Mu Re Li

%0 Journal Article
%A Abelman, Robert
%D 2006
%T Without Divine Intervention: Contemporary Christian Music Radio and Audience
Transference
%J Journal of Media and Religion
%V 5
%N 4
%P 209-231
%! Without Divine Intervention: Contemporary Christian Music Radio and Audience
Transference
%@ 1534-8423
%X A historical multistation, single market switch in radio frequencies provides
the context for a case study analysis of Contemporary Christian Music (CCM) rad
io. This investigation explores the interaction between a CCM-formatted radio st
ation's listenership, salient station attributes, and promotional strategies tha
t have been identified in the literature as potentially impacting on religious a
nd secular audience transference. Although signal strength and inheritance effec
ts contribute to audience transference, station branding, progressive self-promo
tion, Web site status, and corporate ownership proved to be particularly signifi
cant factors.
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%G En
%0 Journal Article
%A Alcorta, C. S.
%A Sosis, R.
%D 2005
%T Ritual, emotion, and sacred symbols : The evolution of religion as an adaptiv
e complex
%J Human nature (Hawthorne, N.Y.)
%V 16
%N 4
%P 323-59
%! Ritual, emotion, and sacred symbols : The evolution of religion as an adaptiv
e complex
%@ 1045-6767
%X This paper considers religion in relation to four recurrent traits: belief sy
stems incorporating supernatural agents and counterintuitive concepts, communal
ritual, separation of the sacred and the profane, and adolescence as a preferred
developmental period for religious transmission. These co-occurring traits are
viewed as an adaptive complex that offers clues to the evolution of religion fro
m its nonhuman ritual roots. We consider the critical element differentiating re
ligious from non-human ritual to be the conditioned association of emotion and a
bstract symbols. We propose neurophysiological mechanisms underlying such associ
ations and argue that the brain plasticity of human adolescence constitutes an "
experience expectant" developmental period for ritual conditioning of sacred sym
bols. We suggest that such symbols evolved to solve an ecological problem by ext
ending communication and coordination of social relations across time and space.
%Z Oscar Hernndez: Aunque no aborda el problema fenomenolgico de prcticas rituales
especficas, podra ser interesante en cuanto a que propone una teora sobre el enlace
entre emocin y simbologa abstracta en un momento de desarrollo especfico del ser h
umano (la adolescencia). El estudio se basa u observa el fenmeno desde el punto d
e vista neurofisiolgico. Interesante la idea de condicionamiento de estas primeras
experiencias, en cuanto a la relacin que puede haber o la crtica que se le puede h
acer desde el punto de vista de experiencias totalizantes de sentido a la Oscar. S
e examina y cuestiona la mirada del ritual (o la participacin en este) como un me
canismo adaptativo no estrictamente humano encaminado a generar conductas de coh

esin comunal/social. Fuente de referencias que han examinado el fenmeno desde el p
unto de vista de la antropologa evolutiva. Buena sntesis de estudios ms amplios sob
re religin, evolucin, y bienestar social/individual.
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Book
Althuser, Louis
1970
Ideologa y aparatos ideolgicos del estado
Medelln (Antioquia, Colombia
Pepe
Ideologa y aparatos ideolgicos del estado
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Conference Paper
Andrews, Vernon E.
1988
Consideration for the evaluation of church music: a biblical approach
Teaching, Institute for Christian
ICTL Seminar
Union College, Nebraska
Institute for Christian Teaching
18
Agosto
%0 Journal Article
%A Areni, C. S.; Kim, D.
%D 1993
%T The influence of background music on shopping behavior: Classical versus topforty music in a wine store
%J Advances in Consumer Research
%V 20
%P 336-340
%! The influence of background music on shopping behavior: Classical versus topforty music in a wine store
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Journal Article
Baker, Joseph O.
2009
The Variety of Religious Experiences
Review of Religious Research
51
1
39-54
The Variety of Religious Experiences
0034673X
Full publication date: Sep., 2009
%X The primary effort of this study is to help move sociological studies of reli
gious experience out of the realm of abstract theory and into quantitative analy
sis. While this is certainly not the first study to do this, the breadth of expe
riences assessed by the 2005 Baylor Religion Survey provides more detailed infor
mation on the topic than has previously been presented. Results indicate that ov
er 65% of American adults claim to have had at least one of the religious experi
ences assessed. The different socio-demographic patterning found among specific
experiences indicates that using a broad, all-encompassing question to analyze r
eligious experiences is inadequate. A theoretical distinction is also proposed b
etween experiences involving only feelings and those extending to other sensory
sensations such as seeing, speaking, hearing, or healing. While income level doe
s not influence claiming more normative religious experiences of feeling, it is
an important predictor of more intense, deviant religious experiences.
%U http://www.jstor.org/stable/25593771
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Journal Article
Balz, Albert
1914
Music and Emotion
The Journal of Philosophy, Psychology and Scientific Methods
11
9
236-244
Music and Emotion
01609335
10.2307/2013114
Full publication date: Apr. 23, 1914
http://www.jstor.org/stable/2013114
%0 Journal Article
%A Barsalou, L. W.
%D 2009
%T Simulation, situated conceptualization, and prediction
%J Philosophical transactions of the Royal Society of London. Series B, Biologic
al sciences
%V 364
%N 1521
%P 1281-9
%! Simulation, situated conceptualization, and prediction
%@ 0962-8436
%X Based on accumulating evidence, simulation appears to be a basic computationa
l mechanism in the brain that supports a broad spectrum of processes from percep
tion to social cognition. Further evidence suggests that simulation is typically
situated, with the situated character of experience in the environment being re
flected in the situated character of the representations that underlie simulatio
n. A basic architecture is sketched of how the brain implements situated simulat
ion. Within this framework, simulators implement the concepts that underlie know
ledge, and situated conceptualizations capture patterns of multi-modal simulatio
n associated with frequently experienced situations. A pattern completion infere
nce mechanism uses current perception to activate situated conceptualizations th
at produce predictions via simulations on relevant modalities. Empirical finding
s from perception, action, working memory, conceptual processing, language and s
ocial cognition illustrate how this framework produces the extensive prediction
that characterizes natural intelligence.
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%G English
%0 Book
%A Beck, Guy L.
%D 1993
%T Sonic theology : Hinduism and sacred sound
%C Columbia, S.C.
%I University of South Carolina Press
%! Sonic theology : Hinduism and sacred sound
%@ 0872498557 9780872498556
%X Traditionally Hinduism has appealed to Western eyes though its rich tableau o
f visual artifacts: temple architecture, sculpture, painting, craft. Guy Beck ar
gues, however, that the focus of Western scholars on Hinduism's visual component
has often been at the expense of the religion's most important feature - its em
phasis on sound. Beck addresses this longstanding imbalance in this pathbreaking
study. He contends that sound possesses a central place in Hindu theory and pra
ctice and that Hinduism is essentially a sonic theology. Unlike religious tradit
ions that emphasize silence, the Hindu world is permeated by sound. Drums, bells
, gongs, cymbals, conches, flutes, and an array of vocalizations play a central
role in the worship experience. Beck provides a theoretical exposition of the ma
jor textual sources of Hindu sacred sound, namely the Vedas, Upanishads, Mimamsa
, Grammar, Yoga, Saiva-Agama, Sakta-Tantra, and Vaisnava Pancaratra. From the Ve
dic Vak as "spoken word" to the Sabda-Brahman of the Upanishads, Mimamsa, and Gr
ammar, and on to the Nada-Brahman of Yoga, Saivism, Saktism, Vaisnavism, and Ind
ian classical music, Beck argues that sound participates at every level of the H
indu cosmos. As he weaves the theology of sound throughout Hindu textual traditi
ons, Beck provides ample, coherent justifications of the practical use of sound
in Mantra repetitions, Om recitations, and Nada-Brahman meditational techniques.
He compares the centrality of sound in Hindu theology to its role, or its absen
ce, in other religions. The issues Beck raises about sound and language not only
reshape our understanding of Hindu worship but also invite a fresh approach to
comparative theology.
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%G English
%0 Journal Article
%A Becker, Judith
%D 1994
%T Music and Trance
%J Leonardo Music Journal
%V 4
%P 41-51
%! Music and Trance
%@ 09611215, 15314812
%R 10.2307/1513180
%1 Full publication date: 1994
%X The author discusses the relationship between music and trance in terms of ne
w theories of mind and brain. She uses examples from several music cultures, inc
luding trance in the Rangda/Barong ritual of Bali.
%0 Audiovisual Material
%A Becker, Judith O.
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2004
Deep listeners CD. CD
Bloomington [u.a.]
Indiana Univ. Press
Deep listeners CD. CD
0253216729 9780253216724 0253343941 9780253343949
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Journal Article
Binder, Rudolph M.
1904
Art, Religion, and the Emotions
The American Journal of Theology
8
4
636-657
Art, Religion, and the Emotions
15503283
Full publication date: Oct., 1904
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Book
Budd, Malcolm
1992
Music and the emotions : the philosophical theories
London [etc.]
Routledge
Music and the emotions : the philosophical theories
0415087791 9780415087797
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Book
Butler, Judith
2001
Mecanismos psquicos del poder : teoras sobre la sujecin
[Madrid]; [Valencia]
Ediciones Ctedra ; Universitat de Valncia
Cruz, Jacqueline
Mecanismos psquicos del poder : teoras sobre la sujecin
8437619394 9788437619392
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Book
Castellanos, Diego Giovanni
2010
Islam en Bogot : presencia inicial y diversidad
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Bogot
Editorial Universidad del Rosario
Islam en Bogot : presencia inicial y diversidad
9789587381214 9587381211
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Web Page
Catlica, Iglesia
Catecismo de la iglesia catlica
Catecismo de la iglesia catlica
http://www.vatican.va/archive/catechism_sp/p2s2c1a3_sp.html
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Book Section
Catlica, Iglesia
Captulo II Acerca de la estructura de la misa, sus elementos y sus partes
Instruccin General del Misal Romano
Captulo II Acerca de la estructura de la misa, sus elementos y sus partes
https://www.aciprensa.com/liturgia/misa3.htm
%0 Journal Article
%A Chang, Paul Y.
%A Lim, Dale J.
%D 2009
%T Renegotiating the Sacred-Secular Binary: IX Saves and Contemporary Christian
Music
%J Review of Religious Research
%V 50
%N 4
%P 392-412
%! Renegotiating the Sacred-Secular Binary: IX Saves and Contemporary Christian
Music
%@ 0034673X
%1 Full publication date: Jun., 2009
%X The growth of the Contemporary Christian Music (CCM) industry has been phenom
enal in the past few decades. CCM is a relatively fast growing "genre" in the mu
sic industry as a whole. Through an ethnographic account of one Contemporary Chr
istian band, IX Saves, this study reveals the dynamics involved in the creative
connection between faith-based messages and what were once thought of as secular
musical genres. Contemporary Christian musicians' appropriation of musical genr
es found in the larger contemporary secular music scene is not without contestat
ion and debate. The ethnographic data show the ways in which religious actors ac
tively negotiate the nature of what constitutes secular versus sacred cultural p
roducts. In turn, the ability of religious actors to negotiate and redefine what
is secular or sacred, highlights the looseness of the secular-sacred binary. Th
is study has relevance for theoretical conceptualizations of the sacred-secular
binary and offers one example of how religious groups engage, adapt, and subsequ
ently survive in modern secular society.
%0 Book
%A Clarke, Eric F.
%D 2005
%T Ways of listening : an ecological approach to the perception of musical meani
ng
%C Oxford; New York
%I Oxford University Press
%! Ways of listening : an ecological approach to the perception of musical meani
ng
%@ 0195151941 9780195151947
%X The specification in this catalogue, including without limitation price, form
at, extent, number of illustrations, and month of publication, was as accurate a
s possible at the time the catalogue was compiled. Occasionally, due to the natu
re of some contractual restrictions, we are unable to ship a specific product to
a particular territory. Jacket images are provisional and liable to change befo
re publication.
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%G English
%0 Journal Article
%A Collier, Geoffrey
%D 2007
%T Beyond valence and activity in the emotional connotations of music
%J Psychology of Music
%V 35
%N 1
%P 110-131
%! Beyond valence and activity in the emotional connotations of music
%@ 0305-7356
%X In the scaling of emotions in general, and their application to music in part
icular, the valence (good/bad) and activity or arousal dimensions are ubiquitous
. Naive intuition and critics' writings have assumed a greater profundity in mus
ic's ability to express emotions than this would imply. Five experiments were pe
rformed to show that music is capable of expressing a greater detail in emotiona
l range than can be captured by these two dimensions. The basic paradigm had par
ticipants rank order sets of emotions with respect to how well they applied to b
rief, unfamiliar instrumental selections. People did so rapidly, with significan
t reliability, even when the affective compass of the emotions to be ranked was
restricted to enforce attention to subtle withindimension distinctions, or expan
ded to allow attention to subtle distinctions.
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Book
Concilio, Vaticano
Beltrn de Heredia, Pablo
Gil Robles, Jos Mara
1966
Concilio Vaticano II
Madrid
Afrodisio Aguado
Concilio Vaticano II
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Book Section
Cook, Nicholas; Dibben, Nicola
2010
Emotion in culture and history: perspectives from musicology
Juslin, Patrick; Sloboda, John
Handbook
music and emotion. Theory research, applications
Oxford
Oxford University Press
45-72
Emotion in culture and history: perspectives from musicology
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Journal Article
Damasio, Antonio R.
2007
En busca de Spinoza : neurobiologa de la emocin y los sentimientos
En busca de Spinoza : neurobiologa de la emocin y los sentimientos
9788484326762 8484326764
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Book Section
Davies, Stephen
2010
Emotions expressed and aroused by Music: philosphical perspectives
Handbook
Oxford
15-44
Emotions expressed and aroused by Music: philosphical perspectives
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Book
Deiss, Lucien
Burton, Jane M. A.
Molloy, Donald
1996
Visions of liturgy and music for a new century
Collegeville, Minn.
Liturgical Press
Visions of liturgy and music for a new century
0814622984 9780814622988
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English
%0 Web Page
%A DeNora, Tia
%D 2000
%T Music in everyday life
%C Cambridge; New York
%I Cambridge University Press
%! Music in everyday life
%@ 9780511489433 0511489439 0511009372 9780511009372 1280418826 9781280418822 05
1105047X 9780511050473 9786610418824 6610418829
%X The power of music to influence mood, create scenes, routines and occasions i
s widely recognised and this is reflected in a strand of social theory from Plat
o to Adorno that portrays music as an influence on character, social structure a
nd action. There have, however, been few attempts to specify this power empirica
lly and to provide theoretically grounded accounts of music's structuring proper
ties in everyday experience. Music in Everyday Life uses a series of ethnographi
c studies - an aerobics class, karaoke evenings, music therapy sessions and the
use of background music in the retail sector - as well as in-depth interviews to
show how music is a constitutive feature of human agency. Drawing together conc
epts from psychology, sociology and socio-linguistics it develops a theory of mu
sic's active role in the construction of personal and social life and highlights
the aesthetic dimension of social order and organisation in late modern societi
es.
%U http://dx.doi.org/10.1017/CBO9780511489433
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DeNora, Tia
2010
Emotion as social emergence: perspectives from music sociology
Handbook
Oxford
159-186
Emotion as social emergence: perspectives from music sociology
%0 Journal Article
%A Esfahani, Ehsan Tarkesh
%A Sundararajan, V.
%D 2012
%T Classification of primitive shapes using brain-computer interfaces
%J JCAD Computer-Aided Design
%V 44
%N 10
%P 1011-1019
%! Classification of primitive shapes using brain-computer interfaces
%@ 0010-4485
%X Brain-computer interfaces (BCIs) are recent developments in alternative techn
ologies of user interaction. The purpose of this paper is to explore the potenti
al of BCIs as user interfaces for CAD systems. The paper describes experiments a
nd algorithms that use the BCI to distinguish between primitive shapes that are
imagined by a user. Users wear an electroencephalogram (EEG) headset and imagine
the shape of a cube, sphere, cylinder, pyramid or a cone. The EEG headset colle
cts brain activity from 14 locations on the scalp. The data is analyzed with ind
ependent component analysis (ICA) and the Hilbert-Huang Transform (HHT). The fea
tures of interest are the marginal spectra of different frequency bands (theta,
alpha, beta and gamma bands) calculated from the Hilbert spectrum of each indepe
ndent component. The Mann-Whitney U-test is then applied to rank the EEG electro
de channels by relevance in five pair-wise classifications. The features from th
e highest ranking independent components form the final feature vector which is
then used to train a linear discriminant classifier. Results show that this clas
sifier can discriminate between the five basic primitive objects with an average
accuracy of about 44.6% (compared to nave classification rate of 20%) over ten s
ubjects (accuracy range of 36%-54%). The accuracy classification changes to 39.9
% when both visual and verbal cues are used. The repeatability of the feature ex
traction and classification was checked by conducting the experiment on 10 diffe
rent days with the same participants. This shows that the BCI holds promise in c
reating geometric shapes in CAD systems and could be used as a novel means of us
er interaction. Highlights: We explore the potential of BCIs as user interfac
es in CAD systems. EEG data during visual object imagery of five primitive shape
s is recorded. ICA and HHT analysis of EEG signals are used to classify the corr
esponding objects. The classifier can discriminate between the objects with an a
verage accuracy of 44.6%.
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%G English
%0 Journal Article
%A Eurich, Johannes
%D 2003
%T Sociological Aspects and Ritual Similarities in the Relationship between Pop
Music and Religion
%J International Review of the Aesthetics and Sociology of Music
%V 34
%N 1
%P 57-70
%! Sociological Aspects and Ritual Similarities in the Relationship between Pop
Music and Religion
%@ 03515796
%1 Full publication date: Jun., 2003
%X The subject of this essay is the research and analysis of religion-like pheno
mena within youth culture of pop music. After describing young people's musical
experiences as adequate to religion — ecstatic phenomena in Rock'n'Roll a
nd Techno music are given — it concentrates on the structural parallels b
etween pop music and religion. The common ground and differences between religio
us cults and pop music events are dealt with. As a second step, by following rit
ual-researcher Victor Turner and psychologist M. Czikszentmihalyi, rituals at Te
chno events are analysed. As a result, an equivalence of musical and religious r
ituals is to be seen which is a sound explanation for the great importance of mu
sic for young people seeking sense and identity. At the same time, this analysis
makes clear that from the view of a sociology of religion, pop music has become
'a competitor' with religion. /// U članku se istražuju i analizira
ju pojave slićne religiji unutar mladenačke kulture pop glazbe. Popu
t stihova »What if God was one of us?« (Sto ako je Bog bio jedan od na
s) u pjesmi Joanne Osborne, u pop glazbi postoji mnogo stihova koji znakovito iz
ražavaju religiozne aspekte. Sa sociološkog stajališta ved se
neko vrijeme govori o funkcionalnim ekvivalentima religije koji su u nereligiozn
im društvima preuzeli ulogu institucionalizirane religije. Ritualizirani n
ačini ponašanja mogu se analizirati osobito na koncertima, nogometni
m utakmicama i sličnim zbivanjima, što dopušta da se ide s onu
stranu svakodnevnog žke kulture pop glazba nudi široko područ
je za traženje sastanka s apsolutnim i susreta sa samom egzistencijom. U p
odručju mladenačke glazbene scene izabrani su rock'n'roll i tehno gl

