
tune.
Tempo range: 60-85
Style suggestions: J~JAURA, SAM_COOK, SLOBLZ1
:;572
Bass, Electric, Blues BB Ev 085
With a slow, bluesy, even groove this Bass RealTrack will fit in a Ballad or a S
low rocking number. It also fits in with other RealTracks like Guitar, Electric,
Rhythm Dire Ev 085 and Guitar, Electric, Rhythm Blues BB Ev 085.
Tempo range: 70-105
Style suggestions: ALANIS1, BOARDWLK, C2_MONT
:;573
Guitar, Electric, Rhythm Blues BB Ev 085

A straight R&B style Electric guitar with a solid backing track that will compli
ment any slower tempo Even feel song. You can also use this RealTrack with other
RealTracks like Electric, Rhythm Dire Ev 085 and Bass, Electric, Blues BB Ev 08
5.
Tempo range: 70-105
:;574
Guitar, Electric, Rhythm Blues BB Ev 085('A' only)
ment any slower tempo Even feel song. The 'A' section has a harder attack than t
he 'B' section. You can also use this RealTrack with other RealTracks like Elect
ric, Rhythm Dire Ev 085 and Bass, Electric, Blues BB Ev 085.
Tempo range: 70-105
:;575
Guitar, Electric, Rhythm Blues BB Ev 085('B' only)
ment any slower tempo Even feel song. The 'B' section is more low end and sustai
ned notes. You can also use this RealTrack with other RealTracks like Electric,
Rhythm Dire Ev 085 and Bass, Electric, Blues BB Ev 085.
Tempo range: 70-105
:;576
Guitar, Electric, Soloist Blues BB Ev 085
Playing mostly a standard pentatonic scale this Even Blues Solo would fit in the
breaks of a song that used for backing tracks Bass, Electric, Blues BB Ev 085 a
nd Guitar, Electric, Rhythm Blues BB Ev 085. Try some of the Even feel RealDrums
as this RealTrack will solo over them nicely.
Tempo range: 70-105
:;577
Guitar, Resophonic, Rhythm Blues Crossroads Ev 085
This Bluesy Resophonic guitar is reminiscent of Southern Blues. It's perfect for
giving a song a variation that couldn't be accomplished with MIDI Synthesized p
arts. Try this in songs which also use the RealTracks Bass, Electric, Blues BB
Ev 085 and Guitar, Electric, Rhythm Blues BB Ev 085 and the Solo's of Guitar, El
ectric, Soloist Blues BB Ev 085.
Tempo range: 70-105
Style suggestions: CC_COUNT, BLTRACY, SMOOTH!~
:;578
Harmonica, Background Blues BB Ev 085
This RealTrack Harmonica is for Bluesy Even Background. This would be best fit
in with a section of a song where there is no singing as the Harmonica has a sim
ilar tone to voice and can cause conflicts when overlapped. Try this RealTracks
with some of the other Even Blues Tracks.
Tempo range: 70-105
Style suggestions: SMOOTH!~, VENTURE1, C_BDUNN
:;579
Bass, Electric, Blues Roadhouse Ev 120
A very simple style, the Even Electric Roadhouse Blues Bass fits in many categor
ies. You can try adding it to a Country style or use it with a Pop number. Try m
ixing it with Guitar, Electric, Rhythm Blues Roadhouse Ev 120 and some Even feel
RealDrums.
Style suggestions: C_BDUNN, C_HONKIN, PW_RACH
:;580
Guitar, Electric, Rhythm Blues Roadhouse Ev 120
With a slight shuffle to the guitar's rhythm you can use this RealTrack in Even
feel songs. Mostly playing a '5' chord a '6th' is added on the 2 and 4 beat to
give this RealTracks a classic feel. Works great with Bass, Electric, Blues Road
house Ev 120.
Style suggestions: C_HONKIN, SEEKER, EVERYONE
:;581
Guitar, Electric, Rhythm Blues Roadhouse Ev 120('A' only)
give this RealTracks a classic feel. The 'A' section plays lower down on the nec
k of the guitar. Works great with Bass, Electric, Blues Roadhouse Ev 120and A an
d B substyles at the same time.
:;582
Guitar, Electric, Rhythm Blues Roadhouse Ev 120('B' only)
give this RealTracks a classic feel. The 'B' section plays higher up on the guit
ar neck. Works great with Bass, Electric, Blues Roadhouse Ev 120 and A and B sub
styles at the same time.
:;583
Guitar, Electric, Soloist Blues Roadhouse Ev 120
This smokin solo works best in between vocal breaks and with the other RealTrack
s Guitar, Electric, Rhythm Blues Roadhouse Ev 120 and Bass, Electric, Blues Road
house Ev 120.
Style suggestions: C_HONKIN, SEEKER
:;584
Guitar, Resophonic, Rhythm Blues Roadhouse Ev 120
A classic resophonic sound played with a slide as well as fingered. Such a class
ic sound is sure to inspire when added to the perfect track. With an Even feel y
ou can place this Resonator low in your song for more depth.
Style suggestions: BLTRACY, BIGPINK, R_BOSSA1
:;585
Guitar, Resophonic, Rhythm Blues Muddy Sw 120
With this swinging Resophonic guitar played at Medium tempo you can add it to an
y swing tune you think needs a southern flavor. A classic sound you can try to
fit in with other swinging instruments including Acoustic Strummed and Fingerpic
ked Guitars.
Style suggestions: BLUESY1, BEEBSHUF
:;586
Harmonica, Background Blues Roadhouse Ev 120
A slightly distorted sound this Background Blues harmonica has an even feel. Bes
t played with other RealTracks like Guitar, Resophonic, Rhythm Blues Roadhouse E
v 120 and Guitar, Electric, Rhythm Blues Roadhouse Ev 120
Style suggestions: C_BOBBYG, C_JEANIE, C_OLDROC
:;587
Sax, Tenor, 2-Beat Rock Ev 110
The sound of this sax is reminiscent of 70's rock. It's a classic sound which w
hen brought into a song adds an element which can not be captured by a MIDI inst
rument. Try this even feel track with other Rocking RealTracks like Guitar, Res
ophonic, Rhythm Blues Roadhouse Ev 120 and Bass, Electric, Blues Roadhouse Ev 12
0.
Tempo range: 90-130
Style suggestions: RB_OTIS, WESPOP1, CORNADO
:;588
Sax, Tenor, 2-Beat Rock Ev 110(Bluesy)
With The 'Bluesy' variation of this sax you get the classic sound of the rock sa
xophone with a 'Bluesy' feel to the riffs. Great for vocal breaks. Try this eve
n feel track with other Rocking RealTracks like Guitar, Resophonic, Rhythm Blues
Roadhouse Ev 120 and Bass, Electric, Blues Roadhouse Ev 120.
Tempo range: 90-130
:;589
Banjo, Bluegrass Doc Ev 100(Rhythm)
A classic Bluegrass instrument this Even feel Banjo is a perfect addition to any
medium tempo Bluegrass tune. This RealTrack works well with Guitar, Acoustic, S
trumming Ev 120 as well as Mandolin, Rhythm Bluegrass Doc Ev 100 and Bass, Acous
tic Bluegrass Doc Ev 100.
Tempo range: 90-130
Style suggestions: POPFOLK, JUGTIME, BYRDLYKE
:;590
Banjo, Bluegrass Doc Ev 100(Rhythm - Simple)
Similar to Banjo, Bluegrass Doc Ev 100(Rhythm), this style keeps it simple. The
player doesn't add anything fancy, just a solid rhythm, fingerpicker in an Even
feel. It also works well with Guitar, Acoustic, Strumming Bluegrass Doc Ev 100
and Banjo, Bluegrass Doc Ev 100(Soloist) can be used during vocal breaks,
Tempo range: 90-130
Style suggestions: JUGTIME, BYRDLYKE, POPFOLK
:;591
Banjo, Bluegrass Doc Ev 100(Soloist)
This RealTrack is an Even feel Banjo Solo which works well in the vocal breaks w
hen used with Banjo, Bluegrass Doc Ev 100(Rhythm), both the normal and simple ve
rsion. Try using the 'B' section for more single note runs and the 'A' section
for solos which still have the fingerpicking.
Tempo range: 90-130
Style suggestions: BGPOP, BYRDLYKE, JUGTIME
:;592
Bass, Acoustic Bluegrass Doc Ev 100
A Jugband feel on this Acoustic Bass makes it ideal for use in Even Medium Blueg
rass numbers. This RealTracks works well Banjo, Bluegrass Doc Ev 100(Rhythm) an
d Guitar, Acoustic, Strumming Bluegrass Doc Ev 100. Also try this Bass in a Coun
try tune.
Tempo range: 90-130
Style suggestions: C_CHELY, BYRDLYKE, JUGTIME
:;593
Fiddle, Rhythm Bluegrass Doc Ev 100
With this Even feel Medium tempo Fiddle you get an 'A' section you get a 'Chop'
feel and the 'B' section there is a shuffle with no 'chop'. This RealTrack work
s great with Bass, Acoustic Bluegrass Doc Ev 100, Banjo, Bluegrass Doc Ev 100 an
d Guitar, Acoustic, Strumming Bluegrass Doc Ev 100.
Tempo range: 90-130
Style suggestions: BIG+, BGPOP, JUGTIME
:;594
Fiddle, Rhythm Bluegrass Doc Ev 100(Chops)
This Fiddle is just the 'Chop' section of Fiddle, Rhythm Bluegrass Doc Ev 100.
Use this RealTrack when you want a simple rhythm that will stay on each beat and
will not change if you put in a new part marker.
Tempo range: 90-130
:;595
Fiddle, Rhythm Bluegrass Doc Ev 100(Shuffles)
This Fiddle has only one variation to it, a flowing shuffle which works in Even
feel songs. Try this RealTrack with Bass, Acoustic Bluegrass Doc Ev 100, Banjo,
Bluegrass Doc Ev 100 and Guitar, Acoustic, Strumming Bluegrass Doc Ev 100.
Tempo range: 90-130

:;596
Fiddle, Soloist Bluegrass Doc Ev 100
With the Soloist Bluegrass Fiddle you get a perfect solo to compliment the Fiddl
e, Rhythm Bluegrass Doc Ev 100. Try this RealTrack with Bass, Acoustic Bluegras
s Doc Ev 100, Banjo, Bluegrass Doc Ev 100 and Guitar, Acoustic, Strumming Bluegr
ass Doc Ev 100.
Tempo range: 90-130
:;597
Guitar, Acoustic, Soloist Bluegrass Doc Ev 100
An Even feel solo played on Acoustic Guitar, this RealTrack is played to fit in
with any Even Feel Medium Tempo Bluegrass song. Try changing the Soloist betwee
n this Acoustic Guitar and Fiddle, Soloist Bluegrass Doc Ev 100 and Banjo, Blueg
rass Doc Ev 100(Soloist) and you get these three trading solos.
Tempo range: 90-120
Style suggestions: BISHOPS, BYRDLYKE, POPFOLK
:;598
Guitar, Acoustic, Strumming Bluegrass Doc Ev 100
This Straight Acoustic strumming has a Bluegrass shuffle added to it to make it
more complex then the basic Guitar, Acoustic, Strumming Ev 120. Use with the oth
er Bluegrass Doc RealTracks to create your own real Bluegrass band.
Tempo range: 90-120
Style suggestions: BISHOPS, BYRDLYKE, POPFOLK
:;599
Mandolin, Rhythm Bluegrass Doc Ev 100
A straight Even Feel Rhythm, this Medium tempo Mandolin is best for background r
hythm. It is designed to fit in with Guitar, Acoustic, Strumming Bluegrass Doc E
v 100, Fiddle, Rhythm Bluegrass Doc Ev 100, Banjo, Bluegrass Doc Ev 100(Rhythm)
and Bass, Acoustic Bluegrass Doc Ev 100.
Tempo range: 90-120
Style suggestions: BYRDLYKE, JUGTIME, BGPOP
:;600
Fiddle, Background Train Ev 130
The Even Feel Fiddle in this RealTrack is great for country songs with a 'Train'
feel. Try using this RealTrack when the vocals are silent. Works great with P
edal Steel, Background Train Ev 130 and Guitar, Electric, Chet Comp Ev 130.
Style suggestions: BAYOU, C~BRUSHS, C2_ALAN
:;601
Fiddle, Soloist Train Ev 130
This RealTrack compliments the Fiddle, Background Train Ev 130 as it provides a
solo in the same feel. Best used during vocal breaks when you want to add a flo
urish to a section or a breakdown with a fiddle solo. Works well with Guitar, E
lectric, Chet Comp Ev 130 and Pedal Steel, Background Train Ev 130.
Style suggestions: CHET, J_CASH, NR_DIRK+
:;602
Harmonica, Soloist Train Ev 130
An instrument which cannot be replicated by MIDI, the Even Feel Harmonica Solois
t Train goes great in a medium feel Country song with a 'Train' feel. Try tradin
g solos with the other 'Train' RealTracks like Fiddle, Soloist Train Ev 130 or m
ixing it with Pedal Steel, Background Train Ev 130.
:;603
Pedal Steel, Background Train Ev 130
Giving any Country song a traditional feel, the Even Feel Pedal Steel Background
is suited for songs with a 'Train' beat. You can mix this RealTrack into a coun
try song or a pop song which you want to add a country flavor.
Style suggestions: Modern+, NR_BUKY, HAWAISLO
:;604
Guitar, Electric, Chet Comp Ev 130
A quick pickin' style, the Electric Chet guitar is perfect for country songs tha
t have that classic 'Train' or 'Chicken Pickin' sound. This works well with Peda
l Steel, Background Train Ev 130 and Harmonica, Soloist Train Ev 130 and Fiddle,
Soloist Train Ev 130.
Style suggestions: Modern+, NR_BUKY, CC_COLV
This simple version of Guitar, Electric, Chet Comp Ev 130 has embellished chord
s removed and major chords will be played as written. To select the simple vari
ation, put a check in the "Simpler" checkbox in the RealTracks picker.
:;605
Guitar, Electric, Chet Pickin' Ev 100
A slower tempo 'Chicken Pickin' or 'Train' Electric guitar, this RealTrack would
fit in nicely with a classic sounding Country track. You can try using this Re
alTrack with your old Country songs or try creating a new tune with this RealTra
ck.
Tempo range: 80-120
Style suggestions: CR_ALLIS, DONWILL, LSTDOGS1
:;606
Guitar, Nylon, Chet Fishing' Sw 120
This swinging Nylon Guitar is being fingerpicked with accents on the bass notes
on beats '2' and '4'. This RealTrack is not complicated so it will fit in with
multiple songs and styles of music. The most common style would be Country but t
ry this out with some folk or Bluegrass tunes.
Style suggestions: C_SWING, C_CLANCY, CC_RIME
:;607
Guitar, Nylon, Chet Train Ev 130
An Even Feel Fingerpicked Nylon guitar, this RealTrack is meant to compliment th
e rhythm section of your Country or Bluegrass song. This fast paced RealTrack go
es well with other Train styles like Pedal Steel, Background Train Ev 130 and Ha
rmonica, Soloist Train Ev 130.
:;608
Guitar, Resonator, Background Hayride Sw 190
A swinging up tempo RealTrack, the classic sound of the Resonator guitar is mean
t to add depth to a Country tune. With such a distinctive sound that cannot be
replicated by a synthesizer, try this RealTrack on an fast moving country tune.
Style suggestions: BURKES, C_TEX_SW, CASHLUTH
:;609
Guitar, Resonator, Background Roundup Sw 120
This Medium tempo RealTrack has a classic sound which adds a Country character t
o any song. This style fits nicely in the back of the mix and sounds best when
used with RealTracks Mandolin, Rhythm Chop Sw 120.
Style suggestions: CR_BONNE, PATSY1, C2_CHES
:;610
Mandolin, Rhythm Chop Sw 120
This 'Chop' style plays mainly on the '1' and '3' of the beat but has a swing fe
el. It's a medium tempo style that works in both Country and Bluegrass. The Rea
lTracks works well with Guitar, Resonator, Background Roundup Sw 120.
Style suggestions: PATSY1, C2_CHES, C_HANK
:;611
Mandolin, Rhythm Fast Chop Sw 190

This 'Chop' style plays mainly on the '1' and '3' of the beat but has a swing fe
el. With a Fast tempo, try adding this RealTrack to a Gospel, Country or a Blueg
rass tune. Try this RealTrack with Guitar, Resonator, Background Hayride Sw 190
and Harmonica, Background Hayride Sw 190.
:;612
Pedal Steel, Background Opry Sw 130
A classic country sound, this Pedal Steel Swings at a medium tempo and would sit
nicely in the mix, being brought out when the vocals rest. A great addition to
a Country song, try this RealTrack with Guitar, Resonator, Background Hank Sw 13
0.
Style suggestions: C_JUKBOX, C~LEROYV, ANCHORS
:;613
Guitar, Resonator, Background Hank Sw 130
With this RealTrack you get a swinging background Resonator Guitar in a very bas
ic style that doesn't take away from lead instruments. Add this to Country or B
luegrass tunes at medium tempos. Another RealTrack that would work with this Re
alTrack is Pedal Steel, Background Opry Sw 130
Style suggestions: MILITARY, C_JUKBOX, C~LEROYV
:;614
Harmonica, Background Hayride Sw 190
In this RealTrack you get a swinging Harmonica best suited for the background.
Try this with other RealTracks like Mandolin, Rhythm Fast Chop Sw 190 and Guitar
, Resonator, Background Hayride Sw 190.
:;615
Harmonica, Background HeeHaw Sw 165
This Background Harmonica has a Swing feel to it and is best suited for an up te
mpo song. You can try adding this RealTrack to a Country or Bluegrass tune. Th
is RealTrack goes well with Mandolin, Rhythm Bouncy Sw 165 and Guitar, Acoustic,
Fingerpicking Hank Sw 165.
Style suggestions: PLAINSMN, C_SWING, C_TRICK
:;616
Mandolin, Rhythm Bouncy Sw 165
With a Singing Bounce to the Rhythm of this RealTrack Mandolin you can add it to
any Country or Bluegrass tune. This is a solid rhythm instrument which works we
ll with Harmonica, Background HeeHaw Sw 165 and Guitar, Acoustic, Fingerpicking
Hank Sw 165.
Style suggestions: COUNSWG2, BLUE_, C_SWING
:;617
Pedal Steel, Background Shuffle Sw 136
This Pedal Steel fits into a swinging background and works on medium tempo tunes
. The Pedal Steel has a shuffle feel to it so it will fit with other shuffle so
ngs..
Style suggestions: C_JUKBOX, C_ROCBIL, CHUK_B_1
:;618
Fiddle, Background Allis Ev 120
This Fiddle is played smoothly with an Even Feel and is best suited for the back
ground of a song. Whether used in a medium tempo country song or a Bluegrass so
ng this Fiddle is well suited for the Rhythm section.
Style suggestions: C_DAISY, C_HONKIN, C_MINDY
:;619
Guitar, Resonator, Background Cowboy Ev 165
A classic Country sound, the Resonator guitar is played with an Even feel and is
suited for genres like Country or Bluegrass. Try this RealTrack out with Pedal
Steel, Background Cowboy Ev 165 or Guitar, Acoustic, Fingerpicking Ev 165.
Style suggestions: STEELES, AG_FRANK
:;620
Pedal Steel, Background Cowboy Ev 165
The Pedal Steel is played in a Even style and is best suited for Country or if y
ou want to add a Hawaiian flavor to a composition. This RealTrack works well wi
th Guitar, Resonator, Background Cowboy Ev 165, Guitar, Acoustic, Fingerpicking
Ev 165 and Guitar, Electric, Rhythm Country Cowboy Ev 165.
Style suggestions: STEELES, AG_FRANK
:;621
Pedal Steel, Background Easy Ev 136
This Even feel Pedal Steel has a soft touch which makes it fit nicely in the bac
kground. You can add this RealTrack to any style of music at a medium tempo. It
works well with RealTracks which are Even 120 or Even 140.
Style suggestions: C_LYNN, C~CHARLY, C_NYOUNG
:;622
Pedal Steel, Background Waylon Ev 176
Ideal for up-tempo Country numbers, The Background Pedal Steel has an Even feel
that goes well with the RealTracks Guitar, Acoustic, Fingerpicking Ev 165 and Gu
itar, Electric, Rhythm Country Cowboy Ev 165.
Style suggestions: C_BUCK, C_BILLY2, C_HBILLY
:;623
Banjo, Background Backporch Ev 098
With this RealTrack you get a nice Even Background that is suited for Slower Cou
ntry and Bluegrass songs. This can be used in Even feel Ballads or just below a
medium tempo tune.
Tempo range: 85-120
Style suggestions: C2_CAREE, C_ISLAND, C_CHELY
:;624
Fiddle, Soloist George Ev 085
This Smooth, Even Fiddle is suited for vocal breaks in slow tempo Country songs.
This would sound nice in a Ballad or a Bluegrass tune. Try this RealTrack with
Harmonica, Background Travis Ev 085 or Fiddle, Background George Ev 085.
Tempo range: 75-110
Style suggestions: C_CHELY, C_BDUNN, C_DIAM
:;625
Guitar, Acoustic, Strumming Rascal Sw 075
This slow swinging acoustic guitar has a 'bounce' to it which gives it a feel th
at can drive the rhythm of a song. The 'bouncy' feel means you can use this Real
Track with more than one Genre. Try it with a Country, Bluegrass or a Pop tune.
Try this out with other slower swinging RealTracks like Guitar, Acoustic, Finge
rpicking Hank Sw 085.
Tempo range: 65-100
Style suggestions: BLUESY1, STRIDE2, SWBALLAD
:;626
Harmonica, Background Travis Ev 085
With the Harmonica playing an Even feel at a slow tempo, this RealTrack is ideal
for the background of a tune. The harmonica works well with other RealTracks w
ith an Even feel like Fiddle, Background George Ev 085 and Guitar, Acoustic, Fin
gerpicking Ev 085.
Tempo range: 70-105
Style suggestions: C_ROSE, C_TOBY, C2_ANDY
:;627
Pedal Steel, Background 12-8 Crystal Sw 065
The Pedal Steel in this RealTracks is featured in 12-8 time which makes it a gre
at addition to any slow 12-8 Country Ballad or Bluegrass Ballad. Try this with
other RealTracks in 12-8 like Bass, Electric, 12-8 Crystal Sw 065.
Tempo range: 60-80
Style suggestions: AG_BESS, C~CRYSTL, CAREY128
:;628
Bass, Electric, Funk James FingerSlap Ev 100
Variation of the Funk 100 Electric Bass style that plays Finger during the A sec
tion and Slap during B.
Tempo range: 85-115
:;629
Guitar, Electric, Rhythm PopAmericanDirty Ev 120
Modern Pop-Rock style with distorted guitar sound. The 'A' Section plays a sync
opated arpeggio pattern, and the 'B' section switches to power chords using the
same guitar tone.
Style suggestions: ALTROCK4, BRITROK8
The simple version of Guitar, Electric, Rhythm PopAmericanDirty Ev 120 excludes
riffs that deviate from the basic rhythm. To select the simple variation, put a
:;630
Guitar, Electric, Rhythm PopAmericanDirty Ev 120 (A: arpeggio)
Modern Pop-Rock style with distorted guitar sound. This variation plays a synco
pated arpeggio pattern throughout.
:;631
Guitar, Electric, Rhythm PopAmericanDirty Ev 120 (B: power chords)
Modern Pop-Rock style with distorted guitar sound. This variation plays power c
hords throughout.
:;632
Guitar, Electric, Rhythm PopAmericanMuted Ev 120
Modern Pop-Rock style with muted distorted guitar sound. The 'A' Section plays
a syncopated pattern, and the 'B' section switches to straight eighth notes usin
g the same guitar tone.
:;633
Guitar, Electric, Rhythm PopAmericanMuted Ev 120 (A: syncopated)
Modern Pop-Rock style with muted distorted guitar sound. This variation plays a
syncopated pattern throughout.
:;634
Guitar, Electric, Rhythm PopAmericanMuted Ev 120 (B: eighths)
Modern Pop-Rock style with muted distorted guitar sound. This variation plays s
traight eighth notes throughout.
:;635
Guitar, Electric, Rhythm RootsRockDirty Ev 100
Rootsy Pop-Rock style with slightly distorted guitar sound. The 'A' Section pla
ys mostly held chords interspersed with rhythmic accents, and the 'B' section sw
itches to a more straightforward syncopated eighth note pattern using the same g
uitar tone.
Tempo range: 90-130
Style suggestions: C_Rocky, C_ANDY
:;636
Guitar, Electric, Rhythm RootsRockDirty Ev 100 (A: held)
Rootsy Pop-Rock style with slightly distorted guitar sound. This variation play
s mostly held chords interspersed with rhythmic accents.
Tempo range: 90-130
:;637
Guitar, Electric, Rhythm RootsRockDirty Ev 100 (B: syncopated)
Rootsy Pop-Rock style with slightly distorted guitar sound. This variation play
s a straightforward syncopated eighth note pattern.
Tempo range: 90-130
:;638
Guitar, Electric, Rhythm RootsRockTremolo Ev 100
Rootsy Pop-Rock style with a tremolo guitar effect playing a steady rhythm.
Tempo range: 90-130
:;639
Guitar, Electric, Rhythm HardRockThrash Ev 085
Thrashing Hard Rock Guitar style with crunching distorted guitar sound. The 'A'
Section plays straight 16ths, and the 'B' section switches to a syncopated patt
ern.
Tempo range: 80-105
Style suggestions: SLAMROK1, AVRIL+, ZZHEVROK
:;640
Guitar, Electric, Rhythm HardRockThrash Ev 085 (A: 16ths)
Thrashing Hard Rock Guitar style with crunching distorted guitar sound. This va
riation plays straight 16ths throughout.
Tempo range: 80-105
:;641
Guitar, Electric, Rhythm HardRockThrash Ev 085 (B: syncopated)
Thrashing Hard Rock Guitar style with crunching distorted guitar sound. This va
riation plays a syncopated pattern throughout.
Tempo range: 80-105
:;642
Guitar, Electric, Rhythm HardRockThrashHollow Ev 085
Thrashing Hard Rock Guitar style. The 'A' Section plays straight 8ths with a hol
low distorted guitar sound, and at the 'B' section the sound becomes more "thras
h" and the playing switches to a syncopated pattern.
Tempo range: 80-105
:;643
Guitar, Electric, Rhythm HardRockThrashHollow Ev 085 (A: hollow 8ths)
Thrashing Hard Rock Guitar style. This variation is limited to the hollow distor
ted guitar sound playing straight 8ths.
Tempo range: 80-105
:;644
Guitar, Electric, Rhythm HardRockThrashHollow Ev 085 (B: thrashing syncopated)
Thrashing Hard Rock Guitar style. This variation plays a syncopated pattern with
a heavy distortion sound.

Tempo range: 80-105
:;645
Guitar, Electric, Rhythm PopRockBritEdgy Ev 120
British Hard Pop-Rock Guitar style with an edgy guitar sound. The 'A' Section pl
ays a syncopated arpeggio pattern, and at the B section it's straight 8ths.
Style suggestions: SLAMROK2, ModRok1, CC_HIVE
The simple version of Guitar, Electric, Rhythm PopRockBritEdgy Ev 120 excludes b
usy riffs. To select the simple variation, put a check in the "Simpler" checkbo
x in the RealTracks picker.
:;646
Guitar, Electric, Rhythm PopRockBritEdgy Ev 120 (A: syncopated arpeggios)
British Hard Pop-Rock Guitar style with an edgy guitar sound. This variation pla
ys a syncopated arpeggio pattern.
:;647
Guitar, Electric, Rhythm PopRockBritEdgy Ev 120 (B: power chords)
British Hard Pop-Rock Guitar style with an edgy guitar sound. This variation pla
ys a straight 8ths pattern.
:;648
Guitar, Electric, Rhythm PopRockBritHeavy Ev 120
British Hard Pop-Rock Guitar style with a heavy guitar sound. The 'A' Section is
muted playing 8ths, and at the B section it switches to power chords.
The simple version of Guitar, Electric, Rhythm PopRockBritHeavy Ev 120 uses riff
s with more clarity and strumming definition. To select the simple variation, p
ut a check in the "Simpler" checkbox in the RealTracks picker.
:;649
Guitar, Electric, Rhythm PopRockBritHeavy Ev 120 (A: muted 8ths)
British Hard Pop-Rock Guitar style with a heavy guitar sound. This variation pla
ys muted 8ths.
:;650
Guitar, Electric, Rhythm PopRockBritHeavy Ev 120 (B: power chords)
British Hard Pop-Rock Guitar style with a heavy guitar sound. This variation pla
ys heavy power chords.
:;651
Guitar, Electric, Rhythm TexasBoogie Sw 140
A lively blues shuffle with a crisp clean blues guitar sound. The 'A' section pl
ays a syncopated rhythm, and the 'B' section playes a classic boogie.
Style suggestions: BoogyShf, AG_CLAP
:;652
Guitar, Electric, Rhythm TexasBoogie Sw 140 (A: syncopated)
A lively blues shuffle with a crisp clean blues guitar sound. This variation pla
ys a syncopated rhythm throughout.
:;653
Guitar, Electric, Rhythm TexasBoogie Sw 140 (B: classic)
A lively blues shuffle with a crisp clean blues guitar sound. This variation pla
ys a classic boogie rhythm throughout.
:;654
Guitar, Electric, Rhythm TexasBoogieShuffle Sw 140
A lively blues shuffle with an edgy guitar sound. The 'A' section plays a classi
c shuffle, and the 'B' section plays quarter-notes, with occasional swung 8ths a
dded.
:;655
Guitar, Electric, Rhythm TexasBoogieShuffle Sw 140 (A: shuffle)
A lively blues shuffle with an edgy guitar sound. This variation plays a classic
shuffle throughout.
:;656
Guitar, Electric, Rhythm TexasBoogieShuffle Sw 140 (B: quarters)
A lively blues shuffle with an edgy guitar sound. This variation plays quarter-n
otes throughout, with occasional swung 8ths added.
:;657
Guitar, Electric, Rhythm TexasRockChop Ev 120
A heavy and energetic straight 8th style. The 'A' section plays a syncopated ro
ck riff, and the 'B' section plays a straight palm-muted version.
Style suggestions: R_HEVROK, C_AARON, METAL1
The simple version of Guitar, Electric, Rhythm TexasRockChop Ev 120 excludes rif
:;658
Guitar, Electric, Rhythm TexasRockChop Ev 120 (A: syncopoated)
A heavy and energetic straight 8th style. This variation plays a syncopated pro
gression throughout.
:;659
GuitGuitar, Electric, Rhythm TexasRockChop Ev 120 (B: eighths)
A heavy and energetic straight 8th style. This variation straight palm-muted pr
ogression throughout.

:;660
Guitar, Electric, Rhythm TexasRockCrisp Ev 120
A heavy and energetic straight 8th style. The 'A' section plays a simple palm-m
uted progression, and the 'B' section plays a louder, looser progression.
:;661
Guitar, Electric, Rhythm TexasRockCrisp Ev 120 (A: simple)
A heavy and energetic straight 8th style. This variation plays a simple palm-mu
ted progression throughout.
:;662
Guitar, Electric, Rhythm TexasRockCrisp Ev 120 (B: heavy)
A heavy and energetic straight 8th style. This variation plays a louder, looser
progression throughout.
:;663
Guitar, Acoustic, Rhythm SouthernRock Ev 085
A smooth and relaxed style with a warm acoustic guitar sound. The 'A'section pla
ys a relaxed picked progression, and the 'B' section strums a syncopated rhythm.
Tempo range: 75-105
Style suggestions: LYNYRD3, BIGPINK, CR_TRAIN
:;664
Guitar, Acoustic, Rhythm SouthernRock Ev 085 (A: fingerpicking)
A smooth and relaxed style with a warm acoustic guitar sound. This variation pla
ys a fingerpicked progression throughout.
Tempo range: 75-105
Style suggestions:LYNYRD3, BIGPINK, CR_TRAIN
:;665
Guitar, Acoustic, Rhythm SouthernRock Ev 085 (B: strumming)
A smooth and relaxed style with a warm acoustic guitar sound. This variation str
ums a syncopated rhythm throughout.
Tempo range: 75-105
:;666
Guitar, Electric, Rhythm SouthernRock Ev 085
A smooth electric rock and roll rhythm guitar track. The 'A' section plays a syn
copated strumming pattern, and the 'B'section plays a more steady classic shuffl
e riff.
Tempo range: 75-105
In the simple version of Guitar, Electric, Rhythm SouthernRock Ev 085, the A sec
tion and B section no longer have runs at the end of chords or sus chords played
when a major chord is entered. To select the simple variation, put a check in
:;667
Guitar, Electric, Rhythm SouthernRock Ev 085 (A: syncopated)
A smooth electric rock and roll rhythm guitar track. This variation plays a sync
opated strumming pattern throughout.
Tempo range: 75-105
:;668
Guitar, Electric, Rhythm SouthernRock Ev 085 (B: steady)

A smooth electric rock and roll rhythm guitar track. This variation plays a more
steady classic shuffle riff throughout.
Tempo range: 75-105
:;669
Guitar, Slide, Background Easy Southern Ev 120
A warm and lively background slide guitar track, with a distorted blues guitar t
one.
Style suggestions: NR_TOBY+, C_DRIVIN
:;670
Guitar, Slide, Background Easy Southern Ev 165
A warm and lively background slide guitar track, with a distorted blues guitar t
one.
Style suggestions: NR_TOBY+
:;671
Organ, B3, Background Southern Ev 120
A syncopated warm background organ track, with a southern rock organ tone.
Style suggestions: NR_TOBY+, C_DRIVIN
:;672
Guitar, Slide, Soloist Blues Sw 165
A smooth background slide guitar style with a dirty blues guitar sound. This var
iation plays laid back slide licks throughout.
Style suggestions: CHUKSHUF, AG_BESS, AG_SOUL
:;673
Organ, B3, Background Blues Ev 085
A smooth background organ style with a warm organ tone. This variation plays lai
d back organ background throughout.
Tempo range: 80-105
Style suggestions: BLTRACY, ROKBLUS
:;674
Organ, B3, Background Blues Ev 120
A smooth background organ style with a warm organ tone. This variation plays lai
d back organ background throughout.
Style suggestions: STRAYST8, CRAY1
:;675
Organ, B3, Background Blues Sw 065
A smooth slow swing background organ style with a warm organ tone. This variatio
n plays a laid back swing organ throughout.
Tempo range: 60-85
Style suggestions: BLZ128, AG_BESS
:;676
Guitar, Acoustic, Strumming FolkRockBritEighths Ev 085
A straight strummed guitar style with a clean acoustic guitar sound.
Tempo range: 75-105
Style suggestions: CC_GIRLS, CC_NATA, CC_SHAWN
:;677
Guitar, Electric, Rhythm RockBritDriving Ev 085
A smooth electric guitar rhythm guitar style with a distorted guitar sound. The
'A' section plays arpegiated chords, and the 'B' section plays heavily strummed
chords.
Tempo range: 75-105

The simple version of Guitar, Electric, Rhythm RockBritDriving Ev 085 excludes r
iffs that deviate from the basic rhythm. To select the simple variation, put a
:;678
Guitar, Electric, Rhythm RockBritDriving Ev 085 (A: arpeggiated)
A smooth electric guitar rhythm guitar style with a distorted guitar sound. This
variation plays arrpegiated chords throughout.
Tempo range: 75-105
:;679
Guitar, Electric, Rhythm RockBritDriving Ev 085 (B: heavy)
A smooth electric guitar rhythm guitar style with a distorted guitar sound. This
variation plays heavily strummed chords throughout.
Tempo range: 75-105
:;680
Guitar, Electric, Rhythm RockBritSoulful Ev 085
A smooth electric guitar rhythm guitar style with a clean guitar sound. The 'A'
section plays picked chords, and the 'B' section plays arpegiated chords.
Tempo range: 75-105
The simple version of Guitar, Electric, Rhythm RockBritSoulful Ev 085 excludes r
:;681
Guitar, Electric, Rhythm RockBritSoulful Ev 085 (A: chords)
A smooth electric guitar rhythm guitar style with a clean guitar sound. This var
iation plays picked chords throughout.
Tempo range: 75-105
:;682
Guitar, Electric, Rhythm RockBritSoulful Ev 085 (B: arpeggiated)
A smooth electric guitar rhythm guitar style with a clean guitar sound. This var
iation plays arpegiated chords throughout.
Tempo range: 75-105
:;683
Bass, Electric, PopHalfNotesPush Ev 120
Pop bass style, with a warm bass guitar tone. The basic pattern is downbeat, an
d-of-2, and that note is held over beat three. There is then various embellishm
ents throughout.
Style suggestions: DIREMOOD, CULTIST1, COLEPLAY
:;684
Bass, Electric, PopHalfNotesSync Ev 120
Pop bass style, with a warm bass guitar tone. The basic pattern is downbeat, an
d-of-2, and beat three, and then various embellishments throughout.

:;685
Harmonica, Background Pop Ev 120
A smooth background harmonica style with a fairly clean harmonica tone. This va
riation plays steady background harmonica throughout.
:;686
Organ, B3, Background Pop Ev 120
A solid background organ style, with a smooth pop organ style. This variation p
lays steady background organ throughout.
:;687
Harmonica, Background Pop Ev 165
A smooth background harmonica style with a clean harmonica tone.
Style suggestions: C_EAGLES, CR_NICK, COUNRCK2
:;688
A solid background organ style with a smooth pop organ sound.
Style suggestions: C_EAGLES, POPBALAD
:;689
Style suggestions: C_EAGLES, CR_JONES, POPBALAD
:;690
Style suggestions: C_EAGLES, CR_NICK, COUNRCK2
:;691
Guitar, Acoustic, Strumming AcRockBright Ev 120
A smooth acoustic guitar strumming style, with a warm acoustic guitar tone. The
'A' section plays a syncopated strumming pattern, and the 'B' section plays a st
raight eighths strumming pattern.
Style suggestions: ALTROCK4, C2_KELLY, CC_COLV
:;692
Guitar, Acoustic, Strumming AcRockBright Ev 120 (A: syncopated)
A smooth acoustic guitar strumming style, with a warm acoustic guitar tone. This
variation plays a syncopated strumming pattern throughout.
straight eighths strumming pattern.
:;693
Guitar, Acoustic, Strumming AcRockBright Ev 120 (B: eighths)
A smooth acoustic guitar strumming style, with a warm acoustic guitar tone. This
variation plays a straight eighths strumming pattern throughout.
:;694
Guitar, Electric, Rhythm ElecRockArp Ev 120
A modern electric guitar style, with a clean electric guitar tone. The 'A' secti
on plays arpegiated chords, and the 'B' section plays a heavy strumming pattern.

The simple version of Guitar, Electric, Rhythm ElecRockArp Ev 120 has the ringin
g open E removed that makes a major chord a sus chord for certain chords as well
as sus2 and add4 chords in both A and B sections. Also all minor7th played ins
tead of minor chords have been removed. To select the simple variation, put a c
heck in the "Simpler" checkbox in the RealTracks picker.
:;695
Guitar, Electric, Rhythm ElecRockArp Ev 120 (A: arrpegiated)
A modern electric guitar style, with a clean electric guitar tone. This variatio
n plays arpegiated chords throughout.
:;696
Guitar, Electric, Rhythm ElecRockArp Ev 120 (B: heavy)
A modern electric guitar style, with a clean electric guitar tone. This variatio
n plays a heavy strumming pattern throughout.
:;697
Guitar, Electric, Rhythm ElecRockDirty Ev 120
A modern electric guitar style, with a dirty electric guitar tone. The 'A' secti
on plays a muted strumming pattern, and the 'B' section plays sustained chords t
hroughout.
:;698
Guitar, Electric, Rhythm ElecRockDirty Ev 120 (A: muted)
A modern electric guitar style, with a dirty electric guitar tone. This variatio
n plays a muted strumming pattern throughout.
:;699
Guitar, Electric, Rhythm ElecRockDirty Ev 120 (B: sustained)
A modern electric guitar style, with a dirty electric guitar tone. This variatio
n plays sustained chords throughout.
:;700
Bass, Electric, PopHalfNotesPush Ev 085
A solid bass guitar style, with a warm electric bass tone. This variation plays
a syncopated pattern where the majority of the notes are place on the 1 and the
&-of-2, specifically avoiding playing on the 3. Other notes are then used as em
bellishment.
Style suggestions: PopBall2, POPBALAD, C_DIAM
:;701
Bass, Electric, PopHalfNotesSync Ev 085
A solid bass guitar style, with a warm electric bass tone. This variation plays
a syncopated pattern where the majority of the notes are place on the 1, the and
-of-2, and the 3. Other notes are then used as embellishment.

:;702
Guitar, Acoustic, Strumming Spirited Ev 065
An exciting folk guitar style, with a clean acoustic guitar tone.
:;703
Guitar, Acoustic, Strumming Spirited Ev 085
An exciting folk guitar style, with a clean acoustic guitar tone.
:;704
Flute, Soloist, Bossa Ev 140
Sophisticated bossa flute playing.
Style suggestions: BOSSA33, L_BOSMED, L_BOS_EZ, HORACE1, L_BOSPAR
:;705
Flute, Soloist, Bossa Ev 140 (Bluesy)
Sophisticated bossa flute playing. This bluesy variation plays a b7 on major ch
ords.
:;706
Guitar, Electric, Soloist Bossa Ev 140
A steady electric jazz soloist guitar style, with a clean jazz tone. This varia
tion plays smooth lead guitar phrases throughout.
:;707
Guitar, Electric, Soloist Bossa Ev 140 (Bluesy)
A steady electric jazz soloist guitar style, with a clean jazz tone. This blues
y variation plays a b7 on major chords.
:;708
Guitar, Nylon-Elec, Rhythm Bossa Ev 140
A smooth plucked bossa guitar style with a Nylon string guitar tone. This style
can be used in conjunction with bossa piano comping. The playing increases in
intensity at 'B'.
Style suggestions: BOSSA33, L_BOSMED, L_BOS_EZ, L_BOSPAR
The simple version of Guitar, Nylon-Elec, Rhythm Bossa Ev 140 omits busy riffs a
nd some non-diatonic tensions. To select the simple variation, put a check in t
:;709
can be used in conjunction with bossa piano comping. This 'A-only' variation s
tays at the same intensity level throughout.
:;710
can be used in conjunction with bossa piano comping. This 'B-only' variation p
lays with slightly more intensity than the 'A-only' variation.

:;711
A smooth, steady bass style, with a warm acoustic bass tone. The 'A' section pla
ys a simple bass line, and the 'B' section plays a more energetic variation.
Style suggestions: L_CANCAO, J!LUSH
ks picker.
:;712
Bass, Acoustic, Bossa Ev 085 (A: simple)
A smooth steady bass style, with a warm acoustic bass tone. This variation plays
a simple bass line throughout.
ks picker.
:;713
Bass, Acoustic, Bossa Ev 085 (B: energetic)
A smooth steady bass style, with a warm acoustic bass tone. This variation plays
a more energetic bass line throughout.
ks picker.
:;714
A smooth background bossa acoustic piano accompaniment style.
:;715
Sax, Tenor, Soloist Rock Boogie Ev 160
A lively solo saxophone style with a bright rock sax tone.
Style suggestions: CRUISIN, C2_Kelly
:;716
Sax, Tenor, Soloist Rock Boogie Ev 160 (Bluesy)
A lively solo saxophone style with a bright rock sax tone. This bluesy variation
plays a b7 on major chords.
:;717
Bass, Acoustic, Samba Ev 190
A strong and lively samba acoustic bass style. The 'A' section plays a simple b
ass line, and the 'B' section plays more energetic lines.
Style suggestions: L_32SAMB, GUITBOSA, JONLUCE1, L_BOS_MC
The simple version of Bass, Acoustic, Samba Ev 190 omits complex rhythms. To se
ks picker.
:;718
Bass, Acoustic, Samba Ev 190 (A: simple)
A strong and lively samba acoustic bass style. This variation plays a simpler b
ass line throughout.
ks picker.
:;719
Bass, Acoustic, Samba Ev 190 (B: energetic)
A strong and lively samba acoustic bass style. This variation plays a more ener
getic bass line throughout.
ks picker.
:;720
Piano, Acoustic, Rhythm Samba Ev 190
Sophisticated samba comping on acoustic piano. The 'A' section plays simpler pa
rts, and the 'B' section plays more energetic parts.
The simple version of Piano, Acoustic, Rhythm Samba Ev 190 excludes some busy ri
:;721
Piano, Acoustic, Rhythm Samba Ev 190 (A: simple)
Sophisticated samba comping on acoustic piano. This 'A-only' variation plays si
mpler parts throughout.
:;722
Piano, Acoustic, Rhythm Samba Ev 190 (B: energetic)
Sophisticated samba comping on acoustic piano. This 'B-only' variation plays mo
re energetic parts throughout.
:;723
Sax, Soprano, Soloist Samba Ev 190
A lively samba saxophone soloist style, with a bright saxophone tone.
:;724
Sax, Soprano, Soloist Samba Ev 190 (Bluesy)
A lively samba saxophone soloist style, with a bright saxophone tone. This blues
y variation plays a b7 on major chords.
:;725
Bass, Acoustic, Jazz Ballad Sw 060 (A: in-2) (B: Double-time in-2)
Acoustic Bass Jazz Ballad playing, with double-time at the B section. In this v
ariation, the bass plays in 2 throughout, even when the feel switches to double-
time. This makes for a more laid-back effect, even during the double-time secti
on.
Style suggestions: BrubkBal
:;726
Bass, Acoustic, Jazz Ballad Sw 060 (A: in-2) (B: Double-time walk)
ariation, the bass plays in 2 for the A section, and when the feel switches to d
ouble-time the bass starts walking.
:;727
Bass, Acoustic, Jazz Ballad Sw 060 (A: walk) (B: Double-time in-2)
ariation, the bass walks during the A section, and plays in-2 during the B secti
on when the band switches to double-time.
:;728
Bass, Acoustic, Jazz Ballad Sw 060 (A: walk) (B: Double-time walk)
ariation, the bass walks throughout, even during the A section. This makes for
a more energetic effect through the whole song.
:;729
Bass, Acoustic, Jazz Ballad Sw 060 (A: Double-time in-2) (B: Double-time walk)
Acoustic Bass Jazz Ballad playing, with double-time throughout. In this variati
on, the bass plays in-2 for the A section, and starts walking at B.
:;730
Bass, Acoustic, Jazz Ballad Sw 060 (A: Double-time in-2)
Acoustic Bass Jazz Ballad playing, playing double-time in-2 throughout.
:;731
Bass, Acoustic, Jazz Ballad Sw 060 (B: Double-time walk)
Acoustic Bass Jazz Ballad playing, double-time walking throughout.
:;732
Acoustic Bass Jazz Ballad playing. The 'A' section plays in-2, and the 'B' secti
on plays a walking style.
Style suggestions: J_SlBal1, DUKE1
:;733
Bass, Acoustic, Jazz Ballad Sw 060 (A: in-2)
Acoustic Bass Jazz Ballad playing. This variation plays in-2 throughout.
:;734
Bass, Acoustic, Jazz Ballad Sw 060 (B: walking)
Acoustic Bass Jazz Ballad playing. This variation plays a walking style througho
ut.
:;735
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (A: simple) (B: Double-time simple)
A smooth background jazz piano style which switches to double-time playing at B.
In this variation, the piano plays more laid-back patterns throughout.
The simple version of Piano, Acoustic, Rhythm Jazz Ballad Sw 060 omits busy riff
:;736
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (A: simple) (B: Double-time energetic
)
In this variation, the piano plays laid-back patterns for A, and switches to m
ore energetic playing at B.
:;737
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (A: energetic) (B: Double-time simple
)
In this variation, the piano plays energetic patterns for the A section, and s
witches to simpler patterns at B.
:;738
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (A: energetic) (B: Double-time energe
tic)
In this variation, the piano plays energetic patterns throughout.
:;739
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (A: Double-time simple) (B: Double-ti
me energetic)
A smooth background jazz piano style which plays simple double-time patterns at
A, and continues playing double-time at B, switching to more energetic patterns.
:;740
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (A: Double-time simple)
A smooth background jazz piano style which plays simple double-time patterns thr
oughout.
:;741
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (B: Double-time energetic)
A smooth background jazz piano style which plays energetic double-time patterns
throughout.
:;742
Piano, Acoustic, Rhythm Jazz Ballad Sw 060
A smooth background jazz piano style, with warm acoustic piano tone. The 'A' sec
tion plays a simple chord progression, and the 'B' section plays a more energeti
c progression.
:;743
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (A: simple)
A smooth background jazz piano style, with warm acoustic piano tone. This variat
ion plays a simple chord progression throughout.
:;744
Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (B: energetic)
A smooth background jazz piano style, with warm acoustic piano tone. This variat
ion plays a more energetic progression throughout.
:;745
Guitar, Electric, Soloist Jazz Ballad Sw 085
Medium-slow Jazz Ballad Electric Guitar Soloist, with a clean jazz guitar tone.
Tempo range: 80-105
Style suggestions: Strollin, J~COZY, J!MANCN2, J!MANCNI, J_LIONEL
:;746
Guitar, Electric, Soloist Jazz Ballad Sw 085 (B: bluesy)
Medium-slow Jazz Ballad Electric Guitar Soloist, with a clean jazz guitar tone.
This bluesy variation plays a b7 on major chords.
Tempo range: 80-105
:;747
Piano, Acoustic, Solo-Accompaniment Jazz Ballad Sw 085
A medium-slow jazz ballad piano accompaniment style intended to be used without
drums or bass. The 'A' section plays a simple accompaniment pattern, and the 'B
' section plays a more energetic pattern.
Tempo range: 80-105

:;748
Piano, Acoustic, Solo-Accompaniment Jazz Ballad Sw 085 (A: simple)
drums or bass. This variation plays a simple accompaniment pattern throughout.
Tempo range: 80-105
:;749
Piano, Acoustic, Solo-Accompaniment Jazz Ballad Sw 085 (B: energetic)
drums or bass. This variation plays a more energetic pattern throughout.
Tempo range: 80-105
:;750
Sax, Tenor, Soloist Jazz Ballad 060
A slow jazz ballad tenor saxophone soloist style, with a warm jazz saxophone ton
e.
Tempo range: 55-80
:;751
Sax, Tenor, Soloist Jazz Ballad 060 (B: Bluesy)
A slow jazz ballad tenor saxophone soloist style, with a warm jazz saxophone ton
e. This bluesy variation plays a b7 on major chords.
Tempo range: 55-80
:;752
Bass, Acoustic, Jazz BeBop Sw 190
A solid bebop bass style, with a warm acoustic jazz tone. The 'A' section plays
in-2, and the 'B' section plays a more energetic walking pattern.
Style suggestions: J_BOPPIN, J_ModTri, J~UPtwn2
The simple version of Bass, Acoustic, Jazz BeBop Sw 190 has less busy riffs and
:;753
Bass, Acoustic, Jazz BeBop Sw 190 (A: in-2)
A solid bebop bass style, with a warm acoustic jazz tone. This variation plays
in-2 throughout.
:;754
Bass, Acoustic, Jazz BeBop Sw 190 (B: walking)
A solid bebop bass style, with a warm acoustic jazz tone. This variation plays
a more energetic walking pattern.
:;755
Piano, Acoustic, Rhythm Jazz BeBop Sw 190
A smooth background jazz piano style, with an acoustic piano tone. The 'A' sect
ion plays simpler patterns, and the 'B' section plays a more energeticly.
The simple version of Piano, Acoustic, Rhythm Jazz BeBop Sw 190 omits some of th
e non-diatonic tensions and busy riffs. To select the simple variation, put a c
:;756
Piano, Acoustic, Rhythm Jazz BeBop Sw 190 (A: simple)
A smooth background jazz piano style, with an acoustic piano tone. This variati
on plays simpler patterns throughout.
:;757
Piano, Acoustic, Rhythm Jazz BeBop Sw 190 (B: energetic)
A smooth background jazz piano style, with an acoustic piano tone. This variatio
n plays more energetic patterns throughout.
:;758
Sax, Tenor, Soloist Jazz BeBop Sw 190
A lively bebop saxophone solo style, with a warm tenor sax tone.
:;759
Sax, Tenor, Soloist Jazz BeBop Sw 190 (Bluesy)
A lively bebop saxophone solo style, with a warm tenor sax tone. This bluesy var
iation plays a b7 on major chords.
:;760
Bass, Acoustic, Jazz Modern Sw 140
A solid modern jazz swing acoustic bass style. Often plays less conventional sy
ncopated rhythms. The 'A' section plays in-2, and the 'B' section plays an ener
getic walking pattern.
Style suggestions: J_EVAN2H, J_MJQ_1, J_Miles1
The simple version of Bass, Acoustic, Jazz Modern Sw 140 omits busy riffs and rh
ythmic deviation. To select the simple variation, put a check in the "Simpler"
:;761
Bass, Acoustic, Jazz Modern Sw 140 (A: in-2)
ncopated rhythms. This variation plays in-2 throughout.
:;762
Bass, Acoustic, Jazz Modern Sw 140 (B: walking)
ncopated rhythms. This variation plays an energetic walking pattern throughout.
:;763
Clarinet, Soloist Older Swing Sw 140

An energetic swing clarinet soloist style.
Style suggestions: JAZQUINT
:;764
Clarinet, Soloist Older Swing Sw 140 (Bluesy)
An energetic swing clarinet soloist style. This bluesy variation plays a b7 on
major chords.
:;765
Guitar, Electric, Soloist Jazz Sw 140
A lively swing electric guitar soloist, with a warm jazz guitar tone.
:;766
Guitar, Electric, Soloist Jazz Sw 140 (Bluesy)
A lively swing electric guitar soloist, with a warm jazz guitar tone. This blue
sy variation plays a b7 on major chords.
:;767
Piano, Acoustic, Rhythm Jazz Modern Sw 140
A modern approach to jazz swing on acoustic piano.
The simple version of Piano, Acoustic, Rhythm Jazz Modern Sw 140 omits busy riff
:;768
A solid swing jazz acoustic bass style. The slower tempo allows for more rhythm
ic freedom than faster swing. The 'A' section plays in-2, and the 'B' section p
lays a walking bass line.
Style suggestions: ASTAIRE1, FOXTROT1, CLASSY, BIGBAND1
:;769
Bass, Acoustic, Jazz Sw 110 (A: in-2)
ic freedom than faster swing. This variation plays in-2 throughout.
:;770
Bass, Acoustic, Jazz Sw 110 (B: walking)
ic freedom than faster swing. This variation plays a walking line throughout.
:;771
Piano, Acoustic, Rhythm Jazz Sw 110
A slow-medium tempo acoustic piano jazz style. The 'A' section plays simpler pa
rts, and at the 'B' section the playing becomes more energetic.
:;772
Piano, Acoustic, Rhythm Jazz Sw 110 (A: simple)
A slow-medium tempo acoustic piano jazz style. This 'A-only' variation plays si
mpler parts throughout.
:;773
Piano, Acoustic, Rhythm Jazz Sw 110 (B: energetic)
A slow-medium tempo acoustic piano jazz style. This 'B-only' variation plays mo
re energeticly throughout.
:;774
Sax, Soprano, Soloist Jazz Swing Sw 110
A slow-medium tempo jazz swing soprano saxophone soloist style.
:;775
Sax, Soprano, Soloist Jazz Swing Sw 110 (Bluesy)
A slow-medium tempo jazz swing soprano saxophone soloist style.. This bluesy var
iation plays a b7 on major chords.
:;776
Bass, Acoustic, PopWaltz Ev 085
Even 8 pop-waltz acoustic bass style. The 'A' section plays a simple bass patte
rn, and the 'B' section plays a more energetic pattern.
Style suggestions: MOONRIVR, Ev8WLZ
:;777
Bass, Acoustic, PopWaltz Ev 085 (A: simple)
Even 8 pop-waltz acoustic bass style. This variation plays a simple bass patter
n throughout.
:;778
Bass, Acoustic, PopWaltz Ev 085 (B: energetic)
Even 8 pop-waltz acoustic bass style. This variation plays a more energetic pat
tern throughout..
:;779
Piano, Acoustic, Rhythm PopWaltz Ev 085
Even 8th pop-waltz piano background style. The 'A' section plays a simple accom
paniment, and the 'B' section plays a more energetic accompaniment.
:;780
Piano, Acoustic, Rhythm PopWaltz Ev 085 (A: simple)

Even 8th pop-waltz piano background style. This variation plays a simple accomp
animent throughout.
:;781
Piano, Acoustic, Rhythm PopWaltz Ev 085 (B: energetic)
Even 8th pop-waltz piano background style. This variation plays a more energeti
c accompaniment throughout.
:;782
Sax, Tenor, Soloist Jazz Waltz Sw 140
A cool jazz waltz sax soloist, with a warm tenor saxophone sound.
Style suggestions: BLUESET, J~BRUB34
:;783
Sax, Tenor, Soloist Jazz Waltz Sw 140 (Bluesy)
A cool jazz waltz sax soloist, with a warm tenor saxophone sound. This bluesy va
riation plays a b7 on major chords.
Style suggestions: BLUESET, J~BRUB34
:;784
Bass, Electric, PopCrossover Sw16 075
A bouncy PopCountry bass style, with a modern electric bass sound. The distingu
ishing characteristic is that it almost always plays on the down beat, and the a
nd-of-1.
Style suggestions: C2_EMERS
:;785
Guitar, Acoustic, Strumming CrossoverSnappy Sw16 090
A syncopated strummed guitar style, with a clean acoustic guitar tone.
Style suggestions: C2_John
:;786
Guitar, Electric, Rhythm CrossoverChop Sw16 090
A syncopated strummed electric guitar style, with a distorted rock guitar tone.
:;787
Guitar, Electric, Rhythm CrossoverClean Sw16 090
A cool electric guitar rhythm style, with a clean and smooth guitar tone. The '
A' section plays held chords, and the 'B' section plays fingerpicked chords.
:;788
Guitar, Electric, Rhythm CrossoverClean Sw16 090 (A: held)
A cool electric guitar rhythm style, with a clean and smooth guitar tone. This
variation plays held chords throughout.
:;789
Guitar, Electric, Rhythm CrossoverClean Sw16 090 (B: finger)
A cool electric guitar rhythm style, with a clean and smooth guitar tone. This
variation plays fingerpicked chords throughout.
:;790
Guitar, Electric, Rhythm CrossoverGrooving Sw16 075
A strong electric guitar rhythm track, with a distorted rock guitar tone. The '
A' section plays a syncopated strumming pattern, and the 'B' section plays a str
aight eighth strumming pattern.
:;791
Guitar, Electric, Rhythm CrossoverGrooving Sw16 075 (A: syncopated)
A strong electric guitar rhythm track, with a distorted rock guitar tone. This
variation plays a syncopated strumming pattern throughout.
:;792
Guitar, Electric, Rhythm CrossoverGrooving Sw16 075 (B: eighths)
A strong electric guitar rhythm track, with a distorted rock guitar tone. This
variation plays a straight eighth strumming pattern.
:;793
Guitar, Acoustic, Strumming ModernCountrySync Ev 100
A lively syncopated guitar strumming style, with a warm acoustic guitar tone.
Style suggestions:C_Jessy, C_Garth
:;794
Guitar, Electric, Rhythm ModernCountrySync Ev 100
A smooth electric guitar rhythm style, with a clean electric guitar tone. The 'A
' section plays a strummed chord pattern, and the 'B' section plays a fingerpick
ed pattern.
:;795
Guitar, Electric, Rhythm ModernCountrySync Ev 100 (A: strum)
A smooth electric guitar rhythm style, with a clean electric guitar tone. This v
ariation plays a strummed chord pattern throughout.
:;796
Guitar, Electric, Rhythm ModernCountrySync Ev 100 (B: finger)
A smooth electric guitar rhythm style, with a clean electric guitar tone. This v
ariation plays a fingerpicked pattern throughout.
:;797
Guitar, Electric, Rhythm SouthernSnappyClean Ev 090
A crisp electric guitar rhythm style, with a slightly distorted electric guitar
tone. The 'A' section plays a quarter-note strumming pattern, and the 'B' sectio
n plays a eighth-note strumming pattern.
Style suggestions:C2_EMERS
The simple version of Guitar, Electric, Rhythm SouthernSnappyClean Ev 090 exclud
es riffs that deviate from the basic rhythm. To select the simple variation, pu
t a check in the "Simpler" checkbox in the RealTracks picker.
:;798
Guitar, Electric, Rhythm SouthernSnappyClean Ev 090 (A: quarter)
tone. This variation plays a quarter-note strumming pattern throughout.
:;799
Guitar, Electric, Rhythm SouthernSnappyClean Ev 090 (B: eighth)

tone. This variation plays a eighth-note strumming pattern throughout.
:;800
Guitar, Electric, Rhythm SouthernSnappyGritty Ev 090
A rocking electric guitar rhythm style, with a distorted electric guitar tone. T
he 'A' section plays held chords, and the 'B' section plays an eighth-note strum
ming pattern.
:;801
Guitar, Electric, Rhythm SouthernSnappyGritty Ev 090 (A: held)
his variation plays held chords throughout.
:;802
Guitar, Electric, Rhythm SouthernSnappyGritty Ev 090 (B: eighths)
his variation plays an eighth-note strumming pattern throughout.
:;803
Guitar, Electric, Rhythm DrivingCountryBalladClean Ev 065
A smooth electric guitar rhythm style, with a driving country guitar tone. The '
A' section plays achop style, and the 'B' section plays held chords.
Style suggestions:
:;804
Guitar, Electric, Rhythm DrivingCountryBalladClean Ev 065 (A: chop)
A smooth electric guitar rhythm style, with a driving country guitar tone. This
variation plays a chop style throughout.
Style suggestions:
:;805
Guitar, Electric, Rhythm DrivingCountryBalladClean Ev 065 (B: held)
A smooth electric guitar rhythm style, with a driving country guitar tone. This
variation plays held chords throughout.
Style suggestions:
:;806
Guitar, Electric, Rhythm DrivingCountryBalladDirty Ev 065
A solid electric guitar rhythm style, with a dirty electric guitar tone. The 'A'
section plays a syncopated strumming style, and the 'B' section plays a quarter
-note strumming pattern.
Style suggestions:
The simple version of Guitar, Electric, Rhythm DrivingCountryBalladDirty Ev 065
excludes riffs that deviate from the basic rhythm. To select the simple variati
:;807
Guitar, Electric, Rhythm DrivingCountryBalladDirty Ev 065 (A: syncopated)
A solid electric guitar rhythm style, with a dirty electric guitar tone. This va
riation plays a syncopated strumming style throughout.
Style suggestions:
:;808
Guitar, Electric, Rhythm DrivingCountryBalladDirty Ev 065 (B: quarters)
A solid electric guitar rhythm style, with a dirty electric guitar tone. This va
riation plays a quarter-note strumming pattern throughout.
Style suggestions:
:;809
Guitar, Electric, Soloist DrivingCountryBallad Ev 065
A blazing electric guitar soloist style, with a distorted lead guitar tone.
Style suggestions:
:;810
Guitar, Electric, Soloist DrivingCountryBallad Ev 065 (Bluesy)
A blazing electric guitar soloist style, with a distorted lead guitar tone. This
bluesy variation plays a b7 on major chords.
Style suggestions:
:;811
Piano, Acoustic, Solo-Accompaniment Pop Vancouver Ev 100
Sophisticated solo piano pop style, meant to accompany a singer or soloist with
no other instruments.
Style suggestions: ELTONPNO
:;812
Guitar, Electric, Rhythm Western Swing Sw 165
Western Swing Electric Guitar chording with a clean tone. For the 'A' section t
he guitar alternates between low notes and chords, and at 'B' the bass note is d
ropped and it's just quarter notes chording.
Style suggestions: C_Swing, MILITARY
:;813
Guitar, Electric, Rhythm Western Swing Sw 165 (A: bass-chord)
Western Swing Electric Guitar chording with a clean tone. For this variation th
e guitar alternates between low notes and chords throughout.
:;814
Guitar, Electric, Rhythm Western Swing Sw 165 (B: quarters)
e guitar plays quarter notes chording throughout.
:;815
Guitar, Electric, Rhythm Western Swing Sw 190
Western Swing Electric Guitar chording with a clean tone. For the 'A' section t
he guitar alternates between low notes and chords, and at 'B' the bass note is d
ropped and it's just quarter notes chording.
Style suggestions: STATLERS
:;816
Guitar, Electric, Rhythm Western Swing Sw 190 (A: bass-chord)
e guitar alternates between low notes and chords throughout.

