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d e c

2007 6 12

3
4
7

............................................................................ 1
.... 2

... 9
.. 14

d BWV 913 ... 19


e BWV 914 ... 42
c BWV 911 ... 60

. 79

.................................................................................................................. 82

(Toccata)

(Johann Sebastian Bach, 1685-1750)

(Wienner Urtext)
d e c
d
e
c

1536 (Lute)
(ricercare) (tastar de corde)
(Giovanni Antonio Casteliono, 1484-1557) 1
(Sperindio Bertoldo,
1530-1570) 1591
1593 (Il transilvano) 2
(Girolamo Diruta, 1554-1610)
(Andrea Gabrieli, 1510-1586)
(Giovanni Gabrieli, 1557-1612)

Intabolatura de leuto de diversi autori G.A. Casteliono 1536

Girolamo Diruta
1593 1609
3

(Claudio Merulo, 1533-1640) 3


1593 (Intonationi d organo)
(Toccata d
intavolatura d organo)4

(Gradamo Frescobaldi, 1583-1643)

1615

(tempo rubato)5
3

(Madrigal) (Mass) (Motet)


4

Toccata d intavolatura d organo 1598 1604

John Gillespie, The Five Centuries of Keyboard Music (New York: Dover Publications,
1972), 64-65.
4

1627
(pedal note) (suspension)

(Bernardo Pasquini, 1637-1710)7

(Johann Jacob Froberger, 1616-1667)

(Georg Muffat,

Firstly, that kind of style must not be subject to time. We see the thing done in modern
madrigals, which, notwithstanding their difficulties, are rendered easier to sing, thanks to the
variations of the time, which is beaten now slowly, now quickly, and even held in the air,
according to the expression of the music, or the sense of the words.
7

(Domenico Scarlatti, 1685-1757)


5

1653-1704)

(Dietrich Buxtehude,
1637-1707)

1693
(Alessandro Scarlatti, 1660-1725)

(recitative)
(variations)
(Johann Sebastian Bach,
1685-1750)

(Classical period)

(capriccio) (rhapsody)
(Ludwig van Beethoven, 1770-1827)

(Muzio Clementi, 1752-1832)


(Robert Schumann, 1810-1856) C
(Sonata Form)

(Claude
Debussy, 1862-1918) (Pour le piano, 1904) (Maurice
Ravel, 1875-1937) (Le tombeau de Couperin, 1914-1917)

(Sergr Sergeyevich Prokofive, 1891-1953)

(Arnstadt, 1703-1703) (Mhlhausen,


1707-1708) (Weimar, 1708-1714)

1700
( Johann
Christoph Bach, 1642-1703 )
(Mller manuscript)(Andreas Bach Book)

8
9

Robert Lewis Marshall, Eighteenth-Century Keyboard Music, New York: Schirmer Books,
1994, p.73.
9

8, p.74.
9

1.
A BWV 896

a BWV 922

f BWV 910

C BWV 946

c BWV 911

a BWV 947

D BWV 912/912a

A BWV 949

d BWV 913

A BWV 950

e BWV 914

b BWV 951

g BWV 915

B BWV 954

G BWV 916

B BWV 955

BWV 917

G BWV 957

c BWV 921

E BWV 993

2.
F BWV 820

a BWV 965

B BWV 821

C BWV 966

g BWV 822

a BWV 967

f BWV 823

B BWV 992

F BWV 833

e BWV 996

D BWV 963

10

dBWV913
(Heinrich Nikolaus Gerber, 1702-1775)

10

(George Grove, 1820-1900)

BWV

BWV

910

1712

914

1710

911

1714

915

1710

912

1710

916

1714

913

1708

11

10

Schulenberg David, The Keyboard Music of J. S. Bach, New York: Schirmer Books,
1992, p.74.
11

Robert Lewis Marshall, The Music of Johann Sebastian Bach: The Sources, The Style,
The Significance, New York: Schirmer Books, 1989, p.284.
11

BWV
910

ABB 12

f Toccata ex Fis.
Manualiter

911

Toccata C.

ABB

Manualiter
912

P289 13

Toccata Manualiter
Organista

913

Toccata Prima. ex

P281

Clave D
Manualiter
914

Toccata ex E.

Manualiter
915

Toccata Manualiter

P1082

In G mol
916

Toccata Manualiter

ABB

14
BWV

910

C ( B)-b"

911

CD-c'''

12

Andreas Bach Book.