azba kao dva glazbena stila širena masovnim medijima a koja su postala pol
jem eksperimentiranja u potrazi za susretom s apsolutnim. Ovaj članak, tem
eljen na uvodnom predstavljanju pseudo-religioznih fenomena i njihovih korijena
unutar rock'n'rolla, takoder daje uvid u suvremene razvitke unutar tehno pokreta
kojeg se smatra predominantnom mladenačkom kulturom današnjice. Teh
no glazba zrcali na značajan način naznake religioznog iskustva unut
ar svjetovnih odnosa. Nakon opisa glazbenih iskustava mladeži kao adekvatn
ih religiji, članak se koncentrira na strukturne usporednice između
pop glazbe i religije. Obraduju se zajedničkosti i različitosti reli
gioznih kultova i zbivanja u pop glazbi: pokazuje se da glazbeni oblici transcen
diranja funkcioniraju kao ekvivalenti institucionaliziranih religija. Premda se
razlikuju od onih transcendencija koje se odreduju kao sukladne onostranosti, ov
i ekvivalenti još uvijek pokazuju da se religiozne potrebe priopĆava
ju i zadovoljavaju na subjektivan način čak i u svjetovnim aspektima
svakodnevne kulture, iako ne upućuju na institucionalizirane forme religi
oznosti. U drugom koraku analiziraju se rituali u tehno dogadajima prema istra&#
x17e;ivaču ritualnosti Victoru Turnem i psihologu M. Czikszentmihalyiju. K
ao rezultat pojavljuje se ekvivalentnost glazbenih i religioznih rituala s obzir
om na »rites de passage« koji se zbivaju u ritualima. Tako se na plauz
ibilan način može objasniti velika važnost glazbe za mlade lju
de koji traže smisao i identitet. Istodobno, ova analiza pojašnjava
da se s perspektive sociologije religije pop glazba počela »natjecati
« sa samom religijom.
%0 Book
%A Faulkner, Quentin
%D 1996
%T Wiser than despair : the evolution of ideas in the relationship of music and
the Christian church
%C Westport, Conn.
%I Greenwood Press
%! Wiser than despair : the evolution of ideas in the relationship of music and
the Christian church
%@ 0313296456 9780313296451
%X This book addresses a highly complex and elusive matter: why the Christian Ch
urch was able to contribute so generously to music from its earliest days throug
h the 18th century and why it has suffered since that time from a creeping artis
tic paralysis. Modern attitudes and assumptions often find the values and accomp
lishments of the Christian worldview enigmatic, even repellant, and church music
has come to be one of the primary areas in which the tension between conflictin
g worldviews continues to be worked out on a daily basis. This thoughtful work i
nvestigates the historical interaction of theology, philosophy and music, and wi
ll be of interest to church musicians, theologians, music historians and cultura
l anthropologists. In its concluding chapter this work explores a number of basi
c questions: In what sense, if any, can the arts (and then the fine arts) be con
sidered profoundly significant for modern society? Is there a meaningful role fo
r artists of genius and total commitment? Do the arts (and then the fine arts) h
ave any profound significance for the Church in the modern world? Of what signif
icance, if any, to the Church in the modern world are the great Christian artist
ic accomplishments of the past? This exploration is by means of excerpts from hi
storical sources, quotations from modern authors, and commentary on both. It cal
ls upon historical, philosophical, theological, liturgical, anthropological, and
musical sources and concepts in an attempt to develop a comprehensive understan
ding of musical developments that have served the Christian church for centuries
and that have also provided a rich heritage of art music. - Publisher.
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Journal Article
Foucault, Michel
1988
El sujeto y el poder
Revista Mexicana de Sociologa
50
3
3-20
El sujeto y el poder
0188-2503
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Book Section
Gabrielsson, Alf
2010
Strong Experiences with Music
Handbook
Oxford
547-574
Strong Experiences with Music
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Gabrielsson, Alf; Lindstrm, Erik
2010
The Role of Structure in the Musical Expression of Emotions
Handbook
Oxford
367-400
The Role of Structure in the Musical Expression of Emotions
%0 Journal Article
%A Garca, Mara del Rosario
%D 2004
%T Identidad y minoras musulmanas en Colombia : Ocupacin y gobierno hispnicos del t
erritorio
%J Desafos
%N 11
%P 106-139
%! Identidad y minoras musulmanas en Colombia : Ocupacin y gobierno hispnicos del t
erritorio
%@ 0124-4035
%~ /z-wcorg/
%G Spanish
%0 Book
%A Garca, Mara del Rosario
%D 2007
%T Identidad y minoras musulmanas en Colombia
%C Bogot, D.C.
%I Centro de Estudios Polticos e Internacionales, Facultades de Ciencia Poltica y
Gobierno y de Relaciones Internacionales, Editorial Universidad del Rosario
%! Identidad y minoras musulmanas en Colombia
%@ 9789588298375 9588298377
%~ /z-wcorg/
%G Spanish
%0 Journal Article
%A Garca-Alandete, Joaqun
%D 2009
%T Sobre la experiencia religiosa: aproximacin fenomenolgica
%J folios Folios
%N 30
%P 115-126
%! Sobre la experiencia religiosa: aproximacin fenomenolgica
%@ 0123-4870
%X En el presente trabajo, se desarrollan una serie de consideraciones sobre la
experiencia religiosa desde una perspectiva fenomenolgica. Con punto de partida e
n la estructura religiosa del ser humano, se centra en la experiencia religiosa
como experiencia de encuentro personal con la trascendencia, para desembocar en
la experiencia mstica como culmen de tal encuentro, caracterizado por un conjunto
de rasgos fenomenolgicamente especficos. Se destaca, finalmente, la exigencia de
cautela a la hora de valorar psicolgicamente la experiencia mstica, especialmente,
cuando la valoracin se realiza desde claves psicopatolgicas. In this paper, some
considerations on religious experience are explained, from a phenomenological pe
rspective. The starting point is the human being's religious structure, and focu
ses in religious experience as experience of personal meeting with trascendence,
leading in mystic experience as eight of this meet-ing and characterized by a w
hole of specifics phenomenological features. Finally, it is emphasized the requi
rement of caution when mystic experience is valued, specially if valuation is ca
rried out from psychopathology.
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Web Page
Greeley, Andrew M.
2004
The Catholic revolution new wine, old wineskins, and the Second Vatican Counc
Berkeley
University of California Press
The Catholic revolution new wine, old wineskins, and the Second Vatican Counc
%@ 9780520938779 0520938771 1417510633 9781417510634 0520901754 9780520901759 12