:;817
Guitar, Electric, Rhythm Western Swing Sw 190 (B: quarters)
e guitar plays quarter notes chording throughout.
:;818
Guitar, Electric, Soloist CountryClassicSwing Sw 190
A smooth electric guitar soloist style with a warm lead guitar tone playing typi
cal Country Solo licks.
:;819
Guitar, Electric, Soloist CountryClassicSwing Sw 190 (Bluesy)
cal Country Solo licks. This bluesy variation plays a b7 on major chords.
:;820
Mandolin Soloist Bluegrass Ev 100
A flowing bluegrass mandolin soloist style, with a clean tone.
Tempo range: 90-120
Style suggestions: BGPOP, CR_ALLIS, Byrdlyke
:;821
Mandolin Soloist Bluegrass Ev 100 (Bluesy)
A flowing bluegrass mandolin soloist style, with a clean tone. This bluesy varia
tion plays a b7 on major chords.
Tempo range: 90-120
Style suggestions: BGPOP, CR_ALLIS, Byrdlyke
:;822
Guitar, Acoustic, Fingerpicking Country Waltz Sw 085
A smooth acoustic guitar fingerpicking waltz style, with a warm acoustic guitar
tone.
Style suggestions: C_34, CR_NORAH
The simple version of Guitar, Acoustic, Fingerpicking Country Waltz Sw 085 exclu
des riffs that include extra notes or riffs. To select the simple variation, pu
:;823
tone.
Style suggestions: C_NuWalz, BGWALTZ
des riffs that include extra notes or deviate from the basic rhythm. To select
the simple variation, put a check in the "Simpler" checkbox in the RealTracks pi
cker.
:;824
Guitar, Acoustic, Strumming Country Waltz Sw 085
A smooth acoustic guitar waltz strumming style, with a warm acoustic guitar tone
.
Style suggestions: C_34, CR_NORAH
:;825
.

Style suggestions: C_NuWalz, BGWALTZ
:;826
tone.
Style suggestions: C_WlzMed, EarlyDew
des riffs that include extra notes or riffs. To select the simple variation, pu
:;827
.
:;828
Guitar, Electric, Rhythm Country Waltz Sw 110
A smooth electric guitar waltz strumming style, with a bright country electric g
uitar tone. The 'A' section plays held chords, and the 'B' section plays arpegia
ted chords.
The simple RealTracks for Guitar, Electric, Rhythm Country Waltz Sw 110 plays mi
nor chords with out a 7th added. Also sus4 and add2 chords will not be played w
hen a major chord is entered. Also runs will not be played at the end of a chord
. To select the simple variation, put a check in the "Simpler" checkbox in the
RealTracks picker.
:;829
Guitar, Electric, Rhythm Country Waltz Sw 110 (A: held)
uitar tone. This variation plays held chords throughout.
RealTracks picker.
:;830
Guitar, Electric, Rhythm Country Waltz Sw 110 (B: arpegiated)
uitar tone. This variation plays arpegiated chords throughout.
RealTracks picker.
:;831
Piano, Acoustic, Solo-Accompaniment Pop BouncyWaltz Sw 085
Simple bouncy pop-waltz piano style. This style is intended to be used on it's
own, without bass or drums, but can also be used in a band setting.
Style suggestions: WALTZIN
:;832
Guitar, Electric, Rhythm AltCountryMoody Ev 075
A solid electric guitar rhythm style, with a slightly distorted electric guitar
tone. The 'A' section plays held chords, and the 'B' section plays arpegiated ch
ords.
Style suggestions: CR_TRAIN
The simple version of Guitar, Electric, Rhythm AltCountryMoody Ev 075 has the su
s2 and sus4 as well as fills removed from major chords. This makes the simple v
ersion just open chords. To select the simple variation, put a check in the "Si
:;833
Guitar, Electric, Rhythm AltCountryMoody Ev 075 (A: held)
tone. This variation plays held chords throughout.
:;834
Guitar, Electric, Rhythm AltCountryMoody Ev 075 (B: arpegiated)
tone. This variation plays arpegiated chords throughout.
:;835
Guitar, Electric, Rhythm AltCountryRootsy Ev 075
A rootsy electric guitar rhythm style, with a dirty electric guitar tone. The 'A
' section plays muted chords, and the 'B' section plays held chords.
The rhythm of Guitar, Electric, Rhythm AltCountryRootsy Ev 075 is kept to the sa
me pattern in the simple version. No embellishment is added to major chords for
both the A and B section. To select the simple variation, put a check in the "
Simpler" checkbox in the RealTracks picker.
:;836
Guitar, Electric, Rhythm AltCountryRootsy Ev 075 (A: muted)
A rootsy electric guitar rhythm style, with a dirty electric guitar tone. This v
ariation plays muted chords throughout.
:;837
Guitar, Electric, Rhythm AltCountryRootsy Ev 075 (B: held)
A rootsy electric guitar rhythm style, with a dirty electric guitar tone. This v
ariation plays held chords throughout.
:;838
Guitar, Electric, Rhythm PopBalladClean Ev 085
An electric guitar pop rhythm style, with a clean guitar tone. The 'A' section p
lays arpegiated chords, and the 'B' section plays heavily strummed chords.
Style suggestions: C_LA, C_KENNY
:;839
Guitar, Electric, Rhythm PopBalladClean Ev 085 (A: arpegiated)
An electric guitar pop rhythm style, with a clean guitar tone. This variation pl
ays arpegiated chords throughout.
:;840
Guitar, Electric, Rhythm PopBalladClean Ev 085 (B: strummed)
An electric guitar pop rhythm style, with a clean guitar tone. This variation pl
ays strummed chords throughout.
:;841
Guitar, Electric, Rhythm PopBalladSlowGritty Ev 065
A gritty electric guitar rhythm style, with a slightly distorted guitar tone. Th
e 'A' section plays arpegiated chords, and the 'B' section plays heavily strumme
d chords.
The simple version of Guitar, Electric, Rhythm PopBalladSlowGritty Ev 065 exclud
:;842
Guitar, Electric, Rhythm PopBalladSlowGritty Ev 065 (A: arpegiated)
is variation plays arpegiated chords throughout.
:;843
Guitar, Electric, Rhythm PopBalladSlowGritty Ev 065 (B: heavy)
is variation plays heavily strummed chords throughout.
:;844
Guitar, Electric, Rhythm CountryRockPopping Ev 120
A lively guitar rhythm style, with a twangy country electric guitar tone. The '
A' section plays syncopated chords, and the 'B' section plays a busier accompani
ment.
Style suggestions: NR_DIRK+
For the simple version of the RealTrack Guitar, Electric, Rhythm CountryRockPopp
ing Ev 120 the embellishments are removed so the playing has a basic feel. Busy
riffs played over some chords have been taken out as well as other chords being
treated as a major7th. This applies to both the A and B section. To select th
e simple variation, put a check in the "Simpler" checkbox in the RealTracks pick
er.
:;845
Guitar, Electric, Rhythm CountryRockPopping Ev 120 (A: syncopated)
A lively guitar rhythm style, with a twangy country electric guitar tone. This
variation plays syncopated chords throughout.

er.
:;846
Guitar, Electric, Rhythm CountryRockPopping Ev 120 (B: busy)
A lively guitar rhythm style, with a twangy country electric guitar tone. This
variation plays a busier accompaniment throughout.
er.
:;847
Guitar, Electric, Rhythm CountryRockRiff Ev 120
A rocking guitar rhythm style playing a classic CountryRock riff, with a distrot
ed electric guitar tone. The 'A' section plays syncopated chords, and the 'B' s
ection plays a steady accompaniment.
:;848
Guitar, Electric, Rhythm CountryRockRiff Ev 120 (A: syncopated)
ed electric guitar tone. This variation plays syncopated chords throughout.
:;849
Guitar, Electric, Rhythm CountryRockRiff Ev 120 (B: steady)
ed electric guitar tone. This variation plays a steady accompaniment throughout
.
:;850
Guitar, Electric, Rhythm NashvillePopClean Ev 120
A smooth guitar rhythm style, with a bright electric guitar tone. The 'A' secti
on plays held chords, and the 'B' section plays arrpegiated chords.
Style suggestions: NR_LSTR+
:;851
Guitar, Electric, Rhythm NashvillePopClean Ev 120 (A: held)
A smooth guitar rhythm style, with a bright electric guitar tone. This variatio
n plays held chords throughout.
:;852
Guitar, Electric, Rhythm NashvillePopClean Ev 120 (B: arrpegiated)
A smooth guitar rhythm style, with a bright electric guitar tone. This variatio
n plays arrpegiated chords throughout.
:;853
Guitar, Electric, Rhythm NashvillePopDirty Ev 120

A gritty guitar rhythm style, with a distorted electric guitar tone playing chop
chords throughout.
The simple version of Guitar, Electric, Rhythm NashvillePopDirty Ev 120 excludes
riffs that deviate from the basic rhythm. To select the simple variation, put
a check in the "Simpler" checkbox in the RealTracks picker.
:;854
Guitar, 12-String Acoustic, Rhythm RockWaltzA-B Ev 140
Rolling waltz style, with crisp 12-string acoustic guitar tone. This variation
features picking during the 'A' section and strumming at 'B'
The simple version of Guitar, 12-String Acoustic, Rhythm RockWaltzA-B Ev 140 omi
ts busy riffs and rhythmic deviation. To select the simple variation, put a che
ck in the "Simpler" checkbox in the RealTracks picker.
:;855
Guitar, 12-String Acoustic, Rhythm RockWaltzPicking Ev 140
Rolling waltz style with individual picked notes, with crisp 12-string acoustic
guitar tone.
:;856
Guitar, 12-String Acoustic, Rhythm RockWaltzStrumming Ev 140
Rolling waltz style with strummed chords, with crisp 12-string acoustic guitar t
one.
:;857
Guitar, Electric, Rhythm HardRockWaltzMutedA-B Ev 140
Hard rock waltz (or 6-8) style with a distorted guitar sound, played with a palm
-mute effect. This variation plays a steady groove through the 'A' Section, and
switches to a more syncopated groove at 'B'.
:;858
Guitar, Electric, Rhythm HardRockWaltzMutedSteady Ev 140
-mute effect. Steady groove throughout.
:;859
Guitar, Electric, Rhythm HardRockWaltzMutedSync Ev 140
-mute effect. The rhythm is slightly syncopated, implying both 3-4 and 6-8 time
.
:;860
Guitar, Electric, Rhythm HardRockWaltzSustainA-B Ev 140
Hard rock waltz (or 6-8) style with a crisp, high distorted guitar sound. Stead
y held chords are played through the 'A' section, and it switches to a faster-pa
ced strum at 'B'.
:;861
Guitar, Electric, Rhythm HardRockWaltzSustainHeld Ev 140
Hard rock waltz (or 6-8) style with a crisp, high distorted guitar sound. Stead
y held chords are played throughout.
:;862
Guitar, Electric, Rhythm HardRockWaltzSustainStrummed Ev 140
Hard rock waltz (or 6-8) style with a crisp, high distorted guitar sound. Strum
med chords are played throughout.
:;863
Guitar, Electric, Rhythm PopRockWaltzPulsingA-B Ev 140
Rolling Pop-Rock Waltz style, with a clean guitar sound at 'A', and at 'B' the p
edal is pressed for a distorted sound.
:;864
Guitar, Electric, Rhythm PopRockWaltzPulsingClean Ev 140
Rolling Pop-Rock Waltz style with a clean guitar sound.
:;865
Guitar, Electric, Rhythm PopRockWaltzPulsingDirty Ev 140
Rolling Pop-Rock Waltz style with a distorted sound.
:;866
Guitar, Electric, Rhythm PopRockWaltzSteadyA-B Ev 140
Steady Pop-Rock Waltz style with a distorted sound. A palm-mute effect is used
for the 'A' section, and a more open, grittier sound is used at 'B'.
:;867
Guitar, Electric, Rhythm PopRockWaltzSteadyMuted Ev 140
Steady Pop-Rock Waltz style with a distorted sound. A palm-mute effect is used
throughout.
:;868
Guitar, Electric, Rhythm PopRockWaltzSteadyGritty Ev 140
Steady Pop-Rock Waltz style with a gritty distorted sound.
:;869
Guitar, Electric, Rhythm ModernRnBRockWarmA-B Ev 065
Warm modern R 'n' B Pop-Rock Guitar. For 'A', the rhythm mostly sticks to quart
er notes, and switches to a busier strumming pattern at 'B'.
Tempo Range: 55-90
The simple version of Guitar, Electric, Rhythm ModernRnBRockWarmA-B Ev 065 exclu
des riffs that deviate from the basic rhythm. To select the simple variation, p
:;870
Guitar, Electric, Rhythm ModernRnBRockWarmQuarters Ev 065
Warm modern R 'n' B Pop-Rock Guitar playing a mostly quarter-note pattern.
Tempo Range: 55-90
:;871
Guitar, Electric, Rhythm ModernRnBRockWarmStrum Ev 065
Warm modern R 'n' B Pop-Rock Guitar playing a steady strumming pattern.
Tempo Range: 55-90
:;872
Guitar, Electric, Rhythm ModernRnBRockFunkyA-B Ev 065
Funky modern R 'n' B Pop-Rock Guitar playing a high off-beat pattern at 'A', and
switching to a pattern that employs more 16th notes at 'B'.
Tempo Range: 55-90
The simple version of Guitar, Electric, Rhythm ModernRnBRockFunkyA-B Ev 065 excl
udes riffs that deviate from the basic rhythm. To select the simple variation,
put a check in the "Simpler" checkbox in the RealTracks picker.
:;873
Guitar, Electric, Rhythm ModernRnBRockFunkyOffbeat Ev 065
Funky modern R 'n' B Pop-Rock Guitar playing a high off-beat pattern.
Tempo Range: 55-90
:;874
Guitar, Electric, Rhythm ModernRnBRockFunky16ths Ev 065
Funky modern R 'n' B Pop-Rock Guitar playing a 16th-note-based groove.
Tempo Range: 55-90
:;875
Guitar, Electric, Rhythm NorthernRockFuzzyA-B Sw16 075
Modern Rock guitar with a low-fi fuzzy tone. A basic quarter-note pattern is us
ed at 'A', and it switches to a busier strumming pattern at 'B'.
Tempo Range: 65-100
:;876
Guitar, Electric, Rhythm NorthernRockFuzzyQuarters Sw16 075
Modern Rock guitar with a low-fi fuzzy tone playing a basic quarter-note pattern
.
Tempo Range: 65-100
:;877
Guitar, Electric, Rhythm NorthernRockFuzzyStrum Sw16 075
Modern Rock guitar with a low-fi fuzzy tone playing a basic strumming groove.
Tempo Range: 65-100
:;878
Guitar, Electric, Rhythm NorthernRockGrittyA-B Sw16 075
Modern Rock guitar with a crisp, gritty tone. A basic quarter-note pattern is u
sed at 'A', and it switches to a busier strumming pattern at 'B'.
Tempo Range: 65-100
:;879
Guitar, Electric, Rhythm NorthernRockGrittyQuarters Sw16 075
Modern Rock guitar with a crisp, gritty tone, playing a basic quarter-note patte
rn.
Tempo Range: 65-100
:;880
Guitar, Electric, Rhythm NorthernRockGrittyStrum Sw16 075
Modern Rock guitar with a crisp, gritty tone, playing a basic strumming groove.
Tempo Range: 65-100
:;881
Guitar, Electric, Rhythm TexasBluesRockHighA-B Ev 165
Texas Blues Rock, common in the 1980s, here played in a high register. An off-b
eat pattern is used at 'A', and a classic riff pattern is used at 'B'.
:;882
Guitar, Electric, Rhythm TexasBluesRockHighOffbeat Ev 165
Texas Blues Rock, common in the 1980s, here playing an off-beat pattern in a hig
h register.
:;883
Guitar, Electric, Rhythm TexasBluesRockHighRiff Ev 165
Texas Blues Rock, common in the 1980s, here playing a classic riff pattern in a
high register.
:;884
Guitar, Electric, Rhythm TexasBluesRockLowA-B Ev 165

Texas Blues Rock, common in the 1980s, here played in a low register. A syncopa
ted pattern is used at 'A', and a classic riff pattern is used at 'B'.
:;885
Guitar, Electric, Rhythm TexasBluesRockLowSync Ev 165
Texas Blues Rock, common in the 1980s, here playing a syncopated pattern in a lo
w register.
:;886
Guitar, Electric, Rhythm TexasBluesRockLowRiff Ev 165
Texas Blues Rock, common in the 1980s, here playing a classic riff pattern in a
low register.
:;887
Piano, Acoustic, Solo-Accompaniment FolkPopPrairie Ev 100
This piano style is intended to back up a singer or soloist without the need for
other rhythm instruments (though other instruments certainly can be used). Thi
s style is reminiscent of the music of the priairies.
Tempo Range: 90-125
:;888
Piano, Acoustic, Solo-Accompaniment PopBronx Ev 120
s style evokes feelings of classic New York grooves.
:;889
Piano, Acoustic, Solo-Accompaniment PopFunkyTexas Ev 100
s is a funky style, developed in the southern US.
Tempo Range: 90-125
:;890
Piano, Acoustic, Solo-Accompaniment PopLite Ev 140
s is a versitile lite-pop style.
:;891
Piano, Acoustic, Solo-Accompaniment PopLiverpool Ev 065
s style is reminiscent of the mellower side of the British invasion.
Tempo Range: 55-90
:;892
Piano, Acoustic, Solo-Accompaniment PopLiverpool Ev 065 (A-simple)
Tempo Range: 55-90
:;893
Piano, Acoustic, Solo-Accompaniment PopLiverpool Ev 065 (B-energetic)
Tempo Range: 55-90
:;894
Piano, Acoustic, Solo-Accompaniment PopLondon Ev 065
s style was common in Britain in the 70s & 80s.

Tempo Range: 55-90
:;895
Piano, Acoustic, Solo-Accompaniment PopSlow12-8 Ev 060
s is a multi-purpose 12-8 style.
Tempo Range: 50-85
:;896
Guitar, 12-String Acoustic, Fingerpicking FolkRock Ev 100
Picked 12-String Acoustic Guitar playing Folk-Rock at a medium tempo.
Tempo Range: 90-125
The simple version of Guitar, 12-String Acoustic, Rhythm FolkRock Ev 100 has the
sus chords removed from major chords. To select the simple variation, put a ch
:;897
Guitar, 12-String Acoustic, Fingerpicking FolkRock Ev16 065
Picked 12-String Acoustic Guitar playing Folk-Rock at a slow tempo.
Tempo Range: 55-90
When the simple version of Guitar, 12-String Acoustic, Rhythm FolkRock Ev16 065
is selected no sus chords will be played during a major chord. To select the si
mple variation, put a check in the "Simpler" checkbox in the RealTracks picker.
:;898
Guitar, 12-String Acoustic, Strumming FolkRockWaltz Ev 150
Strummed 12-String Acoustic Guitar playing a Folk-Rock Waltz. This groove can b
e treated as either a 3:4 waltz or 6:8.
:;900
Guitar, Acoustic, Strumming FolkRockWaltz Ev 150
Strummed Acoustic Guitar playing a Folk-Rock Waltz. This groove can be treated
as either a 3:4 waltz or 6:8.
:;902
Bass, Electric, SmoothCool Sw16 075
Slow Hip-Hop swing 16ths groove played on a 5-string electric bass with a warm,
round tone.
Tempo Range: 65-100
The simple version of Bass, Electric, SmoothCool Sw16 075 omits busy riffs and r
:;903
Bass, Electric, SmoothCool Sw16 100
Medium tempo Hip-Hop swing 16ths groove played on a 5-string electric bass with
a warm, round tone.
Tempo Range: 90-125
The simple version of Bass, Electric, SmoothCool Sw16 100 omits busy riffs and r
:;904
Piano, Electric, Rhythm, SmoothCool Sw16 075
Slow Hip-Hop swing 16ths groove played on electric piano, with chorus, delay and
reverb to create a slick, smooth sound.
Tempo Range: 65-100
The simple version of Piano, Electric, Rhythm SmoothCool Sw16 075 (dry) excludes
melodic riffs and complex V chords. To select the simple variation, put a chec
k in the "Simpler" checkbox in the RealTracks picker.
:;905
Piano, Electric, Rhythm, SmoothCool Dry, Sw16 075
Slow Hip-Hop swing 16ths groove played on electric piano. This variation has no
effects added to the piano, and as such can be used in a variety of situations.
Tempo Range: 65-100

:;906
Piano, Electric, Rhythm, SmoothCool Sw16 100
Medium tempo Hip-Hop swing 16ths groove played on electric piano, with chorus, d
elay and reverb to create a slick, smooth sound.
Tempo Range: 90-125
:;907
Piano, Electric, Rhythm, SmoothCool Dry Sw16 100
Medium tempo Hip-Hop swing 16ths groove played on electric piano. This variatio
n has no effects added to the piano, and as such can be used in a variety of sit
uations.
Tempo Range: 90-125
:;908
Bass, Electric, SmoothBallad Ev16 065
Slow Smooth Jazz Ballad groove played on a 5-string electric bass with a warm, r
ound tone.
Tempo Range: 55-90
:;909
Bass, Electric, SmoothPoppy Ev16 090
Fast, Poppy, Smooth Jazz groove played on a 5-string electric bass with a warm,
round tone.
Tempo Range: 80-115
The simple version of Bass, Electric, SmoothPoppy Ev16 090 omits busy riffs and
rhythmic deviation. To select the simple variation, put a check in the "Simpler
:;910
Piano, Electric, Rhythm, SmoothBallad Ev16 065
Slow Smooth Jazz Ballad groove played on electric piano, with chorus, delay and
Tempo Range: 55-90
The simple version of Piano, Electric, Rhythm SmoothBallad Ev16 065 (dry) exclud
es melodic riffs and complex V chords. To select the simple variation, put a ch
:;911
Piano, Electric, Rhythm, SmoothBallad Dry Ev16 065
Slow Smooth Jazz Ballad groove played on electric piano. This variation has no
Tempo Range: 55-90
The simple version of Piano, Electric, Rhythm SmoothBallad Ev16 065 (dry) exclud
es melodic riffs and complex V chords. To select the simple variation, put a ch
:;912
Piano, Electric, Rhythm, SmoothPoppy Ev16 090
Fast, Poppy, Smooth Jazz groove played on electric piano, with chorus, delay and
Tempo Range: 80-115
The simple version of Piano, Electric, Rhythm SmoothPoppy Ev16 090 (dry) exclude
s melodic riffs and complex V chords. To select the simple variation, put a che
:;913
Piano, Electric, Rhythm, SmoothPoppy Dry Ev16 090
Fast, Poppy, Smooth Jazz groove played on electric piano. This variation has no
Tempo Range: 80-115
The simple version of Piano, Electric, Rhythm SmoothPoppy Ev16 090 (dry) exclude
:;914
Bass, Acoustic, ChaCha Ev 110
Solid Cha Cha groove played on a Double Bass with a warm, round tone.
The simple version of Bass, Acoustic, ChaCha Ev 110 omits busy riffs and rhythmi
c deviation. To select the simple variation, put a check in the "Simpler" check
:;915
Bass, Acoustic, Mambo Ev 150
Medium-fast Mambo groove played on a Double Bass with a warm, round tone.
The simple version of Bass, Acoustic, Mambo Ev 150 omits busy riffs and rhythmic
deviation. To select the simple variation, put a check in the "Simpler" checkb
ox in the RealTracks picker.
:;916
Bass, Acoustic, Rumba Ev 110
Rumba groove played on a Double Bass with a warm, round tone.
The simple version of Bass, Acoustic, Rumba Ev 110 omits busy riffs and rhythmic
:;917
Bass, Acoustic, Tango Ev 100
Slow Tango groove played on a Double Bass with a warm, round tone.
Tempo Range: 90-125
The simple version of Bass, Acoustic, Tango Ev 100 omits busy riffs and rhythmic
:;918
Piano, Acoustic, Rhythm ChaCha Ev 110
Stylish Cha-Cha piano style, with a warm grand piano tone.
The simple version of Piano, Acoustic, Rhythm ChaCha Ev 110 omits busy riffs and
some non-diatonic tensions. To select the simple variation, put a check in the
:;919
Piano, Acoustic, Rhythm Mambo Ev 150
Syncopated Mambo piano style, with a warm grand piano tone.
The simple version of Piano, Acoustic, Rhythm Mambo Ev 150 omits busy riffs and
:;920
Piano, Acoustic, Rhythm Rumba Ev 110
Sophisticated Rumba piano style, with a warm grand piano tone.
The simple version of Piano, Acoustic, Rhythm Rumba Ev 110 omits busy riffs and
:;921
Medium-slow Bossa groove played on a Double Bass with a warm, round tone.
:;922
Guitar, Electric, Rhythm BossaFreeComp Ev 085

Slow Bossa played on electric guitar with a warm tone. This "FreeComp" style us
es a variety of rhythmic patterns, and is intended to be the sole comping instru
ment, with no piano.
Tempo Range: 75-110
The simple version of Guitar, Electric, Rhythm BossaFreeComp Ev 085 excludes som
e busy riffs and non-diatonic tensions. To select the simple variation, put a c
:;923
Guitar, Electric, Rhythm BossaFreeComp Ev 110
Medium-Slow Bossa played on electric guitar with a warm tone. This "FreeComp" s
tyle uses a variety of rhythmic patterns, and is intended to be the sole comping
instrument, with no piano.
The simple version of Guitar, Electric, Rhythm BossaFreeComp Ev 110 excludes som
e busy riffs and non-diatonic tensions. To select the simple variation, put a c
:;924
Guitar, Electric, Rhythm BossaGrooveComp Ev 110
Medium-Slow Bossa played on electric guitar with a warm tone. This "Groovecomp"
style uses repetitive rhythmic patterns, and therefore works well in conjunctio
n with other comping instruments, such as piano.
The simple version of Guitar, Electric, Rhythm BossaGrooveComp Ev 110 omits busy
riffs and some non-diatonic tensions. To select the simple variation, put a ch
:;925
Medium-Slow Bossa played on acoustic piano with a light touch, utilizing sophist
icated voicings.
:;926
Slow Jazz Waltz Ballad style, played on a Double Bass with a warm, round tone.
For the 'A' section, most notes are played only on the downbeat of the bar (unle
ss the chords change more frequently). At 'B', it switches to a walking pattern
(step-wise quarter-note patterns).
Tempo Range: 75-110
:;927
Bass, Acoustic, Jazz Waltz Sw 085 ('A' only)
This is the 'A-only' variation, where most notes are played only on the downbeat
of the bar (unless the chords change more frequently).
Tempo Range: 75-110
:;928
Bass, Acoustic, Jazz Waltz Sw 085 ('B' only)
Thie is the 'B-only' variation, which plays a walking pattern throughout (step-w
ise quarter-note patterns).
Tempo Range: 75-110
:;929
Medium-Slow Jazz Waltz Ballad style, played on a Double Bass with a warm, round
tone. For the 'A' section, most notes are played only on the downbeat of the ba
r (unless the chords change more frequently). At 'B', it switches to a walking
pattern (step-wise quarter-note patterns).
:;930
Bass, Acoustic, Jazz Waltz Sw 110 ('A' only)
tone. This is the 'A-only' variation, where most notes are played only on the d
ownbeat of the bar (unless the chords change more frequently).
:;931
Bass, Acoustic, Jazz Waltz Sw 110 ('B' only)
tone. Thie is the 'B-only' variation, which plays a walking pattern throughout
(step-wise quarter-note patterns).
:;932
Guitar, Electric, Rhythm JazzWaltzFreeComp Sw 085
Slow Jazz Waltz played on electric guitar with a warm tone. This "FreeComp" sty
le uses a variety of rhythmic patterns, and is intended to be the sole comping i
nstrument, with no piano.
Tempo Range: 75-110
The simple version of Guitar, Electric, Rhythm JazzWaltzFreeComp Sw 085 omits bu
sy riffs and some non-diatonic tensions. To select the simple variation, put a
:;933
Guitar, Electric, Rhythm JazzWaltzFreeComp Sw 110
Medium-Slow Jazz Waltz played on electric guitar with a warm tone. This "FreeCo
mp" style uses a variety of rhythmic patterns, and is intended to be the sole co
mping instrument, with no piano.
The simple version of Guitar, Electric, Rhythm JazzWaltzFreeComp Sw 110 omits bu
sy riffs and some non-diatonic tensions. To select the simple variation, put a
:;934
Piano, Acoustic, Rhythm, Jazz Waltz Sw 085
Slow Jazz Waltz played on acoustic piano with a light touch.
Tempo Range: 75-110
:;935
Piano, Acoustic, Rhythm, Jazz Waltz Sw 110
Medium-Slow Jazz Waltz played on acoustic piano with a light, breezy touch.
:;936
Piano, Acoustic, Rehearsal, Waltz Sw 140
Bouncy waltz played on acoustic piano. This style is ideal for a quick backgrou
nd to practice your waltz song.
:;937
Guitar, Acoustic, Rhythm JazzBalladFreddie Sw 060
Slow Jazz Ballad played on acoustic guitar. This style is intended to work well
with other comping instruments, such as a piano.
Tempo Range: 50-85
:;938
Guitar, Acoustic, Rhythm JazzFreddie Sw 110
Medium-Slow Jazz Swing played on acoustic guitar. This style is intended to wor
k well with other comping instruments, such as a piano.
:;939
Guitar, Electric, Rhythm JazzBalladFreeComp Sw 060
Slow Jazz Ballad played on electric guitar with a warm tone. This "FreeComp" st
yle uses a variety of rhythmic patterns, and is intended to be the sole comping
instrument, with no piano.
Tempo Range: 50-85
The simple version of Guitar, Electric, Rhythm JazzBalladFreeComp Sw 060 omits b
usy riffs and some non-diatonic tensions. To select the simple variation, put a
:;940
Piano, Acoustic, Rehearsal Showtunes Sw 140
Bouncy swing played on acoustic piano. This style is ideal for a quick backgrou
nd to practice your swing 8ths tune.
:;941
Piano, Acoustic, Solo-Accompaniment JazzStride Sw 140
Medium Jazz Swing played in a stride piano style.
:;942
Piano, Acoustic, Solo-Accompaniment JazzStrideBallad Sw 060
Slow Jazz Ballad played in a stride piano style.
Tempo Range: 50-85
:;943
Piano, Acoustic, Solo-Accompaniment JazzStrideBallad Sw 085
Medium-slow Jazz Ballad played in a stride piano style.
Tempo Range: 75-110
The simple version of Piano, Acoustic, Solo-Accompaniment JazzStrideBallad Sw 08
5 omits busy riffs and some non-diatonic tensions. To select the simple variati
:;944
Guitar, Electric, Rhythm MemphisCleanA-B Sw 190
Fast country swing played in the Memphis style with a warm, clean electric guita
r tone. For 'A', the guitar plays chords with long sustain, and at 'B', switche
s to shorter staccatto chording.
:;945
Guitar, Electric, Rhythm MemphisCleanSustain Sw 190
Fast country swing played in the Memphis style with sustained strummed chords.
Features a warm, clean electric guitar tone.
:;946
Guitar, Electric, Rhythm MemphisCleanShort Sw 190
Fast country swing played in the Memphis style with short staccatto chords. Fea
tures a warm, clean electric guitar tone.

:;947
Guitar, Electric, Rhythm MemphisDirtyA-B Sw 190
Fast country swing played in the memphis style with a slightly distorted dirty g
uitar tone. The 'A' section uses a subtle palm-mute effect, and at 'B' the play
er opens up the sound.
:;948
Guitar, Electric, Rhythm MemphisDirtyMuted Sw 190
uitar tone. Plays with a palm-mute for a subtle effect.
:;949
Guitar, Electric, Rhythm MemphisDirtyOpen Sw 190
uitar tone. Played in a wide open style.
:;950
Guitar, Acoustic, Rhythm CountryBoogieA-B Sw 110
Acoustic Guitar playing a Slow Country Boogie. For 'A', the guitarist mutes the
strings slightly, and then opens the sound right up at 'B'.
:;951
Guitar, Acoustic, Rhythm CountryBoogieMuted Sw 110
Acoustic Guitar playing a Slow Country Boogie with a muted tone.
:;952
Guitar, Acoustic, Rhythm CountryBoogieOpen Sw 110
Acoustic Guitar playing a Slow Country Boogie with a wide open tone.
:;953
Guitar, Electric, Rhythm CountryBoogieCleanA-B Sw 110
Slow Country Boogie played with a clean electric guitar tone.
At 'A', syncopa
ted patterns are used, and at 'B' it switches to classic riffs with a slight twa
ng.
:;954
Guitar, Electric, Rhythm CountryBoogieCleanSync Sw 110
Slow Country Boogie played with a clean electric guitar tone, using syncopated p
atterns.
:;955
Guitar, Electric, Rhythm CountryBoogieCleanRiff Sw 110
Slow Country Boogie played with a clean electric guitar tone playing classic rif
fs with a slight twang.
:;956
Guitar, Electric, Rhythm CountryBoogieGrittyA-B Sw 110
Slow Country Boogie on electric guitar with a slight gritty tone. At 'A', a sli
ght palm mute is used, and at 'B' the strings are played slightly harder, occasi
onally plucking to give it a twangy edge.
:;957
Guitar, Electric, Rhythm CountryBoogieGrittyMuted Sw 110
Slow Country Boogie on electric guitar with a slight gritty tone. A slight palm
mute is used throughout.
:;958
Guitar, Electric, Rhythm CountryBoogieGrittyTwang Sw 110
Slow Country Boogie on electric guitar with a slight gritty tone. The strings a
re plucked slightly to give it a twangy edge.
:;959
Guitar, Acoustic, Rhythm CountryBoogieA-B Sw 140
Acoustic Guitar playing a Medium Country Boogie. For 'A', the guitarist mutes t
he strings slightly, and then opens the sound right up at 'B'.
:;960
Guitar, Acoustic, Rhythm CountryBoogieMuted Sw 140
Acoustic Guitar playing a Medium Country Boogie with a slightly muted tone.
:;961
Guitar, Acoustic, Rhythm CountryBoogieOpen Sw 140
Acoustic Guitar playing a Medium Country Boogie with a wide open tone.
:;962
Guitar, Electric, Rhythm CountryBoogieCleanA-B Sw 140
Medium Country Boogie played with a clean electric guitar tone.
At 'A', synco
pated patterns are used, and at 'B' it switches to classic riffs with a slight t
wang.
:;963
Guitar, Electric, Rhythm CountryBoogieCleanSync Sw 140
Medium Country Boogie played with a clean electric guitar tone, using syncopated
patterns.
:;964
Guitar, Electric, Rhythm CountryBoogieCleanRiff Sw 140
Medium Country Boogie played with a clean electric guitar tone playing classic r
iffs with a slight twang.
:;965
Guitar, Electric, Rhythm CountryBoogieGrittyA-B Sw 140
Medium Country Boogie on electric guitar with a slight gritty tone. At 'A', a s
light palm mute is used, and at 'B' the strings are played slightly harder, occa
sionally plucking to give it a twangy edge.
:;966
Guitar, Electric, Rhythm CountryBoogieGrittyMuted Sw 140
Medium Country Boogie on electric guitar with a slight gritty tone. A slight pa
lm mute is used throughout.
:;967
Guitar, Electric, Rhythm CountryBoogieGrittyTwang Sw 140
Medium Country Boogie on electric guitar with a slight gritty tone. The strings
are plucked slightly to give it a twangy edge.
:;968
Guitar, Electric, Rhythm CountrySwingCleanA-B Sw 085
Slow Country Swing on electric guitar with a warm, clean tone. The 'A' section
uses mostly longer held chords, and at 'B' repetitive pedal notes are added to g
ive the substyle a forward momentum.
Tempo Range: 75-110
:;969
Guitar, Electric, Rhythm CountrySwingCleanHeld Sw 085
Slow Country Swing on electric guitar with a warm, clean tone. Lots of held cho
rds give this style a laid-back feel.
Tempo Range: 75-110
:;970
Guitar, Electric, Rhythm CountrySwingCleanPedal Sw 085

Slow Country Swing on electric guitar with a warm, clean tone. Repetitive pedal
notes are used to give it forward momentum.
Tempo Range: 75-110
:;971
Guitar, Electric, Rhythm CountrySwingGrittyA-B Sw 085
Slow Country Swing on electric guitar with a slightly distorted gritty tone. At
"A", the guitarist gets a twangy tone with lots of space in the playing, and at
'B' switches to a constant strumming pattern.
Tempo Range: 75-110
:;972
Guitar, Electric, Rhythm CountrySwingGrittyTwang Sw 085
Slow Country Swing on electric guitar with a slightly distorted gritty tone. Th
e guitarist gets a twangy tone with lots of space in the playing.
Tempo Range: 75-110
:;973
Guitar, Electric, Rhythm CountrySwingGrittyStrum Sw 085
Slow Country Swing on electric guitar with a slightly distorted gritty tone. A
contstant strumming pattern is used in this style.
Tempo Range: 75-110
:;974
Medium-Fast Country Swing on electric guitar with a warm, clean tone. The 'A' s
ection uses a muted effect, with single-note lines, and at 'B', switches to alte
rnating between bass notes and chords.
:;975
Guitar, Electric, Rhythm CountrySwingCleanMuted Sw 140
Medium-Fast Country Swing on electric guitar with a warm, clean tone, played wit
h a muted effect using single-note lines.
:;976
Guitar, Electric, Rhythm CountrySwingCleanStrum Sw 140
Medium-Fast Country Swing on electric guitar with a warm, clean tone, alternatin
g between bass notes and chords.
:;977
Medium-Fast Country Swing on electric guitar with a gritty distorted sound. At
'A', the guitarist plays longer held chords, and then switches to strumming at '
B'.
:;978
Guitar, Electric, Rhythm CountrySwingGrittyHeld Sw 140
Medium-Fast Country Swing on electric guitar with a gritty distorted sound, play
ing a series of held chords.
:;979
Medium-Fast Country Swing on electric guitar with a gritty distorted sound, play
ing strumming patterns.
:;980
Guitar, Electric, Rhythm CountryWaltzCleanA-B Sw 085
Slow Country Waltz on electric guitar with a warm, clean tone. The 'A' section
uses longer held chords, and switches to arpegiated patterns at 'B'.
Tempo Range: 75-110
The simple version of Guitar, Electric, Rhythm CountryWaltzCleanA-B Sw 085 exclu
:;981
Guitar, Electric, Rhythm CountryWaltzCleanHeld Sw 085
Slow Country Waltz on electric guitar with a warm, clean tone, playing held chor
ds.
Tempo Range: 75-110
:;982
Guitar, Electric, Rhythm CountryWaltzCleanArp Sw 085
Slow Country Waltz on electric guitar with a warm, clean tone, playing arpegiate
d patterns.
Tempo Range: 75-110
:;983
Guitar, Electric, Rhythm CountryWaltzCleanA-B Sw 140
Medium-Fast Country Waltz on electric guitar with a warm, clean tone. At 'A', h
eld chords are used, and this switches to picked notes at 'B'.
:;984
Guitar, Electric, Rhythm CountryWaltzCleanHeld Sw 140
Medium-Fast Country Waltz on electric guitar with a warm, clean tone, playing mo
stly held chords throughout.
:;985
Guitar, Electric, Rhythm CountryWaltzCleanPicked Sw 140
Medium-Fast Country Waltz on electric guitar with a warm, clean tone, playing pi
cked arpegiated patterns.
:;986
Guitar, Electric, Rhythm CountryWaltzGrittyA-B Sw 085
Slow Country Waltz on electric guitar with a slightly distorted, gritty tone. T
he 'A' section uses longer held chords, and switches to arpegiated patterns at '
B'.
Tempo Range: 75-110
The simple version of Guitar, Electric, Rhythm CountryWaltzGrittyA-B Sw 085 excl
:;987
Guitar, Electric, Rhythm CountryWaltzGrittyHeld Sw 085
Slow Country Waltz on electric guitar with a slightly distorted, gritty tone, pl
aying held chords.
Tempo Range: 75-110
:;988
Guitar, Electric, Rhythm CountryWaltzGrittyArp Sw 085
Slow Country Waltz on electric guitar with a slightly distorted, gritty tone, pl
aying arpegiated patterns.
Tempo Range: 75-110
:;989
Medium-Slow Country Waltz on electric guitar with a slightly distorted, gritty t
one. The 'A' section uses longer held chords, and switches to arpegiated patter
ns at 'B'.
:;990
Guitar, Electric, Rhythm CountryWaltzGrittyHeld Sw 110
one, playing held chords.
:;991
Guitar, Electric, Rhythm CountryWaltzGrittyArp Sw 110
one, playing arpegiated patterns.
:;992
Medium-Fast Country Waltz on electric guitar with a slightly distorted, gritty t
one. The 'A' section uses picked notes, and switches to strummed chords at 'B'.
:;993
Guitar, Electric, Rhythm CountryWaltzGrittyPicked Sw 140
one, playing picked notes.
:;994
Guitar, Electric, Rhythm CountryWaltzGrittyStrum Sw 140
one, playing strummed chords.
:;995
Bass, Electric, HardRockLA Ev 120
Hard Rock Bass with fat, booming tone. The basic pattern is played on beat 1, t
he and-of-2, and beat 3. This style works well with the RockHardLA RealDrums st
yle, and the HardRockLA Electric guitar styles.
Tempo Range: 110-160style suggestions: ZZHEVROK, ZZMEDROK
The simple version of Bass, Electric, HardRockLA Ev 120 omits busy riffs and rhy
thmic deviation. To select the simple variation, put a check in the "Simpler" c
heckbox in the RealTracks picker.
:;996
Guitar, Electric, Rhythm HardRockLACrispA-B Ev 120
Hard Rock Electric Guitar with a crisp distorted tone. There are two playing st
yles for A & B. At A the guitar plays an arpeggiated pattern throughout, lettin
g the notes sustain. At B the guitar alternates quarter notes with syncopated r
hythms. This style works well with the other HardRockLA Electric guitar and bas
s styles, and the RockHardLA RealDrums
:;997
Guitar, Electric, Rhythm HardRockLACrispArp Ev 120
Hard Rock Electric Guitar with a crisp distorted tone. The guitar plays an arpe
ggiated pattern throughout, letting the notes sustain for a full sound. This st
yle works well with the other HardRockLA Electric guitar and bass styles, and th
e RockHardLA RealDrums
:;998
Guitar, Electric, Rhythm HardRockLACrispSync Ev 120
Hard Rock Electric Guitar with a crisp distorted tone. The guitar alternates qu
arter notes with syncopated rhythms. This style works well with the other HardR
ockLA Electric guitar and bass styles, and the RockHardLA RealDrums
:;999
Guitar, Electric, Rhythm HardRockLAFuzzyA-B Ev 120
Hard Rock Electric Guitar with a fuzzy distorted tone. There are two playing st
yles for A & B. At A the guitar plays mostly held chords, occasionally arpeggia
ting the chords. At B the guitar alternates quarter notes with syncopated rhyth
ms. This style works well with the other HardRockLA Electric guitar and bass st
yles, and the RockHardLA RealDrums style.
:;1000
Guitar, Electric, Rhythm HardRockLAFuzzyHeld Ev 120
Hard Rock Electric Guitar with a fuzzy distorted tone. The guitar plays mostly
held chords, occasionally arpeggiating the chords. This style works well with t
he other HardRockLA Electric guitar and bass styles, and the RockHardLA RealDrum
s style.
:;1001
Guitar, Electric, Rhythm HardRockLAFuzzySync Ev 120
Hard Rock Electric Guitar with a fuzzy distorted tone. The guitar alternates qu
arter notes with syncopated rhythms. This style works well with the other HardR
ockLA Electric guitar and bass styles, and the RockHardLA RealDrums style.
:;1002
Guitar, 12-String Acoustic, Rhythm ClassicRockA-B Ev16 065
12-String Acoustic Guitar with different substyles at A & B. A: picked pattern
over a slow ballad feel. Slight syncopated feel throughout. B: strummed patt
ern over a slow ballad feel. There is a slight syncopation with the accenting o
f the chords throughout the style.
Tempo Range: 60-90
The simple version of Guitar, 12-String Acoustic, Rhythm ClassicRockA-B Ev16 065
omits busy riffs and rhythmic deviation. To select the simple variation, put a
:;1003
Guitar, 12-String Acoustic, Rhythm ClassicRockPicking Ev16 065
12-String Acoustic Guitar playing a picked pattern over a slow ballad feel. Sli
ght syncopated feel throughout.
Tempo Range: 60-90
:;1004
Guitar, 12-String Acoustic, Rhythm ClassicRockStrumming Ev16 065
12-String Acoustic Guitar playing a strummed pattern over a slow ballad feel. T
here is a slight syncopation with the accenting of the chords throughout the sty
le.
Tempo Range: 60-90
:;1005
Piano, Acoustic, Solo-Accompaniment, PopCalifornia Ev 140
Up-beat, energetic piano style, with eighth-note pumping octaves in the left-han
d, and a melodic chordal approach with the right-hand. This style can be used o
n it's own without other rhythm section instruments, but can also be used in a b
and setting.

:;1006
Piano, Acoustic, Solo-Accompaniment, PopCaliforniaSlow Ev 085
Slow ballad piano style, with solid octaves in the left-hand, and a melodic chor
dal approach with the right-hand. This style can be used on it's own without ot
her rhythm section instruments, but can also be used in a band setting.
Tempo Range: 80-100
:;1007
Piano, Acoustic, Solo-Accompaniment, PopFlowing Ev 120
Medium ballad piano style, with solid octaves in the left-hand, and a melodic ar
peggiated approach with the right-hand. This style can be used on it's own with
out other rhythm section instruments, but can also be used in a band setting
:;1008
Bass, Electric, ElecRock Ev 120
Electric bass with a deep tone playing straight eighth notes. Slight accents occ
ur on beat one, the push into beat three, and on beat four
:;1009
Bass, Electric, HardRockThrash Ev 085
Gritty electric bass with a scooped EQ playing a straight 16th note subdivision.
The rhythm is syncopated with intricate fills on beat four.
Tempo Range: 80-100
:;1010
Bass, Electric, BritInvasion Ev 140
Round, muffled electric bass playing a fast paced eighth note rhythm with classi
c Brit-rock nuances
:;1011
Bass, Electric, BritInvasion Ev 120
Classic British invasion electric bass with a deep, round tone playing a highly
syncopated eighth note groove.
Tempo Range: 110 - 140 bpm
:;1012
Bass, Electric, BluesRock Sw 140
Electric bass with a low, earth-shaking tone playing a classic blues-rock swung
eighth note feel
:;1013
Guitar, Electric, Rhythm BluesRockCrispA-B Sw 140
Electric guitar with a dirty single-coil crunch, playing different parts at A &
B. A: fingerpicking in a classic blues style. Accents are on beats two, three,
and the push into four. B: Pushes occur on beats two and three.
This simple version of Guitar, Electric, Rhythm BluesRockCrispA-B Sw 140 has rif
fs removed that play a sus chord when a major chord is entered. To select the s
imple variation, put a check in the "Simpler" checkbox in the RealTracks picker.
:;1014
Guitar, Electric, Rhythm BluesRockCrispSync Sw 140
Electric guitar with a dirty single-coil crunch fingerpicking in a classic blues
style. Accents are on beats two, three, and the push into four.
:;1015
Guitar, Electric, Rhythm BluesRockCrispSteady Sw 140
Electric guitar with a classic half-crunch single coil tone playing a swung eigh
th feel. Pushes occur on beats two and three.
:;1016
Guitar, Electric, Rhythm BluesRockFuzzy Sw 140
Blues rock electric guitar with twangy fuzz playing a heavy, steady swung eighth
note feel. Accents are on the backbeat.
The simple option for Guitar, Electric, Rhythm BluesRockFuzzy Sw 140 will play j
ust a basic pattern. No more sus4th added over some major chords. These have b
een removed so all you'll hear is the 6th added to the 2 and 4 beat in a swing s
huffle. To select the simple variation, put a check in the "Simpler" checkbox i
n the RealTracks picker.
:;1017
Guitar, Electric, Strumming CleanBarre Ev 085
Electric guitar with a harmonic chime and crystal clear tone. Straight, steady e
ighth notes keep the time. All chords played are barre chords.
Tempo Range: 80-110
:;1018
Guitar, Electric, Strumming DirtyBarre Ev 085
Electric guitar with a harmonic chime and slightly distorted tone. Straight, ste
ady eighth notes keep the time. All chords played are barre chords.
Tempo Range: 80-110
:;1019
Electric guitar with glassy treble plays a straight eighth note feel. The rhythm
ic emphasis is on beats two, the push into beat three, and on beat four. All ch
ords played are barre chords.
:;1020
Electric guitar with glassy treble and slightly distorted tone playing a straigh
t eighth note feel. The rhythmic emphasis is on beats two, the push into beat th
ree, and on beat four. All chords played are barre chords.
:;1021
Electric guitar with single-coil chime strumming steady bar chords with accents
on the backbeat. All chords played are barre chords.
:;1022
Electric guitar with single-coil chime and slight distortion strumming steady ba
r chords with accents on the backbeat. All chords played are barre chords.
:;1023
Guitar, Electric, Strumming CleanOpen Ev 085
Electric guitar with a twangy chime strumming steady open chords with a straight
folk-rock feel.
Tempo Range: 80-110
:;1024
Guitar, Electric, Strumming DirtyOpen Ev 085
Electric guitar with a twangy chime and slight distortion strumming steady open
chords with a straight folk-rock feel.
Tempo Range: 80-110
:;1025
Glassy electric guitar strumming open chords with an emphasis on every beat. Su
btle strums occur in between with a straight eigth note subdivision.
:;1026
Glassy electric guitar with slight distortion strumming open chords with an emph
asis on every beat. Subtle strums occur in between with a straight eigth note s
ubdivision.
:;1027
Electric guitar with a thin single-coil tone plays fast open chords in a straigh
t feel. Beats one and two are accented.
:;1028
Electric guitar with a thin single-coil and slightly distorted tone plays fast o
pen chords in a straight feel. Beats one and two are accented.
:;1029
Guitar, 12-String Electric, Fingerpicking Ev 085
Clean 12-string electric guitar playing a steady, hypnotic straight eighth feel
Tempo Range: 80-110
:;1030
12-string electric guitar with a smooth and twangy tone playing a steady uplifti
ng straight eighth rhythm.
:;1031
Twangy 12-string electric guitar playing a fast-paced, steady feel with occasion
al melodic runs.
:;1032
Guitar, 12-String Electric, Strumming Ev 085
Smooth and ringy 12-string electric guitar strumming a steady pattern with rich
sustain.
Tempo Range: 80-110
:;1033
Silky 12-string electric guitar strumming a steady pulsing eighth note pattern.
The simple version of Guitar, 12-String Electric, Strumming Ev 120 omits busy ri
ffs and rhythmic deviation. To select the simple variation, put a check in the
:;1034
Glassy, clean 12-string electric guitar playing with a constant up-tempo feel.
Strumming throughout with occasional melodic fills.
:;1035
Banjo, Rhythm NorthernRockBallad Ev 065
Rich-toned banjo playing a busy, energetic sixteenth note pattern.
Tempo Range: 60-100
:;1036
Bass, Electric, NorthernRockBallad Ev 065
Deep, rich electric bass with a teaspoon of treble playing a classic syncopated,
straight rhythm.
Tempo Range: 60-85
:;1037
Guitar, Acoustic, Rhythm NorthernRockBallad Ev 065
Full sounding acoustic guitar plays classic folk-rock accompaniment with a strai
ght sixteenth note subdivision.
Tempo Range: 60-85

The simple version of Guitar, Acoustic, Rhythm NorthernRockBallad Ev 065 exclude
s riffs that deviate from the basic rhythm. To select the simple variation, put
:;1038
Guitar, High-Strung Acoustic, Rhythm NorthernRockBallad Ev 065
High-strung acoustic guitar strumming open chords in a classic folk rhythm.
Tempo Range: 60-85
:;1039
Organ, B3, Rhythm JazzBallad Sw 060
Old school B3 organ playing smooth, sultry rhythms in a jazz ballad style. Incl
udes both bass lines and comping. The bass plays "in-2" for A substyle and walk
s at B.
Tempo Range: 55-80
The simple version of Organ, B3, Rhythm JazzBallad Sw 060 has less rhythmic vari
ation and non-diatonic tensions. To select the simple variation, put a check in
:;1040
Organ, B3, Rhythm JazzBallad Sw 060 ('A' only)
udes both bass lines and comping. In this variation the bass plays "in-2" (prim
arily on beats 1 & 3) throughout.
Tempo Range: 55-80
:;1041
Organ, B3, Rhythm JazzBallad Sw 060 ('B' only)
udes both bass lines and comping. In this variation the bass walks (quarter-not
e, usually stepwise motion) throughout.
Tempo Range: 55-80
:;1042
Organ, B3, Rhythm JazzBallad Sw 085
Vintage B3 organ plays tasteful jazz ballad accompaniment. Includes both bass l
ines and comping. The bass plays "in-2" for A substyle and walks at B.
Tempo Range: 80-105
:;1043
Organ, B3, Rhythm JazzBallad Sw 085 ('A' only)
ines and comping. In this variation the bass plays "in-2" (primarily on beats 1
& 3) throughout.
Tempo Range: 80-105
:;1044
Organ, B3, Rhythm JazzBallad Sw 085 ('B' only)
ines and comping. In this variation the bass walks (quarter-note, usually stepw
ise motion) throughout.
Tempo Range: 80-105

:;1045
Organ, B3, Rhythm Jazz Sw 110
Vintage, boomy B3 organ playing a classic jazz swing feel with hints of the blue
s. Includes both bass lines and comping. The A substyle provides bass on beats
one and three while the B substyle has a quarter note walking bass.
The simple version of Organ, B3, Rhythm Jazz Sw 110 has less rhythmic variation
and non-diatonic tensions. Some harmonic deviation with dominant chords still r
emains. To select the simple variation, put a check in the "Simpler" checkbox i
:;1046
Organ, B3, Rhythm Jazz Sw 110 ('A' only)
s. Includes both bass lines and comping. In this variation the bass plays "in-2
" (primarily on beats 1 & 3) throughout.
:;1047
Organ, B3, Rhythm Jazz Sw 110 ('B' only)
s. Includes both bass lines and comping. In this variation the bass walks (quar
ter-note, usually stepwise motion) throughout.
:;1048
Organ, B3, Rhythm Jazz Sw 140
A classic B3 organ playing a highly rhythmic jazz feel with chordal shots. Inclu
des both bass lines and comping. The A substyle is laid back while the B substy
le has an energetic walking bass line.
:;1049
Organ, B3, Rhythm Jazz Sw 140 ('A' only)
des both bass lines and comping. In this variation the bass plays "in-2" (prima
rily on beats 1 & 3) throughout.
:;1050
Organ, B3, Rhythm Jazz Sw 140 ('B' only)
des both bass lines and comping. In this variation the bass walks (quarter-note
, usually stepwise motion) throughout.

