-Igor Stravinsky
-1882-1971
-The most important composer of the 20th century
-Experimented in almost all "isms"
Russian born, moved to US in 1939
-Music:
-Experimented with time and rhythm
-Used a lot of Polyrhythmic and polytonal writing
-Has a lot of folk influence
-Music from 1900-1920 still widely performed, the rest is often ignored
(includes ballets)
Expression in Art: Edvard Munch (1893)
-Arnold Schoenberg
-Austrian Composer, conductor, teacher, and artist
-Self Taught Musician
-Atonality and serial composition. Implemented the Tone Row system
-Teacher of Alban Berg, Anton Webern
-Emigration to the U.S. 1933
-Taught at USC and UCLA
-Serialism: Twelve Tone system where the tones are Mathematically arranged into
a Tone Row (no one tone is more important that the other)
-Varieties in tone row
-Transposed Row: Same pattern, but starting on a different note
-Inversion: Same thing as a transposed row, only Upside Down
-Retrograde: Play the pitches in the reverse order
-Retrograde Inversion: Upside down/backwards
-Steeped in American Musical heritage (his father played in bands during the
civil war)
-First great American composer of the 20th century
-At first started out his adult life by staring an insurance company. Ives & Co.,
later Ives & Myrick
-Ives Music:
Four Symphonies, over 100 songs
Piano Sonatas
Chamber Music
Aaron Copland (1900-1990)
-Studied in Paris, Taght in US for several decades.
-Used Jazz and popular music-often called "pops" music
-Dabbled in man "-isms" but still known for his orchestral writing.
-Wrote "What to Listen for in Music".
Music:
-Ballets: Appalachian Spring, Billy the Kid, Rodeo
-Orchestral Works: Fanfare for the Common Man
-Film Scores: Our Town
-Piano and Chamber Works
William Grant Still (1895-1978)
-Grant's music Celebrated African-American culture and arts
-Considered the first great African-American composer in the 20th century
-First symphony: the Afro-American- premiered in 1931
-Wrote for television
-Works are often influenced by other African-American artists and jazz
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-Third Movement
-Jazz influence
-Stride: An insistent bass line on the left hand of the piano