82358111 9781282358119
%X Publisher's description: How, a mere generation after Vatican Council II init
iated the biggest reform since the Reformation, can the Catholic Church be in su
ch deep trouble? The question resonates through this new book by Andrew Greeley,
the most recognized, respected, and influential commentator on American Catholi
c life. A timely and much-needed review of forty years of Church history, The Ca
tholic Revolution offers a genuinely new interpretation of the complex and radic
al shift in American Catholic attitudes since the second Vatican Council (1962-1
965). Drawing on a wealth of data collected over the last thirty years, Greeley
points to a rift between the higher and lower orders in the Church that began in
the wake of Vatican Council II--when bishops, euphoric in their (temporary) fre
edom from the obstructions of the Roman Curia, introduced modest changes that no
netheless proved too much for still-rigid structures of Catholicism: the "new wi
ne" burst the "old wineskins." As the Church leadership tried to reimpose the ol
d order, clergy and the laity, newly persuaded that "unchangeable" Catholicism c
ould in fact change, began to make their own reforms, sweeping away the old "rul
es" that no longer made sense. The revolution that Greeley describes brought abo
ut changes that continue to reverberate--in a chasm between leadership and laity
, and in a whole generation of Catholics who have become Catholic on their own t
erms. Coming at a time of crisis and doubt for the Catholic Church, this richly
detailed, deeply thoughtful analysis brings light and clarity to the years of tu
rmoil that have shaken the foundations, if not the faith, of American Catholics.
%U http://site.ebrary.com/id/10057127
%~ /z-wcorg/
%G English
%0 Journal Article
%A Gridley, Mark C. ; Hoff, Robert
%D 2011
%T Demand Characteristics and Religiosity in Perception of Emotion in Music
%J Psychology Journal
%V 8
%N 3
%P 88-92
%! Demand Characteristics and Religiosity in Perception of Emotion in Music
%@ 1931-5694
%X In a previous study an attempt to prime perception of sadness in a jazz piano
improvisation had succeeded among Psychology 101 students at a small, Catholic
college but not among Psychology 101 students at a large, nonsectarian universit
y. Differences in sensitivity to demand characteristics had been hypothesized to
account for part of the discrepancy. The authors speculated that submissiveness
to authority might play a role in sensitivity to demand characteristics. As oth
er investigators had found religiosity and church going related to submissivenes
s, the present study surveyed religiosity differences between student bodies at
the two schools that had been involved in the priming study. Samples from Psycho
logy 101 enrollments in the two colleges were given the Santa Clara Strength of
Religious Faith Questionnaire. Students at the small Catholic college scored sig
nificantly higher in religiosity than the nonsectarian university students score
d. This finding supports the possibility that differences in reported perception
of emotion between the original two samples may not reflect differences in the
effectiveness of priming as much as they reflect the effects of different sensit
ivities to demand characteristics.
%0 Journal Article
%A Guerra Rojas, Cristin

%D 2009
%T Tiempo, relato y canto en la comunidad pentecostal
%J Revista Cultura y Religin
%V 3
%N 2
%P 127-142
%! Tiempo, relato y canto en la comunidad pentecostal
%@ 0718-4727
%X The singing of Chilean Pentecostal community is an event when temporality is
articulated, as a narrated time according to Paul Ricoeurs theory. But at the sa
me time, there exists a difference about this articulation of temporality betwee
n the Pentecostal Awakening of 1909 and the subsequent years, a difference relat
ed both to different kinds of pentecostal singing, namely glossolalic singing an
d hymn singing, and to the changing of the belief on an imminent end of time to
the belief on an immanent end of time. El canto de la comunidad pentecostal en C
hile constituye una instancia de articulacin de la temporalidad en trminos de un t
iempo relatado o narrado, conforme a las ideas de Paul Ricoeur. Pero al mismo ti
empo, existe una diferencia en esta articulacin entre la poca del avivamiento de 1
909 y los aos posteriores a ste, una diferencia que se relaciona tanto con distint
os tipos de canto pentecostal, principalmente el canto glosollico y el canto de h
imnos, como con el cambio de la creencia en un fin inminente a un fin inmanente
del tiempo.
%U http://dialnet.unirioja.es/servlet/oaiart?codigo=3088697
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Book
Henney, Jeannette H.
Pressel, Esther
Goodman, Felicitas D.
1974
Trance, healing, and hallucination; three field studies in religious experien
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Journal Article
Hernndez Salgar, Oscar
2012
La semitica musical como herramienta para el estudio social de la msica
Cuadernos de Musica, Artes Visuales y Artes Escenicas
7
1
39-77
La semitica musical como herramienta para el estudio social de la msica
1794-6670
/z-wcorg/
http://worldcat.org
New York
Wiley
Trance, healing, and hallucination; three field studies in religious experien
0471313904 9780471313908
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http://worldcat.org
English
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Thesis
Hernndez Salgar, Oscar
2014
Los mitos de la msica nacional. Poder y emocin en las msicas populares colombian
1930-1960
Facultad de Ciencias Sociales
Pontificia Universidad Javeriana
Doctorado en Ciencias Sociales y Humanas
doctoral
Los mitos de la msica nacional. Poder y emocin en las msicas populares colombian
1930-1960
http://repository.javeriana.edu.co/handle/10554/15410
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Journal Article
Higgins, Kathleen Marie
2007
An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs
JAAC The Journal of Aesthetics and Art Criticism
65
1
43-54
An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs
0021-8529
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http://worldcat.org
English
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Journal Article
Hills, Peter
Argyle, Michael
1998
Musical and religious experiences and their relationship to happiness
Personality and Individual Differences Personality and Individual Differences
25
1
91-102
Musical and religious experiences and their relationship to happiness
0191-8869
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http://worldcat.org
English
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Conference Paper
II, Papa Juan Pablo
1979
La eucaristia, sacramento de la cercana de Dios al hombre
Audiencia General
13 de junio
http://www.juanpablomagno.org/PaterNoster/PaterNoster-Catequesis40.htm
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Conference Paper
II, Papa Juan Pablo
2000
La Eucarista: Banquete de comunin con Dios
Audencia General
18 de octubre
https://www.aciprensa.com/Oracion/papa1.htm
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Conference Paper
II, Papa Juan Pablo
2000
La Eucarista: suprema celebracin terrena de la "gloria"
Audencia General
27 de septiembre
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Magazine Article
II, Papa Juan Pablo
2000
La Eucarista: sacrificio de alabanza
L'Osservatore Romano
13 de octubre
La Eucarista: sacrificio de alabanza
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Conference Paper
II, Papa Juan Pablo
2000
La Eucarista: memorial de las maravillas de Dios
Audencia General
4 de octubre
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Conference Paper
II, Papa Juan Pablo
2000
La Eucarista resume todas las maravillas que Dios realiz por nuestra salvacin
Misa de clausura del XVII Congreso Eucarstico Internacional, JPII
25 de Junio
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Magazine Article
II, Papa Juan Pablo
2000
La Eucarista, sacramento de unidad
L'Osservatore Romano
10 de noviembre
La Eucarista, sacramento de unidad
%U https://www.aciprensa.com/Oracion/papa7.htm
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Conference Paper
II, Papa Juan Pablo
2000
La Eucarista: Abre al futuro de Dios
Audiencia General
25 de octubre
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Conference Paper
II, Papa Juan Pablo
2001
La Eucarista es el tesoro ms valioso que la Iglesia ha heredado de Cristo
Solemnidad del "Corpus Christi"
25 de Junio
%0 Web Page
%A II, Papa Juan Pablo
%D 2003
%T Ecclesia de Eucharistia: carta enciclica
%! Ecclesia de Eucharistia: carta enciclica
%U http://www.vatican.va/holy_father/special_features/encyclicals/documents/hf_j
p-ii_enc_20030417_ecclesia_eucharistia_sp.html
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Journal Article
Imberty, Michel
1975
Teora y prctica de la semntica musical
Musique en jeu
17
87-109
Teora y prctica de la semntica musical
Lpez Vlez, Ladidet; Lpez Cano, Rubn
Perspectives nouvelles de la semntique musicale exprimentale
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Journal Article
Imberty, Michel
1985
La Cathdrale engloutie de Claude Debussy: de la percepcin al sentido
Revue de Musique des universits canadiennes
6
90-160
La Cathdrale engloutie de Claude Debussy: de la percepcin al sentido
Lpez Vlez, Ladidet; Lpez Cano, Rubn
La Cathdrale engloutie de Claude Debussy: de la perception au sens
%0 Journal Article
%A Izquierdo, Jos Manuel
%A Moulian, Rodrigo
%A Valds, Claudio
%D 2012
%T Poiesis numinosa de Ia msica pentecostal: Cantos de jbilo, gozo de avivamiento
y danzas en el fuego del espritu
%J Revista musical chilena
%V 66
%N 218
%P 38-55
%! Poiesis numinosa de Ia msica pentecostal: Cantos de jbilo, gozo de avivamiento
y danzas en el fuego del espritu
%@ 0716-2790
%~ /z-wcorg/
%G Spanish
%0 Journal Article
%A Jankowsky, Richard C.
%D 2007
%T Music, Spirit Possession and the In-between: Ethnomusicological Inquiry and t
he Challenge of Trance
%J Ethnomusicology Forum
%V 16
%N 2
%P 185-208
%! Music, Spirit Possession and the In-between: Ethnomusicological Inquiry and t
he Challenge of Trance
%@ 17411912, 17411920
%1 Full publication date: Nov., 2007
%X The recent renewal of interest in trance, within the field of ethnomusicology
as well as without, warrants a reconsideration of the particular challenges of
studying musics of spirit possession. These include a disciplinary focus on 'the
music', an approach that runs the risk of artificially abstracting music from t
he larger ritual and cultural complex of which it is a part. They also involve w
restling with the limits of epistemology and with personal convictions and socia
l biases that influence the encounter with the unseen. Particularly problematic
is the tension between native explication of possession trance, which grants age
ncy to supernatural beings, and the parameters of academic discourse, which are
shaped by the search for 'rational' explanations. These entrenched yet often una
cknowledged attitudes, I argue, can be counterproductive, for they prevent us fr
om learning from, or even acknowledging, indigenous understandings of the relati
ons between music, trance, and possession, and ultimately reify the barrier betw
een Self and Other. Drawing on my ethnographic experience studying and performin
g Tunisian stambeli, I consider the potential value of applying a radically empi
rical approach to the study of spirit possession musics.
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Jones, Simon C.
Schumacher, Thomas G.
1992
Muzak: On functional music and power
Critical Studies in Mass Communication
9
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156-169
Muzak: On functional music and power
0739-3180
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http://worldcat.org
English
%0 Journal Article
%A Juslin, P. N.
%D 2013
%T What does music express? Basic emotions and beyond
%J Frontiers in psychology
%V 4
%! What does music express? Basic emotions and beyond
%X Numerous studies have investigated whether music can reliably convey emotions
to listeners, and-if so-what musical parameters might carry this information. F
ar less attention has been devoted to the actual contents of the communicative p
rocess. The goal of this article is thus to consider what types of emotional con
tent are possible to convey in music. I will argue that the content is mainly co
nstrained by the type of coding involved, and that distinct types of content are
related to different types of coding. Based on these premises, I suggest a conc
eptualization in terms of "multiple layers" of musical expression of emotions. T
he "core" layer is constituted by iconically-coded basic emotions. I attempt to
clarify the meaning of this concept, dispel the myths that surround it, and prov
ide examples of how it can be heuristic in explaining findings in this domain. H
owever, I also propose that this "core" layer may be extended, qualified, and ev
en modified by additional layers of expression that involve intrinsic and associ
ative coding. These layers enable listeners to perceive more complex emotions-th
ough the expressions are less cross-culturally invariant and more dependent on t
he social context and/or the individual listener. This multiple-layer conceptual
ization of expression in music can help to explain both similarities and differe
nces between vocal and musical expression of emotions.
%~ /z-wcorg/
%G English
%0 Book
%A Juslin, Patrik N.
%A Sloboda, John A.
%D 2010
%T Handbook of music and emotion : theory, research, applications
%C Oxford
%! Handbook of music and emotion : theory, research, applications
%@ 9780199230143 0199230145 9780199604968 0199604967
%X This title provides comprehensive coverage of the field, in all its breadth a
nd depth. As well as summarizing what is currently known about music and emotion
, it will also stimulate further research in promising directions that have been
little studied.
%~ /z-wcorg/
%G English
%0 Book
%A Kanadi, Abu Bilal Mustafa
%D 1990
%T The Islamic ruling on music
unnah and the consensus of our
h fi al-maàzif wa-al-aghani :
-salih
%C Jeddah, Saudi Arabia
%I Abul-Qasim Bookstore
%! The Islamic ruling on music
unnah and the consensus of our
h fi al-maàzif wa-al-aghani :
-salih
%~ /z-wcorg/
%G English
and singing : in light of the Quraan [sic], the S

