JO JUTSU

MEASURES And MATERIALS

Length: until the height of the armpit (1.20 - 1.28 m)
Material: flexible wood// BO. Tube of PVC surrounded by foam rubber.
ORIGIN
Its length was equivalent to great saber DAITO, whereas the HANBO
was equal to the KATANA. It was used to surpass in length the KATANA.
versatile Uso: It directly has movements related to other arms like:
HANBO, YARI, NAGINATA.
old Japanese Schools: KATORI SHINTO RYU, SHINDO MUSO RYU
basic School in the BUJINKAN: KUKISHINDEN RYU
TEN noncUchi (Forms of subjection)
HON YOU GATANA (in saber form)
HON YOU TSUKI (a hand to the end, the other to 50% of its length
serving as guide)
GYAKUTE: the two palms (fingers in the same direction) - down Variant
(fingers, opposite directions)
KING: (Greeting)
As much in TACHI as in SEIZA JO it is placed to the Izda.
JO - TAIHEN: (corporal Training)
TORI (JO in horizontal) drops it - UKE must take before touching it the
ground.
TORI (returned from backs) UKE sends JO to him on its head so that it
gathers it ahead.
TORI (dem) UKE holds to vertical JO in the ground, warns and it loosen,
to take it JO before it falls
TEN CHI TOBI supported on JO
MUSUBI: JO in palms D of TORI and UKE (without taking hold): to move
without she falls absorbing the movements.
ZEMPO KAITEN: sending before falling or gathering when rising.
KAMAE:
KATAYABURI (ICHI MONJI HIRA): Ahead in horizontal.
MUNENMUSHO: Vertical in a hand
OTONASHI: Behind in horizontal
CHUDAN YOKO ICHIMONJI: To our right side in horizontal
SEIGAN (Sable): Directed to its eyes as if outside a saber.
WAKI: In the hip inclined towards the ground.
HASSO (TENCHI): Vertical in the lateral one of the head.
JODAN: High zone, on the head.
GEDAN: Directed downwards.
IHEN NONCKAMAE: Guard without form;fluid; in movement.
KAGE NONCKAMAE: Located to the back.
IHEN NONCKAMAE: it corresponds to variations and possible uses of JO in
natural form in MOVEMENT (for example from MUNENMUSHO)

KIHON: (Technical Base)

SHOMEN (Vertical from it takes hold in saber)
SHOMEN (Vertical with turn on the head)
YOKOMEN (KASUMI): Lateral to they sien it
CHOKU TSUKI: MAE or USHIRO// GYAKU YOU TSUKI (to pass the
palm of the hand through the end of JO for changes: HONTE GYAKUTE)
GEDAN KAESHI (ASHI BARAI):Towards the inferior zone
AGE UCHI (from WAKI): ascending
TAKING KATATE UCHI (from YOKO ICHIMONJI, to happen behind the
neck, to advance):Technique to long distance with a single hand
HACHI NONCKAESHI (KATATE GYAKUTE): To strike in form of eight.
JUJI KAESHI (to cross the blow, from HONTE, a hand towards the
armpit): Crossed arms.
Andando (MUNENMUSHO) to work IHEN KAMAE not striking in KATATE
UCHI D (GYAKUTE) to KASUMI, supporting forearm I, and to return to
strike (at different level) taking hold already with the I.
Equal adding FURI with D (to strike end I)
UKE WAZA: (Blockades)
SHOMEN a:
a) (it takes hold saber)
b) (sweeping in Kaeshi- GYAKUTE)
YOKOMEN: lateral separating hands (45)
TSUKI: to block: CHUDAN (end down) JODAN (end arrives)
GEDAN: sweeping end down, backing down the attacked foot.
YOKOMEN: to lower to SUWARI and to elevate the slow end. (Or from
MUNENMUSHO: taking hold the superior end).
KUMI JO: (If it is not indicated: CHUDAN YOKO ICHIMONJI KAMAE D)
1. (TSUKI CHUDAN): TSUKI UKE I, TSUKI CHUDAN I.
2. (TSUKI CHUDAN): TSUKI UKE I, MAWASHI YOKOMEN D (Saber)
3. (TSUKI CHUDAN): TSUKI UKE I, to advance D: GEDAN KAESHI UCHI
D.
4. (TSUKI JODAN): TSUKI UKE I, MAWASHITE I, TSUKI CHUDAN I.
5. (SHOMEN): (WAKI D) Between its hands AGE D, JUJI KAESHI to its D.
6. (TSUKI CHUDAN): TSUKE UKE, KOTE UCHI I, between its hands to
elevate to our I, above to demolish to its back.
7. (SHOMEN) (WAKI D) Stopped in OTOSHI UKE, JUJI KAESHI D
(without moving).
8. (YOKOMEN): YOKO UKE I, to put end D between its hands, to turn foot
D backwards to demolish (OMOTE GYAKU// HON GYAKU)
9. (YOKOMEN) (SEIGAN I) to raise hand D behind the neck (YOKO
UKE), to lower I in TSUKI.
10. (YOKOMEN): To block end I down, to follow circle: FURI D with
KASUMI D.
11. (YOKOMEN): dem UKE like in 9, FURI D, to advance D: KASUMI.