13

14

14, p.285.
12

BWV

912

CDE-c'''

913

CDE-c'''

914

CD-c'''

915

CD-c'''

916

CDE-c'''

(Manualiter)

(Clavier-bung, 1788) (Manualiter)

(de facto)
15

15

Robert Lewis Marshall, The Music of Johann Sebastian Bach: The Sources, The Style,
The Significance, New York: Schirmer Books, 1989, p.283.
13

16
e

Dc

G
(Praeludium)
(prelude and fugue)

e
BWV914

17
16

1213
(clausula)
13
(Motet) mot

17

Robert Lewis Marshall, Eighteenth-Century Keyboard Music, New York: Schirmer


Books, 1994, p.75-84.
14

1 e
1-9 (a) g
(b)

(a)

(b)

15

2 c (a) d (b)
(a)

(b)

16

3 d (a) c (b)

(a)

17

4 e (a) d (b)

(a)

(b)

18

d
BWV913

d
BWV913
(Johann Gottfried Walther, 1684-1748)
(Franz Anton Hoffmeister,
1754-1812) 1801
(Wienner Urtext) (J.H.Michel)Darmstadt
Grnewald 18 Richard Fawcett
d
(Toccata prima) d

( Johann Christoph Bach, 1642-1703 ) 19


d

18

Grnewald
1728-1731
19

19 Franz Hauser In honorem delectissimi fratris Crist.


B. Ohrdruffiensis
19

d BWV913

1-32

33-120

THEMA

---

4/4

4/4

(Allegro)

121-145

(Adagio)

4/4

146-296

(Allegro)

3/4

1 32 4/4
d
1 15 4/4
15 32
5

20

5d BWV913 3-5

8 11 D
6
6 d d BWV913 8-11

1 7

d 7

7 d BWV913 15

21

15 32 1723 Darmstadt
15 (Adagio)

( imitation)
(sigh figuures) 20 18
(Empfindsamkeit)

(Phrygian)

(Carl Heinrich Graun, 1704-1759) (Der Tod Jesu,1755)


8

20

Schulenberg David, The Keyboard Music of J. S. Bach, New York: Schirmer Books,
1992, p.82.
22

8(Der Tod Jesu) 1-10

f 9

23

9 f BWV881 1-4

10 d BWV913 15-17

10 d

d
iv7 i
17
d i
28 (Presto)
(Recitative)
(Tierce de picardie) 21 11

21

(Jean-Jacques Rousseau,
1712-1778) 1767 (Dictionnaire de musique)

24

11 d BWV913 27-32

33 120 4/4
33 120

33-54

55-65

65-78

78-89

89-105

105-110

111-120

(Thema)
BBWV955
22 d

(Rondo)

22

Schulenberg David, The Keyboard Music of J. S. Bach, New York: Schirmer Books,
1992, p.82.
25

33 35 32
35
D B
D
C D 12

12 d BWV913 33-36

13

26

13 d BWV913 33-34 (a) 68-69


(b)

(a)

(b)

d 111 120

(German Style) 23 14
14 d BWV913 111-113

121 145 4/4


Grnewald Richard Fawcett (Adagio)
(Adagissimo)

15

23

19
27

15 d BWV913 120-122

124 (Aria)

142 (Presto)

16 d BWV913 142-145

146 296 3/4

28

146-165 165-182 182-199 199-229 229-252 252-270 279-284 284-296

146-150

150-157

157-165

d 33 34
17
17 d
BWV913 33-34 (a) 146-148
(b)

(a)

(b)

17 (b)
(a) 18

29


18 d BWV913 146-148

165-172

172-177

177-182

d ---a

19
19 d 111 (a) 166-167 (b)

(a)

(b)

30

182-184

184-190

191-193

193-199

a 20 183
G
20 d BWV913 180-183

G G

G
189 a V I

31

199-201

201-204

204-208

208-215

215-221

221-229

202
(Hemiola)
21 d BWV913 200-203
Hemiola

221

225

32

235-252

252-254

254-259 259-263 263-270


d ---g

229-235

22 d BWV913 240-241

270-278

278-284

284-296

33

23aBWV965 24
23d BWV913 270-272

276 278
d
d
277 278 V I 24

24 d BWV913 276-278

24

19
34


25 d BWV913 281-289
5

291 (Johann
Adam Reinken, 1643-1722) 25
aBWV965

291 293 26 a
BWV965

25

(Musica-amicus)
(Erste Unterrichtung zur Compesition)
35

26 (a)
BWV965
24-25 (b)

a BWV965

a BWV965
27
27 d BWV913 291-293
(a) (b)