pious predecessors = Hukm al-shariàh al-Islamiya
àl daw al-Kitab wa-al-Sunnah wa-aqwal al-salaf al
and singing : in light of the Quraan [sic], the S

pious predecessors = Hukm al-shariàh al-Islamiya
àl daw al-Kitab wa-al-Sunnah wa-aqwal al-salaf al
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Journal Article
Kartomi, Margaret J.
1973
Music and trance in Central Java
Ethnomusicology.
163-208
Music and trance in Central Java
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http://worldcat.org
English
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Journal Article
Keller, Peter E.
Schubert, Emery
2011
Cognitive and affective judgements of syncopated musical themes
Advances in Cognitive Psychology Advances in Cognitive Psychology
7
142-156
Cognitive and affective judgements of syncopated musical themes
/z-wcorg/
http://worldcat.org
No Linguistic Content
%0 Journal Article
%A Khushaba, Rami N.
%A Greenacre, Luke
%A Kodagoda, Sarath
%A Louviere, Jordan
%A Burke, Sandra
%A Dissanayake, Gamini
%D 2012
%T Choice modeling and the brain: A study on the Electroencephalogram (EEG) of p
references
%J ESWA Expert Systems With Applications
%V 39
%N 16
%P 12378-12388
%! Choice modeling and the brain: A study on the Electroencephalogram (EEG) of p
references
%@ 0957-4174
%X Highlights: This paper explores the nature of decision making by examining th
e brain activity. Tobii-Studio eye tracker system was used to capture users pref
erences. Emotiv EPOC wireless EEG headset was used to collect the associated bra
in activity. Eighteen participants were recruited to perform the experiments. Si
gnificant EEG spectral changes observed while eliciting preferences. Choice c
onjures the idea of a directed selection of a desirable action or object, motiva
ted by internal likes and dislikes, or other such preferences. However, such int
ernal processes are simply the domain of our human physiology. Understanding the
physiological processes of decision making across a variety of contexts is a ce
ntral aim in decision science as it has a great potential to further progress de
cision research. As a pilot study in this field, this paper explores the nature
of decision making by examining the associated brain activity, Electroencephalog
ram (EEG), of people to understand how the brain responds while undertaking choi
ces designed to elicit the subjects preferences. To facilitate such a study, the
Tobii-Studio eye tracker system was utilized to capture the participants choice
based preferences when they were observing seventy-two sets of objects. These c
hoice sets were composed of three images offering potential personal computer ba
ckgrounds. Choice based preferences were identified by having the respondent cli
ck on their preferred one. In addition, a brain computer interface (BCI) represe
nted by the commercial Emotiv EPOC wireless EEG headset with 14 channels was uti
lized to capture the associated brain activity during the period of the experime
nts. Principal Component Analysis (PCA) was utilized to preprocess the EEG data
before analyzing it with the Fast Fourier Transform (FFT) to observe the changes
in the main principal frequency bands, delta (0.5-4 Hz), theta (4-7 Hz), alpha
(8-12 Hz), beta (13-30 Hz), and gamma (30-40 Hz). A mutual information (MI) meas
ure was then used to study left-to-right hemisphere differences as well as front
-to-back difference. Eighteen participants were recruited to perform the experim
ents with the average results showing clear and significant change in the spectr
al activity in the frontal (F3 and F4), parietal (P7 and P8) and occipital (O1 a
nd O2) areas while the participants were indicating their preferences. The resul
ts show that, when considering the amount of information exchange between the le
ft and right hemispheres, theta bands exhibited minimal redundancy and maximum r
elevance to the task at hand when extracted from symmetric frontal, parietal, an
d occipital regions while alpha dominated in the frontal and parietal regions an
d beta dominating mainly in the occipital and temporal regions.
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%G English
%0 Book
%A Kirkman, Andrew
%D 2010
%T The cultural life of the early polyphonic Mass : medieval context to modern r
evival
%C Cambridge; New York
%I Cambridge University Press
%! The cultural life of the early polyphonic Mass : medieval context to modern r
evival
%@ 9780521114127 0521114128
%X Kirkman sheds new light on the polyphonic mass, exploring the hidden meanings
within its music and its legacy today.
%~ /z-wcorg/
%G English
%0 Journal Article
%A Krumhansl, Carol L.
%D 2002
%T Music: A Link Between Cognition and Emotion
%J CDIR Current Directions in Psychological Science
%V 11
%N 2
%P 45-50
%! Music: A Link Between Cognition and Emotion
%@ 0963-7214
%X Cognition and emotion are closely linked in music. The interplay between expe
ctations and the sounded events is hypothesized to play a central role in creati
ng musical tension and relaxation. The research summarized here is part of an on
going program investigating how this dynamic aspect of musical emotion relates t
o the cognition of musical structure. Musical emotions change over time in inten
sity and quality, and these emotional changes covary with changes in psychophysi
ological measures. Perceptual studies support music-theoretic descriptions of mu
sical structures that underlie listeners expectations. Cross-cultural comparison
s suggest that certain psychological principles of expectation are quite general
, but that musical cultures emphasize these differentially. A schema of temporal
organization that relates episodes of tension and relaxation to musical form an
d expressive aspects of musical performance is described. Finally, some results
suggest that the expression of emotion in music shares properties with the expre
ssion of emotion in speech and dance.
%~ /z-wcorg/
%G English
%0 Journal Article
%A Lpez Cano, Rubn
%D 2002
%T Entre el giro lingstico y el guio hermenutico: Tpicos y competencia en la semitica
musical actual
%J Revista cuicuilco
%V 9
%N 25
%P 1-40
%! Entre el giro lingstico y el guio hermenutico: Tpicos y competencia en la semitica
musical actual
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Journal Article
Lynne M., Lisa
2007
It's not about the song with heart and voice
Christian Century
124
26
18-21
It's not about the song with heart and voice
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Madell, Geoffrey
2002
Philosophy, music, and emotion
Edinburgh
Edinburgh University Press
Philosophy, music, and emotion
0748616128 9780748616121
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http://worldcat.org
English
%0 Journal Article
%A Mandi, M. Miller
%A Kenneth, T. Strongman
%D 2002
%T The Emotional Effects of Music on Religious Experience: A Study of the Pentec
ostal-Charismatic Style of Music and Worship
%J Psychology of Music
%V 30
%N 1
%P 8-27
%! The Emotional Effects of Music on Religious Experience: A Study of the Pentec
ostal-Charismatic Style of Music and Worship
%@ 0305-7356
%X The relationship of the Pentecostal-Charismatic (P-C) style of music and wors
hip practices to religious experience was investigated. The compositional device
s typically found in this type of church music were analysed with respect to the
ir potential emotional effects. In Study 1, members of a P-C church responded to
questionnaires and interviews about the importance of music in their church ser
vices. Participants' mood significantly increased from directly before the servi
ce until directly after the music and worship part of the service, although ther
e was little change throughout the remainder of the service. In Study 2, a P-C g
roup and a non-P-C group had their reactions assessed to four musical selections
. Two selections were secular and two were religious, as used in P-C church serv
ices. The groups had similar reactions to the secular pieces but the P-C group h
ad stronger "energetic" and "awesome" emotional reactions than the non-P-C group
to the religious selections. Familiarity with and associations to the music see
med to be the important factors in this effect. The investigation demonstrated h
ow music is used as a facilitator of religious experience in a P-C church. Resul
ts are discussed with respect to their implications for the links between music,
emotion and religious experience.
%Z
Dos estudios etnogrficos a travs de entrevistas y cuestionarios sobre la r
elacin entre los estilos musicales y prcticas de culto/rituales de la iglesia Pent
ecostal-Carismtica y la experiencia religiosa de sus practicantes. En el estudio
1 se hicieron preguntas a practicantes acerca de la importancia de la msica en su
s servicios religiosos. Los investigadores advirtieron cambios significativos de
humor entre los momentos previos al servicio y los momentos posteriores a las p
artes musicales y rituales del mismo. En el estudio 2 se hicieron cuestionarios
a practicantes y no practicantes acerca de 4 piezas musicales (2 seculares, 2 re
ligiosas), y hubo una notoria diferencia en la reaccin de los practicantes en rel
acin con las piezas con contenido religioso. Los investigadores citan a la famili
aridad y los tipos de asociacin que los practicantes tienen o han fabricado con l
a msica como elementos fundamentales que explican los resultados. [nada sorpresiv
o/revolucionario ac]
El estudio examina la estructura ritual de la prctica Pentecostal, y advierte la

relacin fuerte entre emocionalidad y estructura ritual, as como la importancia del
sentido de emocin como un empoderamiento venido de y dotado por la figura del Es
pritu Santo.