:;1051
Organ, B3, Rhythm JazzBebop Sw 190
B3 organ with a full, slightly hot tone playing classic fast-paced bebop accompa
niment with a heavy swing. Includes both bass lines and comping. The A substyle
is "in-2" and more relaxed while the B substyle offers an up-beat walking bass.
The simple version of Organ, B3, Rhythm JazzBebop Sw 190 has less rhythmic varia
tion and non-diatonic tensions. To select the simple variation, put a check in
:;1052
Organ, B3, Rhythm JazzBebop Sw 190 ('A' only)
niment with a heavy swing. Includes both bass lines and comping. In this variat
ion the bass plays "in-2" (primarily on beats 1 & 3) throughout.
:;1053
Organ, B3, Rhythm JazzBebop Sw 190 ('B' only)
niment with a heavy swing. Includes both bass lines and comping. In this variat
ion the bass walks (quarter-note, usually stepwise motion) throughout.
:;1054
Sax, Alto, Soloist SmoothJazzCool Sw16 075
Smooth alto sax playing melodic lines. This playing style makes use of arpeggio
s and sweet blues-inspired runs. Using the build-in reverb in Band-in-a-Box or
RealBand adds to the Smooth Jazz sound.
Tempo Range: 70-95
:;1055
Sax, Alto, Soloist SmoothJazzCool Sw16 075 (Bluesy)
Smooth alto sax playing melodic lines. This playing style makes use of arpeggio
s and sweet blues-inspired runs. Using the build-in reverb in Band-in-a-Box or
RealBand adds to the Smooth Jazz sound. The "Bluesy" variation allows for b7 no
tes in the melody to be played on major chords.
Tempo Range: 70-95
:;1056
Sax, Alto, Soloist SmoothJazzCool Sw16 100
Smooth alto sax playing melodic lines. Features some fast cool jazz riffs and a
rpeggios. Using the build-in reverb in Band-in-a-Box or RealBand adds to the Sm
ooth Jazz sound
Tempo Range: 95-120
:;1057
Sax, Alto, Soloist SmoothJazzCool Sw16 100 (Bluesy)
Smooth alto sax playing melodic lines. Features some fast cool jazz riffs and a
rpeggios. Using the build-in reverb in Band-in-a-Box or RealBand adds to the Sm
ooth Jazz sound The "Bluesy" variation allows for b7 notes in the melody to be
played on major chords.
Tempo Range: 95-120
:;1058
Sax, Alto, Soloist SmoothJazzPoppy Ev16 090
Smooth alto sax playing melodic lines. Features smooth jazz phrasing while inco
rporating some poppy riffs and phrases. Using the build-in reverb in Band-in-aBox or RealBand adds to the Smooth Jazz sound.
Tempo Range: 85-110
:;1059
Sax, Alto, Soloist SmoothJazzPoppy Ev16 090 (Bluesy)
Smooth alto sax playing melodic lines. Features smooth jazz phrasing while inco
rporating some poppy riffs and phrases. Using the build-in reverb in Band-in-aBox or RealBand adds to the Smooth Jazz sound. The "Bluesy" variation allows fo
r b7 notes in the melody to be played on major chords.
Tempo Range: 85-110
:;1060
Sax, Soprano, Soloist SmoothJazzBallad Ev16 065
Smooth soprano sax playing melodic lines. Features a round yet slightly biting
tone, playing soulfully and slow. Using the build-in reverb in Band-in-a-Box or
RealBand adds to the Smooth Jazz sound.
Tempo Range: 60-85
:;1061
Sax, Soprano, Soloist SmoothJazzBallad Ev16 065 (Bluesy)
Smooth soprano sax playing melodic lines. Features a round yet slightly biting
tone, playing soulfully and slow. Using the build-in reverb in Band-in-a-Box or
RealBand adds to the Smooth Jazz sound. The "Bluesy" variation allows for b7 n
otes in the melody to be played on major chords.
Tempo Range: 60-85
:;1062
Sax, Tenor, Soloist SmoothJazzCool Sw16 100
Smooth tenor sax playing melodic lines. Features a series of tasteful melodic r
iffs with restraint and soul. Using the build-in reverb in Band-in-a-Box or Rea
lBand adds to the Smooth Jazz sound.
Tempo Range: 95-120
:;1063
Sax, Tenor, Soloist SmoothJazzCool Sw16 100 (Bluesy)
Smooth tenor sax playing melodic lines. Features a series of tasteful melodic r
iffs with restraint and soul. Using the build-in reverb in Band-in-a-Box or Rea
lBand adds to the Smooth Jazz sound. The "Bluesy" variation allows for b7 notes
in the melody to be played on major chords.
Tempo Range: 95-120
:;1064
Trumpet, Soloist SmoothJazzBallad Ev16 065
A smooth-toned trumpet playing laid back jazz ballad riffs with occasional runs.
Using the build-in reverb in Band-in-a-Box or RealBand adds to the Smooth Jazz
sound.
Tempo Range: 60-85
:;1065
Trumpet, Soloist SmoothJazzBallad Ev16 065 (Bluesy)
A smooth-toned trumpet playing laid back jazz ballad riffs with occasional runs.
sound. The "Bluesy" variation allows for b7 notes in the melody to be played o
n major chords.
Tempo Range: 60-85
:;1066
Trumpet, Soloist SmoothJazzCool Sw16 075
Biting trumpet with rapid runs and trills between classic smooth jazz melodies.
sound.
Tempo Range: 70-95
:;1067
Trumpet, Soloist SmoothJazzCool Sw16 075 (Bluesy)
Biting trumpet with rapid runs and trills between classic smooth jazz melodies.
sound. The "Bluesy" variation allows for b7 notes in the melody to be played on
major chords.
Tempo Range: 70-95
:;1068
Trumpet, Soloist SmoothJazzCool Sw16 100

Smooth-toned trumpet playing original cool jazz riffs and tastefully placed runs
. Using the build-in reverb in Band-in-a-Box or RealBand adds to the Smooth Jaz
z sound.
Tempo Range: 95-120
:;1069
Trumpet, Soloist SmoothJazzCool Sw16 100 (Bluesy)
Smooth-toned trumpet playing original cool jazz riffs and tastefully placed runs
. Using the build-in reverb in Band-in-a-Box or RealBand adds to the Smooth Jaz
z sound. The "Bluesy" variation allows for b7 notes in the melody to be played
on major chords.
Tempo Range: 95-120
:;1070
Trumpet, Soloist SmoothJazzPoppy Ev16 090
Bright trumpet with pop-inspired rainy day melodies and soulful smooth jazz lick
s. Using the build-in reverb in Band-in-a-Box or RealBand adds to the Smooth Ja
zz sound.
Tempo Range: 85-110
:;1071
Trumpet, Soloist SmoothJazzPoppy Ev16 090 (Bluesy)
Bright trumpet with pop-inspired rainy day melodies and soulful smooth jazz lick
s. Using the build-in reverb in Band-in-a-Box or RealBand adds to the Smooth Ja
zz sound. The "Bluesy" variation allows for b7 notes in the melody to be played
on major chords.
Tempo Range: 85-110
:;1072
Guitar, Electric, Rhythm SmoothJazzBallad Ev16 065
Warm electric guitar plays sweet jazz diads and laid back ballad riffs in betwee
n.
Tempo Range: 60-85
The simple version of Guitar, Electric, Rhythm SmoothJazzBallad Ev16 065 exclude
:;1073
Guitar, Electric, Rhythm SmoothJazzCool Sw16 100
Warm electric guitar maintains a strong sense of rhythm while delivering dreamy
smooth jazz accents.
Tempo Range: 95-120
The simple version of Guitar, Electric, Rhythm SmoothJazzCool Sw16 100 has less
melodic riffs. To select the simple variation, put a check in the "Simpler" che
ckbox in the RealTracks picker.
:;1074
Piano, Electric, Soloist SmoothJazzBallad delay Ev16 065
This classic electric piano plays calm and patient, down-tempo licks that sooth
the soul. This variation uses both a chorus and delay effect.
Tempo Range: 60-85
:;1075
Piano, Electric, Soloist SmoothJazzBallad delay Ev16 065 (Bluesy)
the soul. This variation uses both a chorus and delay effect. The "Bluesy" var
iation allows for b7 notes in the melody to be played on major chords.
Tempo Range: 60-85
:;1076
Piano, Electric, Soloist SmoothJazzBallad chorus Ev16 065
the soul. This variation uses a chorus effect.
Tempo Range: 60-85
:;1077
Piano, Electric, Soloist SmoothJazzBallad chorus Ev16 065 (Bluesy)
the soul. This variation uses a chorus effect. The "Bluesy" variation allows f
or b7 notes in the melody to be played on major chords.
Tempo Range: 60-85
:;1078
Piano, Electric, Soloist SmoothJazzBallad dry Ev16 065
the soul. This variation does not use any effects, and represents the unaltered
sound of the electric piano.
Tempo Range: 60-85
:;1079
Piano, Electric, Soloist SmoothJazzBallad dry Ev16 065 (Bluesy)
the soul. This variation does not use any effects, and represents the unaltered
sound of the electric piano. The "Bluesy" variation allows for b7 notes in the
melody to be played on major chords.
Tempo Range: 60-85
:;1080
Piano, Electric, Soloist SmoothJazzCool delay Sw16 100
This electric piano offers some faster-paced runs and calm, collective nuances i
n between. This variation uses both a chorus and delay effect.
Tempo Range: 95-120
:;1081
Piano, Electric, Soloist SmoothJazzCool delay Sw16 100 (Bluesy)
n between. This variation uses both a chorus and delay effect. The "Bluesy" va
riation allows for b7 notes in the melody to be played on major chords.
Tempo Range: 95-120
:;1082
Piano, Electric, Soloist SmoothJazzCool chorus Sw16 100
n between. This variation uses a chorus effect.
Tempo Range: 95-120
:;1083
Piano, Electric, Soloist SmoothJazzCool chorus Sw16 100 (Bluesy)
n between. This variation uses a chorus effect. The "Bluesy" variation allows
for b7 notes in the melody to be played on major chords.
Tempo Range: 95-120
:;1084
Piano, Electric, Soloist SmoothJazzCool dry Sw16 100
n between. This variation does not use any effects, and represents the unaltere
d sound of the electric piano.
Tempo Range: 95-120
:;1085
Piano, Electric, Soloist SmoothJazzCool dry Sw16 100 (Bluesy)
n between. This variation does not use any effects, and represents the unaltere
d sound of the electric piano. The "Bluesy" variation allows for b7 notes in th
e melody to be played on major chords.
Tempo Range: 95-120
:;1086
Guitar, Electric, Soloist JazzSwing Sw 110
Electric guitar with a warm vintage tone pays homage to the good old days with s
ome classic jazz riffs.
:;1087
Guitar, Electric, Soloist JazzSwing Sw 110 (Bluesy)
ome classic jazz riffs. The "Bluesy" variation allows for b7 notes in the melod
y to be played on major chords.

:;1088
Electric guitar with an airy and present vintage jazz tone offers some bebop-fas
t fills and swinging melodies.
:;1089
t fills and swinging melodies. The "Bluesy" variation allows for b7 notes in th
:;1090
Guitar, Electric, Soloist JazzWaltz Sw 085
This crisp yet warm electric guitar style alternates between forward driving wal
tz lines and tasteful restraint.
Tempo Range: 80-105
:;1091
Guitar, Electric, Soloist JazzWaltz Sw 085 (Bluesy)
This crisp yet warm electric guitar style alternates between forward driving wal
tz lines and tasteful restraint. The "Bluesy" variation allows for b7 notes in
the melody to be played on major chords.
Tempo Range: 80-105
:;1092
Guitar, Electric, Soloist JazzWaltz Sw 110
Warm vintage electric guitar playing sophisticated melodies in 3-4 time.
:;1093
Guitar, Electric, Soloist JazzWaltz Sw 110 (Bluesy)
Warm vintage electric guitar playing sophisticated melodies in 3-4 time. The "B
luesy" variation allows for b7 notes in the melody to be played on major chords.
:;1094
Guitar, Nylon, Soloist Samba Ev 190
Nylon-string acoustic guitar offers an abundance of bright and energetic samba m
elodies with a full and subtle tone.
:;1095
Guitar, Nylon, Soloist Samba Ev 190 (Bluesy)
elodies with a full and subtle tone. The "Bluesy" variation allows for b7 notes
in the melody to be played on major chords.
:;1096
Piano, Acoustic, Rehearsal Showtunes Sw 085
This brilliant sounding piano is the perfect companion for a singer with its cla
ssic showtunes feel and creative transitions.
Tempo Range: 80-110
:;1097
Piano, Acoustic, Rehearsal Waltz Sw 085
This bright sounding piano offers classic waltz accompaniment and inventive new
ideas.
Tempo Range: 80-110
:;1098
Guitar, Acoustic, Rhythm JazzSwingFreddie Sw 190
Bright acoustic steel string guitar playing steady quarter notes with an accent
on the backbeat. Intended to be used with other comping instruments, such as pi
ano or organ, that use more free rhythms.
:;1099
Guitar, Electric, Rhythm JazzSwingFreeComp Sw 110
This warm, round toned electric guitar with free rhythmic chording, trills, and
ocassional melodies. Not intended to be used with other comping instruments suc
h as piano.
The simple version of Guitar, Electric, Rhythm JazzSwingFreeComp Sw 110 has less
non-diatonic chord tones and complex rhythms. To select the simple variation,
:;1100
Guitar, Electric, Rhythm JazzSwingFreeComp Sw 190
Electric guitar with a hollow jazz tone playing well-placed chordal shots and ot
her accompaniment nuances. Not intended to be used with other comping instrumen
ts such as piano.
The simple version of Guitar, Electric, Rhythm JazzSwingFreeComp Sw 190 has less
non-diatonic chord tones and complex rhythms. To select the simple variation,
:;1101
Guitar, Electric, Rhythm JazzSwingGrooveComp Sw 110
Electric guitar with an airy jazz tone delivers a syncopated feel with accents o
n beat two and the push to beat four. Intended to be used with other comping in
struments, such as piano or organ, that use more free rhythms.
The simple version of Guitar, Electric, Rhythm JazzSwingGrooveComp Sw 110 omits
busy riffs and some non-diatonic tensions. To select the simple variation, put
:;1102
Guitar, Electric, Rhythm JazzSwingGrooveComp Sw 190
Electric guitar with an airy jazz tone playing a syncopated feel with accents on
beat two and the push to beat four. Ocassional rhythmic deviations add colour.
Intended to be used with other comping instruments, such as piano or organ, tha
t use more free rhythms.
The simple version of Guitar, Electric, Rhythm JazzSwingGrooveComp Sw 190 omits
:;1103
Guitar, Nylon, Rhythm BossaGrooveComp Ev 085
This warm feeling nylon guitar style offers a highly syncopated rhythm with occa
sional sweeps and melodic accents. Intended to be used with other comping instr
uments, such as piano or organ, that use more free rhythms.
Tempo Range: 80-105
The simple version of Guitar, Nylon, Rhythm BossaGrooveComp Ev 085 omits busy ri
:;1104
Guitar, Nylon, Rhythm BossaGrooveComp Ev 140
Warm nylon guitar playing a classic, syncopated bossa rhythm. Intended to be u
sed with other comping instruments, such as piano or organ, that use more free r
hythms.
The simple version of Guitar, Nylon, Rhythm BossaGrooveComp Ev 140 omits busy ri
:;1105
Banjo, Rhythm BluegrassWaltz Ev 140
Thin and present banjo playing ostinato harmonies and arpeggiating chords.
:;1106
Bass, Acoustic, BluegrassWaltz Ev 140

Acoustic bass with a full and present tone playing basic sustained notes.
:;1107
Fiddle, Background BluegrassWaltz Ev 140
Warm fiddle tone with delicate and playful melodies with rich vibrato.
:;1108
Guitar, Acoustic, Fingerpicking BluegrassWaltz Ev 140
Thin, bright acoustic guitar fingerpicking a solid eighth note rhythm with impli
ed arpeggios.
:;1109
Guitar, Acoustic, Strumming BluegrassWaltz Ev 140
Thin, bright acoustic guitar strumming a solid eighth note rhythm with implied a
rpeggios. Accents occur on beats one and the and-of-two.
:;1110
Mandolin, Rhythm BluegrassWaltz Ev 140
Bright sounding mandolin delivering playful strums with melodic refrains in betw
een.
:;1111
Fiddle, Background CountrySwing Sw 085
This swingin' country fiddle plays simple, pleasant melodies with a rich vibrato
and smooth transitions. Intended to be used as a background style which would
complement a singer.
Tempo Range: 80-105
:;1112
Fiddle, Background CountrySwing Sw 110
Classic country fiddle with simple, pleasant melodies. Intended to be used as a
background style which would complement a singer.
:;1113
Fiddle, Background CountrySwingA-B Sw 140
Classic country fiddle with different substyles for A & B. At A, the fiddle pla
ys longer held notes, and at B, plays backbeat chops with occasional melodic fil
ls.
:;1114
Fiddle, Background CountrySwingMelodic Sw 140
Classic country fiddle with tasteful melodies in the upper range. Intended to b
e used as a background style which would complement a singer.
:;1115
Fiddle, Background CountrySwingChops Sw 140
This vibrant fiddle offers backbeat chops and occasional melodic fills. Intende
d to be used as a background style which would complement a singer.
:;1116
Fiddle, Background CountryBoogie Sw 110
Bright, uplifting fiddle plays a library of classic country boogie riffs and phr
ases. Intended to be used as a background style which would complement a singer
.
:;1117
Fiddle, Background CountryBoogie Sw 140
Bright, uplifting fiddle plays a library of classic up-tempo country boogie riff
s and phrases. Intended to be used as a background style which would complement
a singer.

:;1118
Guitar, 12-String Acoustic, Strumming Ev 085
12-string acoustic playing a constant, folky eighth note feel.
Tempo Range: 80-115
The simple version of Guitar, 12-String Acoustic, Strumming Ev 085 has no sus ch
ords played so there will be no embellishment on a major chord. To select the s
:;1119
12-string acoustic guitar with a silky and bright tone playing constant eighth n
otes with a folky feel.
:;1120
12-string acoustic playing a constant, folky eighth note feel.
:;1121
Bass, Acoustic, CountryWaltz Sw 085
Round, punchy acoustic bass playing tasteful, sparse notes that fill out a count
ry waltz nicely.
Tempo Range: 80-105
:;1122
Acoustic bass with a round, punchy tone playing tasteful, sparse notes that comp
liment a country waltz well.
:;1123
Round, punchy acoustic bass playing tasteful, sparse notes that fill out a count
ry waltz nicely.
:;1124
Fiddle, Background CountryWaltz Sw 085
Fiddle with a natural tone playing very simple country waltz melodies and bluegr
ass harmonies. Intended to be used as a background style which would complement
a singer.
Tempo Range: 80-105
:;1125
Fiddle, Background CountryWaltz Sw 110
Fiddle playing simply country waltz melodies and bluegrass harmonies. Intended
to be used as a background style which would complement a singer.
:;1126
Pedal Steel, Rhythm CountryWaltz Sw 085
Dreamy pedal steel cries a simple and tasteful melody with layers of harmony. I
ntended to be used as a background style which would complement a singer.
Tempo Range: 80-105
:;1127
This smooth pedal steel guitar tells a sultry story with simple melodies and mul
tiple layers of harmony. Intended to be used as a background style which would
complement a singer.
:;1128
Guitar, Electric, Rhythm WesternSwingWarmA-B Sw 165
Clean, even toned electric guitar. Playing changes at A & B substyles. A: pic
ked harmonies and arpeggios. B: steady rhythm with chordal shots.
:;1129
Guitar, Electric, Rhythm WesternSwingWarmPicked Sw 165

This clean, even toned, glassy electric guitar plays rich harmonies and arpeggio
s.
:;1130
Guitar, Electric, Rhythm WesternSwingWarmComp Sw 165
Clean, twangy electric guitar keeps the rhythm steady with chordal shots, ocassi
onal deviations and pretty fills.
:;1131
Guitar, Electric, Rhythm WesternSwingWarmA-B Sw 190
Clean, bright electric guitar. Playing changes at A & B substyles. A: long, s
ustained sweeps that fall on beats 1 & 3. B: steady rhythm with chordal shots.
:;1132
Guitar, Electric, Rhythm WesternSwingWarmHeld Sw 190
Clean, twangy electric guitar keeps the rhythm steady with long, sustained sweep
s that fall on beats one and three.
:;1133
Guitar, Electric, Rhythm WesternSwingWarmComp Sw 190
Bright electric guitar keeps time with chordal shots and sweeps on beats one and
three.
:;1134
Pedal Steel, Rhythm WesternSwing Sw 165
This pedal steel offers some nicely stacked harmonies with an underlying quarter
note subdivision. Intended to be used as a background style which would comple
ment a singer.
:;1135
Pedal Steel, Rhythm WesternSwing Sw 190
Pedal steel with a simplistic up-tempo rhythm, focusing on sustain. This style h
as a half note subdivison. Intended to be used as a background style which woul
d complement a singer.
:;1136
Bass, Acoustic-Guitar, FolkSwing Sw 110
This acoustic, steel string bass guitar has a round tone with a tiny bit of treb
le. A focus on beats one and three keeps this style simple.
The simple version of Bass, Acoustic-Guitar, FolkSwing Sw 110 omits busy riffs a
nd rhythmic deviation. To select the simple variation, put a check in the "Simp
ler" checkbox in the RealTracks picker.
:;1137
Bass, Acoustic-Guitar, FolkSwing Sw 140
Round and present steel string bass guitar playing a simple folk rhythm with acc
ents on beat one and four.
The simple version of Bass, Acoustic-Guitar, FolkSwing Sw 140 omits busy riffs a
nd rhythmic deviation. To select the simple variation, put a check in the "Simp
:;1138
Fiddle, Background MemphisSwing Sw 190
Memphis style fiddle playing long, sustained notes and chords with a focus on be
ats one and three. This style is intended as a background style, which means th
at it could be playing underneath a singer, or possibly a soloist.
:;1139
Electric guitar with a tasteful single-coil twang. Separate substyles for A & B
. A: sparse playing, sustained chords with a focus on the downbeat. B: chord
s and subtle arpeggios over a swung eighth note foundation.
:;1140
Guitar, Electric, Rhythm CountrySwingCleanHeld Sw 110
Electric guitar with a tasteful single-coil twang playing sparse, sustained chor
ds with a focus on the downbeat
:;1141
Guitar, Electric, Rhythm CountrySwingCleanPicked Sw 110
Electric guitar with a tasteful single-coil twang playing chords and subtle arpe
ggios over a swung eighth note foundation.
:;1142
Ukulele, Strumming FolkSwing Sw 110
This ukulele delivers pleasing chord voicings with an emphasis on the backbeat a
nd the push into beat three.
:;1143
Ukulele, Strumming FolkSwing Sw 140
This ukulele focuses on the backbeat and the push into beat three with mute stru
ms on the downbeat and the push into beat four.
:;1144
Fiddle, Background BluegrassWaltz Ev 140 (Outside)
Warm fiddle tone with delicate and playful melodies with rich vibrato. This var
iation uses some more "outside" playing, and is useful if your song uses uncommo
n chords. If, however, your song uses mostly triads and you want a more basic a
pproach, you should use the standard variation.
:;1145
Fiddle, Background CountrySwing Sw 085 (Outside)
This swingin' country fiddle plays simple, pleasant melodies with a rich vibrato
and smooth transitions. Intended to be used as a background style which would
complement a singer. This variation uses some more "outside" playing, and is us
eful if your song uses uncommon chords. If, however, your song uses mostly tria
ds and you want a more basic approach, you should use the standard variation.
Tempo Range: 80-105
:;1146
Fiddle, Background CountrySwing Sw 110 (Outside)
Classic country fiddle with simple, pleasant melodies. Intended to be used as a
background style which would complement a singer. This variation uses some mor
e "outside" playing, and is useful if your song uses uncommon chords. If, howev
er, your song uses mostly triads and you want a more basic approach, you should
use the standard variation.
:;1147
Fiddle, Background CountrySwingMelodic Sw 140 (Outside)
Classic country fiddle with tasteful melodies in the upper range. Intended to b
e used as a background style which would complement a singer. This variation us
es some more "outside" playing, and is useful if your song uses uncommon chords.
If, however, your song uses mostly triads and you want a more basic approach,
you should use the standard variation.
:;1148
Fiddle, Background CountryBoogie Sw 110 (Outside)
Bright, uplifting fiddle plays a library of classic country boogie riffs and phr
ases. Intended to be used as a background style which would complement a singer
. This variation uses some more "outside" playing, and is useful if your song u
ses uncommon chords. If, however, your song uses mostly triads and you want a m
ore basic approach, you should use the standard variation.
:;1149
Fiddle, Background CountryBoogie Sw 140 (Outside)
Bright, uplifting fiddle plays a library of classic up-tempo country boogie riff
s and phrases. Intended to be used as a background style which would complement
a singer. This variation uses some more "outside" playing, and is useful if yo
ur song uses uncommon chords. If, however, your song uses mostly triads and you
want a more basic approach, you should use the standard variation.
:;1150
Fiddle, Background CountryWaltz Sw 085 (Outside)
Fiddle with a natural tone playing very simple country waltz melodies and bluegr
ass harmonies. Intended to be used as a background style which would complement
a singer. This variation uses some more "outside" playing, and is useful if yo
ur song uses uncommon chords. If, however, your song uses mostly triads and you
want a more basic approach, you should use the standard variation.
Tempo Range: 80-105
:;1151
Fiddle, Background CountryWaltz Sw 110 (Outside)
Fiddle playing simply country waltz melodies and bluegrass harmonies. Intended
to be used as a background style which would complement a singer. This variatio
n uses some more "outside" playing, and is useful if your song uses uncommon cho
rds. If, however, your song uses mostly triads and you want a more basic approa
ch, you should use the standard variation.
:;1153
Bass, Electric, Reggae Ev16 100
Full round electric bass tone playing grooving, syncopated lines. Alternates be
tween short, staccatto notes, long held notes, and occasional tasty 16th-note ru
ns.
Tempo Range: 95-120
:;1154
Guitar, Electric, Rhythm Reggae Ev16 100
Clean guitar tone playing a steady syncopated rhythm, repeating every two bars.
Tempo Range: 95-120
:;1155
Organ, B3, Rhythm Reggae Ev16 100
B3 organ with constant leslie tremolo playing triadic chording throughout. Work
s well with the more sparse rhythms of the other Reggae instruments. This versi
tile style can be used with any even 8ths or even 16ths style in it's tempo rang
e.
Tempo Range: 95-120
:;1156
Piano, Acoustic, Rhythm Reggae Ev16 100
Acoustic piano playing a standard Reggae guitar groove comprised of short chords
on every upbeat, and on beat three adds a 16th.
Tempo Range: 95-120
The simple version of Piano, Acoustic, Rhythm Reggae Ev16 100 excludes riffs tha
t deviate from the basic rhythm. To select the simple variation, put a check in
:;1157
Bass, Electric, ReggaeSlow Sw 075
Full round electric bass tone playing a slow, syncopated Reggae groove.
Tempo Range: 70-95
:;1158
Guitar, Electric, Rhythm ReggaeSlow Sw 075
Clean guitar tone. Plays a standard Reggae guitar groove comprised of short cho
rds on every upbeat, and on beat three adds the swung 16th.
Tempo Range: 70-95

:;1159
Organ, B3, Rhythm ReggaeSlow Sw 075
Warm B3 organ tone playing on beats 2 & 4 with occasional, subtle embellishment.
In combination with the electric guitar playing on the up-beats, provides a di
stinctive Reggae beat.
Tempo Range: 70-95
:;1160
Piano, Acoustic, Rhythm ReggaeSlow Sw 075
Acoustic piano playing a standard slow Reggae guitar groove comprised of short c
hords on every upbeat. Doubles the Reggae guitar part.
Tempo Range: 70-95
:;1161
Bass, Acoustic, CelticJig Sw 110
Warm acoustic bass tone playing a standard 6:8 jig groove. Can be used for any
jig, and can also be used for other 6:8 or 12:8 tunes. The ideal band consists
of acoustic bass, acoustic guitar, and bodhran.
:;1162
Bass, Acoustic, CelticReel Ev16 110
Warm acoustic bass tone playing a standard 4:4 reel groove. Can be used for any
reel, and can also be used for many bluegrass tunes. The ideal band consists o
f acoustic bass, acoustic guitar, and bodhran.
:;1163
Guitar, Acoustic, Rhythm CelticJig Sw 110
Acoustic guitar playing sophisticated rhythms over a standard 6:8 jig groove. C
an be used for any jig, and can also be used for other 6:8 or 12:8 tunes. The i
deal band consists of acoustic bass, acoustic guitar, and bodhran.
:;1164
Guitar, Acoustic, Rhythm CelticReel Ev16 110
Acoustic guitar playing sophisticated rhythms over a standard 4:4 reel groove.
Can be used for any reel, and can also be used for many bluegrass tunes. The id
eal band consists of acoustic bass, acoustic guitar, and bodhran.
:;1165
Piano, Acoustic, Rhythm CapeBretonJig Sw 110
Acoustic piano playing a stride style over a standard 6:8 jig groove. The left
hand plays bass notes and occasional chords in stride manner, while the right ha
nd plays syncopated chording rhythms. Can be used for any jig, and can also be
used for other 6:8 or 12:8 tunes. This style is intended to be used without bas
s or other rhythm section instruments, and is perfect just by itself for backing
fiddle tunes, flutes, whistles, accordions, etc.
:;1166
Piano, Acoustic, Rhythm CapeBretonReel Ev16 110
Acoustic piano playing a stride style over a standard 4:4 reel groove. The left
hand plays bass notes and occasional chords in stride manner, while the right h
and plays syncopated chording rhythms. Can be used for any reel, and can also b
e used for many bluegrass tunes. This style is intended to be used without bass
or other rhythm section instruments, and is perfect just by itself for backing
fiddle tunes, flutes, whistles, accordions, etc.
:;1167
Guitar, Electric, Soloist RockBalladBrent Ev 065
Simple, melodic solo lines played with a distinctive distorted electric guitar t
one. This style mostly sticks to eighth note passages. Great for intros to roc
k ballads or full solos.
Tempo Range: 60-85
:;1168
Guitar, Electric, Soloist RockBalladBrent Ev 065 (Bluesy)
Simple, melodic solo lines played with a distinctive distorted electric guitar t
one. This style mostly sticks to eighth note passages. Great for intros to roc
k ballads or full solos. This 'Bluesy' variation allows for the b7 to be played
on all major chords.
Tempo Range: 60-85
:;1169
Guitar, Electric, Soloist RockMediumBrent Ev 120
Rolicking solo lines with just a slight Country tinge played with a distinctive
distorted electric guitar tone. Great for intros to rock ballads or full solos.
:;1170
Guitar, Electric, Soloist RockMediumBrent Ev 120 (Bluesy)
This 'Bluesy' variation allows for the b7 to be played on all major chords.
:;1171
Guitar, Electric, Soloist RockUpbeatBrent Ev 140
Rolicking uptempo solo lines with just a slight Country tinge played with a dist
inctive distorted electric guitar tone. Great for intros to rock ballads or ful
l solos.
:;1172
Guitar, Electric, Soloist RockUpbeatBrent Ev 140 (Bluesy)
l solos. This 'Bluesy' variation allows for the b7 to be played on all major ch
ords.
:;1173
Accordion, Rhythm PopCalypso Ev 100
Bright accordion tone, playing long held chorrds with occasional melodic movemen
t. Designed to work with the other "PopCalypso" instruments, it also works well
with other even 8th or 16th-based grooves.
Tempo Range: 90-120
:;1174
Bass, Electric, PopCalypso Ev 100
Distinctive Pop-Calypso electric bass groove. It features the root of the chord
played on the downbeat, repeated on the and-of-two, with the 5th played on beat
3.
Tempo Range: 90-120
:;1175
Guitar, Acoustic, Rhythm PopCalypso Ev 100
Warm acoustic guitar tone playing a repeating syncopated rhythm. Most bars begi
n with the root of the chord being stated in the lower register, followed by the
syncopated strumming.
Tempo Range: 90-120
:;1176
Guitar, Electric, Rhythm PopCalypso Ev 100
Clean, bright electric guitar tone playing mostly held chords with a delayed str
um. Designed to work with the other "PopCalpyso" instruments, it also works wel
l with other even 8ths or 16ths-based grooves.
Tempo Range: 90-120
:;1177
Guitar, High-Strung Acoustic, Rhythm PopCalypso Ev 100Bright high-strung, or "Na
shville tunine" acoustic guitar which blend with the standard-tuned RealTracks s
tyle of the same name. This pair of guitars can be used with the other "PopCaly
pso" RealTracks instruments, or they can be used with other even 8th or 16ths-ba
sed grooves.
Tempo Range: 90-120
:;1178
Bass, Electric, PopWaltz Ev 120
Warm Electric Bass tone playing mostly long held notes over an even 8ths PopWalt
z groove.
:;1179
Fiddle, Background PopWaltz Ev 120
Long melodic phrases, both single notes & double-stops, over an even 8ths PopWal
tz groove.
:;1180
Fiddle, Background PopWaltz Ev 120 (Outside)
Long melodic phrases, both single notes & double-stops, over an even 8ths PopWal
tz groove. This variation is useful for progressions that use less common phras
es.
:;1181
Guitar, Acoustic, Fingerpicking PopWaltz Ev 120
Warm acoustic guitar tone playing arpeggiated fingerpicking patterns over an eve
n 8ths PopWaltz groove. Alternates between quarter-notes and eighth-note patter
ns.
The simple version of Guitar, Acoustic, Fingerpicking PopWaltz Ev 120 excludes r
:;1182
Guitar, Acoustic, Strumming PopWaltz Ev 120
Warm acoustic guitar tone playing strummed patterns over an even 8ths PopWaltz g
roove. Beat 1 is usually a quarter-note chord, followed by two beats of eighthnotes.
:;1183
Guitar, Electric, Rhythm PopWaltzGrittyArp Ev 120
Slightly distorted Electric Guitar, but with the clean tone cutting through. Pl
ays mostly quarter-note arpeggiated patterns, with occasional longer held notes
and some eighth-note patterns.
:;1184
Guitar, Electric, Rhythm PopWaltzGrittyHeld Ev 120
Slightly distorted Electric Guitar, but with the clean tone cutting through. Pl
ays sharp, cutting held chords throughout.
:;1185
Guitar, Electric, Rhythm PopWaltzGrittyA-B Ev 120
Slightly distorted Electric Guitar, but with the clean tone cutting through. Th
is variation alternates between A & B, playing mostly quarter-note arpeggiated p
atterns at A, and switches to sharp, cutting held chords at B.
:;1186
Mandolin, Rhythm PopWaltz Ev 120
Mandolin with a bright tone playing over an even 8ths PopWaltz groove. Most of
it is a repeated pattern over 2 bars, lending it a 6:8 feel. Bar 1, beat 1 is u
sually a quarter-note chord, followed by two beats of eighth-notes. Bar2, is th
e same, but with a quarter-note for the very last beat.
:;1187
Pedal Steel, Rhythm PopWaltz Ev 120
Pedal Steel taking a chordal approach over an even 8ths PopWaltz groove. This i
s occasionally interspersed with simple melodic phrases.

:;1188
Warm piano tone playing simple melodic ideas over an even 8ths PopWaltz groove.
The left hand is often playing a syncopated counterpart to the right.
:;1189
Bass, Electric, HardRockWaltz Ev 140
Full, round electric bass tone playing mostly long held notes over an even 8ths
rock waltz groove. Occasional idiomatic rock embellishments throughout.
The simple version of Bass, Electric, HardRockWaltz Ev 140 omits busy riffs and
:;1190
Bass, Electric, ModernRnBRock Ev 065
Full, round electric bass tone playing a slow, slightly swung rock groove.
Tempo Range: 60-85
:;1191
Bass, Electric, NorthernRock Sw16 075
Biting electric bass tone playing a swing 16th groove. Syncopated patterns are
used throughout.
Tempo Range: 70-95
:;1192
Bass, Electric, PopRockWaltz Ev 140
Full, round electric bass tone playing mostly quarter-notes over an even 8ths p
op-rock waltz groove. Occasional idiomatic rock embellishments are used through
out.
:;1193
Bass, Acoustic, GypsyJazzFast Sw 250
Warm solid acoustic bass tone, playing uptempo Gypsy Jazz. Plays "in-2" (mainly
on 1 & 3) for the A section and switches to "walking" at B.
The simple version of Bass, Acoustic, GypsyJazzFast Sw 250 omits complex rhythms
RealTracks picker.
:;1194
Bass, Acoustic, GypsyJazzFast Sw 250 ('A' Only)
Warm solid acoustic bass tone, playing uptempo Gypsy Jazz. This variation plays
"in-2" (mainly on 1 & 3) throughout.
RealTracks picker.
:;1195
Bass, Acoustic, GypsyJazzFast Sw 250 ('B' Only)
a walking part throughout.
RealTracks picker.
:;1196
Fiddle, Soloist GypsyJazzFast Sw 220
Classic Gyspy Jazz soloing lines playing over an uptempo swing groove.
:;1197
Fiddle, Soloist GypsyJazzFast Sw 220 (Bluesy)
Classic Gyspy Jazz soloing lines playing over an uptempo swing groove. This "bl
uesy" variation allows for the b7 to be played over major chords.
:;1198
Guitar, Acoustic, Rhythm GypsyJazzFastGonzalo Sw 220
Crisp acoustic guitar tone playing an uptempo Gypsy Jazz groove. This style pla
ys quarter notes throughout, with the chords on beats 2 & 4 being slightly muted
. This style uses very little embellishment.
The simple version of Guitar, Acoustic, Rhythm GypsyJazzFastGonzalo Sw 220 omits
busy riffs and some tensions. To select the simple variation, put a check in t
:;1199
Guitar, Acoustic, Rhythm GypsyJazzFastJohn Sw 250
Warm acoustic guitar tone playing an uptempo Gypsy Jazz groove. This style play
s quarter notes throughout, with very little change in emphasis from beat to bea
t, and with occasional subtle embellishment. This embellishment usually consist
s of softer chording on the swung 8th note, or occasional triplets.
The simple version of Guitar, Acoustic, Rhythm GypsyJazzFastJohn Sw 250 omits bu
sy riffs and some tensions. To select the simple variation, put a check in the
:;1200
Guitar, Acoustic, Soloist GypsyJazzFastGonzalo Sw 220
Crisp acoustic guitar tone playing classic Gypsy Jazz solo lines over a fast swi
ng groove, with a slight South-American flavor. Vibrato is used in a subtle man
ner in this style.
:;1201
Guitar, Acoustic, Soloist GypsyJazzFastGonzalo Sw 220 (Bluesy)
ner in this style. This "bluesy" variation allows for the b7 to be played over
major chords.
:;1202
Guitar, Acoustic, Soloist GypsyJazzFastJohn Sw 220
Warm acoustic guitar tone playing classic Gypsy Jazz solo lines over a fast swin
g groove with a great deal of character. Vibrato is used frequently in this sty
le.
:;1203
Guitar, Acoustic, Soloist GypsyJazzFastJohn Sw 220 (Bluesy)
le. This "bluesy" variation allows for the b7 to be played over major chords.
:;1204
Bass, Acoustic, GypsyJazzBallad Sw 110
Warm solid acoustic bass tone, playing uptempo Gypsy Jazz. Plays "in-2" (mainly
on 1 & 3) for the A section and switches to "walking" at B.
Tempo Range: 90-150
The simple version of Bass, Acoustic, GypsyJazzBallad Sw 110 omits complex rhyth
ms. To select the simple variation, put a check in the "Simpler" checkbox in th
e RealTracks picker.
:;1205
Bass, Acoustic, GypsyJazzBallad Sw 110 ('A' Only)
"in-2" (mainly on 1 & 3) throughout.
Tempo Range: 90-150
:;1206
Bass, Acoustic, GypsyJazzBallad Sw 110 ('B' Only)
a walking part throughout.
Tempo Range: 90-150
:;1207
Fiddle, Soloist GypsyJazzBallad Sw 110
Classic Gyspy Jazz soloing lines playing over a medium ballad swing groove. Can
be used with various combinations of Gypsy Jazz rhythm section instruments, and
works equally well with straight-ahead jazz instruments such as acoustic piano
and electric guitar.
Tempo Range: 90-150
:;1208
Fiddle, Soloist GypsyJazzBallad Sw 110 (Bluesy)
and electric guitar. This "bluesy" variation allows for the b7 to be played ove
r major chords.
Tempo Range: 90-150
:;1209
Guitar, Acoustic, Rhythm GypsyJazzBalladGonzalo Sw 110
Crisp acoustic guitar tone playing a sharp, controlled slow Gypsy Jazz groove.
This style plays quarter notes throughout, with very little change in emphasis f
rom beat to beat, and very little embellishment.
Tempo Range: 90-150
The simple version of Guitar, Acoustic, Rhythm GypsyJazzBalladGonzalo Sw 110 omi
ts busy riffs and some tensions. To select the simple variation, put a check in
:;1210
Guitar, Acoustic, Rhythm GypsyJazzBalladJohn Sw 110
Warm acoustic guitar tone playing a mellow, laid back slow Gypsy Jazz groove. T
his style plays quarter notes throughout, with very little change in emphasis fr
om beat to beat, and with occasional subtle embellishment.
Tempo Range: 90-150
The simple version of Guitar, Acoustic, Rhythm GypsyJazzBalladJohn Sw 110 omits
busy riffs and some tensions. To select the simple variation, put a check in th
:;1211
Guitar, Acoustic, Soloist GypsyJazzBalladGonzalo Sw 110
Crisp acoustic guitar tone playing classic Gypsy Jazz solo lines with a slight S
outh-American flavor. Very lyrical lines are interspersed with faster double-ti
me runs. Vibrato is used in a subtle manner in this style.
Tempo Range: 90-150
:;1212
Guitar, Acoustic, Soloist GypsyJazzBalladGonzalo Sw 110 (Bluesy)
me runs. Vibrato is used in a subtle manner in this style. This "bluesy" varia
tion allows for the b7 to be played over major chords.
Tempo Range: 90-150
:;1213
Guitar, Acoustic, Soloist GypsyJazzBalladJohn Sw 110
Warm acoustic guitar tone playing classic Gypsy Jazz solo lines with a great dea
l of character. Vibrato is used frequently in this style.

Tempo Range: 90-150
:;1214
Guitar, Acoustic, Soloist GypsyJazzBalladJohn Sw 110 (Bluesy)
l of character. Vibrato is used frequently in this style. This "bluesy" variat
ion allows for the b7 to be played over major chords.
Tempo Range: 90-150
:;1215
Vibes, Rhythm Bossa Ev 085
Bright vibraphone tone playing complex rhythms and harmonies over a slow Bossa g
roove. This style is designed to be the main comping instrument, and should on
ly be used with other comping instruments if they are simpler, repetitve rhythms
. For example, the comping piano styles, or the "freecomp" electric guitars sho
uld not be used with this style, but the "groovecomp" guitars would work well.
Tempo Range: 75-130
The simple version of Vibes, Rhythm Bossa Ev 085 omits busy riffs and some non-d
iatonic tensions. To select the simple variation, put a check in the "Simpler"
:;1216
Vibes, Rhythm Bossa Ev 140
Bright vibraphone tone playing complex rhythms and harmonies over a medium tempo
Bossa groove. This style is designed to be the main comping instrument, and s
hould only be used with other comping instruments if they are simpler, repetitve
rhythms. For example, the comping piano styles, or the "freecomp" electric gui
tars should not be used with this style, but the "groovecomp" guitars would work
well.
The simple version of Vibes, Rhythm Bossa Ev 140 omits busy riffs and some non-d
iatonic tensions. To select the simple variation, put a check in the "Simpler"
:;1217
Vibes, Rhythm Jazz Sw 110
Bright vibraphone tone playing complex rhythms and harmonies over a medium-slow
jazz swing groove. This style is designed to be the main comping instrument, a
nd should only be used with other comping instruments if they are simpler, repet
itve rhythms. For example, the comping piano styles, or the "freecomp" electric
guitars should not be used with this style, but the "groovecomp" guitars would
work well.
Tempo Range: 90-135
The simple version of Vibes, Rhythm Jazz Sw 110 omits busy riffs and some non-di
atonic tensions. To select the simple variation, put a check in the "Simpler" c
:;1218
Vibes, Rhythm Jazz Sw 140
Bright vibraphone tone playing complex rhythms and harmonies over a medium jazz
swing groove. This style is designed to be the main comping instrument, and sh
ould only be used with other comping instruments if they are simpler, repetitve
rhythms. For example, the comping piano styles, or the "freecomp" electric guit
ars should not be used with this style, but the "groovecomp" guitars would work
well.
The simple version of Vibes, Rhythm Jazz Sw 140 omits busy riffs and some non-di
atonic tensions. To select the simple variation, put a check in the "Simpler" c
:;1219
Vibes, Rhythm JazzBallad Sw 060
Bright vibraphone tone playing complex rhythms and harmonies over a slow jazz ba
llad. This style is designed to be the main comping instrument, and should onl
y be used with other comping instruments if they are simpler, repetitve rhythms.
For example, the comping piano styles, or the "freecomp" electric guitars shou
ld not be used with this style, but the "groovecomp" guitars would work well.
Tempo Range: 55-90
The simple version of Vibes, Rhythm JazzBallad Sw 060 omits busy riffs and some
non-diatonic tensions. To select the simple variation, put a check in the "Simp
:;1220
Vibes, Soloist BossaSteve Ev 140
Bright vibraphone tone playing sophisticated solo lines over a Bossa groove.
:;1221
Vibes, Soloist BossaSteve Ev 140 (Bluesy)
Bright vibraphone tone playing sophisticated solo lines over a Bossa groove. Th
is "bluesy" variation allows for the b7 to be played over major chords.
:;1222
Vibes, Soloist JazzSteve Sw 110
Bright vibraphone tone playing sophisticated solo lines over a slow-medium swing
groove.
Tempo Range: 90-135
:;1223
Vibes, Soloist JazzSteve Sw 110 (Bluesy)
groove. This "bluesy" variation allows for the b7 to be played over major chor
ds.
Tempo Range: 90-135
:;1224
Vibes, Soloist JazzSteve Sw 140
Bright vibraphone tone playing sophisticated solo lines over a medium swing groo
ve.
:;1225
Vibes, Soloist JazzSteve Sw 140 (Bluesy)
ve. This "bluesy" variation allows for the b7 to be played over major chords.
:;1226
Vibes, Soloist JazzBalladSteve Sw 060
Bright vibraphone tone playing sophisticated solo lines over a slow jazz ballad
Alternates between slow 8ths & occasional double-time passages.
Tempo Range: 55-90
:;1227
Vibes, Soloist JazzBalladSteve Sw 060 (Bluesy)
Bright vibraphone tone playing sophisticated solo lines over a slow jazz ballad
Alternates between slow 8ths & occasional double-time passages. This "bluesy"
variation allows for the b7 to be played over major chords.
Tempo Range: 55-90
:;1228
Guitar, Electric, Rhythm SmoothJazzCool Sw16 075
Tempo Range: 70-95
The simple version of Guitar, Electric, Rhythm SmoothJazzCool Sw16 075 has less
melodic riffs. To select the simple variation, put a check in the "Simpler" che
ckbox in the RealTracks picker.
:;1229
Guitar, Electric, Soloist SmoothJazzCool Sw16 100
Clean guitar tone playing long flowing smooth jazz licks with occasional bluesy
riffs thrown in.
Tempo Range: 95-115
:;1230
Piano, Electric, Soloist SmoothJazzCool chorus Sw16 075

Electric piano playing funky, bluesy smooth jazz riffs in a very rhythmic, sync
opated manner. This variation has a chorus effect on the piano.
Tempo Range: 70-95
:;1231
Piano, Electric, Soloist SmoothJazzCool chorus Sw16 075 (Bluesy)
opated manner. This variation has a chorus effect on the piano. This "bluesy"
variation allows for the b7 to be played over major chords.
Tempo Range: 70-95
:;1232
Piano, Electric, Soloist SmoothJazzCool delay Sw16 075
opated manner. This variation has both a chorus and delay effect on the piano.
Tempo Range: 70-95
:;1233
Piano, Electric, Soloist SmoothJazzCool delay Sw16 075 (Bluesy)
opated manner. This variation has both a chorus and delay effect on the piano.
This "bluesy" variation allows for the b7 to be played over major chords.
Tempo Range: 70-95
:;1234
Piano, Electric, Soloist SmoothJazzCool dry Sw16 075
opated manner. This variation uses only the clean sound of the electric piano.
Tempo Range: 70-95
:;1235
Piano, Electric, Soloist SmoothJazzCool dry Sw16 075 (Bluesy)
opated manner. This variation uses only the clean sound of the electric piano.
Tempo Range: 70-95
:;1236
Guitar, Electric, Rhythm SmoothJazzPoppy Ev16 090
Clean guitar tone playing a laid back rhythm with occasional fills added.
Tempo Range: 85-110
The simple version of Guitar, Electric, Rhythm SmoothJazzPoppy Ev16 090 has less
rhythmic variation and non-diatonic tensions. To select the simple variation,
:;1237
Guitar, Electric, Soloist SmoothJazzPoppy Ev16 090
Electric guitar with a clean tone that plays in a bouncy pop style with a Jazz f
eel.
Tempo Range: 85-110
:;1238
Piano, Electric, Soloist SmoothJazzPoppy chorus Ev16 090
Electric Piano with a chorus effect that plays in a bouncy pop style with a Jazz
feel.
Tempo Range: 85-110
:;1239
Piano, Electric, Soloist SmoothJazzPoppy chorus Ev16 090 (Bluesy)
Electric Piano with a chorus effect that plays in a bouncy pop style with a Jazz
feel. This "bluesy" variation allows for the b7 to be played over major chords
.
Tempo Range: 85-110
:;1240
Piano, Electric, Soloist SmoothJazzPoppy delay Ev16 090
Electric Piano with a delay effect that plays in a bouncy pop style with a Jazz
feel.
Tempo Range: 85-110
:;1241
Piano, Electric, Soloist SmoothJazzPoppy delay Ev16 090 (Bluesy)
Electric Piano with a delay effect that plays in a bouncy pop style with a Jazz
feel. This "bluesy" variation allows for the b7 to be played over major chords.
Tempo Range: 85-110
:;1242
Piano, Electric, Soloist SmoothJazzPoppy dry Ev16 090
Electric Piano with a dry tone that plays in a bouncy pop style with a Jazz feel
.
Tempo Range: 85-110
:;1243
Piano, Electric, Soloist SmoothJazzPoppy dry Ev16 090 (Bluesy)
Electric Piano with a dry tone that plays in a bouncy pop style with a Jazz feel
. This "bluesy" variation allows for the b7 to be played over major chords.
Tempo Range: 85-110
:;1244
Piano, Acoustic, Rhythm JazzBalladNY Sw 060
Acoustic Piano playing a relaxed Jazz feel with staccatos and accents in the sty
le.
Tempo Range: 55-90
:;1245
Piano, Acoustic, Rhythm JazzNY Sw 110
Acoustic Piano playing an upbeat Jazz feel with staccatos and accents in the sty
le.
Tempo Range: 90-135
:;1246
Piano, Acoustic, Rhythm JazzNY Sw 140
Acoustic Piano playing a quick Jazz style with staccatos and accents.
:;1247
Piano, Acoustic, Soloist JazzBalladMike Sw 060
Acoustic Piano Solo that plays over Jazz Styles with a sharp edge for a slow tem
po feel.
Tempo Range: 55-90
:;1248
Piano, Acoustic, Soloist JazzBalladMike Sw 060 (Bluesy)
Acoustic Piano Solo that plays over Jazz Styles with a sharp edge for a slow tem
po feel. This "bluesy" variation allows for the b7 to be played over major chor
ds.
Tempo Range: 55-90
:;1249
Piano, Acoustic, Soloist JazzMike Sw 110
Acoustic Piano Solo that plays over Jazz Styles with a sharp edge for a medium f
eel.
Tempo Range: 90-135
:;1250
Piano, Acoustic, Soloist JazzMike Sw 110 (Bluesy)
Acoustic Piano Solo that plays over Jazz Styles with a sharp edge for a medium f
eel. This "bluesy" variation allows for the b7 to be played over major chords.
Tempo Range: 90-135
:;1251
Piano, Acoustic, Soloist JazzMike Sw 140
Acoustic Piano Solo that plays over Jazz Styles with a sharp edge with a quick f
eel.
:;1252
Piano, Acoustic, Soloist JazzMike Sw 140 (Bluesy)
:;1253
Bass, Electric, PopShiningHeld Ev 120
Straight Bass that plays long notes instead of every beat.
:;1254
Bass, Electric, PopShiningSync Ev 120
Straight Bass playing a syncopated style with notes on beat.
:;1255
Bass, Electric, PopShiningA-B Ev 120
Straight Bass that plays long notes in stead of every beat for the A section and
a syncopated style with notes on beat for the B section.
:;1256
Guitar, Electric, Rhythm PopShiningGritty Ev 120
Slightly distorted electric guitar, laid back and playing open chords in an even
pattern.
:;1257
Guitar, Electric, Rhythm PopShiningRock8ths Ev 120
Guitar has crunch and it's played in a down stroke even 8th pattern.
:;1258
Guitar, Electric, Rhythm PopShiningRockSync Ev 120
A Guitar with crunch played in an off beat syncopated pattern.
:;1259
Guitar, Electric, Rhythm PopShiningRockA-B Ev 120
The A substyle has Guitar with crunch and it's played in a down stroke even 8th
pattern and the B substyle is played in an off beat syncopated pattern.
:;1260
Guitar, Electric, Soloist PopShining Ev 120
Distorted Electric guitar playing an Ev 8th pattern in a major scale.
:;1261
Guitar, Electric, Soloist PopShining Ev 120 (Bluesy)
Distorted Electric guitar playing an Ev 8th pattern in a major scale. This "blu
esy" variation allows for the b7 to be played over major chords.
:;1262
Piano, Acoustic, Rhythm PopShiningHeld Ev 120
An upbeat Acoustic Rhythm Pop style playing long held chords in an even feel.
:;1263
Piano, Acoustic, Rhythm PopShiningSync Ev 120
Acoustic Piano playing an Even 8th Pop style with a syncopated file.
:;1264
Piano, Acoustic, Rhythm PopShiningA-B Ev 120
The A substyle has an upbeat Acoustic Rhythm piano pop style playing long held c
hords in an even feel and the B substyle playing an Even 8th Pop style with a sy
ncopated file.
:;1265
Synth Pad, PopShiningSoft Ev 120
A gentle Synth pad playing long held chords for great ambience.
:;1266
Synth Pad, PopShiningVoice Ev 120
A gentle Synth pad with some attack on the initial note into a nice held chord.
:;1267
Synth Pad, PopShiningA-B Ev 120
The A substyle is a gentle Synth pad playing long held chords for great ambiance
and the B substyle has a gentle Synth pad with some attack on the initial note
into a nice held chord.
:;1268
Bass, Electric, PopUplift Ev16 120
Electric Bass played in a straight forward Even 16th pattern with a bounce.
:;1269
Guitar, Electric, Rhythm PopUpliftGritty Ev16 120
Electric Guitar with a gritty tone playing a down picked pattern.
:;1270
Guitar, Electric, Rhythm PopUpliftSyncMuted Ev16 120
The Electric guitar plays a muted down stroke with some distortion.
:;1271
Guitar, Electric, Rhythm PopUpliftSyncDistorted Ev16 120
An Electric guitar played on the down strokes with an open distortion.
:;1272
Guitar, Electric, Rhythm PopUpliftSyncA-B Ev16 120
The A substyle has an electric guitar plays a muted down stroke with some distor
tion and the B substyle is played on the down strokes with an open distortion.
:;1273
Guitar, Electric, Soloist PopUplift Ev16 120
Slightly distorted electric guitar that plays with an uplifting major feel.
:;1274
Guitar, Electric, Soloist PopUplift Ev16 120 (Bluesy)
Slightly distorted electric guitar that plays with an uplifting major feel. Thi
s "bluesy" variation allows for the b7 to be played over major chords.
:;1275
Piano, Acoustic, Rhythm PopUpliftHeld Ev16 120
Acoustic Piano with uplifting held chords with an Even 16 feel.
:;1276
Piano, Acoustic, Rhythm PopUpliftPulsing Ev16 120
Acoustic Piano with an alternating feel between the left and right hand giving a
pulse feel.
:;1277
Piano, Acoustic, Rhythm PopUpliftA-B Ev16 120
The A substyle is an Acoustic Piano with uplifting held chords with an Even 16 f
eel and the B substyle is an Acoustic Piano with an alternating feel between the
left and right hand giving a pulse feel.
:;1278
Synth Pad, PopUplift Ev 120
A glowing uplifting Synth Pad that makes a great background filler.
:;1279
Guitar, Electric, Soloist CountryBoogieBrent Sw 140
Swinging Electric guitar with lots of bends and slides giving this a classic cou
ntry feel.
:;1280
Guitar, Electric, Soloist CountryBoogieBrent Sw 140 (Bluesy)
ntry feel. This "bluesy" variation allows for the b7 to be played over major ch
ords.
:;1281
Guitar, Electric, Soloist CountryTrainBrent Ev 140
Solid Electric Guitar playing in a train pattern so it sounds like this guitar i
s on fire.
:;1282
Guitar, Electric, Soloist CountryTrainBrent Ev 140 (Bluesy)
s on fire. This "bluesy" variation allows for the b7 to be played over major ch
ords.
:;1283
Guitar, Electric, Soloist CountryShuffleBrent Sw 120
A swinging Electric guitar with a clean tone and some of the best attack around.
:;1284
Guitar, Electric, Soloist CountryShuffleBrent Sw 120 (Bluesy)
:;1285
Guitar, Electric, Soloist CountryWaltzBrent Sw 085
A Waltzing ElectricGuitar that plays with a classic country feel in a slow rambl
ing feel.
Tempo Range: 80-100
:;1286
Guitar, Electric, Soloist CountryWaltzBrent Sw 085 (Bluesy)
A Waltzing ElectricGuitar that plays with a classic country feel in a slow rambl
ing feel. This "bluesy" variation allows for the b7 to be played over major cho
rds.
Tempo Range: 80-100
:;1287
Accordion, Rhythm TexMex2Beat Ev 120
Accordion playing in a TexMex 2 beat style which could also be played as a Polka
.
The simple version of Accordion, Rhythm TexMex2Beat Ev 120 omits busy riffs and
:;1288
Bass, Electric, TexMex2Beat Ev 120
An Electric Bass that plays octaves on every other beat. Can also be used for p
olkas.
The simple version of Bass, Electric, TexMex2Beat Ev 120 omits busy riffs and rh
:;1289
Guitar, Electric, Rhythm TexMex2BeatComp Ev 120
Clean Electric guitar playing downstrokes on the beat in a simple but steady pat
tern.
The simple version of Guitar, Electric, Rhythm TexMex2BeatA-B Ev 120 excludes ri

ffs that deviate from the basic rhythm. To select the simple variation, put a c
:;1290
Guitar, Electric, Rhythm TexMex2BeatMelodic Ev 120
This clean Electric guitar plays riffs over the chords to give a walking feel to
the progression.
:;1291
Guitar, Electric, Rhythm TexMex2BeatA-B Ev 120
The A substyle has a Clean Electric guitar playing downstrokes on the beat in a
simple but steady pattern and the B substyles clean Electric guitar plays riffs
over the chords to give a walking feel to the progression.
:;1292
Accordion, Rhythm TexMexCountry Ev 120
A melodic Accordion playing long held chords as well as small fills that make th
is sound vibrant.
The simple version of Accordion, Rhythm TexMexCountry Ev 120 omits busy riffs an
d rhythmic deviation. To select the simple variation, put a check in the "Simpl
:;1293
Bass, Electric, TexMexCountry Ev 120
An Electric Bass that grooves along with the other TexMex rhythm RealTracks.
The simple version of Bass, Electric, TexMexCountry Ev 120 omits busy riffs and
:;1294
Guitar, Electric, Rhythm TexMexCountry Ev 120
Smooth clean Electric guitar with a tight Ev 8th strumming pattern.
:;1295
Banjo, Rhythm, ModernCountrySync Ev16 100
A straight syncopated Banjo with an Even 16th feel. This banjo has a nice groov
e.
Tempo Range: 90-120
:;1296
Fiddle, Background WesternSwing Sw 165
A Bouncy Fiddle with a swinging feel that fills out the background nicely.
:;1297
Guitar, Resonator, Background BluegrassWaltz Ev 140
A sliding resonator country waltz with a Bluegrass feel. Great to fill out the
background of a song.
:;1298
A clean Pedal Steel playing in a Waltz with a swing at an up tempo.
:;1299
Fiddle, Background WesternSwing Sw 165 (Outside)
A Bouncy Fiddle with a swinging feel that fills out the background nicely. This
variation includes less common combinations of notes, and is useful if your son
g contains less common chords, such as aug, 7b9, etc.
:;1300
Guitar, Resonator, Background BluegrassWaltz Ev 140 (Outside)
A sliding resonator country waltz with a Bluegrass feel. Great to fill out the
background of a song. This variation includes less common combinations of notes
, and is useful if your song contains less common chords, such as aug, 7b9, etc.
:;1301
Pedal Steel, Rhythm CountryWaltz Sw 140 (Outside)
A clean Pedal Steel playing in a Waltz with a swing at an up tempo. This "blues
y" variation allows for the b7 to be played over major chords.
:;1302
Guitar, Acoustic, Rhythm CelticJig Sw 110 (Drones at A)
:;1303
Guitar, Acoustic, Rhythm CelticJig Sw 110 (Drones only)
:;1304
Guitar, Acoustic, Rhythm CelticReel Ev16 110 (Drones at A)
:;1305
Guitar, Acoustic, Rhythm CelticReel Ev16 110 (Drones only)
:;1306
Guitar, Electric, Soloist SmoothJazzCool Sw16 100 (Bluesy)
Clean guitar tone playing long flowing smooth jazz licks with occasional bluesy
riffs thrown in. This "bluesy" variation allows for the b7 to be played over ma
jor chords.
Tempo Range: 95-115
:;1307
Guitar, Electric, Soloist SmoothJazzPoppy Ev16 090 (Bluesy)
Electric guitar with a clean tone that plays in a bouncy pop style with a Jazz f
Tempo Range: 85-110
:;1308
Medley of Jazz Sw 140 Soloists
Trades 4 bars of playing with 4 bars of silence so the listener can play along
Tenor Sax, Trumpet, Trombone, Alto Sax, Electric Guitar, Vibes.
:;1309
Trades 4 bars of playing with 4 bars of silence so the listener can play along
Vibes, Electric Guitar, Alto Sax, Trombone, Trumpet, Tenor Sax.
:;1310
Every 4 bars instruments change

:;1311
Insrtuments change every part marker
:;1312
Instruments change every chorus
:;1313
Medley of Bossa Ev 140 Soloists
Trades 4 bars of playing with 4 bars of silence so the listener
Alto Sax, Flute, Trombone, Electric Guitar, Trumpet, Vibes.
:;1314
Vibes, Trumpet, Electric Guitar, Trombone, Flute, Alto Sax.
:;1315
:;1316
Instruments change every part marker
:;1317
:;1318
Medley of Jazz Ballad Sw 085 Soloists
Alto Sax, Trumpet. Trombone, Electric Guitar.
:;1319
Electric Guitar, Trombone, Trumpet, Alto Sax.
:;1320
:;1321
Instruments change every part marker
:;1322
:;1323
Medley of Older Sw 140 Soloists
Switches instruments every 8 bars
Alto Sax, Trombone, Trumpet, Clarinet.
:;1324
Medley of Smooth Jazz Cool Sw 16 100 Soloists
Alto Sax, Trumpet, Electric Piano, Electric Guitar, Tenor Sax.
:;1325
Medley of Smooth Jazz Poppy Ev 16 090 Soloists
can play along
can play along
can play along
can play along
Alto Sax, Trumpet, Electric Piano, Electric Guitar.

