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SUBJECT MOVEMENT:
Candid 4 second, telephoto, handheld,
available light photography by Rick Doble.
Used as a central image at the SCIENAR (Science/Art) Exhibit
in Bucharest, Romania, 2010.
https://www.academia.edu/24480664/Rick_Dobles_SpaceTime_Photographs_and_Writings_with_the_European_SCIENAR_Science_Art_Project
The idea of recording motion in photography was suggested over 100 years ago by
Anton Bragaglia, a photographer associated with the Italian Futurist movement. The
idea of light in itself being the subject was suggested 50 years ago by Wynn Bullock
who spent six years, from 1959 to 1965 creating what he called "Color Light
Abstractions" on 35mm Kodachrome slides.
Time-Flow Photography Manifesto
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Anton Bragaglia (his photo above) wrote his own Manifesto in 1911, Futurist Photodynamism
(Fotodinamismo futurista)in which he described many of the same ideas that are fundamental to
Time-Flow Photography but were difficult to implement with the film and cameras of the time. He
wanted to understand unbroken movement with precision -- and he wanted to put together what
he called an "algebra of movement."
"Light to me is perhaps the most profound truth in the universe. My thinking has been
deeply affected by the belief everything is some form of radiant energy."
"Light used in its own right...gives to photography the wonderful plasticity that paint gives
to painting without loss of the unmatched reality of straight photography."
Wynn Bullock (1905 - 1975) writing about his "Color Light Abstractions"
http://www.wynnbullockphotography.com/galleries_color/color_index.html
Experimental digital photography has the potential to create abstract expressionist pictures with the
depth and quality of traditional painters but with light as the medium -- light which has characteristics
all its own.
Rick Doble, 2010
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CAMERA MOVEMENT
This photograph was created entirely with camera movement and a still shaft of light:
4 second exposure, handheld and white balance set to give the light a blue color.
By Rick Doble.
Exhibited in the Bridges Mathematical Art Galleries at the Bridges Conference in 2012.
http://gallery.bridgesmathart.org/exhibitions/2012-bridges-conference/rickdoble
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This means that difficult photographic imagery can now be crafted using a variety of
slow shutter speeds and types of movement.
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WHY A MANIFESTO?
Writing a Manifesto in which one defines the goals of a new art is in keeping with a
long held tradition in art such as the Cubist Manifesto (Du "Cubism") of 1912 or
the Symbolist Manifesto (Le Symbolisme) of 1886 or the Surrealist Manifestos of 1924
& 1929 or theDogma 95 Manifesto by avant-garde Danish filmmakers in 1995.
Manifestos have also been a tradition in photography. For example the newly formed
f/64 group, which included Ansel Adams and Edward Weston, published a highly
influential Manifesto in 1932 which still affects photography to this day.
https://en.wikipedia.org/wiki/Manifesto
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NOTE: While we have named our kind of photography of slow shutter speeds with continuous motion,
Time-Flow Photography, there may be a better name. It has been called space-time photography and
also painting with light -- but neither of these, we feel, is as clear as the term Time-Flow Photography.
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