El estudio se centra en el estilo de msica Pentecostal. Advierte emociones simila
res dentro y fuera del ritual para practicantes religiosos. No hay una preocupac
in consciente en los cuestionarios por relacionar estructuralmente el rito como t
al con la msica (y viceversa), en un sentido temporal explcito.
Con respecto al anlisis musical, este parece centrarse en aspectos de composicin y

no de ejecucin. Hay particular mencin del aspecto del tempo y de efectos musicale
s (no es claro si varan o no en la ejecucin o si se entienden como texto/partitura
) que segn estudios anteriores tienden a generar emociones particulares en los oy
entes (e.g., no resolucin de expectativas).
%~ /z-wcorg/
%G No Linguistic Content
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Marcus, Scott Lloyd
2006
Music in Egypt : experiencing music, expressing culture
New York, NY
Music in Egypt : experiencing music, expressing culture
9780195146455 019514645X
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http://worldcat.org
English
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Martnez Selva, Jos Ma
1995
Psicofisiologa
Madrid
Sntesis
Psicofisiologa
8477382867 9788477382867
/z-wcorg/
http://worldcat.org
Spanish
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Journal Article
Mayaud, L.
Congedo, M.
Van Laghenhove, A.
Orlikowski, D.
Figre, M.
Azabou, E.
Cheliout-Heraut, F.
2013
A comparison of recording modalities of P300 event-related potentials (ERP) f
brain-computer interface (BCI) paradigm
NEUCLI Neurophysiologie Clinique / Clinical Neurophysiology
43
4
217-227
A comparison of recording modalities of P300 event-related potentials (ERP) f
brain-computer interface (BCI) paradigm
%@ 0987-7053
%X Aims of the study: A brain-computer interface aims at restoring communication
and control in severely disabled people by identification and classification of
EEG features such as event-related potentials (ERPs). The aim of this study is
to compare different modalities of EEG recording for extraction of ERPs. The fir
st comparison evaluates the performance of six disc electrodes with that of the
EMOTIV headset, while the second evaluates three different electrode types (disc
, needle, and large squared electrode). Material and methods: Ten healthy vol
unteers gave informed consent and were randomized to try the traditional EEG sys
tem (six disc electrodes with gel and skin preparation) or the EMOTIV Headset fi
rst. Together with the six disc electrodes, a needle and a square electrode of l
arger surface were simultaneously recording near lead Cz. Each modality was eval
uated over three sessions of auditory P300 separated by one hour. Results: No
statically significant effect was found for the electrode type, nor was the int
eraction between electrode type and session number. There was no statistically s
ignificant difference of performance between the EMOTIV and the six traditional
EEG disc electrodes, although there was a trend showing worse performance of the
EMOTIV headset. However, the modality-session interaction was highly significan
t (P < 0.001) showing that, while the performance of the six disc electro
des stay constant over sessions, the performance of the EMOTIV headset drops dra
matically between 2 and 3 h of use. Finally, the evaluation of comfort by partic
ipants revealed an increasing discomfort with the EMOTIV headset starting with t
he second hour of use. Conclusion: Our study does not recommend the use of on
e modality over another based on performance but suggests the choice should be m
ade on more practical considerations such as the expected length of use, the ava
ilability of skilled labor for system setup and above all, the patient comfort. Objectifs de ltude: Les interfaces cerveau-ordinateur ont pour vocation la rest
auration de la communication et du contrle chez les patients lourdement handicaps, v
ia lutilisation de caractristiques EEG telles que les potentiels voqus (PE). Lobjectif
de cette tude est la comparaison de diffrentes modalits denregistrement du signal EEG
pour lextraction des PE. Une premire comparaison value la performance de six lectrode
s cupules avec celle dun casque EMOTIV, tandis quune seconde compare trois diffren
ts types dlectrodes (cupules, aiguilles et carrs de surface plus large). Matriels e
t mthodes: Dix volontaires sains ont donn leur consentement clair avant d tre random
essayer en premier, soit le systme EEG traditionnel (six lectrodes cupules avec gel
et prparation de la peau), soit le casque EMOTIV. Avec les six lectrodes cupules, un
e aiguille et une lectrode carre de surface plus importante ont t utilises prs de
registrer simultanment lactivit EEG. Chaque modalit a t value lors de trois ses
eure. Rsultats: Aucune diffrence statistiquement significative na t trouve, ni p
type dlectrode, ni pour linteraction entre le type dlectrode et la session. Il ny a
pas de diffrence significative entre le casque EMOTIV et les six lectrodes tradition
nelles bien que la tendance montre de moindres performances pour le casque. Lint
eraction modalit-session sest cependant rvle fortement significative (p < 0,00
ce qui sexplique par une baisse des performances du casque EMOTIV entre la secon
de et troisime heure dutilisation. Enfin, lvaluation du confort par les participants
rvle une g ne importante associe lutilisation du casque EMOTIV partir de la sec
dutilisation. Conclusion: Notre tude ne recommande pas lutilisation dune techni
que plutt quune autre sur la base seule des performances mais suggre plutt que ce choi
x soit dirig par des considrations plus pratiques telles que dur e attendue dutilisat
ion, disponibilit de personnel qualifi pour linstallation du systme et surtout, le con
fort du patient.
%~ /z-wcorg/
%G English
%0 Journal Article
%A Meier, Brian P.
%A Robinson, Michael D.
%A Clore, Gerald L.
%D 2004
%T Why Good Guys Wear White: Automatic Inferences about Stimulus Valence Based o
n Brightness
%J Psychological Science
%V 15
%N 2
%P 82-87
%! Why Good Guys Wear White: Automatic Inferences about Stimulus Valence Based o
n Brightness
%@ 09567976, 14679280
%1 Full publication date: Feb., 2004
%X Affect is a somewhat abstract concept that is frequently linked to physical m
etaphor. For example, good is often depicted as light (rather than dark), up (ra
ther than down), and moving forward (rather than backward). The purpose of our s
tudies was to examine whether the association between stimulus brightness and af
fect is optional or obligatory. In a series of three studies, participants categ
orized words as negative or positive. The valence of the words and the brightnes
s of the letters were varied orthogonally. In Studies 1, 2, and 3, we found that
categorization was inhibited when there was a mismatch between stimulus brightn
ess (e.g., light) and word valence (e.g., negative). Studies 4 and 5 reveal boun
dary conditions for the effect. The studies suggest that, when making evaluation
s, people automatically assume that bright objects are good, whereas dark object
s are bad.
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Book
Meyer, Leonard B.
2001
La Emocin y el significado en la msica
Madrid
Alianza Editorial
Turina, Jos Luis
La Emocin y el significado en la msica
8420671479 9788420671475
/z-wcorg/
http://worldcat.org
Spanish
%0 Web Page
%A Mullett, Michael A.
%D 2002
%T The Catholic Reformation
%C London; New York
%I Routledge
%! The Catholic Reformation
%@ 0203264037 9780203264034
%U http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nla
bk&AN=70414
%~ /z-wcorg/
%G English
%0 Journal Article
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Mumford, Lawrence R.
2011
A variety of religious composition
Christianity today
55
6
42-44
Junio
A variety of religious composition
http://www.christianitytoday.com/ct/2011/june/varietyreligious.html
%0 Journal Article
%A Nelson, Timothy J.
%D 1996
%T Sacrifice of Praise: Emotion and Collective Participation in an African-Ameri
can Worship Service
%J Sociology of Religion
%V 57
%N 4
%P 379-396
%! Sacrifice of Praise: Emotion and Collective Participation in an African-Ameri
can Worship Service
%@ 10694404, 17598818
%1 Full publication date: Winter, 1996
%X This paper draws on interviews and participant observation in an AME congrega
tion to document the normative system of emotions and behaviors that make up an
"emotional" worship service. First I discuss the system of "feeling rules" which
are operative in the service and how individual emotions are evoked through lit
urgical discourse. Next, I show the unique aspects of the "emotional" service, i
ncluding "shouting," the encouragement of response behavior, and the diffusion o
f behavioral expectations throughout the congregation. Finally, I discuss reason
s for the continued vitality of "emotional" worship ritual among African America
ns and critique traditional explanations of the link between "emotionalism" and
social class.
%Z
Nelson ofrece un estudio del sistema de emociones y comportamientos que
comprenden la estructura ritual.
Estudio importante acerca de lo que se considera un servicio religioso emocional a

froamericano. A travs de la observacin y la documentacin de uno de estos servicios,
el autor examina los fenmenos que intervienen en la construccin de esta experienc
ia emocional. Un aspecto particularmente relevante e interesante es la relacin en
tre elementos litrgicos, musicales, de oracin, y de sermn, y la respuesta emocional
individual y de la congregacin. Tambin se examina los modos en los que se estimul
an respuestas emocionales dentro del ritual, y se advierte sobre la incidencia d
e un sistema de reglas y expectativas que se generan dentro de la congregacin y con
tribuye al comportamiento emocional. Presenta adems una reflexin crtica sobre discu
rsos que tradicionalmente ligan ciertos tipos de emocionalidad con la ciertas cl
ases sociales en Estados Unidos. Aunque hay claras alusiones al uso de msica, dan
za, y respuestas a estos estmulos, no hay una examinacin de los sonidos musicales
como tal, ms all del aspecto semntico de las letras de las piezas musicales.
%0 Journal Article
%A Newman, Sara J.
%D 2004
%T Review of Deep listeners: Music, emotion, and trancing by Judith Becker: Bloo
mington and Indianapolis, IN: Indiana University Press, 2004
%J International Journal of Listening

%V 18
%N 1
%P 63-66
%8 2004/01/01
%! Review of Deep listeners: Music, emotion, and trancing by Judith Becker: Bloo
mington and Indianapolis, IN: Indiana University Press, 2004
%@ 1090-4018
%R 10.1080/10904018.2004.10499066
%U http://dx.doi.org/10.1080/10904018.2004.10499066
%0 Journal Article
%A Norman-Haignere, Sam
%A Kanwisher, NancyG
%A McDermott, JoshH
%D 2015
%T Distinct Cortical Pathways for Music and Speech Revealed by Hypothesis-Free V
oxel Decomposition
%J Neuron
%V 88
%N 6
%P 1281-1296
%! Distinct Cortical Pathways for Music and Speech Revealed by Hypothesis-Free V
oxel Decomposition
%@ 0896-6273
%R 10.1016/j.neuron.2015.11.035
%X The organization of human auditory cortex remains unresolved, due in part to
the small stimulus sets common to fMRI studies and the overlap of neural populat
ions within voxels. To address these challenges, we measured fMRI responses to 1
65 natural sounds and inferred canonical response profiles (?components?) whose
weighted combinations explained voxel responses throughout auditory cortex. This
analysis revealed six components, each with interpretable response characterist
ics despite being unconstrained by prior functional hypotheses. Four components
embodied selectivity for particular acoustic features (frequency, spectrotempora
l modulation, pitch). Two others exhibited pronounced selectivity for music and
speech, respectively, and were not explainable by standard acoustic features. An
atomically, music and speech selectivity concentrated in distinct regions of non
-primary auditory cortex. However, music selectivity was weak in raw voxel respo
nses, and its detection required a decomposition method. Voxel decomposition ide
ntifies primary dimensions of response variation across natural sounds, revealin
g distinct cortical pathways for music and speech.
%U http://dx.doi.org/10.1016/j.neuron.2015.11.035
%[2016/01/15
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Journal Article
North, A. C.
2012
The effect of background music on the taste of wine
British journal of psychology (London, England : 1953)
103
3
293-301
The effect of background music on the taste of wine
0007-1269
Research concerning cross-modal influences on perception has neglected audito
influences on perceptions of non-auditory objects, although a small number of
studies indicate that auditory stimuli can influence perceptions of the freshne
ss of foodstuffs. Consistent with this, the results reported here indicate that
independent groups' ratings of the taste of the wine reflected the emotional con
notations of the background music played while they drank it. These results indi
cate that the symbolic function of auditory stimuli (in this case music) may inf
luence perception in other modalities (in this case gustation); and are discusse
d in terms of possible future research that might investigate those aspects of m
usic that induce such effects in a particular manner, and how such effects might
be influenced by participants' pre-existing knowledge and expertise with regard
to the target object in question.
%~ /z-wcorg/
%G English
%0 Book
%A North, Adrian C.
%A Hargreaves, David J.
%D 2008
%T The social and applied psychology of music
%C Oxford
%! The social and applied psychology of music
%@ 9780198567424 0198567421
%X "Music is so ubiquitous that it can be easy to overlook the powerful influenc
e it exerts in so many areas of our lives - from birth, through childhood, to ol
d age. The Social and Applied Psychology of Music considers the value of music i
n everyday life, answering some of the perennial questions about music."--Jacket
.
%~ /z-wcorg/
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Journal Article
North, Adrian C.
Hargreaves, David J.
McKendrick, Jennifer
1999
The influence of in-store music on wine selections
Journal of Applied Psychology Journal of Applied Psychology
84
2
271-276
The influence of in-store music on wine selections
0021-9010
/z-wcorg/
http://worldcat.org
English
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Journal Article
North, Adrian C.
Shilcock, Amber
Hargreaves, David J.
2003
The Effect of Musical Style on Restaurant Customers' Spending
%J Environment & Behavior

