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ModernEurope
nature of the "access to the means of production"
975
Vincenzo Saporito, another Sicilian,became a nemesis; Giovanni Giolitti, prime minister before, during, and after the trial, may have viewed him as a
ROLAND SARTI
University of Massachusetts rival; and Antonio Salandra, another future prime
minister, was less than friendly toward Nasi. Distinctly unfriendly was a major newspaper, the
ZUMBINI.
L "Incidente" Nasi: Giornale d'Italia, which in turn was friendly to
FERRARI
ROMANO
Cronacadi una vicendadell'Italiapoliticad'altritempi, Salandra. Finally, the Socialist party and some So1903-1908. Padua: CEDAM. 1983. Pp. x, 179. L. cialistnotables found the Nasi case a politicalconvenience to exploit.
12,000.
Zumbini questions neither Nasi's guilt nor the
According to the constitution (Statuto)of the King- justice of the verdict that ended the politician's
dom of Italy, government ministers who were im- career; he does raise questions about the nature of
peached by the Chamber of Deputies were to be politicaljusticeas rendered by the Senate sitting as a
tried by the Senate sitting as a high court of justice. high court; and he marvels at the coincidence of
Until 1907 no such proceeding had occurred, nor rivalries,hostilities, and ambitions that surrounded
was one to recur so long as the Statutolasted. In that the "incident."
SALVATORE SALADINO
year, however, Nunzio Nasi, former minister of
QueensCollege
education (1901-03), was tried by the high court on
CityUniversityof New York
charges of repeated peculation, found guilty in
1908, and sentenced to eleven months and twenty
days of confinement.
The charges against Nasi surfaced in the chamber MICHEL OSTENC. Intellectuels italiens et fascisme,
at the end of 1903, soon after the resignation of the 1915-1929. (Bibliotheque Historique.) Paris: Payot.
government of which he had been a part. In 1904 1983. Pp. 338. 120 fr.
the chamber authorized his arrest and trial before
an ordinary tribunal.But in 1907 the Roman Court Michel Ostenc, the author of an excellent compreof Cassation ruled that the ordinary judiciary was hensive work on fascist education (La scuolaitaliana
not competent to try a former minister for acts duranteil fascismo[1979]), has deliberately not atcommitted while in the exercise of his office, where- tempted to write a general history of intellectuals
upon the chamber deferred Nasi to the high court. under fascism. Instead, his study concentrates on
The Nasi "incident" raised a host of legal and the evolving politicalattitudes of certain writersand
politicalquestions. The chief merit of Romano Fer- poets like Gabriele D'Annunzio, Filippo Marinetti,
rari Zumbini'sbrief but carefully prepared work lies Giuseppe Ungaretti, Luigi Pirandello, Curzio
in its examination of the constitutionaland juridical Malaparte, and the antifascist Piero Gobetti. He
aspects of the story and in its awareness of the wiselyterminateshis study in 1929, because, despite
exquisitely political nature of so unique a case. The the differences in their ages, the men studied all
structure of Zumbini'sbook reflects this dual inter- belong to the early period of Italian fascism and not
est. The firstchapter, which is appropriatelyentitled to the new era that opened around 1930.
The author reveals the tremendously diverse ide"PoliticalJustice"and accounts for about two-fifths
of the work, is devoted to a detailed examination of als that drew intellectuals to fascism. The futurist
historical precedents as well as Italian and foreign Marinettidesired to break with a corrupt past by a
constitutional and legal provisions for proceedings leap into the new industrial and technological fuagainst government ministers. The balance of the ture; Ungaretti hoped that an escape from the
book, rich in detailed citations of sources and ex- corruption of the present might be found in a
planatoryfootnotes, deals with Nasi'scase proper in return to Italian classicaltraditions; and Malaparte
its legal and politicalaspects, viewed severallyand in sought reconciliation between the elite and the
masses by means of fascism. Yet Ostenc shows that
their inextricableinterweaving.
An extraordinary confluence of events contrib- the intellectualswho were drawn to fascism shared a
uted to the production of the "incident"that, within common outlook on politics. They were all nationa few years, destroyed the career of a rising political alists who believed that liberal Italy had failed to
figure whose power base.in western Sicily, Masonic create a moral unity for the Italians. Although the
affiliation, and apparent royal favor all promised nation was flawed and incomplete, the solution was
higher and even the highest office. But chance and not economic development but a cultural awakencircumstance,in the form of the ambitionsof others ing. Fascismwas to be a moral revolution that would
and his own failings, intervened. Vittorio Emanuele provide some missing piece in the Italian character.
Orlando, a fellow Sicilian and future prime minis- Finally,they all sought in Mussolini a leader under
ter, seemed to stalk Nasi's political footsteps; whose direction the changes might take place.
(p. 101).
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976
Reviewsof Books
Ostenc reveals how the framework for this political activity was set by an older generation led by
Benedetto Croce and GiovanniGentile, who, before
World War I, directed their most severe attack
against Marxism, reformism, and democratic values. Just before and during World War I a new
generation fused this philosophical assault with a
romantic vision of politics that lacked any basis in
Italian reality. Their Italy was a myth. The author
then demonstrates convincingly that fascism was
never able to shape these disparate ideals into a
serious and coherent doctrine.
Most of the figures studied were creative writers,
which may have distorted the sample somewhat.
D'Annunzio is given an inordinate amount of attention, for he had little real importanceafter 1921 and
played no role under fascism.Similarly,Pirandello's
case was so special that his adherence to fascism
throws little light on the broader general question of
intellectuals and fascism. But these are minor
points. Ostenc's chapters on the relationship between the intellectuals and the new fascist movement are very well done, and the conclusion to that
section is a fine summaryof the whole problem. The
author's judgment that fascism managed to construct a formal cultural apparatus but had no content to put into it is solid. Ostenc has made a serious
and valuable contribution to the growing body of
work on Italian intellectual life from 1900 to 1929.
ALEXANDER DE GRAND
Roosevelt University
Southern MethlodistUniversity
ANNA
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