:;1326
Medley of Smooth Jazz Cool Sw16 075 Soloists
Alto Saz, Trumpet, Electric Piano.
:;1327
Medley of Smooth Jazz Ballad Ev 16 065 Soloists
Soprano Sax, Trumpet, Electric Piano.
:;1328
Medley of Bluegrass Ev 130 Soloists
Acoustic Guitar, Mandolin, Banjo, Fiddle.
:;1329
Medley of Bluegrass Doc Ev 100 Soloists
Acoustic Guitar, Mandolin, Banjo, Fiddle.
:;1330
Medley of GypsyJazz Ballad Sw 110 Soloists
Acoustic Guitar Gonzalo, Fiddle, Acoustic Guitar John.
:;1331
Medley of GypsyJazz Fast Sw 220 Soloists
Acoustic Guitar Gonzalo, Fiddle, Acoustic Guitar John.
:;1332
Sax, Tenor, Jazz Sw 140 [double-time]
Warm Tenor Sax playing medium swing solo lines. This variation treats the style
as double-time at half the tempo.
S1, ZZJAZWAL
:;1333
Sax, Alto, Bossa Ev 140 [double-time]
Alto Saxophone Bossa soloing, with long, free-flowing, and catchy phrases. Appr
opriate for Jazz-Bossa and Latin-Jazz, and can be used with a wide variety of st
yles. Start with the style suggestions below, and then use your imagination! T
his variation treats the style as double-time at half the tempo.
:;1334
Trombone, Bossa Ev 140 [double-time]
Tempo range: 115-165. Sonic quality is excellent over a wide tempo range. This
variation treats the style as double-time at half the tempo.
_1, TEKREGAE
:;1335
Trumpet, Bossa Ev 140 [double-time]
Combine this RealTracks style with "Piano, Acoustic, Rhythm Bossa Ev 140", "Guit
ar, Electric, Rhythm Bossa Ev 140", and "Bass, Acoustic, Bossa Ev 140" (using R
ealTracks from sets 16 & 17) for the ultimate Jazz Bossa experience! This varia
tion treats the style as double-time at half the tempo.
1
:;1336
Flute, Soloist, Bossa Ev 140 [double-time]
Sophisticated bossa flute playing. This variation treats the style as double-ti
me at half the tempo.
:;1337
Guitar, Electric, Soloist Bossa Ev 140 [double-time]
A steady electric jazz soloist guitar style, with a clean jazz tone. This varia
tion plays smooth lead guitar phrases throughout. This variation treats the sty
le as double-time at half the tempo.
:;1338
Vibes, Soloist BossaSteve Ev 140 [double-time]
Bright vibraphone tone playing sophisticated solo lines over a Bossa groove. Th
is variation treats the style as double-time at half the tempo.
Tempo Range:
:;1339
Guitar, Slide, Soloist Blues Sw 120 [double-time]
102". This variation treats the style as double-time at half the tempo.
TWN, TOASTY
:;1340
Sax, Tenor, Motown Rock Ev 120 [double-time]
Live from New York...! Even 8ths Rock Sax soloist. Sounds best over Jazz (7th)
chords. This variation treats the style as double-time at half the tempo.
:;1341
Sax, Tenor, HipHop Rock Sw 100 [double-time]
Sophisticated swing 16ths tenor sax playing. While it will play over any chord
type, this soloist sounds best over jazz chords.
he 'around melody' mode in the Soloist dialog! This variation treats the style
Y2, SPICE_M
:;1342
Guitar, Electric, Soloist Blues Sw 120 [double-time]
Tasty Blues Guitar soloing, with a ton of variety and long licks. This variatio
n treats the style as double-time at half the tempo.
Style suggestions: SHUFLIN, GRITTY, ELVIS1, CHUKSHUF, C_BLUE, ELJAMES, ZZHEVROK
:;1343
Guitar, Electric, Soloist Dire Ev 140 [double-time]
Clean, even, classic rock guitar sound. This superbly clean soloist can be used
in any key, over any changes you care to throw it's way, and the Notation and G
uitar Fretboard windows will show accurate tab and fingering! This variation tr
eats the style as double-time at half the tempo.
:;1344
Guitar, Electric, Soloist Blues Roadhouse Ev 120 [double-time]
This smokin solo works best in between vocal breaks and with the other RealTrack
s Guitar, Electric, Rhythm Blues Roadhouse Ev 120 and Bass, Electric, Blues Road
house Ev 120. This variation treats the style as double-time at half the tempo.
Style suggestions: C_HONKIN, SEEKER
:;1345
Sax, Tenor, 2-Beat Rock Ev 110 [double-time]
The sound of this sax is reminiscent of 70's rock. It's a classic sound which w
hen brought into a song adds an element which can not be captured by a MIDI inst
rument. Try this even feel track with other Rocking RealTracks like Guitar, Res
ophonic, Rhythm Blues Roadhouse Ev 120 and Bass, Electric, Blues Roadhouse Ev 12
0. This variation treats the style as double-time at half the tempo.
Tempo range: 90-130
:;1346
Guitar, Slide, Soloist Blues Sw 165 [double-time]
A smooth background slide guitar style with a dirty blues guitar sound. This var
iation plays laid back slide licks throughout. This variation treats the style
Style suggestions: CHUKSHUF, AG_BESS, AG_SOUL
:;1347
Sax, Tenor, Soloist Rock Boogie Ev 160 [double-time]
A lively solo saxophone style with a bright rock sax tone. This variation treat
s the style as double-time at half the tempo.
:;1348
Guitar, Electric, Soloist RockMediumBrent Ev 120 [double-time]
This variation treats the style as double-time at half the tempo.
Tempo Range:
:;1349
Guitar, Electric, Soloist RockUpbeatBrent Ev 140 [double-time]
l solos. This variation treats the style as double-time at half the tempo.
Tempo Range:
:;1350
Guitar, Electric, Soloist Cowboy Ev 165 [double-time]
Clean electric country guitar soloing. Try combining this style with "Guitar, E
lectric, Rhythm Country Cowboy Ev 165". Sounds great with classic country style
s, but can also work with other genres - it's fun to experiment by "mixing and m
atching" similar tempo RealTracks styles, as well as by using RealTracks in styl
es (STY) from entirely different genres - be creative! This variation treats th
e style as double-time at half the tempo.
:;1351
Fiddle, Soloist Train Ev 130 [double-time]
This RealTrack compliments the Fiddle, Background Train Ev 130 as it provides a
solo in the same feel. Best used during vocal breaks when you want to add a flo
urish to a section or a breakdown with a fiddle solo. Works well with Guitar, E
lectric, Chet Comp Ev 130 and Pedal Steel, Background Train Ev 130. This variat
ion treats the style as double-time at half the tempo.
:;1352
Harmonica, Soloist Train Ev 130 [double-time]
An instrument which cannot be replicated by MIDI, the Even Feel Harmonica Solois
t Train goes great in a medium feel Country song with a 'Train' feel. Try tradin
g solos with the other 'Train' RealTracks like Fiddle, Soloist Train Ev 130 or m
ixing it with Pedal Steel, Background Train Ev 130. This variation treats the s
tyle as double-time at half the tempo.
:;1353
Guitar, Electric, Soloist CountryClassicSwing Sw 190 [double-time]
cal Country Solo licks. This variation treats the style as double-time at half
the tempo.
:;1354
Guitar, Electric, Soloist PopShining Ev 120 [double-time]
Distorted Electric guitar playing an Ev 8th pattern in a major scale. This varia
tion treats the style as double-time at half the tempo.
:;1355
Guitar, Electric, Soloist CountryBoogieBrent Sw 140 [double-time]
ntry feel. This variation treats the style as double-time at half the tempo.
:;1356
Guitar, Electric, Soloist CountryTrainBrent Ev 140 [double-time]
s on fire. This variation treats the style as double-time at half the tempo.
:;1357
Guitar, Electric, Soloist CountryShuffleBrent Sw 120 [double-time]
:;1358
Harmonica, Soloist Blues Sw 120 [double-time]
Blues harp Soloing. Somewhat similar to "Harmonica, Background Blues Sw 120", b
ut busier, more variety in the playing, with more melodic-sounding licks. This
Style suggestions: J!~BASIN, J!~SKY2, J!FGREE2, BOBBYBB, BOUNCY_G, C_BLUE, C_ROC
BIL, C~ROY, DRJONSHF, ELJAMES
:;1359
Vibes, Soloist JazzSteve Sw 110 [double-time]
groove. This variation treats the style as double-time at half the tempo.
Tempo Range:
:;1360
Guitar, Acoustic, Soloist GypsyJazzBalladGonzalo Sw 110 [double-time]
me runs. Vibrato is used in a subtle manner in this style. This variation trea
ts the style as double-time at half the tempo.
Tempo Range: 90-150
:;1361
Guitar, Acoustic, Soloist GypsyJazzBalladJohn Sw 110 [double-time]
l of character. Vibrato is used frequently in this style. This variation treat
s the style as double-time at half the tempo.

Tempo Range: 90-150
:;1362
Guitar, Electric, Soloist JazzSwing Sw 110 [double-time]
ome classic jazz riffs. This variation treats the style as double-time at half
the tempo.
:;1363
Fiddle, Soloist GypsyJazzFast Sw 220 [double-time]
Classic Gyspy Jazz soloing lines playing over an uptempo swing groove. This var
iation treats the style as double-time at half the tempo.
:;1364
Fiddle, Soloist GypsyJazzBallad Sw 110 [double-time]
and electric guitar. This variation treats the style as double-time at half the
tempo.
Tempo Range: 90-150
:;1365
Sax, Soprano, Soloist Jazz Swing Sw 110 [double-time]
A slow-medium tempo jazz swing soprano saxophone soloist style. This variation
treats the style as double-time at half the tempo.
:;1366
Piano, Acoustic, Soloist Jazz Sw 140 [double-time]
Jazz Piano Left-hand and right-hand soloing, with some RH-only phrases. This is
quite a specific style and sounds best with medium tempo Jazz swing styles. Tr
y the RealStyle _J140_PS, a Jazz trio with piano soloing. This variation treats
the style as double-time at half the tempo.
:;1367
Piano, Acoustic, Soloist JazzMike Sw 140 [double-time]
eel. This variation treats the style as double-time at half the tempo.
:;1368
Vibes, Soloist JazzSteve Sw 140 [double-time]
ve. This variation treats the style as double-time at half the tempo.
Tempo Range:
:;1369
Guitar, Electric, Soloist Jazz Sw 140 [double-time]
A lively swing electric guitar soloist, with a warm jazz guitar tone. This vari
ation treats the style as double-time at half the tempo.
:;1370
Trumpet, Jazz Sw 140 [double-time]
A modern approach to Jazz Trumpet playing, in the tradition of Miles, Freddie, e
tc. Works with many different styles and tempos. This variation treats the sty
le as double-time at half the tempo.
Tip: In the StylePicker, you can find many Styles with RealTracks ('=*.STY) - th
ese have some MIDI parts, but at least one RealTracks style, and RealStyles ('_*
.STY) - these ones have no MIDI parts.

:;1371
Trumpet, Older Sw 140 [double-time]
Soloing in the style of 30's and 40's trumpet players. A typical style is the R
ealStyle _J140OTR (uses RealTracks from sets 13 & 14), although the style works
as the soloist in a variety of genres - your imagination is the limit. This var
iation treats the style as double-time at half the tempo.
Tip: In the StylePicker styles with the prefix '_' are RealStyles, which don't
contain any MIDI tracks. Styles with the '=' prefix are Styles with RealTracks,
which contain some MIDI tracks along with one or more RealTracks.
Tempo range: 115-220. Very large usable range. Sonic quality is good to very hi
gh tempos, but playing becomes unnatural.
:;1372
Trombone, Bossa Ev 140 [double-time]
_1, TEKREGAE
:;1373
Trombone, Jazz Sw 140 [double-time]
This soloist features a Contemporary Jazz approach. As with other RealTracks, y
ou can use your imagination to combine the soloist with other genres. Use the S
tyle suggestions below to get started, and have fun! This variation treats the
style as double-time at half the tempo.
:;1374
Trombone, Older Sw 140 [double-time]
Trombone swing soloing in the style of 30's and 40's players. For a typical sty
le example, try the RealStyle _J140OTB (uses RealTracks from sets 13 & 14).
elatively wide tempo range. This variation treats the style as double-time at h
alf the tempo.
FUSN_SHUF, SWINGBAL
:;1375
Sax, Alto, Jazz Sw 140 [double-time]
Nothing says "sophistication" like an alto sax intricately weaving it's way thro
ugh a set of complex jazz lines. This is a more modern feel than the "Older Sw"
soloist (Bird etc.). This variation treats the style as double-time at half th
e tempo.
:;1376
Sax, Alto, Older Sw 140 [double-time]
Classic older Jazz swing soloing, with lots of long phrases and smooth playing.
Use it in older swing Jazz band styles - for a good example try the RealStyle _
J140_OS (uses RealTracks from sets 13 & 14). Will also work as the soloist in a
variety of other genres including Blues, Latin, and Gospel; some suggestions ar
e below. This variation treats the style as double-time at half the tempo.

:;1377
Sax, Tenor, Jazz Sw 140 [double-time]
Original Jazz Sax RealTracks soloist style. Tip - while it can play over any ch
ord, this soloist will sound best over Jazz chord progressions. This variation
:;1378
Clarinet, Soloist Older Swing Sw 140 [double-time]
An energetic swing clarinet soloist style.
:;1379
Guitar, Nylon, Soloist Samba Ev 190 [double-time]
elodies with a full and subtle tone. This variation treats the style as doubletime at half the tempo.
:;1380
Guitar, Electric, Soloist JazzSwing Sw 190 [double-time]
t fills and swinging melodies. This variation treats the style as double-time a
t half the tempo.
:;1381
Sax, Soprano, Soloist Samba Ev 190 [double-time]
A lively samba saxophone soloist style, with a bright saxophone tone. This vari
ation treats the style as double-time at half the tempo.
:;1382
Sax, Tenor, Soloist Jazz BeBop Sw 190 [double-time]
A lively bebop saxophone solo style, with a warm tenor sax tone. This variation
:;1383
Guitar, Acoustic, Soloist GypsyJazzFastGonzalo Sw 220 [double-time]
ner in this style. This variation treats the style as double-time at half the t
empo.
:;1384
Guitar, Acoustic, Soloist GypsyJazzFastJohn Sw 220 [double-time]
le. This variation treats the style as double-time at half the tempo.
:;1385
Bass, Acoustic, Jazz Ballad Sw 085 [simple]
Deep, resonant double-bass playing standard jazz lines. Plays "in-2" for the A
substyle, and walks during the B substyle. For this variation, more complex rhy
thm patterns are not included.
Tempo range: 75-105
:;1386
Bass, Acoustic, Jazz Ballad Sw 085 [very simple]
thm patterns are not included, and only very simple bars are picked.
Tempo range: 75-105
:;1387
Bass, Acoustic, Jazz Sw 140 [simple]
E, ROMPIN
:;1388
Bass, Acoustic, Jazz Sw 140 [very simple]
E, ROMPIN
:;1389
Bass, Acoustic, Jazz BeBop Sw 190 [simple]
:;1390
Bass, Acoustic, Jazz BeBop Sw 190 [very simple]
:;1391
on plays a walking style. For this variation, more complex rhythm patterns are
not included.
:;1392
on plays a walking style. For this variation, more complex rhythm patterns are
not included, and only very simple bars are picked.
:;1393
lays a walking bass line. For this variation, more complex rhythm patterns are
not included.
:;1394
lays a walking bass line. For this variation, more complex rhythm patterns are
not included, and only very simple bars are picked.
:;1396
Bass, Electric, Soul70sHeld Ev16 100
A deep sounding Electric Bass style that plays mostly whole notes and a little b
it of walking between bars.
Tempo Range: 60-130
The simple version of Bass, Electric, Soul70s Ev16 100 omits busy riffs and rhyt
hmic deviation. To select the simple variation, put a check in the "Simpler" ch
eckbox in the RealTracks picker.
:;1397
Bass, Electric, Soul70sSync Ev16 100
A deep sounding Electric Bass style that plays half note roots followed by funky
rhythm arpeggios.
Tempo Range: 60-130
:;1398
Bass, Electric, Soul70sA-B Ev16 100
A deep sounding Electric Bass style that plays both A and B substyles: mostly wh
ole notes and a little bit of walking between bars during A, and half note roots
followed by funky rhythm arpeggios during B.
Tempo Range: 60-130
:;1399
Guitar, Electric, Rhythm Soul70sBrightSync Ev16 100
A bright sounding Electric Guitar style strumming even syncopated rhythms.
Tempo Range: 85-130
:;1400
Guitar, Electric, Rhythm Soul70sBrightSteady Ev16 100
A bright sounding Electric Guitar style strumming even syncopated rhythms with o
ccasional melodies in between bars.
Tempo Range: 85-130
:;1401
Guitar, Electric, Rhythm Soul70sBrightA-B Ev16 100
A bright sounding Electric Guitar style that plays both A and B substyles: strum
ming even syncopated rhythms during A, and then adding occasional melodies durin
g B.
Tempo Range: 85-130
:;1402
Guitar, Electric, Rhythm Soul70sWarmSync Ev16 100
A warm sounding Electric Guitar style strumming even syncopated rhythms.
Tempo Range: 85-130
:;1403
Guitar, Electric, Rhythm Soul70sWarmHeld Ev16 100
A warm sounding Electric Guitar style strumming held chords.
Tempo Range: 85-130
:;1404
Guitar, Electric, Rhythm Soul70sWarmA-B Ev16 100
A warm sounding Electric Guitar style that plays both A and B substyles: syncopa
ted strumming during A, and held chords during B.
Tempo Range: 85-130
:;1405
Piano, Acoustic, Rhythm Soul70sHeld Ev16 100

A laid back Acoustic Piano style that plays mostly held chords with melodic tran
sitions.
Tempo Range: 80-130
:;1406
Piano, Acoustic, Rhythm Soul70sSteady Ev16 100
An Acoustic Piano style that plays heavy handed cascading chord patterns.
Tempo Range: 80-130
:;1407
Piano, Acoustic, Rhythm Soul70sA-B Ev16 100
An Acoustic Piano style that plays both A and B substyles: laid back held chords
with melodic transitions during A, and heavy handed cascading chord patterns du
ring B.
Tempo Range: 80-130
:;1408
Piano, SynthLayer, Rhythm Soul70sHeld Ev16 100
A laid back Acoustic Piano and Synthesizer combo style that plays mostly held ch
ords with melodic transitions.
Tempo Range: 80-130
:;1409
Piano, SynthLayer, Rhythm Soul70sSteady Ev16 100
An Acoustic Piano and Synthesizer combo style that plays heavy handed cascading
chord patterns.
Tempo Range: 80-130
:;1410
Piano, SynthLayer, Rhythm Soul70sA-B Ev16 100
An Acoustic Piano and Synthesizer combo style that plays both A and B substyles:
laid back held chords with melodic transitions during A, and heavy handed casca
ding chord patterns during B.
Tempo Range: 80-130
:;1411
Bass, Acoustic, CelticHornpipe Sw16 070
A steady Upright Bass style that plays straight 4ths and walking 8ths.
Tempo Range: 55-110
:;1412
Guitar, Acoustic, Rhythm CelticHornpipe Sw16 070
A very soft and round sounding Acoustic Guitar style that plays a steady swing r
hythm emphasizing the chord on beats 2 and 4.
Tempo Range: 55-110
The simple version of Guitar, Acoustic, Rhythm CelticHornpipe Sw16 070 omits bus
y riffs and some tensions. To select the simple variation, put a check in the "
:;1413
Bass, Acoustic, CelticSlipjig Sw 110
A steady Upright Bass style that plays straight 4ths and walking 8ths.
Tempo Range: 55-110
:;1414
Guitar, Acoustic, Rhythm CelticSlipjig Sw 110
A very soft and round sounding Acoustic Guitar style that plays a syncopated Sli
pJig strumming pattern.
Tempo Range: 85-140
The simple version of Guitar, Acoustic, Rhythm CelticSlipjig Sw 110 omits busy r
iffs and some tensions. To select the simple variation, put a check in the "Sim
pler" checkbox in the RealTracks picker.
:;1415
Bass, Electric, PopSw16RootFive Sw16 075
A deep and crispy sounding Electric Bass style that plays root-five 4ths and occ
asional walking between bars.
Tempo Range: 60-120
:;1416
Bass, Electric, PopSw16Sync Sw16 075

A punchy sounding Electric Bass style that plays a syncopated root-five pattern
with a bit of walking between bars.
Tempo Range: 60-130
:;1417
Bass, Electric, RootsRock Ev 100
A punchy sounding Electric Bass style that plays a root-five 1-2-1234 picking pa
ttern.
Tempo Range: 85-140
:;1418
Bass, Electric, SouthernRock Ev16 085
A deep sounding finger picking Electric Bass style that plays syncopated half-no
tes and often shots on beat 3.
Tempo Range: 70-110
The simple version of Bass, Electric, SouthernRock Ev 085 omits busy riffs and r
:;1419
Bass, Electric, TexasRock Ev 120
A slightly scooped sounding Electric Bass that plays straight 8ths and walks bet
ween chords.
The simple version of Bass, Electric, TexasRock Ev 120 excludes riffs that devia
te from the basic root notes. To select the simple variation, put a check in th
:;1420
Banjo, Rhythm, PopCrossover Sw16 075
A soft sounding Banjo style that plays arpeggios with a syncopated 16th swing pi
cking pattern.
Tempo Range: 55-100
:;1421
Guitar, Electric, Rhythm PopCrossover Sw16 075
A warm and softly distorted Electric Guitar style that plays a syncopated 16th r
hythm between held chords on beats 1 and 4.
Tempo Range: 60-110
:;1422
Piano, Acoustic, Rhythm PopCalypso Ev 100
A sustained Acoustic Piano style that plays steady 8th arpeggios and often pushe
s the 3rd beat.
Tempo Range: 75-130
:;1423
Bass, Electric, PopWaltz Ev 180
A slightly overdriven Electric Bass waltz style that plays steady whole notes.
:;1424
A bright Fiddle waltz style that plays a combination of diads and slow melodic f
ills over an even upbeat tempo.
:;1425
A bright Fiddle waltz style that plays a combination of diads and slow melodic f
ills over an even upbeat tempo. This variation uses some more "outside" playing,
and is useful if your song uses uncommon chords. If, however, your song uses m
ostly triads and you want a more basic approach, you should use the standard var
iation.
:;1426
Guitar, Acoustic, Strumming PopWaltz Ev 180
A warm Acoustic Guitar waltz style that plays an even 8th strumming pattern.

:;1427
Guitar, Electric, Rhythm PopWaltzGrittyArp Ev 180
A warm and bright Electric Guitar styles that plays held chords.
:;1428
Guitar, Electric, Rhythm PopWaltzGrittyHeld Ev 180
A gritty Electric Guitar styles that plays held chords.
:;1429
Guitar, Electric, Rhythm PopWaltzGrittyA-B Ev 180
An Electric Guitar style that plays both A and B substyles: warm and bright held
chords during A, and gritty held chords during B.
:;1430
Mandolin, Rhythm PopWaltz Ev 180
A round sounding Mandolin waltz style that plays an even 8th strumming pattern a
nd holding the chord on the first beat of the bar.
:;1431
Pedal Steel, Rhythm PopWaltz Ev 180
A soft and warm Pedal Steel style that plays held chords with occasional melodic
fills.
:;1432
A gentle acoustic sound that flows in a simple style.
:;1433
Bass, Electric, JazzFunkGroovin Ev16 110
A bass with a funky groove that has nice fills. Also has a nice syncopated feel
.
Tempo Range: 90-140
The simple version of Bass, Electric, JazzFunkGroovin Ev16 110 omits busy riffs
and rhythmic deviation. To select the simple variation, put a check in the "Sim
pler" checkbox in the RealTracks picker.
:;1434
Bass, Electric, JazzFunkPoppy Ev16 110
A bass that has short notes instead of notes being held until the next note is p
layed.
Tempo Range: 90-140
The simple version of Bass, Electric, JazzFunkPoppy Ev16 110 excludes riffs that
deviate from the basic rhythm and/or harmony. To select the simple variation,
:;1435
Guitar, Electric, Rhythm JazzFunkGroovinChords Ev16 110
A clean sounding electric guitar with a sharp feel and muted strings in between
the chords.
Tempo Range: 90-140
The simple version of Guitar, Electric, Rhythm JazzFunkGroovinChords Ev16 110 ha
s less riffs and plays chords exclusively. To select the simple variation, put
:;1436
Guitar, Electric, Rhythm JazzFunkGroovinMute Ev16 110
A muted rhythm feel with a phaser added to the mix with a nice groove.
Tempo Range: 90-140
:;1437
Piano, Electric, Rhythm JazzFunkGroovin Ev16 110
Classic sounding rhythm instrument for this style of music. The mix has a stereo
effect added.
Tempo Range: 90-140

This RealTrack style, Piano, Electric, Rhythm JazzFunkGroovin Ev16 110, has been
simplified by eliminating dominant chords which contain b13 or #9, and has also
removed melodic runs in the high register. To select the simple variation, put
:;1438
Piano, Electric, Rhythm Soloist JazzFunkGroovin Ev16 110
A classic sounding soloist that will fit with any of the JazzFunk RealTracks.
Tempo Range: 90-140
:;1439
Piano, Electric, Soloist JazzFunkGroovin Ev16 110(Bluesy)
A classic sounding soloist that will fit with any of the JazzFunk RealTracks. Th
is is a more bluesy variation of this soloist, that will treat all majors like d
ominant 7ths.
Tempo Range: 90-140
:;1440
Piano, Electric, Soloist JazzFunkGroovin Ev16 110 [Double-Time]
A classic sounding soloist that plays with a double time feel.
Tempo Range: 50-75
:;1441
Sax, Alto, Soloist JazzFunkGroovin Ev16 110
This solo instrument has a bounce to it that adds to the groove.
Tempo Range: 90-140
:;1442
Sax, Alto, Soloist JazzFunkGroovin Ev16 110 (Bluesy)
This solo instrument has a bounce to it that adds to the groove. This is a more
bluesy variation of this soloist, that will treat all majors like dominant 7ths
.
Tempo Range: 90-140
:;1443
Sax, Alto, Soloist JazzFunkGroovin Ev16 110 [Double-Time]
This solo instrument has a bounce to it that adds to the groove. This variation
Tempo Range: 50-75
:;1444
Medley [8 bars] GroovinJazzFunkSoloistMedley, Piano, Sax,
Includes Alto Sax, Electric Piano and Tenor Sax 2 Beat Rock.
Tempo Range: 90-140
:;1445
Bass, Acoustic, GypsyJazzLatin Ev 165
An Upright Bass style that plays a syncopated pattern where the note on beat 3 i
s pushed by an 8th.
:;1446
Fiddle, Soloist GypsyJazzLatin Ev 165
A round and crisp Fiddle Latin style that plays beautiful soloing lines over a f
ast even tempo.
:;1447
Fiddle, Soloist GypsyJazzLatin Ev 165(Bluesy)
A round and crisp Fiddle Latin style that plays beautiful soloing lines over a f
ast even tempo. This is a more bluesy variation of this soloist, that will treat
all majors like dominant 7ths.
:;1448
Fiddle, Soloist GypsyJazzLatin Ev 165 [Double-Time]
A round and crisp Fiddle Latin style that plays beautiful soloing lines. This va
riation treats the style as double-time at half the tempo.
Tempo Range: 70-120
:;1449
Guitar, Acoustic, Rhythm GypsyJazzLatinGonzalo Ev 165

A Nylon String Guitar Gypsy style that plays a steady even 8th strumming pattern
with rhythmic chops on beats 2 and 4.
The simple version of Guitar, Acoustic, Rhythm GypsyJazzLatinGonzalo Ev 165 omit
s busy riffs and some tensions. To select the simple variation, put a check in
:;1450
Guitar, Acoustic, Rhythm GypsyJazzLatinJohn Ev 165
A Nylon String Guitar Gypsy style that plays a steady even 8th strumming pattern
with rhythmic chops on beats 2 and 4, and pushes the start of the bar by an 8th
.
The simple version of Guitar, Acoustic, Rhythm GypsyJazzLatinJohn Ev 165 omits b
usy riffs and some tensions. To select the simple variation, put a check in the
:;1451
Guitar, Acoustic, Soloist GypsyJazzLatinGonzalo Ev 165
A Nylon String Guitar Gypsy soloist style that plays mostly steady even 8th melo
dies over 6th, 7th, diminished and half-diminished chords.
:;1452
Guitar, Acoustic, Soloist GypsyJazzLatinGonzalo Ev 165 (Bluesy)
dies over 6th, 7th, diminished and half-diminished chords. This is a more bluesy
variation of this soloist, that will treat all majors like dominant 7ths.
:;1453
Guitar, Acoustic, Soloist GypsyJazzLatinGonzalo Ev 165 [Double-Time]
dies over 6th, 7th, diminished and half-diminished chords. This variation treats
the style as double-time at half the tempo.
Tempo Range: 70-120
:;1454
Medley [8 bars] GypsyJazzLatin Soloist Medley, Fid, Sax,
A Medley that changes every 8 bars. instrument include ACoustic Guitar Soloist
GypsyJazzLatinGonzalo, Fiddle Soloist GypsyJazzLatin and Alto Sax Bosa Ev 140.
:;1455
Bass, Acoustic, GypsyJazzWaltz Sw 200 ('A' only)
An Upright Bass waltz style that plays steady whole notes. This variation plays
only the A substyle which is the simple variation.
:;1456
Bass, Acoustic, GypsyJazzWaltz Sw 200 ('B' only)
An Upright Bass waltz style that plays steady whole notes. This variation plays
only the B substyle which is the busier variation.
:;1457
Bass, Acoustic, GypsyJazzWaltz Sw 200
An Upright Bass waltz style that plays steady whole notes.
:;1458
Fiddle, Soloist GypsyJazzWaltz Sw 200
A round and crisp Fiddle style that plays cheerful soloing lines over a fast eve
n tempo.
:;1459
Fiddle, Soloist GypsyJazzWaltz Sw 200 (Bluesy)
A round and crisp Fiddle style that plays cheerful soloing lines over a fast eve
n tempo. This is a more bluesy variation of this soloist, that will treat all ma
jors like dominant 7ths.
:;1460
Guitar, Acoustic, Rhythm GypsyJazzWaltzGonzalo Sw 200
A Nylon String Guitar Gypsy waltz style that plays chord shots on beat 1, and ch
ops on 2 and 3.
The simple version of Guitar, Acoustic, Rhythm GypsyJazzWaltzGonzalo Sw 200 omit
s busy riffs and some tensions. To select the simple variation, put a check in
:;1461
Guitar, Acoustic, Rhythm GypsyJazzWaltzJohn Sw 200
A Nylon String Guitar Gypsy waltz style that plays chord shots on beat 1, chops
on 2, 3, and a pickup 16th into beat 1.
:;1462
Guitar, Acoustic, Soloist GypsyJazzWaltzGonzalo Sw 200
A Nylon String Guitar Gypsy waltz soloist style that plays fast melodies over 6t
h, 7th, diminished and half-diminished chords.
:;1463
Guitar, Acoustic, Soloist GypsyJazzWaltzGonzalo Sw 200 (Bluesy)
h, 7th, diminished and half-diminished chords. This is a more bluesy variation o
f this soloist, that will treat all majors like dominant 7ths.
:;1464
Guitar, Acoustic, Soloist GypsyJazzWaltzJohn Sw 200
h, 7th, diminished and half-diminished chords.
:;1465
Organ, RhythmNoBass Jazz Sw 085 ('A' only)
A Jazz Swing comping B3 Organ style that plays a combination of shots and held c
hords mostly on the beat but sometimes pushed. This only plays the A variation w
hich is the simplest of the two substyles.
Tempo Range: 70-110
:;1466
Organ, RhythmNoBass Jazz Sw 085 ('B' only)
hords mostly on the beat but sometimes pushed. This only plays the B variation w
hich is the busier of the two substyles.
Tempo Range: 70-110
:;1467
Organ, RhythmNoBass Jazz Sw 085
hords mostly on the beat but sometimes pushed.
Tempo Range: 70-110
The simple version of Organ, RhythmNoBass Jazz Sw 085 has no alternating organ s
ounds (the treble sound is excluded). To select the simple variation, put a che
:;1468
A Jazz Swing comping B3 Organ style that plays more syncopated shots than held c
hords, maintaining a more busy and rhythmic feeling.
Tempo Range: 70-110
:;1469
A Jazz Swing comping B3 Organ style that plays both A and B substyles: a combina
tion of shots and held chords mostly on the beat but sometimes pushed during A,
and more syncopated shots than held chords, maintaining a more busy and rhythmic
feeling during B.
Tempo Range: 70-110
:;1470
Tempo Range: 90-140
The simple version of Organ, RhythmNoBass Jazz Sw 110 omits the treble organ sou
nds, making it more suitable for accompaniment. To select the simple variation,
:;1471
Tempo Range: 90-140
:;1472
feeling during B.
Tempo Range: 90-140
:;1473
:;1474
:;1475
feeling during B.
:;1476
:;1477
:;1478
feeling during B.
:;1479
Organ, RhythmWithBass Jazz Sw 085
A Jazz Swing comping and bass B3 Organ style that plays a combination of shots a
nd held chords mostly on the beat but sometimes pushed, along with a steady walk
ing bass line.
Tempo Range: 70-110
The simple version of Organ, RhythmWithBass Jazz Sw 085 has no alternating organ
sounds (the treble sound is excluded). To select the simple variation, put a c
:;1480
Organ, RhythmWithBass Jazz Sw 085 ('A' only)
A Jazz Swing comping and bass B3 Organ style that plays more syncopated shots th
an held chords, maintaining a more busy and rhythmic feeling, along with a stead
y walking bass line.
Tempo Range: 70-110
:;1481
Organ, RhythmWithBass Jazz Sw 085 ('B' only)
A Jazz Swing comping and bass B3 Organ style that plays both A and B substyles:
a combination of shots and held chords mostly on the beat but sometimes pushed d
uring A, and more syncopated shots than held chords, maintaining a more busy and
rhythmic feeling during B. Both substyles also play a steady walking bass line.
Tempo Range: 70-110
:;1482
ing bass line.
Tempo Range: 90-140
:;1483
Tempo Range: 90-140
:;1484
Tempo Range: 90-140
:;1485
ing bass line.
:;1486
:;1487
:;1488
ing bass line.
:;1489
:;1490
:;1491
Organ, Soloist JazzBallad Sw 085
A very busy B3 Organ Jazz Swing soloist style that plays bluesy lead lines over
a slow swing tempo.
Tempo Range: 70-110
:;1492
Organ, Soloist JazzBallad Sw 085 (Bluesy)
a slow swing tempo. This is a more bluesy variation of this soloist, that will t
reat all majors like dominant 7ths.
Tempo Range: 70-110
:;1493
Organ, Soloist Jazz Sw 140
a medium swing tempo.
:;1494
Organ, Soloist Jazz Sw 140 (Bluesy)
a medium swing tempo. This is a more bluesy variation of this soloist, that will
treat all majors like dominant 7ths.
:;1495
Organ, Soloist Jazz Sw 140 [Double-Time]
a medium swing tempo. This variation treats the style as double-time at half th
e tempo.
Tempo Range: 60-95
:;1496
Piano, Acoustic, Rhythm JazzWaltzNY Sw 085
A sustained Acoustic Piano waltz style that plays mostly held chords with a lot
of late beats.
Tempo Range: 70-110
:;1497
Piano, Acoustic, Rhythm JazzWaltzNY Sw 140
An Acoustic Piano waltz style that plays a variety of shots and held chords, oft
en pushing the 3rd beat.
:;1498
Guitar, Electric, Rhythm PopWaltzClassic Ev 085
A very warm and jazzy sounding Electric Guitar style that plays arpeggios that b
uild into chords on the beat.
Tempo Range: 75-110
:;1499
Guitar, Electric, SoloAccompaniment JazzBallad Sw 060
Meant to be used as the only backing for a solo instrument at slower tempo. A ni
ce warm tone and fills give this style a great feel.
Tempo Range: 50-80
The simple version of Guitar, Electric, SoloAccompaniment JazzBallad Sw 060 omit
s busy riffs and some non-diatonic tensions. To select the simple variation, pu
:;1500
Guitar, Electric, SoloAccompaniment JazzBallad Sw 085
Tempo Range: 80-115
The simple version of Guitar, Electric, SoloAccompaniment JazzBallad Sw 085 omit
s busy riffs and some non-diatonic tensions. To select the simple variation, pu
:;1501
Guitar, Electric, SoloAccompaniment Jazz Sw 140
The simple version of Guitar, Electric, SoloAccompaniment Jazz Sw 140 omits busy
riffs and some non-diatonic tensions. To select the simple variation, put a ch
:;1502
A warm and punchy Electric Guitar soloist style that plays slow laid back melodi
es over jazz progressions.
Tempo Range: 55-70
:;1503
A warm and punchy Electric Guitar soloist style that plays slow laid back melodi
es over jazz progressions. This is a more bluesy variation of this soloist, that
will treat all majors like dominant 7ths.

Tempo Range: 55-70
:;1504
Pedal Steel, Soloist, CountryShufflePaul Sw 120
A swinging soloist Pedal Steel has a great country feel that will fit in nicely
when you need a solo.
:;1505
Pedal Steel, Soloist, CountryShufflePaul Sw 120 (Bluesy)
when you need a solo. This is a more bluesy variation of this soloist, that wil
l treat all majors like dominant 7ths.
:;1506
Pedal Steel, Soloist, CountryShufflePaul Sw 120 [Double-Time]
when you need a solo. This variation treats the style as double-time at half the
tempo.
Tempo Range: 50-90
:;1507
Pedal Steel, Soloist, CountryTrainPaul Ev16 140
A chuging along soloist that fills in anytime you need a speedy solo.
:;1508
Pedal Steel, Soloist, CountryTrainPaul Ev16 140 (Bluesy)
A chuging along soloist that fills in anytime you need a speedy solo. This is a
more bluesy variation of this soloist, that will treat all majors like dominant
7ths.
:;1509
Pedal Steel, Soloist, CountryTrainPaul Ev16 140 [Half-Time]
A chuging along soloist that fills in anytime you need a speedy solo. The Half t
ime is used for higher tempos.
:;1510
Pedal Steel, Soloist, CountryWorkingPaul Ev16 090
A bouncy soloist that works with any country song that needs a soloist.
Tempo Range: 75-120
:;1511
Pedal Steel, Soloist, CountryWorkingPaul Ev16 090 (Bluesy)
A bouncy soloist that works with any country song that needs a soloist. This is
a more bluesy variation of this soloist, that will treat all majors like dominan
t 7ths.
Tempo Range: 75-120
:;1512
Pedal Steel, Soloist, CountryWorkingPaul Ev16 090
A bouncy soloist that works with any country song that needs a soloist. The Half
time is used for higher tempos.
:;1513
Guitar, Electric, Soloist CountryBrent Ev 065
A great sounding slower solo that has an awesome tone and even better playing.
Tempo Range: 50-90
:;1514
Guitar, Electric, Soloist CountryBrent Ev 065 (Bluesy)
A great sounding slower solo that has an awesome tone and even better playing. T
his is a more bluesy variation of this soloist, that will treat all majors like
dominant 7ths.
Tempo Range: 50-90
:;1515

A great sounding solo that has an awesome tone and even better playing.
:;1516
A great sounding solo that has an awesome tone and even better playing. This is
a more bluesy variation of this soloist, that will treat all majors like domina
nt 7ths.
:;1517
Guitar, Electric, Soloist CountryBrent Ev 120 [Double-Time]
A great sounding solo that has an awesome tone and even better playing. This va
riation treats the style as double-time at half the tempo.
Tempo Range: 50-75
:;1518
Guitar, Electric, Soloist CounrtyWorkinBrent Ev16 090
A hard attack on this solo and a great tone. This really has an aggressive feel.
Tempo Range: 70-110
:;1519
Guitar, Electric, Soloist CounrtyWorkinBrent Ev16 090 (Bluesy)
This is a more bluesy variation of this soloist, that will treat all majors lik
e dominant 7ths.
Tempo Range: 70-110
:;1520
Guitar, Electric, Soloist CounrtyWorkinBrent Ev16 090 [Half-Time]
The Half time is used for higher tempos.
:;1521
Bass, Electric, PopPower4s Ev 120
A thick sounding Electric Bass style that plays steady picked 4ths.
:;1522
Bass, Electric, PopPower8s Ev 120
A thick sounding Electric Bass style that plays steady picked 8ths.
:;1523
Bass, Electric, PopPowerA-B Ev 120
A thick sounding Electric Bass style that plays both A and B substyles: steady p
icked 4ths during A, and steady picked 8ths during B.
:;1524
Guitar, Electric, Rhythm PopPowerPushClean Ev 120
A warm and crisp Electric Guitar style that plays a combination of slow arpeggio
s and weeping held chords.
The simple version of Guitar, Electric, Rhythm PopPowerPushA-B Ev 120 excludes r
:;1525
Guitar, Electric, Rhythm PopPowerPushDirty Ev 120
A distorted and slightly scooped Electric Guitar style that plays barre chords e
mphasizing the chord on beats 1, pushed 3, and 4.
:;1526
Guitar, Electric, Rhythm PopPowerPushA-B Ev 120
An Electric Guitar style that plays both A and B substyles: warm and crisp combi
nation of slow arpeggios and weeping held chords during A, and distorted barre c
hords emphasizing the chord on beats 1, pushed 3, and 4 during B.
:;1527
Guitar, Electric, Rhythm PopPowerBrightClean Ev 120
Open sounding playing with long strummed chords.
:;1528
Guitar, Electric, Rhythm PopPowerBrightGritty Ev 120
A bright and gritty Electric Guitar style that plays slow held chords and occasi
onal melodic fills.
:;1529
Guitar, Electric, Rhythm PopPowerBrightA-B Ev 120
A bright and gritty Electric Guitar style that plays slow held chords and occasi
onal melodic fills during the A subsection and open playing with long strummed
chords.
:;1530
Guitar, Electric, Soloist PopPower Ev 120
A bright pop solo with a powerful edge. This guitar also includes some added de
lay effects to the mix.
:;1531
Guitar, Electric, Soloist PopPower Ev 120 (Bluesy)
lay effects to the mix. This is a more bluesy variation of this soloist, that wi
ll treat all majors like dominant 7ths.
:;1532
Guitar, Electric, Soloist PopPower Ev 120 [Double-Time]
lay effects to the mix. This variation treats the style as double-time at half t
he tempo.
Tempo Range: 50-75
:;1533
Piano, Acoustic, Rhythm PopPowerPushArp Ev 120
A sustained Acoustic Piano style that plays steady 8th arpeggios and often pushe
s the 3rd beat.
Tempo Range: 95-150
:;1534
Piano, Acoustic, Rhythm PopPowerPush8ths Ev 120
An Acoustic Piano style that plays steady 8th chords emphasizing the 1st beat, t
he 3rd beat pushed, and the 4th beat.
Tempo Range: 95-150
:;1535
Piano, Acoustic, Rhythm PopPowerPushA-B Ev 120
An Acoustic Piano style that plays both A and B substyles: steady 8th arpeggios
and often pushes the 3rd beat during A, and steady 8th chords emphasizing the 1s
t beat, the 3rd beat pushed, and the 4th beat during B.
Tempo Range: 95-150
:;1536
Bass, Electric, PopBelieve Ev16 065
A deep sounding Electric Bass style that plays mostly half notes and occasionall
y pushes the 3rd beat by a 16th.
:;1537
Guitar, Electric, Rhythm PopBelieveArp Ev16 065
A warm slightly overdriven Electric Guitar styles that plays 8th arpeggios.
:;1538
Guitar, Electric, Rhythm PopBelieveHeld Ev16 065
Long sustained opened chords and a relaxed feel for this slow electric guitar.
This style has a chorus effect added to the mix.
Tempo Range: 50-90
:;1539
Guitar, Electric, Rhythm PopBelieveHeld Ev16 065
Long sustained opened chords and a relaxed feel for this slow electric guitar.
This style has the chorus effect removed from the mix.
Tempo Range: 50-90
:;1540
Guitar, Electric, Soloist PopBelieve Ev16 065
A crispy distorted Electric Guitar soloist style that plays simple melodies with
lots of sustained notes.
:;1541
Guitar, Electric, Soloist PopBelieve Ev16 065 (Bluesy)
A crispy distorted Electric Guitar soloist style that plays simple melodies with
lots of sustained notes. This is a more bluesy variation of this soloist, that
will treat all majors like dominant 7ths.
:;1542
Piano, Acoustic, Rhythm PopBelieve Ev16 065
A sustained Acoustic Piano style that plays held chords and melodic fills on the
4th beat.
Tempo Range: 50-85
:;1543
Synth Pad, PopBelieve Ev16 065
A combo patch Synthesizer style that plays held chords. Two different Orchestral
Strings patches play different parts of the chord, sometimes fluctuating notes
for a more dynamic feel.
Tempo Range: 50-85
:;1544
Fiddle, Background WesternSwing Sw 190
A delicate Fiddle style that plays tense yet resolving melodies over a fast swin
g tempo.
:;1545
Fiddle, Background WesternSwing Sw 190 (Outside)
A delicate Fiddle style that plays tense yet resolving melodies over a fast swin
g tempo. This variation uses some more "outside" playing, and is useful if your
song uses uncommon chords. If, however, your song uses mostly triads and you wa
nt a more basic approach, you should use the standard variation.
:;1546
Bass, Electric, CountrySwing Sw 085
A soft and crispy sounding Electric Bass style that plays steady 4th arpeggios.
Tempo Range: 70-105
:;1547
Bass, Electric, CountrySwing Sw 110
A soft and crispy sounding Electric Bass style that plays steady 4th arpeggios.
Tempo Range: 90-140
:;1548
Piano, Acoustic, Rhythm CountrySwing Sw 085
A steady Acoustic Piano style that plays 4th arpeggios in between chord shots a
16th before each beat.
Tempo Range: 70-110

:;1549
A steady Acoustic Piano style that plays a combination of 4th arpeggios and wal
king bass notes in between chord shots a 16th before each beat.
Tempo Range: 90-140
:;1550
An Acoustic Piano style that plays steady root-five bass notes on 1 and 3, while
playing chord shots on 2 and 4.
:;1551
Piano, Acoustic, Rhythm MemphisSwing Sw 190
An Acoustic Piano style that plays steady root-five bass notes on 1 and 3, while
playing chord shots on 2 and 4. The left hand often divides the 3rd beat into 8
ths.
:;1552
Guitar, Electric, Rhythm CountrySwingGrittyChop Sw 110
A warm and soft Electric Guitar style that plays shots on 2 and 4, with a bit of
tape delay.
Tempo Range: 95-140
:;1553
A warm and soft Electric Guitar style that plays rhythmic strumming on 2 and sho
ts on 4, filled with rhythmic noises and a bit of tape delay.
Tempo Range: 95-140
:;1554
A warm, soft, light tape delay Electric Guitar style that plays both A and B sub
styles: shots on 2 and 4 during A, and rhythmic strumming on 2 with shots on 4
filled with rhythmic noises during B.
Tempo Range: 95-140
:;1555
a slow swing tempo.
Tempo Range: 70-110
:;1556
Tempo Range: 70-110
:;1557
a slow swing tempo.
Tempo Range: 70-110
:;1558
Tempo Range: 70-110
:;1559
Organ, Soloist JazzBallad Sw 110 [Double-Time]
a slow swing tempo. This variation treats the style as double-time at half the t
empo.
Tempo Range: 50-75

:;1560
a slow swing tempo.
:;1561
Organ, Soloist Jazz Sw 190 (Bluesy)
:;1562
a slow swing tempo.
Tempo Range: 70-110
:;1563
Piano, Acoustic, Rhythm BritBluesInvasionJohn Ev 120
High-energy piano style, with high chords in the right hand, and steady riff pat
terns in the left hand. Works very well for blues, rock, or country.
:;1564
Piano, Acoustic, Rhythm IslandJohn Ev 110
Breezy piano style, great for pop or country tunes. Chording and short, melodic
riffs in the right hand, with some bass support & counterpoint in the left hand
. Use of syncopated rhythms give it a slight Caribbean flavor.
:;1565
Piano, Acoustic, Rhythm RockNRollJohn Ev 165
Raucous piano style, great for blues, rock, or fast country. Features frequent
high 8th notes in the right hand, with occasional walking lines or accents with
the left hand.
:;1566
Piano, Acoustic, Rhythm SouthernRockJohn Sw 120
Swing 8ths piano style with a rockin' southern flair. Features off-beat chords
& licks in the right hand, and a walking bass line in the left hand.
:;1567
Bass, Electric, Soul60sSync Ev 110
60's soul electric bass with full, warm tone. Plays quarter-notes interspersed
with funky rhythms.
Tempo Range: 75-140
:;1568
Bass, Electric, Soul60s8ths Ev 110
60's soul electric bass with full, warm tone. Plays straight 8th notes, playing
the 5th of the chord every 4 8ths.
Tempo Range: 75-140
:;1569
Bass, Electric, Soul60sA-B Ev 110
60's soul Electric Bass with full, warm tone playing A and B substyles: Quarternotes interspersed with funky rhythms for A, and straight 8th notes, playing the
5th of the chord every 4 8ths.
Tempo Range: 75-140
:;1570
Guitar, Electric, Rhythm Soul60sHighBackBeat Ev 110
Clean electric guitar tone, playing a rhythm pattern with chord shots on beats 2
and 4.
Tempo Range: 95-140
:;1571
Guitar, Electric, Rhythm Soul60sHighQuarters Ev 110
Clean electric guitar tone, playing shots on each beat of the bar.
Tempo Range: 95-140
:;1572
Guitar, Electric, Rhythm Soul60sHighA-B Ev 110
Clean electric guitar tone, playing both A and B substyles: a rhythm pattern wit
h chord shots on beats 2 and 4 during A, and shots on each beat of the bar durin
g B.
Tempo Range: 95-140
:;1573
Guitar, Electric, Rhythm Soul60sLowCrisp Ev 110
Bright electric guitar tone, playing a rhythm pattern accenting the chords on be
at 1 & 2..
Tempo Range: 95-140
:;1574
Guitar, Electric, Rhythm Soul60sLowSteady Ev 110
Bright Electric Guitar tone, playing an even muted strumming pattern in the low
register of the guitar.
Tempo Range: 95-140
:;1575
Guitar, Electric, Rhythm Soul60sLowA-B Ev 110
Bright Electric Guitar tone, playing both A and B substyles: clean sounding rhyt
hm pattern accenting the chord on beats 1 & 2 during A, and an even muted strumm
ing pattern in a lower register during B.
Tempo Range: 95-140
:;1576
Piano, Acoustic, Rhythm Soul60sHeld Ev 110
Acoustic Piano style that plays soulful held chords using an even 8th syncopated
rhythm.
Tempo Range: 80-130
:;1577
Piano, Acoustic, Rhythm Soul60sSync Ev 110
Acoustic Piano style that plays an upbeat syncopated rhythmic chord pattern.
Tempo Range: 80-130
:;1578
Piano, Acoustic, Rhythm Soul60sA-B Ev 110
Acoustic Piano style that plays both A and B substyles: soulful held chords usin
g an even 8th syncopated rhythm during A, and an upbeat syncopated rhythmic chor
d pattern during B.
Tempo Range: 80-130
:;1579
Banjo, Rhythm Folkie16ths Sw16 085
A twangy banjo style that plays syncopated swing 16th arpeggios.
Tempo Range: 65-110
:;1580
Bass, Electric, Folkie16ths Sw16 085
Full, round electric bass tone, playing swing 16ths groove that plays primarily
on beat one & the and-of-one, and beat three & the and-of-three, with frequent e
mbellishments within that structure.
Tempo Range: 70-110
:;1581
Guitar, Acoustic, Rhythm Folkie16ths Sw16 085
A bright acoustic guitar style that plays a swing 16ths strumming pattern, with
accented, held chords on beats 2 & 4.
Tempo Range: 70-110
:;1582
Guitar, High-Strung Acoustic, Rhythm Folkie16ths Sw16 085
A bright, high-strung acoustic guitar style that plays a swing 16ths strumming p
attern, with accented, held chords on beats 2 & 4.
Tempo Range: 75-110

:;1583
Bass, Electric, TexasBluesRockShuffle Sw 130
Fat, warm electric bass tone, playing over a medium Blues Shuffle. Most of the
playing is on the beat and the third triplet, but there are frequent embellishme
nts where all three triplets are played. The pattern plays the root, 3rd, 5th &
6th of the chord through the bar.
:;1584
Guitar, Electric, Rhythm TexasBluesRockShuffleBrent Sw 130
Bright guitar tone, with only a slight bit of distortion, playing a medium blues
shuffle. Features frequent syncopation, and blues licks thrown in for variatio
n. Complements the 'Sol' TexasBluesRockShuffle guitar which plays a much straig
hter shuffle pattern.
:;1585
Guitar, Electric, Rhythm TexasBluesRockShuffleSol Sw 130
Medium blues shuffle with a gritty guitar tone. There is chording on every beat
, and usually on the third triplet, but the heaviest accents are on the 2nd & 4t
h beats. This is then embellished with slides, and occasional syncopation. Com
plements the 'Brent' TexasBluesRockShuffle guitar which plays a more syncopated
pattern.
:;1586
Guitar, Electric, Soloist TexasBluesRockShuffleBrent Sw 130
Bright guitar tone with overdrive, playing common blues licks with the slightest
bit of a country tinge thrown in.
:;1587
bit of a country tinge thrown in. This is the 'Double-Time' variation, which m
eans it's best used at tempos near 65bpm.
:;1588
Guitar, Electric, Soloist TexasBluesRockShuffleSol Sw 130
Bright guitar with overdrive and compression, playing heavy, blues-rock licks.
:;1589
bit of a country tinge thrown in. This is the 'Double-Time' variation, which m
eans it's best used at tempos near 65bpm.
:;1590
Soloist Medley:
Switches between these two soloists at every part marker.
:;1591
Piano, Acoustic, Rhythm TexasBluesRockShuffle Sw 130
Warm piano tone playing exciting blues riffs. The left hand plays an 8th-based
repeating standard blues pattern, while the right-hand plays blues licks that ar
e soloistic, but stay in the background enough so that a singer could still sing
comfortably over the changes.
:;1592
Bass, Electric, Pop16ths Ev 065
A thick, crisp electric bass tone, playing mostly whole note roots with 16th-not
e embellishment. The embellishment frequently consists of ghost notes and short
16th-note melodic runs.
Tempo Range: 50-110
:;1593
Fiddle, Background Pop16ths Ev 065
A gently voiced fiddle style that plays simple and warm melodies over a slow eve
n tempo. Frequently uses 8ths-based melodies, occasionally 16th-based.
:;1594
Fiddle, Background Pop16ths Ev 065 (Outside)
A gently voiced fiddle style that plays simple and warm melodies over a slow eve
n tempo. Frequently uses 8ths-based melodies, occasionally 16th-based. This "O
utside" variation will include more odd voicings, and should be used when chords
like Caug, F7#9 are used in your song.
:;1595
Guitar, Acoustic, Fingerpicking Pop8thsSteady Ev 065
A bright Acoustic Guitar style that plays steady 8th-note arpeggios.
Tempo Range: 50-80
The simple version of Guitar, Acoustic, Fingerpicking Pop8thsSteady Ev 065 omits
rhythmic deviation. To select the simple variation, put a check in the "Simple
r" checkbox in the RealTracks picker.
:;1596
Guitar, Acoustic, Strumming Pop16ths Ev16 065
A bright Acoustic Guitar style that plays an even 16th strumming pattern, accent
ing the chord on each beat, occasionally with a syncopated rhythm.
Tempo Range: 55-80
:;1597
Guitar, Electric, Rhythm Pop16thsArp Ev16 065
A warm electric guitar tone playing steady 8th arpeggios and occasional chord st
rums.
Tempo Range: 50-110
:;1598
Guitar, Electric, Rhythm Pop16thsGritty Ev16 065
A gritty electric guitar tone playing a 16th-note strumming pattern. The patter
n constists of a loud, full chord played on the downbeat, with quieter stums fol
lowing in a 16th-based syncopated pattern.
Tempo Range: 50-110
:;1599
Guitar, Electric, Rhythm Pop16thsA-B Ev16 065
Slow electric guitar style that plays both A and B substyles: a warm, steady 8th
arpeggios with occasional chord strums during A, and gritty held chords with 16
th-based syncopated strumming at B.
Tempo Range: 50-110
:;1600
Guitar, High-Strung Acoustic, Rhythm Pop16ths Ev16 065
A very bright high strung acoustic guitar tone playing a steady 16th-based strum
ming pattern. The chords often include the root on beats 1 & 3, and then the st
rumming in the rest of the bar leaves that string out, letting it just ring thro
ugh.
Tempo Range: 50-110
:;1601
Mandolin, Rhythm Pop16Melodic Ev 065
A bright mandolin tone, playing even 16th based arpeggios and short melodic phra
ses.
Tempo Range: 55-80
:;1602
Piano, Acoustic, Rhythm Pop16 Ev16 065
Acoustic piano style playing a steady even 8ths based rhythm alternating chords
with single notes. 16th-note based embellishments are also used.