%V 35
%N 5
%P 712-718
%! The Effect of Musical Style on Restaurant Customers' Spending
%@ 0013-9165
%X Classical music, pop music, and no music were played in a British restaurant
over the course of 18 evenings. The mean spend per head for each table was calcu
lated for starters, main courses, desserts, coffee, bar drinks, wine, overall dr
ink bill, overall food bill, and total spend. Total time spent in the restaurant
was also measured. A MANOVA analysis revealed that there was an overall signifi
cant difference between the conditions with classical music leading to higher sp
ending than both no music and pop music. Univariate analyses indicated that ther
e were differences between the conditions on mean spend per head on starters, co
ffee, total spend on food, and overall spend. These findings were consistent wit
h the limited previous research, which indicated that the playing of background
classical music led to (a) people reporting that they were prepared to spend mor
e and (b) higher actual spending. The results indicate that restaurant managers
can use classical music to increase customer spending, and the results are discu
ssed in terms of three possible explanations for this.
%~ /z-wcorg/
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Nussbaum, Charles O.
2007
The musical representation : meaning, ontology, and emotion
Cambridge, Mass.
MIT Press
The musical representation : meaning, ontology, and emotion
9780262140966 0262140969
/z-wcorg/
http://worldcat.org
English
%0 Journal Article
%A Penman, Joshua; Becker, Judith
%D 2009
%T Religious Ecstatics, "Deep Listeners," and Musical Emotion
%J Empirical Musicology Review
%V 4
%N 2
%P 49-70
%8 April
%! Religious Ecstatics, "Deep Listeners," and Musical Emotion
%@ 1559-5749
%X The aim of this study is to begin to provide an explanation for the worldwide
linkage of music and ecstatic religious ceremonies. The basic hypothesis is tha
t the physiological ability to respond to musical stimuli with strong emotional
responses is one of the pre-conditions for the propulsion into ecstasy. A second
hypothesis is that a sub-set of the music-loving community, the "deep listeners
" who are profoundly moved (chills, tears) by musical listening will have emotio
nal reactions similar to those of religious ecstatics. 60 participants, divided
into five groups, were tested using galvanic skin response and heart rate measur
ements. The results seem to support the hypotheses by demonstrating 1) a correla
tion between being a religious ecstatic and having a strong GSR while listening
to favorite music, in comparison with control groups, and 2) a correlation betwe
en being a secular "deep listener" and having a similarly strong GSR listening t
o favorite music, in comparison with control groups.
%Z
Estudio de cinco grupos focales examinados durante audicin musical. Grupo
s incluan personas religiosas y no religiosas. Estudio parti de dos hiptesis y las
comprob por medio de los resultados: la bsica es que la habilidad fisiolgica para r
esponder a estmulos musicales que llevan a un ser humano a estados de emocin inten
sificada es una precondicin para el xtasis religioso. La segunda es que los profund
o-escucha (deep listeners)personas que aman escuchar msica y lo hacen de manera vib
rantevan a tener reacciones similares a los practicantes religiosos en xtasis. Las
conclusiones tienden a demostrar que la experiencia de emocin intensa que se obt
iene en parte a travs de la msica en ceremonias religiosas (o no), no es especial/
particular, al menos desde el punto de vista fisiolgico; es decir, es comparable
con otras situaciones de escucha musical no relacionadas con ritos religiosos.
%U http://hdl.handle.net/1811/37474
%0 Journal Article
%A Perlovsky, Leonid
%D 2010
%T Musical emotions: Functions, origins, evolution
%J PLREV Physics of Life Reviews
%V 7
%N 1
%P 2-27
%! Musical emotions: Functions, origins, evolution
%@ 1571-0645
%X Theories of music origins and the role of musical emotions in the mind are re
viewed. Most existing theories contradict each other, and cannot explain mechani
sms or roles of musical emotions in workings of the mind, nor evolutionary reaso
ns for music origins. Music seems to be an enigma. Nevertheless, a synthesis of
cognitive science and mathematical models of the mind has been proposed describi
ng a fundamental role of music in the functioning and evolution of the mind, con
sciousness, and cultures. The review considers ancient theories of music as well
as contemporary theories advanced by leading authors in this field. It addresse
s one hypothesis that promises to unify the field and proposes a theory of music
al origin based on a fundamental role of music in cognition and evolution of con
sciousness and culture. We consider a split in the vocalizations of proto-humans
into two types: one less emotional and more concretely-semantic, evolving into
language, and the other preserving emotional connections along with semantic amb
iguity, evolving into music. The proposed hypothesis departs from other theories
in considering specific mechanisms of the mind-brain, which required the evolut
ion of music parallel with the evolution of cultures and languages. Arguments ar
e reviewed that the evolution of language toward becoming the semantically power
ful tool of today required emancipation from emotional encumbrances. The opposit
e, no less powerful mechanisms required a compensatory evolution of music toward
more differentiated and refined emotionality. The need for refined music in the
process of cultural evolution is grounded in fundamental mechanisms of the mind
. This is why today's human mind and cultures cannot exist without today's music
. The reviewed hypothesis gives a basis for future analysis of why different evo
lutionary paths of languages were paralleled by different evolutionary paths of
music. Approaches toward experimental verification of this hypothesis in psychol
ogical and neuroimaging research are reviewed.
%~ /z-wcorg/
%G English
%0 Journal Article
%A Piqu, Jordi-Agust
%D 2010
%T Experiencia, empata y conversin: una teologa de la msica como epifana del Misterio
%J Scripta Theologica
%V 42
%N 2
%P 425-434
%! Experiencia, empata y conversin: una teologa de la msica como epifana del Misterio
%@ 0036-9764
%X En nuestro entorno cultural, la pregunta religiosa actual se formula en trmino
s de cmo decir Dios?. Esta bsqueda se concreta privilegiadamente en el mbito de la exp
eriencia esttica. En este horizonte, el autor ensaya elaborar una teologa de la msi
ca como epifana del Misterio partiendo de la experiencia, la empata y la conversin.
Se subraya la presencia de compositores que interpretan hermenuticamente la Pala
bra llevndola a una comprensin emptica y que va ms all de cualquier explicacin. A la h
ora de decir una palabra sobre el Inefable y sobre el misterio de su comunicabil
idad, los telogos pueden ser sensibles a los lenguajes meta-lingsticos, como la msic
a y la percepcin esttica. En ellos pueden encontrar un camino de comunicacin de la
percepcin esttica del Misterio del Dios que se revela.
%0 Web Page
%A Plaza-Navas, Miquel ngel
%D 2013
%T Msica y Testigos Cristianos de Jehov aproximacin histrica a sus himnarios y prctic
as musicales
%C Barcelona
%I Universitat de Barcelona
%! Msica y Testigos Cristianos de Jehov aproximacin histrica a sus himnarios y prctic
as musicales
%X Testigos Cristianos de Jehov (TCJ) y msica no son dos conceptos que se hayan re
lacionado con frecuencia. De hecho, ms bien brilla por su ausencia en la casi tot
alidad de la bibliografa que sobre este grupo religioso se ha publicado, e idntico
panorama existe en la bibliografa sobre msica y religin. En los ms de 130 aos de his
toria de los TCJ la msica ha formado parte de la mayora de sus reuniones, han publ
icado o usado una quincena de himnarios en ingls y, al menos, seis en espaol y uno
en cataln, han utilizado la msica durante varias dcadas en su evangelizacin radiofni
ca y de casa en casa, han utilizado grandes y pequeas orquestas y coros, han edit
ado grabaciones sonoras tanto para su uso congregacional como personal... Qu es lo
que se conoce de todo esto? Cules son, o han sido, sus himnarios? Qu himnos han ent
onado? Han cambiado estos himnos? Cul es su procedencia? Qu se conoce sobre sus autor
es? Cundo los entonan? Han utilizado o continan utilizando orquestas y coros? Cules so
n las grabaciones sonoras que han realizado? Quines son los personajes que han est
ado detrs de todo esto? Se podr creer o no en la existencia e influencia de las di
vinidades, pero no puede negarse que el ser humano ha invertido, y sigue invirti
endo, mucho esfuerzo tanto en su bsqueda como en su negacin y, en ese camino de am
or-odio la msica y la religin han mantenido una relacin muy estrecha. Ignorar la ex
istencia de la msica en los TCJ es ignorar una parte importante de su propia hist
oria. Este trabajo pretende acercarse a una de esas realidades tan poco conocida
s de los TCJ: la prctica musical en el seno del grupo. Presenta una aproximacin hi
strica a los himnarios que han editado y utilizado y, tambin, a las personas y dif
erentes "productos" musicales relacionados (radio, grabaciones, orquestas, etc.)
. Se estructura en cinco captulos y cinco anexos. Los captulos se centran en la ju
stificacin del tema de estudio, estado de la cuestin y metodologa utilizada (cap. I
), una visin general sobre la msica, la religin y los TCJ situndolos en su contexto
histrico-musical (cap. II), una descripcin histrica de sus diferentes himnarios edi
tados en ingls desde 1877 y las fuentes en las que se basaron (cap. III), similar
descripcin para los editados en espaol, desde 1919, y en cataln, desde 2008 (cap.
IV), y, finalmente, las conclusiones y las fuentes y bibliografa consultadas (cap
. V). Los anexos se dividen en dos grandes apartados. Los dos primeros estn dedic
ados exclusivamente al desarrollo histrico del grupo en Espaa (anexo I) y en una c
iudad catalana (anexo II), como ejemplo extrapolable al resto de las poblaciones
espaolas. Los tres anexos restantes estn directamente relacionados con las prctica
s musicales de los TCJ. Se aporta una serie de listados con los himnos incluidos
en los himnarios descritos en los captulos III y IV (anexo III); se realiza una
amplia descripcin histrica de las diferentes grabaciones sonoras que han producido
los TCJ, el uso que han hecho de la radiodifusin y la msica, as como tambin de orqu
estas y coros a lo largo de su historia (anexo IV); y el anexo final (anexo V) e
st dedicado a las personas, a los miembros del grupo que han estado relacionados
con las prcticas musicales del mismo con especial dedicacin a la figura de M.L. Mc
Phail (1854-1931).
%U http://www.tdx.cat/handle/10803/112751
%~ /z-wcorg/
%G Spanish
%0 Book
%A Poch, Christian
%D 1994
%T Musiques du monde arabe coute et dcouverte
%C [Paris]
%I Institut du monde arabe
%! Musiques du monde arabe coute et dcouverte
%X Ce livre prsente en 22 chapitres un panorama des musiques du monde arabe (rpert
oires, instruments, mlodies, rythmes et formes...). Des rfrences bibliographiques,
une iconographie des instruments caractristiques, un glossaire des termes, ainsi
qu'une discographie slective compltent ce guide dont l'objectif est de faciliter l
'accs une des musiques les plus riches du monde.
%~ /z-wcorg/
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Journal Article
Price, C. A.
Snow, M. S.
1998
Ceremonial Dissociation in American Protestant Worship
Journal of psychology and Christianity.
17
3
257-265
Ceremonial Dissociation in American Protestant Worship
0733-4273
/z-wcorg/
http://worldcat.org
English
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Journal Article
Pugmire, David
2006
The Secular Reception of Relgious Music
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Philosophy
81
315
65-79
The Secular Reception of Relgious Music
00318191, 1469817X
Full publication date: Jan., 2006
%0 Journal Article
%A Qureshi, Regula Burckhardt
%D 1990
%T Musical Gesture and Extra-Musical Meaning: Words and Music in the Urdu Ghazal
%J Journal of the American Musicological Society
%V 43
%N 3
%P 457-497
%! Musical Gesture and Extra-Musical Meaning: Words and Music in the Urdu Ghazal
%@ 00030139, 15473848
%R 10.2307/831743
%1 Full publication date: Autumn, 1990
%X This ethnomusicological inquiry into the text-music relationship assumes a br
oadly contextual perspective that encompasses, but goes beyond, traditional cons
iderations of textual and musical structures with the aim of exploring the sourc
es of meaning for what Edward Cone terms the "gestural character" of the musical
utterance. The approach calls for making explicit the ideational framework as w
ell as the performative function of a vocal genre, both of which inform the way
its musical idiom serves to communicate a text in performance. The ghazal, subje
ct of this case study, is the principal poetic form in Urdu; it is set to music
in a number of related but distinct genres. Illustrated by a set of transcribed
and translated examples, the analytical procedure first considers the text-music
structure as a performance idiom that is subject to the cultural-historical bac
kground norms of Urdu poetry on the one hand and North Indian "light" music on t
he other. The second stage considers each particular genre in terms of its idiom
's specific function in performance. The general conclusion is that music linked
to ghazal poetry is structurally constrained by the text as performed, but that
purely musical features articulate, and thus link, the text with the content of
its performance. Hence ghazal music represents a synthesis of text and context
in its embodiment of features drawn from both and expressed directly through a u
nique vocabulary of musical gestures.
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Book Section
Qureshi, Regula Burckhardt
1997
Sounding the Word: Music in the Life of
Sullivan, Lawrence Eugene
Enchanting Powers: Music in the Worlds
Cambrige
Harvard University Center for the Study
263-298
Sounding the Word: Music in the Life of
%0 Conference Paper
Islam
Religions
of World Religios
Islam
%A Ravagli Cardona, Jorge Alexnder