12. (SHOMEN): (SEIGAN D) foot D back: to block OTOSHI with I, to slide

towards hand D (HASSO D), to advance D: SHOMEN D.
13. (TSUKI CHUDAN): (SEIGAN D) blockade D down, to turn on foot D, to
slide 180 behind: USHIRO TSUKI.
14. (SHOMEN): (IHEN D) TSUKI at its hands to block, KAESHI D
KASUMI. AGE KAESHI I to his escroto (SUWARI D), to send GANSEKI D
raising us to its armpit.
15. (YOKOMEN): (SEIGAN D) YOKOMEN UKE in SUWARI I, to elevate
loosen hand I, to coil with end I on its forearm D, to close underneath with
I, to happen to its lateral neck I, to pass arm I under JO (to close
throttling), to take to the ground.
16. (TSUKI CHUDAN) TSUKI UKE with end I in vertical, to strike by above
with D at its hands (towards end KATANA) taking the weapon (to turn foot
I back), loosen I and to alongside pass that end d of its neck, to close with
hand I, to send similar to SEOI NAGE.
JO JUTSU
KUKISHINDEN RYU
KUJI NONCHO - JO JUTSU - SHODEN KOSHIKI NONCKATA
1. DAI IPPO: (It attacks from SEIGAN, TSUKI CHUDAN)
(KATAYABURI NONCKAMAE): TSUKI UKE in FURI D, delaying foot D
until TENCHI noncKamae.
UKE attacks from DAIJODAN: SHOMEN. Without moving the feet: to
avoid and to attack SHOMEN D (foot I ahead). To continue striking in
GEDAN UCHI BARAI to its leg, while we took JO to WAKI KAMAE D.
UKE avoids raising the leg and stopping.To advance foot D striking
KASUMI D to his Is sien.
UKE attacks again in SHOMEN. To anticipate itself back turning foot I
until SUWARI CAT I and to strike in AGE UCHI to SUZU.
2. NIHO IPPO:
From HASSO NoncKamae: to advance foot D striking KASUMI UCHI D to
his Is sien.
Without changing the feet: JUJI KAESHI D to his do not sien D.
To back down foot D until WAKI noncKamae D.
To make FURI D to take later end with I.
To advance D striking: KAESHI D to his sien I.
Without moving: to pass end and hand D under armpit I.
(Attempt of SHOMEN of UKE)
To advance foot I: placing extreme D in front of the UKE face to stop its
attack slightly.
Without moving: to turn end D: TENTO UCHI.
3. JUMONJI:
From IHEN NoncKamae I: hand D back, palm arrive, hand I ahead, palm
down.
To advance foot D: to loosen hand I - To strike FURI KASUMI UCHI (to his
Is sien) GYAKUTE D and (to return with I) to strike chained DO UCHI to
his sien I.

Foot I to the Left: WAKI NoncKamae I.

To advance I towards UKE: GEDAN ASHI BARAI I
Without moving feet nor hands: TENTO UCHI D GYAKUTE.
Turning foot I backwards: FURI D on the head to retake with the I:
KASUMI UCHI D.
4. ICHIMONJI:
WAKI NONCKAMAE: hand I ahead palm down, hand D back, palm down.
From that position: to loosen hand D and to strike UKE legs, until placing
JO behind the neck on shoulders (to balance to cause the UKE attack):
To loosen hand I: to advance foot D TENTO UCHI D KATATE. Until
retaking with hand I (back).
From that position: BO FURI F: TSUKI D sliding the foot D that was
ahead.
5. KOTE GAESHI:
SEIGAN NoncKamae D: TSUKI JODAN D (TSURI ASHI).
To delay foot D: to draw up an ample circle simultaneously striking ASHI
BARAI D that we began to back down foot D and took JO backwards:
WAKI NoncKamae D.
(UKE attacks in SHOMEN)
To avoid moving foot I (TSURI ASHI): to strike in JUJI noncKaeshi: hand I
under armpit D.
6. KOTE GAESHI HENKA:
UKE attacks: GEDAN GERI to our knee D.
TORI: (SEIGAN noncKamae D) to back down leg D and to block in
GEDAN UKE D.
To move foot I to the left and to strike with end D in JUJI noncKaeshi D.
7. TACHI OTOSHI:
UKE attacks: TSUKI CHUDAN.
TORI (YOKO ICHIMONJI D) to block downwards in TSUKI UKE with end
I. To change the legs in jump (D ahead): BO FURI in the D, to strike in
KASUMI UCHI D to his sien I.
To move foot D to the right: KASUMI UCHI D.
To return to strike in: JUJI KAESHI D (DO UCHI to its D). From here: to
strike TENTO UCHI D.
8. GEDAN:
TORI: (YOKO ICHIMONJI D) - UKE: SEIGAN D.
TORI to:avanzar D striking in GEDAN UCHI D.
Without moving: AGE UCHI KINTEKI D + KASUMI UCHI D.
To advance I: KASUMI UCHI I
To advance D: AGE UCHI KINTEKI D.
GEDAN UCHI D to its knee.
To back down D: TSUKI I JODAN.
USHIRO TOBI