Tempo Range: 55-90
:;1603
Punchy electric bass tone, playing medium 16ths-based lines. The basic pattern
is a long held note at beat 1, then and eighth note at beat 3, and another held
note on the and-of-3. This is then enhanced with frequent 16th note embellishme
nt, which includes ghost notes, slides, and walking runs.
:;1604
Warm violin tone playing long, held notes, both single note & double-stops. Int
ended to be used as a background part, over which a singer or soloist could play
.
:;1605
Warm violin tone playing long, held notes, both single note & double-stops. Int
ended to be used as a background part, over which a singer or soloist could play
. This "Outside" variation will include more odd voicings, and should be used w
hen chords like Caug, F7#9 are used in your song.
:;1606
Warm acoustic guitar tone playing 16ths based syncopated strumming patterns.
Tempo Range: 95-125
:;1607
Warm and gritty electric guitar tone playing held chords, with occasional finger
picking patterns.
Tempo Range: 90-125
The simple version of Guitar, Electric, Rhythm Pop16thsGritty Ev16 110 excludes
melodic riffs and single notes. To select the simple variation, put a check in
:;1608
Guitar, High-Strung Acoustic, Rhythm Pop16ths Ev16 110
Bright high-strung acoustic guitar tone playing syncopated 16ths based rhythmic
strumming. Occasionally uses muted chords.
:;1609
Mandolin, Rhythm Pop16Sync Ev 110
Bright mandolin tone playing syncopated 16ths based rhythmic strumming.
Tempo Range: 95-130
:;1610
Acoustic piano playing pop even 16ths patterns. The left hand plays held notes,
either root & fifth or root & octave. The right hand plays more complex parts,
with syncopated rhythms & 16th-note arpeggios.
:;1611
Banjo, Tenor, Rhythm DixielandFastSimple Sw 165
Crisp banjo tone playing basic 4-to-the-bar chording in a basic Dixieland manner
.
The simple version of Banjo, Tenor, Rhythm DixielandFastA-B Sw 165 omits rapid s
trumming and rhythmic deviation. To select the simple variation, put a check in
:;1612
Banjo, Tenor, Rhythm DixielandFastRazz Sw 165
Crisp banjo tone playing 4-to-the-bar chording with frequent embellishment in a
"razz-a-ma-tazz" Dixieland manner.

:;1613
Banjo, Tenor, Rhythm DixielandFastA-B Sw 165
Crisp banjo tone playing basic 4-to-the-bar chording during the A section, & 4-t
o-the-bar with frequent embellishment at B.
:;1614
Guitar, Acoustic, Rhythm DixielandFast Sw 165
Warm acoustic guitar tone playing 4-to-the-bar Dixieland chording with frequent
rhythmic embellishment.
The simple version of Guitar, Acoustic, Rhythm DixielandFast Sw 165 omits busy r
iffs and some non-diatonic tensions. To select the simple variation, put a chec
:;1615
Piano, Acoustic, Rhythm DixielandFast Sw 165
Bright piano playing uptempo Dixieland, with stride in the left hand and melodic
fills with the right in a TeddyW fashion.
:;1616
Tuba, DixielandFast Sw 165 ('A' only)
Tuba playing bass parts in-2, usually with root & fifth on beats 1 & 3, occasion
ally playing 4 notes to the bar or using other embellishments.
:;1617
Tuba, DixielandFast Sw 165 ('B' only)
Tuba playing walking bass part, with notes on all beats, occasionally skipping t
he last note, and occasionally adding other embellishments.
:;1618
Tuba, DixielandFast Sw 165
Tuba playing bass parts, in-2 for the A section, walking for the B section. Bot
h sections include frequent embellishment.
:;1619
Clarinet, Soloist DixielandFast Sw 165
Warm clarinet tone playing inventive Dixieland phrases, mostly sticking to 8th-n
ote passages.
:;1620
Clarinet, BackgroundSoloist DixielandFast Sw 165
ote passages. This variation plays shorter phrases with more space, and works w
ell as an A-substyle, and also works well with other BackgroundSoloist styles pl
aying at the same time.
:;1621
Clarinet, Soloist DixielandFastA-B Sw 165
ote passages. The A substyle plays shorter phrases with more space between them
, and switches to full-on soloing at B.
:;1622
Clarinet, Soloist DixielandFastA-B Sw 165 (Bluesy)

, and switches to full-on soloing at B. This 'Bluesy' variation will treat any
major triad (C, F, etc.) like a dominant 7th (C7, F7, etc.) and use flatted 7th
for soloing.
:;1623
Clarinet, Soloist DixielandFastA-B Sw 165
, and switches to full-on soloing at B. This double-time variation should be us
ed for slower tempos.
Tempo Range: 70-120
:;1624
Trombone, Soloist DixielandFast Sw 165
Warm trombone tone playing inventive Dixieland phrases, mostly sticking to 8th-n
ote passages.
:;1625
Trombone, BackgroundSoloist DixielandFast Sw 165
ote passages. This variation plays shorter phrases with more space, and works w
ell as an A-substyle, and also works well with other BackgroundSoloist styles pl
aying at the same time.
:;1626
Trombone, Soloist DixielandFastA-B Sw 165
, and switches to full-on soloing at B.
:;1627
Trombone, Soloist DixielandFastA-B Sw 165 (Bluesy)
, and switches to full-on soloing at B. This 'Bluesy' variation will treat any
for soloing.
:;1628
Trombone, Soloist DixielandFastA-B Sw 165
, and switches to full-on soloing at B. This double-time variation should be us
ed for slower tempos.
Tempo Range: 80-110
:;1629
Trumpet, Soloist DixielandFast Sw 165
Warm trumpet tone playing inventive Dixieland phrases, mostly sticking to 8th-no
te passages.
:;1630
Trumpet, BackgroundSoloist DixielandFast Sw 165
te passages. This variation plays shorter phrases with more space, and works we
ll as an A-substyle, and also works well with other BackgroundSoloist styles pla
ying at the same time.
:;1631
Trumpet, Soloist DixielandFastA-B Sw 165

te passages. The A substyle plays shorter phrases with more space between them,
and switches to full-on soloing at B.
:;1632
Trumpet, Soloist DixielandFastA-B Sw 165 (Bluesy)
and switches to full-on soloing at B. This 'Bluesy' variation will treat any m
ajor triad (C, F, etc.) like a dominant 7th (C7, F7, etc.) and use flatted 7th f
or soloing.
:;1633
Trumpet, Soloist DixielandFastA-B Sw 165
and switches to full-on soloing at B. This double-time variation should be use
d for slower tempos.
Tempo Range: 75-120
:;1634
Dixieland Background Soloists all playing together
Plays all of the BackgroundSoloist Dixieland soloists together in a raucous, par
ty-like atmosphere.
:;1635
Dixieland Soloist Medley
Cycles through the Dixieland soloists every 8 bars:
Clarinet
Trombone
Acoustic Guitar
Trumpet
:;1636
Bass, Electric, JazzFunkBreezy Ev16 075
Warm electric bass tone playing a slow, funky groove. The basic groove is a sta
ccato note on the downbeat (occasionally a held note), often a ghost note on bea
t two, and then embellishment occurring near the end of the bar. The embellishm
ent constists of fill notes spelling out the chord, slides, trills, vibrato, etc
.
Tempo Range: 65-100
:;1637
Guitar, Electric, Rhythm JazzFunkBreezyChords Ev16 075
Crisp electric guitar tone with heavy reverb and slight delay, playing a dreamy
part with mostly held chords, with frequent melodic embellishment.
Tempo Range: 65-100
:;1638
Guitar, Electric, Rhythm JazzFunkBreezyMuted Ev16 075
Muted single-note guitar part with phaser. Plays a very basic part, usually wit
h a single chord tone played for the entire bar. The note is usually played on
the downbeat, followed by a syncopated rhythm, occasionally with simple melodic
ideas later in the bar.
Tempo Range: 65-120
:;1639
Piano, Electric, Rhythm JazzFunkBreezy Ev16 075
Classic electric piano tone, with chorus & delay added. Long, held chords, occa
sionally accented with syncopated rhythms, staccato hits, and melodic fills.
Tempo Range: 60-110
:;1640
Piano, Electric, Soloist JazzFunkBreezy Ev16 075
Classic electric piano tone, with chorus & delay added. Short single-note melod
ic phrases, occasionally with left-hand support.
Tempo Range: 60-100
:;1641
Piano, Electric, Soloist JazzFunkBreezy Ev16 075 (Bluesy)
Classic electric piano tone, with chorus & delay added. Short single-note melod
ic phrases, occasionally with left-hand support. This "bluesy" variation will p
lay b7 notes on major chords.
Tempo Range: 60-100
:;1642
Sax, Tenor, Soloist JazzFunkBreezy Ev16 075
Warm tenor sax tone, playing laid back, smooth lines which work equally well ove
r a funky groove, or a poppy beat.
Tempo Range: 60-90
:;1643
Sax, Tenor, Soloist JazzFunkBreezy Ev16 075 (Bluesy)
Warm tenor sax tone, playing laid back, smooth lines which work equally well ove
r a funky groove, or a poppy beat. This "bluesy" variation will play b7 notes o
n major chords.
Tempo Range: 60-90
:;1645
Guitar, Electric, Soloist SambaFusionCarlos Ev 190
Crisp acoustic guitar tone playing uptempo, inventive 8th-note-based phrases. F
eatures latin licks, with jazz, rock, & blues influences.
:;1646
Guitar, Electric, Soloist SambaFusionCarlos Ev 190 (Bluesy)
eatures latin licks, with jazz, rock, & blues influences. This 'Bluesy' variati
on will treat any major triad (C, F, etc.) like a dominant 7th (C7, F7, etc.) an
d use flatted 7th for soloing.
:;1647
Guitar, Electric, Soloist SambaFusionCarlos Ev 190
eatures latin licks, with jazz, rock, & blues influences. This double-time vari
ation should be used for slower tempos.
Tempo Range: 85-120
:;1648
Guitar, Electric, Soloist JazzFunkBreezy Ev16 075
Crisp acoustic guitar tone playing modern, inventive 16th-note-based phrases, wi
th jazz, rock, blues & latin influences.
Tempo Range: 65-95
:;1649
Guitar, Electric, Soloist JazzFunkBreezy Ev16 075 (Bluesy)
Crisp acoustic guitar tone playing modern, inventive 16th-note-based phrases, wi
th jazz, rock, blues & latin influences. This 'Bluesy' variation will treat any
for soloing.
Tempo Range: 65-95
:;1650
Guitar, Electric, Soloist JazzFunkGroovin Ev16 110
Bright, overdriven electric guitar tone playing modern, inventive 16th-note-base
d phrases, with jazz, rock, blues & latin influences.
Tempo Range: 95-145
:;1651
Guitar, Electric, Soloist JazzFunkGroovin Ev16 110 (Bluesy)
Bright, overdriven electric guitar tone playing modern, inventive 16th-note-base
d phrases, with jazz, rock, blues & latin influences. This 'Bluesy' variation w
ill treat any major triad (C, F, etc.) like a dominant 7th (C7, F7, etc.) and us
e flatted 7th for soloing.

Tempo Range: 95-145
:;1652
Organ, RhythmNoBass Bossa Ev 085
Bossa comping organ style that plays a combination of syncopated shots and held
chords. Other variations have a left-hand bass part as well, but this one is ON
LY comping, so it can be used along with an upright bass.
Tempo Range: 60-110
The simple version of Organ, RhythmNoBass Bossa Ev 085 omits the treble organ so
unds, making it more suitable for accompaniment. To select the simple variation
, put a check in the "Simpler" checkbox in the RealTracks picker.
:;1653
Organ, RhythmNoBass Bossa Ev 140
Bossa comping organ style that plays a combination of syncopated shots and held
chords. Other variations have a left-hand bass part as well, but this one is ON
LY comping, so it can be used along with an upright bass.
The simple version of Organ, RhythmNoBass Bossa Ev 140 omits the treble organ so
unds, making it more suitable for accompaniment. To select the simple variation
, put a check in the "Simpler" checkbox in the RealTracks picker.
:;1654
Organ, RhythmWithBass Bossa Ev 085
Bossa comping & bass organ style that plays a combination of syncopated shots an
d held chords in the right hand, and a standard latin syncopated bass line in th
e left hand. This style should not be used with any other bass instruments, but
there is an alternate variation where the bass has been removed, and that style
CAN be used with another bass instrument.
Tempo Range: 60-110
The simple version of Organ, RhythmWithBass Bossa Ev 085 omits the treble organ
sounds, making it more suitable for accompaniment. To select the simple variati
:;1655
Organ, RhythmWithBass Bossa Ev 140
Bossa comping & bass organ style that plays a combination of syncopated shots an
d held chords in the right hand, and a standard latin syncopated bass line in th
e left hand. This style should not be used with any other bass instruments, but
there is an alternate variation where the bass has been removed, and that style
CAN be used with another bass instrument.
The simple version of Organ, RhythmWithBass Bossa Ev 140 omits the treble organ
sounds, making it more suitable for accompaniment. To select the simple variati
:;1656
Organ, Soloist Bossa Ev 085
Slow bossa organ soloist, sometimes 8th-note-based, sometimes slipping into doub
le-time feel. Melodic and inventive lines.
Tempo Range: 60-110
:;1657
Organ, Soloist Bossa Ev 085 (Bluesy)
Slow bossa organ soloist, sometimes 8th-note-based, sometimes slipping into doub
le-time feel. Melodic and inventive lines. This "bluesy" variation will play b
7 notes on major chords.
Tempo Range: 60-110
:;1658
Medium bossa organ soloist, sometimes 8th-note-based, occasionally slipping into
double-time feel. Melodic and inventive lines.
:;1659
Organ, Soloist Bossa Ev 140 (Bluesy)

double-time feel. Melodic and inventive lines. This "bluesy" variation will p
lay b7 notes on major chords.
:;1660
double-time feel. Melodic and inventive lines. This is the "double-time" vari
ation, meaning it should be used at tempos around 70bpm, and it will then play i
n a double-time feel.
:;1661
Piano, Acoustic, Rhythm BossaNY Ev 085
Laid back acoustic piano bossa comping, playing mostly held chords and often pus
hes the beat by an 8th. Also uses occasional melodic fills.
Tempo Range: 75-120
The simple version of Piano, Acoustic, Rhythm BossaNY Ev 085 omits busy riffs an
d some non-diatonic tensions. To select the simple variation, put a check in th
:;1662
Piano, Acoustic, Rhythm BossaNY Ev 140
Laid back acoustic piano bossa comping, playing mostly held chords and often pus
hes the beat by an 8th. Also uses occasional melodic fills.
The simple version of Piano, Acoustic, Rhythm BossaNY Ev 140 omits busy riffs an
d some non-diatonic tensions. To select the simple variation, put a check in th
:;1663
Guitar, Electric, SoloAccompaniment Bossa Ev 085
Slow bossa solo-accompaniment guitar, intended to be used alone with no other rh
ythm section instruments. This is ideal as a simple but elegant backup for a si
nger or soloist. It features root notes played on the downbeat, alternating wit
h the 5th of the chord, with syncopated chording through the rest of the bar, wi
th occasional melodic fills.
Tempo Range: 70-120
The simple version of Guitar, Electric, SoloAccompaniment Bossa Ev 085 omits bus
y riffs and some non-diatonic tensions. To select the simple variation, put a c
:;1664
Guitar, Electric, SoloAccompaniment Bossa Ev 140
Medium bossa solo-accompaniment guitar, intended to be used alone with no other
rhythm section instruments. This is ideal as a simple but elegant backup for a
singer or soloist. It features root notes played on the downbeat, alternating w
ith the 5th of the chord, with syncopated chording through the rest of the bar,
with occasional melodic fills.
The simple version of Guitar, Electric, SoloAccompaniment Bossa Ev 140 omits bus
y riffs and some non-diatonic tensions. To select the simple variation, put a c
:;1665
Guitar, Electric, SoloAccompaniment JazzWaltz Sw 085
Slow jazz-waltz solo-accompaniment guitar, intended to be used alone with no oth
er rhythm section instruments. This is ideal as a simple but elegant backup for
a singer or soloist. It features either root notes played on the downbeat, wit
h chords on beats 2 & 3, or chording throughout the bar. The comping patterns a
re often melodic in nature.
Tempo Range: 70-120
The simple version of Guitar, Electric, SoloAccompaniment JazzWaltz Sw 085 omits
:;1666
Guitar, Electric, SoloAccompaniment JazzWaltz Sw 140
Medium jazz-waltz solo-accompaniment guitar, intended to be used alone with no o
ther rhythm section instruments. This is ideal as a simple but elegant backup f
or a singer or soloist. It features root notes played on the downbeat, with cho
rds on beats 2 & 3, with occasional melodic fills.
The simple version of Guitar, Electric, SoloAccompaniment JazzWaltz Sw 140 omits
:;1667
Pedal Steel, Soloist CountryPaul Ev 065
Warm pedal steel tone, playing melodic passages with mostly double-stops, but wi
th occasional single-note lines. Works well over country & rock ballads.
:;1668
Pedal Steel, Soloist CountryPaul Ev 065 (Bluesy)
Warm pedal steel tone, playing melodic passages with mostly double-stops, but wi
th occasional single-note lines. Works well over country & rock ballads. This
'Bluesy' variation will treat any major triad (C, F, etc.) like a dominant 7th (
C7, F7, etc.) and use flatted 7th for soloing.
:;1669
Warm pedal steel tone, playing melodic passages with mostly single-note lines, b
ut with occasional double-stops.
:;1670
Pedal Steel, Soloist CountryPaul Ev 120 (Bluesy)
ut with occasional double-stops. This 'Bluesy' variation will treat any major t
riad (C, F, etc.) like a dominant 7th (C7, F7, etc.) and use flatted 7th for sol
oing.
:;1671
ut with occasional double-stops. This double-time variation should be used for
slower tempos.
Tempo Range: 55-80
:;1672
Pedal Steel, Soloist WesternSwingPaul Sw 165
Warm pedal steel tone, playing inventive single-note & double-stop lines. Works
well over country swing tunes as well as jazz standards.
:;1673
Pedal Steel, Soloist WesternSwingPaul Sw 165 (Bluesy)
well over country swing tunes as well as jazz standards. This 'Bluesy' variati
on will treat any major triad (C, F, etc.) like a dominant 7th (C7, F7, etc.) an
d use flatted 7th for soloing.
:;1674
Pedal Steel, Soloist WesternSwingPaul Sw 165
well over country swing tunes as well as jazz standards. This double-time vari
ation should be used for slower tempos.
Tempo Range: 70-100
:;1675
Pedal Steel, Soloist WesternSwingPaul Sw 165 (jazz/laid-back timing)
well over country swing tunes as well as jazz standards. This "jazz/laid-back
timing" places the notes several ticks later than in the standard country/rock v
ariation, which is more appropriate when being used with traditional jazz rhythm
section instruments.
:;1676
Guitar, Acoustic, Fingerpicking CountryBrent Ev 065
Bright acoustic guitar tone, playing slow even 8ths fingerpicking patterns. Fre
quent, inventive embellishments are used, with short melodic motifs. This style
is intended to work well with our previously released <Guitar, Acoustic, Finger
picking Ev 065> style.
Tempo Range: 55-80
The simple version of Guitar, Acoustic, Fingerpicking CountryBrent Ev 065 exclud
es riffs that include extra notes or deviate from the basic rhythm. To select t
he simple variation, put a check in the "Simpler" checkbox in the RealTracks pic
ker.
:;1677
Bright acoustic guitar tone, playing medium even 8ths fingerpicking patterns. S
yncopated rhythms & short melodic motifs are often used. This style is intended
to work well with our previously released <Guitar, Acoustic, Fingerpicking Ev 1
20> style.
The simple version of Guitar, Acoustic, Fingerpicking CountryBrent Ev 120 exclud
es riffs that include extra notes or deviate from the basic rhythm. To select t
he simple variation, put a check in the "Simpler" checkbox in the RealTracks pic
ker.
:;1678
Guitar, Acoustic, Fingerpicking CountryBrent Sw 085
Bright acoustic guitar tone, playing slow swing 8ths fingerpicking patterns. Fr
equent, inventive embellishments are used. This style is intended to work well
with our previously released <Guitar, Acoustic, Fingerpicking Hank Sw 085> style
.
Tempo Range: 70-105
The simple version of Guitar, Acoustic, Fingerpicking CountryBrent Sw 085 exclud
:;1679
Bright acoustic guitar tone, playing medium swing 8ths fingerpicking patterns.
Frequent, inventive embellishments are used. This style is intended to work wel
l with our previously released <Guitar, Acoustic, Fingerpicking Hank Sw 120> sty
le.
The simple version of Guitar, Acoustic, Fingerpicking CountryBrent Sw 120 exclud
:;1680
Guitar, 12-String Acoustic, Fingerpicking Ev 085
Bright 12-String acoustic guitar tone, playing steady 8th-note arpeggios at a sl
ow tempo. The first note of the bar is typically a low note which is held throu
ghout the bar, followed by higher notes of the chord arpeggiated.
Tempo Range: 75-110
:;1681
Bright 12-String acoustic guitar tone, playing steady 8th-note arpeggios at a me
dium tempo. The first note of the bar is typically a low note which is held thr
oughout the bar, followed by higher notes of the chord arpeggiated.
:;1682
Bright 12-String acoustic guitar tone, playing steady 8th-note arpeggios at a fa
st tempo. The first note of the bar is typically a low note which is held throu
ghout the bar. This is followed by higher notes of the chord arpeggiated in 8th
-notes, starting at beat 2.
The simple version of Guitar, 12-String Acoustic, Fingerpicking Ev 165 omits rhy
thmic deviation. To select the simple variation, put a check in the "Simpler" c
:;1683
Guitar, Acoustic, Rhythm PopPromise Ev16 100
Bright acoustic guitar style playing a steady 16ths strumming pattern. The patt
ern is an eighth followed by two sixteenths, and this pattern repeats continuous
ly on every beat.
Tempo Range: 90-115
:;1684
Guitar, Electric, Rhythm PopPromiseCrispHeld Ev16 100
Punchy distorted electric guitar tone, playing held chords which are stated at t
he beginning of the bar, with arpeggiated notes sometimes following.
Tempo Range: 90-115
:;1685
Guitar, Electric, Rhythm PopPromiseCrispPulsing Ev16 100
Punchy distorted electric guitar tone, playing a 16th-based strumming pattern of
barre chords. The pattern is an eighth followed by two sixteenths, and this pa
ttern repeats continuously on every beat.
Tempo Range: 85-120
:;1686
Guitar, Electric, Rhythm PopPromiseCrispA-B Ev16 100
Punchy distorted electric guitar, with A & B substyles: held chords at A, and a
pulsing 16th rhythm at B.
Tempo Range: 90-115
:;1687
Guitar, Electric, Rhythm PopPromiseGritty4s Ev16 100
Bright and gritty electric guitar tone, playing a slow strumming pattern with op
en chords. It plays mostly quarter note chords, with occasional 8th note rhythm
s thrown in.
Tempo Range: 85-140
:;1688
Guitar, Electric, Rhythm PopPromiseGritty8s Ev16 100
Gritty electric guitar tone, playing a steady 8th-note strumming pattern with ba
rre chords.
Tempo Range: 85-125
:;1689
Guitar, Electric, Rhythm PopPromiseGrittyA-B Ev16 100
Gritty electric guitar style with A and B substyles: slow strumming pattern with
open chords playing mostly quarter note rhythms during A, and steady 8th strumm
ing with barre chords during B.
Tempo Range: 85-125
:;1690
Piano, Acoustic, Rhythm PopPromise Ev16 100
Warm acoustic piano tone, playing held pop chords with left-hand notes held thro
ugh the bar, and right-hand chording playing rhythmically through the bar. Beat
s 1 and 4 are emphasized more than others.
Tempo Range: 90-120
:;1691
Bass, Electric, CountryDrivin8thsPumpin Ev 150
Soft electric bass tone playing unison 8th notes on the root with occasional emb
ellishment. The notes played on the beat are accented slightly more strongly th
an the notes on the off-beats.

:;1692
Bass, Electric, CountryDrivin8thsTriads Ev 150
Soft electric bass tone playing rock 'n' roll style arpeggio patterns. Mostly q
uarter-note-based with occasional 8th-note embellishment.
:;1693
Bass, Electric, CountryDrivin8thsA-B Ev 150
Soft electric bass tone playing driving country-rock patterns over A and B subst
yles: steady 8ths during A, and rock'n'roll style arpeggios during B.
:;1694
Fiddle, Background CountryDrivin8ths Ev 150
Bright fiddle tone playing country-rock licks. It's mostly comprised of doublestops, with occasional single-note lines. Intended to be used as a background i
nstrument, over which a vocalist could sing.
:;1695
Fiddle, Background CountryDrivin8ths Ev 150 (Outside)
Bright fiddle tone playing country-rock licks. It's mostly comprised of doublestops, with occasional single-note lines. This variation has additional materia
l that can work well over less common chords, such as C7+, Bb7b9, etc. This sty
le is intended to be used as a background instrument, over which a vocalist coul
d sing.130-180
:;1696
Guitar, Electric, Rhythm CountryDrivin8ths Ev 150
Twangy and gritty electric guitar style that plays a 2 bar driving strumming pat
tern which alternates the 5th note of the chord with the 6th in typical rock 'n
roll fashion. Includes frequent syncopation and occasional country-rock licks.
:;1697
Pedal Steel, Rhythm CountryDrivin8ths Ev 150
Bright pedal steel tone, playing mostly held chords with occasional country lick
s.
:;1698
Banjo, Rhythm BluegrassWaltz Sw 085
Warm banjo tone, playing basic waltz fingerpicking patterns with occasional coun
try licks. Entirely swing 8ths based single note patterns with only occasional
double-stops. Useful in Bluegrass, Country and even Pop settings.
Tempo Range: 70-140
:;1699
Mandolin, Rhythm BluegrassWaltz Sw 085
Crisp mandolin tone, playing basic bluegrass waltz chording. The chord is state
d on beat 1, with a little bit of sustain, and then is played again on beats 2 &
3 in a more staccatto fashion. There are occasional chords played on the off-b
eats as well. Useful in Bluegrass, Country and even Pop settings.
Tempo Range: 65-165
:;1700
Piano, Acoustic, Rhythm CountryWaltz Sw 085
Warm piano tone, playing basic waltz patterns, which usually include octave bass
notes with the left hand on beat, then chording with the right hand on the beat
s, with alternating notes on the off beats. Embellishments in the form of simpl
e country licks are included throughout.
Tempo Range: 65-100
:;1701
Warm piano tone, playing basic waltz patterns, which usually include octave bass
notes with the left hand on beat, then chording with the right hand on the beat
s, with alternating notes on the off beats. Embellishments in the form of simpl
e country licks are included throughout.

:;1702
Warm piano tone, playing an uptempo waltz part, consisting of held chords played
on the downbeat, followed by embellishment, usually on the second bar of every
2-bar group. Country licks are included throughout.
:;1703
Guitar, Electric, Soloist Country12-8Brent Sw 065
Warm electric guitar tone with slight delay, playing slow, twangy swing 8ths sin
gle-line riffs with occasional double-stops. Frequent bends, slides, and invent
ive Nashville licks are used.
Tempo Range: 45-85
:;1704
Guitar, Electric, Soloist Country12-8Brent Sw 065 (Bluesy)
Warm electric guitar tone with slight delay, playing slow, twangy swing 8ths sin
gle-line riffs with occasional double-stops. Frequent bends, slides, and invent
ive Nashville licks are used. This 'Bluesy' variation will treat any major tria
d (C, F, etc.) like a dominant 7th (C7, F7, etc.) and use flatted 7th for soloin
g.
Tempo Range: 45-85
:;1705
Twangy electric guitar tone playing classic Nashville licks which include both s
ingle-note lines & double-stops. A frequent technique used here is playing a do
uble-stop with one of the notes bending up, emulating the sound of the pedal ste
el.
Tempo Range: 75-110
:;1706
Twangy electric guitar tone playing classic Nashville licks which include both s
ingle-note lines & double-stops. A frequent technique used here is playing a do
uble-stop with one of the notes bending up, emulating the sound of the pedal ste
el. This 'Bluesy' variation will treat any major triad (C, F, etc.) like a domi
nant 7th (C7, F7, etc.) and use flatted 7th for soloing.
Tempo Range: 75-110
:;1707
Twangy electric guitar tone playing uptempo classic Nashville licks which includ
e both single-note lines & double-stops. Makes frequent use of bends, slides, h
ammer-ons & pull-offs.
:;1708
ammer-ons & pull-offs. This 'Bluesy' variation will treat any major triad (C, F
, etc.) like a dominant 7th (C7, F7, etc.) and use flatted 7th for soloing.
:;1709
ammer-ons & pull-offs. This double-time variation should be used for slower tem
pos.
:;1710
Guitar, Electric, Soloist WesternSwingBrent Sw 165
Warm electric guitar tone playing swing 8ths single-line riffs with occasional d
ouble-stops. Slightly twangy, slightly jazzy, very versatile.

:;1711
Guitar, Electric, Soloist WesternSwingBrent Sw 165 (Bluesy)
ouble-stops. Slightly twangy, slightly jazzy, very versatile. This 'Bluesy' va
riation will treat any major triad (C, F, etc.) like a dominant 7th (C7, F7, etc
.) and use flatted 7th for soloing.
:;1712
Guitar, Electric, Soloist WesternSwingBrent Sw 165
ouble-stops. Slightly twangy, slightly jazzy, very versatile. This double-time
variation should be used for slower tempos.
:;1713
Guitar, Electric, Soloist WesternSwingBrent Sw 165 (jazz/laid-back timing)
ouble-stops. Slightly twangy, slightly jazzy, very versatile. This variation h
as an 8 tick delay, making it more laid back, and more appropriate for playing w
ith jazz swing RealTracks instruments.
:;1714
Guitar, Acoustic, Soloist DixielandFast Sw 165
Warm acoustic guitar tone playing inventive Dixieland phrases, mostly sticking t
o 8th-note passages.
:;1715
Guitar, Acoustic, Soloist DixielandFast Sw 165 (Bluesy)
o 8th-note passages. This 'Bluesy' variation will treat any major triad (C, F,
etc.) like a dominant 7th (C7, F7, etc.) and use flatted 7th for soloing.
:;1716
Guitar, Acoustic, Soloist DixielandFast Sw 165
o 8th-note passages. This double-time variation should be used for slower tempo
s.
Tempo Range: 80-110
:;1717
Bass, Electric, TexasBluesRockStraight Ev 120
Warm electric bass tone playing a syncopated part with a held note at beat 1, tw
o notes played at the and-of-2 & beat 3, followed by variation in embellishments
.
:;1718
Guitar, Electric, Rhythm TexasBluesRockStraightBrent Ev 120
Slightly distorted electric guitar tone playing Rock 'n Roll infused Blues.
:;1719
Guitar, Electric, Rhythm TexasBluesRockStraightSol Ev 120
Slightly distorted electric guitar tone playing syncopated Rhythm & Blues with o
ccasional embellishment.
:;1720
Guitar, Electric, Soloist TexasBluesRockStraightBrent Ev 120
Warm, slightly distorted & muted electric guitar tone, playing inventive blues-r
ock licks & phrases.
:;1721
Guitar, Electric, Soloist TexasBluesRockStraightBrent Ev 120

Warm, slightly distorted & muted electric guitar tone, playing inventive blues-r
ock licks & phrases. This double-time variation should be used for slower tempo
s.
Tempo Range: 55-75
:;1722
Guitar, Electric, Soloist TexasBluesRockStraightSol Ev 120
Crisp, distorted electric guitar tone, playing quick, inventive blues-rock licks
& phrases.
:;1723
Guitar, Electric, Soloist TexasBluesRockStraightSol Ev 120
Crisp, distorted electric guitar tone, playing quick, inventive blues-rock licks
& phrases. This double-time variation should be used for slower tempos.
Tempo Range: 55-75
:;1724
TexasBluesRockStraight Ev 120 Soloist Medley
Both TexasBluesRockStraight Ev 120 electric guitar soloists (Sol & Brent) tradin
g every part marker.
:;1725
Piano, Acoustic, Rhythm CountryBalladJohn Ev 065
Warm acoustic piano tone playing a classy, understated slow country ballad with
typical Nashville licks. The left hand provides bass support, which makes it us
eful as a stand-alone backing instrument with no other RealTracks, but is simple
enough to still work well in a band setting with a bass player.
Tempo Range: 50-85
:;1726
Piano, Acoustic, Rhythm HonkyTonkJohn Ev 120
Solid honky-tonk piano, with the right-hand playing mostly 8th-note chords, inst
erspersed with syncopated rhythms, glissandos, and inventive country licks. The
left hand play low accents, occasionally doubling the right hand an octave lowe
r, occasionally playing syncopated rhythms.
:;1727
Piano, Acoustic, Rhythm TrainBeatJohn Ev 130
Fast, high-energy piano playing 16th-note chords & licks in the right hand, with
left hand chordal support. Features lots of bluesy country licks and syncopati
on.
:;1728
Piano, Acoustic, Rhythm PopBalladJohn Ev 085
Gentle, warm piano playing a flowing ballad. Uses rolling 8th-note arpeggiated
chords, alternating with block chords. Chords are often embellished with the 2n
d, and parallel 4ths are used frequently.
Tempo Range: 80-100
:;1729
Piano, Acoustic, Solo-Accompaniment PopBalladJohn Ev 110
Solo-accompaniment piano which is intended for backing up a singer or soloist.
No other rhythm section instruments are needed The playing has 8th note pattern
s which play syncopated, arpeggiated parts with sophisticated voicings.
:;1730
Piano, Acoustic, Rhythm PopRootsyJohn Ev16 100
Rollicking even 16ths piano, with syncopated chording and arpeggios. The left h
and is used to reinforce the bass notes without getting in the way. Works well
with the 'ModernCountrySync' RealTracks guitars, basses & drums.
Tempo Range: 95-100
:;1731
Bass, Electric, TexasBluesRockNRoll Ev 165
Hard attacking electric bass playing arpeggios outlining the chords in a typical
blues fashion (1, 3, 5, 6 ascending, or 1, 6, 5, 6 descending).
:;1732
Bass, Electric, TexasBluesRockFunky Ev16 090
An aggressive electric bass attack with a funky groove. 8ths notes are played a
t beat 1, then a held note at beat 2, followed by various embellishments for the
rest of the bar.
Tempo Range: 80-100
:;1733
Guitar, Electric, Soloist TexasBluesRockNRollBrent Ev 165
Gritty, distorted blues electric guitar soloist. There are lots of bends and sl
ides with hammer-offs and hammer-ons over open strings. The majority of the pla
ying sticks to the blues pentatonic scale.
:;1734
Guitar, Electric, Soloist TexasBluesRockNRollBrent Ev 165
Gritty, distorted blues electric guitar soloist. There are lots of bends and sl
ides with hammer-offs and hammer-ons over open strings. The majority of the pla
ying sticks to the blues pentatonic scale. This double-time variation treats th
e style as 82.5 bpm, which will work at tempos between 75 & 90
Tempo Range: 75-90
:;1735
Guitar, Electric, Soloist TexasBluesRockNRollSol Ev 165
Overdrive electric guitar tone playing hard-driving blues solo lines. Generally
sticks to the blues pentatonic scale. The majority of the playing sticks to th
e blues pentatonic scale.
:;1736
Guitar, Electric, Soloist TexasBluesRockNRollSol Ev 165
Overdrive electric guitar tone playing hard-driving blues solo lines. Generally
sticks to the blues pentatonic scale. The majority of the playing sticks to th
e blues pentatonic scale. This double-time variation treats the style as 82.5 b
pm, which will work at tempos between 75 & 90
Tempo Range: 75-90
:;1737
TexasBluesRockNRoll Ev 165 Soloist Medley
Both TexasBluesRockRockNRoll electric guitar soloists (Sol & Brent) trading ever
y part marker.
:;1738
Bass, Synth ModernDancePopSync Ev 120
Crispy synth bass hammering out single notes. Notes are syncopated and playing
a broken pattern of 16ths. Tempo-synced delay effect adds extra rhythm in betwe
en notes.
:;1739
Bass, Synth ModernDancePop8ths Ev 120
Crispy synth bass hammering out single notes. Played steady as constant 8th not
es with a tempo-synced delay effect that is drowned out with each note.
:;1740
Bass, Synth ModernDancePopA-B Ev 120
Crispy synth bass hammering out single notes with two sub-style variations. In
A style notes are consistent 8ths, and then very syncopated in B style. Tempo-s
ynced delay effect emerges during B.
:;1741
Synth, Rhythm ModernDancePopRaveStringsSync Ev 120
Punchy strings section synth playing syncopated chords. The main playing patter
n is very staccato 8ths. Triads are usually played as inverted power chords, ex
tended chords are played full.
:;1742
Synth, Rhythm ModernDancePopRaveStringsHeld Ev 120
Multi-flavoured synth holding high root notes. The timbre is rich with inharmon
ics and is constantly phase shifting. Plays single notes only, holding over eve
ry chord change.
Tempo Range: 90-190
:;1743
Synth, Rhythm ModernDancePopRaveStringsA-B Ev 120
Rich and punchy synth with two sub-style variations. In A style a constant sync
opated staccato 8th pattern, and in B style single root notes are held usually i
n a higher register.
:;1744
Synth, Rhythm ModernDancePopRaveDrops Ev 120
Percussive yet soft feeling synth playing chord shot pattern. Chords are played
staccato in a steady syncopated 8th pattern with a one shot delay effect accent
ing each hit.
:;1745
Synth, Rhythm ModernDancePopSynthGuitar Ev 120
Stormy synth rich with inharmonics playing single bass note pattern. Playing i
s either percussive held notes or sometimes an 8th pulsing pattern emphasizing t
he back beats.
:;1746
Synth, Rhythm ModernDancePopChordsA-B Ev 120
Double synth combo style changing patch between A and B sub-styles. In A soft s
ounding percussive steady syncopated 8th pattern, in B rich overpowering and som
etimes pulsing bass notes.
:;1747
Synth, Rhythm ModernDancePopRave16thsTickle Ev 120
Ghostly heavily delayed synth playing an octave pattern. Timbre is constantly s
hifting and notes are very syncopated while delay effect adds a complementary rh
ythm.
:;1748
Synth, Rhythm ModernDancePopRaveMajestic Ev 120
Multi-layered synth playing an octave pattern. Notes are steady rising and fall
ing octaves in a steady 16th pattern, while a background layer holds the main pi
tch.
:;1749
Synth, Rhythm ModernDancePopOctave16thsA-B Ev 120
Double synth combo style changing patch between A and B sub-styles. Ghostly soun
ding heavily delayed syncopated octaves in A, and steady 16th octaves in B.
:;1750
Synth, Rhythm ModernDancePopRaveOctaveSyncTickle Ev 120
Multi-layered synth playing an octave pattern. Playing a 10 note syncopated pat
tern, using 32th push to give a bounce-back feeling between octaves.
:;1751
Synth, Rhythm ModernDancePopOctaveSyncA-B Ev 120
Double synth combo style changing patch between A and B sub-styles. Playing a 1
0 note syncopated octave pattern in A, and steady 16th octaves in B.
:;1757
Accordion, Rhythm Pop8ths Ev 085
A meandering accordion playing a pop style which will add a different flare to a
song. All flourishes are played in eighth notes with most chords being drawn ou
t.
Tempo Range: 75-105
:;1758
Banjo, Rhythm, Pop16ths Ev 085
This laid back banjo plays a 16th note groove in an even pattern. This realtrac
k can be added to a pop song to give it a country flavor.
Tempo Range: 80-105
To select the simple variation, put a check in the "Simpler" checkbox in the Rea
lTracks picker.
:;1759
Punchy, crisp electric bass playing whole notes with 16th note embellishment. T
he embellishment frequently consists of ghost notes and short 16th-note melodic
runs.
Tempo Range: 65-120
:;1760
Long notes drawn out with a warm fiddle sound. This slow style plays mainly qua
rter notes with some 8th note runs played as well. This style is suited best in
the background to give a song atmosphere.
Tempo Range: 70-105
:;1761
Bouncy acoustic guitar playing a 16th note strumming pattern. The accent for th
e strumming is on the beat with some syncopation.
Tempo Range: 75-105
:;1762
Guitar, Electric, Rhythm Pop16thsArp Ev16 085
Arpeggiated electric guitar playing an eighth note based pattern. Some 16th not
e frills are played at the end of an arpeggiated phrase.
Tempo Range: 75-110
:;1763
Electric guitar which plays an eighth note strumming pattern with some open stri
ngs played on chords to add an embellishment.
Tempo Range: 75-120
:;1764
Guitar, Electric, Rhythm Pop16thsA-B Ev16 085
Warm electric guitar with both an A and B substyle. The A substyle plays 8th no
te arpeggios with some 16th note embellishment at the end of a run. The B subst
yle strums chords in an eighth note pattern with some embellishment added to the
chords.
Tempo Range: 75-110
:;1765
Guitar, High-Strung Acoustic, Fingerpicking Pop16ths Ev16 085
This bright sounding high-strung acoustic guitar is fingerpicked in a 16th note
pattern. Open strings are often played to give chords an extra embellishment.
Tempo Range: 75-105
:;1766
Mandolin, Rhythm Pop16Sync Ev 085
Energetic acoustic mandolin playing a pop 16 strumming pattern. Can be used in
a country or a pop song.
Tempo Range: 75-100
:;1767
Lively Acoustic piano playing a 16th note based rhythm pattern. The pop feel to
this style is accented by the voicings which add 2nd and sus 4th's to chords at
times.
Tempo Range: 80-95
:;1768
Bass, Electric, JazzFunkMovin Ev16 130
Punchy electric bass which plays mainly on beats 1 and 3 with 16th note flourish
es played over the off beats. A funky feel which can be added to a jazz number
or to funk up a pop song.
:;1769
Bass, Fretless Electric, JazzFunkMovin Ev16 130
Quick 16ths-based fretless electric bass with a syncopated groove. This bass ha
s a round, warm tone, and the distinctive sound of the fretless is very apparent
with embellishments that include subtle slides and vibrato on held notes.
:;1770
Guitar, Electric, Rhythm JazzFunkMovinChords Ev16 130
Twangy electric guitar with delay added playing a funky jazz style. The delay s
tays in time with the tempo even after being adjusted. The main playing is on t
he beat with some syncopation.
:;1771
Guitar, Electric, Rhythm JazzFunkMovinMuted Ev16 130
Popping sound with a funk feel playing chords with a 16th note groove. The main
playing is on beats 1 and 3 with off beats being played as well.
:;1772
Piano, Electric, Rhythm JazzFunkMovin Ev16 130
Warm, classic, electric piano sound playing a 16th note groove. This realtrack
has the main accents on beats 1 and 3 with some syncopation. The piano, for the
most part stays in the same register on the keyboard with the occasional run up
the register.
The simple version of Piano, Electric, Rhythm JazzFunkMovin Ev16 130 omits busy
riffs with staccato attack. To select the simple variation, put a check in the
:;1773
Piano, Electric, Soloist JazzFunkMovin Ev16 130
Warm, rich electric piano tone with chorus and a touch of stereo delay, playing
jazzy lines over the changes. It consists mostly of single-note lines, with occ
asional chordal punctuation.
:;1774
Piano, Electric, Soloist JazzFunkMovin Ev16 130 (Bluesy)
asional chordal punctuation. This 'bluesy' variation treats all major chords en
tered into the chord chart as 7th chords.
:;1775
Piano, Electric, Soloist JazzFunkMovin Ev16 130
asional chordal punctuation. This double-time variation treats the style as 65
bpm, which will work at tempos between 60 & 70 bpm.
Tempo Range: 60-70
:;1776
Sax, Tenor, Soloist JazzFunkMovin Ev16 130
Tenor Sax with a smooth, clear tone, playing lines that have influences from roc
k, jazz and funk sources. Some of the lines are 16ths-based, and some are 8ths-
based.
:;1777
Sax, Tenor, Soloist JazzFunkMovin Ev16 130 (Bluesy)
k, jazz and funk sources. Some of the lines are 16ths-based, and some are 8thsbased. This 'bluesy' variation treats all major chords entered into the chord c
hart as 7th chords.
:;1778
Sax, Tenor, Soloist JazzFunkMovin Ev16 130
k, jazz and funk sources. Some of the lines are 16ths-based, and some are 8thsbased. This double-time variation treats the style as 65 bpm, which will work a
t tempos between 60 & 70 bpm.
Tempo Range: 55-75
:;1779
Organ, RhythmNoBass JazzWaltz Sw 085
Warm organ sound playing an even 8th swing with out the lower bass. Played in a
waltz time signature with a jazz feel with most chords played on the beat.
Tempo Range: 70-100
To select the simple variation, put a check in the "Simpler" checkbox in the Rea
lTracks picker.
:;1780
Organ, RhythmNoBass JazzWaltz Sw 140
Jumping waltz jazz organ without the bass notes playing. Plays a swing 8th feel
with some accents at the start of chords, other times chords are blended togeth
er.
:;1781
Organ, RhythmWithBass JazzWaltz Sw 085
Warm organ sound playing an even 8th swing with the lower bass. Played in a wal
tz time signature with a jazz feel with most chords played on the beat.
Tempo Range: 70-100
:;1782
Organ, RhythmWithBass JazzWaltz Sw 140
Jumping waltz jazz organ with the bass notes playing. Plays a swing 8th feel wi
th some accents at the start of chords, other times chords are blended together.
:;1783
Organ, Soloist JazzWaltz Sw 085
Warm, rich organ tone playing over a slow jazz waltz. A lot of the playing is d
ouble-time, with occasional slower 8th-based passages.
Tempo Range: 75-100
:;1784
Organ, Soloist JazzWaltz Sw 085 (Bluesy)
Warm, rich organ tone playing over a slow jazz waltz. A lot of the playing is d
ouble-time, with occasional slower 8th-based passages. This 'bluesy' variation
treata all major chords as dominant 7ths.
Tempo Range: 75-100
:;1785
Organ, Soloist JazzWaltz Sw 140
Sharp attack and a warm tone, this soloist organ plays in medium waltz time. It
features inventive jazz lines, mostly swing 8ths-based, but occasionally playin
g double-time passage.
:;1786
Organ, Soloist JazzWaltz Sw 140 (Bluesy)
Sharp attack and a warm tone, this soloist organ plays in medium waltz time. It
features inventive jazz lines, mostly swing 8ths-based, but occasionally playin
g double-time passage. This 'bluesy' variation treata all major chords as domin
ant 7ths.
:;1787
Long notes drawn out with a warm fiddle sound. This slow style plays mainly qua
rter notes with some 8th note runs played as well. This style is suited best in
the background to give a song atmosphere.
Tempo Range: 70-105
:;1788
Banjo, Tenor, Rhythm DixielandMediumA-B Sw 110
Classic banjo sound playing a basic pattern. The playing is on each beat with s
ome embellishment added to chords.
:;1789
Banjo, Tenor, Rhythm DixielandMediumSimple Sw 110
:;1790
Banjo, Tenor, Rhythm DixielandMediumRazz Sw 110
:;1791
Piano, Acoustic, Rhythm DixielandMedium Sw 110
Bouncy acoustic piano playing a dixieland swing style. With stride in the left
hand and melodic fills with the right.
:;1792
Tuba, DixielandMedium Sw 110
Swinging tuba playing on beats 1 and 3 and then the next bar playing each beat.
Some grace notes are heard before the note on the beat.
:;1793
Tuba, DixielandMedium Sw 110 (A: in-2)
:;1794
Tuba, DixielandMedium Sw 110 (B: 'walking')
:;1795
Guitar, Acoustic, Rhythm DixielandMedium Sw 110
:;1796
Piano, Rhythm BritBluesInvasionJohn Ev 120
A blues rock piano with a driving 8th note feel and plenty of energy. It lends
itself to straight feel blues and classic British invasion rock scenarios. Majo
r/minor triads and dominant 7th chords will really shine with this style, but tr
aditional jazz chords will sound great too.
:;1797
Piano, Rhythm IslandJohn Ev 110
A breezy piano style with simple chording and melodic riffs. Works great in cou
ntry or pop situations and doubles as a great ballad style at slower tempos. Th
is style sounds great with both simple and jazz chords.
:;1798
Piano, Rhythm RockNRollJohn Ev 165
A classic rock 'n' roll style with a pulsing 8th note 50s feel. Its uptempo vib
rance makes it perfect for straight feel, uptempo blues or rock styles. Triads
and simple chords will work best.
:;1799
Piano, Rhythm SouthernRockJohn Sw 120
A very versatile style with a heavy swing. The left hand plays quarter note arp
eggios while the right hand plays classic blues and rock licks. Works very well
with blues, country, country rock, or even jazz styles.
:;1800
Piano, Rhythm TexasBluesRockShuffle Sw 130
An enthusiastic texas shuffle piano with an emphasized rhythm in the left hand a
nd some subtle right hand blues licks that don't steal center stage. This style
will add some spice to your mix while leaving room for a melody. Performs espe
cially well with triads and dominant 7th chords.
:;1801
Synth Pad, PopShiningSoft Ev 120
This synth pad works well as an eclectic element for pop music with a simple, he
ld, background accompaniment style. It also doubles as a great instrument for e
lectronic and rock music when needed. Functions very well with all chord types.
:;1802
Synth Pad, PopShiningVoice Ev 120
A great style to couple with a choral voice patch. Some nice chord voicings and
a simple rhythm with casual melodic interludes make this style ideal for pop mu
sic.
:;1803
Synth Pad, PopShiningA-B Ev 120
The A substyle has a simple, held chordal feel while the B substyle adds some me
lodic nuance. Works great for electronic or pop music and doubles as an interes
ting addition to rock or alternative music.
:;1804
Synth Pad, PopUplift Ev 120
A dramatic synth pad that adds emotion to any mix. Sounds especially good with
pop ballads, uptempo pop, or electronica. This style is very versatile, with a
large tempo range and great performance with all chords.
:;1805
Synth Pad, PopBelieve Ev16 065
A nice, down tempo pad that adds feeling to your arrangement. Sounds great with
a string section patch or another patch with soft attack. A great way to fill
out your mix by adding background ambience.
:;1806
Synth Pad, PopModernGrooveMellow Ev16 075
A simple synthesizer style with held chords and notes. Appropriate for electron
ic or pop music with a laid back feel. Performs very well with simple and jazz
chords at a variety of tempos.
:;1807
Synth Pad, PopModernGrooveHigh Ev16 075
This style plays pleasing held notes in a higher register and sounds great with
a string synth or a pad synth with a soft attack. Sounds best with pop or elect
ronic music and doubles as a great utility style for soundtrack composition.
:;1808
Synth Pad, PopModernGrooveA-B Ev16 075
This style offers a simple and mellow synthesizer for the A substyle and a sligh
tly more enthusiastic synthesizer with high notes in the B substyle. The result
is a very versatile synth A-B style that is useful in many electronic and pop m
usic scenarios.
:;1809
Piano, Rhythm CountryBalladJohn Ev 065
Classic sounding acoustic piano playing simple 8th note patterns. The left and
right hand play some runs together while other times they will play separate run
s. Suited for country ballads.
Tempo Range: 50-85
:;1810
Piano, Rhythm HonkyTonkJohn Ev 120
A sharp acoustic piano sound that is defined by the honky tonk style being playe
d. The right hand plays higher up the register with lots of 8th note and 16th n
ote trills. The left hand tends to play closer to the first beat or chord chang
e.
:;1811
Piano, Rhythm TrainBeatJohn Ev 130
Speedy acoustic piano gives this style a sense of urgency that conjures images o
f a fast train journey. Played with an even feel, there is a syncopation to the
rhythm which adds to the feel of a train.
:;1816
Bass, Baby, SonMontunoPush Ev 165
Soft electric upright sound playing a heavily pushed groove. The main playing i
s pushed by a 4th for downbeats, 8th for beat 3. Fills are played using much hi
gher notes.
:;1817
Bass, Baby, SonMontuno Ev 165
Soft electric upright sound playing a syncopated groove. The main playing is on
the beat, but often pushed by an 8th. Fills are melodic and use a large range
of notes.
:;1818
Guitar, Acoustic, Rhythm SonMontuno Ev 165
Rich, warm nylon string sound playing syncopated strumming groove. The main pla
ying is always an 8th after the down beat and beat 3. Makes use of a lot of bar
chord voicings and rhythmic sounds on the beats.
:;1819
Piano, Acoustic, Rhythm SonMontuno Ev 165
Rich, closed piano sound playing syncopated arpeggio groove. The main playing i
s 8th descending arpeggio patterns using simultaneous octaves. Lots of staccato
notes and often rests at the end of the bar.
:;1820
Piano, Acoustic, Rhythm SonMontunoComp Ev 165
Rich, closed piano sound playing laid back comping groove. The main playing is
a lot of pushed held chords, usually very extended keeping all fingers busy. Ha
s lots of melodic feeling.
:;1821
Tres, Rhythm SonMontuno Ev 165
Bright, doubled sounding guitar playing syncopated arpeggio groove. Plays a lot
of 8ths, and often uses few notes because of instrument's small number of strin
gs. Often rests at the end of the bar.
:;1825
Bass, Electric, PopModernGrooveHeld Ev16 075
Full electric bass tone, playing long notes in the A section with 16th note fill
s at before a chord change.
Tempo Range: 60-110
:;1826
Bass, Electric, PopModernGrooveSync4s Ev16 075
Full electric bass tone, playing 16th note syncopated patterns in the B section.
Tempo Range: 60-110
:;1827
Bass, Electric, PopModernGrooveA-B Ev16 075
Full electric bass tone, playing long notes in the A section and 16th note synco
pated patterns in the B section.
Tempo Range: 60-110
:;1828
Guitar, Acoustic, Rhythm PopModernGroove Ev16 075
Bright acoustic guitar sound which plays a basic pop pattern with an even 16th f
eel.
Tempo Range: 65-110
:;1829
Guitar, Electric, Rhythm PopModernGrooveBrightArp Ev16 075
Poppy electric guitar sound with warm overtones that just plays the A subsytle p
laying arpeggiated chords.
Tempo Range: 65-100
:;1830
Guitar, Electric, Rhythm PopModernGrooveBrightDist Ev16 075
Poppy electric guitar sound with warm overtones that just plays the B section wi
th a bit of overdrive added.
Tempo Range: 65-110
:;1831
Guitar, Electric, Rhythm PopModernGrooveBrightA-B Ev16 075
Poppy electric guitar sound with warm overtones. The A section plays arpeggiate
d chords while the B section plays chords with a bit of overdrive added.
Tempo Range: 65-110
:;1832
Guitar, Electric, Rhythm PopModernGrooveChorusHeld Ev16 075
Electric guitar with a chorus effect added and just the A substyle playing long
held chords with some of them being picked out after they are strummed.
Tempo Range: 60-120
:;1833
Guitar, Electric, Rhythm PopModernGrooveChorusArp Ev16 075
Electric guitar with a chorus effect added and just the B substyle picking the c
hords throughout.
Tempo Range: 60-110
:;1834
Guitar, Electric, Rhythm PopModernGrooveChorusA-B Ev16 075
Electric guitar with a chorus effect added. The A substyle plays long held chor
ds with some of them being picked out after they are strummed. The B substyle p
icks the chord throughout.
Tempo Range: 60-110
:;1835
Guitar, Electric, Soloist PopModernGrooveGritty Ev16 075
Slightly overdriven electric guitar playing a pop style with an even 16th feel.
Tempo Range: 65-110
:;1836
Guitar, Electric, Soloist PopModernGrooveGritty Ev16 075 (Bluesy)
Slightly overdriven electric guitar playing a pop style with an even 16th feel.
This 'bluesy' variation treats all major chords entered into the chord chart as
7th chords.
Tempo Range: 65-110
:;1837
Piano, Acoustic, Rhythm PopModernGrooveHeld Ev16 075
Warm acoustic piano sound with a wide open feel playing jus the A section. The
playing is at the beginning of the bar and then held until the chord changes.
Tempo Range: 65-115
:;1838
Piano, Acoustic, Rhythm PopModernGrooveSync4s Ev16 075
Warm acoustic piano sound with a wide open feel with just the B section playing
throughout. The left hand playing eighth notes and the right hand accenting the
chords.
Tempo Range: 65-115
:;1839
Piano, Acoustic, Rhythm PopModernGrooveA-B Ev16 075
Warm acoustic piano sound with a wide open feel. In the A section the playing i
s at the beginning of the bar and then held until the chord changes. The B sect
ion plays throughout with the left hand playing eighth notes and the right hand
accenting the chords.

