Context
$ I II III IV V VI VII
4
&4
$
4
&4
5 6 7 8ve
7 8ve
6 7 8ve 1 2 3 4
5
56
4
4
3
3
1 2
12
&
3
?D
II
G7
& 35
ww
7
C@
II
9
7
3
www
w
www
w
C Major tonality
G7
? D
II
II
G7
C@
53
13
G7
79
II
5
wwww3
7
C@
&
ww
3 7
G7 C@
? D
w
2
C@
ww3
w7
C@
G7
3 7
7
3
w5
ww 3
w7
13
ww
3
www
w
? D
G7
C@
C@
3 to 7 to 3 "Autumn Leaves"
3
& 3 7 w3
7 3 w7
G7
G7
7 3
C@
# 5j 9 9 5
& 44 5 9 ww5
3
7
3
5 to 9 to 5
D
G7
C@
3
?4 ww7
4
9 13 w9
& 5 9 ww5
3
7
3
9 to13 to 9
"Laura"
D
G7 C@
? 7 3 ww7
5
&
3
G7
ww
3
&
C@
G7
5 b# b9 # ww #11
73 73 ww3 6
#11
C@
73
j
7 3
D
& 35 97 ww53
w7
7 3
7
C@
13
13 9
Combinations of guide-tones
7
G7
G7
C@
9 5
# b # j
G7
C@
13
bb
bb13
b#9 7
w
7
w
b
& 53b # ww#11 J J
#
w63
7
9
b13
#9
b9
7
G7
C@
3
4
&4
?4
4
Diatonic
&
?
5
&
?
& b
?
b5
9
&
?
&
?
7
Chromatic
ww
w
w
&
?
11
ww
b9
b9
7b13
b
#9
13
&
ww
w
5
b5
# www
#11
ww
w
w
w
9
ww
w
w
11
13
&
ww5
w
ww
w
w
w
7
w
ww
w
w
9
C@
ww7
w
ww
w
ww
w
ww
w
b9
#9
b#
7#11
b9
b
n
ww
w
w
w
9
n ww
ww
w
Apply the entire set of guide-tone destinations to your approach to functional harmony.
"Wahoo" traces guide-tone lines. Here are some eome extensions of the initial idea...
3
9
9
b13
& 44 J b b b
w
& 44
bw
F7
J n
B @
G7
& b J b b j b #
& bw
& b J b b n
3
& bw
b 3
& J
&
nw
F7
& J b b
& w
B @
ww
F7
G7
J #
B @
b J n
bF7w
# F7w
G7
nBw @
nG7w
n 3 b
J
b
Bw @
b wG7
3
b n b #
J
& J
b
C
Bw @
F7
b
w
w
w
&
4
b
&4 b
b
?4 b
4
bbb
bn
b
b
n
b n
A 13
b
b
& bb bbb nb nb
b n
b
? bb bb
& bb www
F7
b
b
D@
b
n
b
G 13
bb
bb
#
E dim
b nb nb
b n
b
b b n b b
b
b
b
b
b
b
b
B E 7 E A
bb b
? bb ww
Trace the parts/guide-tone lines
Derive lines that voice lead from the guide-tone lines
D@ G
F B
b b bn