The multifaceted paradigm of belonging provides insights into our intrinsic need
for acceptance and inclusion in a myriad of forms. However a personal insight
developed from the study of belonging is that the key to a sense of belonging
lies within the individual, and it is our own actions that determine the magnitude
of acceptance we feel from others around us. The importance of individual
perceptions in belonging is illustrated in Peter Skrzyneckis 1975 Immigrant
Chronicles, in the two poems Post Card and St Patricks College. These two texts
explore the correlation of perception of self and others on belonging, and this
notion is further examined in Franz Kafkas 1915 seminal novella The
Metamorphosis. Both of these composers analyse the alienating effects of a selfperceived fractured identity, and its detrimental effects on our personal
connections.
Post Card details a persona with a fractured personal identity. Skrzynecki is sent
a post card of his fathers homeland of Warsaw, symbolic of his ancestry and
culture. A post card send by a friend / Haunts me however illustrates its
provoking and tormenting effect on him, enjambment emphasising the word
haunts to clarify a feeling of disaffection and fear. Skrzynecki then transitions
into personifying Warsaw through the use of second person diction, repeating I
never knew you. This combined with the emphatic imperative Let me be
manufactures a confrontational tone to perfectly illustrate the composers
fractured identity, as he struggles with the guilt of being unable to relate to his
ancestry. His self-confessed cultural alienation is further exposed in his rhetorical
questioning Whats my choice / To be? reflecting on his position as caught
between two colliding cultures. However the personification of the tree, which
whispers We will meet / Before you die illustrates Skrzyneckis final
acquiescence, coming to the personal realisation that he cannot hide from his
background and must incorporate it into his identity. Post card is therefore used
to examine Skrzyneckis dichotomous identities which impact on his ability to
belong.
Likewise, Kafkas Metamorphosis is an existential allegory which examines how
the protagonist Gregor Samsas inner conflict denies him a chance to belong. The
persistent detached tone, emphasising verisimilitude, is evident from the
anacolutha of the first line; As Gregor Samsa awoke one morninghe found
himself transformed into a monstrous vermin. The absurdist and candid tone
immediately predicts the social disillusionment of Gregor. His transformation into
a bug also symbolic of his insignificance in society and the scorn he receives,
exemplifying his alienation. His transformation leads to an inner conflict between
his growing physical insect desires, and his conscious psychological strive for
human relationships and acceptance. He thought back on his family with deep
love proves his outreach for human relationships, but he scuttled under the
couch shows his subconscious affinity to tight spaces and increasing insect
tendencies, exhibiting his fractured identity. Like Skrzynecki, he chooses to deny
an aspect of his identity, and this accordingly leads to his alienation, as he is
caught between two worlds. This rejection is seen in the objectification It must
be gotten rid of. The denial of humanity by Gregors family; as they refuse to
call him by his name, shows his complete and utter societal alienation and loss of