Tempo Range: 65-115
:;1840
Synth Pad, PopModernGrooveMellow Ev16 075
Warm atmosphere synth sound playing with an even 16th note feel in just the A se
ction. Long held chords with a relaxing feel.
Tempo Range: 50-100
:;1841
Synth Pad, PopModernGrooveHigh Ev16 075
Warm atmosphere synth sound playing with an even 16th note feel and just the B s
ection. This section has a higher timbre, but the chords are still held for lon
g periods.
Tempo Range: 50-100
:;1842
Synth Pad, PopModernGrooveA-B Ev16 075
Warm atmosphere synth sound playing with an even 16th note feel. The A section
has long held chords with a relaxing feel. The B section has a higher timbre, b
ut the chords are still held for long periods.
Tempo Range: 50-100
:;1843
Bass, Electric, CountryBoogieRootFive Sw 110
Sharp electric bass tone with a country swing feel and just the A section plays
a root 5 pattern on beats 1 and 3.
Tempo Range: 85-160
:;1844
Bass, Electric, CountryBoogieArp Sw 110
Sharp electric bass tone with a country swing feel and just the B section playi
ng a walking pattern which walks between each chord.
Tempo Range: 85-160
:;1845
Bass, Electric, CountryBoogieA-B Sw 110
Sharp electric bass tone with a country swing feel. The A section plays a root
5 pattern on beats 1 and 3. The B section plays a walking pattern which walks b
etween each chord.
Tempo Range: 85-160
:;1846
Bass, Electric, CountryBoogieRootFive Sw 140
Warm electric bass tone with a country swing feel in just the A section playing
a root 5 pattern on beats 1 and 3.
:;1847
Bass, Electric, CountryBoogieArp Sw 140
Warm electric bass tone with a country swing feel in just the B section plays a
walking pattern which walks between each chord.
:;1848
Bass, Electric, CountryBoogieA-B Sw 140
Warm electric bass tone with a country swing feel. The A section plays a root 5
pattern on beats 1 and 3. The B section plays a walking pattern which walks be
tween each chord.
:;1849
Bass, Electric, ModernCountrySync Ev16 100
A sharp bass tone playing a syncopated country style. The playing is on the bea
t with the off beats being accented with heavier attack.
Tempo Range: 90-130
:;1850
Guitar, Electric, Rhythm PopShiningGrittyMuted Ev 120
Electric guitar with overdrive added to give the tone a pop feel. The A section
has long open chords. The B section plays muted chords in an 8th note pattern.

:;1851
Guitar, Electric, Rhythm PopShiningGrittyA-B Ev 120
Slightly distorted guitar playing with a gritty pop feel. The A section plays t
he chord and then lets it ring out, sometimes picking the chord as well.
Tempo Range: 95-150
:;1852
Guitar, Electric, Rhythm PopUpliftArp Ev 120
Clean electric guitar with a chorus effect added. The beginning of the chord is
picked and then the rest of the chord is left to ring out.
:;1853
Guitar, Electric, Rhythm PopUpliftA-B Ev 120
Slightly distorted guitar playing with a gritty pop feel. The A section plays t
he chord and then lets it ring out, sometimes picking the chord as well.
:;1854
Piano, Acoustic, Rhythm CountryBoogie Sw 110
A sharply played acoustic piano with the left hand playing short stabs on the of
f beat and the right hand countering with singing fills and runs.
Tempo Range: 90-130
:;1855
Piano, Acoustic, Rhythm CountryBoogie Sw 140
A real moving groove on a acoustic piano with the left hand playing short stabs
on the off beat and the right hand countering with singing fills and runs.
:;1856
Cello, Background PopCountry Ev 085
Warm cello tone with long, drawn out notes, playing linear parts. Very useful a
s a background style behind a singer or soloist.
Tempo Range: 60-110
:;1862
Mandolin, Soloist WesternSwingAndy Sw 165
Bright mandolin playing a swinging solo. The solo has an 8th note feel with som
e 16th note runs included. Most of the playing is kept within the same register
.
:;1863
Mandolin, Soloist WesternSwingAndy Sw 165 (Bluesy)
. This 'Bluesy' variation treats all major chords entered into the chord chart
as 7th chords.
:;1864
Mandolin, Soloist WesternSwingAndy Sw 165
. This double-time variation treats the style as 82.5 bpm, which will work at t
empos between 70 & 100 bpm.
Tempo Range: 60-95
:;1865
Piano, Acoustic, Soloist WesternSwingJohn Sw 165
Hard hitting, bright, acoustic piano playing a swinging 8th note solo. Some 16t
h note fill are played and the register does travel to the higher octave's on oc
casion.
:;1866
Piano, Acoustic, Soloist WesternSwingJohn Sw 165 (Bluesy)
casion. This 'Bluesy' variation treats all major chords entered into the chord
chart as 7th chords.
:;1867
Piano, Acoustic, Soloist WesternSwingJohn Sw 165
casion. This double-time variation treats the style as 82.5 bpm, which will wor
k at tempos between 70 & 100 bpm.
Tempo Range: 70-90
:;1868
Guitar, Resonator, Soloist WesternSwingRob Sw 165
Bright and twangy resonator guitar playing an even 8th style. Played with a sli
de this soloist plays with a western swing feel but also has an even delivery wh
ich means it can be used with both feels.
:;1869
Guitar, Resonator, Soloist WesternSwingRob Sw 165 (Bluesy)
ich means it can be used with both feels. This 'Bluesy' variation treats all ma
jor chords entered into the chord chart as 7th chords.
:;1870
Guitar, Resonator, Soloist WesternSwingRob Sw 165
ich means it can be used with both feels. This double-time variation treats the
style as 82.5 bpm, which will work at tempos between 70 & 100 bpm.
Tempo Range: 65-95
:;1871
Fiddle, Soloist WesternSwingAndy Sw 165
Warm fiddle tone playing a solo which mainly has single note runs in eighth note
s. Some notes are doubled and other times 16th notes are played.
:;1872
Fiddle, Soloist WesternSwingAndy Sw 165 (Bluesy)
s. Some notes are doubled and other times 16th notes are played. This 'Bluesy'
variation treats all major chords entered into the chord chart as 7th chords.
:;1873
Fiddle, Soloist WesternSwingAndy Sw 165
s. Some notes are doubled and other times 16th notes are played. This double-t
ime variation treats the style as 82.5 bpm, which will work at tempos between 70
& 100 bpm. This double-time variation treats the style as 82.5 bpm, which will
work at tempos between 70 & 100 bpm.
Tempo Range: 70-100
:;1874
Western Swing 165 Soloist Medley - Trade 8ths
Switches between all of the 165bpm Western Swing Soloists every 8 bars:
Fiddle
Mandolin
Piano
Resonator Guitar
Pedal Steel
Electric Guitar
:;1875
Mandolin, Soloist CountryAndy Ev 085
Warm acoustic mandolin tone, playing an even 8th-note pattern with some 16th-not
e embellishments. This soloist is relaxed and rarely travels in to the higher r
egister. Works well with slow country, pop or folk styles.
Tempo Range: 65-120
:;1876
Mandolin, Soloist CountryAndy Ev 085 (Bluesy)
Warm acoustic mandolin tone, playing an even 8th-note pattern with some 16th-not
e embellishments. This soloist is relaxed and rarely travels in to the higher r
egister. Works well with slow country, pop or folk styles. This 'Bluesy' varia
tion treats all major chords entered into the chord chart as 7th chords.
Tempo Range: 65-120
:;1877
Fiddle, Soloist CountryRob Ev 120
Bright acoustic fiddle playing a bouncy country solo style. Most phrases are 8t
h-note based, with some 16th-note triplets. Double-stops are frequently used.
Works well with country, pop or folk styles.
:;1878
Fiddle, Soloist CountryRob Ev 120 (Bluesy)
Works well with country, pop or folk styles. This 'Bluesy' variation treats all
major chords entered into the chord chart as 7th chords.
:;1879
Fiddle, Soloist CountryRob Ev 120
Works well with country, pop or folk styles. This double-time variation treats
the style as 60 bpm, which will work at tempos between 55 & 80 bpm.
Tempo Range: 55-80
:;1880
Guitar, Resonator, Soloist CountryTrainRob Ev16 130
Lightning fast, twangy resonator guitar playing an even 16th Train style. This
soloist will work well with other 'Train-Beat' styles, as well as fast bluegrass
styles.
Tempo Range: 95-160
:;1881
Guitar, Resonator, Soloist CountryTrainRob Ev16 130 (Bluesy)
styles. This 'Bluesy' variation treats all major chords entered into the chord
chart as 7th chords.
:;1882
Guitar, Resonator, Soloist CountryTrainRob Ev16 130
styles. This double-time variation treats the style as 60 bpm, which will work
at tempos between 50 & 80 bpm.
Tempo Range: 50-80
:;1883
Piano, Acoustic, Soloist Country12-8John Sw 065
Bright, flowing, acoustic piano with a laid back, swinging country feel. In 128 time but can be used as a solo on a 4/4 shuffle.
Tempo Range: 50-90
:;1884
Piano, Acoustic, Soloist Country12-8John Sw 065 (Bluesy)
Bright, flowing, acoustic piano with a laid back, swinging country feel. In 128 time but can be used as a solo on a 4/4 shuffle. This 'Bluesy' variation trea
ts all major chords entered into the chord chart as 7th chords.
Tempo Range: 50-90
:;1885
Piano, MIDI, Rhythm TexasBluesRockJohn Ev 120
Busy, funky, and bluesy piano grooves. Main playing is steady 8th hammered bass
notes with syncopated chord shots. Lots of bluesy fills, trills, and sometimes
makes use of triplets.
:;1886
Piano, MIDI, Solo-Accompaniment Bluesy12-8John Sw 060
Slow, laid back, expressive piano grooves. Main playing emphasizes held chords o
n beats 1 and 3 using left hand, with lots of swaying melodic arpeggio patterns
played by the right hand.
Tempo Range: 50-85
:;1887
Piano, MIDI, Solo-Accompaniment CountryPopJohn Ev 085
Steady, melodic, inspiring solo-accompaniment piano grooves. Main playing is st
eady 8th arpeggios, often holding bass notes. Fills are simple yet expressive u
sing rising note velocities.
Tempo Range: 75-95
:;1888
Piano, MIDI, Solo-Accompaniment CountryPopJohn Ev 120
Steady, flowing, solo-accompaniment piano grooves. Main playing is steady 8th a
rpeggios with an underlying upbeat percussive rhythm. Fills are very gentle and
feel resolving.
:;1889
Piano, MIDI, Solo-Accompaniment CountrySwingJohn Sw 085
Sustained, flowing, laid back piano grooves. Main playing emphasizes a shuffle
rhythm with chords while the bass notes are played in a swinging arpeggio patter
n. Fills are bluesy and cascading.
Tempo Range: 60-110
:;1890
Piano, MIDI, Solo-Accompaniment CountrySwingJohn Sw 120
Bouncy, steady, upbeat piano grooves. Main playing is swung 8th arpeggios, usin
g lots of sustain for a flowing sound. Fills are fast and rhythmic, sometimes r
eleasing the sustain pedal.
:;1891
Piano, MIDI, Solo-Accompaniment CountryWaltzJohn Sw 085
Flowing, laid back, soulful waltz piano grooves. Main playing emphasizes full ch
ords on each beat with skippy rhythmic notes in between, usually holding sustain
pedal. Cascading fills and occasional trills.
Tempo Range: 60-120
:;1892
Piano, MIDI, Solo-Accompaniment CountryWaltzJohn Sw 140
Simple, bouncy, gentle waltz piano grooves. Main playing is held chords on the
downbeat, partial notes on 2 and 3, with bouncy notes in between. Fills are mel
odic and resolving, sometimes building up energy.
:;1893
Piano, MIDI, Rhythm Bossa Ev 085
Lively, syncopated, jazz comping piano grooves. Main playing is chord hits on b
eat 1 and pushing beat 2. Chords are usually played simple with very little emb
ellishment. Rests often with minimal fills.
Tempo Range: 60-120
:;1894
Piano, MIDI, Rhythm Bossa Ev 140
Percussive, upbeat, jazz comping piano grooves. Main playing emphasizes heavy v
elocities on the down beat, followed by syncopated chord hits decaying in veloci
ty. Simple chord voicings with a bit of outside tensions and almost no fills.
:;1895
Piano, MIDI, Rhythm Jazz Sw 085
Soulful, laid back, percussive jazz comping piano grooves. Main playing is stac
cato chords on beats 2 and 3, and sometimes holding chords on the down beat. Ch
ord voicings are usually simple without much embellishment. Rests are common, m
inimal fills.
Tempo Range: 60-100
:;1896
Lively, bouncy, syncopated jazz comping piano grooves. Main playing is staccato
chords on various beats with a lot pushes, and rests. Voicings are mostly simp
le but wide spread, using jazzy tones during bouncy fills.
:;1897
Percussive, upbeat, bouncy jazz comping piano grooves. Main playing is chords o
n 1 and pushed 3, using lots of rests. Very minimal fills, using mostly rests b
efore resolving phrases.
:;1898
Lively, simple, bouncy jazz comping piano grooves. Main playing is very scatter
ed staccato chords with lots of rests. Voicings are usually simple or partial,
often held during resolving riffs.
:;1899
Piano, MIDI, Rhythm JazzWaltz Sw 085
Percussive, syncopated, waltz jazz comping piano grooves. Main playing is full
held chords on beats 1 or 2, using lots of pushes for a very syncopated feeling.
Chords are often embellished with outside tensions. 4th rests are common with
very minimal fills.
Tempo Range: 60-120
:;1900
Piano, MIDI, Rhythm JazzWaltz Sw 140
Lively, skippy, waltz jazz comping piano grooves. Main playing is very staccato
chords pushed on beat 2 or 3. Rests are common after dissonant embellishments,
often followed by quick resolving fills.
:;1901
Bass, Baby, Bolero Ev 090
Soft electric upright sound playing a laid back groove. The main playing is hel
d notes on beat 1, and often plays the 5th on beat 4. Sometimes simple melodic
fills.
Tempo Range: 75-120
:;1902
Guitar, Acoustic, Background Bolero Ev 090
Gentle, warm nylon string sound playing melodies. The main playing is 8th notes
and often uses simple chords. Often rests for an 8th at the beginning of the b
ar.
Tempo Range: 80-110
:;1903
Guitar, Acoustic, Rhythm Bolero Ev 090
Soft, relaxed nylon string sound playing a steady arpeggio groove. The main pla
ying is steady 8ths, usually holding the root note over the bar. Higher notes ar
e usually grouped together giving a syncopated emphasis.
Tempo Range: 80-110
:;1904
Piano, Acoustic, Rhythm Bolero Ev 090
Rich, sustained piano sound playing a trembling arpeggio groove. The main playi
ng is rising and falling 8ths using a lot of held notes. The energy slowly chan
ges giving a trembling feeling.
Tempo Range: 80-100
:;1905
Piano, Acoustic, Rhythm BoleroMelodic Ev 090
Rich, sustained piano sound playing a melodic arpeggio groove. The main playing
is rising and falling 8ths, with lots of sustained notes. Chords are sometimes
embellished or exchanged for a quick trill or melodic fill.
Tempo Range: 80-110
:;1916
Bass, Acoustic, MIDI, Jazz Sw 085
Simple, laid back, A-B styles jazz bass groove. Main playing is held notes on 1
and 3 during A, and a walking 4th pattern during B. Sometimes plays simple 16t
h fills.
Tempo Range: 60-100
:;1917
Casual, breezy, A-B styles jazz bass groove. Main playing is held notes on 1 an
d 3 during A, and a walking 4th pattern with a few skip notes during B. Minimal
fills in both sub-styles.
:;1918
Cool, groovy, A-B styles jazz bass groove. Main playing is held notes on 1 and
3 during A, and walking 4ths during B. Sometimes skip notes and walking pattern
s during A, and a few jazzy fills during B.
:;1919
Catchy, bluesy, A-B styles jazz bass groove. Main playing is held notes on 1 an
d 3 during A, and a busy walking pattern during B. A section sometimes plays so
me walking notes.
:;899
Synth, Bass, EuroDance ChorusBassStraight Ev16 120
This straight ahead Synth Bass plays on each quarter note of the bar throughout.
The Synth sound has an electric sizzle and a chorus effect has been added. The
re isn't any variation in the playing and this track would be best suited for a
dance number where a steady beat is needed.
This style works best with pop/dance progressions, with chords like:
| G
| Gadd2 | G/B | G/D G/A
| Em |
| Em | Em/G
| Em/G |
| Em9 | Em/G Em/F# Em D |
...but will also work very well with ANY chord types, in ANY key.
:;901
Synth, Bass, EuroDance ChorusBassOffBeat Ev16 120
This Synth Bass track plays on the off beat of beat 1 and then right on beat 2,
then again on the off beat of beat 3 and then right on beat 4. There is also a
lower subtle note played before each main beat. This track is best suited to add
variation to an already moving dance or pop song. There is metallic edge to th
e bass tone and a chorus effect has been added.
| Dm
|F
| F
| G
| Bb
| Dm
| F
| F
| C
| Bb |
| Gm9
| A7b9 |
:;1395
Synth, Rhythm, EuroDance SubduedHitsStraight Ev16 120
This Synth part is played on each beat of the bar. This is a very basic style
which can be used to add a layer to a fast moving dance song. The Synth hits ar
e sharp with a quick decay. They are in the higher register and have a metallic
edge. Try layering this RealTrack into a dance or pop song and use the rest and
holds option to break down and build up a track.
| Am
|Am
| C
|
| G
| Am
|
| C
| D D...bdgs |
| D5.bdgs G5.bdgs |
| G
| D D...bdgs |
:;1644
Synth, Rhythm, EuroDance SubduedHitsOffBeat Ev16 120
Euro Dance Synth with a rhythm pattern that can be added to dance or pop songs.
The synth is played in the following pattern: the eighth note of beat one and th
en beat two, then the eighth note of beat three and then beat four. This Synth c
an be layered into a song by using the rests and holds options.
| C | C/G
| Am |
| C
| C/Bb | C
| Em.d |
|
Em.ds |
| C/E | C/G | C
:;1752
Accordion, Rhythm Pop8ths Ev 110
Classic Accordion playing quarter notes in a pop style. Some 8th note runs are
played but mainly the playing is long whole notes and half notes. The Accordion
has a warm tone with the reeds playing a smooth tone. This
This style works best with pop/country progressions, with chords like:
| D
| A
| E
| D |
| Bm
| E
| G | Bm C |
| D
| A
| C G | D
:;1753
A subtle style of playing for this Fiddle. No aggressive chopping, no runs high
up the register, this is a simple sound which will fit in the background of a s
ong with a mid tempo, even feel. The phrases are eighth note based and are reso
lved with long endings. The fiddle has a classic bright tone but isn't over powe
ring.
| F
| Bb | F
| C
| Am F | Am | C | G C |
| F
| C | Bb | G C |
:;1754
Fiddle, Background Pop8ths Ev 110%%(Outside)
A subtle style of playing for this Fiddle. No aggressive chopping, no runs high
up the register, this is a simple sound which will fit in the background of a s
ong with a mid tempo, even feel. The phrases are eighth note based and are reso
lved with long endings. The fiddle has a classic bright tone but isn't over powe
ring.
| F
| Bb | F
| C
| Am F | Am | C | G C |
| F
| C | Bb | G C |
:;1755
Mandolin, Rhythm Pop8ths Ev 110
Mandolin with a warm tone. Features relaxed playing with open strings ringing t
hrough out the chords. Playing an 8th note pattern with an even feel.
| D
| A
| E
| D |
| Bm
| E
| G | Bm C |
| D
| E
| A G | D
:;1756
Pedal Steel, Rhythm Pop8ths Ev 110
Warm Pedal Steel playing long ringing patterns with lots of sustain. Classic pe
dal steel runs and an even 8th note feel. This Pedal Steel can be used in Countr
y tunes as well as Pop.
:;1812
Bouzouki, Rhythm CelticReel Ev16 110
The Bouzouki is a traditional instrument which has a sharp metallic tone. This B
ouzouki is playing a Celtic Reel style which is based in 16th note patterns. Th
ere are accents on the first and third beat.
This style works best with Folk/country progressions, with chords like:
| C G | Am | C G | Am D |
| C Am | C
| C G | Am D |
| C G | F G | C
| G C |
:;1813
Bouzouki, Rhythm CelticJig Sw 110
The Bouzouki is a traditional instrument which has a sharp metallic tone. This I
rish Bouzouki is played in a swing Jig style, similar to a swinging waltz.
| Am G | Am C G | Am G | Am C |
| Am F | G F | Am F G | Am D |
| Am G | Am G | Am D | Em Am |
:;1814
Guitar, Acoustic, Fingerpicking CelticAir Ev 085
Slow tempo fingerpicked Acoustic Guitar with embellishment added to most chords.
This guitar plays with an even feel and accents beats two and four throughout.
A warm tone with a bright high end this guitar can be played on it's own or pa
ired with other Celtic RealTracks.
| G
| A
| D
| G
| G
| Em | Bm | C
| G F | Em | G C | C G |
:;1815
Guitar, Acoustic, Fingerpicking CelticSlowWaltz Ev 110
A soft, warm acoustic guitar is playing an even feel waltz with embellishment ad
ded to some chords. The playing is eighth note based with lots of open strings
played as well.
| E | A | D A| E|
| E
| C#m | D | A |
| A E | D
| A
| E
:;1822
Synth, Rhythm, EuroDance StackedHitsStraight Ev16 120
This classic synth sound is playing straight quarter notes with no vaitation. T
he Synth has a sharp attack and the decay last for the full quarter note. Try u
sing this RealTrack with other Euro Dance RealTracks and then rest and unrest ce
rtain tracks to build an upbeat dance song.
| G
| Gadd2 | G/B | G/D G/A
| Em |
| Em/G |
| Em | Em/G
| Em9 | Em/G Em/F# Em D |
:;1823
Synth, Rhythm, EuroDance StackedHitsOffBeat Ev16 120
The Stacked in this style Refers to the fact that the notes being played are hig
her in the register. The synth is played in the following pattern: the eighth n
ote of beat one and then beat two, then the eighth note of beat three and then b
eat four. Try using rests to breakdown and build up a pounding dance song.
| F#m
| D
| A
| E
|F#m.ds | D.ds | A.dsg | E.dsgp |

| F#m
| D
| E
A | D
:;1824
Synth, Rhythm, EuroDance EnergyStabStraight Ev16 120
This Synth plays on each quarter note only with no other variation. A delay has
been added to the hits in stereo which adds an element that makes the quarter n
otes sound like eighth notes. If you use the rest, hold or push options you can
create a dance song that breaks down as well and then builds up.
| Dm
| F
| Bb
| C
|F
| Dm
| G
| F
| F
| Bb |
| Gm9
| A7b9 |
:;1857
Synth, Rhythm, EuroDance EnergyStabOffBeat Ev16 120
This Synth has an Off Beat pattern which means it plays mainly on the eighth not
e of beat 1 and 3 and on beats 2 and 4. The tone of the synth is not aggressive
with delay added to added a felling of eighth notes being played. If you use t
he rest, hold or push options you can create a dance song that breaks down as we
ll and then builds up.
| C
| G
| C
| G
| C.b | G.b
| C.B | G.b G.pgb |
|C
| C
| G
| G.s G.sb |
:;1858
Synth, Rhythm, EuroDance HousePianoStraight Ev16 120
A Synth RealTrack that only plays on the beat of each bar. This Synth has 'jang
le' to it which can be layered with other Euro Dance RealTracks that play the sa
me pattern. If certain RealTracks are rested the dance song can be broken down
and then the energy built up again.
| F#m
| D
| A
| E
|F#m.ds | D.ds | A.dsg | E.dsgp |

| F#m
| D
| E
A | D
:;1859
Synth, Rhythm, EuroDance HousePianoOffBeat Ev16 120
This Synth has an Off Beat pattern which means it plays mainly on the eighth not
e of beat 1 and 3 and on beats 2 and 4. The Synth has a Jangle sound and delay a
dded as well to give an almost 16th note feel to the hits. If you use the rest,
hold or push options you can create a dance song that breaks down as well and t
hen builds up.
| C
| G
| C.b | G.b
| C
| G
| C.B | G.b G.pgb |
|C
| G
| C
| G.s G.sb |
:;1860
Synth, Rhythm, EuroDance ChorusHousePianoStraight Ev16 120
This Synth plays only on the beat with no variation. The Synth plays a soft hit
with a little 'jangle' in the decay of the note. If you use the rest, hold or
push options you can create a dance song that breaks down as well and then build
s up.
| D
| G
| D
| F
| D
| G
| D
| F G C D |
| D
| G
| F
| F.b D.b |
:;1861
Synth, Rhythm, EuroDance ChorusHousePianoOffBeat Ev16 120
This Synth plays on the offbeat of beats 1 and 3 for the most part with some bar
s only having the off beat playing on beat 3. This Synth has a metallic tone an
d a chorus effect added. If you use the rest, hold or push options you can crea
te a dance song that breaks down as well and then builds up.
:;1922
Bass, Electric, TexasBluesRockSlow12-8 Sw 060
Thick electric bass tone with some attack in the mids. Walking lines in a swing
8ths feel with some triplet swing played as well. Played in a slow 12/8 time si
gnature which includes triplets on each beat.
This style works best with Rock/Country progressions, with chords like:
| E
| A
| C#m B | A
| E
| B
| B
| E
| E F#m | B |
| F#m | B
:;1923
Guitar, Electric, Rhythm TexasBluesRockSlow12-8Brent Sw 060
Clean electric guitar playing mostly chordal figures in a slow swing 8ths feel.
The tone has a bit of a drive to it but it is not over powering. The Slow Texa
s 12/8 feel is played mostly on the tree higher strings.
| G
| A
| Em | Am
| C
| Bm
| D
| D
|
|
|G A | G C | F
| D
:;1924
Guitar, Electric, Rhythm TexasBluesRockSlow12-8Sol Sw 060
Clean, but biting electric guitar tone playing mostly chords. The playing is 12
/8 based with some quarter notes played as well as triplets. The chords are pla
yed fully with some embellishment or sometimes they are picked out slowly. Try
this RealTrack with other Texas Blues 12/8 RealTracks.
:;1925
Guitar, Electric, Soloist TexasBluesRockSlow12-8Brent Sw 060
Clean electirc guitar tone with a slightly distorted edge. Chordal soloing with
quick runs mixed in. This RealTrack will work with other 12/8 songs or with oth
er 12/8 Texas Blues RealTracks.
| E
| A
| E
| B
| A E |
| E
| A
| E
| A
:;1926
Guitar, Electric, Soloist TexasBluesRockSlow12-8Sol Sw 060
Texas style with a distorted guitar tone. Quick runs mixed in with signing held
notes. This RealTrack works well with other Texas Blues 12/8 RealTracks.
| G
| C
| G
| D
| C
|
|
| G
|
|
D |
:;1927
Guitar, Electric, Soloist TexasBluesRockSlow12-8 Medley Sw 060
A medley of the Brent and Sol soloist styles trading off every 8 bars.
| E
| A
| E
| B
| A E |
| E
| A
| E
| A
:;1928
Piano, Acoustic, Soloist TexasBluesRockSlow12-8John Sw 060
Acoustic piano played in slow swing 8ths feel. Chordal figures and riffs with tr
ills mixed in. The Piano has a bright tone and is played mainly on the middle t
o higher register. The Left hand occasionally plays two note chords but not the
whole time.
| C
| C
| G
| G
| F
| C G |
| F
| C
| C F | C
|
|
:;1929
Synth, Bass, EuroDance VerseBass Ev 120
This Bass Synth plays one note that covers two bars with no other variation. The
Synth is of a low bass with very little tone and a slight attack.Try resting in
struments in the song by placing a period and the the first letter of the tracks
you would like to include to break down the rhythm and build it back up again.
| C
| Eb
| C
| Am
| C.bds | Eb.bds | C.bds | Am.bdsg |

:;1930
Synth, Bass, EuroDance ChorusBass Ev16 120
This synth is played with an early 90's dance rhythm of playing beats 1 2 and 3
straight but then playing on the 16th note before beat 4 and then again on the '
and' of beat 4 for the first bar. Then in the second bar the first beat is push
ed all the way to the eighth note with the rest of the bar remaining the same as
the first. The Bass has a metallic quality with a chorus effect added. Try res
ting instruments in the song by placing a period and the the first letter of the
tracks you would like to include to break down the rhythm and build it back up
again.
| Am
|Am
| Am
| C
|
| G
|
| C
| D D...bdgs |
| D5.bdgs G5.bdgs |
| G
| D D...bdgs |
:;1931
Synth, Bass, EuroDance VerseChorusBassA-B Ev16 120
A Synth Bass with a classic dance sound and rhythm. The Rhythm is based on push
ing the fourth beat with an eighth note played after. The Synth bass has a meta
llic edge with a chorus effect applied as well. Try resting instruments in the s
ong by placing a period and the the first letter of the tracks you would like to
include to break down the rhythm and build it back up again.
| Am
|Am
| Am
| C
|
| G
|
| C
| D D...bdgs |
| D5.bdgs G5.bdgs |
| G
| D D...bdgs |
:;1932
Synth, Rhythm, EuroDance SubduedHits Ev16 120
This synth is played with an early 90's dance rhythm of playing beats 1 2 and 3
straight but then playing on the 16th note before beat 4 and then again on the '
and' of beat 4 for the first bar. Then in the second bar the first beat is push
ed all the way to the eighth note with the rest of the bar remaining the same as
the first. By resting some instruments you can build up the song until all the
RealTracks are playing at once in a full Dance number.
:;1933
Synth, Rhythm, EuroDance StackedHits Ev16 120
This RealTrack plays in a higher register than the other 'Hits' RealTrack. Playi
ng beats 1 2 and 3 straight but then playing on the 16th note before beat 4 and
then again on the 'and' of beat 4 for the first bar, this style has a classic da
nce rhythm.
:;1934
Synth, Rhythm, EuroDance HitsA-B Ev16 120
This RealTrack combines both A and B substyles to allow for more control on the
increase and decrease of intensity of the dance song. In the A section the synt
h is played with an early 90's dance rhythm of playing beats 1 2 and 3 straight
but then playing on the 16th note before beat 4 and then again on the 'and' of b
eat 4 for the first bar.
:;1935
Synth, Rhythm, EuroDance EnergyStab Ev16 120
This classic sounding Synth has an alternating rhythm pattern. One bar plays on
beats 1, 2 and 3 with two more notes on the 'and' of beat 3 and the 16th note a
fter and then on the 'and of beat 4. The other beat is the same with the one va
riation of starting on the 'and' of beat 1.
| Dm
| F
| Bb
| A7b9 |
| Dm
| F
| Gm
| C
| Dm.bds |
| Bb.bds Am.bds |
:;1936
Synth, Rhythm, EuroDance Chorus7Hit Ev16 120
This Synth has a repeating pattern that plays on beats 1, 2 and 3 with two more
notes on the 'and' of beat 3 and the 16th note after and then on the 'and of bea
t 4. Try resting instruments in the song by placing a period and the the first l
etter of the tracks you would like to include to break down the rhythm and build
it back up again.
| Am
|Am
| C
|
| G
| Am
| D D...bdgs |
| C
| D5.bdgs G5.bdgs |
| G
| D D...bdgs |
:;1937
Synth, Rhythm, EuroDance Chorus7HitStraight Ev16 120
Playing on just the quarter note of every bar. This Synth has a classic metallic
sound and would fit well layered with other Synth RealTracks that play just on
the beat. Try resting instruments in the song by placing a period and the the fi
rst letter of the tracks you would like to include to break down the rhythm and
build it back up again.
:;1938
Synth, Rhythm, EuroDance Chorus7HitOffBeat Ev16 120
This Synth RealTrack plays a basic off beat pattern where it plays on the 'and'
of beats 1 and 3 and on beats 2 and 4. The synth has a sharp metallic tone and
can be layered with other Synth RealTracks that play the same pattern. Try resti
ng instruments in the song by placing a period and the the first letter of the t
racks you would like to include to break down the rhythm and build it back up ag
ain.
| Am
|Am
| Am
| C
|
| G
|
| C
| D D...bdgs |
| D5.bdgs G5.bdgs |
| G
| D D...bdgs |
:;1939
Synth, Rhythm, EuroDance Stab7HitA-B Ev16 120
2 synth patches playing single notes in A-B style: warped percussive synth playi
ng root note octaves during A, rich pizzicato strings synth playing single notes
during B. The main playing is staccato 16ths on beats 1 & 2 & 3 followed by th
ree pushed 16ths.
:;1940
Synth, Rhythm, EuroDance HousePiano Ev16 120
Heavy handed synthetic piano synth with heavy delay playing simple simple chords
. The main playing is staccato 16ths on beats 1 & 2 & 3 followed by two pushed 1
6ths. Try resting instruments in the song by placing a period and the the first
letter of the tracks you would like to include to break down the rhythm and buil
d it back up again.
| Am
|Am
| C
|
| G
| Am
| D D...bdgs |
| C
| D5.bdgs G5.bdgs |
| G
| D D...bdgs |
:;1941
Synth, Rhythm, EuroDance ChorusHousePiano Ev16 120
Rich synthetic piano synth with heavy delay playing simple simple chords. The ma
in playing is staccato 16ths on beats 1 & 2 & 3 followed by two pushed 16ths.
:;1942
Synth, Rhythm, EuroDance HousePianoA-B Ev16 120
2 synth patches playing single notes in A-B style: heavy handed synthetic piano
synth playing root note octaves during A, rich synthetic piano synth playing sin
gle notes during B. The main playing is staccato 16ths on beats 1 & 2 & 3 follo
wed by three pushed 16ths. Try resting instruments in the song by placing a peri
od and the the first letter of the tracks you would like to include to break dow
n the rhythm and build it back up again.
| Am
|Am
| Am
| C
|
| G
|
| C
| D D...bdgs |
| D5.bdgs G5.bdgs |
| G
| D D...bdgs |
:;1943
Synth, Rhythm, EuroDance Strings Ev 120
Fuzzy warm strings synth with chorus effect playing simple voiced chords. The ma
in playing is held chords played, changing inversions as to stay in a mid-regist
er. Try resting instruments in the song by placing a period and the the first le
tter of the tracks you would like to include to break down the rhythm and build
it back up again.
| Dm
| F
| Bb
| A7b9 |
| Dm
| F
| Gm
| C
| Dm.bds |
| Bb.bds Am.bds |
:;1944
Synth, Rhythm, EuroDance WhinyPan Ev 120
Rich multi-voiced strings synth with frequency phaser effect playing 2-note chor
ds. The main playing is held notes, using 2 notes of each chord, usually rooth
& 5th. Try resting instruments in the song by placing a period and the the first
letter of the tracks you would like to include to break down the rhythm and bui
ld it back up again.
| Am
|Am
| C
|
| G
| Am
| D D...bdgs |
| C
| D5.bdgs G5.bdgs |
| G
| D D...bdgs |
:;1945
Guitar, Acoustic, Rhythm GroovinFolk Ev 085
This gently played acoustic guitar RealTrack plays a combination of Jazz chord p
rogressions and Pop chord progressions. The tone of this acoustic guitar is war
m with a bright edge and a laid back groove . The playing is a combination of s
ingle note phrases and picked chords. This slower paced RealTrack is suited for
Jazz or Pop ballads and can include other Jazz RealTracks or can be combined wi
th Pop and Country RealTracks. Most major chords are treated as sus chords whic
h compliment the Folk sound of this RealTrack.
This style works best with jazz progressions, with chords like:
| Cmaj7
| Dbdim
| E7
| A7
|Bb7
| Ab7
| Dm7
| Dm7
| Fmaj7
|G7
| G7
|
| G7sus
:;1946
Mandolin, Rhythm ModernCountrySync Ev16 100
This RealTrack Mandolin style plays throughout with a bright, chime-like tone. T
he style consists of syncopated 16th note playing. The syncopated nature of the
rhythm gives it a lively character. The Realtracks style could be used in many p
op/country/folk situations.
| G
| Em | C
| D
| Am |
| Em |
| G C | D
| Am D | G |
:;1947
Mandolin, Rhythm PopModernGrooveAndy Ev16 075
This RealTrack Mandolin style plays throughout with a bright tone. The style con
sists mostly of 16th note rhythmic playing with the addition of single note phra
ses for variation. This Realtracks style could be used in many pop/country/folk
situations.
| E
| C#m | A
| F#m |
| E A | B
| B
| C#m |
| F#m B | E |
:;1948
Mandolin, Rhythm PopUpliftingAndy Ev16 120
This RealTrack is a bright toned rhythm mandolin, playing an even 16 strumming p
attern. The strumming pattern gives this RealTrack a sense of anticipation. Th
e tone of the mandolin is crisp and the strummed chords are sometimes accented w
ith quarter note phrases worked into the chord embellishment. This style sounds
great when accompanied with the other PopUplift styles.
150 bpm
Tempo Range: 95
:;1949
Piano, Acoustic, Soloist PopRootsyJohn Ev16 100
This bouncy piano soloist with a bright tone is suited best for upbeat compositi
ons that would benefit from a
powerful solo. The playing is a combination of single note, double note and tria
ds. The scales played favour 2nd and 4th notes to give the sound a folk edge. Th
e player attacks the keyboard to give this RealTrack an extremely upbeat edge.
This style works best with pop/rock/country progressions, with chords like:
| G
| C
| F
| C
| Em
| D C | G
| Am
| G
| C D | F
| G
|
|
|
:;1951
Sax, Alto, Soloist TexasBluesRockNRollMark Ev 165
This high-energy alto saxophone soloist combines classic Blues licks with an upb
eat Rock n Roll feel that will make you feel like you re back in the 50s. The riffs
maintain an underlying straight eighth-note feel while throwing in the occasiona
l fast run. Phrases mostly begin right on the beat but sometimes start througho
ut the bar. The player s tone is very powerful and will command your attention, mu
ch like a saxophone player taking center stage in a Rock n Roll band.
This style works best with Blues/Rock progressions, with chords like:
| A
| D
| A
| A
| D
| D
| A
| A
| E
| D
| A
| E
:;1952
Sax, Alto, Soloist TexasBluesRockNRollMark Ev 165 [Double Time]
This Double Time high-energy alto saxophone soloist combines classic Blues licks
with an upbeat Rock n Roll feel that will make you feel like you re back in the 50s.
The riffs maintain an underlying straight eighth-note feel while throwing in t
he occasional fast run. Phrases mostly begin right on the beat but sometimes st
art throughout the bar. The player s tone is very powerful and will command your a
ttention, much like a saxophone player taking center stage in a Rock n Roll band.
This style works best with Blues/Rock progressions, with chords like:
| A
| D
| A
| A
| D
| G
| A
| E
| E
| D G | A
| E
:;1953
Sax, Alto, Soloist TexasBluesRockShuffleMark Sw 130
This Alto Sax soloist is playing a classic TexasBluesRock Shuffle which is great
for any swinging up tempo number. The Alto sax has a recognizable sound which
fits in great with Country, Rock or Pop tunes. The playing is sixteenth note ba
sed with some eighth note phrases played as well. The Alto sax utilizes its ful
l range so it can play mellow low notes and wailing high notes. This RealTrack s
oloist pairs up perfectly with other TexasBluesRock Shuffle RealTracks.
:;1954
Sax, Alto, Soloist TexasBluesRockShuffleMark Sw 130 [Double Time}
Double Time Alto Sax soloist is playing a classic TexasBluesRock Shuffle which i
s great for any swinging up tempo number. The Alto sax has a recognizable sound
which fits in great with Country, Rock or Pop tunes. The playing is sixteenth
note based with some eighth note phrases played as well. The Alto sax utilizes
its full range so it can play mellow low notes and wailing high notes. This Real
Track soloist pairs up perfectly with other TexasBluesRock Shuffle RealTracks.
:;1955
Sax, Alto, Soloist TexasBluesRockSlow12-8Mark Sw 060
This RealTrack Alto Sax style possesses a bright, singing tone able to cut throu
gh any mix. The phrases consist of 16th note runs with many tuplet figures used.
The playing ranges from low, mellow notes to screaming high notes. The rhythm i
s played with a swing 8ths feel. This Realtracks style could be used in many blu
es/rock situations.
| E
| C#m | A
| F#m |
| E A | B
| B
| C#m |
| F#m B | E |
:;1956
Sax, Alto, Soloist TexasBluesRockStraightMark Ev 120
Bright, rocking feel from the alto sax soloist. Phrases are played with an even
16th feel. The Alto sax has a bright tone which has breaks up when higher up the
scale. The entire register of the Alto Sax is used.
| E
| A
| E |
| E
| B A | B
| B
| A
| B
|
| E
| A E |
:;1957
Sax, Alto, Soloist TexasBluesRockStraightMark Ev 120 [Double
Double Time, bright, rocking feel from the alto sax soloist.
with an even 16th feel. The Alto sax has a bright tone which
higher up the scale. The entire register of the Alto Sax is
Time]
Phrases are played
has breaks up when
used.
| E
| A
| E |
| E
| B A | B
| B
| A
| B
|
| E
| A E |
:;1958
Bass, Baby, Guajira Ev 120
This Baby Bass is playing the Guajira style, this consists of playing on beat 1,
pushing beat 3 and playing on beat 4 with many variations played of that rhythm
in an even eighth note feel. The tone of the bass is tighter than a regular ba
ss and it also has an electric sound.
This style works best with Jazz progressions, with chords like:
| Ebm7
| Abm7
| B7
| Bb7 |
| Ebm7
| Fm7b5 Bb7 | Abm7 Adim | Bb7 |
| Fm7b6
| Bb7
:;1959
Piano, Acoustic, Rhythm Guajira Ev 120
A Guajira Acoustic Piano accents the first beat and the push into the third beat
mainly. Played in an even eighth style, the piano has a bright tone which is c
ommon among Latin music. This RealTrack is meant to be accompanied by other Gua
jira RealTracks.
:;1960
Tres, Rhythm Guajira Ev 120
The Tres is a Latin instrument which has 3 groups of 2 stings. This instrument i
s native to Cuba and has a bright metallic tone which shines over other instrume
nts it plays with. This Tres is playing a Guajira style which accents beat 1 an
d the push into beat 3.
| Dm7 Gm7 | Amaj7 DbDim | Dm7 Gm7 | Amaj7 DbDim |
| Fmaj7 | F#dim
| Am7b5
| D7
| Gm7
| Gm7
| C7
| C7
|
|
:;1961
Bass, Baby, Guaracha32 Ev 180
This Baby Bass plays a Guaracha style which mainly accents the first beat, the e
ighth note of beat 2 and then beat 4 with variations. The Baby Bass has a tight
er bass sound then other Jazz bass due to its smaller size. The playing also has
a snap to the strings which can be heard in anticipation of some notes.
:;1962
Bass, Baby, Guaracha32Push Ev 180
This Baby Bass plays a GuarachaPush style which leaves out the accent on the fir
st beat, and accents the eighth note of beat 2 and then beat 4 with variations.
The Baby Bass has a tighter bass sound then other Jazz bass due to its smaller
size. The playing also has a snap to the strings which can be heard in anticipat
ion of some notes.
| Gm7
| F7
| Eb7 D7 | Gm7 |
| Gm7 | Bb7 | Eb7 D7 | Gm7 |

| Gm7 | F7
| BbMaj7 | D7 |
:;1963
Piano, Acoustic, Rhythm Guaracha Ev 180
The Acoustic Piano Guaracha is playing with an even feel. The rhythm accents bea
ts 1 the push into beat 3 and beat 4 with a variation includes pusing into beat
1 as well. The Acoustic Piano has a bright tone which is common with Latin styl
es of music. The playing is mainly eighth notes an quarter notes.
:;1964
Clarinet, BackgroundSoloist DixielandMedium Sw 110
Bright clarinet tone swinging through some Dixieland style, 8th note phrases. T
his variation plays shorter phrases with more space, and works well as an A-subs
tyle, and also works well with other BackgroundSoloist styles playing at the sam
e time. The Clarinet has a classic bright tone and uses the entire range.
:;1965
Clarinet, Soloist DixielandMedium Sw 110
he register is covered almost completely for this style. The Clarinet has a clas
sic bright tone with a warm edge.
:;1966
Clarinet, Soloist DixielandMediumA-B Sw 110
he A substyle plays shorter phrases with more space between them, and switches t
o full-on soloing at B. The Clarinet has a classic bright tone with a warm edge
and uses the entire range.
| AbMaj7 |
| Ab7
| Db7 | Ddim |
| Eb7
| AbMaj7 Fm7 | Bbm7 Eb7 | Abmaj7 Db7 | Abmaj7 |

:;1967
Clarinet, Soloist DixielandMediumA-B Sw 110%%(Bluesy)
he A substyle plays shorter phrases with more space between them, and switches t
o full-on soloing at B. The Clarinet has a classic bright tone with a warm edge
and uses the entire range. The "Bluesy" variation allows for b7 notes in the mel
ody to be played on major chords.
:;1968
Clarinet, Soloist DixielandMediumA-B Sw 110 [Double-Time]
Bright, Double-Time,clarinet tone swinging through some Dixieland style, 8th not
e phrases. The A substyle plays shorter phrases with more space between them, a
nd switches to full-on soloing at B.

:;1969
Trombone, BackgroundSoloist DixielandMedium Sw 110
Smooth trombone playing a classic Dixieland style with smooth transitions betwee
n notes. This variation plays shorter phrases with more space, and works well a
s an A-substyle, and also works well with other BackgroundSoloist styles playing
at the same time.
:;1970
Trombone, Soloist DixielandMedium Sw 110
n notes. Played in a swing style which will fit in with other Dixieland instrum
ents trading solo's.
:;1971
Trombone, Soloist DixielandMediumA-B Sw 110
ents trading solo's. The A substyle plays shorter phrases with more space betwe
en them, and switches to full-on soloing at B.
| Cmaj7 | A7
| Dm7
| Cmaj7
| G7
| Ebdim |
|
|Em7 A7 | Dm7 G7 | Cmaj7 F7 | Cmaj7 |

:;1972
Trombone, Soloist DixielandMediumA-B Sw 110%%(Bluesy)
ents trading solo's. The A substyle plays shorter phrases with more space betwe
en them, and switches to full-on soloing at B. The "Bluesy" variation allows for
b7 notes in the melody to be played on major chords.
:;1973
Trombone, Soloist DixielandMediumA-B Sw 110 [Double-Time]
Smooth Double-Time trombone playing a classic Dixieland style with smooth transi
tions between notes. Played in a swing style which will fit in with other Dixie
land instruments trading solo's. The A substyle plays shorter phrases with more
space between them, and switches to full-on soloing at B.
:;1974
Trumpet, BackgroundSoloist DixielandMedium Sw 110
Classic trumpet sound playing in a swinging Dixieland style. This variation pla
ys shorter phrases with more space, and works well as an A-substyle, and also wo
rks well with other BackgroundSoloist styles playing at the same time.
:;1975
Trumpet, Soloist DixielandMedium Sw 110

Classic trumpet sound playing in a swinging Dixieland style. This Trumpet has a
classic tone and is only playing in a full-on soloing mode. The Trumpet has a cl
assic bright tone and plays mainly eighth notes with some triplet feel added.
:;1976
Trumpet, Soloist DixielandMediumA-B Sw 110
Classic trumpet sound playing in a swinging Dixieland style. The A substyle pla
ys shorter phrases with more space between them, and switches to full-on soloing
at B. The Trumpet has a classic bright tone and plays mainly eighth notes with
some triplet feel added.
| Ebmaj7 |
| Bb7 |
| Ebmaj7 | Bb7 | Ab7 | Ebmaj7 |

| Bb7
| Ebmaj7
| Ab7
| Bb7
:;1977
Trumpet, Soloist DixielandMediumA-B Sw 110%%(Bluesy)
Classic trumpet sound playing in a swinging Dixieland style.
ys shorter phrases with more space between them, and switches
at B. The Trumpet has a classic bright tone and plays mainly
some triplet feel added. The "Bluesy" variation allows for b7
y to be played on major chords.
The A substyle pla

to full-on soloing
eighth notes with
notes in the melod

:;1978
Trumpet, Soloist DixielandMediumA-B Sw 110 [Double-Time]
Classic Double-Time trumpet sound playing in a swinging Dixieland style. The A
substyle plays shorter phrases with more space between them, and switches to ful
l-on soloing at B. The Trumpet has a classic bright tone and plays mainly eighth
notes with some triplets added.
:;1979
Guitar, Acoustic, Soloist DixielandMedium Sw 110
Bright Acoustic Guitar swinging Dixieland style playing 8th note based phrases.
Played with a laid back feel, this style is best played with other Dixieland Rea
lTracks.
| Gm7 | D7 | Gm7
| C7
| F7
| D7
| G7 |
| Bbmaj7 | D7
| Gm7
:;1980
Guitar, Acoustic, Soloist DixielandMedium Sw 110%%(Bluesy)

lTracks. The "Bluesy" variation allows for b7 notes in the melody to be played o
n major chords.
:;1981
Guitar, Acoustic, Soloist DixielandMedium Sw 110
lTracks. This RealTrack is played in double-time which is best suited for slower
tempo compositions.
:;1982
Clarinet, Soloist DixielandMedium Sw 110
he register is covered almost completely for this style.
:;1983
Clarinet, BackgroundSoloist DixielandMedium Sw 110
his variation plays shorter phrases with more space, and works well as an A-subs
tyle, and also works well with other Background Soloist styles playing at the sa
me time.
:;1984
Guitar, Acoustic, Rhythm EZListening Sw 085
A gently strummed acoustic guitar with a swing rhythm that is a combination of n
otes on each beat of the bar and a push into beat 3. Also included are some phr
ases that walk chords up into the next chord. The Acoustic guitar has a bright
tone and is played using the full range of the guitar.
This style works best with Jazz or Pop progressions, with chords like:
| F
| Fmaj7 | F7
| Bb
| Fmaj7 Dm7 | Gm7 C7 | Fmaj7 Dm7 | Gm7 C7 |

| Bbm7 Eb7 | Abmaj7 | C G7 | Gm7 C7 |
:;1985
Guitar, Acoustic, Rhythm EZListening Sw 140
This uptempo, bouncy, acoustic guitar plays a swing style over a combination of
Jazz and Pop chords. The acoustic guitar has a bright tone and is played higher
up on the neck of the guitar. The accent in the rhythm of this style is on bea
ts 2 and 4.
| C
| C
| Cmaj7
| F
| G
| Gmaj7
| G F | C
| Gm7 F | C Am7 | F G | C
:;1986
Guitar, Acoustic, Rhythm JazzWaltzFreddie Sw 085
A basic Jazz chording Waltz guitar with the playing on each beat of the bar. Th
e acoustic guitar has a bright tone and is playing jazz phrasing throughout.
:;1987
Guitar, Acoustic, Rhythm JazzWaltzFreddie Sw 110
A basic Jazz chording Waltz guitar with the playing on each beat of the bar. Th
e acoustic guitar has a bright tone and is playing jazz phrasing throughout.
:;1988
Guitar, Electric, Soloist BossaSlow Ev 085
A bright bouncy Bossa Soloist playing with an even feel in a combination of eigh
th notes and 16th notes. The Electric guitar has a warm tone and takes full adva
ntage of the guitars range.
| Dm7
| Em7b5 A7 | Dm7
| C7
| D7
| G7
| G7
| Em7b5 A7
| Bbmaj7 | Gm7 C7 | Fmaj7 Dm7 | Gm7 C7 |

:;1989
Guitar, Electric, Soloist BossaSlow Ev 085%%(Bluesy)
A bright bouncy Bossa Soloist playing with an even feel in a combination of eigh
th notes and 16th notes. The Electric guitar has a warm tone and takes full adva
ntage of the guitars range. The "Bluesy" variation allows for b7 notes in the me
lody to be played on major chords.
:;1990
Piano, Acoustic, Rhythm 40s Boogie Sw 160
Bouncy Acoustic Piano that plays a stride style with the left hand and and melod
ic fills with the right. The Piano has a bright and warm sound and sounds best
with simple chord progessions.
This style works best with Rock/Pop progressions, with chords like:
| E
| E
| E
| A
| B
| A
| A
| B
| E
| E
|
|

:;1991
Piano, Acoustic, Rhythm Jazz4toBarComp Sw 085
This Acoustic Piano plays with a swinging, steady, Jazz style. The left hand pl
ays on each quarter note keeping a steady rhythm behind the left hands full rang
e of the keyboard. The right hand takes a lead role in this RealTrack.
:;1992
Piano, Acoustic, Rhythm Jazz4toBar Sw 140
This acoustic Piano plays with a swinging, steady, Jazz style. The left hand pl
ays on each quarter note keeping a steady rhythm behind the left hands full rang
e of the keyboard. The right hand takes a lead role in this RealTrack.
:;1993
Piano, Acoustic, Rhythm Jazz4toBar Sw 190
This acoustic Piano plays with a swinging, steady, fast paced Jazz style. The l
eft hand plays on each quarter note keeping a steady rhythm behind the left hand
s full range of the keyboard. The right hand takes a lead role in this RealTrac
k.
:;1994
Piano, Acoustic, Rhythm SmoothJazzBallad Ev16 065
A smooth Acoustic piano Jazz Ballad playing an Ev 16 style. The phrases include
long held chords while others include 16th note phrases. The Acoustic piano ha
s a warm bright sound and the attack varies from gentle to slightly aggressive.
:;1995
Piano, Acoustic, Rhythm SmoothJazzCool Sw16 075
This is a RealTrack of a warm acoustic piano playing a swinging sixteenth note b
ased style. Some of the chords are held for the start of the bar, other phrases
accent the beat after a sixteenth note swing. The Piano has a classic smooth Ja
zz sound and is played mainly in the middle register.
:;1996
Piano, Acoustic, Rhythm SmoothJazzPoppy Ev16 090
An Acoustic Piano with an even 16 feel. This smooth jazz style is relaxed and o
ften times just quarter notes are played through a bar. Other times eighth note
s are played. The piano has a warm mellow tone and can be used with other Smoot
h Jazz Poppy RealTracks.
This style works best with Jazz/Pop progressions, with chords like:
| Cmaj7 | D
| C
| Am
| Gmaj7 | C7 |
| C
| Am7 | Fmaj7 | G
| D
| C
|
|
:;1997
Piano, Acoustic, Rhythm SmoothJazzCool Sw16 100
This Smooth Jazz Cool RealTrack is played with a swinging sixteenth feel. There
is a bounce to the playing and the phrases vary from 16th note based to whole c
hords being held. The acoustic piano has a mellow tone and sounds bright in the
high end.
:;1998
Piano, Acoustic, Rhythm JazzFunkGroovin Ev16 110
This acoustic piano style is played with an even sixteenth feel. The phrases va
ry from held chords to single note phrases that cover the middle range of the pi
ano. The acoustic piano has a vibrant tone which is well suited for a 'Groovin'
RealTrack Piano.
This style works best with Jazz/Pop progressions, with chords like:
| Cm7 |
| Bbmaj7
| Gmaj7 | C7 |
| Am7b5 | Cm7
| Am7 | Fmaj7 | G7
| D7
| Cm7
:;1999
Pedal Steel, Soloist Country12-8Paul Sw 065
This RealTrack has a warm tone which allows the notes to blend together. The pl
aying is in single and double note phrases with an eighth note feel in the mid r
egister, never going extremely high or low on the register. The Pedal Steel pla
ys a dominant 7th in the phrases. This RealTrack is perfect for a laid back 'mo
zy' type of country Ballad.
| C
| Am
| F
| Em
| C D | G
| G
| C
| Dm
| Em
| C
| C
Tempo Range 50 - 90 bpm
:;2000
Pedal Steel, Soloist Country12-8Paul Sw 065%%(Bluesy)
This RealTrack has a warm tone which allows the notes to blend together. The pl
aying is in single and double note phrases with an eighth note feel in the mid r
egister, never going extremely high or low on the register. The Pedal Steel pla
ys a dominant 7th in the phrases. This RealTrack is perfect for a laid back 'mo
zy' type of country Ballad. The "Bluesy" variation allows for b7 notes in the me
lody to be played on major chords.
| C
| Am
| F
| Em
| C D | G
| G
| Dm
| C
| Em
|
| C
| C
|
|
Tempo Range 50 - 90 bpm