36

1 32

28

1 8
6 32 28

37


28 d BWV913 6-7

8 15

22

33 120
(Carl Philipp Emanuel Bach, 1714-1788)

38

29
29 d BWV913 33-35

121 145

142

124
(arpeggio)
127 128 30

128

39


30 d BWV913 127-128

146 296

31 d BWV913 146-148

222

40

32 d BWV913 222-227

41

e
BWV914

e
BWV914 1725
(Heinrich Nikolaus Gerber, 1702-1775) 27

28

(Praeludium) 29
e BWV914

3/2

1-13

14-41

(Un poco Allegro)

4/4

42-70

(Adagio)

4/4

71-142

(Fuga)

4/4

(Allegro)

27

1724
(figured bass) 1725-6
(Das wohltemperirte Clavier)
28

Schulenberg David, The Keyboard Music of J. S. Bach, New York: Schirmer Books,
1992, p.83.
29

27, p.84
42

1 13 3/2
e
BWV914
BWV914
33

34
33 e BWV914 7-9

34 e BWV914 1-3

14 41 4/4
(motetlike
adagios) 30 (Un poco Allegro)

(double fugue)

30

28
43

14-25

25-33

33-39

39-41

14-18

18-23

23-27

e ---b

e ---a

(Alto)
(Soprano) 1
2 35 16 E

b e b (Risposta)

35 e BWV914 14-17
1

44

36 e BWV914 14-15

18
20 21 e

37 e BWV914 18-21

22 e i
(Tenor) i VI

45

27-29

29-31

31-33

e 29 31
1 2
1 g 2
a
38 e BWV914 29-31
1

G e
a

31 33
(Scalar descents) E-D-C-B-A

46

39 e BWV914 29-34

38 41
40
40 e BWV914 38-41
1

42 70 4/4

47

41eBWV914 42-62 31

42 49
51 62 63 70

4248 49
e

42 e BWV914 47-48

49 50

43

31

Schulenberg David, The Keyboard Music of J. S. Bach, New York: Schirmer Books,
1992, p.84.
48

43 e BWV914 49-50

56 D

44
44 e BWV914 65-67

71 142 4/4

71-85

85-96

96-111

111-125

125-136

136-142

49

71-78

78-80

80-85

e ---b

(Naples manuscript)
45
32
BWV579bAbBWV950-951

45 E 43-46 (a) e
BWV914 71-74 (b)

32

Schulenberg David, The Keyboard Music of J. S.


Bach (Benedetto Marcello,
1686-1739)
50

(escape
tones)
b
47
46
46 e BWV914 71-75

47 e BWV914 71-75

51

85-87

87-90

90-96

e V-i

48
48 e BWV914 91-94

52

96-104

104-111

111-115

115-125

e ---b

49
b V-i

49 e BWV914 105-106

(Subject Stretto) 50

53

50 e BWV914 113-118

125-128

128-133

133-136

136-142

51

133
52

54


51 e BWV914 124-126

52 e BWV914 136-139

53

55

53 e 47-49 (a) e
BWV914 125-127 (b)

138-139 54

54 e BWV914 136-139

56

55 e BWV914 140-142

1 13

56 e BWV914 7-9

14 41

57


42 70

71 142

58

59

c
BWV911

c
BWV911
(Johann Christian Bach, 1735-1782)
BWV912 BWV913 c

12

1.
c
(pause)
2. 1

3.

60

c BWV911

4/4

1-12

12-33

(Adagio)

4/4

33-175

(Allegro)

4/4

1 12 4/4

5
57
57 c BWV911 5-6

6
(Round) 58

61

58 c BWV911 7-8

12 334/4

c
30

59 c BWV911 7-8

c V7 VI7

62

15 c i
c V7
30 60

33 V7
61
60 c BWV911 28-30

61 c BWV911 32-33

33 1754/4

80 85

63

c BWV911

33-51

51-69

69-80

80-85

c BWV911

85-109

109-127

127-147

147-162

162-175

33-38

38-43

43-46

46-51

62

64

62 c BWV911 34-39
1

51-56

55

60-64

64-69

60

1 63

c e
63 c BWV911 51-53

65

69-74

74-76

75

80-85

80

(cadenza)

64

1 2

A
BWV949 B
BWV954
33

33

Schulenberg David, The Keyboard Music of J. S. Bach, New York: Schirmer Books,
1992, p.79.
66

