TESS

One theme, with the smaller things underneath.

More heightened and absurd
Its about specificity.
Each section has to be a specific story. Cant be a generalized thing.
Frame it as a conversation rather than a monologue.
Gotta find the game for your Cabaret.
Tell us the thing.
RILEY
Dont have to push your niche.
Be direct.
The audience will always be funnier than you
EMMA

LARA

Too dismissive with the conversation. Its your script, learn it. Dont para-phrase. Its
really general. Nothing beats the classics *what does that mean* Needs to be more
specific and clearer.
Theres got to be a song about Classics.
Get clear. Make sure youre controlling them.
Heaps of padding.
Tell people why you like classical music.
Offer actual clear connection to the beauty of it.
Instead of connection
Take control of yourself.
Only one classical piece.
Cant get Rainer to play everything
Get Klaus more involved.
Still be really clear and specific.
Lets have the classics. ACTUALLY NO classical music is the thing. Act up the
snobbiness ?
Why did I call him Klaus. x
Need more stories. My life through classical music and the cello. Thats not
happening.
Not owning it.
Dont undercut. Be confident in it.
Right on all 3 fronts am I right ladies. x
Throw it all away.
Become passionate about it.
Classical musician rather than cellist. x
Wear nice clothes, think dapper. In a young man in a nice shirt unbuttoned, what do

we think. x
Okay,
Reveal maybe restricts me.
Or if I can do it, in some other way.
We really want to hear you play the cello and sing.
Relationship
Foreshadowing.
Make a sense of your relationship with the cello and classical music.
Explain what it means and why?
You have the game. Connect the FUCK to the cello.
An also a celebration.
We wannna know hwyt you care.