:;2001
This shimmering Pedal Steel plays a combination of single note and multi note ph
rases which is intended to be used for solo sections of songs. The long held no
tes at the end of phrases give resolution to the riff which makes this one of th
e least 'busy' solos. The phrases aren't crammed full of as many notes as the p
layer can play which makes this RealTrack perfect for a laid back country ballad
composition.
| C
| G
| F
| C
| Em
| Am
| C
| F
| G
| F G C |
Tempo Range 60
100 bpm
:;2002
Pedal Steel, Soloist CountryPaul Ev 085%%(Bluesy)
This shimmering Pedal Steel plays a combination of single note and multi note ph
rases which is intended to be used for solo sections of songs. The long held no
tes at the end of phrases give resolution to the riff which makes this one of th
e least 'busy' solos. The phrases aren't crammed full of as many notes as the p
layer can play which makes this RealTrack perfect for a laid back country ballad
composition. The "Bluesy" variation allows for b7 notes in the melody to be pla
yed on major chords.
| C
| G
| F
| C
| Em
| Am
| C
| F
| G
| F G C |
Tempo Range 60 100
:;2003
This fast paced, warm and shinning tone of this Pedal Steel is played with an ev
en 8 feel. For an uptempo RealTrack, there is not an over abundance of notes, t
he playing is kept simple and phrases are resolved nicely. The playing consits
mainly of single note phrases with double note phrases added which is common for
a PealSteel.
| E
| C#m
| A
| B
| F#m
| E D | B
| E
| A
|
| C#m
| C#m F#m | E
|
|
:;2004
Pedal Steel, Soloist CountryPaul Ev 165%%(Bluesy)
This fast paced, warm and shinning tone of this Pedal Steel is played with an ev
en 8 feel. For an uptempo RealTrack, there is not an over abundance of notes, t
he playing is kept simple and phrases are resolved nicely. The playing consits
mainly of single note phrases with double note phrases added which is common for
a PealSteel. The "Bluesy" variation allows for b7 notes in the melody to be pla
yed on major chords.
| E
| C#m
| A
| B
| F#m
| E D | B
| E
| A
|
| C#m
| C#m F#m | E
|
|
:;2005
Pedal Steel, Soloist CountryPaul Ev 165 [Double-Time]
This Dounle-Time fast paced, warm and shinning tone of this Pedal Steel is playe
d with an even 8 feel. For an uptempo RealTrack, there is not an over abundance
of notes, the playing is kept simple and phrases are resolved nicely. The play
ing consits mainly of single note phrases with double note phrases added which i
s common for a PealSteel.
| E
| C#m
| A
| B
| F#m
| E D | B
| E
| A
|
| C#m
| C#m F#m | E
|
|
:;2006
Pedal Steel, Soloist CountryWaltzPaul Sw 085
This RealTrack Pedal Steel has a warm tone with riffs that blend together in a W
altz feel. Most of the phrases consist of two notes but also some single note r
uns are played. The scale used plays a dominant 7th which is common with countr
y/pop music. This RealTracks will work well as a solo added to a waltz ballad bu
t also works with any other type of waltz in this tempo range.
| D
| Bm
| E
| A
| F#m | E
| D E | A
| G
| D
| D
| D
|
|
Tempo Range 70
110 bpm
:;2007
Pedal Steel, Soloist CountryWaltzPaul Sw 085%%(Bluesy)
This RealTrack Pedal Steel has a warm tone with riffs that blend together in a W
altz feel. Most of the phrases consist of two notes but also some single note r
uns are played. The scale used plays a dominant 7th which is common with countr
y/pop music. This RealTracks will work well as a solo added to a waltz ballad bu
t also works with any other type of waltz in this tempo range. The "Bluesy" vari
ation allows for b7 notes in the melody to be played on major chords.
| D
| Bm
| E
| A
| F#m | E
| D E | A
| G
| D
| D
| D
|
|
Tempo Range 70 110 bpm
:;2008
Fiddle, Soloist CountryWorkinRob Ev16 090
This soloist fiddle is played in the country working Rob style with an Ev16 feel
. The relaxed feel of this soloist makes it a great addition to any medium temp
o country number. Playing mainly single 16th note runs and phrases with some do
uble notes played as well. This style treats 7th notes of the scale as a flat 7t
h. The fiddle has a sharp tone and the player fully utilizes the entire fingerb
oard.
| C
| G
| Em | Am
| F
| C
| F G | C
| C G | F | C D | G |
:;2009
Fiddle, Soloist CountryWorkinRob Ev16 090%%(Bluesy)
This soloist fiddle is played in the country working Rob style with an Ev16 feel
. The relaxed feel of this soloist makes it a great addition to any medium temp
o country number. Playing mainly single 16th note runs and phrases with some do
uble notes played as well. This style treats 7th notes of the scale as a flat 7t
h. The fiddle has a sharp tone and the player fully utilizes the entire fingerb
oard. The "Bluesy" variation allows for b7 notes in the melody to be played on m
ajor chords.
| C
| G
| Em | Am
| F
| C
| F G | C
| C G | F | C D | G |
|
|
:;2010
Guitar, Resonator, Soloist CountryWorkinRob Ev16 090
This RealTrack Guitar Resonator style possesses a bright, but warm, singing tone
. Played with an even 16ths feel, the passages consist of single note runs mixed
with some chords. This RealTracks style soloist could be used in many country s
ong situations.
| A
| F#m | D
| E
| Bm |
| F#m |
| A D | A
| Bm E | A |
:;2011
Guitar, Resonator, Soloist CountryWorkinRob Ev16 090%%(Bluesy)
. Played with an even 16ths feel, the passages consist of single note runs mixed
with some chords. This RealTracks style soloist could be used in many country s
ong situations. The "Bluesy" variation allows for b7 notes in the melody to be p
layed on major chords.
| A
| F#m | D
| E
| Bm |
| F#m |
| A D | A
| Bm E | A |
:;2012
Piano, Acoustic, Soloist CountryWorkinJohn Ev16 90
This hard hitting dynamic RealTrack soloist piano is played with an even feel.
The piano has a bright tone and it takes full advantage of the entire keyboard r
ange. The playing includes lots of triplets and 16th note runs, played in singl
e note, octaves, and triads which give this soloist a real bounce. This soloist
would fit well with a medium tempo song with other hard hitting RealTracks.
| G
| Em
| G
| F
| D
| G
| F
| D Em | F
| C
| G
|
|
| C G |

:;2013
Piano, Acoustic, Soloist CountryWorkinJohn Ev16 90%%(Bluesy)
This hard hitting dynamic RealTrack soloist piano is played with an even feel.
The piano has a bright tone and it takes full advantage of the entire keyboard r
ange. The playing includes lots of triplets and 16th note runs, played in singl
e note, octaves, and triads which give this soloist a real bounce. This soloist
would fit well with a medium tempo song with other hard hitting RealTracks. The
"Bluesy" variation allows for b7 notes in the melody to be played on major chor
ds.
| G
| Em
| G
| F
| G
| D
| C
| F
| D Em | F
| G
| C G |
:;2014
Sax, Alto, Soloist CountryTrainMark Ev16 130
This bouncy upbeat Alto sax is played with a driving Train feel. The riffs are
combinations of eight notes and sixteenth note phrases with syncopation added to
give the playing a bouncy feel. The Alto sax has a smooth tone with a sharp ed
ge when notes are held. The phrases played have a resolution to them so they fl
ow nicely from one to another. The train style gets its name from feel it evoke
s, the sound a train makes as it is driving down the track.
| G
| D
| C
| Em D | Em
| G
| C D | G
| Bm C | D
| C D | G
|
|
160 bpm
Tempo Range: 110
:;2015
Sax, Alto, Soloist CountryTrainMark Ev16 130%%(Bluesy)
This bouncy upbeat Alto sax is played with a driving Train feel. The riffs are
combinations of eight notes and sixteenth note phrases with syncopation added to
give the playing a bouncy feel. The Alto sax has a smooth tone with a sharp ed
ge when notes are held. The phrases played have a resolution to them so they fl
ow nicely from one to another. The train style gets its name from feel it evoke
s, the sound a train makes as it is driving down the track. The "Bluesy" variati
on allows for b7 notes in the melody to be played on major chords.
| G
| D
| Em D | Em
| C
| G
| Bm C | D
| C D | G
| C D | G
Tempo Range: 110
160 bpm
:;2016
Sax, Tenor, Soloist CountryShuffleMark Sw 120
This laid-back tenor saxophone soloist has an abundance of smooth and sultry pla
ying that lends itself to a country swing mix very well. The style of riffs var
ies from dramatic held notes to quick and soulful sixteenth note runs. The star
t point of riffs is tastefully syncopated in order to compliment other RealTrack
s and shine without being intrusive. The player s tone has an adequate amount of
bite but is never overwhelming.
| G
| C
| D
| G
| G Em | D Am | C
| D
| G C | F
| F
| G
|
|
:;2017
Sax, Tenor, Soloist CountryShuffleMark Sw 120%%(Bluesy)
This laid-back tenor saxophone soloist has an abundance of smooth and sultry pla
ying that lends itself to a country swing mix very well. The style of riffs var
ies from dramatic held notes to quick and soulful sixteenth note runs. The star
t point of riffs is tastefully syncopated in order to compliment other RealTrack
s and shine without being intrusive. The player s tone has an adequate amount of
bite but is never overwhelming. The "Bluesy" variation allows for b7 notes in th
| G
| C
| D
| G
| G Em | D Am | C
| D
| G C | F
| F
| G
|
|
:;2018
Sax, Tenor, Soloist CountryShuffleMark Sw 120 [Double-Time]
This Double-Time laid-back tenor saxophone soloist has an abundance of smooth an
d sultry playing that lends itself to a country swing mix very well. The style
of riffs varies from dramatic held notes to quick and soulful sixteenth note run
s. The start point of riffs is tastefully syncopated in order to compliment oth
er RealTracks and shine without being intrusive. The player s tone has an adequat
e amount of bite but is never overwhelming.
| G
| C
| D
| G
| G Em | D Am | C
| D
| G C | F
| F
| G
|
|
:;2019
Sax, Tenor, Soloist PopCountryMark Ev 085
The smooth sounds of this Tenor Sax soloist are played in a Pop/Country style wi
th a relaxed feel. The phrases are a mix of eight notes and sixteenth note runs
with syncopation added to some of the runs. The phrases played have a nice reso
lution so each line played leads very nicely into the next. This sax has a clas
sic tenor tone, played with a soulful feel. The playing covers the entire range
of the tenor sax, from mellow low notes to screaming high notes.
| G
| C
| D
| G
| G Em | D Am | C
| D
| G C | F
| F
| G
|
|
:;2020
Sax, Tenor, Soloist PopCountryMark Ev 085%%(Bluesy)
The smooth sounds of this Tenor Sax soloist are played in a Pop/Country style wi
th a relaxed feel. The phrases are a mix of eight notes and sixteenth note runs
with syncopation added to some of the runs. The phrases played have a nice reso
lution so each line played leads very nicely into the next. This sax has a clas
sic tenor tone, played with a soulful feel. The playing covers the entire range
of the tenor sax, from mellow low notes to screaming high notes. The "Bluesy" va
riation allows for b7 notes in the melody to be played on major chords.
| G
| C
| D
| G
| G Em | D Am | C
| D
| G C | F
| F
| G
|
|
:;2021
Piano, Acoustic, Rhythm CountryBalladJohn Ev 120
Acoustic piano played with a steady, even 8ths feel. Mid register played with hi
gher register figures. The acoustic piano has a large sound to it which suits a
Country Ballad style.
:;2022
Piano, Acoustic, Rhythm CountryJohn Ev 165
Acoustic piano played in a rapid, even 8ths feel. Active bass lines, in the left
hand, accompany the slick playing in the right hand. The acoustic piano has a b
right tone in the high register with a warmer tone for the lower register.
| G
| G
| C
| C
| D
| A
| F Em | D
| C D | G
:;2023
Piano, Acoustic, Rhythm CountryRockJohn Ev 120
Bright acoustic piano tone. Steady, even 8ths feel. Played with a walking patte
rn in the left hand and melodic accents in the right. The piano has a bright co
untry tone and the attack is consistent throughout.
:;2024
Piano, Acoustic, Rhythm CountryJohn Ev 085
This RealTrack piano has a laid back, country feel. Playing with an even 8 feel
, the style never gets overly busy, and stays with in the same range on the keyb
oard. This creates consistency between phrases. This RealTrack style is perfec
t for slower country ballads with a laid back groove. Playing mostly triads, so
me simple eighth note runs are added as well.
| C
| Am
| Am
| C
| Em
| F
| F
| G
| G F | C
| Dm G | C
|
|
:;2025
Piano, Acoustic, Soloist CountryJohn Ev 065
This RealTrack Country Piano style has a bright, but warm tone. Played with an e
ven feel, the passages consist of single note runs mixed with parallel dyadic ru
ns. This RealTracks style could be used in both country and pop settings.
| A
| F#m | D
| E
| Bm |
| F#m |
| A D | A
| Bm E7 | A |
:;2026
Piano, Acoustic, Soloist CountryJohn Ev 120
This RealTrack is a bouncy upbeat country soloist. The phrases played have a ni
ce resolution to them so they tend to stay in the same range of the keyboard, no
t jumping from high on the keyboard to low on the keyboard. The playing is a co
mbination of single note and double note runs with a dominant 7th in the scale.
The style is based in eighth notes with triplets and sixteenth note trills play
ed as well when appropriate.
| G
| Em
| G
| D
| C
| D
| G C | D
| A
| G
| C | D
|
|
Tempo Range: 85
160 bpm
:;2027
Piano, Acoustic, Soloist CountrySwingJohn Sw 085
This RealTrack Country Piano style possesses a clear, bright tone. This style pl
ays with a swing 8ths feel involving single note and dyadic passages. The use of
triplets along with 16th notes creates an interesting rhythmic landscape. This
RealTracks style is great for soloing over a slow country/pop arrangement.
| G
| Em | C
| D
| Am |
| Em |
| G C | G
| Am D7 | G |
:;2028
Fiddle, Soloist CountryAndy Ev 065
The shimmering country Fiddle soloist is played at a slow tempo with an even fee
l. The tone is bright with a warm undertone, which makes this soloist perfect f
or a slow country ballad. Add this Soloist to any slower paced country or pop b
allad to give your composition a country feel. The phrases are based mainly on
single 16th and 8th note patterns with some syncopation added to the beginning o
f the runs. Some double notes are added which is common with a fiddle.
| D
| A
| D Bm | A
| G
| A
| G
| D
| G Em | D
| D
| G D |
:;2029
Fiddle, Soloist CountryAndy Ev 065%%(Bluesy)
The shimmering country Fiddle soloist is played at a slow tempo with an even fee
l. The tone is bright with a warm undertone, which makes this soloist perfect f
or a slow country ballad. Add this Soloist to any slower paced country or pop b
allad to give your composition a country feel. The phrases are based mainly on
single 16th and 8th note patterns with some syncopation added to the beginning o
f the runs. Some double notes are added which is common with a fiddle. The "Blu
esy" variation allows for b7 notes in the melody to be played on major chords.
| D
| A
| D Bm | A
| G
| A
| G
| D
| G Em | D
| D
| G D |
:;2030
Fiddle, Soloist CountryAndy Ev 165
This RealTrack Fiddle style possesses a very warm, shining tone. The style consi
sts of mostly single 8th note runs with some double stops punctuating the phrase
s. The rhythm has an even 8ths feel. This Realtracks style could be used in many
pop/country/folk situations.
| D
| Bm | G
| A
| Em |
| Bm |
| D G | A
| Em A | D |
:;2031
Fiddle, Soloist CountryAndy Ev 165%%(Bluesy)
This RealTrack Fiddle style possesses a very warm, shining tone. The style consi
sts of mostly single 8th note runs with some double stops punctuating the phrase
s. The rhythm has an even 8ths feel. This Realtracks style could be used in many
pop/country/folk situations. The "Bluesy" variation allows for b7 notes in the
melody to be played on major chords.
| D
| Bm | G
| A
| Em |
| Bm |
| D G | A
| Em A | D |
:;2032
Fiddle, Soloist CountryAndy Ev 165 [Double-Time]
This Double-Time RealTrack Fiddle style possesses a very warm, shining tone. The
style consists of mostly single 8th note runs with some double stops punctuatin
g the phrases. The rhythm has an even 8ths feel. This Realtracks style could be
used in many pop/country/folk situations.
| D
| Bm | G
| A
| Em |
| Bm |
| D G | A
| Em A | D |
:;2033
This bright Mandolin soloist is played at a slow tempo, making it a perfect matc
h for a Country ballad composition. The even feel playing is composed of 16th n
otes and 8th note phrases with a triplet feel added to some of the runs. Slides
and hammer on's and pull off's are incorporated into some of the phrases as wel
l. The tone of the Mandolin is warm with a bright edge to the higher strings.
| C
| G
| F
| C
|C G | C
| Am G | C
| F
| C
| G
| G
|
|
|
:;2034
Mandolin, Soloist CountryAndy Ev 065%%(Bluesy)
This bright Mandolin soloist is played at a slow tempo, making it a perfect matc
h for a Country ballad composition. The even feel playing is composed of 16th n
otes and 8th note phrases with a triplet feel added to some of the runs. Slides
and hammer on's and pull off's are incorporated into some of the phrases as wel
l. The tone of the Mandolin is warm with a bright edge to the higher strings. T
he "Bluesy" variation allows for b7 notes in the melody to be played on major ch
ords.
| C
| G
| F
| C
|C G | C
| Am G | C
| F
| C
| G
| G
|
|
|
:;2035
This RealTrack Mandolin style possesses a very warm, chime-like tone. The style
consists of mostly single note playing in 8th and 16th note rhythms. Some chordi
ng is also present in the style. The rhythm has an even 8ths feel. This Realtrac
ks style could be used in many pop/country/folk situations.
| A
| F#m | D
| E
| Bm |
| F#m |
| A D | E
| Bm E | A |
:;2036
Mandolin, Soloist CountryAndy Ev 120%%(Bluesy)
This RealTrack Mandolin style possesses a very warm, chime-like tone. The style
consists of mostly single note playing in 8th and 16th note rhythms. Some chordi
ng is also present in the style. The rhythm has an even 8ths feel. This Realtrac
ks style could be used in many pop/country/folk situations. The "Bluesy" variati
on allows for b7 notes in the melody to be played on major chords.
| A
| F#m | D
| E
| Bm |
| F#m |
| A D | E
| Bm E | A |
:;2037
Mandolin, Soloist CountryAndy Ev 120 [Double-Time]
This Double-Time RealTrack Mandolin style possesses a very warm, chime-like tone
. The style consists of mostly single note playing in 8th and 16th note rhythms.
Some chording is also present in the style. The rhythm has an even 8ths feel. T
his Realtracks style could be used in many pop/country/folk situations.
| A
| F#m | D
| E
| Bm |
| F#m |
| A D | E
| Bm E | A |
:;2038
Guitar, Resonator, Soloist CountryRob Ev 085
. Played with an even feel, the passages consist of single note runs (8th and 16
th notes) mixed with some chords and intervals (parallel 6ths). This RealTracks
style soloist could be used in many slower country song situations.
| D
| Bm | G
| Em |
| A
| Bm |
|
|
| D G | D
| Em A7 | D |
:;2039
Guitar, Resonator, Soloist CountryRob Ev 085%%(Bluesy)
. Played with an even feel, the passages consist of single note runs (8th and 16
th notes) mixed with some chords and intervals (parallel 6ths). This RealTracks
style soloist could be used in many slower country song situations. The "Bluesy"
variation allows for b7 notes in the melody to be played on major chords.
| D
| Bm | G
| A
| Em |
| Bm |
| D G | D
| Em A7 | D |
:;2040
This RealTrack Guitar Resonator style possesses a bright, slippery tone. Played
with an even feel, the passages consist of single note runs mostly consisting of
8th and 16th note rhythms with chords and intervals punctuating some phrases. T
his RealTracks style soloist can be used in many country/pop song situations.
| G
| Em | C
| D
| Am |
| Em |
| G C | G
| Am D | G |
:;2041
Guitar, Resonator, Soloist CountryRob Ev 120%%(Bluesy)
This RealTrack Guitar Resonator style possesses a bright, slippery tone. Played
with an even feel, the passages consist of single note runs mostly consisting of
8th and 16th note rhythms with chords and intervals punctuating some phrases. T
his RealTracks style soloist can be used in many country/pop song situations. Th
e "Bluesy" variation allows for b7 notes in the melody to be played on major cho
rds.
| G
| Em | C
| D
| Am |
| Em |
| G C | G
| Am D | G |

:;2042
Guitar, Resonator, Soloist CountryRob Ev 120 [Double-Time]
This Double-Time RealTrack Guitar Resonator style possesses a bright, slippery t
one. Played with an even feel, the passages consist of single note runs mostly c
onsisting of 8th and 16th note rhythms with chords and intervals punctuating som
e phrases. This RealTracks style soloist can be used in many country/pop song si
tuations.
| G
| Em | C
| D
| Am |
| Em |
| G C | G
| Am D | G |
:;2043
Mandolin, Soloist CountryWaltzAndy Sw 085
This RealTrack Mandolin style possesses a very warm tone. The style consists of
mostly single note playing consisting of 8th and 16th note runs with the additio
n of some triplet figures, plus tremolo figures. The rhythm, even though at a sl
ow tempo, is lively due to the swing 8ths feel. This Realtracks style could be u
sed in many pop/country/folk situations.
| G
| Em | C
| D
| Am |
| Em |
| G C | D
| Am D7 | G |
:;2044
Mandolin, Soloist CountryWaltzAndy Sw 085%%(Bluesy)
mostly single note playing consisting of 8th and 16th note runs with the additio
n of some triplet figures, plus tremolo figures. The rhythm, even though at a sl
ow tempo, is lively due to the swing 8ths feel. This Realtracks style could be u
sed in many pop/country/folk situations. The "Bluesy" variation allows for b7 no
tes in the melody to be played on major chords.
| G
| Em | C
| D
| Am |
| Em |
| G C | D
| Am D7 | G |
:;2045
Piano, Acoustic, Solo-Accompaniment CountryPopJohn Ev 085
Steady, melodic, inspiring solo-accompaniment piano grooves. Main playing is st
eady 8th arpeggios, often holding bass notes. Fills are simple yet expressive u
sing rising note velocities.
Tempo Range: 75-95
:;2046
Piano, Acoustic, Solo-Accompaniment CountryPopJohn Ev 120
Steady, flowing, solo-accompaniment piano grooves. Main playing is steady 8th a
rpeggios with an underlying upbeat percussive rhythm. Fills are very gentle and
feel resolving.
| C
| G
| Am | Dm
| F
| G
| Am | G
| C
| Am Dm | F G | C
|
|
:;2047
Piano, Acoustic, Solo-Accompaniment CountrySwingJohn Sw 085
Sustained, flowing, laid back piano grooves. Main playing emphasizes a shuffle
rhythm with chords while the bass notes are played in a swinging arpeggio patter
n. Fills are bluesy and cascading.
:;2048
Piano, Acoustic, Solo-Accompaniment CountrySwingJohn Sw 120
Bouncy, steady, upbeat piano grooves. Main playing is swung 8th arpeggios, usin
g lots of sustain for a flowing sound. Fills are fast and rhythmic, sometimes r
eleasing the sustain pedal.
:;2049
Piano, Acoustic, Solo-Accompaniment CountryWaltzJohn Sw 085
Flowing, laid back, soulful waltz piano grooves. Main playing emphasizes full ch
ords on each beat with skippy rhythmic notes in between, usually holding sustain
pedal. Cascading fills and occasional trills.
| D
| A
| E
| D
| F#m G | C D | A
| A
| E
| A
| D
| D
|
|
|
:;2050
Piano, Acoustic, Solo-Accompaniment CountryWaltzJohn Sw 140
Simple, bouncy, gentle waltz piano grooves. Main playing is held chords on the
downbeat, partial notes on 2 and 3, with bouncy notes in between. Fills are mel
odic and resolving, sometimes building up energy.
:;2051
Sparkling fingerpicked acoustic guitar playing with a slower, laid back feel. S
ome embellishment is added to the chords to make this style an alternative to ot
her basic fingerpicking styles.
:;2052
Warm acoustic guitar playing a slower swinging fingerpicking style. Embellishme
nt is added to the chords and some phrases appear between chords.
| G
| C
| G Em | D
| F
| C
| Em G | F
| G
| F
| Am F | G
:;2053
Guitar, Acoustic, Fingerpicking CountryWaltzBrent Sw 085
Laid back playing with a softer attack gives this warm acoustic waltz a country
feel. Embellishment is added to the chords to make this a nice alternative to b
asic fingerpicking.
:;2054
This warm acoustic waltz has a soft attack which gives this swinging country wal
tz style a lazy, laid back feel. Embellishment is added to the chords to make t
his a nice alternative to basic fingerpicking.
:;2055
This bouncing, warm acoustic waltz with a country feel has embellishment added a
nd 2 beat phrases are played between certain chords.
:;2056
Piano, Rhythm CelticAir Ev 085
Slow Piano with an easy attack playing with an even feel. Most of the phrases a
re quarter notes but eighth notes are played as well. The tone of this piano is
based on the synthesizer used, try using a Hi-Q instrument to bring out a great
sound.
:;2057
Piano, Rhythm CelticWaltz Ev 100
An easy attack and slow, elegant, phrases are played with an even feel in a walt
z time signature. Try this MIDI SuperTrack out with other Celtic RealTracks. T
he tone of this piano is based on the synthesizer used, try using a Hi-Q instrum
ent to bring out a great sound.
:;2058
Strings, Rhythm CelticAir Ev 085
A slow, even feel, strings section with mainly held chords also includes some ei
ghth note and quarter note phrases. The tone of these stings is based on the syn
thesizer used, try using a Hi-Q instrument to bring out a great sound.
:;2059
Strings, Rhythm CelticWaltz Ev 100
Long held notes are played throughout this style with an occasional quarter note
added. This waltz is in an even feel and is best suited for the backing of oth
er Celtic Waltz RealTracks. The tone of these stings is based on the synthesizer
used, try using a Hi-Q instrument to bring out a great sound.
:;2060
Strings, Rhythm PopCountry Ev 120
Long held notes make this MIDI SuperTrack a perfect addition to the background o
f a song when some atmosphere is needed. Some quarter notes are played at the b
eginning or ending of bars.
:;2061
Strings, Rhythm PopCountry Sw 120
A relaxed Strings part that plays mainly long held chords but also includes some
quarter note and eighth note swing phrases. This MIDI SuperTrack is ideal for
layering on a song to add atmosphere.
:;2062
Strings, Rhythm PopCountryWaltz Sw 140
MIDI SuperTrack Strings are played in a Waltz time signature, with a combination
of quarter notes and whole notes throughout. This is a relaxing string part whi
ch can be added to Country Waltz tunes.
:;2063
Piano, Rhythm NewAgeFastOstinato Ev16 100
An uptempo MIDI SuperTracks Piano played in an even sixteenth feel. This MIDI Su
perTrack combines a fast moving right hand playing rhythmic combinations with th
e left hand and long sustainged chords with the left hand.
:;2064
Piano, Rhythm NewAgeAlbertiMoody Ev 140
Melodic MIDI SuperTrack Piano playing with an even feel. The left hand carries
the momentum of this style with the left hand interspersing counter phrases over
the left hands part. The left hand will also carry on the pattern while the ri
ght hand rests. Played in quarter notes and eighth notes.
:;2065
Piano, Rhythm NewAgeAlbertiPretty Ev 100
Slow rhythm Piano MIDI SuperTrack. Played in a combination of quarter notes and
eighth notes, the left hand is playing single note phrases with the right hand c
ountering with melodic phrases.

:;2066
Piano, Rhythm NewAgeAnswers Ev16 110
This relaxed and mellow Piano MIDI SuperTrack is played with an even 16 feel. Th
e attack used on the keyboard is often light but can be played with an edge as w
ell. This MIDI SuperTrack can play a combination of Jazz style chords as well as
simpler pop chords, making this a very versatile style.
:;2067
Piano, Rhythm 40sBoogie Sw 165
Bouncy MIDI Piano that plays a stride style with the left hand and and melodic f
ills with the right. The Piano sounds best with simple chord progessions.
This style works best with Rock/Pop progressions, with chords like:
| E
| E
| E
| A
| B
| A
| A
| B
| E
| E
|
|
:;2068
Piano, Rhythm Jazz4toBarComp Sw 085
This MIDI Super Track Piano plays with a swinging, steady, Jazz style. The left
hand plays on each quarter note keeping a steady rhythm behind the left hands f
ull range of the keyboard. The right hand takes a lead role in this MIDI SuperT
rack. Since this is a MIDI SuperTrack the sound of the Piano is based on the syn
thesizer being used.
:;2069
This MIDI Super Track Piano plays with a swinging, steady, Jazz style. The left
hand plays on each quarter note keeping a steady rhythm behind the left hands f
ull range of the keyboard. The right hand takes a lead role in this MIDI SuperT
rack. Since this is a MIDI SuperTrack the sound of the Piano is based on the syn
thesizer being used.
:;2070
This MIDI Super Track Piano plays with a swinging, steady, fast paced Jazz style
. The left hand plays on each quarter note keeping a steady rhythm behind the l
eft hands full range of the keyboard. The right hand takes a lead role in this
MIDI SuperTrack. Since this is a MIDI SuperTrack the sound of the Piano is based
on the synthesizer being used.
:;2071
Piano, Rhythm ModernJazzBallad Sw 060
A swinging Jazz Ballad played in a combination of quarter notes and eighth notes
. The playing has a light attack and is played mainly in the mid-range of the pi
ano keyboard. Since this is a MIDI SuperTrack the sound of the Piano is based on
the synthesizer being used.
:;2072
Piano, Rhythm ModernJazz Sw 140

Uptempo swinging Jazz MIDI SuperTrack Piano. Playing a combination of half note
s and quarter notes, the second beat and the third beat are pushed at times.Sinc
e this is a MIDI SuperTrack the sound of the Piano is based on the synthesizer b
eing used.
:;2073
Piano, Rhythm ModernJazz Sw 190
Fast Jazz MIDI SuperTrack Piano played with a modern chord phrasing and attack.
Played with a combination of half notes and quarter notes with some beats pushe
d by an eighth note. Since this is a MIDI SuperTrack the sound of the Piano is
based on the synthesizer being used.
:;2074
Piano, Rhythm JazzRollingStride Sw 110
A smooth Rolling Stride played with a bounce in the accents, there are combinati
ons of whole notes and quarter notes with a triplet feel added to some eighth no
te runs. Some sixteenth note descending runs are played as well. Since this is
a MIDI SuperTrack the sound of the Piano is based on the synthesizer being used.
:;2075
Piano, Rhythm JazzRollingStride Sw 160
Uptempo rolling Jazz Stride, playing a combination of eighth notes and quarter n
otes with a slight staccato to the attack. Some off the small eighth note phras
es are played with a push into beat 1 and 3. Since this is a MIDI SuperTrack the
sound of the Piano is based on the synthesizer being used.
:;2076
Piano, Rhythm Guajira Ev 120
A Guajira MIDI SuperTrack Piano accents the first beat and the push into the thi
rd beat mainly. Played in an even eighth style, the piano has a bright attack w
hich is common among Latin music. This MIDI SuperTrack is meant to be accompani
ed by other Guajira RealTracks.
:;2077
Piano, Rhythm Guaracha Ev 180
The MIDI SuperTrack Piano Guaracha is playing with an even feel. The rhythm acce
nts beats 1 the push into beat 3 and beat 4 with a variation includes pusing int
o beat 1 as well. The playing is mainly eighth notes an quarter notes. Since th
is is a MIDI SuperTrack the sound of the Piano is based on the synthesizer being
used.
:;2078
Piano, Rhythm BoleroMelodic Ev 090
Rich, sustained piano sound playing a melodic arpeggio groove. The main playing
is rising and falling 8ths, with lots of sustained notes. Chords are sometimes
embellished or exchanged for a quick trill or melodic fill. Since this is a MID
I SuperTrack the sound of the Piano is based on the synthesizer being used.
:;2079
Piano, Rhythm Bolero Ev 090
Rich, sustained piano sound playing a trembling arpeggio groove. The main playi
ng is rising and falling 8ths using a lot of held notes. The energy slowly chan
ges giving a trembling feeling. Since this is a MIDI SuperTrack the sound of the
Piano is based on the synthesizer being used.
:;2080
Piano, Rhythm SonMontunoComp Ev 165
Rich, closed piano sound playing laid back comping groove. The main playing is
a lot of pushed held chords, usually very extended keeping all fingers busy. Ha
s lots of melodic feeling. Since this is a MIDI SuperTrack the sound of the Pian
o is based on the synthesizer being used.
:;2081
Piano, Rhythm SonMontuno Ev 165
Rich, closed piano sound playing syncopated arpeggio groove. The main playing i
s 8th descending arpeggio patterns using simultaneous octaves. Lots of staccato
notes and often rests at the end of the bar. Since this is a MIDI SuperTrack th
e sound of the Piano is based on the synthesizer being used.
:;2082
Piano, Rhythm, SmoothJazzBallad Ev16 65
Mellow attack with a combination of quarter note, eighth note and sixteenth note
phrases. The MIDI is dynamic with it's attack as it moves from a light touch to
a hard attack. This MIDI SuperTrack is best suited to accompany other Smooth Ja
zz Ballad RealTracks.
:;2083
Piano, Rhythm, SmoothJazzCool Sw16 075
An upbeat feel to the this Smooth-Jazz Cool MIDI SuperTrack. Playing a swinging
sixteenth pattern, the playing consists mainly of quarter note and half note com
binations with some sixteenth note phrases played as well. Since this is a MIDI
SuperTrack the sound of the Piano is based on the synthesizer being used.
| EbMaj7
| Fm7
| EbMaj7
| Bb7sus
| Gm7
| EbMaj7
| Cm7
| C7
| AbMaj7
| Bb7sus
|
| Bb7sus
:;2084
Piano, Rhythm, SmoothJazzPoppy Ev16 90
A sparse, minimal style with a sharp staccato to some of the notes in the short
phrases. The playing consists mainly of quarter notes and eighth notes, but some
half notes and some sixteenth notes are played as well. This style is best sui
ted with other Smooth-Jazz Poppy RealTracks.
:;2085
Piano, Rhythm, SmoothJazzCool Sw16 100
This Smooth Jazz Cool MIDI SuperTrack is played with a swinging sixteenth feel.
There is a bounce to the playing and the phrases vary from 16th note based to w
hole chords being held. Since this is a MIDI SuperTrack the sound of the Piano
is based on the synthesizer being used.
:;2086
Piano, Rhythm, JazzFunk Ev16 110
An upbeat funky MIDI SuperTrack Piano playing with an even sixteenth feel. The
phrases consist of a combination of half notes, quarter notes and eighth notes w
ith some sixteenth note pushes played.
:;2087
Piano, Rhythm PopBalladJohn Ev 085
Gentle, warm piano playing a flowing ballad. Uses rolling 8th-note arpeggiated
chords, alternating with block chords. Chords are often embellished with the 2n
d, and parallel 4ths are used frequently.
:;2088
Piano, Rhythm PopRootsyJohn Ev16 100
Rollicking even 16ths piano, with syncopated chording and arpeggios. The left h
and is used to reinforce the bass notes without getting in the way. Works well
with the 'ModernCountrySync' RealTracks guitars, basses & drums.
:;2089
Piano, Solo-Accompaniment PopBalladJohn Ev 110
Solo-accompaniment piano which is intended for backing up a singer or soloist.
No other rhythm section instruments are needed The playing has 8th note pattern
s which play syncopated, arpeggiated parts with sophisticated voicings.
:;2090
Piano, Rhythm CountryBoogie Sw 110
A sharply played acoustic piano with the left hand playing short stabs on the of
f beat and the right hand countering with singing fills and runs.
:;2091
Piano, Rhythm CountryBoogie Sw 140
A real moving groove on a acoustic piano with the left hand playing short stabs
on the off beat and the right hand countering with singing fills and runs.
:;2092
Piano, Rhythm CountrySwing Sw 085
A steady Piano style that plays 4th arpeggios in between chord shots a 16th befo
re each beat.
:;2093
Piano, Rhythm CountrySwing Sw 110
A steady Piano style that plays a combination of 4th arpeggios and walking bass
notes in between chord shots a 16th before each beat.
Tempo Range:
:;2094
Piano, Rhythm
A Piano style
hord shots on
90 - 140 bpm
CountrySwing Sw 140
that plays steady root-five bass notes on 1 and 3, while playing c
2 and 4.

:;2095
Piano, Rhythm CountryWaltz Sw 085
Playing a basic waltz patterns, which usually include octave bass notes with the
left hand on beat, then chording with the right hand on the beats, with alterna
ting notes on the off beats. Embellishments in the form of simple country licks
are included throughout.
:;2096
Playing a basic waltz patterns, which usually include octave bass notes with the
left hand on beat, then chording with the right hand on the beats, with alterna
ting notes on the off beats. Embellishments in the form of simple country licks
are included throughout.
:;2097
Piano playing an uptempo waltz part, consisting of held chords played on the dow
nbeat, followed by embellishment, usually on the second bar of every 2-bar group
. Country licks are included throughout.
Tempo Range:
:;2098
Piano, Rhythm
A Piano style
hord shots on
130 - 190 bpm
Tempo Range:
:;2099
Piano, Rhythm
Warm acoustic
playing is at
150 - 240 bpm
MemphisSwing Sw 190
that plays steady root-five bass notes on 1 and 3, while playing c
2 and 4. The left hand often divides the 3rd beat into 8ths.
PopModernGrooveHeld Ev16 075

piano sound with a wide open feel playing jus the A section. The
the beginning of the bar and then held until the chord changes.

:;2100
Piano, Rhythm PopModernGrooveSync4s Ev16 075
Warm acoustic piano sound with a wide open feel with just the B section playing
throughout. The left hand playing eighth notes and the right hand accenting the
chords.
:;2101
Piano, Rhythm PopModernGrooveA-B Ev16 075
Warm acoustic piano sound with a wide open feel. In the A section the playing i
s at the beginning of the bar and then held until the chord changes. The B sect
ion plays throughout with the left hand playing eighth notes and the right hand
accenting the chords.
:;2102
Piano, Rhythm PopPromise Ev16 100
Piano playing held pop chords with left-hand notes held through the bar, and rig
ht-hand chording playing rhythmically through the bar. Beats 1 and 4 are emphas
ized more than others.
:;2103
Piano, Rhythm PopShiningA-B Ev 120

The A substyle has an upbeat Rhythm piano pop style playing long held chords in
an even feel and the B substyle playing an Even 8th Pop style with a syncopated
file.
:;2104
Piano, Rhythm PopShiningHeld Ev 120
An upbeat Rhythm Pop style playing long held chords in an even feel. The tone of
this Piano is dependent on the MIDI Synth you use. For a better quality MIDI t
rack use the Hi-Q patches in Sample Tank by right clicking on a track to select.
:;2105
Piano, Rhythm PopShiningSync Ev 120
Acoustic Piano playing an Even 8th Pop style with a syncopated file. The tone of
this Piano is dependent on the MIDI Synth you use. For a better quality MIDI t
rack use the Hi-Q patches in Sample Tank by right clicking on a track to select.
:;2106
Piano, Rhythm PopUpliftA-B Ev16 120
The A substyle is a Piano with uplifting held chords with an Even 16 feel and th
e B substyle is a Piano with an alternating feel between the left and right hand
giving a pulse feel.
:;2107
Piano, Rhythm PopUpliftHeld Ev16 120
Acoustic Piano with uplifting held chords with an Even 16 feel. The tone of this
Piano is dependent on the MIDI Synth you use. For a better quality MIDI track
use the Hi-Q patches in Sample Tank by right clicking on a track to select.
:;2108
Piano, Rhythm PopUpliftPulsing Ev16 120
Acoustic Piano with an alternating feel between the left and right hand giving a
pulse feel.
:;2109
Tres, Rhythm Guaracha Ev 165
The Tres is a Latin instrument which has 3 groups of 2 stings. This instrument i
s native to Cuba and has a bright metallic tone which shines over other instrume
nts it plays with. This RealTrack is being played in the Guaracha style which a
ccents the first beat, the eighth note of beat 2 and then beat 4 with variations
.
| Cm7
| Cmaj7
| Am7
| Fm7
| G7
| Cmaj7 |
| Am7 | Dm7 G7 | Cmaj7

| Fm7 Cmaj7 | G7
| Cm7
:;2110
Horn Section, Background, R&B Ev16 110
The first RealTrack of its type. Combining three separate RealTracks in one ster
eo audio track, this Horn section includes Baritone Sax, Tenor Sax and Trumpet,
all playing an even 16 style. The three instruments blend seamlessly and all ri
se and fall dynamically together playing an amazing three part harmony. Most ph
rases are eighth note based, there are some whole note swells as well as quick s
ixteenth note and eighth note phrases.
This style works best with R&B progressions, with chords like:
| Fm7
| Bb7
| Cm7
| Ebmaj7
| Dm7b5
| Cm7
| G7
| Cm7 Bb7 | Fm7 Bb7sus | G7
:;2111
Sax, Baritone, Background, R&B Ev16 110%%(1TrackHornSection)
This background Baritone sax is playing with an even 16th feel. Most phrases are
quarter note or eighth note based with some 16th note accents played as well.
This Sax is lower in timbre and can be played as a background instrument or can
be used to play in special sections by resting the instrument track until you wa
nt the sax coming in.
:;2112
Sax, Tenor, Background, R&B Ev16 110%%(1TrackHornSection)
Bright and bouncy R&B Tenor sax is played in an Even sixteenth style. There are
combinations of quarter note and eighth note phrases with sixteenth notes playe
d as well.
This style works best with R&B progressions, with chords like:
| Eb | Cm7
| Fm7
| Fm7 Bb7 | Eb
| Bb7
| Dm7b5 G7 | Cm7
| Cm7 | Ab Bb | Cm7 | Bb
:;2113
Trumpet, Background, R&B Ev16 110%%(1TrackHornSection)
A classic trumpet playing an R&B style with an even sixteenth feel. Most of the
phrases consist of eighth notes and quarter notes, but some sixteenth notes are
used as accents as well.
:;2114
Horn Section, Background, R&B Ev16 110%%(Bluesy)
The first RealTrack of its type. Combining three separate RealTracks in one ster
eo audio track, this Horn section includes Baritone Sax, Tenor Sax and Trumpet,
all playing an even 16 style. The three instruments blend seamlessly and all ri
se and fall dynamically together playing an amazing three part harmony. Most ph
rases are eighth note based, there are some whole note swells as well as quick s
ixteenth note and eighth note phrases. The "Bluesy" variation allows for b7 note
s in the melody to be played on major chords.
:;2115
Horn Section, Background, R&B Ev16 110 [Double-Time]
The first RealTrack of its type. Played in Double-Time, combining three separate
RealTracks in one stereo audio track, this Horn section includes Baritone Sax,
Tenor Sax and Trumpet, all playing an even 16 style. The three instruments blen
d seamlessly and all rise and fall dynamically together playing an amazing three
part harmony. Most phrases are eighth note based, there are some whole note sw
ells as well as quick sixteenth note and eighth note phrases.
:;2116
Guitar, Resonator, Soloist CountryWaltzRob Sw 085
This RealTrack Resonator style possesses a warm, singing tone with enough bright
ness to cut through the mix. The style consists of both single note playing and
chords. The rhythm is played with a swing 8ths feel in 3/4 time. This Realtracks
style could be used in many pop/country/folk situations.
| F
| Dm | Bb
| Gm |
| F Bb | C
| C
| Dm |
|
|
| Gm C | F |
:;2117
Piano, Acoustic, Rhythm CountryWaltzJohn Sw 085
This RealTrack Country Piano style plays with a warm tone. The playing is subdue
d rhythmically, mostly utilizing eighth and quarter
notes. The style tends to stay in the middle register of the piano allowing any
solo instruments to shine. This RealTracks style is a
strong backing instrument for any slow country/pop 3/4 arrangement.
| F
| Dm | Bb
| Gm |
| F Bb | F
| Dm |
| C
|
|
| Gm C | F |
:;2118
Piano, Acoustic, Soloist CountryWaltzJohn Sw 085
Acoustic piano playing passages with a waltz swing feel. Eighth note based playi
ng with some quarter notes played as well. The Acoustic Piano has a bright clas
sic country tone and uses the middle to high range of the piano keyboard.
:;2119
Fiddle, Soloist CountryWaltzAndy Sw 085
Fiddle playing a slow, thoughtful waltz with a swing 8ths feel. The fiddle plays
mainly eighth notes with triplets as well as grace notes added to some sections
. The Fiddle has a classic bright tone and would fit well with other slower cou
ntry waltzes.
:;2120
Fiddle, Soloist CountryShuffleRob Sw 120
This fiddle is played in a swinging waltz style with a glistening warm tone. The
fiddle plays mostly single note phrases but also adds double notes, which is co
mmon with a fiddle, at the end of a phrase. This style also uses the entire fing
erboard of the fiddle to cover all notes. The swinging style also has chops, wh
ere the player strikes the strings of the fiddle, added on occasion.
| D
| G A | D
| G
| G
| Bm A | G Em | D
| D
| Bm
| G
| A
|
|
:;2121
mostly single note playing with some diads appearing here and there. The rhythm
is lively due to the swing 8ths and triplets. This Realtracks style could be use
d in many pop/country/folk situations.
| D
| Bm | G
| A
| Em |
| Bm |
| D G | A
| Em A | D |
:;2122
Guitar, Resonator, Soloist CountryShuffleRob Sw 120
This RealTrack Resonator style possesses a bright, metallic tone. The style cons
ists of mostly single note playing with some chords and dyads appearing here and
there (octaves/sixths). The rhythm is lively due to the swing 8ths and triplets
. This Realtracks style could be used in many pop/country/folk situations.
| E
| C#m | A
| F#m |
| B
| C#m |
|
|
| E A | B
| F#m B | E |
:;2123
Piano, Acoustic, Soloist CountryShuffleJohn Sw 120
This RealTrack Country Piano style has a bright tone that will cut through any m
ix. This style contains lively playing infused with the use of tremolo notes. Th
is RealTracks style sounds great in uptempo country/pop songs.
| E
| C#m | A
| F#m |
| B
| C#m |
| E A | E
| F#m B7 | E |
:;2124
Piano, Acoustic, Rhythm CountryShuffleJohn Sw 120
This swinging acoustic Piano is played with a classic country shuffle feel. The
phrases are eighth note based with some quarter note and triplets added as well.
The piano has a warm sound and rarely varies from the middle range of the pian
o keyboard. The phrases all blend well together and this RealTrack will fit wel
l with a medium tempo swinging country tune.
| G
| C
| Em
| D
| Am D | F
| G
| G F | C
| G
| D G | C
|
|
:;2125
Bass, Acoustic, Jazz Half,Quarter Sw 110
Warm acoustic bass playing in a medium slow swing style consisting of an A and B
substyles. The A section has mainly half notes with some eighth note pickups pl
ayed before beat 1 or 3. The B section plays a walking bass part for a busier s
ound.
| Fmaj7
| D7
| Bbm7
| Eb7
| Cm7 | F7
| Gm7
| Em7b5 A7 |
| Abmaj7
| C7
| Bbmaj7 | Fmaj7 |
:;2126
Bass, Acoustic, Jazz Half,Half Sw 110
Acoutic Bass RealTrack with only half notes playing throughout. There are some e
ighth notes played before the half notes on occasion. The acoustic bass has a cl
assic warm sound.
:;2127
Bass, Acoustic, Jazz Quarter,Quarter Sw 110
Acoustic bass playing a walking pattern throughout. All quarter notes throughou
t. This acoustic bass has a classic upright bass tone.
:;2128
Uptempo swinging acoustic bass playing an A and B substyle. The A substyle has
mainly halfnotes with some eighth note pickups played as well. The B section ha
s a walking bass pattern and includes some eighth note runs on occasion. The ac
oustic bass has a classic warm tone.
| Ebmaj7
| Cm7
| F7
| Bb7
| Ebmaj7 | Bbm7 Eb7 | Abmaj7 |

| F7
| Fm7 Bb7 | Cm7
| Ebmaj7 |
:;2129
Acoustic Bass RealTrack playing mainly half notes throughout with some eighth no
te pickups played as well. The acoustic bass has a classic warm tone.
:;2130
Acoustic bass swing RealTrack that plays a walking bass pattern and includes som
e eighth note runs on occasion throughout. The acoustic bass has a classic warm
tone.
:;2131
Fast acoustic bass playing with a swing feel and an A and B substyles. The A su
bstyle plays mainly half notes with some eighth notes played before the half not
es. The B section plays a walking bass pattern and plays very simple. The acou
stic bass has a classic warm tone.
| Ebmaj7
| Gm7
| Ebm7 Ab7 | Dbmaj7 | Am7b5 D7 |

| C7
| Cm7
| F7
| Ebmaj7 | Cm7 | Gm7 C7 | Dbmaj7 F7 |
:;2132
Fast Acoustic Bass RealTracks that plays a swing pattern with just half notes th
roughout. The bass is upright and has a classic warm tone.
:;2133
Fast acoustic bass playing only a walking pattern throughout. The bass is uprig
ht and has a classic warm tone.
:;2134
Sax, Baritone, Background BluesShuffleGary Sw 130
Deep, resonant baritone sax, playing swing 8ths blues licks. Features many bari
tone staples, like low growls and honks. The playing is purposefully simple, ma
king it perfect for using at the same time as a singer or soloist.
:;2135
Sax, Baritone, Soloist BluesShuffleGary Sw 130
Deep, resonant baritone sax, playing swing 8ths blues licks. Features staple bl
ues licks, as well as many sophisticated phrases.
:;2136
Sax, Baritone, Soloist BluesStraightGary Ev 120
Deep, resonant baritone sax, playing even 8ths blues licks. Features staple blu
es licks, as well as many sophisticated phrases
:;2137
Sax, Baritone, Background BluesShuffleGary Sw 130
Deep, resonant baritone sax, playing swing 8ths blues licks. Features many bari
tone staples, like low growls and honks. The playing is purposefully simple, ma
king it perfect for using at the same time as a singer or soloist.
This double-time variation treats the style as 65 bpm, which will work at tempos
between 60 & 80 bpm.
Tempo Range: 60-80
:;2138
Sax, Baritone, Soloist BluesShuffleGary Sw 130
Deep, resonant baritone sax, playing swing 8ths blues licks. Features staple bl
ues licks, as well as many sophisticated phrases.
Tempo Range: 60-80
:;2139
Sax, Baritone, Soloist BluesStraightGary Ev 120
Deep, resonant baritone sax, playing even 8ths blues licks. Features staple blu
es licks, as well as many sophisticated phrases.
Tempo Range: 55-70
:;2140
Sax, Alto, Soloist BossaPhil Ev 140
Alto sax with a soft, mellow tone, playing sophisticated, melodic swing 8ths lin
es.
:;2141
Sax, Alto, Soloist JazzPhil Sw 140
Alto sax with a soft, mellow tone, playing sophisticated, melodic even 8ths line
s.
:;2142
Sax, Baritone, Soloist BossaGary Ev 140
Cool, sophisticated melodic ideas, straight 8ths with a slight swing. The tone
of the baritone sax is warm, with a slightly gritty texture.
:;2143
Sax, Alto, Soloist BossaPhil Ev 140
es. This double-time variation treats the style as 70 bpm.
Tempo Range: 65-80
:;2144
Sax, Alto, Soloist JazzPhil Sw 140
s. This double-time variation treats the style as 70 bpm.
Tempo Range: 65-80
:;2145
Sax, Baritone, Soloist BossaGary Ev 140
of the baritone sax is warm, with a slightly gritty texture. This double-time v
ariation treats the style as 70 bpm.
Tempo Range: 65-80
:;2146
Sax, Alto, Soloist BossaPhil Ev 140 (Bluesy)
es. This 'Bluesy' variation treats all major chords entered into the chord char
t as 7th chords.
:;2147
Sax, Alto, Soloist JazzPhil Sw 140 (Bluesy)
s. This 'Bluesy' variation treats all major chords entered into the chord chart
as 7th chords.
:;2148
Sax, Baritone, Soloist BossaGary Ev 140 (Bluesy)
of the baritone sax is warm, with a slightly gritty texture. This 'Bluesy' vari
ation treats all major chords entered into the chord chart as 7th chords.
:;2149
Bass, Electric, NewOrleansBoogie Ev 165
Basic root-five pattern, with 8th-notes played on the offbeats. It s an even 8ths
groove, but there is a slight swing to the 8ths, giving it a characterful loose
ness. There is frequent 8th-note embellishment. The bass has a warm tone with
a sharp attack.
:;2150
Guitar, Electric, Rhythm NewOrleansBoogie Ev 165
Funky, even-8ths-based groove played with a slightly gritty tone. Bluesy voicin
gs are used throughout. Full chords & muted chords are alternated to give a syn
copated feel.
Tempo Range 150-200
:;2151
Piano, Acoustic, Rhythm NewOrleansBoogieKevin Ev 165
Fast boogie piano with an intense attack. The Piano has a bright tone and featur
es the left hand playing the boogie rhythm pattern and the right hand playing a
lead rhythm, but subdued enough to not get in the way of a singer or soloist.
Tempo Range 140-180
:;2152
Piano, Acoustic, Soloist NewOrleansBoogieKevin Ev 165
Fast boogie piano with a hard hitting blues edge. The piano has a bright tone a
nd features a constant left-hand boogie rhythm pattern, while the right-hand pla
ys intricate, bluesy lines.
Tempo Range 140-180
:;2153
Piano, Rhythm NewOrleansBoogieKevin Ev 165
Fast boogie piano with an intense attack. The Piano features the left hand playi
ng the boogie rhythm pattern and the right hand playing a lead rhythm, but subdu
ed enough to not get in the way of a singer or soloist.
Tempo Range 140-180
:;2154
Piano, Rhythm NewOrleansBoogieKevin Ev 165
Fast boogie piano with a hard hitting blues edge. The piano features a constant
left-hand boogie rhythm pattern, while the right-hand plays intricate, bluesy l
ines.
Tempo Range 140-180
:;2155
Piano, ElectricClav, Rhythm FunkyGroovin70sJohn Ev16 100
Classic electric clav sound playing a rhythmic, 16ths-based funky groove. The p
art alternates between very short staccato notes and longer held chords. A simp
le version is available by selecting the simpler checkbox in the RealTracks picker
.
Tempo Range: 90-120
:;2156
Guitar, Electric, Soloist JazzBalladPat Sw 060
A slow jazz ballad style from the finger tips of Pat Martino s electric guitar, di
rectly incorporated into Band-in-a-Box. With a mixture of sixteenth and eighth
notes played with a swing feel, this RealTrack has the solid playing and amazing
tone that you would expect from Pat Martino. Use this style the next time you
want to add an amazing solo section to a ballad song. A direct input version is
available by enabling the "Direct Input" check box in the RealTracks Picker wind
ow.
Tempo Range: 55-80
:;2157
Piano, ElectricVintage, Rhythm FunkyGroove60sJohn Ev 100
The RealTrack features a bouncy, funky pop groove played on a vintage electric p
iano. The electric piano has a classic sound which is reminiscent of the 50's a
nd 60's but can also be used with a modern funky number. Played with an even fe
el with lots of melodic riffs, this style is based mainly in eighth notes with f
requent 16th note embellishments. There is a simpler variation of this RealTrac
k available by selecting the simple checkbox in the RealTracks picker.
Tempo Range: 90-125
:;2158
Guitar, Electric, Rhythm FunkyGroove60s Ev 100
Bright, clean electric guitar tone with the basic groove playing on the offbeats
. There is frequent embellishment to this basic pattern, with 16ths-based strum
ming that features lots of muted chords. A simple version is available by selec
ting the simpler checkbox in the RealTracks picker. A direct input (DI) version i
s available by selecting the direct input checkbox in the RealTracks picker.
Tempo Range: 90-140
:;2159
Piano, Electric, Rhythm FunkyGroove60sJohn Ev 100
This MIDI SuperTrack features a bouncy, funky pop groove played on a vintage ele
ctric piano. The electric piano is reminiscent of the 50's and 60's but can als
o be used with a modern funky number. Played with an even feel with lots of mel
odic riffs, this style is based mainly in eighth notes with frequent 16th note e
mbellishments.
Tempo Range: 90-125
:;2160
Piano, Electric, Rhythm FunkyGroovin70sJohn Ev16 100
Classic electric clav playing a rhythmic, 16ths-based funky groove. The part al
ternates between very short staccato notes and longer held chords.
Tempo Range: 90-120
:;2161
Guitar, Electric, Soloist JazzBalladPat Sw 060 (Bluesy)
A slow jazz ballad style from the finger tips of Pat Martino s electric guitar, di
rectly incorporated into Band-in-a-Box. With a mixture of sixteenth and eighth
notes played with a swing feel, this RealTrack has the solid playing and amazing
tone that you would expect from Pat Martino. Use this style the next time you
want to add an amazing solo section to a ballad song. A direct input version is
available by enabling the "Direct Input" check box in the RealTracks Picker wind
ow. This 'Bluesy' variation treats all major chords entered into the chord chart
as 7th chords.
Tempo Range: 55-80
:;2162
Piano, Electric, Rhythm SlowBluesy12-8John Sw 085
This MIDI SuperTrack features the blues Electric Piano played in a slow 12/8 swi
ng style. The piano style is reminiscent of the 50's and 60's but can be added
to a modern composition to give it a classic feel. Played with a swing feel and
a 12/8 time signature this RealTrack would be a great addition to a blues numbe
r that you've already written or may inspire you to play some blues.
Tempo Range: 70-100
:;2163
Bass, Electric, NewOrleansSwinginPop Sw130
Crisp electric bass tone, playing a loping swing 8ths part that is mostly a root
-fifth part, with the root on beat 1, and the fifth on beat 3. The is, however,
frequent embellishment, with ghost notes played on the off beats, as well as othe
r embellishments. Works very well with the other NewOrleansSwingin RealTracks (gu
itar, piano & RealDrums). There is a simple option available by selecting the simp
ler checkbox in the RealTracks picker. There is also a DI variation available by
selecting the direct input checkbox in the RealTracks picker. This is a direct r
ecording from the bass, rather than the recorded amp sound. You can then use am
p modeling software (such as Amplitube) to create your own sound.
:;2164
Guitar, Electric, Rhythm NewOrleansSwinginPop Sw 130
Swinging, rhythmic electric guitar, playing syncopated parts that alternate betw
een played chords and muted chords. Works very well with the other NewOrleansSwi
ngin RealTracks (bass, piano & RealDrums). There is a DI variation available by
selecting the direct input checkbox in the RealTracks picker. This is a direct re
cording from the guitar, rather than the recorded amp sound. You can then use a
mp modeling software (such as Amplitube) to create your own sound.
:;2165
Piano, Acoustic, Rhythm NewOrleansSwinginPop Sw 130
Lively piano style with a classic New Orleans feel. Features upbeat and soulful
playing with independent bass lines and complex melodic runs. Works very well
with the other NewOrleansSwingin RealTracks (bass, guitar & RealDrums). There is
a simple option available by selecting the simpler checkbox in the RealTracks picker
.
:;2166
Piano, Rhythm NewOrleansSwinginPop Sw 130