64 c BWV911 69-72

(cadenza) 34
66

(figura corta) 35

(trillo)

65

34

Schulenberg David, The Keyboard Music of J. S. Bach, New York: Schirmer Books,
1992, p.80.
35

33
67

65

66 c BWV911 82-83

67 c BWV911 84-85

85-90

91-96

97-102

102-104

104-109

68


68

68 c BWV911 86-90

69 c BWV911 103-104

69

107-115

115-119

119-122

122127

36 3
70
70 c BWV911 110-111

115

36

33
70

71c BWV911 116-120

123

72 c BWV911 123-125

127-133

133-138

138-142

141-147

71

2
E

73 c BWV911 139-140

147-152

152-157

157-162

162-166

B ---f

B f

74
(Diminution)

72

74 c BWV911 146-149

156

75
75 c
BWV911 37-38 (a) 156-157
(b)
(a)

(b)

162 c

73

76

76 c BWV911 168-169

77

78
77 c BWV911 168-169

74

78 c BWV911 174-175

1.

2.
3.

4.

75


1 12

1 3 32
79
79 c BWV911 1-4

80 c BWV911 7-10

76

12 33

27
81
81 c BWV911 28-30

33 175

16

83 85
77


82
82 c BWV911 84-85

78

79

80

81



Bach, Johann Sebastian. Toccatas. Edited by Christian Eisert. Wiener Urtext, 2000.
________. Toccatas. Edited by Peter Wollny. Brenreiter Urtext, 1999.
________. Toccatas. Edited by Rudolf Steglich. Mnchen: G. Hemle Varlag, 1961.

David, Schulenberg. The Keyboard Music of J. S. Bach. New York: Schirmer Books,
1992.
Gillespie, John. The Five Centuries of Keyboard Music. New York: Dover Publications,
1972.
Kirby, Frank Eugene. Music for Piano-A Short History. Portland, Oregon: Amadeus
Press, 1995.
Marshall, Robert Lewis. Eighteenth-Century Keyboard Music. New York: Schirmer
Books, 1994.
________. The Music of Johann Sebastian Bach: The Sources, The Style, The
Significance. New York: Schirmer Books, 1989.

(Stanley Sadie)(Alison Latham)
(The Cambridge Illustrated Guide of Music)
2004
J. S. 2000

82

2000

Beversluis, John. Guide to Records: BACH. American Record Guide, Vol. 64 Issue
6, Nov/Dec 2002: 72-76.
Moore, David W.. Guide to records. American Record Guide, Vol. 61 Issue 2,
Mar/Apr 1998: 72.

Bach, Johann Sebastian. BACH & WEBER: OPERE PER PIANOFORTESchnabel.
Artur Schnabel, Piano. Compact disc. URN 22. 119. Italia: Urania, 1999.
________. RICHTER: The Authorised Recordings---BACH. Sviatoslav Richter, Piano.
Compact disc. PHILIPS 438 613-2. Germany: Philips, 1994.
________. Sonatas for da Gamba & Harpsichord. Shalev Ad-El, Harpsichord. Compact
disc. CHAN 0608. England: Chaconne, 1997.
________. ToccatasVOL.1. Glenn Gould, Piano. Compact disc. SMK87762. London:
Sony, 2002.
________. ToccatasVOL.2. Glenn Gould, Piano. Compact disc. SMK87763. Sony,
2002.
________. Toccata BWV911, Partita BWV826, Englische Suite No.2 BWV807. Martha
Argerich, Piano. Compact disc. 463 604-2. Hamburg: DG, 1980.

83



David, Hand T., and Mendel, Arthur. The New Bach Reader: A Life of Johann Sebastian
Bach in Letters and Documents. New York: W.W. Norton, 1998.
David, Schulenberg. Bach Perspectives v.4: The Music of J.S.Bach--- Analysis and
Interpretation. Lincoln: University of Nebraska press, 1995.
Hans, Tischler. The History of Keyboard Music to 1700. Bloomington: Indiana
University press, 1972.
Troeger, Richard. Playing Bach on the keyboard---A Practical Guide. Portland, Oregon:
Amadeus Press, 2003.

(Friedrich, Otto)
(Glenn Gould: a life and
variations) 1997
1999
(Guertin, Ghyslaine)(Glenn Gould pluriel)
1994

2002

J. S. BWV 812-817

2003
- a d ,

84

2000

2003

2005
2003

85