%D 2011
%T Msica, Religin y Construccin de Identidad
%E ICESI, Universidad
%B X Congreso Nacional de Sociologa
%C Cali, Colombia
%I Universidad ICESI
%U http://www.icesi.edu.co/congreso_sociologia/images/ponencias/11-Ravagli-%20Mu
sica%20religion%20identidad.pdf
%0 Book
%A Reid, Alcuin
%D 2005
%T The organic development of the liturgy : the principles of liturgical reform
and their relation to the twentieth-century liturgical movement prior to the sec
ond Vatican Council
%C San Francisco, CA
%I Ignatius Press
%! The organic development of the liturgy : the principles of liturgical reform
and their relation to the twentieth-century liturgical movement prior to the sec
ond Vatican Council
%@ 1586171062 9781586171063
%X "How has the liturgy of the Roman rite developed and changed in history befor
e and after the Council of Trent? What principles have determined the boundaries
of legitimate liturgical reform over the centuries? What was the Liturgical Mov
ement? Did Gueranger, Beauduin, Guardini, Parsch, Casel, Bugnini, Jungmann, Bouy
er and the Movement's other leaders know and respect these principles? And what
is to be said of the not insignificant liturgical reforms carried out by Pope Sa
int Pius X, Blessed Pope Pius IX, Pope Pius XII, and Blessed Pope John XXIII in
the course of the twentieth century?" "In The Organic Development of the Liturgy
, Dom Alcuin Reid examines these questions systematically, incisively and in dep
th, identifying both the content and context of the principle of "organic develo
pment"--A fundamental principle of liturgical reform of the Second Vatican Counc
il's Constitution on the Sacred Liturgy Concilium - making a significant contrib
ution to the understanding of the nature of the Liturgical Movement and to the o
ngoing re-assessment of the reforms enacted following the Council."--Jacket.
%~ /z-wcorg/
%G English
%0 Book
%A Riis, Ole
%A Woodhead, Linda
%D 2010
%T A sociology of religious emotion
%C Oxford [England]; New York
%! A sociology of religious emotion
%@ 9780199567607 0199567603
%X This timely book aims to change the way we think about religion by putting em
otion back onto the agenda. It challenges a tendency to over-emphasise rational
aspects of religion, and rehabilitates its embodied, visceral and affective dime
nsions. Against the view that religious emotion is a purely private matter, it o
ffers a new framework which shows how religious emotions arise in the varied int
eractions between human agents and religious communities, human agents and objec
ts of devotion, and communities and sacred symbols. It presents parallels and co
ntrasts between religious emotions in European and American history, in other cu

ltures, and in contemporary western societies. By taking emotions seriously. A S
ociology of Religious Emotion sheds new light on the power of religion to shape
fundamental human orientations and motivations: hopes and fears, joys and sorrow
s, loves and hatreds. Thoughtfully illustrated with photographic plates that cap
ture the global range of religions and cultures discussed. --Book Jacket.
%~ /z-wcorg/
%G English
%0 Book
%A Robinson, Jenefer
%D 2005
%T Deeper than reason : emotion and its role in literature, music, and art
%C Oxford; New York
%I Clarendon Press ; Oxford University Press
%! Deeper than reason : emotion and its role in literature, music, and art
%@ 0199263655 9780199263653 9780199204267 0199204268
%X "Deeper than Reason takes the insights of modern psychological and neuroscien
tific research on the emotions and brings them to bear on questions about our em
otional involvement with the arts. Robinson begins by laying out a theory of emo
tion, one that is supported by the best evidence from current empirical work on
emotions, and then in the light of this theory examines some of the ways in whic
h the emotions function in the arts. Written in a clear and engaging style, her
book will make fascinating reading for anyone who is interested in the emotions
and how they work, as well as anyone engaged with the arts and aesthetics, espec
ially with questions about emotional expression in the arts, emotional experienc
e of art forms, and, more generally, artistic interpretation."--Publisher's desc
ription.
%~ /z-wcorg/
%G English
%0 Thesis
%A Rodriguez Rojas, Pablo Andrs
%D 2009
%T La msica religiosa popular en la formacin de la imagen de Dios en el ser humano
creyente. Anlisis de la afectacin musical de una seleccin de cantos del Cantoral '
Cantemos al Dios de la vida' sobre un grupo de fieles y su posible influencia en
la formacin de la imagen de Dios
%B Licenciatura en Teologa
%I Pontificia Universidad Javeriana
%V Licenciado en Teologa
%! La msica religiosa popular en la formacin de la imagen de Dios en el ser humano
creyente. Anlisis de la afectacin musical de una seleccin de cantos del Cantoral '
Cantemos al Dios de la vida' sobre un grupo de fieles y su posible influencia en
la formacin de la imagen de Dios
%0 Electronic Article
%A Rojas, Cristian Guerra
%D 2008
%T La msica en el Movimiento Pentecostal de Chile (1909-1936): el aporte de Willi
s Collins Hoover y de Genaro Ros Campos
%I Centro de Documentacin Evanglico Protestante (Sendas)
%! La msica en el Movimiento Pentecostal de Chile (1909-1936): el aporte de Willi

s Collins Hoover y de Genaro Ros Campos
%U http://www.prolades.com/cra/regions/sam/chi/007_la_musica_en_el_movimiento_pe
ntecostal_chile.pdf
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Book
Rouget, Gilbert
1985
Music and trance : a theory of the relations between music and possession
Chicago
University of Chicago Press
Music and trance : a theory of the relations between music and possession
0226730050 9780226730059 0226730069 9780226730066
/z-wcorg/
http://worldcat.org
Translation of: La musique et la transe.
%0 Journal Article
%A Russell, James A.
%D 1980
%T A circumplex model of affect
%J Journal of Personality and Social Psychology Journal of Personality and Socia
l Psychology
%V 39
%N 6
%P 1161-1178
%! A circumplex model of affect
%@ 0022-3514
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Journal Article
Scheff, Thomas J.
Brenda, E. F. Beck
Carroll, Michael P.
Daniels, Arlene Kaplan
Day, Richard
Fuchs, Stephen
Goldstein, Jeffrey H.
Handelman, Don
Hochschild, Arlie Russell
Kapferer, Bruce
Karp, Ivan
Lazare, Aaron
Mitrani, Philippe
Schlesinger, Kurt O.
Stoeckle, John D.
Van Baal, Jan
Van Beek, W. E. A.
Williams, Thomas Rhys
1977
The Distancing of Emotion in Ritual [and Comments and Reply]
Current Anthropology
%V 18
%N 3
%P 483-505
%! The Distancing of Emotion in Ritual [and Comments and Reply]
%@ 00113204, 15375382
%1 Full publication date: Sep., 1977
%X There is an ambivalence toward ritual in social science. On the one hand, it
is seen as immensely valuable to the individual and to society. On the other han
d, there is an underlying feeling that ritual is impotent. This paper presents a
theory of the distancing of emotion which integrates the positive and negative
orientations toward ritual. The theory links ritual to the process of catharsis
of repressed emotion, which subsumes the positive orientation. The theory also s
uggests that when ritual is either over- or underdistanced, it will be seen eith
er as meaningless, in the case of overdistancing, or tension-producing, in the c
ase of underdistancing, which subsumes the negative orientation toward ritual. T
he relationship between this theory and Freud and Breuer's theory of repression
and catharsis is described. Finally, some evidence from ethnology is reviewed wh
ich relates sense of well-being, distancing, and catharsis in funeral rites and
in curing rituals.
%Z
Artculo seminal sobre emocin y rito. El objetivo es crear una nocin/un ente
ndimiento de rito que incluya a las que entonces eran las dos grandes actitudes
frente a la prctica ritual en los seres humanos: por un lado la que consideraba e
l rito como esencial a las formaciones (psico)sociales y por tanto contribuan de
manera importante a la creacin del mundo de las personas, y la que consideraba el
rito como una prctica vaca y anticuada, que poco aportaba en la realidad social.
Parte central del artculo es afrontar el problema de la emocin en el rito (algo efm
ero, cambiante y poco importante, o algo esencial en la estructuracin del sistema
de creencias/prcticas alrededor del cual circunda la prctica ritual), lo que lo h
ace particularmente relevante.
%0 Book
%A Schumaker, John F.
%D 1995
%T The corruption of reality : a unified theory of religion, hypnosis, and psych
opathology
%C Amherst, N.Y.
%I Prometheus Books
%! The corruption of reality : a unified theory of religion, hypnosis, and psych
opathology
%@ 0879759356 9780879759353
%~ /z-wcorg/
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Journal Article
Sel, A.
Calvo-Merino, B.
2013
Neuroarquitectura de la emocion musical
Revista de neurologia
56
5
289-97
Neuroarquitectura de la emocion musical
0210-0010
%X The emotional response to music, or musical emotion, is a universal response