Lively piano style with a classic New Orleans feel. Features upbeat and soulful
playing with independent bass lines and complex melodic runs. Works very well
with the other NewOrleansSwingin RealTracks (bass, guitar & RealDrums).
:;2167
Piano, Acoustic, Rhythm Country12-8John Sw 065
Warm acoustic piano tone, with held chords and arpeggios playing in a laid back
manner. Features classic, understated country licks. Can be used with tunes wi
th 12:8 feel, or slow swing tunes.
Tempo Range: 55-90
:;2168
Guitar, Resonator, Soloist Country12-8Rob Sw 065
Resonator guitar playing thoughtful, lyrical parts. Features single-note lines
as well as double-stops, with many mournful slides between notes. Can be used w
ith tunes with 12:8 feel, or slow swing tunes.
Tempo Range: 55-90
:;2169
Resonator guitar with warm tone, playing simple but tasteful parts. Features mo
stly single-note lines, with occasional double-stops, usually at the ends of phr
ases. There are frequent slides between notes throughout the entire style.
Tempo Range: 55-90
:;2170
Quick, tasty country licks played with a warm tone on resonator guitar. It cons
ists mostly of single-note lines, with occasional double-stops.
:;2171
Mandolin, Soloist Country12-8Andy Sw 065
Mandolin with warm tone, playing single note runs with occasional tremolo pickin
g. Can be used with tunes with 12:8 feel, or slow swing tunes.
Tempo Range: 55-90
:;2172
Quick single note runs with occasional double-stops. Features inventive lines t
hat sound deceptively simple.
:;2173
Guitar, Resonator, Soloist CountryRob Ev 165 [Double-Time]
ists mostly of single-note lines, with occasional double-stops. This double-tim
e variation treats the style as 82.5 bpm, which will work at tempos between 70 &
100.
Tempo Range: 70-100
:;2174
Mandolin, Soloist CountryAndy Ev 165 [Double-Time]
Mandolin playing mostly quick single note runs with some chords mixed in. Even 8
ths feel. This double-time variation treats the style as 82.5 bpm, which will w
ork at tempos between 70 & 100.
Tempo Range: 70-100
:;2175
Guitar, Resonator, Soloist Country12-8Rob Sw 065 (Bluesy)
Resonator guitar playing thoughtful, lyrical parts. Features single-note lines
as well as double-stops, with many mournful slides between notes. Can be used w
ith tunes with 12:8 feel, or slow swing tunes. This 'Bluesy' variation treats a
ll major chords entered into the chord chart as 7th chords.
Tempo Range: 55-90
:;2176
Guitar, Resonator, Soloist CountryRob Ev 065 (Bluesy)
Resonator guitar with warm tone, playing simple but tasteful parts. Features mo
stly single-note lines, with occasional double-stops, usually at the ends of phr
ases. There are frequent slides between notes throughout the entire style. Thi
s 'Bluesy' variation treats all major chords entered into the chord chart as 7th
chords.
Tempo Range: 55-90
:;2177
Guitar, Resonator, Soloist CountryRob Ev 165 (Bluesy)
ists mostly of single-note lines, with occasional double-stops. This 'Bluesy' v
ariation treats all major chords entered into the chord chart as 7th chords.
:;2178
Mandolin, Soloist Country12-8Andy Sw 065 (Bluesy)
Mandolin with warm tone, playing single note runs with occasional tremolo pickin
g. Can be used with tunes with 12:8 feel, or slow swing tunes. This 'Bluesy' v
ariation treats all major chords entered into the chord chart as 7th chords.
Tempo Range: 55-90
:;2179
Mandolin, Soloist CountryAndy Ev 165 (Bluesy)
Quick single note runs with occasional double-stops. Features inventive lines t
hat sound deceptively simple. This 'Bluesy' variation treats all major chords e
ntered into the chord chart as 7th chords.
:;2180
Guitar, Electric, Soloist BossaPat Ev 140
This RealTrack features jazz legend Pat Martino soloing on the electric guitar.
The playing varies from laid back straight-8ths phrases, to much faster bebop l
icks using lots of 8th triplet runs. Recorded on the clean channel, the guitar
has a lush sound with light gain, but a direct input version is available by ena
bling the "Direct Input" check box in the RealTracks Picker window. This style
is also very effective as a double-time soloist at slow Bossa tempos (select double
-time in timebase area, and soloist will be treated as 70bpm).
:;2181
Guitar, Electric, Soloist JazzFastPat Sw 190
Fast jazz swing electric guitar soloist, performed by the legendary Pat Martino.
It features intricate lines, with a consistent flow of swung eighth notes and
occasional embellishments. Recorded on the clean channel, the guitar has a lush
sound with light gain, but a direct input version is available by enabling the
"Direct Input" check box in the RealTracks Picker window. This style is also ve
ry effective as a double-time soloist at slower swing tempos (select double-time in
timebase area, and soloist will be treated as 95bpm).
:;2182
Guitar, Electric, Soloist BossaPat Ev 140 {Double-Time]
bling the "Direct Input" check box in the RealTracks Picker window. This double
-time variation treats the style as 70 bpm, which will work at tempos between 60
& 80 bpm.
Tempo Range: 60-80
:;2183
Guitar, Electric, Soloist JazzFastPat Sw 190 [double-time]
"Direct Input" check box in the RealTracks Picker window. This double-time vari
ation treats the style as 95 bpm, which will work at tempos between 80 & 115
Tempo Range: 80-115
:;2184
Guitar, Electric, Soloist BossaPat Ev 140 [Bluesy]
bling the "Direct Input" check box in the RealTracks Picker window. This style
is also very effect as a double-time soloist at slow Bossa tempos (select double-ti
me in timebase area, and soloist will be treated as 70bpm). This 'Bluesy' variat
ion treats all major chords entered into the chord chart as 7th chords.
:;2185
Guitar, Electric, Soloist JazzFastPat Sw 190 [Bluesy]
"Direct Input" check box in the RealTracks Picker window. This style is also ve
ry effective as a double-time soloist at slower swing tempos (select double-time in
timebase area, and soloist will be treated as 95bpm). This 'Bluesy' variation t
reats all major chords entered into the chord chart as 7th chords.
:;2186
Piano, Electric, Rhythm JazzBallad Sw 060
A warm tone with a laid back feel, playing jazz ballad comping with long held ch
ords, and occasional flourishing embellishment. The electric piano tone has sli
ght chorus and delay added, which can be removed by selecting the Direct Input che
ckbox in the RealTracks picker. There is a simpler variation also available by
enabling the simpler checkbox in the RealTracks picker, which plays predominantly
long held chords.
Tempo Range: 45-80
:;2187
Piano, Electric, Rhythm Jazz Sw 085
A warm tone with a laid back feel, playing slow swing comping with long held cho
rds alternated with short staccato hits, and occasional melodic fills. The elec
tric piano tone has slight chorus and delay added, which can be removed by selec
ting the Direct Input checkbox in the RealTracks picker. There is a simpler varia
tion also available by enabling the simpler checkbox in the RealTracks picker, whi
ch plays predominantly long held chords.
Tempo Range: 70-120
:;2188
Warm electric piano tone with slight chorus and delay, playing a medium jazz swi
ng groove. The playing features a combination of held chords, short staccato hi
ts, and occasional understated melodic fills. The chorus and delay can be remov
ed by selecting the Direct Input checkbox in the RealTracks picker. There is a si
mpler variation also available by enabling the simpler checkbox in the RealTracks
picker, which plays predominantly long held chords.
:;2189
Piano, Electric, Rhythm Bossa Ev 085
Electric piano with warm tone, slight chorus and delay, playing a slow bossa com
ping groove. Features long held chords alternated with short, syncopated hits.
The chorus and delay can be removed by selecting the Direct Input checkbox in the
RealTracks picker. There is a simpler variation also available by enabling the
simpler checkbox in the RealTracks picker, which plays predominantly long held ch
ords.
Tempo Range: 75-120

:;2190
Electric piano with warm tone, slight chorus and delay, playing a bossa comping
groove. Features long held chords alternated with short, syncopated hits. The
chorus and delay can be removed by selecting the Direct Input checkbox in the Real
Tracks picker. There is a simpler variation also available by enabling the simpl
er checkbox in the RealTracks picker, which plays predominantly long held chords.
:;2191
Piano, Electric, Rhythm JazzWaltz Sw 110
Electric piano with warm tone, slight chorus and delay, playing a jazz waltz com
ping groove. Features long held chords alternated with short, syncopated hits.
The chorus and delay can be removed by selecting the Direct Input checkbox in the
RealTracks picker. There is a simpler variation also available by enabling the
simpler checkbox in the RealTracks picker, which plays predominantly long held ch
ords.
Tempo Range: 80-165
:;2192
Piano, Acoustic, Rhythm EZListening Sw 085
This RealTrack has a laid back feel with a warm acoustic tone playing a swing st
yle. This RealTrack is part of the EZ Listening RealTracks group which is played
in a basic style without excess embellishment or complicated voicings. Works we
ll with both jazz chord types and pop chord types. You can also choose an even
simpler variation of this style by selecting the simple checkbox in the RealTracks
picker.
.
Tempo Range: 60-130
:;2193
Piano, Acoustic, Rhythm EZListening Sw 140
This RealTrack has an up tempo feel with a warm acoustic tone playing a swing st
yle. This RealTrack is part of the EZ Listening RealTracks group which is playe
d in a basic style without excess embellishment or complicated voicings. This Re
alTrack features a mixture of Jazz and Pop chords which allows the user to use t
his RealTrack with many different styles of music. Works well with both jazz ch
ord types and pop chord types. You can also choose an even simpler variation of
this style by selecting the simple checkbox in the RealTracks picker.
:;2194
Piano, ElectricVintage, Rhythm CoolJazzPop Ev 085
This mellow, electric piano style features a vintage electric piano sound with a
little bit of chorus and tremolo. Playing with an even feel, the rhythms vary
from held chords to arpeggiated passages, and occasional staccato shots. Works
well with both jazz chord types and pop chord types.
Tempo Range: 65-110
:;2195
Piano, ElectricVintage, Rhythm CoolJazzPopHeld Ev 085
This mellow, electric piano style features a vintage electric piano sound with a
little bit of chorus and tremolo. Playing with an even feel, it consists almos
t exclusively of long held chords, with minimal arpeggiated movement. Works wel
l with both jazz chord types and pop chord types.
Tempo Range: 65-110
:;2196
Piano, Electric, Rhythm JazzRock Ev16 100
This RealTrack features the smooth sound of the electric piano playing a jazz ro
ck style with an even 16th feel. This RealTrack features a classic electric pian
o sound, playing a funky jazz rock 16ths-based groove. The playing is simple wit
h held chords alternating with short staccato hits. This RealTrack can be used i
n a rock, pop or jazz settings.
Tempo Range: 85-150
:;2197
Piano, Electric, Rhythm JazzRockHeld Ev16 100
This RealTrack features the smooth sound of the electric piano playing a jazz ro
ck style with an even 16th feel. This RealTrack features a classic electric pian
o sound, playing a funky jazz rock 16ths-based groove. The playing is simple wit
h held chords with minimal arpeggiation. This RealTrack can be used in a rock, p
op or jazz settings.
Tempo Range: 85-150
:;2198
Piano, Electric, Rhythm JazzySwinginPop Sw 120
This Swinging Jazz Pop Electric Piano RealTrack has a relaxed feel, playing main
ly held chords and quarter notes with some eighth notes fills. This RealTrack w
orks equally well with jazz and pop progressions. The electric piano has a warm
, mellow tone.
Tempo Range: 90-190
:;2199
Piano, Electric, Rhythm JazzySwinginPopHeld Sw 120
This Swinging Jazz Pop Electric Piano RealTrack has a relaxed feel, playing main
ly held chords and quarter notes with some eighth notes fills. This RealTrack w
orks equally well with jazz and pop progressions. The electric piano has a warm
, mellow tone.
Tempo Range: 90-190
:;2200
Guitar, Nylon, Background CountryBrent Ev 085
This RealTrack is a combination of chords and melodies fingerpicked on a Nylon g
uitar. The chords are usually arpeggiated with a very laid back feel. The melodi
es are played gracefully and usually harmonized in thirds. Pauses between phras
es are common, and the playing is understated enough to not get in the way of a
singer.
Tempo Range: 70-110
:;2201
Guitar, Nylon, Background CountryBrent Ev 120
A delicate background Nylon guitar style, using challenging fills and occasional
triplets. Alternates between single-note lines and double-stops. The playing
is understated enough to not get in the way of a singer.
:;2202
Guitar, Electric, Soloist CountryCrossoverBrent Sw16 075
Medium paced bouncy electric guitar soloist, using a very dirty sound. Melodies
are uplifting, using sassy twang and easy going rhythmic gestures. Pentatonic
scales are used frequently. There is a 'direct input' (DI) version available by
selecting 'direct input' in the RealTracks picker.
Tempo Range: 65-90
:;2203
Guitar, Electric, Soloist PopPromiseBrent Ev16 100
Bright, high-energy medium-tempo 16ths-based electric guitar with gritty tone.
Brent Mason uses a combination of pentatonic riffs, double-stops, blues riffs an
d pop melodies, and the result is a radio-friendly lead sound. Works very well
with the 'PopPromise' RealTracks styles, as well as any 16ths-based pop, rock or
country RealTracks. There is a 'direct input' (DI) version available by select
ing 'direct input' in the RealTracks picker.
Tempo Range: 85-120
:;2204
Guitar, Electric, Soloist CountryCrossoverBrent Sw16 075 [bluesy]
Medium paced bouncy electric guitar soloist, using a very dirty sound. Melodies
are uplifting, using sassy twang and easy going rhythmic gestures. Pentatonic
scales are used frequently. This 'Bluesy' variation treats all major chords ent
ered into the chord chart as 7th chords.
Tempo Range: 65-90
:;2205
Guitar, Electric, Soloist PopPromiseBrent Ev16 100 [bluesy]

Bright, high-energy medium-tempo 16ths-based electric guitar with gritty tone.
Brent Mason uses a combination of pentatonic riffs, double-stops, blues riffs an
d pop melodies, and the result is a radio-friendly lead sound. Works very well
with the 'PopPromise' RealTracks styles, as well as any 16ths-based pop, rock or
country RealTracks. There is a 'direct input' (DI) version available by select
ing 'direct input' in the RealTracks picker. This 'Bluesy' variation treats all
major chords entered into the chord chart as 7th chords.
Tempo Range: 85-120
:;2206
Bouzouki, Rhythm CelticHornpipe Sw16 070
This RealTrack features the Bouzouki playing a swing 16th Celtic Hornpipe rhythm
. This instrument presents a very rich voice as it has paired strings that make
a chorus like effect. The main playing is arpeggiated chords with a lot of melo
dic embellishment, and some walking chromatic fills.
Tempo Range: 55 - 90
:;2207
Bouzouki, Rhythm CelticSlipJig Sw 110
This RealTrack features the rich sounding Bouzouki playing a Celtic slip jig. T
he strumming revolves around a 9/8 time signature while accenting a waltz swing
feel. The playing often melodically embellishes the chords, but a simple versio
n of the style is available by enabling the "Simpler" check box in the RealTrack
s Picker window.
:;2208
Bouzouki, Rhythm CountryCrossover Sw16 075
This slow country RealTracks style features Quinn Bachand playing a bouzouki pat
tern that offers an unconventional yet pleasing element to your country mix. The
swung sixteenth notes are offered up in a mix of simple, open chords and melodi
c riffs. It works very well as a smoother alternative to a busy banjo RealTracks
style.
:;2209
Bouzouki, Rhythm CountryPop Ev 085
This style features the Bouzouki in a Country Pop style. It has a combination o
f both strummed and picked 8th notes
:;2210
Bouzouki, Rhythm ModernCountry Ev16 075
This style features the Bouzouki. This rhythm style has picked 16th notes in ad
dition to strumming.
:;2211
Bouzouki, Rhythm Rock Ev 120
This style features the Bouzouki. This rhythm style contains strummed 8th notes
.
:;2212
Bouzouki, Rhythm SlowCountrySwing Sw 085
This swing style features the Bouzouki. This rhythm style has picked 8th notes
in addition to strumming.
:;2213
Bouzouki, Rhythm SlowPop Ev16 065
This RealTrack Bouzouki is played in a slow pop style with an Even 16th feel. T
he Bouzouki has a higher pitch than an acoustic guitar so it is balanced best wi
th lower pitched instruments. Nice long strummed chords as well as fingered pi
cked sections gives this RealTrack a laid back feel. The playing adds sus chords
at times and there is a simple option which will remove the "outside" playing f
or a more basic rhythm track.
Tempo Range 55 - 85
:;2214
Bouzouki, Rhythm SlowWaltz Ev 100
This Bouzouki RealTrack is played in waltz time at a slower tempo. The bouzouki
has a classic ring to its tone and adds 2nd and 4sus chords to basic chord patt
erns. You can also select to use the simple variation of this RealTrack to remo
ve the more "outside" playing.
85-135
:;2215
Fiddle, Soloist CountryWaltzAndy Sw 085 [bluesy]
ere the player strikes the strings of the fiddle, added on occasion. This 'Blues
y' variation treats all major chords entered into the chord chart as 7th chords.
:;2216
Guitar, Resonator, Soloist CountryWaltzRob Sw 085 (Bluesy)
This RealTrack Resonator style possesses a warm, singing tone with enough bright
ness to cut through the mix. The style consists of both single note playing and
chords. The rhythm is played with a swing 8ths feel in 3/4 time. This Realtracks
style could be used in many pop/country/folk situations. This 'Bluesy' variatio
n treats all major chords entered into the chord chart as 7th chords.
Tempo Range: 75
110
:;2217
Piano, Acoustic, Soloist CountryWaltzJohn Sw 085 (Bluesy)
Acoustic piano playing passages with a waltz swing feel. Eighth note based playi
ng with some quarter notes played as well. The Acoustic Piano has a bright clas
sic country tone and uses the middle to high range of the piano keyboard.This 'B
luesy' variation treats all major chords entered into the chord chart as 7th cho
rds.
:;2218
Fiddle, Soloist CountryShuffleRob Sw 120(Double-time)
ere the player strikes the strings of the fiddle, added on occasion. This variat
ion treats the style as double-time at half the tempo.
:;2219
Mandolin, Soloist CountryShuffleAndy Sw 120(Double-time)
d in many pop/country/folk situations. This variation treats the style as double
-time at half the tempo.
:;2220
Guitar, Resonator, Soloist CountryShuffleRob Sw 120 (Double-time)
. This Realtracks style could be used in many pop/country/folk situations. This
:;2221
Piano, Acoustic, Soloist CountryShuffleJohn Sw 120 (Double-time)
is RealTracks style sounds great in uptempo country/pop songs. This variation tr
eats the style as double-time at half the tempo.

:;2222
Fiddle, Soloist CountryShuffleRob Sw 120 (Bluesy)
ere the player strikes the strings of the fiddle, added on occasion. The "Bluesy
" variation allows for b7 notes in the melody to be played on major chords.
:;2223
Mandolin, Soloist CountryShuffleAndy Sw 120 (Bluesy)
d in many pop/country/folk situations. The "Bluesy" variation allows for b7 note
s in the melody to be played on major chords.
:;2224
Guitar, Resonator, Soloist CountryShuffleRob Sw 120 (Bluesy)
. This Realtracks style could be used in many pop/country/folk situations. The "
Bluesy" variation allows for b7 notes in the melody to be played on major chords
.
:;2225
Piano, Acoustic, Soloist CountryShuffleJohn Sw 120%%(Bluesy) Solo Band
is RealTracks style sounds great in uptempo country/pop songs. The "Bluesy" vari
ation allows for b7 notes in the melody to be played on major chords.
:;2226
Piano, Rhythm Pop16 Ev16 065
MIDI SuperTrack piano style playing a steady even 8ths based rhythm alternating
chords with single notes. 16th-note based embellishments are also used.
Tempo Range: 55-90
:;2227
Piano, Rhythm Pop16 Ev16 110
MIDI SuperTrack piano playing pop even 16ths patterns. The left hand plays held
notes, either root & fifth or root & octave. The right hand plays more complex
parts, with syncopated rhythms & 16th-note arpeggios.
:;2228
Piano, Rhythm PopWaltz Ev 180
A gentle feel on the keyboard that flows in a simple style.
:;2229
Piano, Soloist PopRootsyJohn Ev16 100
This bouncy piano soloist with a bright tone is suited best for upbeat compositi
ons that would benefit from a
powerful solo. The playing is a combination of single note, double note and tria
ds. The scales played favour 2nd and 4th notes to give the sound a folk edge. Th
e player attacks the keyboard to give this RealTrack an extremely upbeat edge.
:;2230
Piano, Rhythm 80sPopMedium Ev 120
With flowing melodic phrases, this Piano MIDISuperTrack is played in the style o
f 80s Pop. Played at a medium tempo, this RealTrack uses a MIDI synth and the a
ttack on the keys is light. Playing mainly eighth note phrases, there are a few
16th note accents added. Use this RealTrack next time you want a Pop feel in y
our next composition.
:;2231
Piano, Rhythm 80sPopBallad Ev 085
Pop ballad MIDI SuperTrack piano played with a steady even feel. The main playi
ng is broad chord voicings that emphase a pulse on each beat with some 8th melod
ic fills. This RealTrack works well with slash chords and some jazz chords in I
I-V-I progressions.
Tempo Range: 70-100
:;2232
Piano, Rhythm 80sBubblegumPop Ev 140
This is a fast tempo pop piano playing a steady even style. The main playing is
steady 8th arpeggios over held root notes in a lower register. The arpeggios a
re often expanded with double stops. This MIDI SuperTrack works well with slash
chords and some jazz chords in II-V-I progressions.
:;2233
Piano, Soloist TexasBluesRockSlow12-8John Sw 060
Acoustic piano played in slow swing 8ths feel. Chordal figures and riffs with tr
ills mixed in. The Piano has a bright tone and is played mainly on the middle t
o higher register. The Left hand occasionally plays two note chords but not the
whole time.
:;2234
A laid back feel, playing jazz ballad comping with long held chords, and occasio
nal flourishing embellishment.
Tempo Range: 45-80
:;2235
A laid back feel, playing slow swing comping with long held chords alternated wi
th short staccato hits, and occasional melodic fills.
Tempo Range: 70-120
:;2236
Electric piano playing a medium jazz swing groove. The playing features a combi
nation of held chords, short staccato hits, and occasional understated melodic f
ills.
:;2237
Electric piano playing a slow bossa comping groove. Features long held chords a
lternated with short, syncopated hits.
Tempo Range: 75-120
:;2238
Electric piano playing a medium bossa comping groove. Features long held chords
alternated with short, syncopated hits.
:;2239
Piano, Electric, Rhythm JazzWaltz Sw 110
Electric piano playing a jazz waltz comping groove. Features long held chords a
lternated with short, syncopated hits.
Tempo Range: 80-165
:;2240
Piano, Rhythm EZListening Sw 085
This RealTrack has a laid back feel with playing a swing style. This MIDI SuperT
rack is part of the EZ Listening group which is played in a basic style without
excess embellishment or complicated voicings. Works well with both jazz chord ty
pes and pop chord types.
Tempo Range: 60-130
:;2241
Piano, Rhythm EZListening Sw 140
This RealTrack has an up tempo feel playing a swing style. This MIDI SuperTrack
is part of the EZ Listening group which is played in a basic style without exce
ss embellishment or complicated voicings. This RealTrack features a mixture of J
azz and Pop chords which allows the user to use this MIDI SuperTrack with many d
ifferent styles of music. Works well with both jazz chord types and pop chord t
ypes.
:;2242
Piano, Electric, Rhythm CoolJazzPop Ev 085
This mellow, electric piano style features playing with an even feel. The rhythm
s vary from held chords to arpeggiated passages, and occasional staccato shots.
Works well with both jazz chord types and pop chord types.
Tempo Range: 65-110
:;2243
Piano, Electric, Rhythm JazzyRock Ev 100
This MIDI SuperTrack features the smooth sound of the electric piano playing a j
azz rock style with an even 16th feel. Featuring a classic electric piano funky
jazz rock 16ths-based groove. The playing is simple with held chords alternating
with short staccato hits. This MIDI SuperTrack can be used in a rock, pop or ja
zz settings.
Tempo Range: 85-150
:;2244
Piano, Electric, Rhythm JazzySwinginPop Sw 120
This Swinging Jazz Pop Electric Piano MIDI SuperTrack has a relaxed feel, playin
g mainly held chords and quarter notes with some eighth notes fills. This RealT
rack works equally well with jazz and pop progressions.
Tempo Range: 90-190
:;2245
Piano, Soloist Country12-8John Sw 065
Bright, flowing, piano with a laid back, swinging country feel. In 12-8 time bu
t can be used as a solo on a 4/4 shuffle.
Tempo Range: 50-90
:;2246
Piano, Soloist CountryJohn Ev 065
This MIDI SuperTrack Country Piano style is played with an even feel. The passag
es consist of single note runs mixed with parallel dyadic runs. This RealTracks
style could be used in both country and pop settings.
:;2247
Piano, Soloist CountryJohn Ev 120
This MIDI SuperTrack is a bouncy upbeat country soloist. The phrases played hav
e a nice resolution to them so they tend to stay in the same range of the keyboa
rd, not jumping from high on the keyboard to low on the keyboard. The playing i
s a combination of single note and double note runs with a dominant 7th in the s
cale. The style is based in eighth notes with triplets and sixteenth note trill
s played as well when appropriate.
160 bpm
Tempo Range: 85
:;2248
Piano, Soloist CountryShuffleJohn Sw 120
This MIDI SuperTrack Country Piano style will cut through any mix. This style co
ntains lively playing infused with the use of tremolo notes. This RealTracks sty
le sounds great in uptempo country/pop songs.
:;2249
Piano, Soloist CountrySwingJohn Sw 085

This MIDI SuperTrack Country Piano style plays with a swing 8ths feel involving
single note and dyadic passages. The use of triplets along with 16th notes creat
es an interesting rhythmic landscape. This MIDI SuperTrack style is great for so
loing over a slow country/pop arrangement.
:;2250
Piano, Soloist CountryWaltzJohn Sw 085
This MIDI SuperTrack Country Piano styles playing is subdued rhythmically, mostl
y utilizing eighth and quarter
notes. The style tends to stay in the middle register of the piano allowing any
solo instruments to shine. This MIDI SuperTrack style is a
strong backing instrument for any slow country/pop 3/4 arrangement.
:;2251
Piano, Soloist CountryWorkinJohn Ev16 90
This hard hitting, dynamic, MIDI SuperTrack soloist piano is played with an even
feel. The piano takes full advantage of the entire keyboard range. The playin
g includes lots of triplets and 16th note runs, played in single note, octaves,
and triads which give this soloist a real bounce. This soloist would fit well w
ith a medium tempo song with other hard hitting MIDI SuperTracks.
:;2252
Piano, Soloist WesternSwingJohn Sw 165
Hard hitting piano playing a swinging 8th note solo. Some 16th note fill are pl
ayed and the register does travel to the higher octave's on occasion.
:;2253
Piano, Rhythm Country12-8John Sw 065
Piano with held chords and arpeggios playing in a laid back manner. Features cl
assic, understated country licks. Can be used with tunes with 12:8 feel, or slo
w swing tunes.
Tempo Range: 55-90
:;2254
Piano, Rhythm CountryBalladJohn Ev 120
:;2255
Piano, Rhythm CountryJohn Ev 085
This MIDI SuperTrack piano has a laid back, country feel. Playing with an even
8 feel, the style never gets overly busy, and stays with in the same range on th
e keyboard. This creates consistency between phrases. This MIDI SuperTrack sty
le is perfect for slower country ballads with a laid back groove. Playing mostl
y triads, some simple eighth note runs are added as well.
:;2256
Piano, Rhythm CountryJohn Ev 165
MIDI SuperTrack piano played in a rapid, even 8ths feel. Active bass lines, in t
he left hand, accompany the slick playing in the right hand.
:;2257
Piano, Rhythm CountryRockJohn Ev 120
MIDI SuperTrack piano playing a steady, even 8ths feel. Played with a walking p
attern in the left hand and melodic accents in the right. The piano attack is c
onsistent throughout.
:;2258
Piano, Rhythm CountryShuffleJohn Sw 120
This swinging MIDI SuperTrack piano is played with a classic country shuffle fee
l. The phrases are eighth note based with some quarter note and triplets added a
s well. The piano rarely varies from the middle range of the piano keyboard. T
he phrases all blend well together and this RealTrack will fit well with a mediu
m tempo swinging country tune.
:;2259
Piano, Rhythm CountryWaltzJohn Sw 085
This MIDI SuperTrack Country Piano styles playing is subdued rhythmically, mostl
y utilizing eighth and quarter notes. The style tends to stay in the middle regi
ster of the piano allowing any solo instruments to shine. This MIDI SuperTrack s
tyle is a strong backing instrument for any slow country/pop 3/4 arrangement.
:;2260
Bass, Electric, FunkyGroove60s Ev 100
Laid back electric bass playing repeated 8th notes with a funky feel, with short
er notes played on the beat, longer notes on the off-beats. It features a warm,
classic tone and is useful for funk, pop, rock or country tunes. Occasional 16
th-note embellishments are used. You can also choose to use a DI [Direct Input]
version which is recorded directly from the bass, bypassing the amp and effects
.
Tempo Range: 85-130
:;2261
Piano, Acoustic, Rhythm BossaSlowKenny Ev 085
A slow tempo Bossa groove on acoustic piano from Kenny Barron. Playing a combin
ation of quarter notes and eighth notes, the acoustic piano has a warm, natural
tone which gives this RealTrack set it s distinct feel. You can pair this RealTra
ck with older Bossa RealTracks as well as the available Bossa soloists.
Tempo Range: 70 110 bpm
:;2262
Piano, Acoustic, Rhythm 80sPopBallad Ev 085
Pop ballad acoustic piano played with a steady even feel. The main playing is b
road chord voicings that emphase a pulse on each beat with some 8th melodic fill
s. This RealTrack works well with slash chords and some jazz chords in II-V-I p
rogressions.
Tempo Range: 70-100
:;2263
Piano, Acoustic, Rhythm 80sPopMedium Ev 120
With flowing melodic phrases, this Acoustic Piano RealTrack is played in the sty
le of 80s Pop. Played at a medium tempo, this RealTrack has a warm acoustic ton
e, and the attack on the keys is light. Playing mainly eighth note phrases, the
re are a few 16th note accents added. Use this RealTrack next time you want a P
op feel in your next composition.
:;2264
Piano, Acoustic, Rhythm 80sBubblegumPop Ev 140
This is a fast tempo pop acoustic piano playing a steady even style. The main p
laying is steady 8th arpeggios over held root notes in a lower register. The ar
peggios are often expanded with double stops. This RealTrack works well with sla
sh chords and some jazz chords in II-V-I progressions.
:;2265
Synth, BellPad, Rhythm 80sPopMelodic Ev 085
A bright Bell Pad synth playing arpeggios in a high register. There is some mel
odic embellisment, but generally the monophonic lines are simple enough to make
a good background style.
Tempo Range: 75-100
:;2266
Synth, BellPad, Rhythm 80sPopMelodic Ev 120
A bright and cheerful Bell Pad synth playing simple arpeggios with some melodic
embellisment. The main playing is steady 8ths played in a high register, but ma
y slow down to 4ths when the chord progression is simple.
:;2267
Synth, BellPad, Rhythm 80sPopPads Ev 085
A slow ballad tempo Bell Pad synth playing simple held chords in a high register
. The notes usually arpeggiated, but always held until the next chord transisti
on.
Tempo Range: 75-100
:;2268
A upbeat Bell Pad synth playing arpeggiated chords in a high register. Each not
e is usually held for the duration of the chord. This style works well with pop
chords, slash chords, sus chords, and some jazz chords.
:;2269
A upbeat Bell Pad synth playing arpeggiated chords in a high register. Each not
e is usually held for the duration of the chord. This style works well with pop
chords, slash chords, sus chords, and some jazz chords.
:;2270
Bass, Synth, DiscoOctavesA-B Ev 120
Synth slap bass that plays a even syncopated octaves during A, and steady 8th ro
ot notes during B.
:;2271
Bass, Synth, DiscoOctaves Ev 120
Synth slap bass that plays an even syncopated pattern. The main playing is stea
dy 8th root notes with beat 4 pushed using a held octave note, or a 7th for adva
nced chords.
:;2272
Bass, Synth, DiscoPulse Ev 120
Synth slap bass that plays steady even 8th root notes.
:;2273
Synth, Rhythm DiscoDigiLead Ev 120
Retro sawtooth synth that plays sustained notes. Usually plays root or fifth, h
olding for the duration of every chord.
:;2274
Synth, Rhythm DiscoDigiBell Ev 120
A rich and bright percussive synth that plays simple partial chords. The main p
laying is root and fifth notes struck on the downbeat, sustaining until the next
chord with heavy reverberation. For advanced chords a more significant note is
played instead of the root.
:;2275
Synth, Rhythm DiscoElPianoA-B Ev 120
Two different electric pianos playing held chords in A-B styles. 'A' is slightl
y gritty held chords in a low register. 'B' is bright partial chords held in a
high register.
:;2276
Synth, Rhythm DiscoElPianoHigh Ev 120
Crystal clear electric piano playing partial chords in a high register. This in
strument's attack is percussive with a very synth-flavoured sustain. The main p
laying is held partial chords usually using fifth and root or a more significant
note for advanced chords.
:;2277
Synth, Rhythm DiscoElPianoLow Ev 120
Slightly gritty electric piano playing held chords. The main playing is gently
struck chords in a low register using narrow voicings.
:;2278
Synth, Rhythm DiscoShakuhachiA-B Ev 120
Two different Shakuhachi synths playing partial chords. 'A' is a plain patch pl
aying held root and fifth, and 'B' is a pulsing patch playing held root and fift
h. More advanced chords replace the root with a more significant note.
:;2279
Synth, Rhythm DiscoShakuhachiHeld Ev 120
A Shakuhachi synth playing partial chords. The main playing is root and fifth,
held for the duration of every chord. More advanced chords replace the root wit
h a more significant note.
:;2280
Synth, Rhythm DiscoShakuhachiPulse Ev 120
A pulsing Shakuhachi synth playing partial chords. The main playing is root and
fifth, held for the duration of every chord. More advanced chords replace the
root with a more significant note.
:;2281
Synth, Rhythm DiscoSynthGuitDelayA-B Ev 120
A synthesized funky electric guitar with auto-wah and heavy delay playing stacca
to power chords in a high register. More advanced chords replace the root with
a more significant note. Only plays on beat 3 for 'A', and plays a busier conti
nuous pattern for 'B'.
:;2282
Synth, Rhythm DiscoSynthGuitDelaySync Ev 120
A synthesized funky electric guitar playing staccato power chords in a high regi
ster. The main playing is staccato notes struck on beat 3 and a pushed beat 4.
Auto-wah and heavy delay are used to rhythmically expanded the groove. More adva
nced chords replace the root with a more significant note.
:;2283
Synth, Rhythm DiscoSynthGuitDelayStraight Ev 120
A synthesized funky electric guitar playing staccato power chords in a high regi
ster. The main playing is staccato notes struck on beat 1 and a pushed beat 2,
and repeats this pattern for beats 3 and 4. Auto-wah and heavy delay are used to
rhythmically expanded the groove. More advanced chords replace the root with a
more significant note.
:;2284
Bass, Acoustic, BossaRon Ev 140
Lively acoustic bass by Ron Carter playing a bossa style at a medium tempo. Fea
tures standard bossa figures, with lots of inventive embellishment.
165 bpm
Tempo Range: 120
:;2285
Bass, Acoustic, JazzSwingRonA-B Sw 140
This medium-tempo Jazz acoustic bass style offers a busier alternative to our or
iginal 140 bpm Jazz acoustic bass style. In the A substyle, the player alternat
es between a half-note and quarter-note groove. In the B substyle, a walking qua
rter-note bass line is made elaborate with occasional swung eighth-note pushes.
Tempos of 120-160 beats per minute are ideal.
:;2286
Bass, Acoustic, JazzSwingRonIn2 Sw 140
iginal 140 bpm Jazz acoustic bass style. In this style a walking quarter-note b
ass line is made elaborate with occasional swung eighth-note pushes.

:;2287
Bass, Acoustic, JazzSwingRonWalking Sw 140
iginal 140 bpm Jazz acoustic bass style. In this style, the player alternates b
etween a half-note and quarter-note groove.
:;2288
Piano, Acoustic, Rhythm BossaKenny Ev 140
Mid-tempo Bossa Nova piano with pleasant tensions to create a melodic flow throu
ghout while maintaining an overall laid-back playing style.
:;2289
Piano, Acoustic, Rhythm JazzSwingKenny Sw 140
This medium-tempo Jazz piano style offers a brighter and slightly more harmonica
lly complex alternative to our original 140 bpm Jazz piano. The player uses ple
asant tensions to create a melodic flow throughout while maintaining an overall
laid-back playing style that has an underlying syncopated swung eighth-note rhyt
hm. Tempos of 120-160 beats per minute are ideal.
:;2290
Horn Section, Rhythm SlowPop Ev16 065
Slow 4-part pop horn section with alto, baritone, & tenor Saxes and trumpet. Th
e parts played are a combination of long held chords as well as more complex mel
odic & rhythmic ideas. Will work well with 16ths or 8ths based rhythm section i
nstruments. There is a simple version with more held chords available by select
ing the simpler checkbox in the RealTracks picker.
Tempo Range: 55-90
:;2291
Horn Section, Rhythm SlowPopPads Ev16 065
Slow 4-part pop horn section with alto, baritone, & tenor Saxes and trumpet. Th
e parts played are mostly long held chords, with occasional slightly more rhythm
ic melodic ideas. Will work well with 16ths or 8ths based rhythm section instru
ments.
Tempo Range: 55-95
:;2292
Horn Section, Rhythm Pop Ev 130
Medium tempo 4-part pop horn section with alto, baritone, & tenor Saxes and trum
pet. The parts played are a combination of long held chords as well as more com
plex melodic & rhythmic ideas. Will work well with 8ths based rhythm section in
struments. There is a simple version with more held chords available by selecti
ng the simpler checkbox in the RealTracks picker.
:;2293
Horn Section, Rhythm PopPads Ev 130
Medium 4-part pop horn section with alto, baritone, & tenor Saxes and trumpet.
The parts played are mostly long held chords with occasional simple melodic phra
ses. Will work well with 8ths based rhythm section instruments.
:;2294
Sax, Alto, Rhythm SlowPop Ev16 065 (1TrackHornSection)
Bright sounding laid back alto sax, playing simple background melodic phrases.
Works well with a singer or even another soloist playing simultaneously.
Tempo Range: 55-100
:;2295
Sax, Baritone, Rhythm SlowPop Ev16 065 (1TrackHornSection)
Mellow sounding baritone sax playing a simple backing style. It plays long held
notes and some quarter notes. Has a classic sound and can be used to fill out
the low end if your song is missing that.
Tempo Range: 55-85

:;2296
Sax, Tenor, Rhythm SlowPop Ev16 065 (1TrackHornSection)
Tenor sax playing simple quarter notes and longer held notes. The sax has a mel
low tone with a crisp edge and fits in nicely as a backing instrument. Will wor
k well with 16ths or 8ths based rhythm section instruments.
Tempo Range: 55-85
:;2297
Trumpet, Rhythm SlowPop Ev16 065 (1TrackHornSection)
Clear trumpet playing simple, long notes with quarter note phrases interspersed
throughout. This RealTrack is useful as a simple melodic addition over which a
singer or soloist can play.
Tempo Range: 55-85
:;2298
Bass, Synth, DanceRockBuzzBass Ev 120
A crispy sharp saw-tooth synth playing an even syncopated root note pattern. Th
e main playing is heavily syncopated 8th notes using just the root, and often pl
ays a rhythmic octave fill at the end of the bar.
:;2299
Bass, Synth, DanceRockBuzzBassQuarter Ev 120
A crispy sharp saw-tooth synth playing that plays steady staccato 4ths. The mai
n playing is just root notes.
:;2300
Bass, Synth, DanceRockBuzzBassWhole Ev 120
A crispy sharp saw-tooth synth playing held root notes. The notes are very lega
to and on-beat, creating an almost seamless background.
:;2301
Bass, Synth, DanceRockBuzzBassWholeSyncA-B Ev 120
A crispy sharp saw-tooth synth that plays A & B substyles. 'A' plays seamless h
eld root notes, and 'B' plays heavily syncopated 8ths with some octave fills.
:;2302
Bass, Synth, DanceRockBuzzBassQuarterSyncA-B Ev 120
A crispy sharp saw-tooth synth that plays A & B substyles. 'A' plays steady sta
catto 4ths, and 'B' plays heavily syncopated 8ths with some octave fills.
:;2303
Bass, Synth, DanceRockBuzzBassWholeQuarterA-B Ev 120
A crispy sharp saw-tooth synth that plays A & B substyles. 'A' plays seamless h
eld root notes, and 'B' plays steady staccato 4ths.
:;2304
Synth, Rhythm DanceRockKoto Ev 120
A synthesized Koto with heavy delay playing even syncopated arpeggios. The main
playing is notes on beat 1, pushed 3, and 4. The last note is usually sustaine
d for the duration of the chord.
:;2305
Synth, Background DanceRockTensionPad Ev 120
A very rich strings synth that plays held notes with a very slow attack. Plays
a significant note for each chord type, or in some cases holds a common note ove
r a series of chords.
:;2306
Synth, Rhythm BubblegumPopAccentSynth Ev 140
A very bright percussive synth playing simple monophonic lines with heavy reverb
and some tremolo. The main playing is 4ths usually resting the 4th beat.

:;2307
Synth, Rhythm BubblegumPopKoto Ev 140
A bright synthesized Koto with light delay playing simple arpeggios in an uptemp
o even groove. The main playing is 8th based descending arpeggios falling on va
rious beats, with a lot of rest in between riffs.
:;2308
Synth, Rhythm BubblegumPopPluckySynth Ev 140
A rich timbred percussive synth with heavy reverb and a phase shifter. The main
playing is steady 8th arpeggios, usually holding the last note of each riff.
:;2309
Synth, Rhythm BubblegumPopSynthBells Ev 140
A heavy sustaining percussive synth with reverb. The main playing is chord shot
s on syncopated beats, and often playing 8th arpeggios between riffs.
:;2310
Synth, Rhythm BubblegumPopSynthPads Ev 140
A synthesized string section patch playing held chords. The main playing is hel
d chords on the downbeat using simple narrow voicings that sustain until the nex
t chord.
:;2311
Bass, Acoustic, JazzBalladRonA-B Sw 085
Jazz Poll winner Ron Carter plays a slow ballad style on the acoustic bass with
a simple 2 beat pattern in the A section and a walking 4 beat pattern in the B s
ection. The bass has a natural acoustic tone which compliments the superb playi
ng of Ron Carter. This RealTrack works great with other Jazz Poll winner RealTr
acks.
Tempo Range: 70-110
:;2312
Bass, Acoustic, JazzBalladRonIn2 Sw 085
This ballad style RealTrack features just a 2 beat pattern. Some eighth notes ar
e played but if you would like to choose a basic version with no embellishment t
hen choose the simple option in the track menu.
Tempo Range: 70-110
:;2313
Bass, Acoustic, JazzBalladRonWalking Sw 085
This RealTrack plays a walking quarter note pattern throughout. Eighth notes are
played on some beats. You can also choose the simple option in the track menu to
play a basic walking pattern with eighth notes removed.
Tempo Range: 70-110
:;2314
Piano, Acoustic, Rhythm JazzSwingSlowKenny Sw 085
This slow rhythm swing style is played by Jazz Poll winner Kenny Barron. Playin
g a combination of long held notes and simple flowing melodic passages, this Rea
lTrack is a unique alternative to the existing piano ballad RealTracks in Band-i
n-a-Box. Also select a simple version of this RealTrack under the track menu to h
ave a version that removes the more elaborate riffs.
Tempo Range: 70-100
:;2315
Piano, Acoustic, Rhythm JazzFastKenny Sw 190
This fast swinging rhythm RealTrack is played by Jazz Poll winner Kenny Barron.
Here we get a unique comping style playing a combination of whole notes and qua
rter notes with a soft acoustic piano sound. This style also features a simple op
tion which can be selected from the track menu.
:;2316
Bass, Acoustic, JazzWaltzSlowRonA-B Sw 085
This RealTrack features Jazz Pollwinner Ron Carter playing a waltz style on acoust
ic bass. In this style we have two variations which can be used. In the A sectio
n half notes are played with some quarter notes played on the pick up as well.
The B section plays a walking pattern which gives a feeling of increased intensity
in the performance. This RealTrack also includes RealCharts which allow you to
view the exact notation of what Ron Carter is playing. You can also choose a si
mple version of this RealTrack from the RealTrack menu and you will hear a simpl
er performance.
Tempo Range: 70-100
:;2317
Bass, Acoustic, JazzWaltzSlowRonHeld Sw 085
A slow waltz acoustic bass RealTrack from Jazz Pollwinner Ron Carter, playing a he
ld style which consists of half notes and a quarter note on the pickup. This Re
alTrack also includes RealCharts which allow you to view the exact notation of w
hat Ron Carter is playing. You can also choose a simple version of this RealTrac
k from the RealTrack menu and you will hear a simpler performance.
Tempo Range: 70-100
:;2318
Bass, Acoustic, JazzWaltzSlowRonWalking Sw 085
This slow waltz acoustic bass RealTrack from Jazz Pollwinner Ron Carter plays a wa
lking pattern throughout. A walking pattern on the bass means a note is played
on each beat of the bar. This RealTrack also includes RealCharts which allow you
to view the exact notation of what Ron Carter is playing. You can also choose a
simple version of this RealTrack from the RealTrack menu and you will hear a si
mpler performance.
Tempo Range: 70-100
:;2319
Bass, Acoustic, JazzWaltzRonA-B Sw 140
This medium tempo acoustic bass RealTrack from Jazz Pollwinner Ron Carter is playe
d in a waltz. The acoustic bass has a thick and full tone and is played expertl
y by Ron Carter. In the A section half notes are played with some quarter notes p
layed on the pick up as well. The B section plays a walking pattern which gives a
feeling of increased intensity in the performance. This RealTrack also includes
RealCharts which allow you to view the exact notation of what Ron Carter is pla
ying. You can also choose a simple version of this RealTrack from the RealTrack
menu and you will hear a simpler performance.
:;2320
Bass, Acoustic, JazzWaltzRonHeld Sw 140
This acoustic bass waltz from Jazz Pollwinner Ron Carter plays a held style that c
onsists of a half note with a quarter note pickup. The tone of the acoustic bass
is thick and warm, a classic sound. This RealTrack also includes RealCharts whi
ch allow you to view the exact notation of what Ron Carter is playing. You can a
lso choose a simple version of this RealTrack from the RealTrack menu and you wi
ll hear a simpler performance.
:;2321
Bass, Acoustic, JazzWaltzRonWalking Sw 140
Here we have a RealTrack from Jazz Pollwinner Ron Carter playing a medium tempo wa
lking style on the acoustic bass. A walking pattern on the bass means a note is
played on each beat of the bar. This RealTrack also includes RealCharts which al
low you to view the exact notation of what Ron Carter is playing. You can also c
hoose a simple version of this RealTrack from the RealTrack menu and you will he
ar a simpler performance.
:;2322
Piano, Acoustic, Rhythm JazzWaltzSlowKenny Sw 085
With this RealTrack you can hear Jazz PollWinner Kenny Barron play a slow waltz st
yle on the acoustic piano. With a rich, full tone, the playing on this acoustic
piano is superb with long held chords combined with short, melodic fills. This
RealTrack also includes RealCharts which allow you to see the exact notation of
Kenny Barron. You can also choose a simple version of this RealTrack from the
RealTrack menu and you will hear a simpler performance.
Tempo Range: 70-100
:;2323
Piano, Acoustic, Rhythm JazzWaltzKenny Sw 140
This RealTrack is an acoustic piano from Jazz Pollwinner Kenny Barron playing a me
dium tempo waltz. With a natural acoustic sound, the subtle and unique playing
of Kenny Barron is truly on show. This RealTrack also includes RealCharts which
allow you to see the exact notation of Kenny Barron. You can also choose a simp
le version of this RealTrack from the RealTrack menu and you will hear a simpler
performance.
:;2324
Synth, Rhythm Rock80s Ev 120
Bright sawtooth synthesizer playing fat held chords. Meant for even pop/rock sty
les, but will work for swing as well because the playing is always right on the
beat.
:;2325
Bass, Synth, Rhythm JazzFunkFat Ev 110
Very funky monophonic synth bass playing melodic bass lines with lots of emphasi
s on rhythm in an even feel.
Tempo Range: 90-130
:;2326
Synth, Background JazzFunkLead Ev 110
Bright square wave lead synth playing monophonic melodies meant for even styles
such as JazzFunk, but will also work for pop/rock styles. This is a background s
tyle, but the playing can be busy at times which works as more of a soloist.
Tempo Range: 90-130
:;2327
Koto, Synth, Rhythm NewAge Ev 110
Realistic sounding Koto synth playing humble melodic phrases between pauses in a
n even feel. Works best with new age styles, but may complement any even groove
.
Tempo Range: 90-130
:;2328
Shakuhachi, Synth, Background NewAge Ev 110
Realistic sounding Shakuhachi synth playing very simple monophonic background me
lodies with an even feel.
Tempo Range: 90-130
:;2329
Synth, Rhythm Rock80s Ev 120
MIDI SuperTrack with a Bright sawtooth synthesizer playing fat held chords. Mean
t for even pop/rock styles, but will work for swing as well because the playing
is always right on the beat.
:;2330
Bass, Synth, Rhythm JazzFunkFat Ev 110
Very funky monophonic synth bass playing melodic bass lines with lots of emphasi
s on rhythm in an even feel.
Tempo Range: 90-130
:;2331
Synth, Background JazzFunkLead Ev 110
Bright square wave lead synth playing monophonic melodies meant for even styles
such as JazzFunk, but will also work for pop/rock styles. This is a background s
tyle, but the playing can be busy at times which works as more of a soloist.
Tempo Range: 90-130
:;2332
Koto, Synth, Rhythm NewAge Ev 110
MIDI SuperTrack Koto synth playing humble melodic phrases between pauses in an e
ven feel. Works best with new age styles, but may complement any even groove.
Tempo Range: 90-130
:;2333
Shakuhachi, Background NewAge Ev 110
MIDI SuperTrack Shakuhachi synth playing very simple monophonic background melod
ies with an even feel.
Tempo Range: 90-130
:;2334
String Quartet, Rhythm PopChamber Ev 085
This RealTrack includes 4 instruments, a cello, a viola and two violins which co
mbine to make a String Quartet. Here they play a pop chamber style at a slow te
mpo with an even feel. All four instruments have a classic acoustic tone which
has blended sow well together over the years. Also included with this RealTrack
are RealCharts which allow you to see exactly what each instrument is playing.
Tempo Range: 70-100
:;2335
String Quartet, Rhythm PopHall Ev 085
The Sting Quartet RealTrack played with a Hall style means the feel is more open
and the sound is if it was being played in an open hall. This RealTrack combin
es 4 instruments, the cello, the viola and two violins. Recorded all together to
make sure that the separate instruments are all playing as one. Also included w
ith this RealTrack are RealCharts which allow you to see exactly what each instr
ument is playing.
Tempo Range: 70-100
:;2336
Viola, Background, Pop Ev 085 (1TrackStringSection)
A single instrument RealTrack, this viola has a warm, mellow tone and is played
with an even pop feel. This RealTrack was created as a background RealTrack whi
ch means it is used best to give atmosphere to a composition. As a single track
you can combine this RealTrack with many different styles to create your own un
ique sound. Also included with this RealTrack are RealCharts which allow you to
see exactly what each instrument is playing.
Tempo Range: 70-100
:;2337
Violin, Background, PopHigh Ev 085 (1TrackStringSection)
With just one Violin playing a pop style in the higher register, this even feel
RealTrack can be utilized in a variety of different musical styles. This style
fits into the background to give a composition an open, classical feel. Also inc
luded with this RealTrack are RealCharts which allow you to see exactly what eac
h instrument is playing.
Tempo Range: 70-100
:;2338
Violin, Background, PopLow Ev 085 (1TrackStringSection)
This Violin is played in the lower register, with an even feel. Just a single in
strument,this RealTrack can take a song and add a layer featuring the unique tim
bre and tone of a Violin. This style fits into the background to give a composit
ion an open, classical feel. Also included with this RealTrack are RealCharts wh
ich allow you to see exactly what each instrument is playing.
Tempo Range: 70-100
:;2339
Piano, Rhythm BossaKenny Ev 140
Mid-tempo Bossa Nova piano with pleasant tensions to create a melodic flow throu
ghout while maintaining an overall laid-back playing style. Also select a simple v
ersion of this MIDI SuperTrack under the track menu to have a version that remov
es the more elaborate riffs.
:;2340
Piano, Rhythm BossaSlowKenny Ev 085
A slow tempo Bossa groove on piano from Kenny Barron. Playing a combination of
quarter notes and eighth notes, this MIDI SuperTrack has lots of creative opport
unities. You can pair this MIDI SuperTrack with older Bossa RealTracks as well
as the available Bossa soloists.
Tempo Range: 70
110 bpm
:;2341
Piano, Rhythm JazzFastKenny Sw 190
This fast swinging rhythm MIDI SuperTrack is played by Jazz Poll winner Kenny Ba
rron. Here we get a unique comping style playing a combination of whole notes a
nd quarter notes. This style also features a simple option which can be selected
from the track menu.
:;2342
Piano, Rhythm JazzSwingKenny Sw 140
This medium-tempo Jazz piano style offers a brighter and slightly more harmonica
lly complex alternative to our original 140 bpm Jazz piano. The player uses ple
asant tensions to create a melodic flow throughout while maintaining an overall
laid-back playing style that has an underlying syncopated swung eighth-note rhyt
hm.
:;2343
Piano, Rhythm JazzSwingSlowKenny Sw 085
This slow rhythm swing style is played by Jazz Poll winner Kenny Barron. Playin
g a combination of long held notes and simple flowing melodic passages, this MID
I SuperTrack is a unique alternative to the existing piano ballad MIDI SuperTrac
k or RealTracks in Band-in-a-Box. Also select a simple version of this MIDI Super
Track under the track menu to have a version that removes the more elaborate rif
fs.
Tempo Range: 70-100
:;2344
Piano, Rhythm JazzWaltzKenny Sw 140
This MIDI SuperTrack is a piano from Jazz Pollwinner Kenny Barron playing a medium
tempo waltz. We can hear how the subtle and unique playing of Kenny Barron is
truly on show. This MIDI SuperTrack also includes RealCharts which allow you to
see the exact notation of Kenny Barron. You can also choose a simple version of
this MIDI SuperTrack from the RealTrack menu and you will hear a simpler perfor
mance.
:;2345
Piano, Rhythm JazzWaltzSlowKenny Sw 085
With this MIDI SuperTrack you can hear Jazz Pollwinner Kenny Barron play a slow wa
ltz style on the acoustic piano. Select any piano synth you like to get the sou
nd you desire. The playing on this piano is superb with long held chords combine
d with short, melodic fills. This MIDI SuperTrack also includes RealCharts whic
h allow you to see the exact notation of Kenny Barron. You can also choose a si
mple version of this MIDI SuperTrack from the RealTrack menu and you will hear a
simpler performance.
Tempo Range: 70-100
:;

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Bass, Acoustic, Jazz Paul Sw 140 ('2' only)

also sound good with rock, pop, and jazz.

Tempo range: 150-200 bpm

Tempo range: 75-115 bpm

es (STY) from entirely different genres - be creative!

t can be used effectively under a singer without getting in the way.

Sax, Tenor, HipHop Rock Sw 100

CBIL, C~ROY, DRJONSHF, ELJAMES

Sax, Alto, Older Sw 140

Style suggestions: J_MJQ_1, J_CELLAR, LAJOLLA, R_SHUFLE, TEK_WILD, MAYTAL1

Tempo range: 115-190

Style suggestions: C_SAMMY, SONMN23, HIVE+, GUAJIRA1, EXCITE1, COLORS, BOSSA2, B

Sophisticated and flowing Alto Saxophone playing in a Ballad style. In addition

box in the RealTracks picker.

Guitar, Electric, Rhythm StoneZ Honky 2 Ev 120('A' only)

e "Simpler" checkbox in the RealTracks picker.

Guitar, Acoustic, Fingerpicking Hank Sw 085

Bass, Electric, Pop Sw 085

in the "Simpler" checkbox in the RealTracks picker.

mpler" checkbox in the RealTracks picker.

Tempo range: 120-160

the Solo sections.

Guitar, Electric, Rhythm Blues BB Ev 085

Tempo range: 90-130

Mandolin, Rhythm Fast Chop Sw 190

a heavy distortion sound.

eck in the "Simpler" checkbox in the RealTracks picker.

Guitar, Electric, Rhythm SouthernRock Ev 085 (B: steady)

Tempo range: 75-105

d-of-2, and beat three, and then various embellishments throughout.

Style suggestions: ALTROCK4, C2_KELLY, CC_COLV

Tempo range: 075-105

Tempo range: 130-160

Tempo range: 80-105

Clarinet, Soloist Older Swing Sw 140

Piano, Acoustic, Rhythm PopWaltz Ev 085 (A: simple)

Guitar, Electric, Rhythm SouthernSnappyClean Ev 090 (B: eighth)

Tempo range: 180-210

Tempo range: 130-160

variation plays syncopated chords throughout.

Guitar, Electric, Rhythm NashvillePopDirty Ev 120

Guitar, Electric, Rhythm TexasBluesRockLowA-B Ev 165

s style was common in Britain in the 70s & 80s.

Tempo Range: 65-100

Guitar, Electric, Rhythm BossaFreeComp Ev 085

tures a warm, clean electric guitar tone.

Guitar, Electric, Rhythm CountrySwingCleanPedal Sw 085

Tempo Range: 135-160

Tempo Range: 60-85

the "Simpler" checkbox in the RealTracks picker.

n the RealTracks picker.

Trumpet, Soloist SmoothJazzCool Sw16 100

y to be played on major chords.

Bass, Acoustic, BluegrassWaltz Ev 140

Tempo Range: 135-165

Guitar, Electric, Rhythm WesternSwingWarmPicked Sw 165

Tempo Range: 70-95

s occasionally interspersed with simple melodic phrases.

l of character. Vibrato is used frequently in this style.

Piano, Electric, Soloist SmoothJazzCool chorus Sw16 075

The simple version of Guitar, Electric, Rhythm TexMex2BeatA-B Ev 120 excludes ri

Tenor Sax, Trumpet, Trombone, Alto Sax, Electric Guitar, Vibes.