that draws on diverse psychological processes implemented in a large array of ne
ural structures and mechanisms. Studies using electroencephalography, functional
magnetic resonance, lesions and individuals with extent musical training have b
egun to elucidate some of these mechanisms. The objective of this article is rev
iewing the most relevant studies that have tried to identify the neural correlat
es of musical emotion from the more automatic to the more complex processes, and
to understand how these correlates interact in the brain. The article describes
how the presentation of music perceived as emotional is associated with a rapid
autonomic response in thalamic and subthalamic structures, accompanied by chang
es in the electrodermal and endocrine responses. It also explains how musical em
otion processing activates auditory cortex, as well as a series of limbic and pa
ralimbic structures, such as the amygdala, the anterior cingulate cortex or the
hippocampus, demonstrating the relevant contribution of the limbic system to mus
ical emotion. Further, it is detailed how musical emotion depends to a great ext
ent on semantic and syntactic process carried out in temporal and parietofrontal
areas, respectively. Some of the recent works demonstrating that musical emotio
n highly relies on emotional simulation are also mentioned. Finally, a summary o
f these studies, their limitations, and suggestions for further research on the
neuroarchitecture of musical emotion are given.
%~ /z-wcorg/
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Journal Article
Shannon, Jonathan H.
2003
Emotion, performance, and temporality in Arab music : reflections on tarab
Cultural anthropology : journal of the Society for Cultural Anthropology
Emotion, performance, and temporality in Arab music : reflections on tarab
/z-wcorg/
http://worldcat.org
English
%0 Journal Article
%A Shannon, Jonathan H.
%D 2004
%T The Aesthetics of Spiritual Practice and the Creation of Moral and Musical Su
bjectivities in Aleppo, Syria
%J Ethnology
%V 43
%N 4
%P 381-391
%! The Aesthetics of Spiritual Practice and the Creation of Moral and Musical Su
bjectivities in Aleppo, Syria
%@ 00141828
%R 10.2307/3774034
%1 Full publication date: Autumn, 2004
%X This essay analyzes the performance of dhikr (the invocation of God through p
rayer, song, and movement) in Aleppo, Syria, as an embodied practice mediated by
specific repertoires of aesthetic and kinesthetic practices. In dhikr, aestheti
c stimuli produce an experience of temporal transformation that participants nar
rate as "ecstasy." Performing dhikr also conditions a musical self, which in tur
n allows for the habituation of spiritual states. This suggests the importance o
f investigating the interface of embodied practices, temporality, and the aesthe
tics of spiritual practice.
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Journal Article
Shiloah, Amnon
1997
Music and Religion in Islam
Acta Musicologica
69
2
143-155
Music and Religion in Islam
00016241
10.2307/932653
Full publication date: Jul. - Dec., 1997
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Book Section
Sloboda, J. A.
1998
Music and worship: A psychologists perspective
Astley, J. ; Hone, T. ; Savage, M.
Creative Chords, Studies in Music, Theology and Christian Formation
Music and worship: A psychologists perspective
%0 Journal Article
%A Smith, Christian
%D 2007
%T Why Christianity Works: An Emotions-Focused Phenomenological Account
%J Sociology of Religion
%V 68
%N 2
%P 165-178
%! Why Christianity Works: An Emotions-Focused Phenomenological Account
%@ 10694404, 17598818
%1 Full publication date: Summer, 2007
%X Why has Christianity as a religious tradition survived for two millennia? Wha
t makes Christianity "work"? Many social scientific answers to related questions
focus on structural forces shaping religion and on factors that explain varianc
e across belief and practice. This article takes a different approach, seeking t
o explain the ongoing existence of the phenomenon itself before analyzing varian
ce within it. The idea is to address basic causes of what exists as distinct fro
m more superficial causes of variation within it. To do so, I take a phenomenolo
gical approach that focuses particularly on emotions, seeking to explicate the r
ecurrent, characteristic, and subjective experiences of many Christians that hel
p to explain their ongoing commitment to and involvement in the faith. I also re
flect the subjective focus on emotions in the tone of the article, which introdu
ces a strong sense of subjective experience and affect. By complementing typical
sociological analyses of religious variance with this kind of causal analysis o
f its existence, this article seeks to expand our range of explanation and under
standing in the sociology of religion.
%0 Journal Article
%A Sosis, Richard
%A Alcorta, Candace
%D 2003
%T Signaling, solidarity, and the sacred: The evolution of religious behavior
%J EVAN Evolutionary Anthropology: Issues, News, and Reviews
%V 12
%N 6
%P 264-274
%! Signaling, solidarity, and the sacred: The evolution of religious behavior
%@ 1060-1538
%X Anthropologists have repeatedly noted that there has been little theoretical
progress in the anthropology of religion over the past fifty years.1-7 By the 1960s, Geertz2 had pronounced the field dead. Recently, howe
ver, evolutionary researchers have turned their attention toward understanding t
he selective pressures that have shaped the human capacity for religious thought
s and behaviors, and appear to be resurrecting this long-dormant but important a
rea of research.8-19 This work, which focuses on ultimate evolutionar
y explanations, is being complemented by advances in neuropsychology and a growi
ng interest among neuroscientists in how ritual, trance, meditation, and other a
ltered states affect brain functioning and development.20-26 This lat
ter research is providing critical insights into the evolution of the proximate
mechanisms responsible for religious behavior. Here we review these literatures
and examine both the proximate mechanisms and ultimate evolutionary processes es
sential for developing a comprehensive evolutionary explanation of religion.
%~ /z-wcorg/
%G English
%0 Journal Article
%A Strohm, R.
%D 2011
%T Book Review: Andrew Kirkman, The
Medieval Context to Modern Revival.
xiii + 383 pp
%J EARLY MUSIC HISTORY
%V 30
%P 261-270
%! Book Review: Andrew Kirkman, The
Medieval Context to Modern Revival.
xiii + 383 pp
%@ 0261-1279
%~ /z-wcorg/
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Journal Article
Stubbs, G. Edward
1916
Secularization of Sacred Music
The Musical Quarterly
2
4
615-627
Secularization of Sacred Music
00274631, 17418399
Cultural Life of the Early Polyphonic Mass:

Cambridge: Cambridge University Press, 2010.
Cultural Life of the Early Polyphonic Mass:

Cambridge: Cambridge University Press, 2010.
%1 Full publication date: Oct., 1916

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Journal Article
Suk, Hyeon-Jeong
Irtel, Hans
2010
Emotional response to color across media
Color research and application.
48
1
64
Emotional response to color across media
0361-2317
/z-wcorg/
http://worldcat.org
English
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Journal Article
Turino, Thomas
2012
Peircean Phenomenology and Musical Experience
Karpa Journal of Theatricalities and Visual Culture
5.1-5.2
Peircean Phenomenology and Musical Experience
1937-8572
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Journal Article
Turner, P. E.
2006
The Sacred and the Secular: Where Do We Draw the Line?
The Journal of religious thought.
59/60
1/2/1
13-28
The Sacred and the Secular: Where Do We Draw the Line?
0022-4235
/z-wcorg/
http://worldcat.org
English
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Journal Article
Valdez, P.
Mehrabian, A.
1994
Effects of color on emotions
Journal of experimental psychology. General
123
4
394-409
Effects of color on emotions
0096-3445
%X Emotional reactions to color hue, saturation, and brightness (Munsell color s

ystem and color chips) were investigated using the Pleasure-Arousal-Dominance em
otion model. Saturation (S) and brightness (B) evidenced strong and consistent e
ffects on emotions. Regression equations for standardized variables were; Pleasu
re = .69B + .22S, Arousal = -.31B + .60S, Dominance = -.76B + .32S. Brightness e
ffects were nearly the same for chromatic and achromatic colors. Blue, blue-gree
n, green, red-purple, purple, and purple-blue were the most pleasant hues, where
as yellow and green-yellow were the least pleasant. Green-yellow, blue-green, an
d green were the most arousing, whereas purple-blue and yellow-red were the leas
t arousing. Green-yellow induced greater dominance than red-purple.
%~ /z-wcorg/
%G English
%0 Journal Article
%A Verhagen, Justus V.
%A Engelen, Lina
%D 2006
%T The neurocognitive bases of human multimodal food perception: Sensory integra
tion
%J NBR Neuroscience and Biobehavioral Reviews
%V 30
%N 5
%P 613-650
%! The neurocognitive bases of human multimodal food perception: Sensory integra
tion
%@ 0149-7634
%X This review addresses a fundamental neuroscientific question in food percepti
on: how multimodal features of food are integrated. Much research and conceptual
ization has emerged related to multisensory integration in vision, audition and
somatosensation, while it remains poorly understood and researched within the ch
emical and mouth feel senses. This review aims to bridge this gap. We discuss
the main concepts in the fields of auditory, visual and somatosensory multisens
ory integration and relate them to oral-sensory (gustatory and somatosensory) an
d olfactory (orolfactory) interactions. We systematically review the psychophysi
cal literature pertaining to intra- and intermodal interactions related to food
perception, while making explicit distinctions between peripheral and central in
teractions. As the neural bases of crossmodal orolfaction currently are poorly u
nderstood, we introduce several plausible neuroscientific models, which provide
a framework for further neuroscientific exploration in this area. We are guided
by a new meta-analysis of the odor-taste neuroimaging literature, as well as by
single-unit, anatomical and psychophysical studies. Finally, we propose strong i
nvolvement of recurrent neural networks in multisensory integration and make sug
gestions for future research.
%~ /z-wcorg/
%G English
%0 Journal Article
%A Wilkins, Amy C.
%D 2008
%T "Happier than Non-Christians": Collective Emotions and Symbolic Boundaries am
ong Evangelical Christians
%J Social Psychology Quarterly
%V 71
%N 3
%P 281-301
%! "Happier than Non-Christians": Collective Emotions and Symbolic Boundaries am
ong Evangelical Christians
%@ 01902725
%1 Full publication date: Sep., 2008
%X This article uses qualitative data (participant-observation and interviews) t
o examine happiness talk in a university-based evangelical Christian organizatio
n (University Unity). Unity Christians claim that they are happier than non-Chri
stians, but rather than viewing their happiness as a mental health outcome of th
eir participation in a religious organization, I view it as a cultural phenomeno
n--a way of talking and thinking about their emotions. I show how Unity particip
ants learn to think of themselves as happy, learn to adjust their emotional resp
onses and view their managed emotions as authentic, and learn to link happiness
to their moral selves. Unity's emotion work helps participants achieve happiness
, but because it also disallows any negative emotions, such happiness is compuls
ory. One cannot be a Unity Christian if one is not happy. In Unity, then, happin
ess is a symbolic boundary--participants see themselves as happier (and more aut
hentically so) than others--but this feeling is also material in the crafting of
more complex moral boundaries in which happiness is both sign and cause of othe
r kinds of "goodness." Happiness is an effective boundary not just because Unity
Christians themselves want to be happy, but because most members of the middle
class want to be happy, and because it builds on broader associations between ha
ppiness and morality. Inasmuch as happiness signals morality, unhappiness signal
s immorality.
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Journal Article
Woolston, H. B.
1902
Religious Emotion
The American Journal of Psychology
13
1
62-79
Religious Emotion
00029556
10.2307/1412204
Full publication date: Jan., 1902
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Journal Article
Yob, Iris M.
1995
Religious Emotion in the Arts
Journal of Aesthetic Education
29
4
23-38
Religious Emotion in the Arts
00218510, 15437809
10.2307/3333289
Full publication date: Winter, 1995
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Journal Article
Zbikowski, Lawrence M.
2010
Music, Emotion, Analysis
Music Analysis
29
1-3
37-60
Music, Emotion, Analysis
/z-wcorg/
http://worldcat.org
English
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Journal Article
Zizek, Slavoj
2003
Ideologa : un mapa de la cuestin
Ideologa : un mapa de la cuestin
9505575734 9789505575732
/z-wcorg/
http://worldcat.org
Spanish

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%0 Journal Article

canismo adaptativo no estrictamente humano encaminado a generar conductas de coh

odručju mladenačke glazbene scene izabrani su rock'n'roll i tehno gl

%@ 9780520938779 0520938771 1417510633 9781417510634 0520901754 9780520901759 12

%A Guerra Rojas, Cristin

and singing : in light of the Quraan [sic], the S

and singing : in light of the Quraan [sic], the S

El estudio examina la estructura ritual de la prctica Pentecostal, y advierte la

Con respecto al anlisis musical, este parece centrarse en aspectos de composicin y

Estudio importante acerca de lo que se considera un servicio religioso emocional a

%J International Journal of Listening

%J Environment & Behavior

%A Ravagli Cardona, Jorge Alexnder

ntrasts between religious emotions in European and American history, in other cu

%! La msica en el Movimiento Pentecostal de Chile (1909-1936): el aporte de Willi

%X The emotional response to music, or musical emotion, is a universal response

Cultural Life of the Early Polyphonic Mass:

Cultural Life of the Early Polyphonic Mass:

%1 Full publication date: Oct., 1916

%X Emotional reactions to color hue, saturation, and brightness (Munsell color s

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%0 Journal Article

canismo adaptativo no estrictamente humano encaminado a generar conductas de coh

odru&#x10d;ju mladena&#x10d;ke glazbene scene izabrani su rock'n'roll i tehno gl

%@ 9780520938779 0520938771 1417510633 9781417510634 0520901754 9780520901759 12

%A Guerra Rojas, Cristin

and singing : in light of the Quraan [sic], the S

and singing : in light of the Quraan [sic], the S

El estudio examina la estructura ritual de la prctica Pentecostal, y advierte la

Con respecto al anlisis musical, este parece centrarse en aspectos de composicin y

Estudio importante acerca de lo que se considera un servicio religioso emocional a

%J International Journal of Listening

%J Environment & Behavior

%A Ravagli Cardona, Jorge Alexnder

ntrasts between religious emotions in European and American history, in other cu

%! La msica en el Movimiento Pentecostal de Chile (1909-1936): el aporte de Willi

%X The emotional response to music, or musical emotion, is a universal response

Cultural Life of the Early Polyphonic Mass:

Cultural Life of the Early Polyphonic Mass:

%1 Full publication date: Oct., 1916

%X Emotional reactions to color hue, saturation, and brightness (Munsell color s

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odručju mladenačke glazbene scene izabrani su rock'n'roll i tehno gl